TV / DIGITAL SERIES -- FEB 2020

Episodic Lab

The Sundance Institute

INFO: The Sundance Institute Episodic Lab is a six-day program at the Sundance Mountain Resort in Utah that offers writers the opportunity to workshop an original pilot script, while developing their writing and pitching skills. Working with accomplished show runners, non-writing creative producers, and executives, the Fellows participate in one-on-one story meetings, pitching sessions, and simulated writers’ rooms, which together provide creative and strategic keys to success.

Dates: October 8–October 13, 2020

Size of Lab: 10 projects each Lab

Location: Sundance Mountain Resort, Utah

Eligibility:

  • Applicants must be 18 years of age or older at time of application.

  • The project must be the applicant’s original creation or adapted from optioned source material.

  • The project must be written in the English language.

  • The project must be new: not previously submitted to Sundance Institute, not already produced, not already sold to a third party, and not distributed online or otherwise.

  • Applicants cannot have sold an episodic project (pilot or pitch) to a studio or network in the past that has been shot.

  • The project shall not infringe the copyright or any other proprietary right of another individual or entity. The creator/applicant is responsible for all rights pertaining to the project.

Application ProcessThere are two rounds in the application process: in Round One, applicants are required to submit the first five pages of an original pilot script, their bio, a series logline, a series overview, their personal statement, a thematic statement, and (optional) links to samples of previous work, along with a $40 nonrefundable processing fee. If selected for Round Two, applicants are notified by email and have two weeks to submit their full pilot script. For further details on what the application process entails, please see our FAQ section below.

APPLICATION PERIOD: February 12 - March 11, 2020

http://www.sundance.org/programs/episodic-storytelling

Project CRE8

BET / Tracy Yvonne Productions

INFO: BET is on a nationwide search for the next great comedy television show. One winner will have their script purchased for $25,000 and will further develop the show with Tracy Oliver's Tracy Yvonne Productions for series consideration at BET.

ROUND ONE:

  • January 26, 2020 – Submissions Open 

  • March 7, 2020 – Submissions Close

  • Mid-March 2020 - Top Thirty (30) submissions announced

  • After the first round of judging, only the Top Thirty (30) submissions will advance to Round Two.

ROUND TWO

  • The Top 30 writers will be given seven days to submit a series treatment of up to five pages.

  • BET and Tracy Yvonne Productions will judge the screenplays and treatments, narrowing down the Top Thirty submissions to the Top Five for the Final Round.

FINAL ROUND

  • The Top Five finalists pitch their concept to panel of successful TV producers, writers and executives.

WINNER ANNOUNCED

  • In Spring 2020 a winner will be announced!

DEADLINE: March 7, 2020

https://www.bet.com/cre8/2020/contest.html

TV / DIGITAL SERIES -- JAN 2020

BBC Writersroom Script Room DRAMA 2020

INFO: We are especially looking for distinctive voices - and scripts that express those voices. We do not look for more of the same – we look for the writer’s ability to pull an audience into a world and hold them in it. It’s not necessarily about finding precincts or situations that have ‘never been done before’ but having an original take on stories that have the potential to have wide breadth of appeal. 

We want to see characters who are well rounded, consistent and who drive the action rather than are carried by it.  Also, a sense of storytelling ability - handling of pace, climax, mood for example. 

We look for what the script tells us about the writer as we see all scripts as a calling card to showcase a writer’s ability and talent. 

We want to see the best possible draft you can achieve. We are not looking for early/first/rough drafts of scripts. Only submit to the Script Room when your script is ready, even if it means waiting for a later Script Room submission window. 

We are looking to unearth the treasures, the page-turners, the new perspectives, the engaging dialogue and the surprising character creations. 

We want to find that special something which makes us want to read more from the person behind the project. 

Before considering making a submission, you will need to read the following information carefully. Submissions which do not meet the criteria or are in breach of the terms and conditions will be subject to disqualification without discussion.

WHAT TO SUBMIT

One drama script of at least 30 full pages in length for TV, Film, Radio, Stage or Online* with your personal details removed.

  • Your script should be saved as a single PDF document of no more than 10MB in size, with your name removed from the document.

  • If you are writing your script using Final Draft and do not know how to remove your name and contact details from your script, please refer to Final Draft's own trouble shooter.

  • If you are using Microsoft word processing and do not know how to save your file as a PDF, please refer to Office Support

(All software will come with its own user guidelines. We cannot offer technical support for third party software).

Please remember to remove your name and contact details from every page of your script. All scripts will be read “blind” i.e. without a name attached, until after the full-read stage.

*If you are submitting a sample script for Children’s TV or Online, you are welcome to submit 2 x 15 minute episodes as a single PDF document. 

HOW TO SUBMIT

Once you have clicked on the link for the opportunity, you will be asked to confirm your eligibility before entering. 

(*Please note* If you do not meet the listed criteria, you cannot enter the opportunity. If you still proceed with your application, your submission will be flagged as ineligible and you are unlikely to hear that this is the case until after the deadline has passed.) 

You will then need to fill in a simple application form along with uploading your script.  As part of this, you will need to fill in the following details:

  • TITLE of the script being submitted.

  • LOGLINE: one sentence that clearly and succinctly tells us who and what the story is about. For more information about loglines please see our blog.

  • ADDITIONAL WRITERS: State here whether it is a joint application and provide the name of the other writer involved if applicable.  Writers can submit individually or as part of a writing team of up to a maximum of 2 people. If entering as duo, both entrants must meet the entry requirements.  You cannot submit as a duo and an individual within the same window.

  • MEDIUM / GENRE: select the relevant options from the drop down lists.

  • BIO: A brief biography, up to one paragraph, of your writing to date. 

You can also include a link to a personal website and agent details but these are not required for the submission. 

OUTCOME OF THE SCRIPT ROOM

At the end of the process, a group of writers (usually between 10 and 15) will be selected to join the BBC Drama Room writer development group for 2020/21. 

Our Script Room open calls are not competitions but a means by which the BBC seeks out the best writing talent in either Drama or Comedy. We look for writers with the strongest potential to be developed and produced for BBC broadcast. You could be new to writing or new to the BBC but equally, you may be a playwright looking to write for TV, or you’ve written for radio and would like to try your hand at writing for CBBC. We understand that carving a career as a writer takes time and that each writer’s development needs will be different. 

We will also consider whether scripts have real potential to be developed further towards production. If we believe a script could be developed further by a BBC department, we will send it to them with the writer's knowledge. Original scripts written on spec' are produced extremely rarely, and writers should not send them in with the expectation that they will be produced. However, original spec' scripts are the means by which writers get noticed, so you should always write your script with the same level of commitment as if it were for production.

DEADLINE: January 6, 2020

https://www.bbc.co.uk/writersroom/opportunities/script-room

ISA Fast Track Fellowship — TV PILOT

INFO: This is the 11th season of the ISA Fast Track Fellowship. With each passing year we continue to find fresh and original voices to pair up with eight veteran industry mentors for an intense, career-launching week in Los Angeles. After the week is over, our Fellows are invited onto the ISA Development Slate for support from the Development Team for a minimum of one year! 

