TV / FILM — DECEMBER 2024

BBC WRITERS OPEN CALL

BBC

DEADLINE: December 3, 2024

INFO: Our Open Call is not a competition but a means by which the BBC seeks out the best writing talent. We look for writers with the strongest potential to be developed and produced for BBC broadcast. You could be new to writing or new to the BBC but equally, you may be a playwright looking to write for TV, or you’ve written for radio drama and would like to try your hand at writing for CBBC. We understand that carving a career as a writer takes time and that each writer’s development needs will be different. We receive many thousands of scripts every year and can only focus on the writers who we feel have the most potential.

WHAT DO WE LOOK FOR?

In our Open Call we are not looking for projects to commission or produce. We are looking for writers to develop rather than specific projects. We look for what the script tells us about the writer. We see all scripts as a calling card to showcase a writer’s talent, ability, and voice.

We are especially looking for distinctive voices - and scripts that express those voices. We do not look for more of the same – we look for the writer’s ability to pull an audience into a world and hold them in it. It’s not necessarily about finding precincts or situations that have ‘never been done before’ but having an original take on stories that have the potential to have wide breadth of appeal.

We are looking for characters who are well rounded and consistent and who drive the narrative rather than serve it. We are looking for a sense of storytelling ability - handling of pace, climax, mood. We are looking to unearth the treasures, the page-turners, the new perspectives, the engaging dialogue and the surprising character creations.

We want to find that special something that makes us want to read more.

We look for what a writer can deliver in script form rather than unscripted ideas. We want to see the best possible draft you can achieve. We are not looking for early/first/rough drafts of scripts. Only submit a script to our Open Call when your script is ready, even if it means waiting for a later submission window.

We may also consider whether a script has real potential to be developed further towards production. If we believe a script could be developed further by a BBC department, we will send it to them with the writer's knowledge. Original scripts written “on spec” are produced extremely rarely, and writers should not send them in with the expectation that they will be produced. However, original spec' scripts are the means by which writers get noticed, so you should always write your script with the same level of commitment as if it were for production.

WHAT SHOULD YOU SUBMIT?

In our Open Call we accept:

• Drama or Comedy/Drama scripts written for Film, TV, Radio, Stage or Children’s TV/Radio scripts which are a minimum of 30 pages long (excluding title/character pages).

• Scripts will be read anonymously i.e. without a name attached, until after the full-read stage so please remove any personal details (name, address, contacts etc) from the front page of the script or within the document itself.

• A paragraph about your writing history (max. 250 words). You do not need to have any credits or professionally produced work, we just want to understand your passion for writing.

• A paragraph on what you hope to get out of our writer development programme (max. 250 words).

To help writers prepare their Open Call application before submitting, we’ve provided a downloadable document detailing the steps of the process. Click on the link below:

• Open Call: E-Submissions Application Preview

• Please note this list is only for reference. You’ll still need to complete your application via the BBC E-Submissions system which also includes sections on data usage and equality monitoring. To see a preview of how the application form looks within the E-submissions system please watch the video available on our E-Submissions: Help & FAQs page

• Watch the Help Video - Entering an Opportunity 

• Entries must be written in English. If you submit any part of a script in another language you must also include your own translation of this into English. Your application must be legibly typed and formatted.

• Read the Medium and Format guidelines for more guidance.

• Please note: All writing software will come with its own user guidelines. We cannot offer technical support for third party software.

• Read the Open Call Terms and Conditions for further details on what we accept.

WHAT DO WE NOT ACCEPT?

We do not accept any of the following:

• Scripts from overseas – we are looking for writers with whom the BBC can develop a strong working relationship and who have something to say that will appeal to British audiences. You may be a non-British-born writer, but you must be resident in the UK, Channel Islands, Isle of Man or Republic of Ireland.

• Scripts from writers under the age of 18.

• Submissions by email or post – when our Open Call is open for submissions, we can only accept scripts online via our E-Submissions system. Postal submissions are not possible under any circumstances.

• Scripts previously submitted to our Open Call (or Script Room) opportunity, including resubmissions of work which has since been re-written and further episodes of a series or serial which has previously been submitted. This also covers submissions sent when we were previously branded 'BBC Writersroom'.

• Ideas, pitches, outlines, synopses, or treatments on their own – we must always receive a script with every submission. Samples or extracts from scripts are not eligible either. We want to see a full script or episode.

• Multiple episodes or separate short scripts which together add up to 30 pages or more of script.

• Multiple submissions from an entrant.

• DVDs, videos, CDs, audio tapes, or any video/audio material (whether it accompanies a script or otherwise). Any links to video/audio content will not be considered in the reading process.

• New scripts written for existing or previously produced shows and/or characters (for example scripts of Doctor Who, EastEnders, Sherlock or using characters from these shows).

• (Visit the BBC Studios TalentWorks website to find out more about opportunities to write for one of the BBC's Continuing Dramas or cosy crime shows.)

• Short stories, novels, unpublished prose manuscripts, poetry or work you wish to have adapted into a script.

• Adaptations for broadcast of another writer’s idea (including adaptations of other writers’ novels).

• Comedy sketch shows and pure narrative comedy series or sitcoms.

Please see BBC Comedy Commissioning’s website for the latest updates on Comedy opportunities.

Read the Open Call Terms and Conditions for further details on what we do not accept.

bbc.co.uk/writers/opportunities/open-call

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LITERARY ARTS GRANTS

South Arts

DEADLINE: December 4, 2024

INFO: As part of its Literary Arts Initiative, South Arts is excited to announce grants for literary arts projects for writers and publishers. These grants deepen our commitment to amplifying literary traditions and practices of the American South through directly funding the initiation, development, and completion of literary arts projects in poetry, fiction, creative or literary nonfiction, young readers’ literature, and drama (playwriting and screenwriting).

Literary Arts Grants will be made to writers, independent literary publishers, and small presses: 

• LITERARY ARTS GRANTS FOR WRITERS: South Arts will award literary grants up to $5,000. Applicants (writers or organizations) must apply through Salesforce and include writing samples and other required attachments specified in these Guidelines.

• LITERARY ARTS GRANTS FOR PUBLISHERS: South Arts will award literary arts grants up to $5,000 to support Southern independent publishers and small presses. Applicants must apply through Salesforce and include the publisher’s representative work samples and other required attachments as specified in these Guidelines. 

IMPORTANT DATES:

• Deadline to Apply: 12/4/2024

• Awards Announced: February 2025

• Funding Cycle: March 1, 2025 – August 30, 2026 (18 months)

The award announcement may be earlier or later than the date listed above, depending on the number of applications and judging process.

Applicants who are not selected for an award will receive notification via the email on their application form before the award announcement.  

South Arts reserves the right to not consider incomplete or improperly submitted applications without informing the applicant.  

Judges do not communicate any information or details of their review. Given the volume of applications received, South Arts cannot provide individual feedback on the application and from the panel.

Applicants who move from the South Arts Region after they submit their application are encouraged to notify South Arts and will not be eligible to receive a grant award. 

WHO IS ELIGIBLE?

ELIGIBLE ENTITIES

• All applicants are eligible to receive only one grant award.

• Current, full-time resident or Headquartered in the South Arts Region (Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, The Carolinas, Tennessee) both at the time of application and at receipt of the award.

For Writers

• One application per artist or arts organization per funding cycle will be accepted.

• Applicant artists must be 18 years of age or older.

• Applicant artists must not be enrolled in a literary arts/writing academic program at time of application and at receipt of award.

• Current, full-time residents for at least the prior 12 months s of the South Arts region (Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, The Carolinas, Tennessee) both at the time of application during the project period.

• Works authored by more than one person are ineligible.

For Literary Arts Organizations

• For Publishers: Independent nonprofit publishers and small presses including journals.

• Based in the South Arts Region for at least the prior 12 months (Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, The Carolinas, Tennessee) both at the time of application and during the project period.

• Other non-profit organizations with a literary arts mission.

INELIGIBLE ENTITIES

• Units of government

• Colleges/Universities are ineligible to apply for this grant.

UNALLOWABLE ACTIVITIES

• General operating support. 

• Support for a full season of programming. 

• Courses or coursework in degree-granting or continuing education institutions. 

• Literary publishing that does not focus on contemporary literature and/or writers. 

• Publication of books, exhibition of works, or other projects by the applicant organization's board members, faculty, or trustees. 

• Projects for which no curatorial, juried, or editorial judgment has been applied to the selection of artists or art works. 

• Social activities such as receptions, parties, galas, community dinners, picnics, and potlucks. 

• Costs of entertainment, including amusement, diversion, and social activities and any associated costs are unallowable; generally, this includes activities at venues such as bars, wineries, and breweries where the consumption of alcohol/social activity is the primary purpose of the venue. 

• Awards to individuals or organizations to honor or recognize achievement. 

• Commercial (for-profit) enterprises or activities, including arts markets, concessions, food, t-shirts, artwork, or other items for resale. This includes online or virtual sales/shops. 

• Construction, purchase, or renovation of facilities.

• Sub-granting or regranting.

UNALLOWABLE COSTS

• Cash reserves and endowments. 

• Startup costs or other costs associated with establishing new organizations. 

• Alcoholic beverages or other hospitality costs. 

• Purchase and/or use of gift cards and gift certificates to support project costs.

• Gifts and prizes, including cash prizes as well as other items with monetary value (e.g., electronic devices, gift certificates).

• Contributions and donations to other entities, including donation drives.

• General miscellaneous or contingency costs. 

• Fines and penalties, bad debt costs, deficit reduction.  

• Marketing expenses that are not directly related to the project.  

• Audit costs. 

• Rental costs for home office workspace owned by individuals or entities affiliated with the applicant.

• The purchase of vehicles.

• Costs incurred before the beginning or after the completion of the official project period. 

MATCHING REQUIREMENTS

All grants require a 2:1 cost share. South Arts matches $2 for every $1 the applicant contributes towards project costs.

Grants will pay up to 2/3 of the total cost of the opportunity, with a maximum award of $5,000. The applicant must cover remaining expenses, and South Arts requires a 2:1 match (2 South Arts: 1 grantee). Artists may include their own cash in the match. Examples:  

1. Total Project Cost- $6,000, the applicant can request up to $4,000 and contribute the remaining $2,000 of funds through a combination of their own cash and other contributions. 

2. Total Project Costs are $15,000:  The applicant can request up to $5,000 and contribute the remaining $10,000 of funds through a combination of their own cash and other contributions.

3. Toal Project Costs are $3,000:  The applicant can request up to $2,000 and contribute the remaining $1,000 of funds through a combination of their own cash and other contributions. 

Budget details should identify the source of funds (including self-funding, private contributions, institutional stipends, or additional grant funding) not requested from South Arts.

Total projected expenses must meet or exceed the request by 50%. 

Funds can be used for these eligible expenses directly related to participation in proposed activities:

• For Organizations:  Itemize project personnel costs 

• Travel (itemize air, ground, lodging, per diem, visa services) 

• Equipment rental (itemize all equipment rental expenses) 

• Office expenses (itemize supplies, and shipping/postage) 

• Services/professional fees (itemize editorial, graphic design, photography/videography, financial, publishing, production, and distribution services, etc.) 

• Marketing 

• Facility expenses (itemize rent, space rental, utilities) 

• Insurance 

• Childcare or elder caregiver service costs that arise as a result of applicant planning and executing the proposed project 

southarts.org/grants-opportunities/literary-arts-granthttps://www.southarts.org/grants-opportunities/literary-arts-grant

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2025 NRDC CLIMATE STORYTELLING FELLOWSHIP

The Black List / Natural Resources Defense Council

DEADLINE: December 5, 2024

INFO: The Black List is thrilled to announce that it has partnered with NRDC’s (Natural Resources Defense Council) Rewrite the Future program, The Redford Center, The CAA Foundation, and NBCUniversal to launch the fourth annual NRDC Climate Storytelling Fellowship.

The Fellowship will grant $20,000 each to three writers (or writing teams) to support revision of a feature screenplay or pilot that engages with climate change in a compelling way through events, actions, character, emotions, plot, and/or setting.

In addition, NRDC will connect each fellowship recipient with the following professionals for feedback and guidance on their scripts:

• A credited professional screenwriter with an interest in climate storytelling

• A climate story consultant from NRDC’s Rewrite the Future program to advise on effective approaches to climate storytelling that are entertaining and impactful

• As applicable, one or more NRDC experts to advise on climate issues highlighted in the script.

• After receiving these consultations, Fellows have six (6) months to complete a revision of their script.  Revised scripts may be reviewed for development by prominent studios, agencies and/or production companies including Creative Artists Agency (CAA), Hyperobject Industries, Yellow Dot Studios, NBCUniversal, United Talent Agency (UTA) and WME among others. Writers will retain all rights to their work.

• At the end of the Fellowship, each recipient will provide NRDC with a short reflection of how the fellowship has advanced their work and/or career in addition to a revised version of their script including an overview of the changes they made during the revision process.

Writers who opt in with a qualified screenplay or pilot will receive one free month of hosting and one free evaluation. To be considered for the fellowship, a script should engage with climate through events, actions, character, emotions, plot, and/or setting. All qualified submissions will receive a fee waiver; you will receive a notification whether your submission has been approved or rejected for a fee waiver within three weeks of submission. Scripts must be submitted by December 5, 2024. 

Writers who are interested in submitting to the 2025 NRDC Climate Storytelling Fellowship may do so below. Scripts submitted via email cannot be accepted. Please note that submissions will only be accepted if the writer also includes a short description of how their script qualifies as a climate story. 

Once their submissions are accepted, qualified screenplays and pilots will receive a fee waiver for one free month of hosting and one free evaluation and automatically be opted into consideration for the program.

Each fellowship recipient will retain complete ownership of their work.

WHAT MAKES A COMPELLING CLIMATE STORY?...

The script can be in any genre, but climate change and solutions must influence action and/or impact characters.

Climate storytelling highlights the ways that climate change affects characters, influences choices, and/or drives action.  A climate story acknowledges that we already live in a climate-altered world and are grappling with the impacts to our homes, health, communities, and jobs. We would love to see stories that highlight communities most impacted by the climate crisis and/or stories that feature characters and communities working toward solutions.

We worry about climate change. We feel shame and grief about it. We talk about it with our partners and friends. People discuss whether it makes sense to have children, or wonder where the safest place is to live, or what they can possibly do to help.

Climate can be a central factor in motivating characters and driving plot. The story and genre options are limitless because climate can touch every aspect of life, from food, health, and relationships to justice, jobs, and national security.

Many climate stories in mainstream entertainment depict extreme weather disasters, societal breakdown, and apocalypse. That dark and narrow vision is understandable, and it can be entertaining, but if all the climate stories we see show characters stuck in despair, or in dystopian futures, it reinforces the view that there’s no way out. It also overlooks the enormous potential for original content that illuminates the more complex and nuanced human reality of the climate crisis, including stories about people fighting for a healthier, more equitable and sustainable future.

We need it all–the bleak and the inspirational, the fantasies, dramas, comedies, and rom-coms. It is the power and privilege of writers to show us how climate change is transforming our world, and to help us find a path to salvation. This program aims to support well told stories with climate themes that entertain viewers and allow them to engage with the range of emotions caused by the climate crisis. Our general frame is that if a story works artistically, it’s a great way to approach climate and we hope that submitted scripts continue to reflect a diversity of characters, settings, and tones.

We encourage you to clearly highlight your script’s climate connection in your submission materials, as only qualifying scripts will receive a script waiver.

Note: For TV pilot submissions, applicants who make the short list must also provide a long synopsis or treatment describing the primary story arcs and how the climate themes will be developed throughout the show. Shortlisted candidates will be reached out to by March 1, 2025. 

Note: To submit an updated version of your script, please upload it to the Black List directly BEFORE December 5, 2024 at 11:59pm. RTF is not able to accept scripts via email and only scripts submitted via the Black List will be considered. 

THE SELECTION PROCESS: Writers who meet the submission requirements will be able to opt into consideration via the Black List website until midnight on December 5, 2024. All qualifying scripts submitted before the deadline will receive one free script evaluation and one free month of hosting for their scripts. Based on the strength of their scripts as determined by the Black List’s script evaluations, a long list will be invited to submit a one-page personal statement and professional resume by March 2025. From there, a short list will be determined. Writers who make the short list may be asked to conduct a short interview and three fellowship recipients will be selected no later than April 30, 2025.

IS MY SCRIPT ELIGIBLE FOR CONSIDERATION?

ELIGIBLE:

• Scripts that have been previously reviewed on The Black List

• Scripts that were submitted for previous cycles of the NRDC Climate Storytelling Fellowship

• Scripts by international writers (scripts must be submitted in English)

• Scripts by writers who are with or without representation

• Scripts of any genre (as long as they include climate!)

• Pilots for episodic series or feature scripts

• Adapted work, although we recommend securing an option or permission for the original material

NOT ELIGIBLE:

• Content created as part of a commercial campaign

• Incomplete scripts—please upload a completed draft of an original feature film script or pilot teleplay

• Stage plays or musical scripts

• Novels, Podcasts, Games or VR/AR Experiences

WRITER'S RESOURCES:

• Rewrite the Future: Learn more about Rewrite the Future, NRDC’s initiative to help Hollywood take on the climate crisis. Watch their Sundance panels (presented by NRDC and the Black List) for tips and resources to guide your writing.

• The Last Laugh: Comedy in the Age of Climate Change (Sundance 2024) featured Quinta Brunson (“Abbott Elementary”) in conversation with Mike Schur (“The Good Place,” “Parks and Recreation,” “Brooklyn 99”) about tackling tough topics through comedy, why laughter is the best medicine, and how climate change can unlock creative opportunities.

• The Big Picture: Representing Our Climate-Altered World On-Screen(Sundance 2023) brought together a panel of Hollywood professionals to discuss creative strategies for representing climate in film and on TV.

• More Than a Feeling: Climate Emotions in Film & TV (Sundance 2022) brought together mental health experts and Hollywood storytellers to discuss how to represent climate emotions in entertainment to better reflect our lived responses to the crisis.

• Beyond Apocalypse: Alternative Climate Futures in Film and TV(Sundance 2021) gathered filmmakers and climate leaders to discuss how entertainment stories can help us see, feel, and build the climate future we want.

• Sustainability Onscreen Tipsheet: This tipsheet offers a wide array of options for creators and producers interested in representing climate and sustainability onscreen.

• Green Production Guide Creative Resources: The PGA and Sustainable Production Alliance have a variety of creative tools available on the Green Production Guide site.

• ALBERT Editorial Toolkit: The team at BAFTA’s albert program has put together a comprehensive creative guide on how to incorporate climate and environmental stories into content.

NEW TO THE BLACK LIST?

If you are new to the Black List, register for a FREE account by clicking the REGISTER button below. Once you are logged in, you will be able to apply for a Fee Waiver and submit your script. If you have any questions, please check out our FAQ or email us at support@blcklst.com.

blcklst.com/programs/2025-nrdc-climate-storytelling-fellowship

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WRITERS RETREAT FOR EMERGING LGBTQ VOICES

Lambda Literary

DEADLINE: December 8, 2024 at 11:59pm EST

APPLICATION FEE: $30

INFO: The Writers Retreat for Emerging LGBTQ Voices is the nation’s premier LGBTQ writing residency. It is the only multi-genre writing residency devoted exclusively to emerging LGBTQ+ writers. The Retreat is an unparalleled opportunity to develop one’s craft and find community.

Since 2007, the Writers Retreat for Emerging LGBTQ Voices has offered sophisticated instruction in fiction, nonfiction, poetry, young adult fiction, playwriting led by the most talented writers working today. In 2022, the Writers Retreat expanded to include instruction in screenwriting and speculative fiction, and in 2025, we will introduce the newest cohort serving writers working in both and between playwriting and screenwriting.

In 2025, as we did in 2024, we are holding our Writers Retreat online. This format allows for us as an organization to continue building our resources while offering the same high-quality programming that remains accessible to folks who may not otherwise be able to attend in-person programs.

We are excited to announce that this year, we will be lengthening the typically week-long program to a 10-day virtual retreat, from Thursday, July 31-Saturday, August 9. In this new model, we will use the first two evenings on Thursday and Friday to build community and hold additional programming. We hope that this new model will build relationships and community, offer more learning opportunities, but we also aim to allow those attending the retreat from home to continue to sustain the elements of their livelihood outside of the Retreat program.

Additionally, we will be adding a brand new cohort to our Writers Retreat: the screen/play/writing cohort. This cross-genre cohort is meant for performance writers who work outside of the stage/screen binary, those who waft between genres, and those who are working in adaptations. We invite all screenwriters and playwrights in this cohort to consider how their work can move between genres, between stage and screen, while centering writing for performance. Coming back for another year after an astounding stint as Playwriting Faculty in 2024, we welcome back Roger Q. Mason to lead this inaugural cohort!

SCHEDULE:

We’ve extended the typical length of the retreat from 7 days to 10:

• We will have a mix of synchronous programming and asynchronous programming, and on days when we offer all day programming, fellows can expect to have ample breaks and rest from screens.

• Thursday, July 31-Friday, August 1: Programming begins at ~7:00 pm EST/ 4:00 pm PST

• Saturday, August 2-Friday, August 8: All day programming

• Saturday, August 9: Programming ends at ~6:00 pm EST/3:00 pm PST
   

APPLICATION DETAILS:

Applications to attend the 2025 Writers Retreat for Emerging LGBTQ* Voices open on November 1, 2024 and close at 11:59 pm Eastern Standard Time on December 8, 2024. You may apply to more than one workshop, however, each application must be submitted separately and requires an additional fee.

We are offering a number of application fee waivers for the QTBIPOC** (Queer and Trans folks who are or identify as Black, Indigenous, and Persons of Color) folks who would be attending the Retreat for the first time. Please email retreat@lambdaliterary.org to request an application fee waiver.

To Apply, Please Prepare

1. An artistic/biographical statement (max 500 words).

2. a writing sample matching the genre of the workshop you’re applying for:

• .DOC, .DOCX, or .PDF format.

• For prose, double spaced, 12 point font.

• For Fiction, Nonfiction, Speculative Fiction, and Young Adult Fiction: 15 pages maximum. This maximum applies to cross-genre samples as well as samples in verse.

• For Playwriting/Screenwriting and Play/Screen/Writing: 15 pages maximum from a full-length work, short play/script, or piece of theatre/film.

• For Poetry: 8 pages maximum.

• The sample you apply with does not have to be the same sample you plan to workshop at the Retreat.

3. Optional, not required for acceptance:

• Any publications of your work during the past two years, including anthologies, literary journals, magazines, websites, and books.

• Any other writing conferences, retreats, and workshops have you attended.

• If you're applying to scholarships, a scholarship statement (max 500 words).

TUITION + SCHOLARSHIPS:

Writers Retreat tuition is currently set at $1,625. However, we are working on raising funds to lower this price for fellows. This means there is a possibility that the price of tuition will go down, but it will not go any higher than $1,625.  All accepted/waitlisted applicants will be notified of the final price of tuition before accepting their fellowship.

Lambda Literary has a host of full and partial scholarships that are available for accepted applicants.

Ability to pay is in no way part of the decision-making process. We have a robust and ever-growing host of scholarships available thanks to our intensive fundraising efforts and generous donors. Lambda also supports fellows in their own fundraising efforts using our fundraising platform. Many fellows who used our peer-to-peer fundraising platform in 2024 raised their entire tuition fee.

The $30.00 application fee is processed through Submittable's online portal. If you wish to pay by cash or check please contact retreat@lambdaliterary.org.

APPLICATION STATUS NOTIFICATIONS:

Writers Retreat Faculty make the final determinations regarding accepted and waitlisted applicants. All applicants will be notified of their application status in April 2025.

lambdaliterary.org/emerging-writers-retreat/

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JULIA S. GOUW SHORT FILM CHALLENGE

Coalition of Asian Pacifics in Entertainment / Janet Yang Productions

DEADLINE: December 9, 2024 at 11:59pm ET

PROCESSING FEE: $25

INFO: CAPE has joined forces with Janet Yang Productions to provide short film production grants of $25,000 each to four Asian and/or Pacific Islander woman or non-binary filmmakers. The grant is funded for Year 3 by Julia S. Gouw with additional support from Asian Women Leadership in Philanthropy Fund, Sandra Choi, Cindy Huang, Luyi Khasi, Jessy Li, Priscilla Lim, Jean Shim, Monica Suryapranata, Toni Wang, and Gillian Yu.

The four grantees in the Julia S. Gouw Short Film Challenge will be offered unparalleled networking opportunities with Emmy Award- and Golden Globe-winning Hollywood producer Janet Yang and the CAPE network, along with the chance to submit films to potential buyers and platforms with access to industry professionals including agents, managers, producers and studio executives.

ELIGIBILITY REQUIREMENT:

• Your work and and your script should be consistent with CAPE’s mission to champion diversity by educating, empowering, and connecting Asian, Native Hawaiian and Pacific Islander artists and leaders in entertainment.

• Your short film script must feature an Asian or Pacific Islander (Native Hawaiian, Maori, and Pasifika included) female or non-binary protagonist (regardless of age).

• Your project may have co-writer(s) and/or co-director(s). However, as the applicant, you must have written the submitted script and must plan to direct the funded short film.

• You must be at least 18 years old or older to apply.

• You may submit multiple scripts, but each will require a separate application and $25 processing fee each.

• Applicants must be authorized to work and have ability to accept paid work in the United States. CAPE does not sponsor or assist with visas or immigration.

• Your script must be 15 pages maximum (not including title page).

• Your script must be in PDF format and in industry format.

• For the application, scripts must be written in English and/or translated in English (if other languages are used).

• Narrative live-action and / or animated short film scripts will both be accepted.

• Your script must not contain any identifying information (name, email, rep information) on any pages. You may include WGA or copyright registration numbers if you wish, but it is not necessary. Generic watermarks such as “CAPE/JYP” are also allowed.

• Your script must be original and you must own all rights to the script free and clear.

• Your script must not be under an option and you must have sole authority over changes to the script.

• If your short film is at any stage of production, principal photography must not have started before December 9, 2024.

ADDITIONAL PROGRAM REQUIREMENTS:

• If awarded the grant, you must produce a short film based on the pre-approved script submitted to the challenge.

• Final projects must be no more than 15 minutes in length inclusive of credits.

• Participants are not allowed to act in their film under the the Julia S. Gouw Short Film Challenge.

• Grantee’s short film can be shot anywhere in the world. (For example, past grantees have shot their short film in India and Philippines.)

capeusa.org/short-film-challenge

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2025 MEDIAMAKER FELLOWSHIP APPLICATION

BAVC Media

DEADLINE: December 9, 2024 at 11:59pm PT

INFO: The BAVC MediaMaker Fellowship is a 9-month long intensive devoted to supporting documentary filmmakers using bold cinematic language and innovative impact strategies to grapple with critical issues of our time. Our cohort is a collaborative, community-driven space that places diversity, representation, and ethical relationships with storytelling at the forefront of our practice. We aim to build a safe space for filmmakers to workshop their films, establish critical bonds and relationships, and gain valuable insights as they go on to build their careers in the field. We seek candidates who have the potential to impact our understanding of how documentaries can transform the world, as well as expanding the quality of the art of nonfiction.

ELIGIBILITY + CRITERIA:

• The MediaMaker Fellowship program is particularly interested in supporting a diverse cross-section of media creators from across the U.S. who are in the process of directing their first or second feature-length documentary. Candidates who have directed a feature previously should take care to clearly demonstrate in their application that this project represents a significant creative leap compared with any previous work and make a strong case for why they need a collaborative fellowship experience at this stage of their career. Above all, ideal candidates should demonstrate a strong capacity for artistic growth and eagerness to participate in peer mentorship and collaborative learning experiences with a diverse cohort of other filmmakers.

• The applicant should be the Director and the creative lead of their project – applying as an individual. They must be the only person on their filmmaking team who is applying this year. If they are part of a Co-Directing team they should discuss this program with their partner and together determine which person would most benefit from and have the capacity to participate in a fellowship of this nature at this juncture. This Fellowship required significant time and energy over the course of nine months and applicants should be prepared for the commitment to their cohort if selected.

• The project you are applying with should be a feature length film (shorts, series, and podcasts are not eligible), non-commercial (meaning the film is not being created for a market audience with the intent of generating income through the promotion of products, services, or organizations), primarily documentary or non-fiction in nature (this includes hybrid docs which are encouraged to apply), and should have the potential for social impact (social impact can be defined in many ways and is in no way restricted to policy outcomes).

• Eligible films will have at least begun production and may have started post-production. Projects should be in a place to benefit from workshopping (scenes, story, structure, edit, etc.) with the cohort and seasoned guest filmmakers. A project would be considered too far along to benefit from the Fellowship if a fine cut is expected before the end of the program year. This is not a fellowship for filmmakers who are still in early development on their project.

• Though there is no citizenship requirement for the Fellowship, at this time the program cannot support Fellows who are primarily based outside of the U.S. Applicants must primarily reside in the United States and not expect to reside outside of the U.S. for a major part of the year.

OFFERING + STRUCTURE:

• $10,000 distributed to each Fellow over the course of the Fellowship (plus additional travel per-diems) Professional mentorship and strategy sessions focused on documentary storytelling, career sustainability, fundraising, distribution, and more.

• Two San Francisco convenings (travel paid) comprised of immersive tailored workshops, intimate feedback sessions, and presentations by leading filmmakers and industry figures.

• All-access pass, round trip flight, accommodations, and a customized itinerary for two film festivals or industry conferences assuming travel is safe and advisable. All plans are subject to change according to pandemic restrictions and best practices, as well as the availability of festival programs.

• Consistent workshops and check-ins, 1-3 hours in length, scheduled in advance, throughout the year.

• A built-in support network.

• All Fellowship applicants and Fellowship alum are eligible for five hours one-one-one mentorship through the BAVC MediaMaker Connect Mentorship Program.

forms.fillout.com/t/cgw85YNUmwus

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CAAM FELLOWSHIP

Center for Asian American Media (CAAM)

DEADLINE: December 11, 2024

INFO: CAAM has a long history of supporting Asian American stories and storytellers, filmmakers and films, specifically in the documentary community, starting in 1980 when Asian American stories and storytellers had very little visibility and opportunity specifically in public media. CAAM’s interventions were incredibly crucial in providing opportunities and resources to seed, develop, produce, and distribute Asian American stories.

The CAAM Fellowship Program was developed in partnership with documentary filmmakers and organizations like A-Doc (Asian American Documentary Network) in an effort to create a meaningful program. The result is a Program that provides a nurturing space for Mentorship and community support between veteran documentary filmmakers crafting films exploring the breadth of Asian American experience.

We invite documentary filmmakers who are directing or producing their current work or are looking to transition into directing or producing to apply to our 2025 CAAM Fellowship Program. The CAAM Fellowship Program aims to support documentary filmmakers developing Asian American stories by pairing selected Fellows with accomplished professionals as Mentors for six months to nurture both a project and the Fellow’s career in documentary filmmaking. The Mentors for 2025 are Ursula Liang, Bing Liu and Bao Nguyen.

The program requires a commitment to a six-month-long process which includes meetings between Fellows and Mentors, participation at gatherings such as the CAAMFest Filmmaker Summit and monthly cohort meetings. This Program’s vision is to create a community of makers that serves to nurture one another’s careers and creativity in the field of documentary film highlighting Asian American experiences. Some of our programming for the 2025 Fellowship will take place virtually – such as our monthly cohort meetings.

We invite you to apply to this opportunity to engage with the veteran filmmaker Mentors and Fellows cohort in this six-month-long program that will focus on a work in progress, navigating a career in filmmaking, and a connection with one’s fellowship cohort.

PROGRAM DETAILS:

The CAAM Fellowship Program, offered to three Fellows each year, is a career and project development opportunity for non-fiction filmmakers. CAAM’s Fellowship Program aims to create the space for a fulfilling relationship between veteran and emerging media makers, a nurturing fellowship cohort, and opportunities to participate in documentary professional development events. The program includes monthly meetings between Mentors and Fellows, two in-person cohort gatherings, Mentor-led masterclasses, and more. The core cohort gathering for the Fellowship takes place at CAAMFest. Ready, Set, Pitch! is a vital element of the Fellowship where Fellows receive coaching on documentary film pitch practices and have the opportunity to pitch their works to a community of potential supporters. CAAM also provides a $5000 stipend to the Fellows for any costs associated with the Program as well as covers all travel to Program activities and events. 

ELIGIBILITY:

This Fellowship Program is designed specifically for the next generation of makers telling Asian American stories, prioritizing emerging and mid-career filmmakers from under-represented geographies, lived experiences, and perspectives. We will be looking for documentary directors and producers, but also seeking out cinematographers, editors and other creatives in the field who are looking to make the transition into directing or producing.

 CAAM’s vision has always been to support a community of media makers to nurture careers and creativity in the field of documentary film. Our goal is to expand our reach and to serve makers from a diversity of geographies, lived experiences, and perspectives — especially those that are currently under-represented. The program is looking to nurture the Fellows’ projects, careers and contribute to a community of makers that is eager to support one another and uplift the quality of filmmaking across the board.

CONTACT: mediafund [at] caamedia [dot] org

THANK YOU TO OUR SUPPORTERS

The 2025 CAAM Fellowship Program is made possible with support from the John D. and Catherine T. MacArthur Foundation, the Corporation for Public Broadcasting, and other generous funders.

caamedia.org/caam-fellowship-2025/

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2025 BLACK LIST X WIF EPISODIC LAB

The Black List

DEADLINE: December 15, 2024

INFO: The Black List and WIF will invite six promising non-professional television writers who are of an underrepresented gender (women, NB/GNC, and/or trans, and others) to the Lab. The Lab will run twice weekly for four weeks beginning March 2025 and will consist of script development, pitching, peer workshopping sessions, and master classes with established writers and industry executives. Writers can also submit their script directly through WIF (submissions are open now). All Lab sessions will be held in-person on Tuesday and Thursday evenings in Los Angeles beginning March 4, 2025.

The Episodic Lab will take place in Los Angeles throughout the year and travel will not be provided for any events. If you live outside of the Los Angeles area, we kindly request that you withhold your submission to this opportunity.

LAB DEADLINES:

***Please note that dates are subject to change***

• Submission Period Opens -  March 13, 2024

• Submission Period Closes - December 15, 2024

• Long List Writers Notified - January 9, 2025

• Personal Statements Due - January 15, 2025

• Short List Writers Notified - January 17, 2025

• Additional Materials due from Short List writers - January 24, 2025

• Interview Candidates Notified - February 7, 2025

• Zoom Interviews - February 10-11, 2025

• Final Participants Notified - February 12, 2025

• Lab Begins - March 4, 2025

Please note, applicants can apply through the Black List and/or WIF, however instructions are different for each platform. 

Participants must be able to provide proof of vaccination (including boosters per current CDC guidelines) and willing to test for COVID-19 infection prior to arriving at the in-person portion of the program. 

You must have at least one evaluation attached to your script to submit to this program. You can read more about the Black List's evaluation requirements here.

THE SELECTION PROCESS: From the Black List submissions, up to 12 writers will be invited, based on the strength of their scripts, to submit a one-page personal statement and professional resume. In addition, WIF will generate their own short list of up to 12 writers who submitted directly to WIF. From the total of those 24 submissions, up to 15 writers will be invited to interview. From those interviews, 6 writers will be selected by the Black List and WIF to participate in the Lab.

FREQUENTLY ASKED QUESTIONS

Can I Apply To The Episodic Lab With My Web Series Or Do You Only Accept Half-Hour And One-Hour Pilots?

Only half-hour or one-hour pilots will be accepted into the Episodic Lab.

Can I Submit A Feature Script To Be Considered For The Episodic Lab?

No, you must submit a pilot script to be considered for the Episodic Lab.

Can I Submit Multiple Scripts To Be Considered For This Program?

Absolutely. But writers will be selected for each program based on a single script; so if you're selected, you must workshop the script that is chosen for the program.

Do I Have To Workshop The Script That Gets Me Selected For A Program Or Can I Workshop Something New?

You have to workshop the script that gets you selected for the program.

How Will The Scripts Be Evaluated For Each Program?

We use the ratings a script receives, both from our paid readers and from industry pros, to determine the short list of writers for each program who will be invited to submit a one-page personal statement. Evaluations initiated before midnight on the stipulated deadline for each program will be guaranteed consideration. You must purchase at least one evaluation to submit for this program. In the event that the purchase of a single evaluation is cost prohibitive, please follow us on social media and the Black List blog where opportunities for free and discounted evaluations appear from time to time.

I Have A Writing Partner Who Identifies As A Cis Man. Can I Still Apply To The Black List X WIF Episodic Lab?

Yes, you are still eligible to apply for all programs, including the Black List x WIF Feature Residency and the Black List x WIF Episodic Lab. In our effort to create equitable spaces in a currently male-dominated industry, should you be accepted into either the Black List x WIF Feature Residency or the Black List x WIF Episodic Lab, your partner would not be able to participate in the sessions directly. However, you would be able to share appropriate script feedback with them.

I Live Outside Of Los Angeles. Can I Still Apply For Any Of The Programs?

You may still apply for any of our programs. However, the Episodic Lab takes place in Los Angeles, CA and you will need to be located in the Los Angeles area by the start of the program, should you be accepted into the program, and decide to participate.

The Lab will take place in Los Angeles throughout the year and travel will not be provided for any events. If you live outside of the Los Angeles area, we kindly request that you withhold your submission to this opportunity.

I'd Like To Be Considered For The 2025 Episodic Lab! How Exactly Do I Do That?

Just opt your script into consideration during onboarding or add it from the My Scripts page! 

And please make sure to read the Submission Requirements and the Submission Agreement for each program, which can be found as PDFs on each program's submission page, to make sure you are qualified first. You'll need to meet all of the requirements to participate in the program if selected. 

Writers can also apply through WIF (https://womeninfilm.org/programs/writing/). However please note that the procedures and deadlines for applying directly through WIF are different than those for applying through the Black List.

Is This A Case Where The Person Who Buys The Most Evaluations Will Be Invited To The Program?

Not at all. Certainly more data allows us to make more confident decisions about the strength of scripts hosted on the site, but by no means is it necessary or recommended to buy up evaluations to improve your chances of being selected for one of our programs.

My Script Was On The Site Awhile Ago, But I Took It Down To Work On A Rewrite. Does A Script Have To Be Live On The Site To Be Considered?

We recommend reactivating the script for one month at some point between now and a week before the program's opt-in deadline. Additionally, please note that you will need to have at least one evaluation of your script in order to complete the submission process for this opportunity.

What Exactly Happens In These Writing Programs?

We can only speak to ours, but some of the things we do include:

• One-on-one sessions with professional writers as mentors

• Peer workshopping of each others' scripts

• Dinners with special industry guests

• Guest lecturers and Q&As

• Private film screenings

• Sessions with lit agents and managers

REQUIREMENTS:

• You are the sole and exclusive author of the pilot screenplay submitted for consideration and you are of an underrepresented gender (women, NB/GNC, and/or trans, and others)

• Feature screenplays will not be considered for submission. 

• You have not received more than $25K in aggregate to date as compensation for television writing work. 

• If selected as one of the writers invited to submit a professional resume and one page personal statement for additional consideration, you will deliver that personal statement within 5 days of receiving notification of your selection or by the deadline specified when you are notified. 

• * f selected for participation in the Lab program, you are available to attend all sessions in person during the course of the four-week Lab, COVID-permitting.

https://blcklst.com/programs/2025-black-list-x-wif-episodic-lab

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UPTILT FILM FEST

DEADLINE: December 15, 2024

INFO: UpTilt Film Fest champions the voices of women filmmakers and those who identify with womanhood, offering a dynamic platform to showcase their short films. Beyond screenings, UpTilt fosters growth through educational programs, networking opportunities, and scholarships designed to support and empower the next generation of creative talent.

Our 3-day festival in Wilmington, NC showcases short format films of all genres from all over the world! Films must be written and/or directed by women or gender-nonconforming individuals, who identify with womanhood OR 50% of the following positions must be women/gender-non-conforming: writer, director, cinematographer, editor.

We accept narratives, docs, experimental, animation, and any genre – we want to see it all! Join us as we celebrate the power of women filmmakers!! This three-day festival is all about films made by women (and gender nonconforming folks) who identify with womanhood.

filmfreeway.com/uptiltfilmfest

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FINE ARTS WORK CENTER FELLOWSHIP

Fine Arts Work Center

DEADLINE: December 16, 2024

APPLICATION FEE: $65

INFO: Each year, the Work Center offers 20 seven-month residencies to a juried group of emerging visual artists, fiction writers, and poets. Each Fellow receives an apartment, a studio (for visual artists), and a monthly stipend of $1,250 plus an exit stipend of $1,000. Residencies run from October 1 through April 30. During this time, Fellows have the opportunity to pursue their work independently in a diverse and supportive community of peers.

THE RESIDENCY:

During the course of the Fellowship, each Writing Fellow is invited to give a public reading and each Visual Art Fellow is given a solo exhibition opportunity. Readings and openings are attended by current and past Fellows, local residents, visitors to Provincetown, leadership of the town’s numerous cultural institutions, and the many illustrious artists and writers who make their homes in Provincetown. Events take place in the beautifully renovated public spaces of the Work Center: the Stanley Kunitz Common Room and Hudson D. Walker Gallery.

VISITING ARTISTS + WRITERS

While in residence, Fellows also help select a series of visiting artists and writers. These visiting artists and writers meet with the Fellows for studio visits and manuscript reviews and give public readings and artist talks that draw thousands from Provincetown and beyond. Visiting guests have included presidential inaugural poet Elizabeth Alexander; Pulitzer Prize-winning playwright Paula Vogel; winner of the National Book Award for Poetry Mark Doty; Poet Laureate Consultant in Poetry to the Library of Congress Robert Pinsky; artist and MacArthur Fellowship recipient Judy Pfaff; and Katherine Porter, whose work is in the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, and Museum of Fine Arts in Boston. 

The Work Center’s founders believed that seven months was the minimum amount of time needed for artists and writers in the crucial early stages of their careers to learn to structure their lives around their creative practice. Each generation of Fellows ideally moves on from the Work Center with a firm belief in their ability to pursue a life as a practicing artist or writer.

fawc.org/apply/

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2025 INSIDE OUT 2SLGBTQ+ FILM FESTIVAL

Inside Out

DEADLINES:

• Regular - December 16, 2024

• Late - January 13, 2025

INFO: Founded in 1991 Inside Out has grown to become the largest 2SLGBTQ+ Film Festival in Canada. For over three decades, Inside Out has united Toronto’s 2SLGBTQ+ communities to celebrate the best in queer cinema from Canada and around the globe. Through our annual festival in Toronto, filmmaker initiatives, youth engagement, and year-round events and screenings, Inside Out remains committed to challenging attitudes and transforming lives.