When the program launched, we had no idea what impact it would have on our Fellows' careers. Many of our Fellows have signed with top agents, managers and/or had their scripts optioned or purchased. There is no faster path to breaking in than getting on the Fast Track!

The ISA Fast Track Fellowship gives two undiscovered screenwriters a direct line to meet with and be mentored by eight top executives in Los Angeles. We'll fly you to L.A. and provide you the experience of a lifetime by connecting you to top industry contacts. The two Fast Track Fellows will immediately be invited onto the ISA Development Slate and work directly with the ISA Development Team for an entire year in an effort to Fast Track their careers.

OVER 60 SCRIPTS ON THE ISA DEVELOPMENT SLATE HAVE BEEN PRODUCED OR OPTIONED! 
Many more are out to top producers and many of these emerging screenwriters have received representation as a result of getting onto the Slate. 

TWO FAST TRACK FELLOWS WILL RECEIVE:

  • Mentorship Week in Los Angeles featuring 8 meetings with studio and development executives and literary agents

  • Airfare and hotel included

  • Year-long script development and guidance

  • Acceptance onto the ISA Development Slate

  • Script Diagnosis Read and Notes Session from Jessica Blank Coaching

  • A 12-Month ISAConnect Membership

  • The Craft Course in Screenwriting 

  • Fellowship announcements to various media outlets

TOP 50 WILL RECEIVE:

With the ISA Fast Track, you win the experience of a lifetime, a launching pad to a career with connections that normally take decades to create. When we fly you to Los Angeles, you'll build relationships that can lead to a paying career doing what you love! The ISA is here to give writers a shortcut to resources, support and experience that will aid in long-term career success. We encourage emerging screenwriters of all levels and backgrounds to apply.

DEADLINES / FEES:

  • Regular Deadline: Jan 09, 2020 / $59

  • Final Deadline: Feb 12, 2020 / $79

https://www.networkisa.org/contest/view/fasttrack

2019 WRITERS' ROOM PROGRAM

Sesame Workshop

INFO: Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. And we’re looking for YOU! Fresh new writing talent from underrepresented racial backgrounds. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept. Past fellows have gone on to develop their own original content with Sesame Workshop, as well as write for Sesame Street and various programs at Nickelodeon, Disney, DreamWorks, and more!

DEADLINE: January 10, 2020

https://sesamewritersroom.org/?utm_source=swr&utm_medium=email&utm_campaign=2019_1115_SWR_NowOpen&utm_content=cta

ARTIST RESIDENCY

Helene Wurlitzer Foundation

INFO: The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven guest houses, or casitas, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.

The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.

Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.

Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.

SESSIONS:

  • Session 1: Jan - Apr

  • Session 2: June - Aug

  • Session 3: Sept - Dec

DEADLINE: January 18, 2020

https://wurlitzerfoundation.org/apply

TV / DIGITAL SERIES -- DEC 2019

2020 ARTIST IN RESIDENCE PROGRAM: PLAYWRITING / SCREENWRITING

Marble House

INFO: Marble House Project is a multidisciplinary artist residency program that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. Residencies run from April through October, scheduled into six three-week residencies and one two-week family-friendly residency for artists with children. Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond.

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. All residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. A substantial amount of the food we provide comes from our organic garden, which also serves as a space for gathering and an educational tool. Residents are invited to help with planting, harvesting, and maintenance. While not required, our hope is that you will spend some time in the garden alongside your studio practice. Each session culminates with ART SEED, our public open house weekend event. Artists are invited to share their work with our community through artist talks, readings, performances, and open studios.

Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni, staff, and outside experts, and artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you. You may choose the family friendly residency only if you will be bringing your children. Family friendly applicants may select additional dates if willing to attend without your children.

Marble House Project does not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations.

Selection Process  

Our jury is composed of Marble House Project alumni and professionals within their field. We do not post the names of our jury and jury members change annually. After artists are chosen, they are specifically curated into residency groups by staff, board and outside consultants. 

Collaborators:

Two artists maximum. 

If applying as a collaborative (two artists max), please complete a single application in the discipline most applicable for your shared project. Please include both artists’ resumes in your upload and an artist statement which relates to both collaborators. Work samples should reflect both artists’ work, and/or work from previous collaborations. Collaborators should be willing to share a studio and possibly a bedroom. 

Applicant Information and Contact

1. First Name 

2. Last Name

3. Email address  This information will not be shared with our jury

4. Phone Number This information will not be shared with our jury

5. Mailing Address This information will not be shared with our jury

6. Artists Statement

Word count should not exceed one page or 250 words.  

7. Resume or CV. 

Please upload a current resume and include education history; awards, grants and fellowships received, artists' residencies attended and a list of professional achievements in your field (exhibitions, publications, performances, recordings). Please delete your address and email from this document. We want to respect the privacy of each applicant.

8. Website 

If you do not have a website, do not input this information. 

9. Statement of intent/project description

What will your focus be or what do you plan to accomplish during your residency at Marble House Project? While we are aware that this may change, it is important in shaping how each residency group is curated.  300 words limit.

10. Work Samples.

You may upload up to 15 pages writing samples. Pages must be double spaced.

11. Studio Needs

Please tell us about any special requirements you might have for your studio space. Jurors will not see this information. 

12. How did you hear about Marble House and anything else we need to know.

This question refers to anything that may be relevant to your application that is not asked in other areas. Please tell us who referred you to our program or how you heard about it.. Our jury will not see this information.

13. Residency Dates

Each session hosts eight artists and is carefully curated to bring together a group of creative workers across various disciplines, who might collaborate and learn from one another. The more dates you are available, the more flexibility Marble House Project has in curating each group. Please choose carefully because if accepted, you will be placed in a residency session that has been curated with you in mind. and it is sometimes very difficult to move people around. If your dates change, please notify us prior to January 15th. If you are applying for the family friendly residency please check that box. If you are applying for family friendly but can also attend a residency without your child/children then check each time slot that you are available. You may not apply to the family friendly residency without a child. Children should be no younger than three in order to participate in our camp for artists children. If your child is younger than three, you will need to have a partner provide childcare. Jurors will not see which sessions you apply to. Residency dates for the 2020 Artist in Residency are as follows:

  • April 13th - May 5th

  • May 11th - June 2nd

  • June 8th - June 30th

  • August 3rd - August 25

  • August 31 - Sept 22

  • October 5 - 27th

  • July 13 - July 28  Family Friendly Residency

14. For Family Friendly Residency only.

Please answer all of the questions if you are applying to our family friendly residency session.. If you are not applying to this session, please leave the answers blank. This information remains internal and is not seen by our jurors. 

15. Outreach and Statistical purposes

The questions below are for outreach and statistical purposes, and will remain confidential. Marble House Project is working hard to reach creative people in many different communities.. Although optional, we strongly encourage you to answer the questions below. Our demographic questions will help us achieve this goal in the coming years and we need your help.  

Marble House Project does not and shall not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations.  

  • Date of Birth

  • Country of Birth

  • How do you self-identify - This question refers to pronouns and anything else you choose to tell us about yourself.

  • Ethnicity Please respond in the way that most appropriately describes how you identify yourself.

  • Education What is the highest degree of education you have completed? 