The 2025 Inside Out Toronto 2SLGBTQ+ Film Festival will feature a competitive film program with four juried awards: Best First Feature, Emerging Canadian Artist, Best Canadian Feature, and Best Canadian Short. Additionally, cash prizes will be awarded for three Audience Awards: Best Short, Best Narrative Feature, and Best Documentary.

 FAQs

How do I submit my film?
All submissions must be made via FilmFreeway. We do not accept submissions by email. A separate entry form is required for each film being submitted.

Are rough cuts accepted?
Works-in-progress and rough cuts are accepted but a completed exhibition copy should be available for final approval by February 9, 2025. We encourage you to submit your film as close to completion as possible. 

Do you require captions to submit?
Captions are not required when submitting your film for consideration. However, all films selected to screen at Inside Out must include captions or subtitles in English. While we cannot offer caption creation services, we’re happy to provide recommendations.

What films are eligible for submission?
We are seeking films that are inclusive of—and of interest to—the 2SLGBTQ+ communities. This includes narrative, documentary, experimental, and animated films, both feature-length and shorts. Films with a completion date no more than 18 months before the festival dates are eligible. Films completed after the previous year’s festival will be given preference.

Are there submission fees?
Yes. Submission fees help us provide filmmaker support during the festival so every dollar goes back into creating the best festival experience for you and our community. 

We aim to eliminate as many barriers as possible, so if you need assistance with fees, please reach out to us at programming@insideout.ca.

filmfreeway.com/InsideOutToronto2SLGBTQ

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NYSCA/NYFA Artist Fellowship

NYFA

DEADLINE: December 17, 2024 at 5:00pm ET

INFO: The NYSCA/NYFA Artist Fellowship is an $8,000 unrestricted cash grant available to artists living in New York State and/or one of the Tribal Nations located therein.

This grant is awarded in fifteen different disciplines over a three-year period (five categories a year) and the application is free to complete. The NYSCA/NYFA Artist Fellowship is not a project grant, but is intended to fund an artist’s vision or voice, at all levels of their artistic development.

DISCIPLINES:

• Architecture/Environmental Structures/Design

• Choreography

• Music/Sound

• Photography

• Playwriting/Screenwriting

APPLICANTS MUST MEET THE FOLLOWING ELIGIBILITY REQUIREMENTS:

• 25 years or older by the application deadline date

• Current residents of New York State and/or one of the Tribal Nations located in New York State

• Must have maintained New York State residency, and/or residency in one of the Tribal Nations located therein, for at least the last two consecutive years (2023 & 2024)

• Not enrolled in a degree-seeking program of any kind

• Are the originators of the work, i.e. choreographers or playwrights, not interpretive artists such as dancers or actors

• Did not receive a NYSCA/NYFA Artist Fellowship in any discipline in the past five consecutive years: 2020, 2021, 2022, 2023, and 2024

• Cannot submit any work samples that have been previously awarded a NYSCA/NYFA Artist Fellowship

• While collaborating artists are eligible to apply, the total number of artists cannot exceed three individuals (this includes the submitter). Each artist applying must all meet the eligibility criteria for this award. Artists applying as a collaboration cannot apply separately as an individual.

• Applicants can apply in a maximum of 2 categories each cycle

• Are not a current NYFA employee or have been in the last 12 months, a member of the NYFA Board of Trustees or Artists’ Advisory Committee, 2025 panelist, or an immediate family member of any of the above.

• Artists that have been awarded five NYSCA/NYFA Artist Fellowships receive Emeritus status and are no longer eligible for the award

NYFA only accepts applications online via apply.nyfa.org/submit.

nyfa.org/awards-grants/artist-fellowships

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Cultural Impact Residency 

Sundance Co//ab

DEADLINE: December 20, 2024

INFO: Honoring the legacy of social justice advocate Michael Latt, this six-month online residency program (March through August 2025) on Sundance Collab is designed to uplift early career underrepresented storytellers with a focus on creative, social and cultural impact and to galvanize them with opportunities, hope and creative support and inspiration.

Six fellows will be selected: two screenwriters/TV writers, two writer/directors, and two documentary filmmakers. These fellows will receive two dedicated meetings with Sundance Advisors to provide feedback on their work, bi-monthly cohort meetings to check in and share work, one meeting with Michelle Satter, Founding Senior Director, Artist Programs at Sundance Institute, and one meeting with the applicable Sundance Artist Program staff. Artists will also receive a Sundance Collab Library Pass to take advantage of the extensive Video Library, which includes Master Classes and Event Recordings, and two On Demand courses of their choosing.

SELECTION PROCESS: 

The selection process will involve two rounds. If selected as a finalist, you will be notified by January 15, 2025 and you will be asked to submit a work sample as described below between January 15 - January 19, 2025:

• Screenwriter/TV Writer (short screenplay, pilot, or feature length screenplay as a PDF)

• Writer/Director (short film as writer/director, or feature length film as writer/director submitted via link)

• Documentary Filmmaker (short documentary as director, or feature length documentary as director submitted via link)

KEY DATES:

• Deadline to apply: December 20, 2024

• Finalist notification: January 15, 2025

• Deadline for finalists to submit additional materials: January 19, 2025

• Selected artist notification: February 20, 2025

• Program dates: March 3 - August 31, 2025

THINGS TO NOTE: 

You will be asked the following questions in the application:

1. Sundance Institute demographic questions

2. Describe the project that you would like to work on in this residency and your personal connection to the story

3. Briefly describe your journey as an artist and your goals for the coming year

4. Tell us how this residency will support you and your work

5. Which track are you applying for?

• Screenwriter / TV Writer 

• Writer/Director 

• Documentary Filmmaker

collab.sundance.org/Impact-Residency

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2025 Sundance Institute’s Native Lab

Indigenous Screen Office / Sundance Institute

DEADLINE: December 23, 2024

INFO: The Indigenous Screen Office and the Sundance Institute are excited to once again invite Indigenous storytellers to apply to be part of the 2025 Sundance Institute’s Native Lab.

The Native Lab provides direct support to emerging filmmakers and episodic creators from the U.S.-based Native American, Native Hawaiian, Alaskan Native, and Canada-based Indigenous (First Nations, Métis, and Inuit) communities.

This is a year-long fellowship starting with an in person lab, during which Fellows will hone their storytelling and technical skills in a hands-on and supportive environment, including one-on-one feedback sessions with advisors and roundtables

PROGRAM SUMMARY:

This opportunity is available to one (1) Indigenous storyteller based in Canada.

This is a year-long fellowship starting with an in person lab, during which Fellows will hone their storytelling and technical skills in a hands-on and supportive environment, including one-on-one feedback sessions with advisors and roundtables. After this there will be check-ins via Zoom once a month.

The lab will take place as follows:

• Virtual Orientation April 25, 2025;

• In-Person lab April 28–May 2, 2025 Santa Fe, New Mexico.

Travel, accommodation and food costs during the in person portion will be covered by the program.

The fellow will also receive a $10,000 USD contribution as part of the lab.

GENERAL CRITERIA + ELIGIBILITY:

All applicants to ISO programs must confirm they have read the General Funding Guidelines prior to submitting an application.

Indigenous Identity and Project Ownership

The spirit and intent of ISO funding is to support Indigenous storytelling and Indigenous companies and organizations that are controlled by Indigenous people, who have decision-making authority and creative control.

For the purposes of ISO programs, “Indigenous” is defined as status and non-status First Nations, Inuit, and Métis peoples of Canada. All applicants must be residents of Canada and have spent 8 months out of the last year living in Canada.

Please consult the Building Trust and Accountability: Report on Eligibility in the Indigenous Screen Sectorwhich informs the ISO in regards to Indigenous identity, relationality, and access to funding programs. We also encourage applicants to consult the ISO’s working document on identity: ISO Policies and Processes for Eligibility in Relation to Indigenous Identity.

Applicants to ISO Funding Programs:

• Must own, control, or have optioned 100% of the project copyright;

• Must not receive funding from other ISO programs for the same project activities or initiative. For example, funding for trainees cannot be included in another application to ISO Funding Programs;

• Must be able to accept a direct deposit in the name of the applicant;

• Must show proof that the Indigenous creatives have final decision making power in the case of co-writing/directing;

• If you are an emerging filmmaker, during the application process you must have a minimum of one (1) previous credit in the key role you hold in the project: director, writer, or producer and be able to demonstrate your ability to accomplish this project;

• Must not be in a state of bankruptcy within the meaning of the Bankruptcy and Insolvency Act (Canada);

• Must be in good standing with ISO, with no outstanding final reports, defaults or pending complaints or investigations.

ELIGIBLE APPLICANT:

Individuals and Sole Proprietors

• Are a First Nations, Inuit or Métis person residing in Canada and who is a citizen or permanent resident of Canada;

• Working in screen-based content, including TV, film, and web, gaming, apps, and XR (VR, AR);

• The project is under the financial and creative control of the applicant;Is not in a state of bankruptcy within the meaning of the Bankruptcy and Insolvency Act (Canada).

ELIGIBILITY REVIEW:

An initial review for eligibility and missing documentation will be conducted by the ISO Program Coordinator and Program Manager. The ISO Funding team will reach out if additional information is needed and applicants will be given a short period (maximum 10 business days) to submit any outstanding documents.

Ineligible or incomplete applications can be withdrawn at any time in the process. Applicants will be notified by the ISO when the application is withdrawn.

APPLICATION REQUIREMENTS:

Applicants must supply the following information in the portal: ISO Apply. Details for each requirement can be found in the program in the ISO Apply portal, as well as in the Application Requirements checklist.

Eligibility Form

• Applicant Information Form – Individual, Sole Proprietor, Company,

• Project Information Form

• Script (must be narrative feature or episodic pilot script)

• Bio and CV/resume

• Headshot (optional)

• Chain of Title, Current IP Agreement or statement of authorship

• Voluntary Personal Data (optional)

• ISO Declaration

SUBMISSION PROCESS + FUNDING DECISION NOTIFICATION:

Applications must be completed in the application portal at: ISO Apply. Applications must be completed in the ISO portal and submitted by December 23, 2025 at 5pm PST. The portal will close on the deadline and applications will not be accepted after that time. Please refer to the ‘Requesting an Extension” section for information on receiving an extension.

Funding notifications can be expected 2-3 months following the closing.

FUNDING PROCESS + PRIORITIES:

This program is assessed and final decisions are made by the Indigenous program staff at the Sundance Institute.

PROGRAM CLOSURE:

The Sundance Institute’s Native Lab Program has a deadline of December 23rd, 2024 at 5:00pm PST, at which time the ISO will:

• Close the program in ISO Apply;

• Update the website, and announce the closure on social media and via the ISO newsletter.

Please contact funding@iso-bea.ca within 10 business days of the program’s closure if you require a downloaded copy of your application. Otherwise, all in-progress applications will be deleted 10 business days after the program has been officially closed.

REQUESTION AN EXTENSION:

Applicants may request an extension to submit their application. Requests must be submitted at least 10 business days in advance of program deadlines to determine eligibility. Requests for extensions can be emailed to: funding@iso-bea.ca.

ACCESSIBILITY FUNDING + SUPPORT:

The ISO acknowledges that within the screen industry, numerous individuals require assistance beyond the conventional support offered by typical funding bodies. Consequently, the ISO will provide monetary support of up to $500.00 CAD on a case-by-case basis to address accessibility expenses during the application stages.

These expenses include but are not limited to:

• Application writing and support;

• Video or audio recording;

• Equipment rentals;

• Professional fees;

• Language interpretation/translation fees;

• Final report submission support.

If you have barriers to access including but not limited to language, internet or physical barriers, please contact the ISO to discuss accommodations and support at funding@iso-bea.ca.

MISREPRESENTATION:

If at any time, an Applicant, as required or requested by the ISO, provides false information or omits or misrepresents material information in connection with an application, including with respect to Indigenous identity, such provision of false information, omission or misrepresentation will be considered an event of default and the ISO may exercise the following contractual rights:

• Termination of any contracts, including any remedies thereunder;

• Denial of eligibility for existing and future funding;

• Repayment of any funds already advanced;

• Civil and potential criminal prosecution, in the case of fraud.

These measures may be imposed not only on the Applicant but also on related, associated and affiliated companies and individuals that are parties to the application. Any Applicant receiving approval for funding will be required to sign a legally enforceable agreement, which includes provisions concerning misrepresentations, defaults, and related matters.

RECOGNITION OF CONTRIBUTION:

Recipients must acknowledge ISO support with a textual reference and a bilingual animated logo in the credit sequence, or appropriate placement in the completed work, where applicable. ISO logos are available for download.

When sharing information about ISO funded projects or opportunities, Applicants are required to tag ISO on any social media posts related to this funding, and include the ISO logo when applicable:

• Instagram – indigenousscreen

• Twitter – screen_office

• Facebook – ISO.BEA

Questions are encouraged at least two weeks prior to submission or the application closing date and may be directed at any time to funding@iso-bea.ca.

iso-bea.ca/industry-initiatives/programs/sundance-native-lab-2025/

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Short-Term Fellowships for Writers, Artists, and Other Humanists

Newberry Library

DEADLINE: January 3, 2025

INFO: Newberry fellowships give researchers the time, space, and community required to pursue innovative and ground-breaking projects. Fellows advance scholarship in various fields, develop new interpretations, and expand our understanding of the past.

The Jan and Frank Cicero Fellowship - Offering one month of support for a person working in the visual and performing arts who wishes to advance their artistic practice through the use of the Newberry collection.

• Stipend: $3,000/month

• Length: 1 month

• Who can apply: Artists and performers including (but not limited to) painters, sculptors, choreographers, dramaturgs, creative writers, composers, and others in artistic fields.

The Arthur and Lila Weinberg Fellowship for Independent Researchers - This fellowship is for writers, journalists, filmmakers, visual and performing artists, and other humanists who wish to use the Newberry’s collection to further their creative work. Preference is given to individuals working on projects that focus on social justice or reform.

• Stipend: $3,000/month

• Length: 1 month

• Who can apply: Applicants must be individuals working outside of traditional academic settings.

The Historical Fiction Writing Fellowship - Offering one month of support for a person working in the area of historical fiction. We encourage applications relating to a wide range of historical fiction including novels, short stories, plays and theatrical works, or poetry.

• Stipend: $3,000/month

• Length: 1 month

• Who can apply: Writers of historical fiction.

newberry.org/research/fellowships/short-term-fellowships

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2025 Residency Program

Saltonstall

DEADLINE: January 5, 2025 at 11:59pm EST

APPLICATION FEE: $0

INFO: Each year, the Saltonstall Foundation awards free, stipend-supported, accessible residencies to artists and writers who are residents of New York State and Indian Nations therein. We support artists and writers working in the following disciplines: 

• Poetry

• Playwriting & Screenwriting (NEW in 2025!)

• Photography (film or digital) & Filmmaking

• Painting | Sculpture | Visual Arts

A Saltonstall residency is a small community. We strive to provide a quiet, welcoming, respectful, and nurturing environment for creative individuals looking for uninterrupted time to focus on their craft. There is NO COST to attend Saltonstall or to apply. We welcome submissions from artists and writers living in New York State and Indian Nations therein.

There are five people in residence at a time: one poet, one playwright or screenwriter, one photographer or filmmaker, and two visual artists. Each group of five arrives and departs at the same time. Each Fellowship recipient is provided with a stipend, and a private live/work space with separate private studios for the two visual artists. There is also a darkroom built into the main house.

Since 2021, Saltonstall offers wheelchair friendly facilities with additional private space for a caregiver if needed.

DATES FOR 2025 RESIDENCIES:

Our fifth annual residencies for artist/writer parents -- now including full-time caregivers!

• Friday, May 30 – Friday, June 6

• Friday, October 17 – Friday, October 24

Please note: this residency is strictly for artist/writer parents who have at least one dependent child (under 18) at home. NEW in 2025: this category now includes full-time caregivers with no restrictions related to the age of your dependent. Since the residency is designed to be a period of solitude and focus for artists and writers, we ask that children and other family members remain home.

Our four-week residencies: 

• Monday – Monday, June 9 – July 7

• Monday – Monday, July 14 – August 11

One (of two) two-week residency: 

• Thursday – Thursday, August 14 – 28

Our three-week residency:

• Tuesday – Tuesday, September 2 – 23

Our second two-week residency:

• Monday – Monday, September 29 – October 13

Applicants may apply for either our residency for parents/caregivers or the 3- or 4-week residencies or the 2-week residencies (not a combination). For those applying for the longer residencies, you will be given an opportunity to rank your choice of dates within the application. 

All applicants (including those applying for the residency for parents) may apply in more than one artistic or literary category, however a complete and separate application for each category is required.

Note: for our two-, three-, and four-week sessions, artists and  writers will be expected to participate in an open house at the end of  the residency.

saltonstall.submittable.com/submit

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Michael Collyer Memorial Fellowship in screenwriting

The Blacklist

DEADLINE: January 10, 2025

INFO: Submissions are NOW OPEN for The Michael Collyer Memorial Fellowship.

The Michael Collyer Memorial Fellowship in Screenwriting is a one-year fellowship that is awarded to an outstanding emerging screenwriter under the age of 25. The fellowship recipient will receive a $10,000 stipend to support their development of an original screenplay (not the script used to opt in to the fellowship) and they will be mentored during the course of the fellowship year by a prominent screenwriter. This program is a partnership between the Writers Guild Initiative and the King Family Foundation.

The purpose of the fellowship is to provide an opportunity for an emerging screenwriter to develop an original screenplay and to provide them with training and educational resources about screenwriting. The WGI is looking for diverse and unique voices, and for projects that are character-driven and personal in nature. They are exclusively seeking feature films: no shorts, plays, fiction manuscripts, or TV pilots will be accepted at this time.

The recipient of this year’s Fellowship will be announced in Spring 2025 and will be invited to attend the 2025 WGI Gala.

Please keep in mind that, upon opting in, we will verify your age, so it does NOT benefit you to opt in if you are not within the age bracket of 18-25. Any writers who do not fit into the age requirements for this partnership will not be considered.

REQUIREMENTS:

• Entrant must submit a full-length feature screenplay on blcklst.com during the overall submission period - November 13, 2023 through March 15, 2024.

• Entrant must be the sole and exclusive author of the screenplay submitted for consideration.

• Entrant must be over the age of 18 and no older than the age of 25 by 12/31/23 and competent to contract.

• Entrant must not be represented by an agent or manager in the film or television industry at the time Entrant opts into this program.

• Non-US citizens are eligible to apply.

If requested, the entrant must submit the following, which are also governed by the submission requirements and agreement:

• A personal statement 

• A professional resume

• Contact and other personal information

• A logline and 250 word synopsis of the submitted screenplay

• Two page pitch of film you'd like to write during the fellowship year

• Signed originals of the Submission Agreement

blcklst.com/programs/2023-michael-collyer-memorial-fellowship-in-screenwriting

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2025 Early Career Artist Residency - For MN + NY artists

Anderson Center at Tower View

DEADLINE: January 14, 2025

APPLICATION FEE: $0

INFO: Anderson Center’s Early Career Artist Residency Program offers month-long residency-fellowships at Tower View to a cohort of emerging artists from Minnesota or one of the five boroughs of New York City for concentrated, uninterrupted creative time to advance their personal artistic goals and projects.

Anderson Center’s Early Career Artist Residency is an ideal fit for early-career artists in need of focused time and dedicated space in an inspiring residency work environment that empowers them take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

Thanks to generous support from the Jerome Foundation, selected emerging artists receive a $625/week artist stipend, documentation support, art-making resources, lodging & studio space, a travel honorarium, groceries, and chef-prepared communal dinners.

Anderson Center is an artist community founded in 1995 on the Tower View estate, a venerable research-and-development lab for the arts rooted in an expansive natural setting in rural Red Wing, MN (approximately 1-hour outside the Twin Cities metro).

The Anderson Center’s Early Career Artist Residency is geared toward generative art making, as well as exchange across an interdisciplinary cohort. The program is well suited for vocational early-career artists in pursuit of time, space, and resources to truly commit to a project and explore new creative territories. Critiques, studio visits, and formal professional development are not offered.

The Anderson Center seeks to support emerging writers and artists with an uncompromising drive to create new work at Tower View in September 2025 that demonstrates significant potential for cultural and community impact, is technically accomplished, and engages diverse communities. The organization also believes that the environment and resources of Tower View, along with an exchange of ideas between artists working across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work emerging artists create while in residence.

TO APPLY:

The application deadline for the Anderson Center's 2024 Early Career Artist Residency Program is Tuesday, January 14, 2025 at 12 p.m. Noon, Central Standard Time. Applications must be submitted on or before the deadline in order to be considered in the jury review period. There is no fee for applying to this residency program.

Jury review will take place in late January and early February. Applicants will be notified by Feb. 7 as to the status of their application. A phone interview process with finalists will take place in late February following a second round of jury review. Selected artist residents, wait-list and runners-up will be notified by March 4, 2024.

ABOUT ANDERSON CENTER: Anderson Center nurtures a vibrant artist community based at Tower View, an expansive Historic Site and natural area in Red Wing, Minnesota. Founded in 1995, the Anderson Center has renovated and restored Tower View's historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden. 

Anderson's signature Artist Residency Program, together with the Studio Artist Program, forms the core of the organization's artistic community. The Residency Program provides artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment with dedicated time and space to create, advance, or complete new work. In addition to community engagement activities through the artist residency program, the organization's additional outreach programs create connections and integrate the arts into community life through local partnerships, hosting annual arts events, and participating in other community-based initiatives.

ABOUT JEROME FOUNDATION: The Jerome Foundation, founded in 1964 by artist and philanthropist Jerome Hill (1905-1972), honors his legacy through multi-year grants to support the creation, development, and presentation of new works by early career artists. The Foundation makes grants to vocational early career artists, and those nonprofit arts organizations that serve them, in all disciplines in the state of Minnesota and the five boroughs of New York City. The Jerome Foundation is generously providing support for the Anderson Center’s Emerging Artist Residency Program.

LOCATION: Anderson Center is located on the 350-acre historic Tower View campus, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing. The Center is 45-60 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.

The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River.

DEFINITION OF “EARLY CAREER”: While Anderson Center’s general Artist Residency Program hosts artists with a wide range of talent and experience, its Early Career Artist Residency Program exclusively focuses on meeting the specific needs of artists who are in the early stages of their artistic development and career.

Anderson Center’s goal is to support artists early in their careers who create work that is and/or has the potential to be:

• Compelling—offering distinctive vision and authentic voice;

• Deeply considered, imaginative, and executed with attention to craft and with technical proficiency, providing artistic experiences that communicate unique perspective/s, and invite viewers to question, discover, explore new ideas in new ways;

• Innovative and risk-taking—engaging, questioning, challenging or re-imagining conventional artistic forms.

Anderson Center defines an early career artist as someone in the early stages of their creative development with 2-10 years of generative experience, and:

• have a focused direction and goals, even while still developing their artistic “voice”

• have yet to be substantially celebrated within their field, the media, funding circles or the public at large

• are vocational (as opposed to avocational, academic, amateur or educational) artists

Artists who have been in the field for longer than 10 years (excluding any time in a degree-granting program; as a dancer in work created by others; remounting the work of other choreographers; or time away from working as an artist due to circumstances–e.g., having children, caring for family members, long-term illness, etc.) are generally not eligible, even if they feel under-recognized. Age is not a factor in determining emerging artist status.

ELIGIBILITY GUIDELINES:

The four primary eligibility guidelines for Anderson Center’s Early Career Artist Residency are:

1. Legal residency in the State of Minnesota or one of the five boroughs of New York City.

2. Not enrolled in any degree-granting program from time of application through residency period.

3. Self-identification as an “early career artist” with 2-10 years of generative experience in the field

4. An artistic practice centered in generating and creating entirely new work.

Minnesota or New York City artists - Artists must currently be legal residents of Minnesota or one of the five boroughs of New York City and have been residents for at least one year prior to the submission of an application. Artist did (or will) file US federal taxes as a resident of Minnesota or New York City. Account address in Submittable must be within MN or NYC. Selected artists will be required to provide proof of Minnesota or New York City residency before a residency is formally offered. Artists must have a US Social Security Number or US Tax ID.

No students - Students enrolled in any degree-granting program from the time of application through the residency period are not eligible to apply for an Early Career Artist Residency at the Anderson Center (this includes any and all K-12, technical school, college, graduate, postgraduate, ABD studies). There are no exceptions to this eligibility criterion. If an artist is pursuing a degree-granting program in some form, they are not eligible. Please do not contact Anderson Center staff regarding technical situations or special edge cases around student status. This program supports vocational artists, not students. No matter the specifics or details, if an artist can be considered a student of a degree-granting program in any way, they are simply not eligible.

“Early Career Artist” Status – Eligible artists self-identify as an “early career artist” and are in the early stages of their creative development with 2-10 years of generative experience. The Anderson Center’s goal is to serve a spectrum of artists typically in their 2nd to 10th year of creative practice, post-student status (if applicable). This spectrum is framed by artists with some track record of creating and presenting full work (not beginning artists), and artists who are NOT at a point in their careers where they receive consistent development and production opportunities and significant recognition, awards, and acclaim (not mid-career or established artists).

Artists who have been in the field for longer than 10 years (excluding any time in a degree-granting program; as a dancer in work created by others; remounting the work of other choreographers; or time away from working as an artist due to circumstances–e.g., having children, caring for family members, long-term illness, etc.) are generally not eligible, even if they feel under-recognized.

Age is not a determining factor. Career stage is assessed by the cumulative number of years an artist has been generating their own work. Mid-career or established artists shifting from one artistic discipline to another will not be considered early career. For example, a composer with a substantial career in music who is now moving into film will not be considered early career.

Anderson Center has defined the 2–10 year span recognizing that some artists may experience enormous success and move past early career status well before their 5th year or 10th year. The organization recognizes that the number of opportunities afforded to artists may differ significantly based on discipline, race/ethnicity, class, gender, physical ability, and geography among other factors. Consequently, some artists may be past their 10th year and still be on the spectrum of early career status due to taking time out of active artistic practice for school or other circumstances. The Anderson Center understands that the lack of an absolute or rigid definition leaves room for interpretation but embraces this flexibility out of our value around diversity and in recognition of the many variables that impact artists’ careers.

New Work – Eligible artists are generating and creating entirely new work (rather than interpreting, translating, arranging, copying, remounting pre-existing work or the work of others). Generative artists are those who conceive and create new original work (e.g., choreographers, composers, playwrights and devisers, filmmakers, writers, visual artists, etc.). This program does not support artists who solely perform or develop/produce the work of others (e.g., dancers, musicians, actors, editors, journalists, etc.).

Collaboratives - Artists that are part of an artistic collective, partnership, or collaborative are welcome to apply, but collaborative residencies are also rare. The program is extremely competitive, and space is simply limited. Each artist must also complete their own application form. Obviously, each application will repeat things and have much overlap. That is OK. In the work plan for in each application, highlight that artist's contribution / skills, while making clear the collaborative nature of the project.

Notes - Artists of all disciplines are eligible and are encouraged to apply. Applications must be submitted through the Anderson Center’s online webform via Submittable.

Please direct any questions regarding early career artist status and eligibility requirements directly to Anderson Center at Tower View staff at 651-388-2009 or info@andersoncenter.org.

APPLICATION: A completed application form includes a brief artist statement, a work plan, an early career statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time.

If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your past and current work.

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.

The Work Plan is a one page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.

An Early Career Statement addresses, in 250 words or less, your status as an emerging artist or early-career artist. How would participating in this program impact or advance your practice as an early career artist? In what ways would this program meet your needs as an early career artist? Why is this residency important to this stage of your career path? How do you identify as an early career artist? 

Work Samples should be of recent work and should include:
     · For composers and musicians: 3 recordings
     · For visual artists: At least 5 images of work (300 dpi or larger)
     · For nonfiction and fiction writers: 10 pages of double-spaced prose
     · For playwrights & screenwriters: 10-page excerpt (does not need to be from the beginning)
     · For poets: 10 pages of poetry
     · For translators: 10 pages of translation and original text
     · For performance artists: 3 short video excerpts of performances (no videos longer than 5 minutes)
     · For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)
     · For Scholars: 10 pages of work, including research abstracts and relevant diagrams

If you are an interdisciplinary or multi-disciplinary artist, you may "split the difference" on the work sample guidelines above at your own discretion. For example, including 5 pages of writing and 3 images, etc. 

Likewise you may also choose to simply submit a PDF or Word Doc with hyperlinks to work samples that meet the guidelines outlined above.

Regarding work samples, please put yourself in the shoes of a jury panel member. Make it easy for them to review your best work first. Yes, give the jury various ways to go deeper or experience more if they are motivated but focus first on presenting only your strongest work samples in the most compelling way possible. Please contact staff if you have questions about work samples, but reflecting on the jury and the many applications they have to review & score can serve as a helpful guide in deciding what to include, how much to share, how long it can be, and how to present it.

DURATION OF RESIDENCY: The Anderson Center’s Early Career Artist Residency Program is a 4-week residency-fellowship the month of September 2025. Selected artists must commit to arriving on September 2 and departing on September 29. September is the only month the program takes place.

PROGRAM DETAILS:

Each artist-in-residence receives:

• $625/week artist stipend

• Travel honorarium ($550 for New Yorkers and $150 for Minnesotans)

• $450 documentation budget (services for photography, video, audio, etc.)

Evening dinners are prepared and presented by the Anderson Center chef Monday through Friday. The chef also shops for meal items for artist residents, and residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There are also housekeepers who clean and maintain the historic facilities.

ACCOMMODATIONS: Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists are provided a 15' x 26' studio and are responsible for supplying their own materials.  Other workspaces on site include a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press) for printmakers with demonstrated experience. Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.

COMMUNITY ENGAGEMENT: The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.

Within the last few years, Anderson Center residents have connected with schools in five area communities (ranging from elementary through college), senior centers, correctional or detention facilities, community organizations serving children and families, and community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.

PROGRAM MISSION & VALUES: As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.

SELECTION TIMELINE:

• January 14, 2025 (12:00 p.m. Noon CST) – application deadline

• February 7, 2025 – Jury has selected Round 2 applications. All artists are notified of the status of their application.

• February 25, 2025 – Jury has determined finalists. Phone interviews with finalists begin.  

• March 4, 2025 – Final notification to selected artists, wait-list and runners-up

SELECTION CRITERIA:

Selection criteria include (in order of importance):

1. Artistic excellence as demonstrated by work samples, resume and artist statement

2. Potential benefit and impact on career as demonstrated by work plan

3. Balance of artistic disciplines, identity, geography, etc within selected cohort

EQUAL OPPORTUNITY: The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.

theandersoncenter.submittable.com/submit

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2025 Anderson center residency

Anderson Center at Tower View

DEADLINE: January 14, 2025

APPLICATION FEE: $30

INFO: Anderson Center nurtures a vibrant artist community based at Tower View, an expansive Historic Site and natural area in Red Wing, Minnesota. Founded in 1995, the Anderson Center has renovated and restored Tower View's historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden.

Anderson's signature Artist Residency Program, together with the Studio Artist Program, forms the core of the organization's artistic community. The Residency Program provides artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment with dedicated time and space to create, advance, or complete new work. In addition to community engagement activities through the artist residency program, the organization's additional outreach programs create connections and integrate the arts into community life through local partnerships, hosting annual arts events, and participating in other community-based initiatives.

ELIGIBILITY: The Anderson Residency Program is open to early career, mid-career, and established visual artists, writers, composers, choreographers, multidisciplinary artists, musicians, performance artists, scholars, and translators from across the globe. The program is interdisciplinary and the organization welcomes applications from a wide range of creative and intellectual genres, including those that don't fit neatly into the above list.

To be considered, artists must submit an application through the Anderson Center’s online form via Submittable. Complete program details are below. Please contact the organization at 651-388-2009 or info@andersoncenter.org for any questions.

DURATION OF RESIDENCY: For the 2025 season, the Anderson Center is offering 2- or 4-week residency sessions during the months of August and October. Preference is generally given to 4-week residencies. That said, 2-weeks sessions are possible. There is a 48-hour turnover between residency sessions, no matter their duration, to allow time for housekeeping. Specific start and end dates are listed in the application form. Please plan your requested residency dates carefully. Provide as much detail as possible regarding your availability, as that information is incredibly helpful in assembling cohorts and organizing the waitlist.

September 2024 residencies are reserved for the organization’s Early Career Artist Residency.

2025 SCHEDULING & AVAILABILITY:

Each season the Anderson Center hosts a limited number of artists through its various exchanges, fellowships, and dedicated programs that reduce the number of spots available for artists submitting materials for this General Residency program opportunity. In 2025 exterior renovations to the residence limit the residency options to the months of August and October.

Availability as of September 2024:

• August 2025 - Four 4-week spots (or eight 2-week spots); space for 4-6 artists depending on duration. 

• October 2025 - Three 4-week spots (or 6 2-week spots); space for 3 – 5 artists depending on duration.

In general, for months that incorporate 2-week sessions, no fewer than four artists–and no more than six artists would be scheduled for 2-week residencies within that month.

Due to the competitiveness of the program, the organization's goal is to be upfront and transparent about the availability for the General Residency program in 2025 in an effort to help you make a decision about whether this year is the best time to submit an application. Again, please contact us if you have any questions or need further clarification here.

LOCATIONThe Anderson Center is located on the 350-acre historic Tower View campus, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing.

The Center is 45- 60 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property. The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River.

APPLICATION: A completed application form includes a brief artist statement, a work plan, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your past and current work.

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.

The Work Plan is a one-page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.

Work Samples should be of recent work and should include:

• For composers and musicians: 3 to 5 recordings

• For visual artists: At least 5 images of work (300 dpi or larger)

• For nonfiction and fiction writers: 10 pages of double-spaced prose

• For playwrights & screenwriters: 10-page excerpt (does not need to be from the beginning)

• For poets: 10 pages of poetry

• For translators: 10 pages of translation and original text

• For performance artists: 3 short video excerpts of performances (no videos longer than 5 minutes)

• For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)

• For Scholars: 10 pages of work, including research abstracts and relevant diagrams

If you are an interdisciplinary or multi-disciplinary artist, you may "split the difference" on the work sample guidelines above at your own discretion. For example, including 5 pages of writing and 3 images, etc. 

Likewise you may also choose to simply submit a PDF or Word Doc with hyperlinks to work samples that meet the guidelines outlined above.

Regarding work samples, please put yourself in the shoes of a jury panel member. Make it easy for them to review your best work first. Yes, give the jury various ways to go deeper or experience more if they are motivated but focus first on presenting only your strongest work samples in the most compelling way possible. Please contact staff if you have questions about work samples, but reflecting on the jury and the many applications they have to review & score can serve as a helpful guide in deciding what to include, how much to share, how long it can be, and how to present it.

ACCOMMODATIONS: Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists will be provided a 15' x 26' studio and are responsible for supplying their own materials. Other workspaces on-site include a dark room and a print studio for professional printmakers (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1906 Steinway piano and a Royale grand piano.

Dinners are prepared and presented by the Anderson Center chef Monday through Friday. This chef also shops for groceries for artists-in-residence. Residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There are also housekeepers who clean and maintain the historic facilities.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. There is a very basic home gym in the residence. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.

COMMUNITY ENGAGEMENT: The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.

Within the last few years, Anderson Center residents have connected with schools in five area communities (ranging from elementary through college), senior centers, correctional or detention facilities, community organizations serving children and families, and community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.

PROGRAM MISSION & VALUES:

"This stay is particularly suitable for artists who want to devote themselves intensively to the realization of a concept. Here you can devote yourself to artistic work undisturbed and far away from everyday worries." - Eva Möseneder, 2012 resident

Anderson Center’s goal is for connections participating artists make with one another, as well as connections made with other creatives and community members, to outlast the duration of their residency visit. The organization believes that the environment and resources of Tower View, along with an exchange of ideas across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work artists create while in residence.

As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.

SELECTION TIMELINE:

• January 14, 2025 (12:00 p.m. Noon CST) – application deadline

• February 7, 2025 – Jury has selected Round 2 applications. All artists are notified of the status of their status.

• March 5, 2025 – Final notification to selected artists, wait-list and runners-up

SELECTION CRITERIA:

Selection criteria include (in order of importance):

1. Artistic excellence as demonstrated by work samples, resume and artist statement

2. Potential benefit and impact on career as demonstrated by work plan

3. Balance of artistic disciplines, identity, geography, etc within selected cohort

EQUAL OPPORTUNITY: The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.

theandersoncenter.submittable.com/submit

TV / FILM — NOVEMBER 2024

The Catapult Research Grant

Catapult Film Fund

DEADLINE: November 13, 2024 at 5pm PT

INFO: The Catapult Research Grant is accepting LOI. Selected projects will be invited to submit full applications in early December 2024.

Launched in 2020, the Catapult Research Grant expands upon our mission to provide early support to nonfiction filmmakers and films. This intensive program offers grants of $10,000 USD and dedicated mentorship to U.S.-based filmmakers in the early conception phase of a documentary feature or short. We do not support docuseries at this time. Learn more about previous Catapult Research Fund grantees»

Our latest program seeks to address filmmaker sustainability and diversity in the field, with a focus on artists from systemically marginalized communities. In 2025, we will support a cohort of three (3) mid-career filmmakers who share a desire to deepen their craft and an ongoing commitment to the art of nonfiction storytelling. The grant can be used for a variety of needs for developing new nonfiction film ideas including: research, writing, travel, crew, identifying and gaining access to protagonists, and any preliminary production costs associated with shaping the artistic vision or capturing early footage. Learn more about Frequently Asked Questions»

KEY DATES:

The Catapult Research Grant is a two-step application process. Applicants must review Guidelines and Eligibility» and Procedure and Checklist» in order to submit the Letter of Intent (LOI). After an internal review, selected projects will be invited to submit the full application for funding consideration.

• November 13, 2024: LOI Deadline at 5 p.m. PT

• Early December: Full Application Invitations Sent

• February 2025: Grantees notified

• March 2025: Grantees announced

• March - September 2025: Program commitment

catapultfilmfund.org/how-to-apply/research/?

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open call: Filmmaker Fellows Program

The Artemis Rising Foundation (Barnard College)

DEADLINE: November 15, 2024

INFO: The Artemis Rising Foundation Filmmaker Fellows (ARFFF) Program at Barnard College is now accepting fellowship applications for the 2025-2026 academic year. 

Each year, Barnard welcomes up to six established film/video makers as Artemis Rising Foundation Filmmaker Fellows. During their fellowship time, fellows teach courses of their own design on Barnard’s campus. These courses, which can be either mini-courses or semester-long, could explore aspects of  film/media production including content development, writing for screens, camerawork, directing, and editing. 

In the 2025-2026 academic year, we are soliciting applications from makers interested in teaching a course in one of the following areas: writing for television, animation, sound design, directing, production (lighting theory and practice) and post-production (video editing, color correction), as well as the future of the field.

Mini-courses are either 2 or 4 weeks (usually in September/October in the fall, or January/February in the spring). Semester-long courses are also offered in both the fall and spring.

Barnard seeks a diverse pool of applicants and it especially welcomes those from underrepresented backgrounds. At this time, international applicants are only being considered for mini-course appointments; Fellows selected for semester-long appointments must have US work authorization. 

Fellows must be available to be in-person on campus in New York City during the term of their appointment. Fellows receive a competitive salary as well as a travel and accommodation stipend, and have access to an office space at Barnard during the term of their appointment. 

Examples of prior Fellows are listed on the ARFFF website here. 

athenacenter.barnard.edu/arff/opencall25-26

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MOONSHOT FEATURE ACCELERATOR

Moonshot Initiative

DEADLINE / FEE: November 15, 2024 ($110)

INFO: Are you an emerging screenwriter with a powerful voice and a unique story that increases the representation of women and non-binary people on screen?

Moonshot is thrilled to announce our brand-new Feature Accelerator, designed to elevate and spotlight talented writers like you! Eight fellows will be selected to receive 3 weeks of virtual training before pitching one-on-one to major studios, production companies, reps and more.

We're expanding our support to the world of feature films as a way of building on the success of our acclaimed Moonshot Pilot Accelerator. Over the past three years, we’ve helped 24 emerging TV writers craft and polish their pitches and learn about the industry from experts in their fields. We then set them up on one-on-one meetings with major players like HBO, Netflix, Hulu, Starz, Showtime, and many more. Now, we’re bringing that same opportunity to feature film writers!

WHY APPLY?

• Amplify Your Voice: We’re on the lookout for distinctive stories from diverse voices that increase the representation of women and non-binary people on screen.

• Perfect Your Pitch: Fellows will receive expert guidance on crafting and polishing their pitches, so they’re ready not just for today’s opportunities but for future ones as well.

• One-on-One Meetings: Fellows receive exclusive pitch meetings with production companies, agents, managers, producers, financiers, studios, and streamers. Your script could catch the eye of those who can take it to the next level.

• Achieve Your Goals: Our accelerator is geared toward helping our fellows reach significant milestones in their careers, such as securing representation, attracting financiers, landing general meetings, and gaining industry connections.

• Build Lasting Connections: Fellows will forge relationships with industry executives and other writers that will support their careers for years to come.

• Gain Industry Knowledge: Fellows will learn from in-depth workshops with experts such as an entertainment lawyer, agent, manager, and coach to master both the creative and business aspects of screenwriting.

Ready to get your work in front of industry leaders? Don’t miss this chance to take your feature film writing career to new heights. Apply now and join a community dedicated to helping emerging writers like you succeed!

BENEFITS:

Fellows receive a range of benefits designed to propel your career and enhance your craft — and even at the semi-finalist level, you'll gain visibility for your work and build your community. Here’s what you can gain from participating:

1. Elevated Exposure

   Each semi-finalist will have their script read by two industry judges, including major screenwriters, producers, and development executives.

2. Expert Guidance

   Pitch Perfection: Each fellow receives personalized feedback on crafting and refining their pitch to ensure it stands out and resonates with decision-makers.

3. Career Advancement

   Opportunities for Development: Increase the chances of your script being bought or optioned, attract interest from financiers or producers, or secure representation from an agent or manager.

   Future Projects: Open doors to potential writing assignments or IP projects with companies interested in your work.

4. Networking and Community

   Build Relationships: Join a community of emerging writers who are dedicated to uplifting each other and sharing valuable insights. Forge long-term connections with industry execs and fellow writers, creating a supportive network that can lead to future opportunities. This community-building starts even before the program begins: All semi-finalists are invited to a virtual networking event, and past semi-finalists have shared that they're still in touch with the writers they met!

5. Comprehensive Education

   Industry Insights: Fellows learn from seasoned professionals about industry trends, pitching strategies, and career management, ensuring you’re well-equipped for both creative and business challenges.

6. Long-Lasting Impact

   Career Momentum: Benefit from ongoing support and relationships that could lead to continued opportunities and collaborations in the future.

Placing in our accelerator is not just about getting your script noticed—it's about building a foundation for a successful and sustainable career in the film industry.

writers.coverfly.com/competitions/view/moonshot-feature-accelerator#prices-deadlines

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REPARATIVE FUTURES: OPEN CALL FOR SHORT DOC FILM PROPOSALS

Multitude Films / Brown Girls Doc Mafia

DEADLINE: November 15, 2024 at 11:59pm ET

INFO: The award-winning team at Multitude Films, in association with BGDM and executive producer J Wortham and in collaboration with BLIS Collective, is seeking proposals for a new reparations-focused short documentary series: REPARATIVE FUTURES. It builds on the model that Multitude Films initiated with QUEER FUTURES (The Criterion Channel, 2024).

Four short documentary film proposals will be selected for the series. Multitude Films will produce each short, as creative collaborators with the directors, and will lead in the distribution and exhibition strategy. Each project will work with the Multitude team on a $20K–$35K production budget and schedule a 4-week edit. Each project will also receive a $7K director’s fee. Directors will retain the right to non-theatrical screenings of their films, in community and educational venues, in addition to any other distribution avenues. We’re looking for films that have a clear, creative vision with demonstrable access to the story and an ethos of care. 

ELIGIBILITY:

• Film directors must be a member of BGDM or otherwise must submit an application to become a BGDM member (BIPOC woman, nonbinary, gender-expansive, agender or trans person working in the nonfiction space). Filmmaking teams are welcome to apply if at least one director meets the eligibility requirements. 

• Stories must be U.S.-based or -focused. Filmmakers do not have to be based in the United States. (In alignment with the Black-led movement for reparations and the Indigenous-led land back movement, we're focusing on U.S. voices and stories given the unique history of Black and Indigenous communities in the United States the movement seeks to address and redress.) 

• Applicants must be at least 18 years of age.

• Only one proposal per applicant will be accepted.

• Works in progress may be considered, if the filmmaker is open to a collaborative process with BGDM and Multitude Films. Please indicate if your proposed film is already in progress when submitting your application.

ETHOS:

Inspired by the Black-led movement for reparations and the Indigenous-led land back movement, REPARATIVE FUTURES explores reparations beyond the financial models most often covered in mainstream media, viewing reparations as a transformative and worldmaking process that seeks to reshape our political, economic, and cultural realities. Just as QUEER FUTURES showed how queer and trans perspectives lend creative thinking to imagining liberatory futures, conversations about reparations — financial and relational — will be fed and nurtured by Black, Brown, and Indigenous visions for our future. 

The films in REPARATIVE FUTURES aim to embody a range of creative imaginings of reparative initiatives, relationships, policies, and other sites of healing. They offer provocations, rallying cries, blueprints, unearthing of histories, experiments toward collective liberation, and more. They engage with the case for reparations; explore the possibilities for material restitution and spiritual renewal, and imagine speculative visions of a post-reparations society.

We hear objections from those who benefit from the status quo, who cannot imagine a different world, or who think the obstacles are too high. But a culture of repair is the only way to upend the exploitation and devaluation of Black, Brown, and Indigenous lives, and to reconcile the fact that most of us live on stolen land from Indigenous people. We hope the series inspires viewers to critically examine how they can drive systemic repair in the institutions, communities, and social structures they engage with. Everyone has a unique role in transforming systems of harm into systems of care, contributing to collective healing, and building foundations for a just future.

Restorative justice is inherently a collaborative, prefigurative process wherein the method mirrors the world we dare to dream. Our filmmaking process will do the same, prioritizing care, transparency, and equity in our collaborations with participants, crew, and stakeholders. We will produce and distribute the series in collaboration with movement leaders, so that the cultural change work of REPARATIVE FUTURES can tangibly support longstanding organizing efforts toward reparations.

RESOURCES:

For more information on existing narrative work relating to reparations and additional context on the larger movement landscape that this series would be a part of, please visit this document.

QUESTIONS:

For questions, concerns, or accessibility adjustment to submit via an alternate way, please reach out to kitty@browngirlsdocmafia.org and sweta@multitudefilms.com.

airtable.com/appYlofvByApMoxCh/pagmfZkr8ZEi2umNo/form

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UpTilt Film Fest

DEADLINES:

• Regular - November 15, 2024

• Late - December 15, 2024

INFO: UpTilt Film Fest champions the voices of women filmmakers and those who identify with womanhood, offering a dynamic platform to showcase their short films. Beyond screenings, UpTilt fosters growth through educational programs, networking opportunities, and scholarships designed to support and empower the next generation of creative talent.

Our 3-day festival in Wilmington, NC showcases short format films of all genres from all over the world! Films must be written and/or directed by women or gender-nonconforming individuals, who identify with womanhood OR 50% of the following positions must be women/gender-non-conforming: writer, director, cinematographer, editor.

We accept narratives, docs, experimental, animation, and any genre – we want to see it all! Join us as we celebrate the power of women filmmakers!! This three-day festival is all about films made by women (and gender nonconforming folks) who identify with womanhood.

filmfreeway.com/uptiltfilmfest

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2025 Inside Out 2SLGBTQ+ Film Festival

Inside Out

DEADLINES:

• Earlybird - November 18, 2024

• Regular - December 16, 2024

• Late - January 13, 2025

INFO: Founded in 1991 Inside Out has grown to become the largest 2SLGBTQ+ Film Festival in Canada. For over three decades, Inside Out has united Toronto’s 2SLGBTQ+ communities to celebrate the best in queer cinema from Canada and around the globe. Through our annual festival in Toronto, filmmaker initiatives, youth engagement, and year-round events and screenings, Inside Out remains committed to challenging attitudes and transforming lives.

The 2025 Inside Out Toronto 2SLGBTQ+ Film Festival will feature a competitive film program with four juried awards: Best First Feature, Emerging Canadian Artist, Best Canadian Feature, and Best Canadian Short. Additionally, cash prizes will be awarded for three Audience Awards: Best Short, Best Narrative Feature, and Best Documentary.

 FAQs

How do I submit my film?
All submissions must be made via FilmFreeway. We do not accept submissions by email. A separate entry form is required for each film being submitted.

Are rough cuts accepted?
Works-in-progress and rough cuts are accepted but a completed exhibition copy should be available for final approval by February 9, 2025. We encourage you to submit your film as close to completion as possible. 

Do you require captions to submit?
Captions are not required when submitting your film for consideration. However, all films selected to screen at Inside Out must include captions or subtitles in English. While we cannot offer caption creation services, we’re happy to provide recommendations.

What films are eligible for submission?
We are seeking films that are inclusive of—and of interest to—the 2SLGBTQ+ communities. This includes narrative, documentary, experimental, and animated films, both feature-length and shorts. Films with a completion date no more than 18 months before the festival dates are eligible. Films completed after the previous year’s festival will be given preference.

Are there submission fees?
Yes. Submission fees help us provide filmmaker support during the festival so every dollar goes back into creating the best festival experience for you and our community. 

We aim to eliminate as many barriers as possible, so if you need assistance with fees, please reach out to us at programming@insideout.ca.

filmfreeway.com/InsideOutToronto2SLGBTQ

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Social Justice Now Film Festival

DEADLINE: November 20, 2024

INFO: The Social Justice Now Film Festival (SJNFF) is an annual event showcasing content that confronts the social and economic issues today facing Black and Brown communities in the United States. Its mission is to amplify the voices of the marginalized, focusing on the imperative of social change.

This year's festival will take place in Los Angeles and includes screenings of documentary features, shorts and narrative films on subjects related to racism, equity, education, healthcare, immigration, and LGBTQ+ rights, as well as moderated conversations with activists, authors and academicians. The SJNFF is presented by Film Life Foundation, in partnership with Sony Pictures Entertainment, its founding sponsor. The third annual SJNFF will take place in Los Angeles, February 2025. Exact dates to be announced.

ELIGIBILITY REQUIREMENTS:

• Films MUST have themes of social justice, racial injustice, implicit bias, Black identity or human rights.

• Open to U.S. citizens who reside in the United States and are over the age of 21.

• Films must be submitted by the Director, Producer or person authorized to submit on their behalf.

• Films may be documentary features, narrative features, documentary shorts and narrative shorts (animation included).

• Running times must be as follows:

  • Documentary Feature Films: minimum of 40 minutes

  • Narrative Feature Films: minimum of 50 minutes

  • Documentary Short Films: 30 minutes maximum

  • Narrative Short Films: 20 minutes maximum

• Films must be original and owned by the entrant(s).

• Films must have completed post-production on or after January 1, 2023.

• Films must be in the English language or contain English-language subtitles.

• Films must not have any exclusive distribution deal, or license, for broadcast, cable, streaming or other entity for online exhibition. 

• Filmmakers may submit no more than four entries.

• Each entry must include a signed release form and be received no later than the deadline of November 20, 2024, at 11:59 PM PST.

• Films will be screened live in Los Angeles.

SUBMISSION PROCEDURE:

• All films must be submitted via FilmFreeway. No other formats will be accepted.

• Each submission must include payment of a $25 fee to be considered an official entry.

• In the case of multiple of submissions (up to four maximum), a separate submission, with submission fee is required for each submission.

• All submissions must be uploaded by the regular deadline of November 20, 2024.

• Upon festival acceptance on or before January 10, 2025, you will have up to 48 hours to provide any additional electronic press kits materials and signed release form as
  requested by the festival, and filmmaker must deliver their film in the requested
  screening format by the date specified below.

IF YOUR FILM IS ACCEPTED:

• You will be required to deliver a final version of your film (format to be announced) to the festival by no later than January 15, 2025.

• You must be available to attend the Social Justice Now Film Festival in Los Angeles, California.

• The festival will provide the film's director with the following:

  • One (1) round-trip domestic economy  airline ticket from home city within the U.S. to Los Angeles, California

  • One (1) standard hotel room for two (2) nights

  • A one-time $150 meals and incidentals honorarium for the entire stay

  • Festival credentials for the film’s director (plus one (1) guest upon request)

  • You may also be required to participate in additional press activities.

Checklist for all official selections of items you must provide the festival:

• Finished Film 

• Logline

• Short Synopsis

• Film Credits

• Photo Stills from the film (2-3 images, minimum 300 dpi, landscape orientation)

• Director’s Bio

• Director’s Headshot

filmfreeway.com/SocialJusticeNowFilmFestival

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2025 CASSIAN ELWES INDEPENDENT SCREENWRITING FELLOWSHIP AT THE SUNDANCE FILM FESTIVAL

The Black List

DEADLINE: November 22, 2024

INFO: The Cassian Elwes Independent Screenwriting Fellowship is an annual program designed to encourage and identify new talent in the field of independent cinema by awarding one screenwriter each year with an all-expenses paid trip to the 2025 Sundance Film Festival with producer Cassian Elwes (MUDBOUND, LEE DANIELS' THE BUTLER, DALLAS BUYERS CLUB).

This opportunity is open to unrepresented feature writers with an independent sensibility who have made less than $5,000 in aggregate in their film or television writing careers. Submissions are open on blcklst.com until November 22, 2024. At that time, The Black List will choose ten screenplays imbued with an independent spirit by unrepresented screenwriters, which will be sent on to Mr. Elwes for his consideration. One fellowship recipient will be selected by Mr. Elwes by calendar year's end.

The Cassian Elwes Independent Screenwriting Fellow will receive a festival pass to attend the 2025 Sundance Film Festival, which will take place January 23–February 2, 2025, with Mr. Elwes. In addition to screenings, the recipient will attend various meetings and events during the festival with Mr. Elwes. You can learn more about past experiences with this Fellowship from our Sundance Diaries series on The Black List blog.

Check out our FAQ for more information on how to obtain hosting and evaluations at no cost, and for more details on the 2025 Cassian Elwes Independent Screenwriting Fellowship.

REQUIREMENTS:

• Entrant must post an original screenplay on www.blcklst.com and opt-in to the Program during the Submission Period.

• Entrant must be the sole and exclusive author of the screenplay submitted for consideration.

• Entrant must be over the age of 18 and competent to contract.

• Entrant must not have earned more than $5,000 in the aggregate in connection with any prior film or television writing work.

• Entrant must not be represented by an agent or manager in the film or television industry at the time Entrant opts into this program.

If selected, Entrant is available to be flown to Los Angeles, CA or New York, NY from a major American airport in order to attend the Sundance Film Festival on or about January 23, 2025. Please note, in the event Entrant is selected but is not able to attend the Sundance Film Festival on such date, Mr. Elwes will have the right, but not the obligation, to award the Fellowship to the runner up

blcklst.com/programs/2025-cassian-elwes-independent-screenwriting-fellowship-at-the-sundance-film-festival

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The Antigravity Academy Screenwriters Camp

DEADLINE: November 22, 2024

SUBMISSION FEE: $0

INFO: The Antigravity Academy Screenwriters Camp is a program designed to help up to six emerging filmmakers (or writing teams) develop and package their first features. 

The program will be run by Abiram Brizuela, former Director of Artist Community at the Sundance Institute. It will consist of a week-long residential intensive in May, followed by five virtual workshops and a period of industry exposure. Upon completion, participants will have a new draft of their screenplay, a first-look deal for production financing from Unapologetic Projects and a commitment from Antigravity Academy to help them usher their projects into the market. The program will be produced by Antigravity’s Head of Production, Valerie Bush, with creative development led by Antigravity founder, Carlos López Estrada, and Head of Film & TV, Winsor Yuan. 

The 2025 edition will be the second edition of this program.

Who are we? 

Antigravity Academy is a multi-hyphenate creative home for emerging artists across mediums. We develop and produce projects for film, television, short form and beyond. Additionally, Antigravity's various educational and community initiatives aim to make filmmaking accessible to all. Antigravity’s debut film, DÌDI (弟弟), written and directed by Sean Wang, premiered at the 2024 Sundance Film Festival, winning the Audience Award and opening globally later that summer via Focus Features.

What happened at last year's Camp?

Last year, we selected 6 amazing filmmakers from all over the country who joined us in Lake Arrowhead in May.

At the in person intensive, the filmmakers participated in individual and group development sessions with mentors and Antigravity staff, exclusive screenings and panels, and developed lifelong friendships through bonding camp activities. Mentors and speakers included Marcus Gardley (THE COLOR PURPLE), Greg Kwedar (SING SING), Pam Ribon (MOANA, RALPH BREAKS THE INTERNET), Sean Wang (DÌDI (弟弟)), and multi hyphenate artist George Watsky.

After the Camp, aside from the monthly workshops, we continued to develop the projects and helped the filmmakers package their projects to take them out to market. Additionally, the screenwriters have been selected for different screenwriting programs, competitions, and some have also gotten representation.

BENEFITS:

What will each filmmaker (or filmmaking team) earn from going through this program?

Each filmmaker (or filmmaking team) will enter a 7 month development deal with Antigravity Academy starting with the intensive in May and concluding with the period of industry exposure/project presentation. Each filmmaker (or filmmaking team) will be paired with industry mentors and the development team at Antigravity Academy for the duration of the program. Each filmmaker (or filmmaking team) will have around-the-clock development support from our team and will be able to schedule check-in meetings on an as-needed basis.

writers.coverfly.com/competitions/view/antigravity-academy-screenwriters-camp

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2025 CAPE New Writers Fellowship

CAPE (Coalition of Asian Pacifics in Entertainment)

DEADLINE: November 25, 2024

INFO: The CAPE New Writers Fellowship (CNWF) discovers and nurtures emerging Asian and Pacific Islander writers launching their careers in television and other entertainment mediums.

The 2025 CAPE New Writers Fellowship will be a hybrid program with in-person and virtual sessions. Sessions will be held in April-May 2025 on Monday and Wednesday weekday evenings (Pacific Time). You must be able to attend all in-person sessions in Los Angeles. Transportation and lodging costs will not be covered. You must be able to attend every virtual session via Zoom.

Please prepare or complete the following application components prior to beginning the application form (full preview here):

• General Release Form (PDF Format Only)

• Non-Refundable $65 Application Fee via PayPal

  • Please save receipt as PDF or screenshot for proof of payment. PDFs of email receipts or confirmations are also accepted.

• Resume (PDF Format Only, under 10 MB)

• Complete, original episodic pilot script with all identifying markers stripped (PDF Format only, under 100 MB). You may watermark pages with “CAPE”/”CNWF” but not with any identifying markers.

  • We do not accept revised or replacement scripts after submission - no exceptions.

  • Half-hour or one-hour episodic pilots ONLY. Feature scripts will not be considered.

ELIGIBILITY REQUIREMENTS:

• The 2025 CAPE New Writers Fellowship will be a hybrid program with in-person and virtual sessions. Sessions will be held in April-May 2025 on Monday and Wednesday weekday evenings (Pacific Time).

  • Applicant must be able to attend all in-person sessions in Los Angeles. Transportation and lodging costs will not be covered.

  • Applicant must be able to attend every virtual session via Zoom.

• Applicants must not be currently staffed on an episodic program. Applicants who were previously staffed at the staff writer or story editor level, but are not currently staffed as a writer, may apply.

• Applicants cannot have previously participated in the CAPE New Writers Fellowship. 

• Applicants must have the ability to accept paid work in the United States. CAPE does not sponsor or assist with visas.

• Applicant must be at least 18 years old.

• Writing teams of up to 2 writers may submit. Writers must be committed to pursuing a career as a writing team. Both members of any writing team must meet all requirements.

• The applicant and script should be consistent with CAPE’s mission to champion diversity by educating, empowering, and connecting Asian American and Pacific Islander artists and leaders in entertainment.

SCRIPT REQUIREMENTS:

• The 2025 CAPE New Writers Fellowship will be accepting half-hour or one-hour episodic pilots only. All genres accepted. Animation accepted.

• Script must be original and applicant(s) must own all rights to the script free and clear.

• Script must not be under an option and applicant(s) must have sole authority over changes to the script.

• Submissions without proof of payment will not be considered.

• CAPE does not provide coverage or feedback for scripts.
  

FREQUENTLY ASKED QUESTIONS

WHO IS THE CAPE NEW WRITERS FELLOWSHIP FOR?

The CAPE New Writers Fellowship is for writers who are looking to launch their careers in television and other entertainment mediums. The Fellowship arms writers with the practical and business knowledge they need to succeed as a professional writer in the entertainment industry.

For the first time in 2025, previously staffed writers at the staff writer or story editor level who are currently unstaffed - in addition to writers who have never been staffed in a writers’ room - may apply. CAPE is expanding this year’s program to address the current challenges in the industry and include a wider variety of pathways to becoming a professional writer in Hollywood, which may include opportunities in animation, video games, indie films, narrative podcasts, short form digital content, and more.

Note that you must already be a strong writer to be considered a competitive applicant for the program. The CAPE New Writers Fellowship is a professional and career development program that focuses on the business aspect of the writing profession. Potential applicants are encouraged to wait until their scripts are strong enough technically before applying.

WHAT IS A PROFESSIONAL WRITER AS DEFINED BY THE CAPE NEW WRITERS FELLOWSHIP?

A professional writer:

• Can write on a deadline

• Can write to someone else's vision

• Can work collaboratively

• Can take notes / critiques on their work
  

WHAT IS THE TIME COMMITMENT FOR THE CAPE NEW WRITERS FELLOWSHIP?

The CAPE New Writers Fellowship will take place from April to May 2025. Fellows are required to commit to:

• Saturday in-person Fellowship Orientation in Los Angeles

• Monday & Wednesday evening sessions (in person or via Zoom): 6:30 - 10 PM PT

  • You must be able to attend all in-person sessions in Los Angeles.

• Session prep and homework

• Script rewrites and mentor meetings on own time

WHAT WILL I NEED FOR THE CAPE NEW WRITERS FELLOWSHIP APPLICATION?

• Original and complete episodic pilot script (half-hour or hour long)

  • Any identifiable information (name, contact information, etc.) must be stripped from the script to ensure fairness and anonymity in the judging process.

  • Live action or animation accepted. All genres accepted.

  • Scripts must be in industry format.

  • Spec scripts will not be accepted.

  • Decks or outlines submitted alongside your script will not be considered.

• Script logline

• Personal statement responses to the following questions:

  • How do you or your writing align with CAPE's mission to champion Asian American and Pacific Islander representation in the entertainment industry?

  • Where would you like to be in your career 5 years from now? In 10 years?

• Professional writing resume

• Non-refundable application processing fee ($65) paid via PayPal

WHAT SCRIPT SHOULD I SUBMIT TO THE CAPE NEW WRITERS FELLOWSHIP AND HOW WILL IT BE JUDGED?

The submitted script should be your strongest writing sample and reflect the genres and content you would like to write. Selection for the CAPE New Writers Fellowship includes multiple rounds of anonymous judging. Criteria include (but are not limited to):

• Concept - What makes it special? Does the world make sense?

• Story - Is the plot clear and entertaining? Does the story have a theme?

• Structure - Is the arc clear and interesting? Is there an act structure? Are you allocating time correctly?

• Character - Are characters unique, likable, and active?

• Dialogue - Does it sound distinct, believable, and purposeful?

CAN I RESUBMIT A SCRIPT TO THE CAPE NEW WRITERS FELLOWSHIP?

Short answer: Yes.

Long answer: While we accept resubmissions, we do not encourage reapplying with a script you have submitted before without making substantial changes and ensuring that your new submission is distinct and unique from previous versions. Due to volume of submissions and bandwidth, CAPE is unable to provide feedback on submissions.

WHEN WILL I FIND OUT IF I HAVE MADE IT TO THE NEXT STAGE OF THE CAPE NEW WRITERS FELLOWSHIP?

Applicants who have been invited to the interview stage of the CAPE New Writers Fellowship will be notified in late February or early March. Due to volume of inquiries and bandwidth, CAPE will not answer emails regarding application status.

capeusa.org/cnwf

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BBC writers open call

BBC

DEADLINE: December 3, 2024

INFO: Our Open Call is not a competition but a means by which the BBC seeks out the best writing talent. We look for writers with the strongest potential to be developed and produced for BBC broadcast. You could be new to writing or new to the BBC but equally, you may be a playwright looking to write for TV, or you’ve written for radio drama and would like to try your hand at writing for CBBC. We understand that carving a career as a writer takes time and that each writer’s development needs will be different. We receive many thousands of scripts every year and can only focus on the writers who we feel have the most potential.

WHAT DO WE LOOK FOR?

In our Open Call we are not looking for projects to commission or produce. We are looking for writers to develop rather than specific projects. We look for what the script tells us about the writer. We see all scripts as a calling card to showcase a writer’s talent, ability, and voice.

We are especially looking for distinctive voices - and scripts that express those voices. We do not look for more of the same – we look for the writer’s ability to pull an audience into a world and hold them in it. It’s not necessarily about finding precincts or situations that have ‘never been done before’ but having an original take on stories that have the potential to have wide breadth of appeal.

We are looking for characters who are well rounded and consistent and who drive the narrative rather than serve it. We are looking for a sense of storytelling ability - handling of pace, climax, mood. We are looking to unearth the treasures, the page-turners, the new perspectives, the engaging dialogue and the surprising character creations.

We want to find that special something that makes us want to read more.

We look for what a writer can deliver in script form rather than unscripted ideas. We want to see the best possible draft you can achieve. We are not looking for early/first/rough drafts of scripts. Only submit a script to our Open Call when your script is ready, even if it means waiting for a later submission window.

We may also consider whether a script has real potential to be developed further towards production. If we believe a script could be developed further by a BBC department, we will send it to them with the writer's knowledge. Original scripts written “on spec” are produced extremely rarely, and writers should not send them in with the expectation that they will be produced. However, original spec' scripts are the means by which writers get noticed, so you should always write your script with the same level of commitment as if it were for production.

WHAT SHOULD YOU SUBMIT?

In our Open Call we accept:

• Drama or Comedy/Drama scripts written for Film, TV, Radio, Stage or Children’s TV/Radio scripts which are a minimum of 30 pages long (excluding title/character pages).

• Scripts will be read anonymously i.e. without a name attached, until after the full-read stage so please remove any personal details (name, address, contacts etc) from the front page of the script or within the document itself.

• A paragraph about your writing history (max. 250 words). You do not need to have any credits or professionally produced work, we just want to understand your passion for writing.

• A paragraph on what you hope to get out of our writer development programme (max. 250 words).

To help writers prepare their Open Call application before submitting, we’ve provided a downloadable document detailing the steps of the process. Click on the link below:

• Open Call: E-Submissions Application Preview

• Please note this list is only for reference. You’ll still need to complete your application via the BBC E-Submissions system which also includes sections on data usage and equality monitoring. To see a preview of how the application form looks within the E-submissions system please watch the video available on our E-Submissions: Help & FAQs page

• Watch the Help Video - Entering an Opportunity 

• Entries must be written in English. If you submit any part of a script in another language you must also include your own translation of this into English. Your application must be legibly typed and formatted.

• Read the Medium and Format guidelines for more guidance.

• Please note: All writing software will come with its own user guidelines. We cannot offer technical support for third party software.

• Read the Open Call Terms and Conditions for further details on what we accept.

WHAT DO WE NOT ACCEPT?

We do not accept any of the following:

• Scripts from overseas – we are looking for writers with whom the BBC can develop a strong working relationship and who have something to say that will appeal to British audiences. You may be a non-British-born writer, but you must be resident in the UK, Channel Islands, Isle of Man or Republic of Ireland.

• Scripts from writers under the age of 18.

• Submissions by email or post – when our Open Call is open for submissions, we can only accept scripts online via our E-Submissions system. Postal submissions are not possible under any circumstances.

• Scripts previously submitted to our Open Call (or Script Room) opportunity, including resubmissions of work which has since been re-written and further episodes of a series or serial which has previously been submitted. This also covers submissions sent when we were previously branded 'BBC Writersroom'.

• Ideas, pitches, outlines, synopses, or treatments on their own – we must always receive a script with every submission. Samples or extracts from scripts are not eligible either. We want to see a full script or episode.

• Multiple episodes or separate short scripts which together add up to 30 pages or more of script.

• Multiple submissions from an entrant.

• DVDs, videos, CDs, audio tapes, or any video/audio material (whether it accompanies a script or otherwise). Any links to video/audio content will not be considered in the reading process.

• New scripts written for existing or previously produced shows and/or characters (for example scripts of Doctor Who, EastEnders, Sherlock or using characters from these shows).

• (Visit the BBC Studios TalentWorks website to find out more about opportunities to write for one of the BBC's Continuing Dramas or cosy crime shows.)

• Short stories, novels, unpublished prose manuscripts, poetry or work you wish to have adapted into a script.

• Adaptations for broadcast of another writer’s idea (including adaptations of other writers’ novels).

• Comedy sketch shows and pure narrative comedy series or sitcoms.

Please see BBC Comedy Commissioning’s website for the latest updates on Comedy opportunities.

Read the Open Call Terms and Conditions for further details on what we do not accept.

bbc.co.uk/writers/opportunities/open-call

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literary arts grants

South Arts

DEADLINE: December 4, 2024

INFO: As part of its Literary Arts Initiative, South Arts is excited to announce grants for literary arts projects for writers and publishers. These grants deepen our commitment to amplifying literary traditions and practices of the American South through directly funding the initiation, development, and completion of literary arts projects in poetry, fiction, creative or literary nonfiction, young readers’ literature, and drama (playwriting and screenwriting).

Literary Arts Grants will be made to writers, independent literary publishers, and small presses: 

• LITERARY ARTS GRANTS FOR WRITERS: South Arts will award literary grants up to $5,000. Applicants (writers or organizations) must apply through Salesforce and include writing samples and other required attachments specified in these Guidelines.

• LITERARY ARTS GRANTS FOR PUBLISHERS: South Arts will award literary arts grants up to $5,000 to support Southern independent publishers and small presses. Applicants must apply through Salesforce and include the publisher’s representative work samples and other required attachments as specified in these Guidelines. 

IMPORTANT DATES:

• Deadline to Apply: 12/4/2024

• Awards Announced: February 2025

• Funding Cycle: March 1, 2025 – August 30, 2026 (18 months)

The award announcement may be earlier or later than the date listed above, depending on the number of applications and judging process.

Applicants who are not selected for an award will receive notification via the email on their application form before the award announcement.  

South Arts reserves the right to not consider incomplete or improperly submitted applications without informing the applicant.  

Judges do not communicate any information or details of their review. Given the volume of applications received, South Arts cannot provide individual feedback on the application and from the panel.

Applicants who move from the South Arts Region after they submit their application are encouraged to notify South Arts and will not be eligible to receive a grant award. 

WHO IS ELIGIBLE?

ELIGIBLE ENTITIES

• All applicants are eligible to receive only one grant award.

• Current, full-time resident or Headquartered in the South Arts Region (Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, The Carolinas, Tennessee) both at the time of application and at receipt of the award.

For Writers

• One application per artist or arts organization per funding cycle will be accepted.

• Applicant artists must be 18 years of age or older.

• Applicant artists must not be enrolled in a literary arts/writing academic program at time of application and at receipt of award.

• Current, full-time residents for at least the prior 12 months s of the South Arts region (Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, The Carolinas, Tennessee) both at the time of application during the project period.

• Works authored by more than one person are ineligible.

For Literary Arts Organizations

• For Publishers: Independent nonprofit publishers and small presses including journals.

• Based in the South Arts Region for at least the prior 12 months (Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, The Carolinas, Tennessee) both at the time of application and during the project period.

• Other non-profit organizations with a literary arts mission.

INELIGIBLE ENTITIES

• Units of government

• Colleges/Universities are ineligible to apply for this grant.

UNALLOWABLE ACTIVITIES

• General operating support. 

• Support for a full season of programming. 

• Courses or coursework in degree-granting or continuing education institutions. 

• Literary publishing that does not focus on contemporary literature and/or writers. 

• Publication of books, exhibition of works, or other projects by the applicant organization's board members, faculty, or trustees. 

• Projects for which no curatorial, juried, or editorial judgment has been applied to the selection of artists or art works. 

• Social activities such as receptions, parties, galas, community dinners, picnics, and potlucks. 

• Costs of entertainment, including amusement, diversion, and social activities and any associated costs are unallowable; generally, this includes activities at venues such as bars, wineries, and breweries where the consumption of alcohol/social activity is the primary purpose of the venue. 

• Awards to individuals or organizations to honor or recognize achievement. 

• Commercial (for-profit) enterprises or activities, including arts markets, concessions, food, t-shirts, artwork, or other items for resale. This includes online or virtual sales/shops. 

• Construction, purchase, or renovation of facilities.

• Sub-granting or regranting.

UNALLOWABLE COSTS

• Cash reserves and endowments. 

• Startup costs or other costs associated with establishing new organizations. 

• Alcoholic beverages or other hospitality costs. 

• Purchase and/or use of gift cards and gift certificates to support project costs.

• Gifts and prizes, including cash prizes as well as other items with monetary value (e.g., electronic devices, gift certificates).

• Contributions and donations to other entities, including donation drives.

• General miscellaneous or contingency costs. 

• Fines and penalties, bad debt costs, deficit reduction.  

• Marketing expenses that are not directly related to the project.  

• Audit costs. 

• Rental costs for home office workspace owned by individuals or entities affiliated with the applicant.

• The purchase of vehicles.

• Costs incurred before the beginning or after the completion of the official project period. 

MATCHING REQUIREMENTS

All grants require a 2:1 cost share. South Arts matches $2 for every $1 the applicant contributes towards project costs.

Grants will pay up to 2/3 of the total cost of the opportunity, with a maximum award of $5,000. The applicant must cover remaining expenses, and South Arts requires a 2:1 match (2 South Arts: 1 grantee). Artists may include their own cash in the match. Examples:  

1. Total Project Cost- $6,000, the applicant can request up to $4,000 and contribute the remaining $2,000 of funds through a combination of their own cash and other contributions. 

2. Total Project Costs are $15,000:  The applicant can request up to $5,000 and contribute the remaining $10,000 of funds through a combination of their own cash and other contributions.

3. Toal Project Costs are $3,000:  The applicant can request up to $2,000 and contribute the remaining $1,000 of funds through a combination of their own cash and other contributions. 

Budget details should identify the source of funds (including self-funding, private contributions, institutional stipends, or additional grant funding) not requested from South Arts.

Total projected expenses must meet or exceed the request by 50%. 

Funds can be used for these eligible expenses directly related to participation in proposed activities:

• For Organizations:  Itemize project personnel costs 

• Travel (itemize air, ground, lodging, per diem, visa services) 

• Equipment rental (itemize all equipment rental expenses) 

• Office expenses (itemize supplies, and shipping/postage) 

• Services/professional fees (itemize editorial, graphic design, photography/videography, financial, publishing, production, and distribution services, etc.) 

• Marketing 

• Facility expenses (itemize rent, space rental, utilities) 

• Insurance 

• Childcare or elder caregiver service costs that arise as a result of applicant planning and executing the proposed project 

southarts.org/grants-opportunities/literary-arts-granthttps://www.southarts.org/grants-opportunities/literary-arts-grant

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2025 NRDC CLIMATE STORYTELLING FELLOWSHIP

The Black List / Natural Resources Defense Council

DEADLINE: December 5, 2024

INFO: The Black List is thrilled to announce that it has partnered with NRDC’s (Natural Resources Defense Council) Rewrite the Future program, The Redford Center, The CAA Foundation, and NBCUniversal to launch the fourth annual NRDC Climate Storytelling Fellowship.

The Fellowship will grant $20,000 each to three writers (or writing teams) to support revision of a feature screenplay or pilot that engages with climate change in a compelling way through events, actions, character, emotions, plot, and/or setting.

In addition, NRDC will connect each fellowship recipient with the following professionals for feedback and guidance on their scripts:

• A credited professional screenwriter with an interest in climate storytelling

• A climate story consultant from NRDC’s Rewrite the Future program to advise on effective approaches to climate storytelling that are entertaining and impactful

• As applicable, one or more NRDC experts to advise on climate issues highlighted in the script.

• After receiving these consultations, Fellows have six (6) months to complete a revision of their script.  Revised scripts may be reviewed for development by prominent studios, agencies and/or production companies including Creative Artists Agency (CAA), Hyperobject Industries, Yellow Dot Studios, NBCUniversal, United Talent Agency (UTA) and WME among others. Writers will retain all rights to their work.

• At the end of the Fellowship, each recipient will provide NRDC with a short reflection of how the fellowship has advanced their work and/or career in addition to a revised version of their script including an overview of the changes they made during the revision process.

Writers who opt in with a qualified screenplay or pilot will receive one free month of hosting and one free evaluation. To be considered for the fellowship, a script should engage with climate through events, actions, character, emotions, plot, and/or setting. All qualified submissions will receive a fee waiver; you will receive a notification whether your submission has been approved or rejected for a fee waiver within three weeks of submission. Scripts must be submitted by December 5, 2024. 

Writers who are interested in submitting to the 2025 NRDC Climate Storytelling Fellowship may do so below. Scripts submitted via email cannot be accepted. Please note that submissions will only be accepted if the writer also includes a short description of how their script qualifies as a climate story. 

Once their submissions are accepted, qualified screenplays and pilots will receive a fee waiver for one free month of hosting and one free evaluation and automatically be opted into consideration for the program.

Each fellowship recipient will retain complete ownership of their work.

WHAT MAKES A COMPELLING CLIMATE STORY?...

The script can be in any genre, but climate change and solutions must influence action and/or impact characters.

Climate storytelling highlights the ways that climate change affects characters, influences choices, and/or drives action.  A climate story acknowledges that we already live in a climate-altered world and are grappling with the impacts to our homes, health, communities, and jobs. We would love to see stories that highlight communities most impacted by the climate crisis and/or stories that feature characters and communities working toward solutions.

We worry about climate change. We feel shame and grief about it. We talk about it with our partners and friends. People discuss whether it makes sense to have children, or wonder where the safest place is to live, or what they can possibly do to help.

Climate can be a central factor in motivating characters and driving plot. The story and genre options are limitless because climate can touch every aspect of life, from food, health, and relationships to justice, jobs, and national security.

Many climate stories in mainstream entertainment depict extreme weather disasters, societal breakdown, and apocalypse. That dark and narrow vision is understandable, and it can be entertaining, but if all the climate stories we see show characters stuck in despair, or in dystopian futures, it reinforces the view that there’s no way out. It also overlooks the enormous potential for original content that illuminates the more complex and nuanced human reality of the climate crisis, including stories about people fighting for a healthier, more equitable and sustainable future.

We need it all–the bleak and the inspirational, the fantasies, dramas, comedies, and rom-coms. It is the power and privilege of writers to show us how climate change is transforming our world, and to help us find a path to salvation. This program aims to support well told stories with climate themes that entertain viewers and allow them to engage with the range of emotions caused by the climate crisis. Our general frame is that if a story works artistically, it’s a great way to approach climate and we hope that submitted scripts continue to reflect a diversity of characters, settings, and tones.

We encourage you to clearly highlight your script’s climate connection in your submission materials, as only qualifying scripts will receive a script waiver.

Note: For TV pilot submissions, applicants who make the short list must also provide a long synopsis or treatment describing the primary story arcs and how the climate themes will be developed throughout the show. Shortlisted candidates will be reached out to by March 1, 2025. 

Note: To submit an updated version of your script, please upload it to the Black List directly BEFORE December 5, 2024 at 11:59pm. RTF is not able to accept scripts via email and only scripts submitted via the Black List will be considered. 

THE SELECTION PROCESS: Writers who meet the submission requirements will be able to opt into consideration via the Black List website until midnight on December 5, 2024. All qualifying scripts submitted before the deadline will receive one free script evaluation and one free month of hosting for their scripts. Based on the strength of their scripts as determined by the Black List’s script evaluations, a long list will be invited to submit a one-page personal statement and professional resume by March 2025. From there, a short list will be determined. Writers who make the short list may be asked to conduct a short interview and three fellowship recipients will be selected no later than April 30, 2025.

IS MY SCRIPT ELIGIBLE FOR CONSIDERATION?

ELIGIBLE:

• Scripts that have been previously reviewed on The Black List

• Scripts that were submitted for previous cycles of the NRDC Climate Storytelling Fellowship

• Scripts by international writers (scripts must be submitted in English)

• Scripts by writers who are with or without representation

• Scripts of any genre (as long as they include climate!)

• Pilots for episodic series or feature scripts

• Adapted work, although we recommend securing an option or permission for the original material

NOT ELIGIBLE:

• Content created as part of a commercial campaign

• Incomplete scripts—please upload a completed draft of an original feature film script or pilot teleplay

• Stage plays or musical scripts

• Novels, Podcasts, Games or VR/AR Experiences

WRITER'S RESOURCES:

• Rewrite the Future: Learn more about Rewrite the Future, NRDC’s initiative to help Hollywood take on the climate crisis. Watch their Sundance panels (presented by NRDC and the Black List) for tips and resources to guide your writing.

• The Last Laugh: Comedy in the Age of Climate Change (Sundance 2024) featured Quinta Brunson (“Abbott Elementary”) in conversation with Mike Schur (“The Good Place,” “Parks and Recreation,” “Brooklyn 99”) about tackling tough topics through comedy, why laughter is the best medicine, and how climate change can unlock creative opportunities.

• The Big Picture: Representing Our Climate-Altered World On-Screen(Sundance 2023) brought together a panel of Hollywood professionals to discuss creative strategies for representing climate in film and on TV.

• More Than a Feeling: Climate Emotions in Film & TV (Sundance 2022) brought together mental health experts and Hollywood storytellers to discuss how to represent climate emotions in entertainment to better reflect our lived responses to the crisis.

• Beyond Apocalypse: Alternative Climate Futures in Film and TV(Sundance 2021) gathered filmmakers and climate leaders to discuss how entertainment stories can help us see, feel, and build the climate future we want.

• Sustainability Onscreen Tipsheet: This tipsheet offers a wide array of options for creators and producers interested in representing climate and sustainability onscreen.

• Green Production Guide Creative Resources: The PGA and Sustainable Production Alliance have a variety of creative tools available on the Green Production Guide site.

• ALBERT Editorial Toolkit: The team at BAFTA’s albert program has put together a comprehensive creative guide on how to incorporate climate and environmental stories into content.

NEW TO THE BLACK LIST?

If you are new to the Black List, register for a FREE account by clicking the REGISTER button below. Once you are logged in, you will be able to apply for a Fee Waiver and submit your script. If you have any questions, please check out our FAQ or email us at support@blcklst.com.

blcklst.com/programs/2025-nrdc-climate-storytelling-fellowship

_____

Writers Retreat for Emerging LGBTQ Voices

Lambda Literary

DEADLINE: December 8, 2024 at 11:59pm EST

APPLICATION FEE: $30

INFO: The Writers Retreat for Emerging LGBTQ Voices is the nation’s premier LGBTQ writing residency. It is the only multi-genre writing residency devoted exclusively to emerging LGBTQ+ writers. The Retreat is an unparalleled opportunity to develop one’s craft and find community.

Since 2007, the Writers Retreat for Emerging LGBTQ Voices has offered sophisticated instruction in fiction, nonfiction, poetry, young adult fiction, playwriting led by the most talented writers working today. In 2022, the Writers Retreat expanded to include instruction in screenwriting and speculative fiction, and in 2025, we will introduce the newest cohort serving writers working in both and between playwriting and screenwriting.

In 2025, as we did in 2024, we are holding our Writers Retreat online. This format allows for us as an organization to continue building our resources while offering the same high-quality programming that remains accessible to folks who may not otherwise be able to attend in-person programs.

We are excited to announce that this year, we will be lengthening the typically week-long program to a 10-day virtual retreat, from Thursday, July 31-Saturday, August 9. In this new model, we will use the first two evenings on Thursday and Friday to build community and hold additional programming. We hope that this new model will build relationships and community, offer more learning opportunities, but we also aim to allow those attending the retreat from home to continue to sustain the elements of their livelihood outside of the Retreat program.