SUBMISSION FEE: $35

DEADLINE: December 9, 2019

https://marblehouseproject.submittable.com/submit

Universal Animation Writers Program

INFO: The Universal Filmed Entertainment Group (UFEG) animation writing program for both film and television identifies and develops an inclusive pool of talent with unique points of view that build upon UFEG’s commitment to telling stories and creating narratives that appeal to and reflect the vast diversity of our audiences.  During the one-year paid program, Global Talent Development & Inclusion (GTDI) will partner with business units and production entities affiliated with UFEG including DreamWorks Animation, Illumination and Universal 1440 Entertainment.

Writers have the option to submit writing samples for a Film Track, or one of two Television Tracks, Kids 6-11 or Preschool 3-5. Writers selected for the Film Track will write two feature-length scripts for development consideration in collaboration with GTDI executives, animation creative executives and/or producers. Although the goal is for projects to move into development, studio development and production are not guaranteed. Additionally, writers can potentially contribute to active studio projects in development and/or production.

Writers interested in animated television may submit writing samples for either Kids 6-11 or Preschool 3-5. Each track is catered to the sensibility of the specific audience demographic, match UFEG creative executives’ varying sensibilities, and both carry equal weight in the selection process. Writers selected for either Television Track will be considered for potential staffing opportunities, though staffing is not guaranteed. Writers will develop two pilot scripts in collaboration with GTDI executives, animation creative executives and/or producers. Pilots written in the program may be considered for development, but development is not guaranteed.

Those selected for the Program will be hired under a writing service agreement requiring the participant's exclusive, full-time commitment.

DEADLINE: December 16, 2019

https://www.universaltalentdevelopment.com/universal-animation-writers

2019 WRITERS' ROOM PROGRAM

Sesame Workshop

INFO: Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. And we’re looking for YOU! Fresh new writing talent from underrepresented racial backgrounds. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept. Past fellows have gone on to develop their own original content with Sesame Workshop, as well as write for Sesame Street and various programs at Nickelodeon, Disney, DreamWorks, and more!

DEADLINE: January 10, 2020

https://sesamewritersroom.org/?utm_source=swr&utm_medium=email&utm_campaign=2019_1115_SWR_NowOpen&utm_content=cta

TV / DIGITAL SERIES -- NOV 2019

2019 Writers' Room Program

Sesame Workshop

INFO: Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. And we’re looking for YOU! Fresh new writing talent from underrepresented racial backgrounds. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept. Past fellows have gone on to develop their own original content with Sesame Workshop, as well as write for Sesame Street and various programs at Nickelodeon, Disney, DreamWorks, and more!

DEADLINE: January 10, 2020

https://sesamewritersroom.org/?utm_source=swr&utm_medium=email&utm_campaign=2019_1115_SWR_NowOpen&utm_content=cta

TV / DIGITAL SERIES -- OCT 2019

CALL FOR SCRIPTS

The New Harmony Project

INFO: The New Harmony Project is pleased to accept applications of un-produced stage play scripts, musicals, screenplays and teleplays. Our streamlined online process will facilitate you uploading your materials in only a few minutes.

What is The Project looking for in a script? We’re looking for scripts that sensitively and truthfully explore the positive aspects of life. If you’ve read our mission statement and you’re still not sure your work is right for the conference, you can gain a fuller sense of our aesthetic and philosophical interests by perusing our roster of writers and scripts that have recently found an artistic home at our conference. The New Harmony Project recognizes that we live in complex times, and we seek stories that honor a multiplicity of perspectives.

What does The Project provide? We provide a creative community and unparalleled level of artistic support. There is no cost to attend the spring conference, and all meals, travel and housing are covered. Additionally, we provide a modest stipend to participants.  

Due to the volume of applications received, we will only accept ONE script per writer.

When you are ready to complete your application, simply click the button below to be taken to our online system powered by Submittable. Once items have been submitted, we, unfortunately, will not be able to accept updates or changes. 

If you have any questions, please email submissions@newharmonyproject.org (please, no phone calls). We look forward to reading your work, and thank you for taking the time to share it with us.

DEADLINE: October 1, 2019 

newharmonyproject.org/apply

THE NYC WOMEN'S FUND FOR MEDIA, MUSIC AND THEATRE

New York Foundation for the Arts

INFO: The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, television, and live theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre is the latest in a groundbreaking series of initiatives by the City of New York Mayor’s Office of Media and Entertainment (MOME) to address the underrepresentation of those who identify as women in film, music, television, and theatre. New York Foundation for the Arts (NYFA) is proud to administer this Fund, which this year adds music as a category.

The program will provide:

  • Finishing grants for film, television, and digital projects

  • Funds for the creation of music recordings or videos

  • Production funds for live theatre

In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a strong female perspective; and/or include a female-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or female protagonist(s) or lead musical role. 

Grants will be given in the following categories (amounts listed are the maximum potential grant):

  • Fiction Feature (running time of 60 minutes or more) - $50,000

  • Fiction Short (running time of 59 minutes or less) - $25,000

  • Fiction Webisode/Webseries (all forms) - $20,000

  • Documentary Feature (running time of 60 minutes or more) - 50,000

  • Documentary Short (running time of 59 minutes or less) - $25,000

  • Documentary Webisodes/Webseries (all lengths and forms) - $20,000

  • Music: Classical/Experimental/Jazz/New Music - $20,000

  • Music General - $20,000

  • Theatre Production - grant amounts up to $50,000

In 2019, finishing funds in the combined amount of $1.5 million were awarded to 63 film, TV, theatre, and digital media projects made by creatives who identify as women.

This is the second round of a $5 million, three-year program made possible through the City of New York Mayor's Office of Media and Entertainment (MOME). The NYC Women's Fund for Media, Music and Theatre will be available for one additional award cycle opening in Summer 2020 (for 2021).

DEADLINE: October 1, 2019

https://www.nyfa.org/Content/Show/NYC-Womens-Fund

WRITERS RESIDENCY

Millay Colony for the Arts 

INFO: Each year Millay Colony for the Arts invites up to 62 individuals (including writers, poets, playwrights, screenwriters and visual artists) for residencies through the colony's application process.  

Residency sessions are held each month from April through November, usually lasting around 3 1/2 weeks, with 2 twelve-day sessions also available in June & September. In each discipline, decisions are made by juries of artists, critics and academics.  

Your work is presented anonymously to the jury and is considered solely on the merit of your artist statement and work sample. Please keep these factors in mind as you prepare your application. It is very important that you do not include your name anywhere on your artist statement or work samples as you may be disqualified if they are within the body of work shown to the jurors.  Your application will instead be assigned a number by the administration.

DEADLINE: October 1, 2019 (Midnight, EST). This deadline is for the following year of April, May, June & July residency sessions.

https://millaycolony.submittable.com/submit

TV / DIGITAL SERIES -- SEPTEMBER 2019

PitchNY

NBC Universal / Tribeca Film Institute / Governor Cuomo’s Office of Motion Picture & Television Development

INFO: PitchNY aims to cultivate New York State’s homegrown talent by expanding pathways for aspiring creators, strengthen diverse voices and showcase diverse communities through film, TV and other creative content. For the fourth year in a row this workshop will allow undergraduate and recent graduate students from New York schools to learn from filmmakers, writers, directors, and producers. Participants are given opportunities to network with their peers, hear from panels of experts and practice pitching their creative ideas one-on-one with entertainment industry representatives. 