Additionally, we will be adding a brand new cohort to our Writers Retreat: the screen/play/writing cohort. This cross-genre cohort is meant for performance writers who work outside of the stage/screen binary, those who waft between genres, and those who are working in adaptations. We invite all screenwriters and playwrights in this cohort to consider how their work can move between genres, between stage and screen, while centering writing for performance. Coming back for another year after an astounding stint as Playwriting Faculty in 2024, we welcome back Roger Q. Mason to lead this inaugural cohort!

SCHEDULE:

We’ve extended the typical length of the retreat from 7 days to 10:

• We will have a mix of synchronous programming and asynchronous programming, and on days when we offer all day programming, fellows can expect to have ample breaks and rest from screens.

• Thursday, July 31-Friday, August 1: Programming begins at ~7:00 pm EST/ 4:00 pm PST

• Saturday, August 2-Friday, August 8: All day programming

• Saturday, August 9: Programming ends at ~6:00 pm EST/3:00 pm PST
   

APPLICATION DETAILS:

Applications to attend the 2025 Writers Retreat for Emerging LGBTQ* Voices open on November 1, 2024 and close at 11:59 pm Eastern Standard Time on December 8, 2024. You may apply to more than one workshop, however, each application must be submitted separately and requires an additional fee.

We are offering a number of application fee waivers for the QTBIPOC** (Queer and Trans folks who are or identify as Black, Indigenous, and Persons of Color) folks who would be attending the Retreat for the first time. Please email retreat@lambdaliterary.org to request an application fee waiver.

To Apply, Please Prepare

1. An artistic/biographical statement (max 500 words).

2. a writing sample matching the genre of the workshop you’re applying for:

• .DOC, .DOCX, or .PDF format.

• For prose, double spaced, 12 point font.

• For Fiction, Nonfiction, Speculative Fiction, and Young Adult Fiction: 15 pages maximum. This maximum applies to cross-genre samples as well as samples in verse.

• For Playwriting/Screenwriting and Play/Screen/Writing: 15 pages maximum from a full-length work, short play/script, or piece of theatre/film.

• For Poetry: 8 pages maximum.

• The sample you apply with does not have to be the same sample you plan to workshop at the Retreat.

3. Optional, not required for acceptance:

• Any publications of your work during the past two years, including anthologies, literary journals, magazines, websites, and books.

• Any other writing conferences, retreats, and workshops have you attended.

• If you're applying to scholarships, a scholarship statement (max 500 words).

TUITION + SCHOLARSHIPS:

Writers Retreat tuition is currently set at $1,625. However, we are working on raising funds to lower this price for fellows. This means there is a possibility that the price of tuition will go down, but it will not go any higher than $1,625.  All accepted/waitlisted applicants will be notified of the final price of tuition before accepting their fellowship.

Lambda Literary has a host of full and partial scholarships that are available for accepted applicants.

Ability to pay is in no way part of the decision-making process. We have a robust and ever-growing host of scholarships available thanks to our intensive fundraising efforts and generous donors. Lambda also supports fellows in their own fundraising efforts using our fundraising platform. Many fellows who used our peer-to-peer fundraising platform in 2024 raised their entire tuition fee.

The $30.00 application fee is processed through Submittable's online portal. If you wish to pay by cash or check please contact retreat@lambdaliterary.org.

APPLICATION STATUS NOTIFICATIONS:

Writers Retreat Faculty make the final determinations regarding accepted and waitlisted applicants. All applicants will be notified of their application status in April 2025.

lambdaliterary.org/emerging-writers-retreat/

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2025 MediaMaker Fellowship Application

BAVC Media

DEADLINE: December 9, 2024 at 11:59pm PT

INFO: The BAVC MediaMaker Fellowship is a 9-month long intensive devoted to supporting documentary filmmakers using bold cinematic language and innovative impact strategies to grapple with critical issues of our time. Our cohort is a collaborative, community-driven space that places diversity, representation, and ethical relationships with storytelling at the forefront of our practice. We aim to build a safe space for filmmakers to workshop their films, establish critical bonds and relationships, and gain valuable insights as they go on to build their careers in the field. We seek candidates who have the potential to impact our understanding of how documentaries can transform the world, as well as expanding the quality of the art of nonfiction.

ELIGIBILITY + CRITERIA:

• The MediaMaker Fellowship program is particularly interested in supporting a diverse cross-section of media creators from across the U.S. who are in the process of directing their first or second feature-length documentary. Candidates who have directed a feature previously should take care to clearly demonstrate in their application that this project represents a significant creative leap compared with any previous work and make a strong case for why they need a collaborative fellowship experience at this stage of their career. Above all, ideal candidates should demonstrate a strong capacity for artistic growth and eagerness to participate in peer mentorship and collaborative learning experiences with a diverse cohort of other filmmakers.

• The applicant should be the Director and the creative lead of their project – applying as an individual. They must be the only person on their filmmaking team who is applying this year. If they are part of a Co-Directing team they should discuss this program with their partner and together determine which person would most benefit from and have the capacity to participate in a fellowship of this nature at this juncture. This Fellowship required significant time and energy over the course of nine months and applicants should be prepared for the commitment to their cohort if selected.

• The project you are applying with should be a feature length film (shorts, series, and podcasts are not eligible), non-commercial (meaning the film is not being created for a market audience with the intent of generating income through the promotion of products, services, or organizations), primarily documentary or non-fiction in nature (this includes hybrid docs which are encouraged to apply), and should have the potential for social impact (social impact can be defined in many ways and is in no way restricted to policy outcomes).

• Eligible films will have at least begun production and may have started post-production. Projects should be in a place to benefit from workshopping (scenes, story, structure, edit, etc.) with the cohort and seasoned guest filmmakers. A project would be considered too far along to benefit from the Fellowship if a fine cut is expected before the end of the program year. This is not a fellowship for filmmakers who are still in early development on their project.

• Though there is no citizenship requirement for the Fellowship, at this time the program cannot support Fellows who are primarily based outside of the U.S. Applicants must primarily reside in the United States and not expect to reside outside of the U.S. for a major part of the year.

OFFERING + STRUCTURE:

• $10,000 distributed to each Fellow over the course of the Fellowship (plus additional travel per-diems) Professional mentorship and strategy sessions focused on documentary storytelling, career sustainability, fundraising, distribution, and more.

• Two San Francisco convenings (travel paid) comprised of immersive tailored workshops, intimate feedback sessions, and presentations by leading filmmakers and industry figures.

• All-access pass, round trip flight, accommodations, and a customized itinerary for two film festivals or industry conferences assuming travel is safe and advisable. All plans are subject to change according to pandemic restrictions and best practices, as well as the availability of festival programs.

• Consistent workshops and check-ins, 1-3 hours in length, scheduled in advance, throughout the year.

• A built-in support network.

• All Fellowship applicants and Fellowship alum are eligible for five hours one-one-one mentorship through the BAVC MediaMaker Connect Mentorship Program.

forms.fillout.com/t/cgw85YNUmwus

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2025 BLACK LIST X WIF EPISODIC LAB

The Black List

DEADLINE: December 15, 2024

INFO: The Black List and WIF will invite six promising non-professional television writers who are of an underrepresented gender (women, NB/GNC, and/or trans, and others) to the Lab. The Lab will run twice weekly for four weeks beginning March 2025 and will consist of script development, pitching, peer workshopping sessions, and master classes with established writers and industry executives. Writers can also submit their script directly through WIF (submissions are open now). All Lab sessions will be held in-person on Tuesday and Thursday evenings in Los Angeles beginning March 4, 2025.

The Episodic Lab will take place in Los Angeles throughout the year and travel will not be provided for any events. If you live outside of the Los Angeles area, we kindly request that you withhold your submission to this opportunity.

LAB DEADLINES:

***Please note that dates are subject to change***

• Submission Period Opens -  March 13, 2024

• Submission Period Closes - December 15, 2024

• Long List Writers Notified - January 9, 2025

• Personal Statements Due - January 15, 2025

• Short List Writers Notified - January 17, 2025

• Additional Materials due from Short List writers - January 24, 2025

• Interview Candidates Notified - February 7, 2025

• Zoom Interviews - February 10-11, 2025

• Final Participants Notified - February 12, 2025

• Lab Begins - March 4, 2025

Please note, applicants can apply through the Black List and/or WIF, however instructions are different for each platform. 

Participants must be able to provide proof of vaccination (including boosters per current CDC guidelines) and willing to test for COVID-19 infection prior to arriving at the in-person portion of the program. 

You must have at least one evaluation attached to your script to submit to this program. You can read more about the Black List's evaluation requirements here.

THE SELECTION PROCESS: From the Black List submissions, up to 12 writers will be invited, based on the strength of their scripts, to submit a one-page personal statement and professional resume. In addition, WIF will generate their own short list of up to 12 writers who submitted directly to WIF. From the total of those 24 submissions, up to 15 writers will be invited to interview. From those interviews, 6 writers will be selected by the Black List and WIF to participate in the Lab.

FREQUENTLY ASKED QUESTIONS

Can I Apply To The Episodic Lab With My Web Series Or Do You Only Accept Half-Hour And One-Hour Pilots?

Only half-hour or one-hour pilots will be accepted into the Episodic Lab.

Can I Submit A Feature Script To Be Considered For The Episodic Lab?

No, you must submit a pilot script to be considered for the Episodic Lab.

Can I Submit Multiple Scripts To Be Considered For This Program?

Absolutely. But writers will be selected for each program based on a single script; so if you're selected, you must workshop the script that is chosen for the program.

Do I Have To Workshop The Script That Gets Me Selected For A Program Or Can I Workshop Something New?

You have to workshop the script that gets you selected for the program.

How Will The Scripts Be Evaluated For Each Program?

We use the ratings a script receives, both from our paid readers and from industry pros, to determine the short list of writers for each program who will be invited to submit a one-page personal statement. Evaluations initiated before midnight on the stipulated deadline for each program will be guaranteed consideration. You must purchase at least one evaluation to submit for this program. In the event that the purchase of a single evaluation is cost prohibitive, please follow us on social media and the Black List blog where opportunities for free and discounted evaluations appear from time to time.

I Have A Writing Partner Who Identifies As A Cis Man. Can I Still Apply To The Black List X WIF Episodic Lab?

Yes, you are still eligible to apply for all programs, including the Black List x WIF Feature Residency and the Black List x WIF Episodic Lab. In our effort to create equitable spaces in a currently male-dominated industry, should you be accepted into either the Black List x WIF Feature Residency or the Black List x WIF Episodic Lab, your partner would not be able to participate in the sessions directly. However, you would be able to share appropriate script feedback with them.

I Live Outside Of Los Angeles. Can I Still Apply For Any Of The Programs?

You may still apply for any of our programs. However, the Episodic Lab takes place in Los Angeles, CA and you will need to be located in the Los Angeles area by the start of the program, should you be accepted into the program, and decide to participate.

The Lab will take place in Los Angeles throughout the year and travel will not be provided for any events. If you live outside of the Los Angeles area, we kindly request that you withhold your submission to this opportunity.

I'd Like To Be Considered For The 2025 Episodic Lab! How Exactly Do I Do That?

Just opt your script into consideration during onboarding or add it from the My Scripts page! 

And please make sure to read the Submission Requirements and the Submission Agreement for each program, which can be found as PDFs on each program's submission page, to make sure you are qualified first. You'll need to meet all of the requirements to participate in the program if selected. 

Writers can also apply through WIF (https://womeninfilm.org/programs/writing/). However please note that the procedures and deadlines for applying directly through WIF are different than those for applying through the Black List.

Is This A Case Where The Person Who Buys The Most Evaluations Will Be Invited To The Program?

Not at all. Certainly more data allows us to make more confident decisions about the strength of scripts hosted on the site, but by no means is it necessary or recommended to buy up evaluations to improve your chances of being selected for one of our programs.

My Script Was On The Site Awhile Ago, But I Took It Down To Work On A Rewrite. Does A Script Have To Be Live On The Site To Be Considered?

We recommend reactivating the script for one month at some point between now and a week before the program's opt-in deadline. Additionally, please note that you will need to have at least one evaluation of your script in order to complete the submission process for this opportunity.

What Exactly Happens In These Writing Programs?

We can only speak to ours, but some of the things we do include:

• One-on-one sessions with professional writers as mentors

• Peer workshopping of each others' scripts

• Dinners with special industry guests

• Guest lecturers and Q&As

• Private film screenings

• Sessions with lit agents and managers

REQUIREMENTS:

• You are the sole and exclusive author of the pilot screenplay submitted for consideration and you are of an underrepresented gender (women, NB/GNC, and/or trans, and others)

• Feature screenplays will not be considered for submission. 

• You have not received more than $25K in aggregate to date as compensation for television writing work. 

• If selected as one of the writers invited to submit a professional resume and one page personal statement for additional consideration, you will deliver that personal statement within 5 days of receiving notification of your selection or by the deadline specified when you are notified. 

• * f selected for participation in the Lab program, you are available to attend all sessions in person during the course of the four-week Lab, COVID-permitting.

https://blcklst.com/programs/2025-black-list-x-wif-episodic-lab

TV / FILM — OCTOBER 2024

2025 Right of Return Fellowship + Frieze Los Angeles Impact Prize

The Center for Art & Advocacy

DEADLINE: October 11, 2024 at 11:59pm EST

INFO: The Center for Art & Advocacy will accept applications from U.S.-based creatives working in visual art, film, music, creative writing, performance, design, and multidisciplinary practices for the 2025 Right of Return Fellowship from September 1, 2024, through October 11, 2024.

For the second year in a row, Right of Return is partnering with Frieze and Endeavor Impact to present the Frieze Los Angeles 2025 Impact Prize, which will recognize a visual artist who contributes their talents towards issues of social justice and mass incarceration.

Only one application must be completed to be considered for both the Right of Return Fellowship and the Frieze Impact Prize.

I - THE RIGHT OF RETURN FELLOWSHIP:

The Right of Return Fellowship is open to directly impacted creatives from every discipline. For the 7th annual cohort, a panel of external reviewers will select six new 2025 Right of Return Fellows from our open-call applicant pool to receive a $20,000 grant, mentorship, and community building.

The Center for Art & Advocacy’s Right of Return Fellowship invites directly impacted artists to propose art projects aimed at transforming our criminal legal and immigration systems, to reduce their scale and reach.

Artists have always played a critical role in social movements as culture-makers and catalysts for change. Right of Return Fellows exist and work at the forefront of social movements and have the unique power to translate complex and nuanced ideas into powerful experiences. The goal of the Right of Return Fellowship is to support the creation of new bodies of work that uplift the voices of people directly impacted by the criminal justice system, reflect the humanity of criminalized and incarcerated people, and build public will for ambitious and visionary change.

ARTIST RETREAT: If selected, Right of Return Fellows will be asked to commit to participating in a group retreat in spring 2025 and be invited to a multi-cohort retreat in following years. The Right of Return retreats are meant to foster community, develop political advocacy skills, and support practice sustainability. If COVID-19 or other circumstances makes in-person convenings impossible, abbreviated versions of the retreat will be held online.

THERAPY INITIATIVE: During the course of this fellowship, all fellows are encouraged to engage in at least 6 hours of a trauma healing modality of their choice. The Center will be responsible for coordinating the logistics and ensuring services are financially covered. Fellows are welcome to try multiple modalities including but not limited to: talk therapy, EMDR, somatic coaching, group therapy, art therapy, and more.

FELLOWSHIP GRANT: The Right of Return Grant is $20,000 total: $10,000 artist award, $10,000 for project materials and production. Selected fellows will be asked to provide a proposed overall budget for the project and a project summary upon completion. A project budget is not required for the application.

II - FRIEZE LOS ANGELES 2025 IMPACT PRIZE

The 2025 Frieze Impact Prize will be awarded to a visual artist or experimental filmmaker who is either a Right of Return alumnus or one of the six new fellows. One artist will be selected to receive the Prize, which will award them $25,000 and the opportunity to showcase their work at Frieze Los Angeles, which takes place February 20 – 23, 2025, at Santa Monica Airport.

The Center is the third partner for the Frieze Impact Award since it was established in 2020. The prize draws inspiration from Mark Bradford’s Life Size (2019), a work created on the occasion of the inaugural Frieze Los Angeles in 2019, which exposed the inequitable aspects of the criminal justice system.

For the second year, the Center for Art & Advocacy is partnering with Frieze and Endeavor Impact to present the fourth annual Frieze Los Angeles Impact Prize.  The 2025 Impact Prize will be awarded to a visual artist who has benefited from the Right of Return Fellowship and recognizes their contribution to the campaign to end mass incarceration. Furthering the mission of both The Center and Frieze, this partnership intends to leverage art as a powerful tool to expose the inequities within our criminal justice system.

AWARD NOTIFICATION: The Frieze Impact Prize winner will be notified via email in mid-December. Applicants may be contacted during the review process by a Frieze representative if additional information about their work is necessary for consideration.

PREVIOUS AWARDEES: You can read more about 2024 Right of Return Fellow, Gary Tyler’s successful experience as the 2024 Frieze Impact Prize winner HERE. 

ELIGIBILITY:

For All Applicants to the 2025 Right of Return Fellowship

The Right of Return Fellowship seeks to support directly impacted artists with a demonstrated capacity to advance social change and a clear vision for utilizing their creative practice to end mass incarceration.

More specifically:

• Directly impacted artists of all creative disciplines, age 18 or older at the time of the application. We do not fund organizations or non-profits, only individual artists.

• We define the word “artist” in broad terms to include creatives who work in visual art, film, music, creative writing, performance, design, and multidisciplinary practices.

• In the context of this Fellowship, “directly impacted” includes those who have themselves been incarcerated, charged, or convicted, including felony convictions; people who were detained in migrant detention centers but who have now attained U.S. citizenship by the time of this application’s open.

• Artists must collaborate with an advocacy organization during the development and/or execution of their proposed project (collaborating organizations do not need to be secured at the time of application and The Center for Art & Advocacy can help connect fellows to advocates).

• Artists may be at any stage of their career, with or without formal training.

• Projects and applicants must be U.S. based. This includes all 50 states, Washington DC, and Puerto Rico.

• The Center for Art & Advocacy seeks a diverse cohort of fellows with regard to race, ethnicity, gender identity, sexual orientation, and experience.

For Applicants Who Want to be Considered for the 2025 Frieze Impact Prize

• Only artists working in the visual arts or experimental film will be considered for the Frieze Impact Prize.

• Creatives working in disciplines other than the visual arts and experimental film–including non-experimental film, music, creative writing, performance, design, and multidisciplinary practices, are eligible for the Right of Return Fellowship, but will not be considered the Frieze Impact Prize.

TIMELINE:

Fellows Notified: Mid-December 2024

Frieze Impact Awardee Notified:

• Cohort 7 Fellowship Year: January 2025—December 2025

• Frieze Los Angeles: February 20, 2025—February 23, 2025

• Cohort 7 Fellowship Retreat:  May 2025

centerforartandadvocacy.org/fellowships/

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MOONSHOT FEATURE ACCELERATOR

Moonshot Initiative

DEADLINES / FEES:

• Regular: October 11, 2024 ($80)

• Late: October 25, 2024 ($95)

• Final: November 15, 2024 ($110)

INFO: Are you an emerging screenwriter with a powerful voice and a unique story that increases the representation of women and non-binary people on screen?

Moonshot is thrilled to announce our brand-new Feature Accelerator, designed to elevate and spotlight talented writers like you! Eight fellows will be selected to receive 3 weeks of virtual training before pitching one-on-one to major studios, production companies, reps and more.

We're expanding our support to the world of feature films as a way of building on the success of our acclaimed Moonshot Pilot Accelerator. Over the past three years, we’ve helped 24 emerging TV writers craft and polish their pitches and learn about the industry from experts in their fields. We then set them up on one-on-one meetings with major players like HBO, Netflix, Hulu, Starz, Showtime, and many more. Now, we’re bringing that same opportunity to feature film writers!

WHY APPLY?

• Amplify Your Voice: We’re on the lookout for distinctive stories from diverse voices that increase the representation of women and non-binary people on screen.

• Perfect Your Pitch: Fellows will receive expert guidance on crafting and polishing their pitches, so they’re ready not just for today’s opportunities but for future ones as well.

• One-on-One Meetings: Fellows receive exclusive pitch meetings with production companies, agents, managers, producers, financiers, studios, and streamers. Your script could catch the eye of those who can take it to the next level.

• Achieve Your Goals: Our accelerator is geared toward helping our fellows reach significant milestones in their careers, such as securing representation, attracting financiers, landing general meetings, and gaining industry connections.

• Build Lasting Connections: Fellows will forge relationships with industry executives and other writers that will support their careers for years to come.

• Gain Industry Knowledge: Fellows will learn from in-depth workshops with experts such as an entertainment lawyer, agent, manager, and coach to master both the creative and business aspects of screenwriting.

Ready to get your work in front of industry leaders? Don’t miss this chance to take your feature film writing career to new heights. Apply now and join a community dedicated to helping emerging writers like you succeed!

BENEFITS:

Fellows receive a range of benefits designed to propel your career and enhance your craft — and even at the semi-finalist level, you'll gain visibility for your work and build your community. Here’s what you can gain from participating:

1. Elevated Exposure

   Each semi-finalist will have their script read by two industry judges, including major screenwriters, producers, and development executives.

2. Expert Guidance

   Pitch Perfection: Each fellow receives personalized feedback on crafting and refining their pitch to ensure it stands out and resonates with decision-makers.

3. Career Advancement

   Opportunities for Development: Increase the chances of your script being bought or optioned, attract interest from financiers or producers, or secure representation from an agent or manager.

   Future Projects: Open doors to potential writing assignments or IP projects with companies interested in your work.

4. Networking and Community

   Build Relationships: Join a community of emerging writers who are dedicated to uplifting each other and sharing valuable insights. Forge long-term connections with industry execs and fellow writers, creating a supportive network that can lead to future opportunities. This community-building starts even before the program begins: All semi-finalists are invited to a virtual networking event, and past semi-finalists have shared that they're still in touch with the writers they met!

5. Comprehensive Education

   Industry Insights: Fellows learn from seasoned professionals about industry trends, pitching strategies, and career management, ensuring you’re well-equipped for both creative and business challenges.

6. Long-Lasting Impact

   Career Momentum: Benefit from ongoing support and relationships that could lead to continued opportunities and collaborations in the future.

Placing in our accelerator is not just about getting your script noticed—it's about building a foundation for a successful and sustainable career in the film industry.

writers.coverfly.com/competitions/view/moonshot-feature-accelerator#prices-deadlines

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QueerFrames Screenwriting Lab

The Queer Muslim Project

DEADLINE: October 11, 2024 at 11:55pm IST

INFO: The QueerFrames Screenwriting Lab is a one-of-its-kind creative incubator for emerging and early career queer storytellers in South Asia.

Launched by The Queer Muslim Project in 2023 with support from the Netflix Fund for Creative Equity, the Lab celebrates and nurtures underrepresented queer talent behind the camera and provides them with the tools, resources, and networks to tell stories that can drive positive social change.

In its second year, the QueerFrames Screenwriting Lab will foster community, collaboration and world-building to advance greater representation in the film and TV industry. The Lab will develop intersectional South Asian queer narratives that centre joy and offer to audiences the complexities, nuance, and splendour of queer life – positioning queer characters outside the tired and tested tropes of victimhood and villainy. QueerFrames 2024 will amplify voices and perspectives that are fresh, compelling and have the potential to reach wider audiences.

WHAT THE LAB OFFERS:

The Lab will bring together 6 diverse queer writers and writer-directors from South Asia developing their first or second fiction feature film. Between November 2024 to February 2025, Fellows will receive creative and technical support to develop their projects virtually through a tailored screenwriting curriculum, peer-to-peer group work, and one-on-one project development consultations with leading industry mentors. The lab will also include hands-on workshops and masterclasses on pitching, producing, and visualisation techniques, among other topics. The Lab will culminate with career development and networking opportunities at Berlinale 2025.

ADDITIONAL INFO:

• The Lab will run between November 2024 to February 2025 with mandatory attendance needed for weekly online instructional sessions, 1-0-1 script consultations with industry mentors, masterclasses, writing assignments, and potential in person engagements at Berlinale 2025. Please apply to the lab only if you have the time and capacity to take on the required workload both for yourself and your peers.

• The Lab will support six emerging queer and trans writers and writer-directors from communities underrepresented in the film and TV industry in South Asia.

• Writers must currently be developing their first or second fiction feature film, and have a completed screenplay draft. Adaptations as well as documentary, short film or television projects are not eligible for this iteration of QueerFrames.

• Applicants must be 18 years of age or older at the time of application, and be a citizen of a South Asian country with a valid passport.

• Due to the nature of the Lab, applicants need to be able to communicate in English. Regardless of the final language of the film, the logline, synopsis and script must be translated into English before you submit it.

• All submissions will be reviewed by the QueerFrames team and a panel of external advisors, following which shortlisted candidates will be invited to video interviews with the selection committee in October 2024. Applications will be assessed for their fit in three areas: robust and engaging storytelling, a strong creative vision, and technical skills.

• The Lab is a fully funded opportunity for selected Fellows. Fellows whose screenplays are subsequently produced upon the completion of the Lab are required to include the The Queer Muslim Project, Goethe-Institut and the QueerFrames Screenwriting Lab in a credit line and logo placement in the film’s end credits.

APPLICATION REQUIREMENTS:

• Applicants will be required to submit the following:

• Basic contact and demographic information

• Artist statement, including motivation, relevant bio and experience (400 words max)

• A note of intention (200 words max)

• Logline (75 words max)

• Synopsis (750 words max)

• Full draft of a narrative feature screenplay

• Samples of previous work

queerframes.com

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Call for applications: The Hayti Heritage Film Festival Works-in-Progress Lab

Working Films

DEADLINE: October 14, 2024

INFO: The Hayti Heritage Film Festival Works-in-Progress (WiP) Lab supports social justice documentaries with a focus on Black storytelling. Co-designed and coordinated by Working Films, participating artists receive feedback on their work-in-progress and explore audience engagement strategies through workshops, consultations, and community screenings during the festival in Durham, NC. The 2025 HHFF Lab takes place from March 6-8, 2025. We will be accepting applications from Aug 15 through Oct 14, 2024!

RESIDENCY: Working Films and Hayti Heritage Film Festival are teaming up again for the 2025 Works In Progress Lab. Selected filmmakers will come to Durham, NC for a 3 day residency which includes trainings, workshops and community engagement screenings. Participants should plan for arrival on Wednesday March 5th and return home on March 9th, 2025. The lab begins on Thursday March 6th and runs through Saturday March 8th.

Filmmakers will spend time participating in workshops with the Working Films and Hayti Heritage Film Festival teams. They will be joined by experienced documentary filmmaker mentors. Previous mentors include Resita Cox, Randall Dottin, Lana Garland, Byron Hurt, Natalie Bullock Brown. We create a tight knit atmosphere of peer support where the facilitators and mentors lead the cohort in giving one another feedback on their work in progress. Using Working Films’ 25 years of experience in creating impact campaigns for documentary films, we also spend time workshopping the impact strategies for participating films.

And finally, during the residency, filmmakers will have an opportunity to screen their work-in-progress footage with organizations and individuals who are working on the issues which their film addresses. These are intimate screenings where attendees are invited to watch and discuss the film. The audiences are change leaders, whose lived experiences and work align with the film content, who can provide valuable feedback for filmmakers as they continue to edit and plan for how their film can make an impact once it’s completed.

Filmmakers will also have down time to work on their edit, write, relax, explore Durham and attend the other festival screenings and events. Previous cohorts have found the downtime creates the perfect opportunity to build lasting relationships and share experiences & learnings with their peers.

ELIGIBILITY: The Hayti Heritage Film Festival WiP lab serves the needs of directors making social issue documentaries. Films may be shorts, features, or episodic, but must be nonfiction.

Films can be at any stage of development, but we find that filmmakers benefit most when they are in the production or post production phase of their project. We will need some sample footage to show at community engagement screenings. This could be an assembly, sizzle reel, rough cut, or fine cut. It’s up to the filmmaker to decide what to show. The goal is to have these opportunities for feedback be of benefit to the director wherever they are in their process.

WHAT'S INCLUDED:

Working Films and Hayti Heritage Film Festival cover the following expenses for each selected director:

• Round trip transportation to Durham, NC for the lab.

• Accommodations.

• Most meals during the residency.

• Airport transfer and most local transportation during the residency.

• All-access passes to Hayti Heritage Film Festival.

• Note: At this time we remain hopeful that we will be able to continue the WiP Lab in person as the schedule is presented above. We will certainly keep applicants updated if there are any adjustments to the current program details.

workingfilms.submittable.com/submit

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Diverse Voice Screenwriting Lab

WeScreenplay

DEADLINE: October 15, 2024

INFO: Diverse Voices is a dynamic virtual screenwriting lab focused on helping writers deepen their skills and connecting them with Hollywood insiders. Whether you’re a writer of color, have a disability, are over 40, part of the LGBTQ+ community, or any other voice often unheard, this is your opportunity to shine. 

6 writers will be selected to participate in this career-changing experience! Diverse Voices gives writers the opportunity to network with agents, managers and producers, plus you’ll learn how to effectively pitch your project, get live feedback about your script, and more. Past finalists and winners have even signed with companies including Heroes & Villains Entertainment, 3Arts, Zero Gravity, APA, ColorCreative, and more.

Diverse Voices isn’t just a lab; it’s a springboard to success, providing the guidance and mentorship you need to bring your screenwriting career to life.

wescreenplay.com/diverse-voices/

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2025 RESIDENCIES

Vermont Studio Center

DEADLINE: October 15, 2024

APPLICATION FEE: $25

INFO: Vermont Studio Center invites applications for 2025. Nestled in the Green Mountains, VSC hosts an inclusive, global community of artists and writers. Enjoy private studios and lodging, fresh - local meals, and a vibrant Visiting Artists & Writers Program.

VSC’s residency program welcomes artists and writers working across all mediums and genres for two, three, and four week sessions.

Residents enjoy well-lit, private studios within a short walk to residency housing, dining hall, and local amenities. Studio spaces range from 170 - 300 square feet. Accommodations include a private room and shared common areas. The campus features include a print shop, digital lab, and metal, wood, ceramic facility. Studios are open 24 hours a day.

A VSC residency provides artists and writers the time and space to focus on their creative practice in an inclusive, international community within a small Vermont village. Residents can explore swimming holes, hiking and biking trails, as well as the rural charm of neighboring towns, while expanding their creative potential and building a solid network of friends and mentors.

PROGRAMMING

During each session, Visiting Artists and Visiting Writers are invited to join us for presentations, craft talks, one-on-one manuscript consultations, and individual studio visits. Residents can also enjoy open studio nights, resident presentations, and exhibition openings. All scheduled activities are optional. Residents are encouraged to unplug, completely immerse themselves in their work, and work at their own pace.

COMMUNITY CONTRIBUTION

VSC is committed to community building both locally and on campus. Every resident has the opportunity to participate in our Community Contribution Program for 3 hours per week, by assisting in one of these areas: Kitchen, School Arts Program, Visual Arts, and the Writing Program. No prior experience is necessary.

vermontstudiocenter.org/apply

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ART OMI: WRITERS RESIDENCY

Art Omi

DEADLINE: October 15, 2024 at 11:59pm EST

INFO: Art Omi, a not-for-profit arts center with a 120-acre sculpture and architecture park and gallery, offers residency programs for international artists, writers, translators, musicians, architects and dancers. Art Omi believes that exposure to internationally diverse creative voices fosters acceptance and respect, raises awareness, inspires innovation, and ignites change. By forming community with creative expression as its common denominator, Art Omi creates a sanctuary for the artistic community and the public to affirm the transformative quality of art.

Art Omi: Writers hosts authors and translators for two weeks to one month throughout the spring and fall. The program’s strong international emphasis provides exposure for global literary voices and reflects the spirit of cultural exchange that is essential to Art Omi’s mission.

APPLICATION REQUIREMENTS:

Each applicant is required to provide 4 (four) separate items in total:

1. A cover letter, which provides the following details: country of birth, country of residency, the language in which you write, your preferred residency dates. Please note we have two sessions per year: Spring (March 27 - May 28) and Fall (September 4 - November 5). Additionally, please let us know how you heard about Art Omi: Writers, why you want to come to Art Omi: Writers and what you expect to get from the experience.

2. A brief (2 pages, maximum) statement about your work history, referencing publications, performances and writing credits. This can be submitted in CV format.

3. A writing sample, no more than 25 pages. The work sample does not have to be published or related to your current project and can be a combination of multiple samples.

4. A one page description of the work to be undertaken while at Art Omi: Writers.

Your writing sample does NOT have to be an English translation; please submit your writing sample in your mother tongue. All other documentation must be submitted in English.

Your cover letter should be provided in the designated Cover Letter field. Items 2-4 should each be provided as separately uploaded files.

Alumni of the program are eligible to reapply after 5 years.

RESIDENCY DATES: 

Spring: 

• Thursday, March 27–Tuesday, April 22, 2025

• Thursday, May 8–Wednesday, May 28, 2025 

Autumn: 

• Thursday, September 4–Wednesday, October 1, 2025

• Thursday, October 9–Wednesday, November 5, 2025

DECISION NOTIFICATION: January, 2025

artomi.submittable.com/submit

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Moondancer Fellowship For Environmental + Nature Writers

The Writers’ Colony at Dairy Hollow

DEADLINE: October 21, 2024

APPLICATION FEE: $35

INFO: The Writers’ Colony at Dairy Hollow (WCDH) is pleased to offer the 2024 Moondancer Fellowship for authors who express their passion for the natural world and concern for the environment through their writing. This fellowship is open to poets, fiction writers, playwrights, screenwriters, essayists, memoirists, and columnists.  Prior publication is not a requirement. The successful applicant will demonstrate insight, honesty, literary merit, and the likelihood of publication or production.

The fellowship winner will receive a two-week residency at WCDH to focus completely on their writing. Each writer’s suite has a bedroom, private bathroom, separate writing space, and wireless internet. We provide uninterrupted writing time, a European-style gourmet dinner prepared five nights a week and served in our community dining room, the camaraderie of other professional writers when desired, and a community kitchen stocked with the basics for other meals.

Fellowship applications must be accompanied by a writing sample and a non-refundable $35 application fee. Only one writing project may be proposed per application. Writers proposing more than one project must submit a separate application and fee for each one.

The winner will be announced no later than November 20, 2024. Residency must be completed by December 31, 2025.

writerscolony.org/fellowships

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2024 Diverse Voices In Docs Fellowship

Kartemquin Films

DEADLINE: October 25, 2024 by 11:59pm CST

INFO: The Diverse Voices in Docs Fellowship supports emerging filmmakers who identify as Black, Indigenous, or another person of color in the Midwest. The program is rooted in ideals of a collaborative community and welcomes filmmakers who are committed to unflinching documentary filmmaking rooted in social justice.

Founded by Gordon Quinn of Kartemquin Films and Margaret Caples of Community Film Workshop of Chicago, this twelve month cohort based program supports non-fiction filmmakers telling stories that are intimate, grounded in community, and provoke audiences to question the world around them.

ELIGIBILITY:

• Living and/or working on a project based in the Midwest (for the purposes of this fellowship, KTQ defines the Midwest as Illinois, Indiana, Iowa, Michigan, Minnesota, Missouri, Ohio, Wisconsin)

• Identify as Black, Indigenous, Latina/e/o/x, Middle Eastern or North African, Asian, Asian American or Pacific Islander, or other person of color

• Creatives of historically/traditionally excluded communities, such as the LGBTQIA+ or disability community

  1. Emerging filmmakers are defined as:

     • With 2 or fewer feature or short film credits in a lead position (Producer, Director)

  2. Filmmakers looking for structured filmmaking support

  3. Are not enrolled in a degree seeking program for the duration of the fellowship.

Please email dvid@kartemquin.com if you have any questions.

kartemquin.org/program/diverse-voices-in-docs/

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2025 WBD Access Writers Program

Warner Bros. Discovery

DEADLINE: October 27, 2024 at 11:59pm PT

INFO: The 2025 Warner Bros. Discovery Access Writers Program provides a pathway for writers who face inherent barriers entering the episodic television writing space. Such barriers can be due to, but not limited to, race, gender, sexual orientation, disability, veterans status, socio-economic status or any other unintended barriers. Selected writers will undergo an extensive creative and business curriculum before being put up for staffing opportunities across WBD.

Applicants are eligible to apply if they've staffed on one or zero seasons of US network or streaming television shows.

All applicants must submit 2 original scripts. These two samples must be in the same genre (e.g. two drama scripts, two comedy scripts) and must be between 30 and 65 pages in length. The program is open to all those who are 18 years or older, live in the United States and have the right to work in the United States. Finalists will interview in February/March. All applicants will receive a status update by the end of March 2025.

Selected participants will need to be available to come to Los Angeles for in-person bootcamp weeks in March, April and June 2025, as well as attend virtual curriculum throughout the program, which will run throughout the spring/early summer of 2025. Dates are subject to change and travel costs for those located outside of Los Angeles will be covered by the program. Please note: this program is primarily virtual, but those who get staffed on television shows may need to relocate to undergo these WGA jobs in person.

Please note: all submitted samples must be live action, original scripts, not spec scripts and not animation scripts.

Any questions can be directed to: accessprograms@warnermedia.com

https://wbdaccess.submittable.com/submit

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Rising Voices PROGRAM

Indeed / Hillman Grad / 271 Films

DEADLINE: October 27, 2024 by 11:59pm EST

INFO: Indeed, Hillman Grad and 271 Films are thrilled to announce the fifth season of the Rising Voices program. The initiative aims to discover, invest in, and share stories created by BIPOC filmmakers & storytellers around the power and meaning of work. This program awards 10 filmmakers up to a $100K production budget to make a short film, which will premiere at a major US film festival. 

‍How it works: Our advisory team will identify 10 filmmakers who will be selected to participate in Rising Voices. A production budget up to $100,000 will be allocated to produce their stories, and each filmmaker will have access to mentorship and support from the advisory panel through creative mentors from Hillman Grad and from 271 Films. The films will be produced by Hillman Grad in partnership with 271 Films.

Rising Voices is a career accelerator and filmmaking mentorship program and we’re looking for candidates who are interested in advancing their career opportunities through mentorship and education. Candidates should demonstrate a strong passion for filmmaking, strong desire to learn and ability to collaborate, take instruction and accept feedback. Candidates must portray sustainable and ethical working practices.

‍Filmmaker Support: Following the conclusion of the program, Indeed will invest in marketing and distribution support for the finished films, along with a debut at a major US film festival.

Theme: The Future of Work. When you read “the future of work,” what does that mean to you? Do you think of an egalitarian ideal, a dystopian nightmare, or something in between? What direction is our world headed towards when it comes to work? Who gets to decide what the future is going to be? As time passes, how does “work” play a role in your life? In our lives? Explore how work is a mirror to the human experience. Explore your personal connection with work and show us what “the future of work” means to you. How would the future of work impact your relationships with your family, friends, co-workers, community, or yourself?

‍Timeline: Filmmakers must be available December 2024 - June 2025 to participate in the program.

ELIGIBILITY REQUIREMENTS:

• Applicants must be authorized to work in the United States, and the age of majority in Applicant’s jurisdiction to participate in Rising Voices throughout the full term of the program (through the end of June 2025), including any high profile event or film festival used to promote the film.

• You must be at least 18 years of age and not a minor in the state or country of your residence at time of submission

• Commitment to the program from December 2024 - June 2025

• All Participants are required to review and sign a Submission Agreement, which will govern your participation in the Rising Voices 2025 Program. Terms and conditions apply.

Note: As this program is intended to identify emerging talent, we are unable to consider applicants who are already members of the Directors Guild of America (DGA) or Writers Guild of America (WGA)

SUBMISSION REQUIREMENTS:

Rising Voices is subject to the following application materials:

• Short answer questions

• A resume

• Past work samples (maximum of 2; credited as sole director)

• Original short script written by the director or writer/director collaboration (10 pages max)

Note: The screenplay does not have to be written by the applicant. If the script has been co-written or written by someone other than the applicant, the writer must sign a release, which is submitted upon acceptance into the program.

PROGRAM RULES:

• Final projects must be no longer than 15 minutes, including credits

• Participants are not allowed to act in, shoot or edit their films

• Shooting on film is not allowed, digital only

• Distribution is at the discretion of Indeed. The films will live on Indeed’s website with a premiere at a major US film festival

• Participants must participate in any high profile event or film festival used to promote the film

• Each project will be assigned a production shoot date

• Original music only. Licensing music is not allowed

• Stock footage or images will only be allowed from an approved stock footage site with licensing that has no restrictions on the footage or images, in perpetuity.

• Participants and their crews are expected to create and sustain a working environment that is welcoming, inclusive, considerate, and respectful in order to create a clean space free of discrimination, sexism, harassment, bullying or disrespectful behavior.

• Indeed owns the copyright to the projects produced within the program, but not to the underlying rights/intellectual property of the project. The participants can develop the projects into other formats including but not limited to feature films, television series or digital projects.

hillmangrad.com/foundation/rising-voices

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2025 Frameline Completion Fund

Frameline

DEADLINE: November 1, 2024

INFO: The Frameline Completion Fund provides grants to emerging and established filmmakers. This program seeks to provide a much-needed source of financial contributions to artists who often struggle to secure funding to complete their works. Grants up to $5,000 are available for the completion of films that represent and reflect LGBTQ+ life in all its complexity and richness.

For over a quarter century, Frameline has awarded $667,500 to 190 projects (see all past recipients here) to help ensure that LGBTQ+ film/video projects are completed and viewed by wider audiences. Projects finished with assistance from the Frameline Completion Fund include Pariah, Go Fish, No Straight Lines: The Rise of Queer Comics, Lingua Franca, North by Current, The Watermelon Woman, By Hook or By Crook, Call Her Ganda, Chavela, Appropriate Behavior, To Be Takei, Last Call at Maud’s, The New Black, 1985, It Came from Kuchar, Brother to Brother, Kumu Hina, Disclosure: Trans Lives on Screen, The Cockettes, Vito, Freeheld, We Were Here, The Happy Sad, Signature Move, In the Summers, and The Brandon Teena Story.

Submissions are accepted for documentary, narrative, experimental, animated, or episodic projects about LGBTQ+ people and their communities. The Fund also seeks to bring new work to under-served audiences; with this in mind, we especially encourage applications by women, people of color, transgender people, intersex people, asexual people, non-binary people, disabled people, and other underrepresented people and communities.

ELIGIBILITY REQUIREMENTS:

• New for the 2025 Season: Please note that a few things have changed this year regarding applicant eligibility. Beginning this season, we can only consider applications that provide a full working cut of the film. It’s perfectly acceptable if the cut has temporary sound, color, visual effects, music, etc. If the film is missing a scene or two, or animated sequences, feel free to let us know specifics in the application. We require that the applicant provide a cut that features at least 90% of the completed film. With the number of applications increasing dramatically each year, we can no longer consider a project that provides a clip, sample, or demo. Thanks for understanding.

• Grants are given ONLY for completion; therefore, projects must have 90% of production finished and be in the post-production phase or ready to begin post as soon as funding is in place.

• Projects in development, script development, pre-production, or production will NOT be considered.

• Grants will ONLY be given to projects about LGBTQ+ people and their communities.

• Grants are given to individuals with creative and financial control of the project. In the case of collaboration, a sole project director must be designated as the applicant.

• Grants will be given to projects in any film/video format, of any length, genre, or nationality.

• Student projects are eligible as long as the student maintains artistic and financial control of the project.

• International productions are accepted.

• Members of the staff and Board of Directors of Frameline are ineligible.

• Frameline reserves the right to deem ineligible, or alter a project’s award status at any point prior to the disbursement of funds.  

• Projects may be deemed ineligible for perceived violations of Frameline’s code of conduct and or projects that could harm the organization.

frameline.org/completionfund

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Mesa Refuge Residency

DEADLINE: November 1, 2024

APPLICATION FEE: $50

INFO: Mesa Refuge welcomes a diverse community of writers—both emerging and established—who define and/or offer solutions to the pressing issues of our time. Particularly, it is our priority to support writers, activists and artists whose ideas are “on the edge,” taking on the pressing issues of our time including (but not limited to): nature, environment and climate crisis; economic, racial and gender equity; social justice and restorative justice; immigration; health care access; housing; and more. 

We especially want writers of nonfiction books, long-form journalism, audio and documentary film. Occasionally we accept poetry, fiction (Young Adult/Adult Literary), screenwriting and playwriting, photojournalism, personal memoirs (as a vehicle to tell a larger story) and graphic narrative. We tend not to accept academic writing. The potential impact and distribution of your project is also important.

We aim to support a diverse community of writers and welcome applicants that represent a broad spectrum of race, ethnicity, gender identity, sexual orientation, age, immigration status, religion or ability. Please see our DEI statement for more information about our commitment to diversity, equity and inclusion.

As a small nonprofit, our application fee of $50 helps underwrite the cost of application review. However, we do not want the application fee to be a barrier to apply. To request a fee waiver, please email us directly here.

GUIDELINES: The questions on our application are mostly short answer. We require one writing sample (max 2,000 words or 10 pages), a current resume, headshot photo and two references (we do not require letters of recommendation). Applicants will be contacted approximately 10 weeks after the application deadline.

Our residencies are two weeks long and there is no residency fee. Additional residency expenses like travel, transportation and food are your responsibility. Our facility accommodates three residents at a time.

When you click the button, below, you will be transferred to our application on Submittable. Our residency application will be available on June 1, 2024.

For more information, read our Frequently Asked Questions page, or contact us at info@mesarefuge.org.

mesarefuge.org/residencies/application/

TV / FILM — SEPTEMBER 2024

WRITERS’ ACCESS SUPPORT STAFF TRAINING PROGRAM

The Writers Guild Foundation

DEADLINE: September 5, 2024 at 11:59pm PT

INFO: The program’s mission is to provide writers who are BIPOC, LGBTQ+, disabled writers, and writers over the age of 50, with tools and education to become a writers’ assistant and script coordinator, ultimately resulting in meaningful employment opportunities. These positions have historically been an invaluable way to learn the writing process first-hand, with the ultimate goal of getting a writing job.

This program is NOT a writing fellowship. Its purpose is to provide support staff training for emerging writers who are typically excluded from writers’ rooms.

You must be interested in pursuing employment as a Writers' Assistant or Script Coordinator to be considered.

ELIGIBILITY:

This program is designed to support the inclusion and employment of underrepresented groups in the television industry. Writers who are BIPOC, LGBTQ+, disabled writers, and writers over the age of 50 are encouraged to apply.

To qualify for this program, applicants must be:

• At least 18 years of age. 

• Eligible to work in the U.S. 

• Able to demonstrate meaningful ongoing efforts to break in as a TV writer.  

• Interested in pursuing employment in a support staff role. 

• Able to participate in all program meetings and fulfill all program requirements. 

• Open to constructive criticism and respectful to all other participants and mentors. 

WGF will not tolerate discrimination on the basis of race, religion, gender, gender expression, age, marital status, disability, or national origin. Participants who violate this rule will be immediately removed from consideration for the program at the discretion of WGF staff.

Please note: this program is designed for emerging writers who have not previously worked as a writers’ assistant or script coordinator. Applicants who have support staff experience are not eligible to apply. 

SUBMISSION REQUIREMENTS:

If you intend to apply, please be ready to share the following information: 

• A summary of your writing experience or education

• Your preferred genres and creative influences

• Essay question responses (prompts will not be disclosed in advance)

• A brief personal statement (500 words or less)

• Your professional resume

FAQs:

Do I need to have professional writing experience to apply?

No, professional writing experience is not required.

However, we do expect that all applicants are well-versed in the fundamentals of writing for the screen prior to their participation in the program. As previously stated, this program is not a writing fellowship. It is a professional training program that focuses specifically on support staff roles.

What should I consider while selecting my top three genre preferences?

Your choice of genre will influence your area of focus through the program and subsequent hiring outreach upon graduation. If you share equal interest in multiple genres, please make a note of this on your application.

What should I include in my personal statement?

Your personal statement should describe who you are, your interest in writing for the screen, and what you hope to gain from this program. We encourage you to describe how your identity, experiences, culture, or background informs your writing.

Statements are limited to a maximum of 500 words.

How important is my personal statement in the admissions process?

The personal statement is a key component of the admissions process. This is your opportunity to convey who you are as a writer and what makes you unique.

Why have you chosen this path? What challenges have you overcome to get here? Who inspired you? Consider these prompts as you start writing.

Authenticity is strongly encouraged.

Do I need to submit a screenwriting resume? 

No, you may submit a standard resume for this program. Previous professional writing experience is not required.  

wgfoundation.org/programs/writers-access-support-staff-training-program/apply

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call for submissions: Sundance Film Festival

Sundance Institute

DEADLINES / FEE:

• Official - September 6, 2024 / $95

• Late - September 23, 2024 / $120

INFO: Submissions to the 2025 Sundance Film Festival are now open. Each year, we select a slate of feature films, short films, episodic projects, and New Frontier exhibition and performance projects to play within each of our Festival programs. Before you begin your submission, please read carefully the eligibility requirements for each category below and select the one that best suits your project:

U.S. Narrative Feature Films

Any narrative or non-scripted work of fiction originating from within the United States with a running time of 50 minutes or more. In order to qualify as a U.S. Narrative Feature Film, the submitted project must be either scripted or improvisational fiction, or a fictionalization of actual events, and at least half of the project’s financing must originate from within the United States. Only films retaining world premiere status are eligible for open submission to this category. Completed films that have been or will have been exhibited theatrically or otherwise made available to the general public, either for free or for purchase, prior to February 3, 2025 are not eligible to submit to this category. This includes, but is not limited to, public theatrical exhibition (festival or otherwise), television broadcast, home video, or any digital or online platform.

U.S. Documentary Feature Films

Any nonfiction film originating from within the United States with a running time of 50 minutes or more. If your documentary contains re-enactments or other fictionalized depictions of actual events, you may submit it to this category, but we will ultimately decide which of our Festival programs is best suited for your project, if accepted. In order to qualify as a U.S. Documentary Feature Film, at least half of the submitted project’s financing must originate from within the United States. Only films retaining world premiere status are eligible for open submission to this category. Completed films that have been or will have been exhibited theatrically or otherwise made available to the general public, either for free or for purchase, prior to February 3, 2025 are not eligible to submit to this category. This includes, but is not limited to, public theatrical exhibition (festival or otherwise), television broadcast, home video, or any digital or online platform.

International Narrative Feature Films

Any narrative or non-scripted work of fiction originating from outside of the United States with a running time of 50 minutes or more. In order to qualify as an International Narrative Feature Film, the submitted project must be either scripted or improvisational fiction, or a fictionalization of actual events, and at least half of the project’s financing must originate from outside of the United States. Only films retaining international premiere status are eligible for open submission to this category. Completed films that have been or will have been exhibited theatrically (festival or otherwise) outside of the film’s country or countries of origin prior to February 3, 2025 are not eligible for open submission to this category. Films that have been or will have been made available to the general public in a non-theatrical form, either for free or for purchase, prior to February 3, 2025 are not eligible to submit to this category. This includes, but is not limited to, television broadcast, home video, or any digital or online platform in any country or countries.

International Documentary Feature Films

Any nonfiction film originating from outside of the United States with a running time of 50 minutes or more. If your documentary contains re-enactments or other fictionalized depictions of actual events, you may submit it to this category, but we will ultimately decide which of our Festival programs is best suited for your project, if accepted. In order to qualify as an International Documentary Feature Film, at least half of the submitted project’s financing must originate from outside of the United States. Only films retaining international premiere status are eligible for open submission to this category. Completed films that have been or will have been exhibited theatrically (festival or otherwise) outside of the film’s country or countries of origin prior to February 3, 2025 are not eligible for open submission to this category. Films that have been or will have been made available to the general public in a non-theatrical form, either for free or for purchase, prior to February 3, 2025 are not eligible to submit to this category. This includes, but is not limited to, television broadcast, home video, or any digital or online platform in any country or countries.

U.S. Short Films

Any film or video project originating from within the United States with a running time of less than 50 minutes, including credits. This includes scripted or improvisational fiction, nonfiction or documentary, experimental film or video, animation, music video, or any other short-form film or video project. In order to qualify as a U.S. Short Film, at least half of the submitted project’s financing must originate from within the United States. Short films have no premiere requirements or prior screening restrictions that impact Festival eligibility and may have been screened at any number of festivals or other public theatrical exhibitions, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform anywhere in the world.

International Short Films

Any film or video project originating from outside of the United States with a running time of less than 50 minutes, including credits. This includes scripted or improvisational fiction, nonfiction or documentary, experimental film or video, animation, music video, or any other short-form film or video project. In order to qualify as an International Short Film, at least half of the submitted project’s financing must originate from outside of the United States. Short films have no premiere requirements or prior screening restrictions that impact Festival eligibility and may have been screened at any number of festivals or other public theatrical exhibitions, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform anywhere in the world.

sundance.org/festivals/sundance-film-festival/submit/

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2025 Screenwriting Lab

Film Independent

DEADLINE: September 9, 2024

INFO: The 2025 Screenwriting Lab is a full-time, two-week program that will take place in April of 2025. The program is designed to provide individualized story and career development for emerging screenwriters with a fiction feature screenplay.

Please complete and submit the following electronic application form. You will be able to save your application and add documents or information until the application deadline. 

Once you click "submit," the application will be considered final and no additional information will be accepted. If you do not click "submit," the application will not be considered.  

At the end of the submission form, you will be asked for your payment information.

PLEASE BE ADVISED: the application may time out if you keep it open for a long time. It is recommended that you keep a backup of your answers in a separate document. Save early and often. You can verify that your application has saved by logging out and logging back in.

Applicants will be notified 3-4 weeks before the start of the program. If you don't receive a notification, please check your spam folder.

ACCESSIBILITY: Film Independent is committed to hosting events that are accessible. For inquiries regarding accessibility, or to request an accommodation, please contact us at accessibility@filmindependent.org or 323 556 9305.

PROGRAM QUESTIONS? Please contact the Artist Development team at artistdevelopment@filmindependent.org.    

filmindependent1.submittable.com/submit/299409/film-independent-screenwriting-lab-2025

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MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: September 10, 2024

INFO: About 300 artists in seven disciplines are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence. There are no residency fees, and need-based stipends and travel reimbursement grants are available to open the residency to the broadest possible community of artists. 

MacDowell encourages applications from artists of all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

macdowell.org/apply/apply-for-fellowship

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PRINCETON ARTS FELLOWSHIPS

Lewis Center for the Arts

DEADLINE: September 10, 2024 at 11:59pm ET

INFO: Princeton Arts Fellowships, funded in part by The Andrew W. Mellon Foundation, David E. Kelley Society of Fellows in the Arts, and the Maurice R. Greenberg Scholarship Fund, will be awarded to artists whose achievements have been recognized as demonstrating extraordinary promise in any area of artistic practice and teaching. Applicants should be early career visual artists, filmmakers, poets, novelists, playwrights, designers, directors and performance artists—this list is not meant to be exhaustive—who would find it beneficial to spend two years teaching and working in an artistically vibrant university community.

Princeton Arts Fellows spend two consecutive academic years (September 1-July 1) at Princeton University and formal teaching is expected. The normal work assignment will be to teach one course each semester subject to approval by the Dean of the Faculty, but fellows may be asked to take on an artistic assignment in lieu of a class, such as directing a play or creating a dance with students. Although the teaching load is light, our expectation is that Fellows will be full and active members of our community, committed to frequent and engaged interactions with students during the academic year.

A $92,000 a year stipend is provided. Fellowships are not intended to fund work leading to an advanced degree. One need not be a U.S. citizen to apply. Holders of Ph.D. degrees from Princeton are not eligible to apply.

Past recipients of the Hodder Fellowship and individuals who have had a sustained and continuous relationship with Princeton University are not eligible to apply. Those who have had an occasional and sporadic relationship with Princeton may apply.

To apply, please submit a curriculum vitae, contact information for three references (should the search committee choose to contact references, please do not request letters or have letters sent in advance of a request from the search committee), and work samples (i.e., a writing sample, images of your work, video links to performances, etc.). Please also submit a 750-word proposal that includes how you would hope to use the two years of the fellowship to develop your work, how you would contribute to Princeton’s arts community through teaching and/or production, and how you have encouraged diversity and inclusion and furthered accessibility in your artistic practice, teaching, and/or research.

Applicants can only apply for the Princeton Arts Fellowship twice in a lifetime.

arts.princeton.edu/fellowships/princeton-arts-fellowship/

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2024 AFS GRANT FOR SHORT FILM

Austin Film Society

DEADLINE: September 12, 2024 at 6pm CT

INFO: The AFS Grant awards funds annually to film and video artists in the state of Texas. Grants are provided to artists whose work shows promise, skill, and creativity. AFS is committed to fostering diverse and underrepresented voices in independent film with the intention of focusing on communities of color through an intersectional lens.

Since its inception in 1996, the AFS Grant has awarded more than $2.6 million in cash grants and more than $340,000 in-kind goods and services to 500+ Texas filmmakers to date, creating life-changing opportunities for artists traditionally underrepresented in the film industry and working outside large industry centers. In addition to grants for development, production, and post-production, we provide cash stipends to Texas filmmakers traveling to prestigious film festivals through its AFS Travel Grant program.

Note: Each filmmaker can only apply for funding with one project.

austinfilm.org/afs-grants/afs-grants-overview/

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Silver Lake Shorts Fellowship (For la-based artists)

Silver Lake Shorts

DEADLINE: September 15, 2024 by midnight PST

INFO: The Silver Lake Shorts Fellowship is designed to support Los Angeles-based artists making bold, distinct, and personal work. Our intention with this fellowship is to provide filmmakers with the financial resources to fund short films (animated or live action) that they otherwise would not be able to make.

Though the Silver Lake Shorts Fellowship will be highlighted within the film, the work created will be entirely owned by the creator. We will screen it, help get it seen by our industry partners and contacts, and assist with the submission process to other festivals.

Part of the fellowship will also include connecting the recipients with a mentor who will help guide them through the filmmaking process from pre-production to post-production. Each filmmaker will receive $5,000 per film. The $5,000 must go towards the full completion of the work with the Silver Lake Shorts Fellowship serving as the sole financing of the work. The film must be no shorter than one minute in length and no longer than five minutes in length. All films must be completed within a year from the date of receiving the grant money.

ELIGIBILITY CRITERIA:

Please take a moment to review the criteria and eligibility requirements for the Silver Lake Shorts Fellowship.

• Filmmaker must be living and legally able to work in the United States.

• Filmmaker must be a resident of California (preferably the Los Angeles area).

• Proposed project must be for an independent animated or live action short film.

• Proposed projects must be able to be completed within 1 year.

• Filmmaker may not be enrolled in an academic institution.

• Filmmaker must have at least one completed film to show.

• Filmmaker must be at least 18 years of age.

APPLICATION PROCESS

Phase 1:

1. Fill out the following form with all of your personal info.

2. Include attachments to your previous work, budget breakdown, script/storyboard, and impact statements.

Phase 2:

1. Interview Process - You will be interviewed by Jared Corwin, Kat Ball, and Benjamin Sharpe of Silver Lake Shorts. The interview serves as a way of building effective communication, trust, and collaboration between the fellowship recipient and Silver Lake Shorts.

FAQs:

1. Can I pay myself for my work?
Yes, if there is room in your budget to pay yourself (or others) that is perfectly acceptable. Your time and labor is integral to your production.

2. How long should the film be?
We ask for a minimum of a 1 minute film and a maximum of a 5 minute film.

3. Do you accept applications for a short with mature themes or graphic content?
We are happy to assess applications for all kind of shorts!

4. Do you accept applications for for kids/family-friendly shorts?
We are happy to assess applications for all kind of shorts!

5. Will you accept proposals for music videos?
We would prefer narrative shorts, however we are open to narrative music videos.

silverlakeshorts.com/filmmaker-fellowships

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VCCA RESIDENCY

Virginia Center for the Creative Arts

DEADLINE: September 15, 2024

APPLICATION FEE: $30

INFO: Residencies can be transformative to an artist’s process and the effect on an artist’s career profound. A residency at VCCA gives artists the time and space to explore and go deeper into their work. Away from the constraints of “the real world” and in an accepting environment of talented peers, one can dream and create with the feeling that anything is possible.

VCCA’s Mt. San Angelo location in Amherst, Virginia, typically hosts 360 artists each year in residencies of varying lengths (no minimum; up to six weeks) with flexible scheduling. A residency at Mt. San Angelo includes a private bedroom with private en-suite bath, a private individual studio, three prepared meals a day, and access to a community of more than 20 other artists in residence.

Nestled in the foothills of the Blue Ridge Mountains, VCCA is surrounded by natural wonders and hiking trails. Many local sites and additional inspiration can be found in short drives to Lynchburg (20 minutes), Charlottesville (1 hour), Roanoke (1.5 hours), or Richmond (2 hours).

SELECTION PROCESS: VCCA Fellows are selected by peer review on the basis of professional achievement or promise of achievement in their respective fields. Separate review panels are created for each category (poetry, fiction, nonfiction, playwriting/screenwriting, children’s literature, performance, film/video, book arts, drawing, painting, sculpture, photography, installation art, music composition, etc.). Panelists undergo periodic review and rotate regularly to ensure VCCA admission decisions are guided by high caliber artists who represent a diversity of styles and tastes.

All VCCA residency and fellowship applications are accepted online via SlideRoom. The standard application fee is $30. If the application fee presents a significant barrier to application, artists should reach out to Artists Services at vcca@vcca.com to request an application fee waiver at least five days before the deadline.

FELLOWSHIPS / FINANCIAL ASSISTANCE: A variety of fully-funded fellowship opportunities are available at each application deadline. In addition, significant financial assistance is available throughout the year.

vcca.com/apply/residencies-at-vcca/

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2025 Guggenheim Fellowships

John Simon Guggenheim Memorial Foundation

DEADLINE: September 17, 2024 by 11:59pm ET

INFO: Guggenheim Fellowships are intended for mid-career individuals who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts and exhibit great promise for their future endeavors.

Fellowships are awarded through an annual competition open to citizens and permanent residents of the United States and Canada. Candidates must apply to the Guggenheim Foundation in order to be considered.

The Foundation receives approximately 3,000 applications each year. No one who applies is guaranteed success in the competition and there is no prescreening; all applications are reviewed. Approximately 175 Fellowships are awarded each year.

During the rigorous selection process, applicants will first be pooled with others working in the same field, and examined by experts in that field. The work of artists will be reviewed by artists, that of scientists by scientists, that of historians by historians, and so on. The Foundation has a network of several hundred advisers, who either meet at the Foundation offices to look at applicants’ work, or receive application materials to read offsite. These advisers, all of whom are Guggenheim Fellows from previous years, then submit reports critiquing and ranking the applications in their respective fields. Their recommendations are then forwarded to and weighed by a Committee of Selection, which then determines the number of awards to be made in each area. Occasionally, no application in a given area is considered strong enough to merit a Fellowship.

We guarantee our advisers and Committee of Selection members, as well as those who submit letters of reference, absolute confidentiality. Therefore, under no circumstances will the reasons for the rejection of an application be provided.

The Committee of Selection then forwards its recommendations to the Board of Trustees for final approval. The successful candidates in the United States and Canada competition are announced in early April.

FAQs:

What are Guggenheim Fellowships?

Guggenheim Fellowships are grants awarded to around 175 selected individuals every year. The purpose of the Guggenheim Fellowship program is to provide Fellows with blocks of time in which they can work with as much creative freedom as possible. As such, grants are made freely, without any special conditions attached to them; Fellows may spend their grant funds in any manner they deem necessary to their work. The United States Internal Revenue Service, however, does require the Foundation to ask for reports from its Fellows at the end of their Fellowship terms.

How does the Foundation define “advanced professional”?

The Foundation understands advanced professionals to be those who as writers, scholars, or scientists have a significant record of publication, or as artists, playwrights, filmmakers, photographers, composers, or the like, have a significant record of exhibition or performance of their work.

How does the Foundation define “performing arts”?

The Foundation understands the performing arts to be those in which an individual interprets work created by others. Accordingly, the Foundation will provide Fellowships to composers but not conductors, singers, or instrumentalists; choreographers but not dancers; filmmakers, playwrights, and performance artists who create their own work but not actors or theater directors.

What is the amount of a grant?

The amounts of grants vary, and the Foundation does not guarantee it will fully fund any project. Working with a fixed annual budget, the Foundation strives to allocate its funds as equitably as possible, taking into consideration the Fellows’ other resources and the purpose and scope of their plans. Members of the teaching profession receiving sabbatical leave on full or part salary are eligible for appointment, as are those holding other fellowships and appointments at research centers.

gf.org/how-to-apply/

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Call For Artists; The Voodoo (Album) Experience

Black Girl Saturday School

DEADLINE: September 21, 2024

INFO: The Voodoo (Album) Experience is an immersive experience that honors D’Angelo’s second album, the era that gave birth to the album, and the sensual and transformative power of music. Spread across (1-3) venues, it features visual art installations, community conversations and reflections, a dinner party, panel discussions, film screening, and jam session, where attendees can participate in the collective act(s) of remembering, celebrating, reliving, and re-imagining D’Angelo’s Voodoo album, 25 years later.

Inspired by the 13 tracks on the Voodoo album, we invite your proposals for the artistic interpretation of a single song or the entire album to be exhibited at The Voodoo (Album) Experience in January 2025! Artists of all genders are encouraged to apply.

CRITERIA: As you listen to the album and craft your vision, please consider how your work will honor the album, the era that gave birth to the album, and/or the sensual and transformative power of D'Angelo's music.

TIMELINE:

• Announcement: October 2024

• Opening Ceremony: January 24th - 25th - 26th, 2025

LOCATION: Baltimore, MD

VENUE: TBA

SELECTION PROCESS:

1. Jury Panel: Comprising experienced artists and curators.

2. Criteria: Originality, thematic relevance, and technical skill.

Interested artists should submit an application as soon as possible, up to September 21, 2024.

ABOUT BLACK GIRL SATURDAY SCHOOL®:

Founded in 2020 as the place where the study of Black girls’ and women’s lives is valued, appreciated, cultivated, immersive, healing, restorative, grounding, available, continual, fun, and more. We host Jam Sessions, Studies, and Workshops using art and our lives as the study guide. Black Girl Saturday School® is a space for Black Women:

• to safely and with care, journey back to their Black Girlhood with the expectation of finding brilliance

• to freely explore and reflect on our sensual lives through language, history, art, music and culture

• to cultivate a personal wisdom that we can activate in our day-to-day lives

If you have any questions, please email: principal@blackgirlsaturdayschool.com

blackgirlsaturdayschool.com

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STARZ #TakeTheLead Writers' Intensive

NALIP / NFMLA / STARZ

DEADLINE: September 25, 2024 at 3:59pm PT

APPLICATION FEE: $0

INFO: NALIP and NFMLA are excited to once again partner with STARZ to launch the STARZ #TakeTheLead Writers' Intensive. This program offers a unique platform for emerging writers to develop their skills and refine their spec scripts with the help of esteemed mentors, executives, and established writers.

For the 2024 edition, 4 talented writers will be selected for both phase 1 and phase 2 of the program. During phase 1 of the program, writers will have the invaluable opportunity to hear from 15 seasoned industry professionals with an array of backgrounds in the television ecosystem while developing a spec episode treatment. In phase 2 of the program, writers will be paired with mentors as they work to draft a full spec episode script of a current STARZ series.

TIMELINE: Participants announcement October 9th, 2024

2024 PROGRAM DATES:

Selected participants must be available for the duration of the following dates:

• Phase 1: October 14th, 2024 to October 18th, 2024

• Phase 2:October 21st, 2024 to November 4th, 2024

BENEFITS:

• A $5,000 USD grant will be awarded to writers selected for the program

• An opportunity to connect with industry professionals and creatives.

• Obtain feedback on your spec episode script from top executives

writers.coverfly.com/competitions/view/starz-writers-intensive

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2025 Impact Kickstart

Working Films

DEADLINE: September 26, 2024 at 11:59 am ET

INFO: Thank you for your interest in Impact Kickstart, a program that has helped underrepresented filmmakers create strategic goals for impact and specific plans to engage future partners, funders, and audiences in meaningful ways. Impact Kickstart will work with two filmmakers to receive in-kind support from Working Films for the planning, facilitation and a report out from a day-long strategy summit with potential partners and key collaborators. This summit will leave filmmakers well positioned to carry out an impact campaign with a clear strategy, goals, partners and a report that can be used for engaging supporters. Impact Kickstart recipients will also receive impact campaign funding of $60,000 and be provided with 1:1 mentorship support.

We are accepting applications from underrepresented filmmakers with feature length documentaries in post-production or recently completed (within the last two years) that hold great promise to catalyze action to address important and current social issues.

For full information on eligibility and program details please visit:

To be considered for Impact Kickstart 2024/2025, please complete the application below. The deadline is Thursday, September 26, 2024 at 11:59 am ET.You’ll need to create an account/login so that you can work on your application and have your information saved. Before you get started you can find a preview of the application questions in this PDF. Please also check out this document of frequently asked questions.

If you have any questions, feel free to email us at gleonard@workingfilms.org.

workingfilms.submittable.com/submit

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BIPOC Women Filmmaker Grant

BendFilm

DEADLINE: September 27, 2024

INFO: BendFilm’s Black, Indigenous, Person of Color (BIPOC) Women Filmmaking Grant will support a woman BIPOC artist with $10,000 toward making their short or feature film. The grant supports storytellers who are working to tell creative and complex stories told from a point of view that is unique and authentic.

GRANT APPLICATION PROCESS:

• BendFilm to notify finalists by late November

• Live pitch to a panel of judges before the end of 2024. (exact pitch date TBD)

bendfilm.org/education/bendfilm-production-grant/

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BPM Open Call  – Production Funding 

Black Public Media

DEADLINE: September 30, 2024

INFO: As proven by films that BPM has supported over the years, stories have a unique ability to amplify voices, foster cultural transformation and promote societal shifts.  We look to our community of talented media makers to produce compelling, nuanced stories that add the point of view, experiences, and concerns of the Black community to the larger public discourse.  In this year's Open Call, we are accepting nonfiction projects only. However, all subject areas are accepted.

Open Call Funding Awards –

Production funding will be awarded to:

• Up to five (5) nonfiction projects will receive a $5,000 stipend as well as an invitation to attend a  talent development fellowship that prepares you for the opportunity to pitch for additional funding at PitchBLACK in April 2025.  At PitchBLACK, one (1) nonfiction project will receive up to $150,000 in production funding.

Awards will be announced in December 2024.

For More Information–

Please go HERE to review the eligibility requirements, application details and FAQs. 

BPM is committed to making our programs accessible.  Our application which follows the IDA's Common Application is an online form that requires written responses.  If alternative means of applying are needed please email funding@blackpublicmedia.org or call (212) 234-8223 x1002 no later than September 15, 2024.

blackpublicmedia.org/for-media-makers/bpm-open-call

TV / FILM — AUGUST 2024

"MY TIME" FELLOWSHIP

Writers’ Colony at Dairy Hollow

DEADLINE: August 5, 2024 by midnight CST

APPLICATION FEE: $35

INFO: The Writers’ Colony at Dairy Hollow is pleased to announce the 2024 "My Time" fellowship funded by James Dean. Writers who are parents of dependent children under the age of 18 are invited to apply. Work may be any literary genre: poetry, fiction, plays, memoirs, screenplays, or nonfiction. The successful application will demonstrate literary merit and the likelihood of publication. Prior publication is not a requirement.

PRIZE: Four fellowship winners will receive a one-week residency to allow the recipient to focus completely on their work. A $500 stipend will be provided to cover childcare and/or travel costs to each recipient.

Each writer’s suite has a bedroom, private bathroom, separate writing space, and wireless internet. We provide uninterrupted writing time, a European-style gourmet dinner prepared five nights a week, and served in our community dining room, the camaraderie of other professional writers when you want it, and a community kitchen stocked with the basics for other meals.

Fellowship applications must be accompanied by a writing sample and a non-refundable $35 application fee. There is a limit of one submission per application. The winner will be announced no later than September 9, 2024.

Residencies may be completed anytime before December 2025.

writerscolony.org/fellowships

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Call For Applications: 4th Annual Native American Unscripted Workshop

Native American Media Alliance

DEADLINE / FEE: August 9, 2024 by 11:59pm PST / $60

INFO: The 4th Annual Native American Unscripted Workshop has opened the call for applications. This initiative is focused on spotlighting Native American documentary filmmakers and non-fiction content creators. With support from Comcast NBCUniversal, Los Angeles County Arts & Culture, City of Los Angeles Dept. of Cultural Affairs, NAMA is providing the Native American Unscripted Workshop for emerging and seasoned indigenous documentary filmmakers seeking to explore outlets for their current and upcoming projects.

The workshop is a virtual week-long creative program that provides access to creative executives, experienced producers and veteran documentary filmmakers. In its fourth year, the Native American Unscripted Workshop will accept approximately 10 Native American filmmakers to participate in the program taking place in late September and early October, 2024.

The Native American Unscripted Workshop is designed to encourage Native American filmmakers to expand on their current opportunities. The workshop culminates in a pitch panel that will have each fellow present their latest project.

ABOUT THE PROGRAM: The week-long curriculum will have daily creative discussions with experienced producers, creative executives and veteran filmmakers. These meetings will provide additional insight into professional development, exploring career opportunities and developing a project for pitching.

The workshop will culminate with each participant pitching before a panel of unscripted creative executives. This final component will have each participant receive feedback and guidance on their current unscripted or documentary project. Each workshop participant will have the opportunity to discuss creative development, enhance their respective materials and improve their project sample. The goal of the pitch panel is to provide Native American filmmakers with additional opportunities and exposure.

APPLICATION PROCESS:

• How it Works: If accepted into the workshop you must be willing to make a commitment to a multi-day program that will entail day and evening virtual meetings.

• Who Should Apply: The Native American Unscripted Workshop is for emerging and seasoned indigenous filmmakers, journalists and producers who have a vested interest in advancing their careers in the unscripted, non-fiction and documentary field. The Native American Unscripted Workshop is for indigenous filmmakers who have an unscripted or documentary film (short or feature), documentary or unscripted series script, documentary or unscripted treatment or a bible for an unscripted television series. Each selected participant must be capable of developing their materials according to the guidance provided in the workshop and offer their material as a salable property.

• How to Apply:The online application form is below. Please include a completed application form, a completed release form, biography, resume, statement of interest and submit one sample of the following:

  • 1) Documentary or unscripted film (short or feature)

  • 2) Documentary or unscripted series script

  • 3) Documentary or unscripted series treatment or series bible

  • 4) Documentary or unscripted feature film treatment

  • 5) Concept materials for a documentary or unscripted series.

• Please note that filmmaker teams are eligible. You must be 18 or over to apply. All submitted materials must be original and all rights must be wholly owned by the applicant.

nama.media/4th-annual-native-american-unscripted-workshop-call-for-applications/

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Women of Color Film Incubator

National Association of Latino Independent Producers (NALIP)

DEADLINE: August 11, 2024 at 11:59pm Hawaii time.

INFO: Applications for the Women of Color Film Incubator are OPEN!

Selected diverse women filmmakers will each receive $35,000 to bring their short films to life, spanning from initial concept to final post-production. Additionally, they will receive year-long mentorship with filmmakers from the NALIP community and support when submitting their short films for exhibitions and festivals.

APPLICATION MATERIALS:

Applicants must provide the following for first-round consideration:

• NALIP membership. A valid NALIP membership is required in lieu of an entry fee. Become a Member

• Applicant Info

• Role (Writer, Director, Writer/Director)

• Personal Bio (200 words max)

• Logline (1-2 sentences)

• Previous Work Sample

• Production Team Roster and Production Plan

• Full Budget Outline ($35,000)

• Short Screenplay (15 pages max)

• Pitch Deck/Lookbook (i.e. highlights, visual references, tone, synopsis, team bios, character bios, director’s statement, etc.)

For any questions about the incubator or the application process, email us at latinolens@nalip.org.

writers.coverfly.com/competitions/view/women-of-color-incubator

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NEH GRANT: Media Projects

National Endowment for the Humanities

DEADLINE: August 14, 2024

INFO: The National Endowment for the Humanities (NEH) Division of Public Programs is accepting applications for the Media Projects program. This program supports collaboration between media producers and scholars to develop content grounded in humanities scholarship and prepare documentary films and television, radio programs, and podcasts that engage public audiences with humanities ideas in creative and appealing ways. NEH makes Media Projects awards at two levels: Development and Production.

MAXIMUM AWARD AMOUNT:

• $75,000 for Development

• $700,000 for Production

• $1,000,000 for Chair’s Special Awards

neh.gov/program/media-projects

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Black Boy Writes & Black Girl Writes Mentorship Initiative

DEADLINE: August 15, 2024

INFO: The Black Boy Writes & Black Girl Writes Mentorship Initiative, which launched at the start of 2021, is dedicated to supplying industry access and resources to preWGA Black screenwriters.

This mentorship program is a year-long initiative that provides a pathway to eliminating barriers to entry. The program is international and you don’t have to live in Los Angeles to be considered.

Most of the programming is virtual, but out-of-town and international mentees will be flown in at the beginning of the year for the class kick-off and again for the end-of-year class retreat.

The goal of the program is to position and equip Black writers with the resources and knowledge to acquire representation, a staffed writing position, and/or optioned content.

BENEFITS:

Features of the mentorship initiative include:

• Monthly Writer Roundtables with established writers/industry leaders. Past participants include Morgan Cooper (Creator of Bel Air) Showrunner Syreeta Singleton (Rapsh*t), Golden Globe Winning Writer Kemp Powers (Soul, One Night in Miami), Kay Oyegun (This is Us), Gary King (VP Development, Paramount), Oscar Winner Peter Ramsey (Co-Director, Spider-Man: Into the Spider-Verse).

• Writing workshops and notes sessions to prepare mentees for Fellowships, Generals, and Staffing.

• General meetings with Networks and Production Companies. Past participants include Nick Jr., Mattel, Plan B, Macro, and MarVista.

• Each mentee will receive the latest in Final Draft software.

• Mentees will have access to three additional program mentors/industry professionals; Jackie Penn (4400, The Catch, Turner & Hooch), Andre Ferguson (Power Book II: Ghost), and Cynthia Adarkwa (Legacies, In the Vault, Saint X, Emperor of Ocean Park).

• At the end of the program, each mentee will have the opportunity to be read by Mike Gauyo’s agents at Culture Creative and Lit Managers at M88, for representation consideration.

writers.coverfly.com/competitions/view/bbgwmi

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FALL ‘24 GUEST RESIDENCY

Woodward Residency

DEADLINE: August 16, 2024

INFO: Applications are now open for the Fall '24 Guest Residency in Ridgewood, Queens. This year we're offering two longer residencies (instead of our usual 3).

Established/emerging creatives in the fields of literary arts, design, film, and multi-disciplinary arts are all encouraged to apply. We also have two pianos in the space for musicians and composers.

FALL DATES: Sept 16, 2024 — Jan 31, 2025

ELIGIBILITY: Established/emerging artists and creative professionals in the fields of literary arts, design, music, and multi-disciplinary arts are encouraged to apply.

Please note that art forms that generate fumes (such as oil painting) cannot be accommodated. Also, with the exception of our piano residents who can use headphones, our space is best suited to less cacophonous artistic pursuits.

AWARD BENEFITS:

• Access to the building from 9AM-5 PM, Monday through Friday for the duration of your Guest Residency.

• Guest Residents will work in the communal Great Room, with library etiquette.

• Open invite to weekly tea and cake gatherings, and occasional work shares and evening parties.

• A supportive and engaged community of working creatives.

woodwardresidency.co

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LEF Moving Image Fund Grants

LEF Foundation

DEADLINE: August 16, 2024

INFO: The goal of LEF New England is to fund the work of independent documentary film and video artists in the region and to broaden recognition and support for their work, both locally and nationally. It also supports programs that highlight the rich history and ongoing legacy of innovation within New England’s independent film community.

LEF New England launched the Moving Image Fund (MIF) in 2002 to support new film and video work. The Moving Image Fund provides funding across all phases of production, supporting films from the early risk-taking stage, through a film’s completion. In this way, MIF offers a continuum of support for selected projects while also identifying new talent. The peer review panel process lies at the heart of LEF's grant review. 

Through MIF, LEF New England champions work that is provocative, heartfelt, and challenging in style and substance. Since its inception, LEF’s Moving Image Fund has awarded over 450 grants to New England-based independent filmmakers with over $5 million in funding. The overarching goal of LEF New England’s philanthropic investment is to help build a sustainable and strong community of support for artists and their work.

The strongest proposals will be those that clearly articulate the ways in which the proposed project aligns with the program’s funding criteria.

FUNDING CRITERIA:

•  Quality of cinematic form and technique

•  Originality of filmmaker’s voice, vision, and point of view

•  Resonance and power of the film’s core idea or story

•  Feasibility of production

ELIGIBILITY REQUIREMENTS:

• Projects must be long format; running times of 40 minutes or more.

• Primary creative personnel (director and/or producer) must reside in New England (Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, Vermont).

• Projects with directors or producers enrolled in high school, undergraduate or master’s degree programs at the time of application are ineligible for consideration.

• Multi-channel or installation work will not be considered.

• LEF does not require you to have a confirmed fiscal sponsor at the time that you submit a letter of inquiry or application. However, if you are awarded a grant, you must have a confirmed 501c3 fiscal sponsor in place in order to receive any grant funding. (Find more details about locating a fiscal sponsor on our FAQ page, and reach out to us if you have other questions.)

• For prior grantees, a final report on previous LEF grant funding is required. Previous LEF grantees can visit the For MIF Grantees page of LEF's website for more information.

• To be eligible for Post-production funding, the project for which you are applying must have received previous LEF support. 

lef-foundation.submittable.com/submit

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Willapa Bay AiR residency

DEADLINE: August 31, 2024

APPLICATION FEE: $30

INFO: Willapa Bay AiR, situated on 20 acres in coastal southwest Washington state, launched its residency program in March 2014. The Residency has been specifically designed, from the site selection to the architecturally specific building concepts, layouts, and materials, to combine the opportunity for solitude with the opportunity for daily community that fosters creative endeavor.

We offer month-long, self-directed residencies to emerging and established artists, filmmakers, writers, playwrights, scholars, singer/songwriters, and musical composers. The Residency provides lodging, meals, and work space, at no cost, to six residents each month from April 1 through October 28 of the year. Applications are evaluated by selection committees comprised of working artists and professionals in the applicants' respective fields of discipline.

SELECTION PROCESS: Applications are evaluated by selection committees comprised of working artists and professionals in the applicants' respective fields of discipline. Invitation to a Willapa Bay AiR residency is based on the merit of past work and the potential for creative evolution through the exploration and experimentation offered in the residency environment.

willapabayair.org/apply

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Writers’ Access Support Staff Training Program

The Writers Guild Foundation

DEADLINE: September 5, 2024 at 11:59pm PT

INFO: The program’s mission is to provide writers who are BIPOC, LGBTQ+, disabled writers, and writers over the age of 50, with tools and education to become a writers’ assistant and script coordinator, ultimately resulting in meaningful employment opportunities. These positions have historically been an invaluable way to learn the writing process first-hand, with the ultimate goal of getting a writing job.

This program is NOT a writing fellowship. Its purpose is to provide support staff training for emerging writers who are typically excluded from writers’ rooms.

You must be interested in pursuing employment as a Writers' Assistant or Script Coordinator to be considered.

ELIGIBILITY:

This program is designed to support the inclusion and employment of underrepresented groups in the television industry. Writers who are BIPOC, LGBTQ+, disabled writers, and writers over the age of 50 are encouraged to apply.

To qualify for this program, applicants must be:

• At least 18 years of age. 

• Eligible to work in the U.S. 

• Able to demonstrate meaningful ongoing efforts to break in as a TV writer.  

• Interested in pursuing employment in a support staff role. 

• Able to participate in all program meetings and fulfill all program requirements. 

• Open to constructive criticism and respectful to all other participants and mentors. 

WGF will not tolerate discrimination on the basis of race, religion, gender, gender expression, age, marital status, disability, or national origin. Participants who violate this rule will be immediately removed from consideration for the program at the discretion of WGF staff.

Please note: this program is designed for emerging writers who have not previously worked as a writers’ assistant or script coordinator. Applicants who have support staff experience are not eligible to apply. 

SUBMISSION REQUIREMENTS:

If you intend to apply, please be ready to share the following information: 

• A summary of your writing experience or education

• Your preferred genres and creative influences

• Essay question responses (prompts will not be disclosed in advance)

• A brief personal statement (500 words or less)

• Your professional resume

FAQs:

Do I need to have professional writing experience to apply?

No, professional writing experience is not required.