Over the past three years, Governor Cuomo’s Office of Motion Picture & Television Development, the National Hispanic Foundation for the Arts and NBCUniversal have hosted PitchNY, a workshop that provides aspiring filmmakers, producers and writers from across New York with resources and advice and facilitates connections with entertainment experts. PitchNY aims to cultivate New York State’s homegrown talent by expanding pathways for aspiring creators, strengthen diverse voices, and showcase diverse communities through film, TV, and other creative content.

For the fourth installment of PitchNY, the Governor's Office of Motion Picture & Television Development and NBCUniversal will partner with Tribeca Film Institute as a local non-profit partner. Undergraduate and recent graduate students and aspiring filmmakers are invited to apply to participate in the two-day intensive workshop in NYC on November 7-8, 2019. PitchNY is focused on promoting diversity in the entertainment industry both by highlighting diverse content and increasing opportunity for content creators: filmmakers, producers, directors and writers. In previous years, themes of diversity reflected in participants’ work have included race, ethnicity, sexual orientation, gender identity and more.

Students apply by filling out a brief, free application online and submitting creative concepts that they will pitch at the workshop. Selected students receive travel stipends for transportation and lodging.

The event includes informational panel discussions with industry professionals and creative leaders sharing insights and guidance. In the afternoon, there is a “speed pitching” opportunity in which participants rotate tables and simulate real-life pitching situations, giving students the opportunity to share their stories and enhance their pitching skills. The purpose of these pitch meetings is professional development and educational feedback and not to sell or produce a specific project. 

DEADLINE: September 16, 2019

esd.ny.gov/pitchny

 

CALL FOR SCRIPTS

The New Harmony Project

INFO: The New Harmony Project is pleased to accept applications of un-produced stage play scripts, musicals, screenplays and teleplays. Our streamlined online process will facilitate you uploading your materials in only a few minutes.

What is The Project looking for in a script? We’re looking for scripts that sensitively and truthfully explore the positive aspects of life. If you’ve read our mission statement and you’re still not sure your work is right for the conference, you can gain a fuller sense of our aesthetic and philosophical interests by perusing our roster of writers and scripts that have recently found an artistic home at our conference. The New Harmony Project recognizes that we live in complex times, and we seek stories that honor a multiplicity of perspectives.

What does The Project provide? We provide a creative community and unparalleled level of artistic support. There is no cost to attend the spring conference, and all meals, travel and housing are covered. Additionally, we provide a modest stipend to participants.  

Due to the volume of applications received, we will only accept ONE script per writer.

When you are ready to complete your application, simply click the button below to be taken to our online system powered by Submittable. Once items have been submitted, we, unfortunately, will not be able to accept updates or changes. 

If you have any questions, please email submissions@newharmonyproject.org (please, no phone calls). We look forward to reading your work, and thank you for taking the time to share it with us.

DEADLINE: October 1, 2019 

newharmonyproject.org/apply

THE NYC WOMEN'S FUND FOR MEDIA, MUSIC AND THEATRE

New York Foundation for the Arts

INFO: The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, television, and live theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre is the latest in a groundbreaking series of initiatives by the City of New York Mayor’s Office of Media and Entertainment (MOME) to address the underrepresentation of those who identify as women in film, music, television, and theatre. New York Foundation for the Arts (NYFA) is proud to administer this Fund, which this year adds music as a category.

The program will provide:

  • Finishing grants for film, television, and digital projects

  • Funds for the creation of music recordings or videos

  • Production funds for live theatre

In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a strong female perspective; and/or include a female-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or female protagonist(s) or lead musical role. 

Grants will be given in the following categories (amounts listed are the maximum potential grant):

  • Fiction Feature (running time of 60 minutes or more) - $50,000

  • Fiction Short (running time of 59 minutes or less) - $25,000

  • Fiction Webisode/Webseries (all forms) - $20,000

  • Documentary Feature (running time of 60 minutes or more) - 50,000

  • Documentary Short (running time of 59 minutes or less) - $25,000

  • Documentary Webisodes/Webseries (all lengths and forms) - $20,000

  • Music: Classical/Experimental/Jazz/New Music - $20,000

  • Music General - $20,000

  • Theatre Production - grant amounts up to $50,000

In 2019, finishing funds in the combined amount of $1.5 million were awarded to 63 film, TV, theatre, and digital media projects made by creatives who identify as women.

This is the second round of a $5 million, three-year program made possible through the City of New York Mayor's Office of Media and Entertainment (MOME). The NYC Women's Fund for Media, Music and Theatre will be available for one additional award cycle opening in Summer 2020 (for 2021).

DEADLINE: October 1, 2019

https://www.nyfa.org/Content/Show/NYC-Womens-Fund

WRITERS RESIDENCY

Millay Colony for the Arts 

INFO: Each year Millay Colony for the Arts invites up to 62 individuals (including writers, poets, playwrights, screenwriters and visual artists) for residencies through the colony's application process.  

Residency sessions are held each month from April through November, usually lasting around 3 1/2 weeks, with 2 twelve-day sessions also available in June & September. In each discipline, decisions are made by juries of artists, critics and academics.  

Your work is presented anonymously to the jury and is considered solely on the merit of your artist statement and work sample. Please keep these factors in mind as you prepare your application. It is very important that you do not include your name anywhere on your artist statement or work samples as you may be disqualified if they are within the body of work shown to the jurors.  Your application will instead be assigned a number by the administration.

DEADLINE: October 1, 2019 (Midnight, EST). This deadline is for the following year of April, May, June & July residency sessions.

https://millaycolony.submittable.com/submit

TV / DIGITAL SERIES -- JULY 2019

NHMC TV WRITERS PROGRAM

National Hispanic Media Coalition

INFO: The NHMC Television Writers Program is an intensive scriptwriters workshop to prepare and place Latinos in writing jobs for the major television networks. The program was created in accordance with NHMC’s mission to improve the image of American Latinos as portrayed by the media, and increase the number of American Latinos employed in all facets of the media industry and with the idea that if there are more diverse writers present at the writer’s table, more diversity will be reflected on TV. 

The television scriptwriters workshop is designed to familiarize participants with the format, characters and storyline structure of specific shows that are currently on the air. The five-week, total immersion workshop is mentored and guided by former NBC V.P of Script Development, Geoff Harris and is conducted in Burbank, CA. A total of 10 writers are accepted nationwide from an established network of non-profit agencies, schools, universities, guilds and media organizations. The program normally takes place in the Fall of each year, wrapping up before Thanksgiving.

Participants must be willing to take a leave of absence from work or school, as the program is a full time commitment (Monday-Friday).

The NHMC Television Writers Program is for seasoned writers who are capable of writing at least a one half-hour comedy or a one-hour dramatic television script in English within a five-week period of time. Each selected participant is expected to complete at least one script by the end of the five-week session, which will then be read by network executives. Those writers whose scripts show promise will be interviewed and mentored by the network executives with the objective of placing them on a show. 

DEADLINE: July 20, 2019

nhmc.org/writersprogram

TV / DIGITAL SERIES -- JUNE 2019

NHMC TV WRITERS PROGRAM

National Hispanic Media Coalition

INFO: The NHMC Television Writers Program is an intensive scriptwriters workshop to prepare and place Latinos in writing jobs for the major television networks. The program was created in accordance with NHMC’s mission to improve the image of American Latinos as portrayed by the media, and increase the number of American Latinos employed in all facets of the media industry and with the idea that if there are more diverse writers present at the writer’s table, more diversity will be reflected on TV. 

The television scriptwriters workshop is designed to familiarize participants with the format, characters and storyline structure of specific shows that are currently on the air. The five-week, total immersion workshop is mentored and guided by former NBC V.P of Script Development, Geoff Harris and is conducted in Burbank, CA. A total of 10 writers are accepted nationwide from an established network of non-profit agencies, schools, universities, guilds and media organizations. The program normally takes place in the Fall of each year, wrapping up before Thanksgiving.

Participants must be willing to take a leave of absence from work or school, as the program is a full time commitment (Monday-Friday).

The NHMC Television Writers Program is for seasoned writers who are capable of writing at least a one half-hour comedy or a one-hour dramatic television script in English within a five-week period of time. Each selected participant is expected to complete at least one script by the end of the five-week session, which will then be read by network executives. Those writers whose scripts show promise will be interviewed and mentored by the network executives with the objective of placing them on a show. 

DEADLINE: July 20, 2019

nhmc.org/writersprogram

TV / DIGITAL SERIES -- MAY 2019

CALL FOR SUBMISSIONS: WRITER FOR NETFLIX TV SERIES

INFO: Triggerfish are looking for experienced African female writers on a Netflix animated TV series based in Zambia. Applicants must have had their work produced for either TV or film and should be English-speaking African citizens or permanent residents who can identify with the source material centering on four teenagers from Zambia navigating the hurdles of daily school life, while working together to save the world. Prospective writers must submit a maximum one-page letter of motivation, a CV and a script sample in English of no more than a combined 10 pages, preferably demonstrating a passion for animation and an ability to write for children in the action-comedy genre.  

DEADLINE: May 17, 2019

http://careers.triggerfish.com/

 

WRITERS ON THE VERGE

NBCUniversal

INFO: Writers on the Verge is a program focused on polishing writers and readying them for a staff writer position on a television series. We are looking for writers who are “almost there” but need that final bit of preparation with their writing and personal presentation skills. We particularly encourage writers of diverse backgrounds to apply.

The program will consist of weekly evening classes at NBCUniversal in Universal City, CA. Once accepted, students must attend all classes and turn in all written assignments.

Classes concentrate on creating exceptional material to enhance their portfolio, and understanding the dynamics of pitching oneself in the television industry. Writers are given the chance to interact with industry players ranging from network executives to show runners to agents and receive valuable feedback on their work and pitch style. Writing assignments on a NBCUniversal television show may be available after successful completion of the program but are not a guarantee. Past participants have gone on to series including “The Blacklist,” “Marlon,” “Community”, “Burn Notice”, “Brooklyn Nine-Nine”, “White Collar”, “It’s Always Sunny in Philadelphia”, “Chicago Fire” and “Parenthood.” 

DEADLINE: May 31, 2019

nbcunitips.com/writers-on-the-verge/?fbclid=IwAR1exr2k0dmnFR8ERG3i838g17MFepNUPISO3HqZKa-q2-lKNpFIbCTVX04

TV / DIGITAL SERIES -- APRIL 2019

DIVERSE VOICES SCREENPLAY CONTEST

WeScreenplay

INFO: WeScreenplay’s contest is focused on promoting and encouraging diverse voices and stories. The contest encourages stories that are told from perspectives – through the author and/or characters (ethnic minorities, women, women over 40, LGBTQ members, senior citizens, faith-driven characters, etc.) – that are often underrepresented in Hollywood today. The contest accepts Features, TV Pilots, Web Series, and Shorts.

DEADLINE: April 15th, 2019

wescreenplay.com/contests/diverse-voices

 

2019 SCRIPT PIPELINE TV WRITING CONTEST

INFO:  The 11th Script Pipeline TV Writing Competition is searching for extraordinary television writers and fresh, compelling pilots for exposure to production companies, agencies, and managers. Launched in 2008 as a response to the growing demand for new episodic content, the competition has established its role as a go-to outlet for emerging writers looking to develop their TV material or get staffed on shows. Together with the Screenwriting Competition, Script Pipeline cultivates relationships with the industry's top executives, focused specifically on finding writers representation, supporting diverse voices, championing marketable, unique storytelling, and pushing more original projects into production.

The company’s distinctive long-term facilitation process helps contest selections gain elite representation and crucial introductions to Hollywood, with $6 million in screenplays and pilots sold by competition finalists and "Recommend" writers since 2010 alone.

Finalists receive immediate circulation to Script Pipeline partners, in addition to the following:

  • $25,000 to winner, $1,000 to runner-up

  • Personal introductions to managers, producers, agents, directors, and others searching for TV writers

  • Development assistance with Script Pipeline execs

  • Additional script reviews for potential circulation

  • Long-term circulation to industry

  • Exclusive invitations to writer/industry events hosted by Pipeline Media Group

 SUBMISSION FEE: $65

DEADLINE: May 1, 2019

scriptpipeline.com/shop/tv-writing-contest

TV / DIGITAL SERIES -- MARCH 2019

THE KEROUAC PROJECT

INFO: The Kerouac Project provides four residencies a year to writers of any stripe or age, living anywhere in the world. In the past we have accepted writers with no formal writing education alongside those with MFA’s and impressive résumés. You will be judged on the quality of the writing sample you submit. Each residency consists of approximately a three month stay in the cottage where Jack Kerouac wrote his novel Dharma Bums. Utilities and a food stipend of $1,000 are included. As writer-in-residence, all you are required to do is live in the Kerouac House during your residency, work on your writing project, and participate in two events—a Welcome Potluck dinner for you, and a Final Reading of your work at the Kerouac House at the end of your residency. Should you desire them, the Kerouac Project can also offer opportunities for you to participate in other readings, lead workshops, and interact in other ways with the vibrant Central Florida literary community.

Residency Slots

Fall 2019: September 1 through November 21, 2019
Winter 2019–2020: December 1, 2019, through February 20, 2020
Spring 2020: March 1 through May 22, 2020
Summer 2020: June 1 through August 21, 2020

At the time you submit your application you will be asked which residency time slot(s) you prefer or are available for. Or you can just indicate ‘any’ if you have no specific time slot preference. 

The Application Process:

You will be required to select a category into which your submission fits. The categories are: Poetry, Play, Screenplay, Fiction/Short Story, and Nonfiction. Your writing sample must match the category. So, for example, if you are applying in the fiction category, your writing sample must only be a fiction sample. You cannot include some fiction and some poems you may have written. You are allowed one submission per category. This means you can submit to more than one category if you wish to do so. However, each submission is separate and you must complete the whole application process again for each submission.