However, we do expect that all applicants are well-versed in the fundamentals of writing for the screen prior to their participation in the program. As previously stated, this program is not a writing fellowship. It is a professional training program that focuses specifically on support staff roles.

What should I consider while selecting my top three genre preferences?

Your choice of genre will influence your area of focus through the program and subsequent hiring outreach upon graduation. If you share equal interest in multiple genres, please make a note of this on your application.

What should I include in my personal statement?

Your personal statement should describe who you are, your interest in writing for the screen, and what you hope to gain from this program. We encourage you to describe how your identity, experiences, culture, or background informs your writing.

Statements are limited to a maximum of 500 words.

How important is my personal statement in the admissions process?

The personal statement is a key component of the admissions process. This is your opportunity to convey who you are as a writer and what makes you unique.

Why have you chosen this path? What challenges have you overcome to get here? Who inspired you? Consider these prompts as you start writing.

Authenticity is strongly encouraged.

Do I need to submit a screenwriting resume? 

No, you may submit a standard resume for this program. Previous professional writing experience is not required.  

wgfoundation.org/programs/writers-access-support-staff-training-program/apply

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MacDowell Fellowship

MacDowell

DEADLINE: September 10, 2024

INFO: About 300 artists in seven disciplines are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence. There are no residency fees, and need-based stipends and travel reimbursement grants are available to open the residency to the broadest possible community of artists. 

MacDowell encourages applications from artists of all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

macdowell.org/apply/apply-for-fellowship

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Princeton Arts Fellowships

Lewis Center for the Arts

DEADLINE: September 10, 2024 at 11:59pm ET

INFO: Princeton Arts Fellowships, funded in part by The Andrew W. Mellon Foundation, David E. Kelley Society of Fellows in the Arts, and the Maurice R. Greenberg Scholarship Fund, will be awarded to artists whose achievements have been recognized as demonstrating extraordinary promise in any area of artistic practice and teaching. Applicants should be early career visual artists, filmmakers, poets, novelists, playwrights, designers, directors and performance artists—this list is not meant to be exhaustive—who would find it beneficial to spend two years teaching and working in an artistically vibrant university community.

Princeton Arts Fellows spend two consecutive academic years (September 1-July 1) at Princeton University and formal teaching is expected. The normal work assignment will be to teach one course each semester subject to approval by the Dean of the Faculty, but fellows may be asked to take on an artistic assignment in lieu of a class, such as directing a play or creating a dance with students. Although the teaching load is light, our expectation is that Fellows will be full and active members of our community, committed to frequent and engaged interactions with students during the academic year.

A $92,000 a year stipend is provided. Fellowships are not intended to fund work leading to an advanced degree. One need not be a U.S. citizen to apply. Holders of Ph.D. degrees from Princeton are not eligible to apply.

Past recipients of the Hodder Fellowship and individuals who have had a sustained and continuous relationship with Princeton University are not eligible to apply. Those who have had an occasional and sporadic relationship with Princeton may apply.

To apply, please submit a curriculum vitae, contact information for three references (should the search committee choose to contact references, please do not request letters or have letters sent in advance of a request from the search committee), and work samples (i.e., a writing sample, images of your work, video links to performances, etc.). Please also submit a 750-word proposal that includes how you would hope to use the two years of the fellowship to develop your work, how you would contribute to Princeton’s arts community through teaching and/or production, and how you have encouraged diversity and inclusion and furthered accessibility in your artistic practice, teaching, and/or research.

Applicants can only apply for the Princeton Arts Fellowship twice in a lifetime.

arts.princeton.edu/fellowships/princeton-arts-fellowship/

TV / FILM — JULY 2024

PBS/Firelight William Greaves Production Fund

Firelight Media

DEADLINE: July 8, 2024

INFO: The PBS/Firelight William Greaves Production Fund resources documentary productions by mid-career filmmakers from underrepresented communities in the United States that are intended for distribution on PBS through finishing funds or co-production funding.

PBS has committed $3.6 million over the course of three years to support mid-career nonfiction filmmakers through the PBS/Firelight William Greaves Production Fund, which resources talented storytellers from communities in the United States. The Fund is designed to address the persistent structural challenges many filmmakers face after producing their first films, so that they can remain in the field and continue to create vital stories focused on underrepresented people and topics.

GUIDELINES:

The PBS/Firelight William Greaves Production Fund is open to documentary filmmakers who meet the following criteria:

• Identify as an underrepresented filmmaker.

• Mid-Career filmmaker with a minimum of 7 years experience in documentary filmmaking as a Producer, Director, Co-Director, Editor, Cinematographer, and/or Writer.

• Minimum of 2 hours of distributed films of any genre via broadcast, streaming, and/or an Academy Award-qualifying festival with credits as a Producer, Director, Co-Director, Editor, Cinematographer, and/or Writer.

• Is based in the United States or a U.S. territory (e.g., Puerto Rico, U.S. Virgin Islands, U.S. Samoa, Guam/Northern Mariana Islands).

• Secured a minimum of 20% of the total Production budget.

• Holds a minimum of 50% of the Copyright to the production.
  ‍

Filmmakers are not eligible to receive support through one or any of Firelight Media’s Artist Programs if:

• The filmmaker is applying with a student film project or a project related to ongoing coursework.

• The filmmaker is contracted with another Firelight Media Artist Program and has not completed the final deliverables by the time they are selected for this program.

• The filmmaker is employed by Firelight Media or PBS as an officer, full-time employee, or is a member of the board of directors.

• The filmmaker does not hold the majority of the intellectual property of the film.

firelightmedia.tv/programs/pbs-firelight-william-greaves-production-fund

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OPEN CALL

ITVS

DEADLINE: July 12, 2024 at 11:59pm PDT

INFO: We’re looking for exceptional storytelling that’s in line with our mission: stories that take risks, tackle important issues, address the needs of underserved audiences, and are seldom seen in public media. We know how hard you’ve worked on your project, and we’ll partner with you to help you finish it, then distribute it across public media platforms.

Open Call provides up to $400,000 of co-production funding to independent producers of nonfiction documentaries, ranging from short films to feature length. The documentary can be on any subject, or any viewpoint or style as long as it is in active production already, as evidenced via a work-in-progress sample. For pre-production nonfiction projects, see Diversity Development Fund. 

PLEASE NOTE: Open Call is not a grant. You will receive funding in the form of a co-production agreement that assigns ITVS certain broadcast and streaming rights to your project during the term of the contract.

Be sure to allow sufficient time (2-4 weeks) to complete the application. ITVS has adopted the Non-Fiction Core standards as a foundation for our funding applications. Much of the Open Call application has been aligned with this model, however, there is additional production detail required to complete the application as ITVS funds documentaries for public media. 

WHO WE FUND:

Open Call supports:

• Single, nonfiction films of various lengths. We do not accept narrative film/fiction projects, pilots, or series.

• Projects over 10 minutes seeking production or post-production support.

ELIGIBILITY:

You are eligible to apply if you are:

• A citizen or legal resident of the U.S. or its external territories, age 18 or older.

• The owner of the copyright of your production and maintain editorial control of the story. If more than one applicant is included on the application, both applicants must be copyright owners.

• An individual with previous film or television production credit in a principal role: director, producer, or first-time director or producer with an experienced co-producer or co-director attached to the project. Please review the FAQs for more information on eligible work.

• Seeking funding for production activities that support the completion and delivery of the documentary.

• Submitting a project that is in production or post-production as evidenced by having a video sample that includes originally-shot footage for this project.

• An individual only submitting one application per round, either as an applicant or a second applicant. Note that an applicant can be a member of the key creative personnel on multiple projects.

You are not eligible to apply if you are: 

• Currently enrolled as a student at a college or university.

• In consideration through another funding initiative with ITVS funding at time of submission.

• If you have received four declinations since June 2024 on a single project/documentary submission without advancing beyond the Reader Review.

• Current signatories of any ITVS production contracts who have not yet completed delivery.

• Producers representing foreign-based production entities.

• Employed full time as a producer or director by a broadcast entity or film studio, including public access stations.

• An organization including universities, foundations, and nonprofit businesses.

• A former employee who has worked for ITVS within the past 12 months.

• Submitting a project/documentary previously distributed in a public forum, including theatrical, festivals, educational, and communication screenings.

• Contracted for premiere commercial distribution with the intended submission.

WHAT TO EXPECT:

Review Process

After you submit your application, you will receive notification of your status within 16-20 weeks.

1. Eligibility Review: All projects are reviewed against the eligibility criteria and for full completion of the application. Ineligible projects will be notified if your project is unable to be considered for funding.

2. Reader Review: Each complete application is assigned an ITVS staff member and a peer reviewer. Our peer reviewers are ethnically and geographically diverse members of the independent film and public media communities.

3. Notification of Advancement: A small group of top applicants are chosen to advance as finalists. You’ll receive an email that lets you know if you’ve been selected.

4. Feasibility Review: Advancing submissions will be asked to submit a full production budget and answer additional production questions for review.

5. Panel Review: A five-person panel of independent producers and industry peers reviews all treatments, screens work-in-progress samples, and discusses the merit of each project.

6. Selection and Invitation for Co-Production Funding: Our programming and production department reviews the panel recommendations and feasibility check. A selection is then proposed to the ITVS content strategy team. ITVS President and CEO Carrie Lozano approves the final funding recipients and notifications are made inviting applicants into the contracting process.

Production and Distribution

ITVS doesn’t just fund your film. We provide you with co-production support, creative development and feedback, and public media distribution which can include marketing, publicity, and audience engagement services. You own copyright and maintain full editorial, creative, and financial control.

Funded projects will be expected to acknowledge the production support from ITVS in all program and publicity materials; cooperate with ITVS’ publicity protocols; provide timely information to ITVS about project activities, including notification of and request for approval of any major changes to the project; and submit contract deliverables, including final financial reporting at the conclusion of the project. Failure to submit the final financials will preclude applicants from eligibility to apply for future funding.

When your program is at or near completion, we work closely with public media programmers to ensure the strongest distribution of your program throughout public media. ITVS will enter a license agreement for the exclusive premiere distribution of your documentary.
 
ITVS-funded programs are presented by PBS series such as Independent Lens, POV, American Masters, Frontline, and America ReFramed on platforms like the PBS App, pbs.org, PBS YouTube, and broadcast. Our programs also have success in the festival, educational video, home video, SVOD, and foreign broadcast markets.

itvs.org/funding/open-call/

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RIDEBACK RISE 2024

DEADLINE: Extended to July 15, 2024

APPLICATION FEE: $0

INFO: Rideback RISE is soliciting applications for the second year of the Rideback RISE Fellowship. Based in Los Angeles, Rideback RISE is a prestigious content accelerator that offers visionary POC film and television creators (“Fellows”) a $40,000 stipend, and access to a development fund for the purpose of optioning IP and/or creating visual proof-of-concept materials. The 12-month Fellowship also provides expert in-depth mentoring, resources and benefits to the Fellows while they develop and refine a specific television or feature film project before it is taken out to market. In a supportive and collaborative environment, Fellows work closely with the RISE team and receive counseling from notable industry luminaries and experts, all while getting to know each other and becoming familiar with each others’ projects. This is an opportunity for exceptional storytellers who desire to tell mainstream stories aimed at a wide audience, but who still possess their own distinct voice, point of view and perspective.

MISSION: Rideback RISE was founded in 2022 by Dan Lin (THE LEGO MOVIE, IT, ALADDIN, SHERLOCK HOLMES, WALKER). Rideback RISE is a 501c3 non-profit organization with backing from leading partners such as the Ford Foundation, MacArthur Foundation, Doris Duke Foundation, Zelnick Belzberg Charitable Trust, Comcast NBC Universal, UTA Foundation, Horn Foundation and the Murphy Family Fund.

Rideback RISE’s core mission is to support and empower selected POC creators from the world of entertainment who aspire to make commercial, mainstream content that is reflective of our multicultural world. Rideback RISE believes that entertainment can bridge cultures, unite people, and be a catalyst for social change. By advancing racial equity, we contribute to the creation of a more empathetic world.

RISE offers financial, creative and strategic support to each of our participating creators customized to their specific discipline. RISE equips Fellows/participants to create commercial content that can enter the cultural zeitgeist and ultimately reshape majority opinions. Our aim is to make mainstream entertainment more inclusive by enabling POC creators to tell stories that have broad audience reach. 

Through telling new stories, we can come to appreciate other cultures and ways of life. Reality is socially constructed through narrative. A small shift in someone’s mindset can often lead to a cascade of meaningful change.

BENEFITS: The RISE Fellowship runs for a concurrent twelve months and covers creative, business and practical elements. Each of the Fellows will be paired with a high-level mentor (e.g., an experienced showrunner, filmmaker, producer, executive, etc.) that they will work with for the duration of the Program. Fellows will be selected based on their storytelling and writing abilities, the authenticity of their voice, the strength and commercial viability of their ideas, their willingness to maximize the impact of the resources provided, and their overall suitability for the program.

Program activities will include, but will not be limited to, the following:

• Creative development on each Fellow’s project, including in-depth work on story and character

• Advice on how to attach cast and other talent

• Navigating possible financiers and securing distribution

• Assisting Fellows with identifying possible buyers for their projects and facilitating meetings with executives

• Expert guidance and background on the state of the industry

• In-person lectures and appearances by industry luminaries in a variety of fields, including acting, directing, producing, legal, casting, etc.

• General career coaching

• Help with the transferring of projects at the end of the Program to a studio, production company or other collaborator who is best positioned to help the Fellow continue to advance it

A more detailed curriculum and calendar will be provided upon commencement.

Fellows will be based at Rideback Ranch, a creative campus in LA’s Historic Filipinotown that provides a dedicated workspace and amenities, and is home to several leading entertainment companies. There will also be a number of creators who will be invited to join the RISE Circle, enabling them to attend certain events and presentations.

As stated above, the Fellowship also provides access to the Rideback RISE IP and Visual Development Fund, which Fellows can tap to option underlying rights (novels, remakes, podcasts, documentaries, newspaper or magazine articles, true stories, short films, video games, graphic novels etc.) or create proof-of-concept materials—e.g., concept art, visual teaser for their project or even a short.

The curriculum will focus on and emphasize collaboration, mentorship, networking, industry access and community. A key feature of RISE is community: Fellows will familiarize themselves and share their feedback on each others’ projects. Our goal is to create market ready content that will attract financing and be produced, and to help Fellows build sustainable careers.

writers.coverfly.com/competitions/view/ridebackrise

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CALL FOR SUBMISSIONS: ISSUES IX + X

Mulberry Literary

DEADLINE: July 15, 2024 at midnight CT

INFO: Submissions are open for Mulberry Literary’s Issue IX (Fall/Winter 2024) and Issue X (Spring/Summer 2025). Please note that submissions for a particular genre are subject to close early if a large amount of submissions are received.

Mulberry accepts all creative media—from prose, flash, poetry, script, and comics, to film, music, visual art, dance, and everything in-between. Cross-genre, experimental, and hybrid work are always welcome, as well as excerpts of longer pieces.

We accept work from everyone who wishes to submit, but we particularly encourage work from LGBTQIA+, gender expansive creators, and BIPoC voices. If you’re a creative writing undergraduate, graduate student, or member of creative writing faculty at a college/university, we’d love to hear from you. As ever, international submissions and submissions of translated work are welcome.

mulberryliterary.com/submit

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FELLOWSHIP FOR NATIVE AMERICAN WRITERS

Ucross

DEADLINE: July 15, 2024 by 11:59pm MT

APPLICATION FEE: $0

INFO: Ucross is dedicated to fostering the creative spirit of working artists by providing uninterrupted time, studio space, living accommodations, and the experience of the majestic High Plains, while serving as a responsible steward of our historic 20,000-acre ranch in northern Wyoming.

In 2020, following the success of its Fellowship for Native American Visual Artists, Ucross launched a similar opportunity for Native American writers at all stages in their professional careers. The Ucross Fellowship for Native American Writers is open to practicing writers who are currently producing work in one or more of the following genres — fiction, nonfiction, poetry, drama, screenwriting, playwriting, or hybrid forms. 

Two Ucross Fellowships for Native American Writers are awarded each year. Those selected for the fellowship are offered a four-week residency, a stipend of $2,000, and an opportunity to present work publicly. 

Current work is requested. An applicant's work sample and project description are the most significant feature of their application. Unless work is interdisciplinary, i.e. the various genres interconnect, each applicant is encouraged to apply in a primary discipline and submit a work sample and project description that emphasizes this single discipline. Competition for residencies varies annually and with the number of applications. While only one Fellowship winner will be selected, all applicants will have the option of being considered for a general Ucross residency.

ELIGIBILITY: Residencies are open to Native American writers who meet the criteria below.

They must:

• Be a practicing contemporary writer who is currently producing works in one or more of the following genres, including but not limited to FICTION, NONFICTION, POETRY, DRAMA, SCREENWRITING, PLAYWRITING, and HYBRID FORMS;

• Be an enrolled member of a state-recognized or federally-recognized Tribe, Pueblo, Nation, Native Community, Political Entity, or Alaskan Native Village.

FICTION WORK SAMPLE: Your writing sample should represent the genre in which you plan to work while in residence. Writing samples should be double-spaced and include your full name. * Appropriate sample: 20 pages of fiction, which could be a novel excerpt, a story, several stories, or a combination.

NONFICTION WORK SAMPLE: Your sample should represent the genre in which you plan to work while in residence. Writing samples should be double-spaced and include your full name. * Appropriate sample: 20 pages of nonfiction.

POETRY WORK SAMPLE: Your sample should represent the genre in which you plan to work while in residence. Poetry submissions may be single-spaced and should include your full name. * Appropriate samples: 10 pages of poetry.

PLAYWRITING WORK SAMPLE: Your sample should represent the genre in which you plan to work while in residence. Writing samples should be double-spaced and include your full name. * Appropriate samples: One complete play (documentation of production may be included, if relevant), noting the 20 pages that you would like the reviewers to read.

SCREENWRITING WORK SAMPLE: Your sample should represent the genre in which you plan to work while in residence. Writing samples should be double-spaced and include your full name. * Appropriate samples: One complete screenplay (documentation of production may be included, if relevant), noting the 20 pages that you would like the reviewers to read.

ucrossfoundation.submittable.com/submit

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Picture Shop Feature Film Grant

Film Independent

DEADLINE: July 15, 2024

INFO:
The Picture Shop Feature Film Grant is open to all filmmakers who meet the criteria listed in our eligibility section below.

Film Independent will select a qualified filmmaker who will receive up to $50,000 in color correction and digital intermediate services for their fiction or nonfiction feature film.

ELIGIBILITY:

• Applicants must be the director, producer, cinematographer or editor of a feature-length fiction or nonfiction film in post-production by the application deadline.

• A rough edit of the film must be submitted with the application.

• If awarded, grant winner(s) must be, or become, a current Film Independent Member.

• If awarded, grant winner(s) must use Picture Shop services.

For more information on the application deadline please visit our applications page.

HOW TO APPLY:

To be considered for the Picture Shop Feature Film Grant, qualifying filmmakers must apply on the Film Independent website. Applicants must complete the online application form, which includes:

• $45 application fee

• Cover letter explaining your interest in the award and why you feel a Picture Shop color finishing package is best suited to your production needs and artistic vision

• Artistic statement

• Cinematographer’s statement

• Plan for project’s post-production timeline, financing and festival strategy

• Project status and history, including any awards the project has received, artist development programs the project has participated in, etc.

• Top-sheet of budget

• Assembly edit of the full film

• A copy of the script/transcript

• Logline and synopsis

• Bios of key cast and crew

Filmmaker understands that if selected, in order to receive the grant, they will be required to sign an agreement with Picture Shop and Film Independent, and must use Picture Shop’s color correction and digital intermediate services.

In addition, they must allow Picture Shop and Film Independent access to assets and to capture testimonials (print, photo and video) in conjunction with this program for promotional purposes. Picture Shop and Film Independent will work with filmmakers to ensure public release of these materials is aligned with the film’s marketing and PR strategy.

Filmmakers will recognize Picture Shop, Streamland Media’s picture division, and Film Independent in the end credits of the film with the official Picture Shop and Film Independent logos everywhere the film is exhibited.

As the recipient of this year’s grant, your project will receive:

• Ingesting original camera masters used in locked project

• x1 Unsupervised Online Conform

• I/O Data Management

• x8 hours of online drop ins for VFX shots (used for drop ins only, any change in timing would constitute a reconform at additional cost)

• 22D 4K Rec709 Color Correction – x40 hour package to be completed on calibrated Sony X300 monitor

• x1 Final Credits build (main, MOE, and End Cards) & application (end crawl at additional cost); subtitles are not included in titling package and filmmakers are responsible for all subtitles/subtitling)

• x1 Final master color render

• 1 2D Digital Cinema Package including DCDM and DCP

• x1 ProRes Quicktime

Filmmaker will provide full online turnover delivered to Picture Shop standard turnover specs (turnover guide provided based on offline editorial workflow/platform). Any additional scope of work beyond the above will be negotiated at Picture Shop standard/market rates. Grant package does NOT include any overtime or weekend work – all work will be completed on straight time with schedule dependent on artist availability.

SELECTION PROCESS: Grant recipient will be chosen by Picture Shop and Film Independent.

If you have questions or need more information, please email us at artistdevelopment@filmindependent.org.

filmindependent.org/programs/grants-and-awards/picture-shop-feature-film-grant/

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PROOF OF CONCEPT SHORT FILM GRANT

Black Film Space / cliveRd.

DEADLINE: July 26, 2024 at 11:59pm PT

APPLICATION FEE: $35

INFO: Black Film Space and cliveRd. are partnering for a second year in a row with another proof of concept short film grant opportunity! cliveRd. is an agile startup studio focused on producing and building projects focused on futurism.

Our Proof of Concept Short Film Grant is seeking one short film script under 15 minutes/pages that aims to serve as a preview for a feature film or episodic series. The grant total is $10,000.

The project will be selected based on the filmmaker’s ability to present a strong short film script and a treatment that shows great promise as a feature or series. We are looking for ideas that showcase unique, novel perspectives of Black life and identity. We will also consider other factors such as the merit of previous work and financial need. All genres are welcome.

SUBMISSIONS TIMELINE:

• Submissions Close: Friday, July 26th, 11:59PM PT

• Semi-Finalists Determined: Monday, September 9th

• Finalists Announced: Monday, September 30th

• Winner Announced: Thursday, November 14th at The BFS Awards in New York City

APPLICANT REQUIREMENTS:

• Must be at least 18 years old. If you are under 18, you MUST have a core team member (producer, writer, director) that is at least 18 years old to process all administrative needs for your film, including the disbursement of grant funds. 

• Must have at least one visual sample that showcases previous work. This sample must be audiovisual content that has been produced as a short film, feature film, episodic series, actors reel, branded content or a commercial. 

• Must present a script for their short film.

• Must present a treatment or script for their feature film or series that your proof of concept is based on.

• Must present a plan to execute their film including details on production, cast, team, film festival strategy, etc.

• Applicants can reside anywhere globally, but must have access to a United States bank in order to receive the funds for the grant.

• Application Fee is $35. Free for Black Film Space Members. Learn more about our membership.

GRANT WINNER REQUIREMENTS:

• The production timeline for the Proof of Concept short must be within 6 months of receiving the grant.

• Applicants must function in at least one of the following roles: Writer, Director, Producer or Lead Actor.

• Must be willing to exhibit their proof of concept short (or an excerpt) at the Black Film Space’s Awards ceremony the following year (November 2025).

• cliveRd. and Black Film Space must be credited as producers on the short film.

• Filmmakers must be available for follow up discussions with cliveRd. on the progress of their short film.

• There is a possibility that cliveRd. will show continued interest depending on the quality of the feature film or series script and readiness of its creator. Applicants must be willing to engage in conversations with cliveRd. regarding their project.

• If the winner makes significant changes to their script, they are required to update Black Film Space and cliveRd. with details of how they plan to remain within the budget they proposed in their application.

blackfilmspace.com/cliverd

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Hulu/Kartemquin Accelerator

Hulu / Kartemquin

DEADLINE: July 31, 2024

INFO: Providing a pathway to first look consideration as a Hulu Original, Kartemquin supports documentary features in production, specifically encouraging filmmakers who are working on at least their second feature film to apply. The Accelerator provides structured, supportive guidance and consultation from Kartemquin staff and invites external filmmakers and industry consultants as guest speakers.

Selected participants will receive $30,000 in funding, mentorship, a custom-designed “braintrust lab” to give an intense deep dive into their projects, and an opportunity to pitch to Hulu executives. For selection, we prioritize filmmakers that have been historically excluded from the documentary space and we have a continued interest in supporting Midwest-based makers and stories. 

Applications for the 2024/25 program are OPEN NOW with a focus on films that feature Indigenous and Native American stories and experiences.

This round offers a year-long Fellowship that includes structured support and expert guidance from Kartemquin in the following areas:

• Planning and managing production budgets and schedules 

• Working with film tax credits

• Production accounting 

• Navigating fair use and copyright

• Finding and working with suitable partners, including field crews, producers, and partner organizations 

• Developing treatments, pitch decks, demos, and trailers

• Editorial/creative support, including 2 rough cut reviews along with access to the KTQ Labs 

• Navigating distribution and impact + community engagement

Fellows will have access to additional Kartemquin programming resources and will be connected to KTQ’s expansive film community. This Fellowship is also a pathway to a potential co-production with Kartemquin Films. 

Kartemquin and Hulu will be hosting an informational and Q&A session July 9th, sign up here(opens in new window)!

Hulu/Kartemquin Accelerator meetings will be virtual, with the option to arrange in-person meetings at our offices in Chicago.

ELIGIBILITY:

Are you interested in applying for the Hulu/Kartemquin Accelerator? You’re good to go if you meet the following requirements:

• You’re applying with a project that reflects the varied experiences of Indigenous and Native American communities.

• The project you’re applying with is a nonfiction feature or series in production or post-production.

• You are either the director or producer of the project for which you’re applying.

• You’re applying as an individual, not as a collective or organization. (Please note: principal collaborators, such as directing/producing partners, will also be able to participate in key meetings and consultations.)

• You’ve completed at least one feature film that was screened or broadcast nationally.

• You’re able to meet at least one of the following criteria: 

  • Primarily based in the Midwest for the duration of the program, OR

  • A Midwest native, OR

  • Telling a story of a community in the Midwest in the project which you are submitting for participation in this program.

• Priority consideration will be given to filmmakers who identify as Indigenous or Native American. 

*Midwest, for the purposes of this program, is defined as these states: Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, North Dakota, Ohio, South Dakota, Wisconsin.

Questions? Email accelerator@kartemquin.com. 

kartemquin.org/program/hulu-kartemquin-accelerator

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Visionary Fellowship

Inevitable Foundation

DEADLINE: July 31, 2024

INFO: The Visionary Fellowship is a year-long program that invests in disabled filmmakers with the funding, mentorship and community they need to make a short film and leverage it into their first feature film.

Disabled filmmakers have historically been drastically undervalued by the entertainment industry, and this program reverses that trend by providing significant resources to promising and highly-resourceful disabled writer/directors. The program is uniquely designed to cover the transition between making a short and preparing and packaging a debut feature, ensuring they have ample support to connect the dots between the two.

BENEFITS:

• Unrestricted Grant - A $15,000 unrestricted grant to support the Fellow over the course of the program.

• Short Film Production Stipend - $25,000 to produce a short film with an experienced crew.

• Short Film Showcase - An industry screening of all the short films that will include creative executives, agents, and managers.

• Mentorship and Workshops - Project-specific mentors and workshops hosted by leading filmmakers on a range of essential topics related to writing, prep, production and post-production.

• On-Set Experience - Unique opportunities to work and shadow on the sets of the other Fellows’ projects.

• Travel Costs - Up to $3,000 to cover travel costs to Los Angeles for the duration of filming and the short film showcase.

• Accessibility Stipend - Up to $2,500 to support the Fellow’s access needs over the course of the program.

• Community Building - Connecting with other disabled screenwriters both inside and outside of the Fellowship program will build a supportive community that will stay with Fellows as they grow.

• Health Care Stipend - Up to $7,000 to provide health insurance for the course of the program.

• Marketing Stipend - $2,500 to market the short film, which can include festival application fees.

FELLOWSHIP TIMELINE:

• Winners Announcement - October 2024

• Fellowship Work - October 2024

• Short Film Production - May –June 2025

• Short Film Showcase - Fall/Winter 2025

ELIGIBILITY:

This program is open to disabled filmmakers who meet the following criteria: 

• Self-identifies as disabled

• Lives in the U.S. or Canada 

• 18 years of age or older

• Is a writer who wants to direct their own work

• Has no professional directing feature film credits

• Has not received a grant from other organizations totaling more than $25,000 to make a short film in the last 24 months

Ideal applicants: 

• Have strong and clear artistic vision

• Are highly collaborative

• Are prolific writers (i.e. have multiple feature-length projects with drafts completed)

• Are self-motivated (i.e. you are always finding ways to push forward proactively)

• Are resourceful, scrappy, and up for a challenge

• Can be strong ambassadors for Inevitable Foundation and the disability community in Hollywood 

We are specifically interested in filmmakers that are interested in working within constraints and know how to stretch a budget to achieve their vision.

APPLICATION REQUIREMENTS:

For your application to be considered, it must include:

• A polished feature script (the second half of the program will focus on preparing this project to take to market)

• A 5 min video of yourself pitching your feature length project (video file or link)

• A short film script

• 5-15 pages, or up to 15 minutes

• Must be tonally similar to the feature script as it will be used as the proof-of-concept for the feature.

• Two visual work samples, which may be any of the following:

• Lookbook/pitch deck

• Sizzle reel

• Short film

• Collection of storyboards

inevitable.foundation/visionary

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AXS Film Fund

DEADLINE: July 31, 2024 at 11:59pm ET

INFO: AXS Film fund strives to support independent documentary filmmakers and nonfiction new media creators of color living with disabilities in their endeavors to tell stories, make films, and create content.

This program is for creators of color in documentary filmmaking or nonfiction new media who identify as living with a disability. We seek to bring visibility to creators who are oftentimes overlooked. While we prefer that a person of color living with a disability is a key contributor to the project, we welcome diverse teams to apply.

Each year we award up to five creators with grants of up to $10,000 each to assist them in finishing their projects in any stage of production.

TYPES OF PROJECTS:

• The AXS Film Fund is a one-time grant for creators of color in documentary filmmaking or nonfiction new media, who identify as living with a disability. We will fund:

• Feature length documentary films, preferably led by a person of color who identifies as living with a disability

• Nonfiction new media projects, preferably led by a person of color who identifies as living with a disability.

ELIGIBILITY CRITERIA:

• Applicants must meet the following criteria to be eligible for our grant:

• Applicants cannot be enrolled in a full-time degree granting program.

• Applicants should be 18 years of age or older to apply.

• Applicants should be individuals, however they may have a fiscal sponsor.

• Projects should preferably be led by a person of color who identifies as living with a disability.

ELIGIBILITY OF PROJECTS:

• Projects must meet the following criteria to be eligible for our grant:

• Projects should be a documentary film or nonfiction new media project.

• Documentary projects should be feature length films (experimental nonfiction will be accepted)

• The project is in any stage of production (pre-production, production, post production, distribution).

• Projects in languages other than English should have English subtitles.

INELIGIBLE PROJECTS:

• The following projects are ineligible for funding and will NOT be considered:

• The applicant and project do not meet the above listed eligibility requirements.

• Non-documentary or non nonfiction new media projects.

• Projects in which applicants are hired, employed, or commissioned by another entity.

• Projects that meet our criteria, but have an incomplete application and/or are missing supporting materials.

• Projects submitted after the submission deadline.

SELECTION CRITERIA:

• Projects will be evaluated based upon the following:

• The strength of the proposal and artistic approach.

• The feasibility of the proposed project.

• The ethics and accountability of the project.

• A completed application and all requested documents.

• A fulfillment of eligibility requirements.

axsfilmfund.org/what-we-fund/

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2025 Queer|Art|Mentorship program

Queer Art

DEADLINE: July 31, 2024

INFO: The Queer|Art|Mentorship program nurtures exchange between LGBTQ+ artists at all levels of their careers and works against a natural division between generations and disciplines.

Fellows apply with a specific project they would like to work on during the program and meet with their Mentors monthly to discuss their progress.

Fellows also meet each month as a group to work through important issues shaping their creative and professional development in a collaborative and interdisciplinary environment.

The program begins in January 2025 and ends in October 2025

“QAM Debuts” are virtual artist talks scheduled throughout the program year in which current Fellows introduce their work to the broader QAM community and receive vital feedback. “The QAM Works-in-Progress (WIP)” series provides additional opportunities for Fellows to advance their Mentorship projects through public in-person presentations.

MENTORS:

Queer|Art is pleased to announce the new Mentors for the 2025 Queer|Art|Mentorship program cycle:

FILM
Andrew Ahn
Tabitha Jackson
Frédéric Tcheng

LITERATURE
Alexander Chee
Leah Lakshmi Piepzna-Samarasinha
Stacy Szymaszek

PERFORMANCE
Raja Feather Kelly
Young Joon Kwak
Erin Markey

VISUAL ART
Liz Collins
Chitra Ganesh
Ken Gonzales-Day

Now in its 14th year, the organization’s celebrated year-long creative and professional development program supports both remote and in-person participation between early-career and established LGBTQ+ artists from across the country. In expanding nationally, Queer|Art|Mentorship bridges professional and social thresholds that often isolate artists by generation, discipline, and region. The program supports a year-long exchange between emerging and established LGBTQ+ artists across four distinct fields—Film, Literature, Performance, and Visual Art. 

Fellows apply with a specific project they would like to work on during the program and meet each month with their Mentors to discuss their progress in the lead-up to this event. Fellows also meet each month as a group to learn from and provide support for one another throughout the year.

STRUCTURE:

The program is a year in length. Fellows in Film, Performance, Literature, and Visual Art apply with a specific project they would like to work on during the program. Proposing a project is a way for Fellows to introduce themselves to Mentors, and working on that project in dialogue with a Mentor is a way to focus the development of the relationship. Keeping Queer|Art|Mentorship project-based also provides a manner by which to assess, and modify if necessary, the program’s long-term effectiveness in facilitating and supporting the actual creation of new work.

The program is largely driven by the unique character of each Mentor/Fellow pairing, organized through individual monthly meetings. Fellows also meet each month as a group in an environment that provides an opportunity for sharing ideas across disciplines and gathering further support among peers. The entire group of Mentor/Fellow pairs also convenes for two dinners throughout the cycle, hosted by Queer|Art. Throughout the year, Queer|Art staff engage in an ongoing dialogue with the Mentors and Fellows in an effort to ensure that the program best serves its participants. Further opportunities for ongoing career education and development will be sought out as the unique needs of each group of Fellows are assessed.

HISTORY + CONTEXT:

Queer|Art|Mentorship was born of a need to address the lack of support for queer content in a variety of cultural sectors and the scarcity of examples of sustainable careers for LGBTQ+ artists. A sensitivity to the absence of mentors who would have emerged from the generation most strongly affected by AIDS is also a palpable and driving force behind the program. The program launched in 2011.

Queer|Art|Mentorship aims to expand the perceived value of queer work and cultivate a collection of voices that amplify queer artistic experience. The program does not expect any kind of specific content in terms of artists’ work or how queerness manifests within and around it.

WHO SHOULD APPLY?

Artists must be working at a generative level within at least one of the following fields:

• Film

• Literature

• Performance

• Visual Art

Queer|Art|Mentorship is for artists who are:

• Self-identified as queer, lesbian, gay, bisexual, transgender, non-binary, and/or intersex

• Based in the United States, including US territories

• Early-career and professionally focused, with a body of work already behind them

• Not currently enrolled in school or university

• And have a specific project they’d like to work on with a Mentor during their Mentorship cycle.

Most importantly, we are looking for artists who have an extraordinary potential for engagement in queer and artistic communities and would gain from, and add to, interaction with others.

Each Mentor chooses the Fellow they will be working with during the program. We encourage Mentors to look for artists who stand to receive maximum benefit from the resources of the program and bring diverse experiences and perspectives to the Queer|Art community.

queer-art.org

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HUMAN RESIDENCY FELLOWSHIP

Ragdale / Lake Forest College

DEADLINE: July 31, 2024

APPLICATION FEE: $10

INFO: Ragdale is pleased to announce the HUMAN Residency Fellowship, an exciting new partnership with Lake Forest College made possible by the Mellon Foundation.

This multi-year collaboration invites artists from diverse disciplines to explore the intersection of the humanities, artificial intelligence, and social justice. Ragdale encourages applications from individuals whose work addresses questions about the impact of bias on AI outputs, the influence of dominant historical narratives on current AI technologies, and the ethical considerations for integrating AI into daily life.

ELIGIBILITY: Emerging, midcareer, and established writers, dancers, musicians, composers, and visual artists are encouraged to apply.

AWARD: Ragdale will award the HUMAN Residency Fellowship to 6 artists.  This award includes an initial 6-day Group Residency in spring 2025 (dates TBD) with fellow HUMAN Residency Fellowship recipients and comes with a $1,000 stipend to offset travel and expenses. This AI-themed residency session will be followed by a full, individual, 18-day, fee-waived residency to be scheduled in the subsequent two years (2026 or 2027).

Full residencies are comprised of cohorts of up to 14 multidisciplinary artists working on their own projects. Awardees will receive a second stipend of $3,000 during the 18-day residency. All applicants who apply for the HUMAN Residency Fellowship will be asked to participate in a program, such as a panel talk, visiting artist lecture, workshop, or other related event as part of a culminating AI symposium in 2027. Program details will be determined after the cohort is selected.

The HUMAN residency at Ragdale is part of the Lake Forest College’s $1.2 million grant from the Mellon Foundation for HUMAN: Humanities Understanding of the Machine-Assisted Nexus, led by Professor of English and Executive Director of the Krebs Center for the Humanities, Davis Schneiderman.

GUIDELINES: All applicants submit electronic materials through the Submittable application portal. Do not email or mail any application materials. Please note the following requirements to complete your application.

A completed online application form includes:

1. A one-page artist statement and proposal. Proposals should describe how a residency would support the applicant’s work in exploring the intersection of the humanities and artificial intelligence (AI) and automation, with an emphasis on questions of equity and social justice.    

2. A one or two-page CV or resume that summarizes your professional background. 

3. Work samples that show work from the past 2-3 years. All media is acceptable. Most electronic file types and sizes are accepted. 

PLEASE NOTE: Letters of recommendation are not required nor accepted.

ragdale.submittable.com/submit/293033/2025-human-residency

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nickelodeon writing program

Nickelodeon Animation

DEADLINE: August 1, 2024 at 11:59pm PT

INFO: Founded in the year 2000, the Nickelodeon Writing Program is a full-time, paid, yearlong development Program for television comedy writers with unique voices and from underrepresented communities. Join us at the studio in Burbank for classes and workshops to sharpen your skills, executive mentorship and networking to build your professional relationships, and the opportunity to work in the iconic live-action and animation writers’ rooms at Nick. This is a once-in-a-lifetime opportunity to dedicate yourself to the craft of writing and build your career from the ground up.

The Nick Writing Program is not a writing contest – It’s a launching pad for diverse and emerging creatives. If you bring the unique voice and innovative ideas for kids’ and family content, we’ll help you launch a career with all the tools you’ll need to succeed in the industry for years to come.

We need your talent and perspective, so come tell us your story!

UPCOMING DATES:

• October 31, 2024 - Semi-Finalists Notified

• November 15, 2024 - Chosen Writers Notified

GUIDELINES:

STEP 1 - PICK A FOCUS:

When you pick a focus, it helps us curate your experience in the Program to better help you reach your goals as a television writer. Picking a focus does not mean your time in the Program will be spent exclusively working on content for this audience, but simply helps us gauge your interests and set you on a course for success. Your spec and pilot submissions do not need to adhere to these audience age groups in any way.

• Kids’ Content (Audience Age 6-11) - This age group is Nickelodeon’s bread and butter. Most of Nickelodeon’s most iconic live-action and animated shows are developed for this demographic including SpongeBob SquarePants, Danger Force, and The Loud House.

• Preschool Content (Audience Age 2-6) - The Preschool age group (including “bridge” content for tots moving into early elementary school age) loves to laugh and play along with their content. They’re smart, engaged, and always ready for new shows to watch like Paw Patrol, Ryan’s Mystery Playdate, and Baby Shark’s Big Show.

• Preteen/Young Adult (Audience Age 11-17) - Nickelodeon shares its home in the Paramount Kids & Family Group with our partners at Awesomeness who cater to a tween and teen audience. We’ll partner with ATV and the creators of Nick’s shows for a slightly older audience like Side Hustle, Drama Club, and iCarly to make this experience the right one for you.

STEP 2 - SCRIPT PREPARATION:

All applicants must submit a SPEC SCRIPT and HALF HOUR ORIGINAL COMEDY PILOT that adhere to the following guidelines:

• Must be based on a television series from the Accepted Shows List (spec only).

• Typed in standard Final Draft (or equivalent) script format.

• In black type, 12pt courier style font.

• Do not upload a cover page with your script.

The following information should be included in the header/footer of your spec script on the first or all pages: 

• Name of the show (center of the header). 

• Title of the episode (center of the footer).

• Filename should include only the name of your show and episode (Do not include your name or your submission will not be considered).

• Do not put your name anywhere on the script, file, or file name.

THE FOLLOWING MATERIALS WILL NOT BE CONSIDERED: Feature-length screenplays, reality-based comedies or dramas, treatments, outlines, plays, short stories, books, graphics, magazine/newspaper articles, poems, headshots, audio/videotapes, or other digital media. If it’s not on the Accepted Shows list or your comedy pilot, please do not submit it!

Please note: Submissions that do not adhere to these guidelines will not be considered.

STEP 3 - ACCEPTED SHOWS (2024):

• Abbott Elementary

• Adventure Time: Fionna and Cake

• Animal Control

• Awkwafina is Nora From Queens

• Bob’s Burgers

• Colin From Accounts

• Digman!

• Extended Family

• Frasier (2023)

• Futurama

• Ghosts

• Girls5eva

• Grimsburg

• Harley Quinn

• HouseBroken

• Killing It

• Krapopolis

• Loot

• Lopez vs. Lopez

• Mythic Quest

• Night Court (2023)

• Not Dead Yet

• Platonic

• Primo

• Raven’s Home

• Rick and Morty

• Royal Crackers

• Solar Opposites

• Son of a Critch

• Star Trek: Lower Decks

• Starstruck

• That ‘90s Show

• The Completely Made Up Adventures of Dick Turpin

• The Conners

• The Great North

• The Ms. Pat Show

• The Neighborhood

• Unstable

• We Are Lady Parts

• What We Do in the Shadows

STEP 4 - APPLY ONLINE:

Submission Materials to Include:

• Completed application questions – some of these are long, so start your application early.

• One spec script in .pdf format (this applies to both individual writers and writing teams).

• One original comedy pilot in .pdf format (this applies to both individual writers and writing teams).

• One-page resume in .pdf format.

• Completed and digitally signed Submission Release form and Schedule A for each script. These can be downloaded from the link above the document upload section.

Complete Your Online Application: 

• All submission materials should be completed and uploaded to the Nickelodeon online submission platform Coverfly. All necessary forms can be downloaded via links embedded in the application.

• Once in the platform, fill in the form with your “Project Info” about your spec from the Accepted Shows List.

• Projects written by writing teams should only be submitted once. On the first page of the checkout form, writers will have the option to add one additional writer by clicking on the plus sign (+) next to the name fields.

• Upload a .pdf of your spec script following the provided instructions. Leave off all identifiable information. At this stage, you will be asked to provide a few additional details about the script.

• Choose the Program “Package” and “Add to Cart.”

• Give us some “Additional Info” including your contact details, a signed Schedule A form, and a signed Release form (one for each member in the case of writing teams) for each script you submit (spec and pilot). Both forms can be downloaded from the link above the document upload section.

• We’ll also need a resume in .pdf format. Please be sure to fill out all required fields and answer all questions or you will not be able to submit your application.

• Finally, “Check Out” (at no cost) to complete your submission.

• Don’t wait until the last minute! We advise that you give yourself at least two weeks prior to the August 1st deadline to complete your submission. No exceptions will be made for late submissions regardless of the circumstances.

• If you are experiencing problems with the online application, please contact the technical support team at Coverfly by scrolling to the bottom of their site homepage and clicking “Contact.”

nickanimation.com/programs/writing-program/

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DOCUMENTARY NEW LEADERS

DOC NYC

DEADLINE: August 1, 2024

INFO: Now in its fifth year, DOC NYC’s 2024 Documentary New Leaders program honors figures in the American documentary industry whose work to date and potential for leadership brings greater inclusion and equity to the field. The initiative is co-presented by A&E IndieFilms.

Documentary New Leaders are selected from an open application process, in which candidates from across the field are invited to apply for the honor directly or be nominated by a peer. Following this open call for applications, DOC NYC’s selection committee reviews applications and nominations to recognize the accomplishments of rising talents who have created positive change in the documentary industry, and who are poised to bring the industry into a more inspiring future.

The New Leaders cohort is intended to represent a range of work and lived experiences and may come from any field within the documentary industry, including sales, funding, marketing, distribution, advocacy, or community organizing. Applicants may be based in any country but must have demonstrated experience and influence with the North American documentary industry. Each New Leader cohort receives an opportunity to gather live during the fall festival, as well as regular online meetings throughout the year. For questions about the program, email DOC NYC’s Director of Industry and Education at Malikkah@docnyc.net.

To self-nominate, click here.

To nominate someone else, click here.

docnyc.net/new-leaders/

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YADDO RESIDENCY:

Yaddo

DEADLINE: August 1, 2024

INFO: Yaddo offers residencies to professional creative artists from all nations and backgrounds working in one or more of the following disciplines: choreography, film, literature, musical composition, painting, performance, photography, printmaking, sculpture, and video. Artists apply individually. Peer review is the keystone of our selection process, with different panelists each season. Residencies last from two weeks to two months and include room, board and a studio. There is no fee to come to Yaddo, and we have modest access grants to help offset the costs of attending a residency.

All artists whose work falls within the five disciplines we serve are encouraged to apply. Generally, those who qualify for Yaddo residencies are either working at the professional level in their fields or are emerging artists whose work shows great professional promise. An abiding principle at Yaddo is that applications for residency are judged solely on the quality of the work. Yaddo places no publication, exhibition or performance requirements on artists in residence.

Not only is Yaddo an equal opportunity employer—we will not discriminate against any individual, employee, or application for residency based on race, color, marital status, religion, age, sex, sexual orientation, gender, national origin, disability, or any other legally protected status recognized by federal, state, or local law—we strongly encourage applicants from backgrounds underrepresented in arts and culture to apply.

APPLICATION GUIDELINES + INSTRUCTIONS:

Application Deadlines: The January 10 deadline is for residencies starting May of the same year, through March of the following year. Applicants receive results by email in mid-March.

The August 1 deadline is for residencies starting November of the same year through June of the following year. Applicants receive results by email in early October.

Late applications are not accepted. All applications must be submitted electronically through the SlideRoom portal, yaddo.slideroom.com. The application portal opens in June for the August 1 deadline and early November for the January 10 deadline.

ELIGIBILITY:

Artists who are enrolled in graduate or undergraduate programs, or who are engaged in completing work toward an academic degree at the time of application, are not eligible.

Artists may apply once every other calendar year. For example, if you applied to a 2022 deadline, you will be eligible to apply again to a 2024 deadline.

Yaddo supports individual artists engaged in the genesis of new, original work. Auxiliary artists such as sound and lighting technicians, musicians, dancers and designers are ineligible to apply.

REAPPLICATION:

The criterion for repeat visits is the same as for first visits – the quality of the artist’s work. All artists must submit a complete application, including recent work samples.

FEES:

The nonrefundable application fee is $30. Depending on the discipline, an added fee of $5 to $10 for media uploads may apply. Application fees must be paid by credit card. If the fees represent a barrier to application, please contact our Program Department. Artists are responsible for their travel to and from Yaddo. We have modest access grants available to offset the costs of accepting an invitation. Applications for Access Grants are sent with your invitation.

LENGTH OF STAY:

Residencies vary in length, from two weeks to two months.

DISCIPLINES:

Applications are considered by independent Admissions Committees. Membership changes with each application round, and is composed of artists whose work is recognized and esteemed by their peers.

Panels consider applications to Yaddo in the following disciplines:

1. Literature: fiction, nonfiction, poetry, drama, librettos, and graphic novels.

2. Visual Art: painting, drawing, sculpture, printmaking, photography, mixed media, and installation art.

3. Music Composition: instrumental forms, vocal forms, electronic music, music for film, and sound art.

4. Performance: choreography, performance art, and multimedia works incorporating live performance.

5. Film & Video: narrative, documentary and experimental films, animation, and screenplays.

Apply to the Admissions Panel that best represents the project you’d like to work on at Yaddo. Apply to only one admissions panel, and in one genre, at a time. Contact the Program Director with any questions.

COLLABORATIONS:

Yaddo is no longer accepting applications under Collaborative Teams. Our Admissions department is exploring workshop formats that invite collaborators to Yaddo. Details are forthcoming.

Artists who wish to be in residence at the same time should apply to the Admissions Panel in their individual artistic discipline. Concurrent dates of residence may be requested.

REFERENCES:

At this time, references are not required as part of our application process.

APPLICATION INSTRUCTIONS:

All application materials, including contact information and work samples must be submitted through yaddo.slideroom.com. Complete instructions by discipline, including details about the process and requirements, are offered in the SlideRoom portal. Specific work sample requirements are available here.

Submit a work sample(s) that reflects the project you wish to pursue during your residency, and that represents recent, finished work. The weight of your application is on your work sample; please choose your strongest work. Samples may be visual images, video clips, manuscript pages, or audio files, depending on the requirements for your discipline.

Address admissions questions to admissions@yaddo.org. Include your name and discipline in all correspondence. For technical assistance during the application process, contact support@slideroom.com.

Please note: Follow the instructions in Slideroom for your specific discipline, outlined below.

INSTRUCTIONS BY DISCIPLINE:

The initial stages of our application review are anonymous. Therefore, we ask that you omit your name from all work sample uploads in the file title and anywhere embedded in the file. Identities are revealed in the later stages of review. More detailed instructions on upload requirements are available in SlideRoom when the portal is open (early November – early January and again early June – early August).

• Literature - Submit both a two-page preview sample and a full-length writing sample in double-spaced, manuscript format. For the longer excerpt, page length is determined by literature genre, including fiction & nonfiction (20 pages, about 5,000 words), drama & libretto (30 pages), poetry (10 pages), and graphic novel (10 pages). Work sample requirements are available here.

• Visual Art - Submit seven digital images of visual artwork. Note: The Admissions Committee views images on personal computer screens and a large screen via projection. Optional: Documentary or elemental video of an installation. Work sample requirements are available here.

• Music Composition - Submit two separate musical works, with recordings of one or both works. Both must include either a score or a brief statement. Work sample requirements are available here.

• Performance - Submit both a preview work sample and a full-length work sample. For the preview, submit a two-minute continuous excerpt of one of your performance works. For the longer excerpt, include video documentation of up to three excerpts, totaling no more than 10 minutes in length. Include title, year, performers, any major collaborators, performance space/ location, and a brief description. Work sample requirements are available here.

• Film & Video - Submit both a preview work sample and a full-length sample of the same work. For the preview, offer a two-minute continuous excerpt of your work. The longer sample includes a video or film segment, no more than 10 minutes total. Optional: Brief description of the samples. Work sample requirements are available here.

• Screenwriters - Submit two writing samples of your screenplay. One longer sample of no more than 10,000 words or 30 pages and a second two-page excerpt of the same work. Optional: May include a brief synopsis if necessary. Work sample requirements are available here.

yaddo.org/apply/#instructions-by-discipline

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Femme Frontera Film Grant

Femme Frontera

DEADLINE: August 1, 2024 at 11:59pm MT

INFO: As part of an on-going initiative to increase, inspire, and support short form content made by filmmakers from and currently residing in El Paso, Las Cruces, Juarez, and Chihuahua, Femme Frontera will fund new works made by emerging and established women and gender-expansive filmmakers. The funds will assist these filmmakers in the creation of their short films in the Borderland region. One grant of $4000 will be awarded to each country. 

• $4,000 USA El Paso, Texas OR Las Cruces, NM

• $4,000(USD) Mexico Ciudad Juarez OR surrounding areas in the state of Chihuahua

SUBMISSION MATERIALS:

• Synopsis/Treatment (max 1000 words): This should include a detailed description of your film—Please include all major characters, plot points and the ending.

• Cover Letter (max 750 words): This is an opportunity to tell us a bit about yourself and how these funds will be helpful to your project. 

• Artistic Statement (max 750 words). What is the creative vision of your project? What is the genre/tone? How do you want the audience to feel after they watch your movie, and what are you trying to convey? What is your personal connection to the material, and why does this story need to be told?

• Logline: A one to two sentence description of your film. 

• Budget Sheet: A simple one-page budget for the project and the project’s timeline. Also, include a paragraph describing other funding you have received for this project and how you will use the money from this grant.

• Short Bio: (max 250 words) Please provide a bio for the filmmaker, as well as any significant collaborators.

• Contact information: Include your name, email, phone number, and mailing address.

• Work Sample: Provide either a trailer or rough-cut of the project you’re applying for, or an example of previous work. The work sample should be available as a Vimeo or YouTube link. You can set your video to private if you don’t want the material available online, but please be sure to send us the password. More information on formatting for Vimeo can be found on their very helpful guidelines page: http://vimeo.com/help/compression. Privacy settings and other questions are discussed on their FAQ page: http://vimeo.com/help/faq. If you don’t have a work sample, please provide an explanation of what has motivated you to make this film, and provide a list of any previous creative works. This can be a painting, photography, or whatever your medium is. 

• All applications must be completed using our online form and received by end of day (11:59pm MST) on August 1st, 2024. If you do not have a Gmail account to complete the form, please e-mail us at ryan@femmefrontera.org.

• Filmmakers will be notified by September 1st, 2024.

femmefrontera.org/eplc

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Femme Frontera Screenwriting Grant

Femme Frontera

DEADLINE: August 1, 2024 at 11:59 pm MT

INFO: As part of an on-going initiative to increase, inspire, and support short form content made by filmmakers from and currently residing in El Paso, Las Cruces, Juarez, and Chihuahua, Femme Frontera will fund new works made by emerging and established women and gender-expansive filmmakers. The funds will assist filmmakers in the creation of a 15-30 page script. Three grants of $750 each will be awarded, with one grant allocated per city (El Paso, Texas, Las Cruces, NM, and Ciudad Juárez, Chihuahua, México region).

Grant winners will be awarded $750 to use towards the development of their screenplay. Additionally, they will have the opportunity to workshop their scripts. Workshops will consist of a digital table reading and feedback session.

2023 Femme Frontera Screenwriting Grant winners are strongly encouraged to apply to the Filmmaking Grant in 2024. Applications may be submitted in English or Spanish.

* The funds may not be used for marketing and distribution.

SUBMISSION MATERIALS:

1. Synopsis/Treatment (500-750 words): A synopsis of the project you wish to fund. This should be a detailed outline of your screenplay idea — What is the plot, who are your characters, and how does it end?

2. Cover Letter (max 750 words): We would like to get to know you and your project. Why do you want to tell this story? What is your personal connection to the material? What is your creative vision for the project, and who is the intended audience? What will be the big take-away from your film?

3. Short Bio (250 words). Tell us about yourself! Don’t hold back, we want to know all of your achievements.

4. Logline: A one to two sentence description of your screenplay. 

5. Contact Info: Include your name, email, phone number, and mailing address.

6. Work Sample: Partial script or anything you’ve written prior. If you don’t have a work sample, please provide an explanation of what has motivated you to make this film, and provide a list of any previous creative works. This can be a painting, photography, or whatever your medium is. 

7. All applications must be completed using our online form below and received by end of day (11:59pm MST) on August 1st, 2024. If you do not have a Gmail account to complete the form, please e-mail us at ryan@femmefrontera.org.

8. Grant recipients will be notified by September 1st, 2024.

femmefrontera.org/screenwriting-grant

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"My Time" fellowship

Writers’ Colony at Dairy Hollow

DEADLINE: August 5, 2024 by midnight CST

APPLICATION FEE: $35

INFO: The Writers’ Colony at Dairy Hollow is pleased to announce the 2024 "My Time" fellowship funded by James Dean. Writers who are parents of dependent children under the age of 18 are invited to apply. Work may be any literary genre: poetry, fiction, plays, memoirs, screenplays, or nonfiction. The successful application will demonstrate literary merit and the likelihood of publication. Prior publication is not a requirement.

PRIZE: Four fellowship winners will receive a one-week residency to allow the recipient to focus completely on their work. A $500 stipend will be provided to cover childcare and/or travel costs to each recipient.

Each writer’s suite has a bedroom, private bathroom, separate writing space, and wireless internet. We provide uninterrupted writing time, a European-style gourmet dinner prepared five nights a week, and served in our community dining room, the camaraderie of other professional writers when you want it, and a community kitchen stocked with the basics for other meals.

Fellowship applications must be accompanied by a writing sample and a non-refundable $35 application fee. There is a limit of one submission per application. The winner will be announced no later than September 9, 2024.

Residencies may be completed anytime before December 2025.

writerscolony.org/fellowships

TV / FILM — JUNE 2024

NBC TV WRITERS PROGRAM

NBC Launch

SUBMISSION PERIOD: June 3 - 23, 2024

INFO: The NBC TV Writers Program is our premier program for emerging episodic television writers with the goal of creating the next generation of showrunners and content creators.

The program, which replaces the long-standing Writers on the Verge, develops writers whose distinct points of view and lived experiences provide unique perspectives to the writers’ room.

During the eight-month program, writers develop an original pilot to which they retain all rights.  They are paired with NBCUniversal programming executives from the NBCU Television and Streaming portfolio and Universal Studio Group who mentor them, as they write their original pilot and polish samples for staffing consideration. 

Writers also attend weekly evening workshops to enhance their creative and professional skills, including branding, pitching, and interviewing, as well as expand on their knowledge of the ever-changing television landscape. Additionally, they have opportunities to learn from and build relationships with industry professionals, including network and studio executives, showrunners, agents, and managers.

At the conclusion of the program, participating writers will be considered for available staff writer positions on NBCU Television and Streaming as well as Universal Studio Group series. 

Applicants are encouraged to review the FAQs carefully as they are designed to guide you in creating a strong submission.

ELIGIBILITY REQUIREMENTS:

• Applicants must be authorized to work legally in the United States. Visa sponsorship is not offered to program participants.

• Applicants must be at least 21 years of age as of January 1, 2025.

• Entertainment industry experience is not required.

• While in the program, applicants must reside in Los Angeles as weekly workshops are in-person.

• Writers who have received a staff writer credit on more than one streaming, cable, or broadcast television scripted series are ineligible and cannot apply.

SUBMISSION REQUIREMENTS:

Those applying must submit a complete application package, which includes the following items:

1.  APPLICATION must be completed in its entirety. Incomplete applications will not be considered.

2.  2 ORIGINAL PILOTS that capture the writer’s unique tone, style, and point of view.  Applicants retain ownership of these 2 pre-existing pilots which will be used solely for review and evaluation purposes, as part of the application process. 

   Applicants must select and designate one pilot to prioritize for the first round of review and consideration.  Should an applicant proceed to the next round, their second submitted pilot will be reviewed.

   Submitted pilots should adhere to the following: 

   (1) For comedy pilots, follow a four-act structure or Cold Open + three-act structure; for drama pilots, follow a six-act structure or Cold Open + 5 act structure;

   (2) Must be between 25-45 pages in length for 30-minute formats (typically comedy) or between 45-60 pages for 60-minute format (typically drama);

   (3) Have a clear beginning, middle, and end. 

   The applicant must be the sole owner of all original material submitted.

   All script reads are blind so only provide the title on the title page of the pilots.  The applicant’s name, email, address, phone number, or any other identifying information should not appear in the filename, on the title page, or any other page of the script.  

3.  RELEASE FORMS must be completed, signed, and dated, in order for submissions to be accepted.  Incomplete release forms will result in disqualification.  Digital signatures are accepted.

4.  RÉSUMÉ outlining chronological paid employment history (may include entertainment and non-entertainment positions) and any writing-related honors/awards.  Positions must have been held within the past 15 years (two pages or less). Only list compensated positions with the exception of entertainment industry internships and full-time volunteer work at non-profits.  If listing writing projects, only include projects that were produced and/or optioned.   The applicant’s résumé will provide us an understanding of their work history and insight into their individual life experiences.

5.  PERSONAL ESSAYS articulate the applicant’s unique perspective and background as it relates to their storytelling.  Applicant must answer both (2) essay questions, and each essay must not exceed 400 words. 

(OPTIONAL) LETTERS OF RECOMMENDATION from entertainment industry professionals who have read the applicant’s material and can comment on the applicant’s writing ability.  Letters of recommendation are strongly encouraged, but not required.  Acceptable letters must be on business or personal letterhead, dated in the current calendar year and include the author’s title and/or industry affiliation.  No more than two letters per application will be accepted.  Letters must accompany the submission and may not be submitted separately via email or mail.  Any recommendation letters emailed or mailed to the Program separate from the writer’s application will not be accepted. Letter(s) from agents, managers, attorneys, etc. are considered a conflict of interest and will not be considered.

Any candidate who does not meet the aforementioned criteria will be disqualified.

NOTIFICATION: Due to the volume of submissions received, only those applicants who are selected to participate in the program will be notified.  Applicants who are not selected will not be notified.  Please check our social media pages for updates on the selection process.  Selections will be announced a few weeks before the Program commences. 

nbcuniversallaunch.com/tv-writers-program

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North Star Fellowship

BlackStar / Points North Institute

DEADLINE: June 3, 2024 at 11:59pm

INFO: Presented in collaboration with BlackStar, the North Star Fellowship supports four innovative Black, Brown and Indigenous media artists and filmmakers who are developing projects that span the latitudes of creative nonfiction. These might include film, video installation, audio and photo-based work, immersive experiences, performance, or other modes and genres. The North Star Fellowship convenes on two occasions; The Camden International Film Festival and The William & Louise Greaves Filmmaker Seminar.

Leading up to the 20th edition of the Camden International Film Festival, fellows gather for one week on the coast of Maine. A series of workshops, screenings, meals, and excursions create time and space for an ongoing critical dialogue about expanded documentary aesthetics, multidisciplinary creative processes, collaborative practices and more.

Fellows are joined by curators, critics, filmmakers, multidisciplinary artists, and industry professionals, each of whom provides new perspectives on the Fellows’ creative process and the evolving universe of nonfiction.

The first part of the fellowship culminates during 4 days of CIFF, where North Star Fellows plug into a global community of storytellers and artists, attending screenings, artist talks, panel discussions, industry meetings, and special events.

The fellowship recommences in the spring during the William & Louise Greaves Filmmaker Seminar, a gathering for Black, Brown, and Indigenous artists working in cinematic realms, proudly presented by BlackStar Projects. Fellows will explore the technical and creative aspects of media-making, while having honest conversations about the successes and pitfalls of their work. The environment considers the intersection of cinema and visual arts, and is exclusively designed for people of color to focus and not manage the added burden of representation.

The Seminar is named after visionary filmmakers William and Louise Greaves, who together co-produced landmark documentaries such as Symbiopsychotaxiplasm and Ralph Bunche: An American Odyssey.

⁠ELIGIBILITY:

• The North Star Fellowship is open to all Black, Brown, and Indigenous filmmakers and media artists worldwide, regardless of nationality or citizenship status.

• We’re looking for artists developing projects across a range of disciplines or modes of documentary, including film, video installation, audio and photo-based work, immersive experiences, performance, and others. 

The 2024 North Star Fellowship will take place in person in Maine from September 9-15 (exact dates to be confirmed closer to the festival but please hold these dates for now) followed by virtual 1:1 industry meetings on 9/26 & 9/27. Dates for the The William & Louise Greaves Filmmaker Seminar will be published once confirmed.

If you have questions about the program or the application process, please contact artistprograms@pointsnorthinstitute.org

NORTH STAR FELLOWS WILL RECEIVE:

At The Camden International Film Festival, North Star Fellows will receive:

• (1) Round-trip flight* to Camden, including ground transportation from Portland or Bangor, Maine, 

• (1) All Access pass to the Camden International Film Festival and Points North Forum,

• (7) nights of accommodations for one during the festival and fellowship. 

At The William & Louise Greaves Filmmaker Seminar, North Star Fellows will receive:

• (1) Round-trip flight* to location of Seminar in 2025, TBD*

• (1) Pass to the William & Louise Greaves Filmmaker Seminar

• (3) nights of accommodations for one during the seminar. 

• (1) Pass to the BlackStar Film Festival in 2025 

Following the week in Maine, Fellows will have an opportunity to schedule online meetings with funders, distributors, and other industry decision makers. In 2023, these meetings included representatives from Sundance, Firelight, Ford Foundation, Field of Vision, CAA, Cinetic, POV, ITVS, NBC, Netflix, HBO, NEON, and dozens of other major platforms.

Note: The North Star Fellowship can only support one person per project and is intended to foster a space for individual artists as much as their projects.

pointsnorthinstitute.org/artist-programs/north-star-fellowship/

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LATINO MEDIA ACCELERATOR

The National Association of Latino Independent Producers (NALIP)

DEADLINE: June 4, 2024

INFO: The NALIP MEDIA ACCELERATOR  is open to creative teams of directors and producers developing their 1st or 2nd feature film and episodic projects. The program is focused on film projects - fiction, creative documentaries, experimental, animation - at an early and advanced stage of development. 

ELIGIBILITY CRITERIA:

1. Must be a NALIP Member.

2. The project must be the director’s 1st or 2nd feature film or developing their first episodic series.

3. Each team must apply with either a completed feature OR pilot screenplay OR a 10 page treatment OR a documentary proposal. 

4. Applicants must confirm their full availability for the in person Market day and the NALIP Media Summit.

5. Each project must have either a director, producer or story of LatinX/e origin. 

HOW TO APPLY:

The requested materials – to be submitted all together in 1 single PDF and send to latinolens@nalip.org with the subject line: LATINO MEDIA MARKET - title of your project

NARRATIVE FEATURE:

• Technical Information (title, language, genre, running time, anything that might be relevant or specific to your project)

• Logline

• Short Synopsis (Up to 60 words)

• Long Synopsis (Up to 500 words)

• Director(s)’s bios (if available)

• Producer’s bios (if available)

• Director’s Statement

• Financial Plan (if available)

• Budget Top Sheet

• Visual Deck 

• Director’s Previous films (if available)

• Script in English or Spanish, to be attached as the last element at the end of the dossier, or 10 page treatment

DOCUMENTARY FEATURE:

• Technical Information (title, language, genre, running time, anything that might be relevant or specific to your project)

• Logline

• Short Synopsis (Up to 60 words)

• Director(s)’s bios (if available)

• Producer’s bios (if available)

• Director’s Statement

• Community Engagement statement - tell us about your relationship with your subject. 

• Financial Plan (if available)

• Budget Top Sheet

• Visual Deck 

• Director’s Previous films (if available)

EPISODIC SERIES:

• Technical Information (title, language, genre, running time, anything that might be relevant or specific to your project)

• Logline

• Short Synopsis (Up to 60 words)

• Long Synopsis (Up to 500 words)

• Writer(s)’s bios (if available)

• Producer’s bios (if available)

• Writer’s Statement

• Series proposal

• Financial Plan (if available)

• Budget Top Sheet

• Visual Deck 

• Director’s Previous films (if available)

• Pilot Script in English or Spanish, to be attached as the last element at the end of the dossier, or 10 page treatment

nalip.org/mediaaccelerator_apply

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2024 Black Cinema Collective Filmmaker Microgrant

Black Cinema Collective

DEADLINE: Extended to June 9, 2024 by 11:59pm PST

INFO: The purpose of this grant is to support two (2) Black filmmakers with film projects that are in the post-production stage. This juried grant will award each grantee $7,500; a bi-coastal opportunity for public film screening and promotional support provided by the New York African Film Festival (NYAFF) and Northwest Film Forum (NWFF) (if film is ready to screen within 1 year of this call date); and a 6-month subscription to MUBI’s expansive selection of indie films. 

Film projects must be in post-production and can be a short or feature length film in any genre (art film, comedy, documentary, drama, fantasy, horror, musicals, mystery, rom-com, science fiction - you get the picture). 

BCC’s second microgrant will be juried by award-winning film artists; documentary filmmaker Ania Freer, composer, intermedia artist and performer Chari Clogovac-Smith, and actor and film producer, Zainab Jah.

Since 2019, Black Cinema Collective (BCC) has offered multiple programs, interactive film screenings and artist talks with filmmakers from the US, Africa, South America, and the Caribbean. This has been possible through our determined efforts to support Black+Brown artists and now we want to deepen our support for your work!

GRANT AWARDS:

BCC Microgrants are project-based and will distribute $15,000 in funding to two (2) filmmakers as follows:

• (2) $7,500 awards each (Solo Filmmaker or Filmmaker Collaborative)

• (2) 6-month subscriptions to MUBI

• (2) opportunities for bi-coastal screenings with Northwest Film Forum and New York African Film Festival. This is subject to anticipated film completion by Feb 2025 (Must provide 3- 4 month minimum notice to be included in May - June 2025 screening schedules at each film space).

APPLICANT ELIGIBILITY REQUIREMENTS:

1. Have a film project that is currently in or will be in the post-production stage at the time of submission.

2. Reflect the work, stories, and communities Black Cinema Collective serves. Black identifying, Afro-Descendant applicants of all genders and marginalized groups  including differently-abled, non-binary, non-gender conforming, queer, trans, straight peoples are encouraged to apply.

3. Active, emerging, or prior experience in filmmaking, with demonstrated interest in Black cinema studies, Afro-Diasporic stories, film criticism, and production.

4. Applicants must be 18 years or older

5. Must be a US resident or currently reside in the US. We define U.S. residents to include U.S. citizens living in the U.S., U.S. green card holders living in the U.S., and those living in the U.S. with valid work authorization from the USCIS (such as O-1 and H-1 visa holders), and able to provide a W9 form for award funds. [BM4]

6. Matriculated students in certificate or degree studies are not eligible to apply

7. Current contractors, team, and staff members of Black Cinema Collective (BCC), MUBI, New York African Film Festival (NYAFF),  and Northwest Film Forum (NWFF) are not eligible to apply.

Note: All applicants need to fill out an Eligibility Form on Submittable in order to submit their application.

APPLICATION ITEMS:

To facilitate an accessible process for applicants, we've kept the process as simple as possible. To be considered, applicants must submit an application in full via Submittable by Sunday, June 9th 2024 at 11:59 pm PST and must include:

1. an artist statement (500 words max -OR- link to a video file with no password, 3 mins max) 

2. a synopsis of your film (300 words max) 

3. details about the stage of film project and how a post-production grant will serve your project (400 words max) 

4. a CV/filmography (1 page max, .pdf format)  

5. one (1) - two (2) work samples (one required, one optional) 

   • (REQUIRED) - A work sample of your current project. It must be a video submission of up to 5 mins, as an upload no larger than 800 MB (format .avi, .m4v, .mov, .mp4).  Film reels are not eligible.  

   • (OPTIONAL) - The second (optional) work sample may be submitted. This can be up to three (3) film stills/images (format .jpg, .jpeg), a related project clip, or, a film reel. 

     (Please note: a film reel is only eligible as your second optional work sample).  Videos for your optional samples should be no longer than 2 mins, shared via link with no password.

PROJECT CRITERIA:

• Projects must be a short or feature length film work in post-production stages

• Projects must not be in pre-production development, or current production where scheduled film shoots are still taking place

• Applicant must be the primary creator/director/producer of the project, with creative control and rights of the proposed film project

• Projects must be intended for public/audience access

• Proposals must be for the completion (post-production editing), and/or presentation of a film project (press kits, trailers, merch creation, marketing, film festival submissions, premieres, etc)

• Applicant can only submit one project per grant cycle

• Collaborators may apply to complete the same film project, as long as their collective efforts are key to the project’s completion and hold specific credits to their contribution (screenwriter, producer, director, etc.)

• Funded projects must be completed by Spring 2025 to be granted screenings and promotional support by our partners. (This has no bearing of receiving grant funds or MUBI subscription awards)

SUBMITTABLE CRITERIA:

• You will need to create a free Submittable account or sign in with Google or Facebook credentials in order to submit these forms.

• You can save a draft of your work if you would like to finish filling out the form at a later date.

• This platform works best on Google Chrome, Firefox, and Safari. Please make sure you are using a supported browser, and that the files are valid file types.

You can find the acceptable file types under the "Choose File" button on the application.

Note: We are being hosted on NWFF’s Submittable account.

blackcinemacollective.org/2024-bcc-microgrant-call

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DISNEY LAUNCHPAD SEASON THREE

Disney

DEADLINE: Extended to June 9, 2024 at 11:59 p.m. PDT

INFO: With a focus on building a more inclusive entertainment industry, Disney is looking for experienced writers and/or directors from underrepresented backgrounds or those with unique perspectives to produce a short film for the Disney Launchpad: Shorts Incubator program.

As part of Disney Launchpad, writers and/or directors will be paired with Disney creative executives who will serve as mentors as they embark on a training program centered on creative collaboration within the Disney Studio system. Under the purview of the Disney Launchpad Producer, three (3) writers and/or directors will work to deliver three (3) live-action short films for possible exhibition on Disney+.

Select shorts may be considered for further feature-length or episodic development, based on the short’s quality, performance on the platform, future arcs, and other factors, though future development is not guaranteed.

ABOUT THE PROGRAM:

Launchpad is a minimum twelve (12) month program that will include the following (please note that timeframes and program parameters are subject to change):

• Three (3) months of script development and professional development classes, specifically designed to strengthen professional and storytelling skills.

• Classes for the writers and/or directors led by educational partner, the American Film Institute (AFI), as well as The Walt Disney Studios, held once or twice per week on the Disney studio lot in Burbank, California from 6:30-10 p.m. PT. Please note: these classes are mandatory for directors.

• The production schedule will include up to eight (8) weeks of pre-production, four (4) weeks of principal photography, and up to twelve (12) weeks of post-production. Please note: program timelines are subject to change.

HOW TO APPLY:

When applying, you will need to provide the following:

• Three (3) essays

• One (1) directing sample if applying as a director, one (1) short film script if applying as a writer, and both if applying as a writer/director.

• One (1) resume

• Signed legal agreements

• One (1) professional reference (optional)

APPLICANT CRITERIA:

To qualify for Disney Launchpad, applicants must:

• Be from an underrepresented background and/or have a unique perspective.

• Have the unrestricted right to be employed in the United States throughout the duration of the Launchpad program and throughout the term of any additional post-term obligations in connection with the Launchpad program. (Disney will not sponsor work visas for individuals employed for Launchpad.)

• Be at least twenty-one (21) years of age as of December 1, 2024.

• Have completed at least one (1) scripted, live-action narrative work (e.g., a short, feature film, webisode, or episodic program) of at least five (5) minutes in length within the past eight (8) years if applying as a director.

• Demonstrate a shared history of co-directing, if applying as a directing team of two (2), which will be evaluated on a case-by-case basis. Please see the FAQ for more information.

• Co-wrote the submitted script together, if applying as a writing team of two (2).

You are NOT eligible to apply either as a director, writer, or writer/director, if you’ve done any of the following:

• Directed a theatrically distributed, scripted, non-documentary feature film.

• Directed two (2) or more scripted, non-documentary episodes of a network television, cable television, or premium streaming series.

• Directed two (2) or more scripted, non-documentary films, distributed on network television, cable television, or premium streaming service.

• Written a theatrically distributed, scripted, non-documentary feature film.

• Written more than two (2) episodes of an aired and/or released network television, cable, or premium streaming series.

• Written a scripted, non-documentary film, distributed on network television, cable television, or a premium streaming service.

launchpad.disney.com/#howToApply

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Artist in Residence Program

Headlands Center for the Arts

DEADLINE: June 10, 2024

APPLICATION FEE: $35

INFO: The Artist in Residence (AIR) program awards fully sponsored residencies to approximately 50 local, national, and international artists each year. Residencies of four to ten weeks include studio space, chef-prepared meals, housing, travel and living expenses. AIRs become part of a dynamic community of artists participating in Headlands’ other programs, allowing for exchange and collaborative relationships to develop within the artist community on campus. Artists selected for this program are at all career stages and work in all media, including drawing, painting, sculpture, photography, film, video, new media, installation, fiction and nonfiction writing, poetry, dance, music, interdisciplinary, social practice, arts professions, and architecture.

All Artist in Residence applicants are also considered for the following awards:

• McLaughlin Foundation Award

• McLaughlin Children’s Trust Award

• Henderson Award

• Project Space

PROGRAM GOALS:

• To invest in individuals at the cutting edge of artistic fields and whose work has potential to have significant cultural and social impact.

• To support artists to explore and experiment in order to take their work to the next level.

• To build a nurturing and dynamic community of local, national, and international artists and thinkers.

• To encourage artists to develop ideas and work within the context of the Marin Headlands, a part of Golden Gate National Recreation Area.

• To bring national and international artists to the Bay Area to engage and have cross-cultural exchange with local artists and audiences.

PROGRAM DETAILS:

• Fully sponsored 4- to 10-week residencies

• Paid roundtrip airfare, and up to $1,000 a month of either a stipend or reimbursed expenses

• 100- to 2000-sq.-foot studios

• Private bedroom in shared house

• A maximum two week stay for families in the Family House (by request only and subject to availability)

• Five chef-prepared meals per week

• Access to vehicles on-site

• Facilities access: Basic woodshop; audio/video equipment; artists’ library with computer, scanner, and printer • Wi-Fi in designated spaces

• Up to 15 Artists in Residence living on-site

• Participation in monthly “Show & Tell” nights

• Participation in seasonal Open House

• Access to Headlands Public Events

• Field trips to Bay Area museums, galleries, and cultural venues

• Become part of Headlands Alumni Network

ELIGIBILITY:

• Artists not currently enrolled in an academic program at the time requested residency would take place. Eligibility of artists enrolled in PhD programs will be considered on a case-by-case basis.

• Former Headlands’ Artists in Residence (AIR), and any recipients of Alumni New Works, Chamberlain, Chiaro, or Tournesol Awards may not apply within five years of previous Residency.

• All other Alumni of Headlands’ Programs are eligible to apply for the AIR Program at any point.

• Must be able to speak basic English.

SELECTION CRITERIA:

• Merit of past work.

• Readiness to engage with and benefit from the residency experience at Headlands (see program goals). • Potential to develop creative practice and impact the community at Headlands and beyond.

SELECTION PROCESS:

• Headlands’ staff reviews applications to ensure completion and eligibility

• Submissions are reviewed by a jury of knowledgeable and esteemed artists and arts professionals

• The jury evaluates each artist’s materials and selects finalists

• Finalists are invited to talk about their work and ideas a 20-minute Zoom interview to determine the final award selection

WHAT YOU NEED TO APPLY:

A full application includes the following:
Please note that all applications and work samples must be submitted in or translated to English.

• Resume or curriculum vitae

• Letter of interest, outlining your specific interest in working at Headlands and how program participation will affect your practice

• The names and email addresses of three personal or professional references; please note, we do not want letters of reference.

• Documentation of recent work (see specifications below for guidelines according to discipline) • Please note: we’ll start accepting applications for 2025 residencies on April 1, 2024.

• Documentation of recent work (see specifications below for guidelines according to discipline)

  **Artist collaboratives should apply together by submitting ONE application per group, specifying the number of individuals on the application form. For live-in Artists in Residence, Headlands can accommodate no more than three total artists in a collaborative group.

DOCUMENTATION:

Please select from the following list materials appropriate to your practice. The category headings are guidelines; please submit whatever type of materials best represent your work.

• Visual (painting, printmaking, photography, sculpture, installation, conceptual)

  • Applicants may submit up to 12 work samples, which can be a combination of images, video, or audio files (maximum of 30 minutes of video and audio).

  • Submission of an image list with title, date, size, media, and, where applicable, conceptual intent, is optional.

• Writing (poetry, fiction, nonfiction, playwriting, screenwriting, graphic narrative)

  • Submission of an image list with title, date, size, media, and, where applicable, conceptual intent, is optional.

  • Submit up to 20 pages of poetry, 30 pages of prose or one to two full-length plays/scripts.

• Performance / Dance **

  • Submit 30 minutes of video, along with any other material that adequately describes your work.

  • Please note: the first 10 minutes will be used for primary review unless the artist directs otherwise.

• Film / Video / New Media**

  • Submit up to 30 minutes of video.

  • Please note: the first 10 minutes will be used for primary review unless the artist directs otherwise.

• Music / Sound**

  • Submit up to 30 minutes of audio and/or video.

  • Please note: the first 10 minutes will be used for primary review unless the artist directs otherwise.

• Arts Professionals (art writers, administrators, and curators)

  • Submit sufficient material to evidence the breadth of your work and interests, including reviews, essays, and catalogs.

• Architecture / Environment

  • Review documentation requirements for Visual Artists.

• Interdisciplinary Arts**

  • Review other categories to determine what materials you should submit.

headlands.org/event/artist-in-residence/

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THE DISRUPTORS FELLOWSHIP

The Center For Cultural Power

DEADLINE: Extended to June 14, 2024

INFO: The Disruptors Fellowship is an annual program for emerging television writers of color who identify as trans, nonbinary, disabled or undocumented/formerly undocumented immigrants.

Culture is power–it shapes us, sets the terms of the world we live in, and informs how we perceive issues, stories, and each other. Yet, white supremacy holds so much power as culture makers, reinforcing and perpetuating systems of oppression and preventing racial and gender equity from becoming the norm. The Disruptors Fellowship aims to change that.

The Disruptors Fellowship builds new pathways for Artist Disruptors, enabling them to generate more narratives that inspire and define their experiences on their own terms. As artist disruptors increase their power and impact, they accelerate narrative change and shift culture.

#OscarsSoWhite, #MeToo, and #TimesUp disrupted cultural norms around racial and gender justice, taking aim at the structures that normalize abuse and oppression, and catalyzed an effort to bring more diverse narratives to the forefront. The Disruptors Fellowship continues to build on this momentum and energy and chart new ways forward.

Artists Disruptors are dedicated to their craft and committed to creating a more just and harmonious world.

PROGRAM DETAILS: During this 3-month program, fellows are provided with mentorship, professional development, master classes and an opportunity to build community with other writers of color, both emergent and leaders in their field. Each fellow will receive a $10,000 stipend!

FELLOWSHIP SCHEDULE:

• APPLICATION DEADLINE - June 14, 2024

• 2024 FELLOWS NOTIFIED - Late July 2024

• TUESDAY & THURSDAY SESSIONS* - August 8 - October 17
  In-person Sessions: 6PM-7:30PM
  Online Sessions 7PM-8:30PM

• FELLOWSHIP KICK-OFF PARTY - August TBD • 6PM-9PM PST (In-Person)
  Los Angeles, Location TBD

• DISRUPTORS SHOWCASE - November TBD (In-Person)

• CLOSING CELEBRATION - November TBD (In-Person)

artistdisruptors.org

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FALL 2024 & WINTER 2025 RESidency

Vermont Studio Center

DEADLINE: June 15, 2024

APPLICATION FEE: $25

INFO: Applications are now being accepted for fall 2024 through April 2025 residency at Vermont Studio Center. Nestled in the Green Mountains, VSC hosts an inclusive, global community of artists and writers. Enjoy private studios and lodging, fresh - local meals, and a vibrant Visiting Artists & Writers Program.

VSC’s residency program welcomes artists and writers working across all mediums and genres for two, three, and four week sessions.

Residents enjoy well-lit, private studios within a short walk to residency housing, dining hall, and local amenities. Studio spaces range from 170 - 300 square feet. Accommodations include a private room and shared common areas. The campus features include a print shop, digital lab, and metal, wood, ceramic facility. Studios are open 24 hours a day.

A VSC residency provides artists and writers the time and space to focus on their creative practice in an inclusive, international community within a small Vermont village. Residents can explore swimming holes, hiking and biking trails, as well as the rural charm of neighboring towns, while expanding their creative potential and building a solid network of friends and mentors.

PROGRAMMING

During each session, Visiting Artists and Visiting Writers are invited to join us for presentations, craft talks, one-on-one manuscript consultations, and individual studio visits. Residents can also enjoy open studio nights, resident presentations, and exhibition openings. All scheduled activities are optional. Residents are encouraged to unplug, completely immerse themselves in their work, and work at their own pace.