We require a standard format for all prose submissions, fiction and nonfiction. The format is:

  • 10 pages in length.

  • 1-inch page margins.

  • 1.5 line spacing.

  • Text must be in a 12-point serif font, (preferably Times New Roman as its compact structure allows you the maximum number of words per page).

Those submitting poetry, a play, or screenplay, may continue to follow the genre conventions in their submissions, though your writing sample must also be limited to 10-pages in length. 

APPLICATION FEE: $35  

DEADLINE: March 10, 2019

kerouacproject.org/submissions/

TV / DIGITAL SERIES -- FEBRUARY 2019

HBO ACCESS WRITING FELLOWSHIP

HBO 

INFO: The HBOAccess Writing Fellowship is designed to give emerging, diverse writers the opportunity to develop a half-hour or hour script suitable for HBO or Cinemax.

The program will select up to 8 diverse writers to take part in a series of master classes held over one week in July at the HBO campus in Santa Monica. Classes will consist of discussions with HBO executives and showrunners and will focus on the craft of writing including structure, story, and character as well as the business aspects of securing an agent and effective networking. 

 PRIZE: Winners will be paired with an HBO or Cinemax development executive who will serve as his/her mentor over the course of 10 months. Mentoring can be done remotely or in person pending whichever is logistically feasible. In addition, we will hold monthly group meetings during which projects will continue to be work-shopped.

Material created during the program will be considered for production in the HBOAccess 

SUBMISSION PERIOD: February 6 – 13, 2019

filmfreeway.com/festival/HBOAccessWritingFellowship

TV / DIGITAL SERIES -- JANUARY 2019

LATE NIGHT WRITERS WORKSHOP 2019

NBC 

INFO: The NBC Late Night Writers Workshop is a multi-day program focused on exposing talented sketch and comedy writers to NBCUniversal’s late night & alternative line-up and readying them for a staff writer position. We are looking for writers who are “almost there,” but need that final bit of preparation and exposure to key industry players. We particularly encourage female writers and those of diverse backgrounds to apply. The selected writers will create new sketch material and gain insight into the dynamics of a late night writers’ room. Participants are given the chance to interact with key writers and producers from across NBCUniversal’s late night and alternative shows, as well as receive feedback on their material.   

SUBMISSION GUIDELINES:

Your sketch packet should consist of three elements:

1. 1-2 pages of topical monologue jokes. If you think it helps us, please indicate which host’s voice you have in mind (can be, but does not have to be, an NBC host). Topical news jokes and pop culture jokes should make up the bulk of your material. 

2. 2-3 refillable late night desk bits. These can be ideas for elements like Jimmy Fallon’s “Thank You Notes,” pre-taped correspondent bits like, “Jokes Seth Can’t Tell,” or multimedia bits. For this portion, please provide descriptions of the bits with examples and not scripts.  

3. 2 SNL-style sketches that are 3-5 pages each. One sketch should introduce an original character and one sketch should be topical that can touch on recent news or pop culture phenomenon. 

IMPORTANT DATES:

  •  Deadline: January 18, 2019

  • Finalist Interviews: March 2019

  • Workshop in NYC: April 2019

nbcunitips.submittable.com/submit/130881/late-night-writers-workshop-2019?fbclid=IwAR3PtAIt8pPQxmjXPGV9LtYhYc-pX-uLNgw_scVhx9O8H8-Y85QMLVj2dpc

 

NYSCA/NYFA ARTIST FELLOWSHIP 

INFO: NYFA is committed to supporting artists from diverse cultural backgrounds at all stages of their professional careers. NYSCA/NYFA Artist Fellowships, awarded in fifteen different disciplines over a three-year period, are $7,000 cash awards made to individual originating artists living and working in the state of New York for unrestricted use. These fellowships are not project grants but are intended to fund an artist’s vision or voice, regardless of the level of his or her artistic development.

2019 NYSCA/NYFA Artist Fellowship Categories:

The following categories will be reviewed; please click for discipline-specific guidelines:

o    Architecture/Environmental Structures/Design

o    Choreography

o    Music/Sound

o    Photography

o    Playwriting/Screenwriting

DEADLINE: Wednesday, January 23, 2019, 11:59 PM EST.

nyfa.org/Content/Show/Artists'-Fellowships?fbclid=IwAR0GEkRYgSde_C_kmEPgeuM67z14NHoCGSwiFBan9aIGDeVncR4MlI8Gbk0

 

CALL FOR SUBMISSIONS: FILM / TV SCRIPTS

Monkeypaw Productions 

INFO: Monkeypaw Productions – created by writer, producer, director Jordan Peele – is now accepting film and TV script submissions. 

Monkeypaw Productions is the studio behind Key & PeeleGet OutBlacKkKlansman, and upcoming projects like Us and The Twilight Zone

monkeypawproductions.com/submit

 

TV / DIGITAL SERIES -- NOVEMBER 2018

SESAME STREET WRITERS’ ROOM

 INFO: Sesame Street Writers’ Room is a writing fellowship opportunity from the creators of Sesame Street. And we are looking for YOU! Fresh new writing talent from underrepresented racial backgrounds. Emerging storytellers who are selected to join the Writers’ Room fellowship will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Learn about the 2018 fellows and speakers HERE.

ABOUT THE PROGRAM:

  • Seven to ten writers from underrepresented racial backgrounds will be selected

  • Weekly sessions will take place at the Sesame Street NYC offices in Summer 2019 (early May through mid-July)

  • Includes eight, three-hour sessions on creating original children's content

  • Learn from industry writers, producers, agents and executives

  • Complete at least one original script during the program

  • Up to two participants will have the opportunity to receive creative development deals and further mentorship

DEADLINE: December 3, 2018

https://sesamewritersroom.org/?utm_source=swr&utm_medium=email&utm_campaign=2018_1001_swr_announcement&utm_content=cta

TV / DIGITAL SERIES -- OCTOBER 2018

ARTIST RESIDENCY PROGRAM

The Millay Colony

INFO: The Millay Colony is an artists residency program in Upstate New York. We welcome 6-7 visual artists, writers, poets, playwrights, screenwriters, and composers each month between April and November. We offer a number of flexible residency formats. all including a private bedroom and studio as well as all meals. We welcome artists of all ages, from all cultures and communities, and in all stages of their career. We offer ample time to work in a gorgeous atmosphere, organizing everything an artist needs for maximum productivity.

Our seven-acre Upstate New York campus, with its lovely meadows and forest, is adjacent to the former home and gardens of poet Edna St. Vincent Millay and the exquisite Harvey Mountain State Forest. Our residents and guests have access to trails for hiking and bicycles, as well as meadows for picnics (with wild blueberry, wild thyme and a delicious mix of plants and flowers), and creeks and streams for cooling off. In the Winter, residents may choose to go cross-country skiing. We are near the towns of Chatham, NY and Great Barrington, MA.

Our chef cooks healthy delicious dinners and also provides food for residents to cook their own day-time meals. We are happy to respond to food allergies and special diets. We have a barbecue for outdoor grilling and a fire pit for smores.

The Steepletop Barn has four bedrooms and four studios with meadow and mountain views. The Main Building was featured in the July ’98 issue of Architectural Record for its sleek look and commitment to universal access. This building contains two residency suites and studios as well as common areas open to all residents, including the kitchen, dining and living areas, and a laundry room. All are fully accessible. The Main House also has a darkroom, a Yamaha U1 upright piano, a large collection of art books, two lounges, a public telephone, and WiFi. In our adjacent offices, we have a fax machine, copier, computer and printer for residents’s use. 

APPLICATION FEE: $37 

DEADLINE: October 4, 2018 

millaycolony.org/programs/residencies-artists-millay-colony-arts/apply/

TV / DIGITAL SERIES -- SEPTEMBER 2018

RADCLIFFE INSTITUTE FELLOWSHIPS

Harvard University

INFO: The Radcliffe Institute Fellowship Program is a scholarly community where individuals pursue advanced work across a wide range of academic disciplines, professions, and creative arts (including Fiction, Poetry, Nonfiction/Biography/ Autobiography/Memoir, Nonfiction/Current Issues, Playwriting or Screenwriting, and other topics). 

To be considered for a fellowship in fiction or nonfiction, applicants must have any of the following: one or more published books, contract for the publication of a book-length manuscript, or at least three shorter works (longer than newspaper articles) published. Evidence of publication in print format within the last five years is highly desirable; Web site publications are not acceptable as the only form of previously published work. Applicants should note that reviewers take into account evidence of a distinctive, original voice, richness or dimensionality of text, and coherence in the project plan. Professionals interested in writing about their work experiences should apply in the category of nonfiction. Recommendations from editors and/or agents are not acceptable.

AWARD: Radcliffe Institute fellows are in residence for a period of nine months between September 1, 2019 and May 31, 2020 and receive a stipend of $77,500 plus an additional $5,000 to cover project expenses. Applicants may apply for either one or two semesters. Single-semester Radcliffe fellows receive a $38,750 stipend plus an additional $2,500 to cover project expenses.

This is a residential fellowship; therefore, fellows are expected to reside in the Boston area for the duration of their time as Radcliffe fellows. Fellows are expected to be free of their regular commitments so they may devote themselves full time to the work outlined in their proposal. The Institute will provide office or studio space and access to libraries and other resources at Harvard University during the fellowship year. Radcliffe fellows may also be eligible to receive relocation, housing, and childcare funds to aid them in making a smooth transition to Radcliffe. Health care options are made available as needed.

DEADLINE: September 13, 2018

radcliffe.harvard.edu/fellowship-program/how-apply

TV / DIGITAL SERIES -- AUGUST 2018

NHMC TV WRITERS PROGRAM

National Hispanic Media Coalition

INFO: The NHMC Television Writers Program is an intensive scriptwriters workshop to prepare and place Latinos in writing jobs for the major television networks. The program was created in accordance with NHMC’s mission to improve the image of American Latinos as portrayed by the media, and increase the number of American Latinos employed in all facets of the media industry and with the idea that if there are more diverse writers present at the writer’s table, more diversity will be reflected on TV. 

The television scriptwriters workshop is designed to familiarize participants with the format, characters and storyline structure of specific shows that are currently on the air. The five-week, total immersion workshop is mentored and guided by former NBC V.P of Script Development, Geoff Harris and is conducted in Burbank, CA. A total of 10 writers are accepted nationwide from an established network of non-profit agencies, schools, universities, guilds and media organizations. The program normally takes place in the Fall of each year, wrapping up before Thanksgiving.

Participants must be willing to take a leave of absence from work or school, as the program is a full time commitment (Monday-Friday).

The NHMC Television Writers Program is for seasoned writers who are capable of writing at least a one half-hour comedy or a one-hour dramatic television script in English within a five-week period of time. Each selected participant is expected to complete at least one script by the end of the five-week session, which will then be read by network executives. Those writers whose scripts show promise will be interviewed and mentored by the network executives with the objective of placing them on a show. 

AWARD: $250 per week (plus Southwest Airline vouchers, housing, and meals will be provided to accepted participants who hail from out of state). 

DEADLINE: August 5, 2018

nhmc.org/writersprogram

TV / DIGITAL SERIES -- JULY 2018

NHMC TV WRITERS PROGRAM

National Hispanic Media Coalition

INFO: The NHMC Television Writers Program is an intensive scriptwriters workshop to prepare and place Latinos in writing jobs for the major television networks. The program was created in accordance with NHMC’s mission to improve the image of American Latinos as portrayed by the media, and increase the number of American Latinos employed in all facets of the media industry and with the idea that if there are more diverse writers present at the writer’s table, more diversity will be reflected on TV. 

The television scriptwriters workshop is designed to familiarize participants with the format, characters and storyline structure of specific shows that are currently on the air. The five-week, total immersion workshop is mentored and guided by former NBC V.P of Script Development, Geoff Harris and is conducted in Burbank, CA. A total of 10 writers are accepted nationwide from an established network of non-profit agencies, schools, universities, guilds and media organizations. The program normally takes place in the Fall of each year, wrapping up before Thanksgiving.

Participants must be willing to take a leave of absence from work or school, as the program is a full time commitment (Monday-Friday).

The NHMC Television Writers Program is for seasoned writers who are capable of writing at least a one half-hour comedy or a one-hour dramatic television script in English within a five-week period of time. Each selected participant is expected to complete at least one script by the end of the five-week session, which will then be read by network executives. Those writers whose scripts show promise will be interviewed and mentored by the network executives with the objective of placing them on a show. 

AWARD: $250 per week (plus Southwest Airline vouchers, housing, and meals will be provided to accepted participants who hail from out of state). 

DEADLINE: August 5, 2018

nhmc.org/writersprogram

 

MACRO EPISODIC LAB

The Black List

INFO: MACRO and the Black List offer writers of color the opportunity to develop and produce an original digital or television pilot script. Our mission is to discover and empower episodic storytellers with the proper creative tools, resources, and access needed to help launch their careers.

In partnership with Emmy Award-winning writer Lena Waithe and Actress/Producer/Director Eva Longoria, MACRO aims to amplify fresh voices that are rooted in authenticity, creativity and excellence. Applications will be accepted from June 6 - August 6. Up to three (3) winners will receive development support and a pilot presentation or sizzle at a budget of up to $30,000 each.

We look forward to hearing from and supporting the next generation of game changers, rule breakers, and brilliant minds that exist at the intersection of craft and culture.

DEADLINE: August 6, 2018

https://episodiclab.staymacro.com/

TV / DIGITAL SERIES -- JUNE 2018

NHMC TV WRITERS PROGRAM

National Hispanic Media Coalition

INFO: The NHMC Television Writers Program is an intensive scriptwriters workshop to prepare and place Latinos in writing jobs for the major television networks. The program was created in accordance with NHMC’s mission to improve the image of American Latinos as portrayed by the media, and increase the number of American Latinos employed in all facets of the media industry and with the idea that if there are more diverse writers present at the writer’s table, more diversity will be reflected on TV. 

The television scriptwriters workshop is designed to familiarize participants with the format, characters and storyline structure of specific shows that are currently on the air. The five-week, total immersion workshop is mentored and guided by former NBC V.P of Script Development, Geoff Harris and is conducted in Burbank, CA. A total of 10 writers are accepted nationwide from an established network of non-profit agencies, schools, universities, guilds and media organizations. The program normally takes place in the Fall of each year, wrapping up before Thanksgiving.

Participants must be willing to take a leave of absence from work or school, as the program is a full time commitment (Monday-Friday).

The NHMC Television Writers Program is for seasoned writers who are capable of writing at least a one half-hour comedy or a one-hour dramatic television script in English within a five-week period of time. Each selected participant is expected to complete at least one script by the end of the five-week session, which will then be read by network executives. Those writers whose scripts show promise will be interviewed and mentored by the network executives with the objective of placing them on a show. 

AWARD: $250 per week (plus Southwest Airline vouchers, housing, and meals will be provided to accepted participants who hail from out of state). 

DEADLINE: August 5, 2018

nhmc.org/writersprogram

TV / DIGITAL SERIES -- MAY 2018

CBS WRITER’S MENTORING PROGRAM

The CBS Diversity Institute

INFO: CBS’ Diversity Institute has launched a six-month writers program to provide access and opportunities for talented and motivated diverse writers. The focus of the program is on opening doors: providing opportunities to build relationships with network executives and show runners; to support new and emerging writers in their efforts to improve their craft; and to develop the interpersonal skills necessary to break in and succeed. Each participant will be teamed with a mentor (a CBS network or studio executive) with whom they will meet on a regular basis, to discuss their work, get creative feedback on their material and get advice and support in furthering their career. In addition, participants will be invited to attend a small workshop-style meeting once a week with various CBS show runners and other industry professionals and will be given the opportunity to spend time observing in a writing room, as well as in the CBS current and development departments.

DEADLINE: May 1, 2018

cbscorporation.com/diversity/diversity-institute/writers-mentoring-program/

 

2018 SCRIPT PIPELINE TV WRITING CONTEST

INFO:  The 11th Script Pipeline TV Writing Competition is searching for extraordinary television writers and fresh, compelling pilots for exposure to production companies, agencies, and managers. Launched in 2008 as a response to the growing demand for new episodic content, the competition has established its role as a go-to outlet for emerging writers looking to develop their TV material or get staffed on shows. Together with the Screenwriting Competition, Script Pipeline cultivates relationships with the industry's top executives, focused specifically on finding writers representation, supporting diverse voices, championing marketable, unique storytelling, and pushing more original projects into production.

The company’s distinctive long-term facilitation process helps contest selections gain elite representation and crucial introductions to Hollywood, with $6 million in screenplays and pilots sold by competition finalists and "Recommend" writers since 2010 alone.

Finalists receive immediate circulation to Script Pipeline partners, in addition to the following:

  • $25,000 to winner, $1,000 to runner-up
  • Personal introductions to managers, producers, agents, directors, and others searching for TV writers
  • Development assistance with Script Pipeline execs
  • Additional script reviews for potential circulation
  • Long-term circulation to industry
  • Exclusive invitations to writer/industry events hosted by Pipeline Media Group

 SUBMISSION FEE: $60

DEADLINE: May 1, 2018

scriptpipeline.com/shop/tv-writing-contest

 

BET & COLORCREATIVE SCRIPT TO SCREEN CONTEST

BET / ColorCreative / ABFF

INFO: ABFF is excited to announce the 1st annual BET and ColorCreative Script to Screen Contest, launched in partnership with the American Black Film Festival.

BET, the most prominent television network for the African American audience, has partnered with Issa Rae’s initiative, ColorCreative, to find an emerging and diverse writer with an original comedy or drama pilot script. If chosen as the winner, one writer will have the opportunity to have their script produced for the screen.

We are looking for writers whose creative ideas best showcase their individuality and unique point of view. The pilot must explore an important and/or an untapped part of the Black experience that YOU think would fit BET’s programming and audience. Your series can be about anything as long as you stay true to the culture and are specific about your theme and perspective.

BET and ColorCreative will select 3 Finalists to receive a trip to the 2018 American Black Film Festival (ABFF) in Miami from June 13-17th, where they will have an opportunity to network, attend round-table sessions with industry veterans, and enjoy a private luncheon with executives from both BET and ColorCreative.

PRIZE: Following the festival, each Finalist will be given notes on the pilot and have several weeks to submit a revised draft. The Grand Prize winner will have their pilot script purchased for $25,000 and a chance for the script to be produced by ColorCreative for BET.

DEADLINE: May 2, 2018

http://www.abff.com/bet-and-colorcreative-script-to-screen-contest/

 

WRITERS ON THE VERGE

NBCUniversal

INFO: Writers on the Verge is a 12-week program focused on polishing writers and readying them for a staff writer position on a television series. NBCUniversal is looking for writers who are “almost there” but need that final bit of preparation with their writing and personal presentation skills. We particularly encourage writers of diverse backgrounds to apply.

 The program will consist of two night classes, which will typically be held on Tuesdays and Thursdays (7-10pm), weekly at NBCUniversal in Universal City, CA. Once accepted, students must attend all classes and turn in all written assignments.

Classes concentrate on creating an exceptional spec & pilot script and understanding the dynamics of pitching oneself in the television industry. Writers are given the chance to interact with industry players ranging from network executives to show runners to agents and receive valuable feedback on their work and pitch style. Writing assignments on a NBCUniversal television show may be available after successful completion of the program but are not a guarantee. Past participants have gone on to series including "The Black List," “Community”, “Burn Notice”, “Brooklyn Nine-Nine”, “White Collar”, “It’s Always Sunny in Philadelphia”, “Chicago Fire” and “Parenthood.” 

DEADLINE: May 31, 2018

nbcunitips.com/category/programs/writers/

 

NHMC TV WRITERS PROGRAM

National Hispanic Media Coalition

INFO: The NHMC Television Writers Program is an intensive scriptwriters workshop to prepare and place Latinos in writing jobs for the major television networks. The program was created in accordance with NHMC’s mission to improve the image of American Latinos as portrayed by the media, and increase the number of American Latinos employed in all facets of the media industry and with the idea that if there are more diverse writers present at the writer’s table, more diversity will be reflected on TV. 

The television scriptwriters workshop is designed to familiarize participants with the format, characters and storyline structure of specific shows that are currently on the air. The five-week, total immersion workshop is mentored and guided by former NBC V.P of Script Development, Geoff Harris and is conducted in Burbank, CA. A total of 10 writers are accepted nationwide from an established network of non-profit agencies, schools, universities, guilds and media organizations. The program normally takes place in the Fall of each year, wrapping up before Thanksgiving.

Participants must be willing to take a leave of absence from work or school, as the program is a full time commitment (Monday-Friday).

The NHMC Television Writers Program is for seasoned writers who are capable of writing at least a one half-hour comedy or a one-hour dramatic television script in English within a five-week period of time. Each selected participant is expected to complete at least one script by the end of the five-week session, which will then be read by network executives. Those writers whose scripts show promise will be interviewed and mentored by the network executives with the objective of placing them on a show. 

AWARD: $250 per week (plus Southwest Airline vouchers, housing, and meals will be provided to accepted participants who hail from out of state). 

DEADLINE: August 5, 2018

nhmc.org/writersprogram