COMMUNITY CONTRIBUTION

VSC is committed to community building both locally and on campus. Every resident has the opportunity to participate in our Community Contribution Program for 3 hours per week, by assisting in one of these areas: Kitchen, School Arts Program, Visual Arts, and the Writing Program. No prior experience is necessary.

vermontstudiocenter.org/apply

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Ryan Hudak LGBTQ+ Dramatic Writing Award

NYFA

DEADLINE: June 18, 2024 at 5:00pm EST

INFO: The Ryan Hudak LGBTQ+ Dramatic Writing Award is an annual $8,000 cash grant awarded to one (1) New York State-based playwright or screenwriter who self-identifies as LGBTQ+. The Award honors the life and work of Ryan Hudak. Ryan was a gay playwright, theater maker, filmmaker, and a valued member of NYFA’s staff who served on the executive and development teams. Tragically, Ryan passed away in May 2022 after a long battle with Leukemia at the age of 32. The Award is open to playwrights and screenwriters who live in New York State, including those who live within the five boroughs of New York City.

Applicants will need to be practicing playwrights or screenwriters and be able to demonstrate an ongoing commitment to their creative practice and career. Applicants will be required to share a statement on how this Award will impact and catalyze their artistic work and practice. Applicants must self-identify as LGBTQ+. Only those who are at least 25 years of age and current New York State residents and have maintained residency for a minimum of 12 months by the application deadline will be considered.

Funding for this award is generously provided by Ryan’s parents, Pat and Tom Hudak; individual donors; and the philanthropic community.

nyfa.org/awards-grants/the-ryan-hudak-lgbtq-dramatic-writing-award/

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WBD Access Unlock Unscripted Program 2024

Warner Bros. Discovery

DEADLINE: July 23, 2024 at 11:59pm PST

INFO: The WBD Access Unlock Unscripted program aims to identify high-performing, mid-level unscripted producers from across the globe who have had barriers getting to the next level or gaining exposure in different genres of reality. Producers will be given tools and training to expand their skill set and gain exposure to WBD executives and production companies to cultivate relationships for future opportunities.  Through this program, WBD is supporting diverse producers, opening doors for them within the WBD ecosystem globally.  Ultimately, these producers would start the pipeline to create the next generation of Showrunners in the years to follow.

PROGRAM DESCRIPTION: The application is open to unscripted producers who have already been staffed as mid-level producers (ex. field producer, segment producer, challenge producer or story producer). These candidates are nearly ready to go to the next level in their producing careers. The application is open to everyone, and we highly encourage producers from underrepresented groups to apply. This year, a select number of unscripted producers will be selected to participate in a 1-week intensive, to be held in New York City in the late summer 2024. They will learn all aspects of producing Unscripted lifestyle content from US-based production companies, producers, and network executives, among others and will consist of workshops, panels, networking opportunities, and more. The content will focus on building their producer capability, equipping them with leadership skills and exposing them to the nuances of other unscripted genres of interest. Upon successful completion of the program, participants may be considered for staffing opportunities on WBD unscripted shows.

PROGRAM CRITERIA BY TERRITORY (USA, Canada & UK):

UNITED STATES

To be eligible, applicants must:

• Have at least two credits as a mid-level producer (Producer, Field Producer, Segment Producer, Challenge Producer, Story Producer) in unscripted (home renovation, food & lifestyle programming preferred).

• Be able to work in the US and be 18 years of age or older.

• Be available for an in-person, 1-week intensive in the late summer in New York City (targeting between August 23-30, 2024).

CANADA

To be eligible, applicants must:

• Have at least one credit as a mid-level producer (Producer, Field Producer, Segment Producer, Challenge Producer, Story Producer) in unscripted (home renovation, food & lifestyle programming preferred).

• Have a referral from an Access Canada Community Partner Organization or Canadian Production Company.

• Be able to work in Canada and be 19 years of age or older.

• Be able to travel to the US and be available for an in-person 1-week intensive in the late summer in New York City (targeting between August 23-30, 2024).

UNITED KINGDOM

To be eligible, applicants must:

• Have at least two credits as a mid-level producer (Edit Producer, Senior Producer, Series Producer, Story Producer, Producer/Director) in unscripted/factual programming (e.g. Antiques & Auctions, Crime, Extreme Medical, Extreme Jobs, Salvage and Restoration, Motoring, Documentary preferred).

• Be able to work in the UK and be 18 years of age or older.

• Be able to travel to the US and be available for an in-person 1-week intensive in the late summer in New York City (targeting between August 23-30, 2024).

wbdaccess.submittable.com/submit/294547/2024-wbd-access-unlock-unscripted-program

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UNSCRIPTED PITCH ACCELERATOR

NBCUniversal LAUNCH

DEADLINE: June 30, 2024 by 11:59pm PST

INFO: NBCUniversal LAUNCH, in partnership with NBCU Entertainment, is looking for the next, big unscripted idea through its first-ever UNSCRIPTED PITCH ACCELERATOR. 

The NBCU LAUNCH UNSCRIPTED PITCH ACCELERATOR provides access for independent producers and content creators to get their projects in front of our unscripted teams for potential development across our various platforms. The conventional pathway to pitching a project typically requires one to come in with representation or an established production company/studio attached.  This Accelerator eliminates that requirement in the hopes of expanding our consideration pool to include anyone with a great idea.

The participating NBCU Entertainment networks/platforms are:  NBC, cable networks Bravo, E!, Oxygen, USA, as well as our streaming platform Peacock.  

Up to five pitches will be selected to receive a $20,000 development deal with NBCU Entertainment to further develop the concept for possible greenlight consideration.

We are open to unscripted pitches in the following categories:

• Shiny-floor/in-studio formats

• Structured competition formats

• Premium documentary series

• Social experiments

• Dating/relationship formats

• Game shows

• Character-led docu-soaps, occu-soaps, and docu-series

• Lifestyle formats

• True crime series

ELIGIBILITY REQUIREMENTS:

• Applicants must be legal residents of the United States.  Applicants must be authorized to work legally in the United States.  Visa sponsorship is not offered to Accelerator participants. 

• Applicants must be at least 21 years of age as of June 30, 2024. 

• Material submitted to other competitions or contests are eligible.

• Material must be submitted by the creator of the concept.

• Material can be submitted by a team.

• Submitted pitches and material must not be encumbered by any obligation to or option held by a third-party prior to applying to the Accelerator.

• If the project is talent-led or based on protected IP, written agreements and/or attachments must be secured with the proposed talent and/or IP rightsholders by the time of submission.     

SUBMISSION REQUIREMENTS:

Submissions are accepted via electronic submission only. 

Those applying must submit a complete application package which includes the following required items:

• APPLICATION must be completed in its entirety.  Incomplete applications will not be considered.

• SHOW TITLE AND LOGLINE (One to three sentence description that succinctly conveys the concept)

• ONE-PAGE PITCH DOCUMENT

  This one-sheet may include the following:

  • The premise and overall description of the project

  • Overall style and feel of the series

  • Format beats (if concept is a formatted show)

  • Gameplay (if concept is a gameshow)

  • Description of the world and possible storylines (if concept is a docu-soap or docu-comedy)

  • List of key characters (if concept is talent-led)

• TREATMENT/DECK is a more in-depth version of the one-page pitch going into more detail about the overall concept of the show(not to exceed 10 pages). 

  In addition to the details outlined in the one-page pitch above, this treatment/deck may also include:

  • Detailed key character descriptions (for talent-led concepts)

  • Description about one’s connection, inspiration, and intention for the concept, as well as one’s access to the story

  • Description of the concept’s cultural relevance (e.g., why tell this story now?) and the concept’s originality/uniqueness

  • If the project is talent-led or based on IP, indicate whether you have secured written agreements or attachments with the proposed talent, their story, or the IP, as that is required.     

  • If the project is a true crime series or premium documentary series, indicate who you have access to and who can help tell the story.

  • Description of the creative or creative team involved in the project

• RELEASE FORM must be completed, signed, and dated for submissions to be accepted.  An incomplete release form will result in disqualification.  Digital signatures are accepted.

• RÉSUMÉ outlining chronological paid employment history (may include entertainment and non-entertainment positions) and any entertainment-related honors/awards.  Positions must have been held within the past 10 years (two pages or less).  Only list compensated positions with the exception of entertainment industry internships and full-time volunteer work at non-profits. If listing entertainment projects, only include projects that were produced and/or optioned.  The applicant’s resume will provide us an understanding of their work history and insight into their individual life experiences.    

• CHARACTER REELS are REQUIRED for talent-led series, such as docu-soaps, occu-soaps, or docu-series that center around a specific family, group of friends, or business. Character reels are short videos about 3-5 minutes in length, featuring the proposed talent of the show and showcasing the world they live in. Character reels must be in .mov format to be accepted. Talent-led pitches without character reels will not be considered. 

Any application that does not meet the aforementioned criteria will be disqualified.

ADDITIONAL INFO: There is no limit to the number of concepts an individual may submit. However, a separate application must be submitted for each individual pitch.

NOTIFICATION: Due to the volume of submission received, only those applicants who are selected to participate in the Accelerator will be notified. Applicants who are not selected will not be notified. Please check our social media pages for updates on the selection process.

We reserve the right to amend the Program at any time.

nbcuniversallaunch.com/unscripted-pitch-accelerator

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RIDEBACK RISE 2024

DEADLINE: June 30, 2024

APPLICATION FEE: $0

INFO: Rideback RISE is soliciting applications for the second year of the Rideback RISE Fellowship. Based in Los Angeles, Rideback RISE is a prestigious content accelerator that offers visionary POC film and television creators (“Fellows”) a $40,000 stipend, and access to a development fund for the purpose of optioning IP and/or creating visual proof-of-concept materials. The 12-month Fellowship also provides expert in-depth mentoring, resources and benefits to the Fellows while they develop and refine a specific television or feature film project before it is taken out to market. In a supportive and collaborative environment, Fellows work closely with the RISE team and receive counseling from notable industry luminaries and experts, all while getting to know each other and becoming familiar with each others’ projects. This is an opportunity for exceptional storytellers who desire to tell mainstream stories aimed at a wide audience, but who still possess their own distinct voice, point of view and perspective.

MISSION: Rideback RISE was founded in 2022 by Dan Lin (THE LEGO MOVIE, IT, ALADDIN, SHERLOCK HOLMES, WALKER). Rideback RISE is a 501c3 non-profit organization with backing from leading partners such as the Ford Foundation, MacArthur Foundation, Doris Duke Foundation, Zelnick Belzberg Charitable Trust, Comcast NBC Universal, UTA Foundation, Horn Foundation and the Murphy Family Fund.

Rideback RISE’s core mission is to support and empower selected POC creators from the world of entertainment who aspire to make commercial, mainstream content that is reflective of our multicultural world. Rideback RISE believes that entertainment can bridge cultures, unite people, and be a catalyst for social change. By advancing racial equity, we contribute to the creation of a more empathetic world.

RISE offers financial, creative and strategic support to each of our participating creators customized to their specific discipline. RISE equips Fellows/participants to create commercial content that can enter the cultural zeitgeist and ultimately reshape majority opinions. Our aim is to make mainstream entertainment more inclusive by enabling POC creators to tell stories that have broad audience reach. 

Through telling new stories, we can come to appreciate other cultures and ways of life. Reality is socially constructed through narrative. A small shift in someone’s mindset can often lead to a cascade of meaningful change.

BENEFITS: The RISE Fellowship runs for a concurrent twelve months and covers creative, business and practical elements. Each of the Fellows will be paired with a high-level mentor (e.g., an experienced showrunner, filmmaker, producer, executive, etc.) that they will work with for the duration of the Program. Fellows will be selected based on their storytelling and writing abilities, the authenticity of their voice, the strength and commercial viability of their ideas, their willingness to maximize the impact of the resources provided, and their overall suitability for the program.

Program activities will include, but will not be limited to, the following:

• Creative development on each Fellow’s project, including in-depth work on story and character

• Advice on how to attach cast and other talent

• Navigating possible financiers and securing distribution

• Assisting Fellows with identifying possible buyers for their projects and facilitating meetings with executives

• Expert guidance and background on the state of the industry

• In-person lectures and appearances by industry luminaries in a variety of fields, including acting, directing, producing, legal, casting, etc.

• General career coaching

• Help with the transferring of projects at the end of the Program to a studio, production company or other collaborator who is best positioned to help the Fellow continue to advance it

A more detailed curriculum and calendar will be provided upon commencement.

Fellows will be based at Rideback Ranch, a creative campus in LA’s Historic Filipinotown that provides a dedicated workspace and amenities, and is home to several leading entertainment companies. There will also be a number of creators who will be invited to join the RISE Circle, enabling them to attend certain events and presentations.

As stated above, the Fellowship also provides access to the Rideback RISE IP and Visual Development Fund, which Fellows can tap to option underlying rights (novels, remakes, podcasts, documentaries, newspaper or magazine articles, true stories, short films, video games, graphic novels etc.) or create proof-of-concept materials—e.g., concept art, visual teaser for their project or even a short.

The curriculum will focus on and emphasize collaboration, mentorship, networking, industry access and community. A key feature of RISE is community: Fellows will familiarize themselves and share their feedback on each others’ projects. Our goal is to create market ready content that will attract financing and be produced, and to help Fellows build sustainable careers.

writers.coverfly.com/competitions/view/ridebackrise

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The Muslim List

Muslim Public Affairs Council / The Black List

DEADLINE: July 1, 2024

INFO: For the third year in a row, the Black List has partnered with the Muslim Public Affairs Council (MPAC) to create The Muslim List, highlighting the very best unproduced scripts written by at least one Muslim writer.

Writers, filmmakers, and creators are invited to submit an original feature film or pilot script for consideration by uploading it to The Black List website beginning on February 28, 2024. Submissions will remain open until July 1, 2024. Features and pilots in any genre are eligible for Muslim List consideration - at least one writer of the project must identify as Muslim in order to submit.

Writers selected for the Muslim List will be notified of their placement in late summer 2024 with a public announcement to follow. 

When submitting your script for diversity list consideration, you will be able to apply for one fee waiver per submitting writer (which includes one month of hosting and one evaluation). We will approve and reject fee waivers on a weekly basis, so please account for that when waiting to hear back from us. 

While a writer may be eligible for multiple diversity lists, only one fee waiver application is necessary, even if submitting work for consideration on multiple diversity lists - writers will only be eligible for one diversity list fee waiver even if they have more than one eligible project to submit, as we hope to provide fee waivers to as many submitting writers as possible. The month of hosting and reader evaluation included in the fee waiver package will allow writers to submit their script to any diversity list (or any other Black List program) for which they are eligible. 

Fee waivers will be equally distributed across all 2024 diversity lists and distributed at the discretion of diversity list partners, AMC Networks and the Black List. Please check out our FAQ for more information about how to apply for a diversity list fee waiver. Until your fee waiver application status has been determined, you are not able to apply for another diversity list fee waiver - thanks so much for your patience in the meantime!

The Black List is proud to partner with MPAC for the third annual Muslim List and celebrate the most exciting emerging Muslim storytellers! For more information, please read the Muslim List FAQ or email support@blcklst.com

REQUIREMENTS:

• Submitted scripts must be written by a Muslim screenwriter, or a screenwriting team with at least one member who is Muslim

• Writers should identify as Muslim. While writers can be from any country of origin, they must currently reside in the US.

• Any kind of story is eligible and will be considered

• Feature film scripts, half-hour scripts and one-hour scripts will be considered for this partnership

• All levels of experience considered for submitting writers

blcklst.com/programs/2024-muslim-list

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The DESI List

The Salon / The Black List

DEADLINE: July 1, 2024

INFO: The Black List is proud to partner with The Salon on the first ever Desi List, highlighting the very best unproduced scripts written by South Asian writers. 

Writers, filmmakers, and creators are invited to submit a feature film or original pilot script for consideration by uploading it to The Black List website beginning on February 28, 2024. Interested writers should identify as South Asian. Additionally, all submitted scripts must have at least one South Asian character in a prominent, lead role. Submissions will remain open until July 1, 2024.

Writers selected for the Desi List will be notified of their placement in late summer 2024 with a public announcement to follow. 

When submitting your script for Desi List consideration, you will be able to apply for one fee waiver per submitting writer (which includes one month of hosting and one evaluation). We will approve and reject fee waivers on a weekly basis, so please account for that when waiting to hear back from us. 

While a writer may be eligible for multiple diversity lists, only one fee waiver application is necessary, even if submitting work for consideration on multiple diversity lists - writers will only be eligible for one diversity list fee waiver even if they have more than one eligible project to submit, as we hope to provide fee waivers to as many submitting writers as possible. The month of hosting and reader evaluation included in the fee waiver package will allow writers to submit their script to any diversity list (or any other Black List program) for which they are eligible. 

Fee waivers will be equally distributed across all 2024 diversity lists and distributed at the discretion of diversity list partners, AMC Networks and the Black List. Please check out our FAQ for more information about how to apply for a diversity list fee waiver. Until your fee waiver application status has been determined, you are not able to apply for another diversity list fee waiver - thanks so much for your patience in the meantime!

The Black List is thrilled to launch the inaugural Desi List with The Salon to celebrate the most exciting emerging Desi voices! For more information, please read the Desi List FAQ or email support@blcklst.com

REQUIREMENTS:

• Writers should identify as South Asian. The UN defines South Asia as Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka.

• While writers can be from any country of origin, they must currently reside in the US. Citizens, residents, visiting students, and undocumented individuals who reside in the U.S. are welcome to apply.

• Writing teams are eligible as long as one member of the team identifies as South Asian

• Scripts can be multilingual as long as they are written primarily in English

• Feature films, half-hour TV pilots, and one-hour TV pilots will be considered

• All genres are eligible and will be considered

• All scripts must have at least one South Asian character in a prominent, lead role

blcklst.com/programs/2024-desi-list

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The CAPE List

Coalition of Asian Pacifics in Entertainment / The Black List

DEADLINE: July 1, 2024

INFO: For the fourth year in a row, the Black List is proud to partner with CAPE (Coalition of Asian Pacifics in Entertainment) to create the latest edition of the CAPE List! 

Writers, filmmakers, and creators are invited to submit a feature film script for consideration by uploading it to The Black List website beginning on February 28, 2024. Submissions will remain open until July 1, 2024.

Selected CAPE List scripts will include a protagonist with Asian and/or Pacific Islander heritage, and must include authentic, accurate and inclusive Asian and Pacific Islander (Native Hawaiian, Pasifika, and Maori included) representation that if removed, would significantly alter or affect the story. Only feature film scripts are eligible for the 2024 CAPE List. 

Writers selected for the CAPE List will be notified of their placement in late summer 2024 with a public announcement to follow. 

Best of all? 400 fee waivers are available to submitting writers thanks to AMC Networks! When submitting your script for diversity list consideration, you will be able to apply for one fee waiver per submitting writer (which includes one month of hosting and one evaluation). We will approve and reject fee waivers on a weekly basis, so please account for that when waiting to hear back from us. 

While a writer may be eligible for multiple diversity lists, only one fee waiver application is necessary, even if submitting work for consideration on multiple diversity lists - writers will only be eligible for one diversity list fee waiver even if they have more than one eligible project to submit, as we hope to provide fee waivers to as many submitting writers as possible. The month of hosting and reader evaluation included in the fee waiver package will allow writers to submit their script to any diversity list (or any other Black List program) for which they are eligible. 

Fee waivers will be equally distributed across all 2024 diversity lists and distributed at the discretion of diversity list partners, AMC Networks and the Black List. Please check out our FAQ for more information about how to apply for a diversity list fee waiver. Until your fee waiver application status has been determined, you are not able to apply for another diversity list fee waiver - thanks so much for your patience in the meantime!

The Black List is excited to partner with CAPE for the fourth annual CAPE List and celebrate the most exciting, Asian and Pacific Islander-inclusive projects and emerging creative voices once more. For more information, please read the CAPE List FAQ or email support@blcklst.com

REQUIREMENTS:

• Scripts should feature a protagonist of Asian and/or Pacific Islander (Native Hawaiian, Pasifika, and Maori included) heritage.

• Scripts must include authentic, accurate and inclusive Asian and Pacific Islander representation that if removed, it would significantly alter or affect the story.

• Any genre/kind of story is eligible and will be considered.

• Only feature-length scripts will be considered for this opportunity.

• All levels of experience considered for submitting writers. 

blcklst.com/programs/2024-cape-list

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The LATINE List

The Latin Tracking Board / NALIP / The Black List

DEADLINE: July 1, 2024

INFO: For the fourth year in a row, the Black List has partnered with the Latin Tracking Board and NALIP to create the Latine List, highlighting the very best in Latin-e/a/o/@ storytelling in film, television, and theater.

 Filmmakers, writers, and playwrights are invited to submit a script for consideration by uploading it to the Black List website during the overall submission window, February 28, 2024 - July 1, 2024. Feature film, one-hour and half-hour pilot, and theatrical submissions will be considered for the Latine List.

The final Latine List may include a combination of feature films, original pilots, and plays. Scripts from any genre are eligible for this partnership. Selected scripts will be written by at least one Latin-e/a/o/@ writer AND feature a Latine or Latin American character in a prominent role. Please note that the 2024 Latine List will only be open to writers who have NOT been previously selected for a Latine List.

Writers selected for the Latine List will be notified of their placement in late summer 2024 with a public announcement to follow. 

While a writer may be eligible for multiple diversity lists, only one fee waiver application is necessary, even if submitting work for consideration on multiple diversity lists - writers will only be eligible for one diversity list fee waiver even if they have more than one eligible project to submit, as we hope to provide fee waivers to as many submitting writers as possible. The month of hosting and reader evaluation included in the fee waiver package will allow writers to submit their script to any diversity list  (or any other Black List program) for which they are eligible.

REQUIREMENTS:

• Writers should be Latine and currently residing currently in the US - any country of origin or other status is fine

• Any kind of story is eligible and will be considered

• All scripts must have one Latine character in a prominent, lead role

• Scripts can be bilingual as long as they are written primarily in English

• Original feature films, half-hour and one-hour pilots, and plays will be considered

• All levels of experience considered for submitting writers  

• Writing teams are eligible as long as one member of the team identifies as Latine

• Writers who have previously been selected for the Latine List are ineligible for the 2024 Latine List

blcklst.com/programs/2024-latine-list

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2024 Annual Labs

The Black List

DEADLINE: July 1, 2024

INFO: In order to submit for this program, you must be logged into the website and have uploaded a script.

The Annual Labs support twelve writers in two cohorts: the Writers Lab cohort and the Projects Lab cohort. The Black List will invite six promising, non-professional writers as identified by the Black List to each cohort. 

The Labs support writers on two distinct career tracks: those who are interested in being a career writer, with a focus on working within the studio system, and those who are interested in writing and directing their own work in the independent space. The Labs will remain exclusively writing-focused programs in which each participating writer workshops the script that gets them into the Lab. 

The Black List is looking for the strongest screenplays for the Labs–material with strong characters and a strong concept–as well as writers who have strong professional instincts and are looking to build long-term careers in the entertainment industry. The goal of the Labs is for all twelve writers to emerge with the strongest possible script and the knowledge of how to move forward in their careers, with Black List support.

The Labs are in-person, weeklong intensive writers workshops. Writers in both cohorts will workshop their feature screenplay through one-on-one sessions with professional screenwriting mentors and in peer workshops. The Labs will also include several story- and industry-related sessions with executives, producers, lit agents and managers. 

You must select only which Lab cohort you would like to be considered for when submitting your script. If selected, you will be workshopping the script you submitted and no other. You may submit multiple scripts but you must choose which cohort you would like to be considered for, per script.

THE WRITERS LAB

Those in the Writer Lab will further develop feature scripts that they intend to sell and/or use as voice samples. Writers in this cohort will have strong interest in working within the studio system. The Writers Lab cohort will meet the week of October 14th in Ojai, CA. 

THE PROJECTS LAB

Those in the Project Lab will further develop feature projects which they intend to direct. Directing samples will be required for the writer-director track but will not be a consideration in the final selection.  The Projects Lab will meet the week of November 11th in Ojai, CA.  

THE SELECTION PROCESS

The selection process will work like this:

• The Writers Lab - Up to 40 writers will be invited, based on the strength of their scripts as determined by the Black List, to submit a one-page personal statement and professional resume. From those submissions, up to 20 writers will be shortlisted and asked to submit additional materials. From the short list, select writers will be chosen to interview, via Zoom, and six writers will be selected by the Black List to participate in the Writers Lab.

• The Projects Lab - Up to 40 writers will be invited, based on the strength of their scripts as determined by the Black List, to submit a one-page personal statement, a professional resume, and a link to a previous directing sample.. From those submissions, up to 20 writers will be shortlisted and asked to submit additional materials. From the short list, select writers will be chosen to interview, via Zoom, and six writers will be selected by the Black List to participate in the Projects Lab.

IMPORTANT LAB DEADLINES AND DATES:

• Submission Period Opens October 17, 2023

• Submission Period Closes July 1, 2024

• Long List Writers Notified July 15, 2024

• Personal Statements Due July 22, 2024

• Short List Writers Notified August 5, 2024

• Additional Materials Due August 12, 2024

• Interview Candidates Notified September 6, 2024

• Interviews September 11-13, 2024

• Final Participants Notified September 16, 2024

• In-Person Program: Writers Lab October 14-19, 2024

• In-Person Program: Projects LabNovember 11-16, 2024

TRAVEL AND ACCOMMODATIONS:

The Labs are residential programs. If you are accepted into the Labs, you will be required to board in the provided accommodations for the duration of the program and, if air travel is required, must be available to be flown to Los Angeles from a major airport within the continental United States.

Air Travel (coach class round trip flights within the continental United States (if available and if used)), ground transport to and from the airport in Los Angeles and all Lab events, and accommodations (room and tax only)* will be provided by the Black List. Meals will also be provided. 

Participants must be able to provide proof of vaccination (including boosters per current CDC guidelines) and willing to test for COVID-19 infection prior to arriving at the in-person portion of the program. 

SLOAN FOUNDATION FELLOWSHIP:

Writers are also available for consideration for the 2024 Sloan Foundation Fellowship.

The Black List’s 2024 Sloan Foundation Fellow at the Annual Black List Feature Lab will be a science- and technology-focused writer with a science-rooted feature screenplay. Mentoring opportunities for the Sloan Fellow will continue throughout the year following the Lab. Writers will have the opportunity to be considered for this fellowship by selecting the “Sloan Foundation Fellow” option during the opt-in process. 

The Alfred P. Sloan Foundation is a New York based, philanthropic, not-for-profit institution that makes grants in three areas: research in science, technology, and economics; quality and diversity of scientific institutions; and public engagement with science. Sloan's program in Public Understanding of Science and Technology supports books, radio, film, television, theater and new media to reach a wide, non-specialized audience and to bridge the two cultures of science and the humanities.  

Sloan’s Film Program encourages filmmakers to create more realistic and compelling stories about science and technology and to challenge existing stereotypes about scientists and engineers in the popular imagination. Over the past two decades, Sloan has partnered with top film schools in the country, supported screenplay development programs, and has helped develop over 30 feature films including Michael Almereyda’s Tesla, Lydia Dean Pilcher and Ginny Mohler’s Radium Girls, Thor Klein’s Adventures of a Mathematician, Jessica Oreck’s One Man Dies a Million Times, Logan Kibens and Sharon Greene’s Operator, Morten Tyldum’s The Imitation Game, and Matthew Brown‘s The Man Who Knew Infinity. The Foundation’s book program includes support for Margot Lee Shetterly’s Hidden Figures, which became the highest grossing Oscar-nominated film of 2017 and a social and cultural milestone.  

For more information about the Alfred P. Sloan Foundation, please visit www.sloan.org  or follow the Foundation at @SloanPublic on Twitter and Facebook.

REQUIREMENTS:

• You are the sole and exclusive author of the feature screenplay submitted for consideration.

• You have not received more than $100K in aggregate to date as compensation for film or television writing work.

• If selected as one of the writers invited to submit a professional resume and personal statement for additional consideration, you will deliver those materials by the stated deadline.

• If selected as one of the writers invited to submit further materials for the Projects Lab, you will deliver a director's sample by the stated deadline.

• If selected for participation in the Labs, you are available to participate in the Lab cohort for which you are selected: for the Writers Lab, that is in person in Ojai, CA from October 14-19, 2024; for the Projects Lab, that is in person in Ojai, CA from November 11-16, 2024.

Please read both the Submissions Agreement and the Submissions Requirements before opting in.

blcklst.com/programs/2024-annual-labs

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Open Call

ITVS

DEADLINE: July 12, 2024 at 11:59pm PDT

INFO: We’re looking for exceptional storytelling that’s in line with our mission: stories that take risks, tackle important issues, address the needs of underserved audiences, and are seldom seen in public media. We know how hard you’ve worked on your project, and we’ll partner with you to help you finish it, then distribute it across public media platforms.

Open Call provides up to $400,000 of co-production funding to independent producers of nonfiction documentaries, ranging from short films to feature length. The documentary can be on any subject, or any viewpoint or style as long as it is in active production already, as evidenced via a work-in-progress sample. For pre-production nonfiction projects, see Diversity Development Fund. 

PLEASE NOTE: Open Call is not a grant. You will receive funding in the form of a co-production agreement that assigns ITVS certain broadcast and streaming rights to your project during the term of the contract.

Be sure to allow sufficient time (2-4 weeks) to complete the application. ITVS has adopted the Non-Fiction Core standards as a foundation for our funding applications. Much of the Open Call application has been aligned with this model, however, there is additional production detail required to complete the application as ITVS funds documentaries for public media. 

WHO WE FUND:

Open Call supports:

• Single, nonfiction films of various lengths. We do not accept narrative film/fiction projects, pilots, or series.

• Projects over 10 minutes seeking production or post-production support.

ELIGIBILITY:

You are eligible to apply if you are:

• A citizen or legal resident of the U.S. or its external territories, age 18 or older.

• The owner of the copyright of your production and maintain editorial control of the story. If more than one applicant is included on the application, both applicants must be copyright owners.

• An individual with previous film or television production credit in a principal role: director, producer, or first-time director or producer with an experienced co-producer or co-director attached to the project. Please review the FAQs for more information on eligible work.

• Seeking funding for production activities that support the completion and delivery of the documentary.

• Submitting a project that is in production or post-production as evidenced by having a video sample that includes originally-shot footage for this project.

• An individual only submitting one application per round, either as an applicant or a second applicant. Note that an applicant can be a member of the key creative personnel on multiple projects.

You are not eligible to apply if you are: 

• Currently enrolled as a student at a college or university.

• In consideration through another funding initiative with ITVS funding at time of submission.

• If you have received four declinations since June 2024 on a single project/documentary submission without advancing beyond the Reader Review.

• Current signatories of any ITVS production contracts who have not yet completed delivery.

• Producers representing foreign-based production entities.

• Employed full time as a producer or director by a broadcast entity or film studio, including public access stations.

• An organization including universities, foundations, and nonprofit businesses.

• A former employee who has worked for ITVS within the past 12 months.

• Submitting a project/documentary previously distributed in a public forum, including theatrical, festivals, educational, and communication screenings.

• Contracted for premiere commercial distribution with the intended submission.

WHAT TO EXPECT:

Review Process

After you submit your application, you will receive notification of your status within 16-20 weeks.

1. Eligibility Review: All projects are reviewed against the eligibility criteria and for full completion of the application. Ineligible projects will be notified if your project is unable to be considered for funding.

2. Reader Review: Each complete application is assigned an ITVS staff member and a peer reviewer. Our peer reviewers are ethnically and geographically diverse members of the independent film and public media communities.

3. Notification of Advancement: A small group of top applicants are chosen to advance as finalists. You’ll receive an email that lets you know if you’ve been selected.

4. Feasibility Review: Advancing submissions will be asked to submit a full production budget and answer additional production questions for review.

5. Panel Review: A five-person panel of independent producers and industry peers reviews all treatments, screens work-in-progress samples, and discusses the merit of each project.

6. Selection and Invitation for Co-Production Funding: Our programming and production department reviews the panel recommendations and feasibility check. A selection is then proposed to the ITVS content strategy team. ITVS President and CEO Carrie Lozano approves the final funding recipients and notifications are made inviting applicants into the contracting process.

Production and Distribution

ITVS doesn’t just fund your film. We provide you with co-production support, creative development and feedback, and public media distribution which can include marketing, publicity, and audience engagement services. You own copyright and maintain full editorial, creative, and financial control.

Funded projects will be expected to acknowledge the production support from ITVS in all program and publicity materials; cooperate with ITVS’ publicity protocols; provide timely information to ITVS about project activities, including notification of and request for approval of any major changes to the project; and submit contract deliverables, including final financial reporting at the conclusion of the project. Failure to submit the final financials will preclude applicants from eligibility to apply for future funding.

When your program is at or near completion, we work closely with public media programmers to ensure the strongest distribution of your program throughout public media. ITVS will enter a license agreement for the exclusive premiere distribution of your documentary.
 
ITVS-funded programs are presented by PBS series such as Independent Lens, POV, American Masters, Frontline, and America ReFramed on platforms like the PBS App, pbs.org, PBS YouTube, and broadcast. Our programs also have success in the festival, educational video, home video, SVOD, and foreign broadcast markets.

itvs.org/funding/open-call/

TV / FILM — MAY 2024

MARBLE HOUSE PROJECT

DEADLINE: May 6, 2024 by 11:59pm EST

INFO: Marble House Project is a multidisciplinary artist residency program that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. You must be at least 21 years old.   Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond. 

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. The residency is an opportunity to develop and carry out practices of mutual support, group conversation, and to cultivate adaptive relationships with the environment. This can take the form of discussions with guest multidisciplinary artists, thinkers, and activists and other individual and group activities that benefit our community of residents.

Residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. . Each session culminates with a short video interview and artists are invited to share their work with our community and each other. Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni and staff. Artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you. 

RESIDENCY DATES FOR 2025

• March 11th - April 1st

• April 6th - April 29th

• May 6th - May 27th

• June 3rd - June 24th

• July 8th - July 22nd. Parent / Artist Residency

Parent artist residency. This residency is only for parent artists who will be attending with their children. Children must be four years old by the start of the residency. Please note that if you only apply for this residency it is very competitive. If you choose other dates you will also be considered for those as well.  To find out more about the family friendly residency please visit http://www.marblehouseproject.org/residencyprograms/

• October 7th - October 28th

• November 3 - November 24th

marblehouseproject.submittable.com/submit

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2024 Grants Program Open Call

The Redford Center

DEADLINE: May 10, 2024

INFO: Our 2024 open call for grants applications will take place April 4 – May 10, 2024. Environmental nonfiction feature films or docuseries at any stage of development, production, or postproduction are eligible to apply. Each film awarded will receive a first-year (2024) $25,000 grant to support production and impact campaign expenses, an opportunity to present at an intimate, invitational virtual film showcase with funders and industry leaders, and a trip to an in-person Grantee Summit for project development and advisement. In year two (2025), grantees will have the opportunity to be considered for a  second grant to support the production’s completion, and impact. In addition to financial support, we work in a grantee cohort model and provide learning sessions and opportunities, networking and promotional support, and community building to all grantees. 

APPLICANT ELIGIBILITY:

• Must be 18+ years of age

• Application must come from Director or Producer

• Applications from anywhere in the world are eligible

• Previous filmmaking experience highly recommended

• Awardees will be expected to be available to participate in our professional development programming.

PROJECT ELIGIBILITY:

• New and ongoing nonfiction feature films or docu-series at any stage of development or production. Projects that are picture locked are ineligible to apply.

• Must be a documentary feature film or episodic docu-series

• Must have a clear impact goal and developed idea for an impact campaign

• Must be about, or intersect with, an environmental issue and a proposed or activated solution

WE ENCOURAGE STORIES ABOUT:

• Intersectional environmental issues and solutions for people and the planet.

• Leadership, progress, solutions, possibility, hope, and innovation that transform defeatist narratives around the environmental crises.

• Fresh viewpoints or filmmaking artistry that challenge the conventional boundaries of what an environmental story is expected to be.

• An equitable, inclusive, and diverse environmental movement that centers underrepresented and historically excluded communities and voices.

• Systemic bias, discrimination, and injustice in environmental policy and their impacts on communities, individuals, and the earth.

• Pathways to direct action, groundbreaking achievements, or measurable impact.

• Protecting and restoring land, water, biodiversity, and natural resources.

• Cultural practices that honor traditional and ancestral knowledge and wisdom.

• Community power and civic engagement initiatives at the intersection of environmental justice and planetary health.

In addition to providing financial support, The Redford Center’s support involves helping build community around these projects, advising on the design of intentional impact strategies and campaigns, and connecting filmmakers with additional opportunities, partnerships, funding, and advice that will lead them toward their ultimate impact goals.

Reflecting the core values of our organization, we seek to ensure accountability to and representation of the intersectionality of environmental advocates and artists, which includes Black, Indigenous, People of Color; Women; people with disabilities; immigrant and refugee communities; and LGBTQ+ communities, and all people whose lives are disproportionately impacted by environmental injustices.

GRANTEES RECEIVE:

• A $25,000 gift of financial support in the first year of the grants cycle.

• An invitation to apply for second-year funding, which includes a more substantial financial investment to support ongoing production, post-production, or an impact campaign.

• An all expenses paid trip to Redford Center Grants Summit in Spring 2025 (US-based) with exclusive participation in learning sessions and networking events with experts, industry leaders, and fellow artists. Each team is offered support in refining their project narratives and impact goals.

• An opportunity to present at an intimate, invitational virtual film showcase with funders and industry leaders in Fall 2024.

• Promotional support and strategic advice, from development to distribution, from The Redford Center.

• Invitation to join The Redford Center’s fiscal sponsorship program at a discounted rate, which makes it easier to attract and accept philanthropic support.

redfordcenter.org/grantapplication/

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CALL FOR ENTRIES: 2024 TWIN CITIES ARAB FILM FESTIVAL

Mizna

DEADLINE: May 11, 2024

INFO: Mizna’s 2024 Twin Cities Arab Film Festival seeks films for our upcoming festival scheduled for September 25–29, 2024. They accept narrative, documentary, experimental, and animated films of feature and short lengths. They seek films made by filmmakers from the SWANA region and beyond, as well as films relevant to the social realities of the SWANA region.

This year, all accepted submissions will be considered for Audience and Jury Awards.

Submissions are due May 11, 2024. Late submissions are due May 31, 2024.

Mizna strives to make our film festival accessible to filmmakers of all financial backgrounds. Filmmakers in need of a submission fee waiver can email mizna@mizna.org.

mizna.org/event/call-for-subs-aff2024/

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2024-2025 KAREN SCHMEER FILM EDITING FELLOWSHIP

DEADLINE: May 12, 2024

INFO: The 2024-2025 Karen Schemer Film Editing Fellowship is a year-long group professional development program for assistant, associate and emerging documentary film editors from historically underrepresented backgrounds and experiences - including those facing discrimination or barriers due to race, ethnicity, religion, socioeconomics, immigration, disability, age, gender, sexual orientation, and/or gender identity. The fellowship runs from September 2024 to September 2025 and consists of monthly small group meetings with seasoned documentary editor mentors. The program is hybrid, both online and in-person, allowing for fellows from across the United States.

While there are many talented editors who are also pursuing directing and producing careers, this is a program for people who are committed to documentary editing. Ideal applicants are currently working as documentary assistant, associate or early career editors who are looking to grow and work towards building a sustainable career. Growing from early-career roles such as assistant or associate editors into a full editor role can be a challenging and elusive process, and at any early stage in your career building a network and being recognized for your skills can be equally challenging. Applicants should be curious, open-minded, collaborative, and self-motivated people who are eager to get together with other documentary creatives to talk about the art, craft, ethics and business of editing documentaries.

ELIGIBILITY REQUIREMENTS:

1. Applicants must be committed to careers as documentary film editors (as opposed to fiction film editors or directors/producers who edit).

2. Applicants must come from historically underrepresented backgrounds and experiences - including those facing discrimination or barriers due to race, ethnicity, religion, socioeconomics, immigration, disability, age, gender, sexual orientation, and/or gender identity. 

3. Applicants must have at least two credits as an assistant, associate, additional, co-editor or editor on completed documentary films or documentary series, but no more than three credits as a co-editor or editor. These qualifying works must have running times of 45 minutes or more each (per film or episode). Your qualifying credits must be on two different projects. Your eligible editing credits may not be on works that you directed or produced.

4. Applicants must be based in the United States and reside here during the fellowship year from September 2024 to September 2025.

5. Applicants must be able to attend monthly meetings in-person if they reside in NYC or Los Angeles and monthly virtual meetings if they reside in other areas of the United States.

6. Applicants cannot be enrolled as students in undergraduate or graduate programs during the fellowship year.

Please reach out to us at info@karenschmeer.com with any questions about your eligibility.   

karenschmeer.com/news/

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Documentary Lab

Firelight Media

DEADLINE: May 13, 2024 at 11:59 pm EST

INFO: The Documentary Lab is Firelight Media’s longest-running artist program. This 18-month fellowship is designed to nurture underrepresented nonfiction storytellers working on their first or second feature film. The Documentary Lab provides holistic support for fellows’ projects and careers through professional development retreats, customized mentorship, and a $25K project grant. Throughout the Lab, filmmakers build a network within the documentary ecosystem, connecting with the fellows and alumni, as well as forging industry relationships across the field.

More than just a workshop, the Documentary Lab is unrivaled in its representation of diverse filmmakers, creating a network of talented, unique storytellers that receive ongoing support from a project’s conception to its completion. Over the last decade, the Documentary Lab grew from a mentorship program to a robust artist development initiative that has supported over 100 emerging filmmakers and granted over $600k toward productions and distribution.

We’re looking for ambitious applicants making artful and innovative documentary films that focus on underrepresented communities and provide new narratives about the most pressing issues of our time. Firelight Media will consider all types of long-form documentary projects – historical, investigative, personal, vérité, and experimental.

The timeline for application review, finalist notifications, and the upcoming Fellowship is below.

GUIDELINES:

Only the director of the film is eligible to apply and enter the program. We can accept co-directors if they meet all eligibility requirements. If you’re applying with your co-director, please indicate that in your application. We cannot accept more than 2 directors per project.

• Filmmaker must be from an underrepresented community and reside in the United States or U.S. territories (Puerto Rico, U.S. Virgin Islands, U.S. Samoa, Guam/Northern Mariana Islands).

• The project must be a long-form/feature-length documentary; the Lab does not accept short documentaries, series, or fiction projects of any kind.

• The film must be a work in progress. We accept films from early production through production or post-production. We do not accept films in development or pre-production, or completed films.

• Filmmaker must be an emerging documentary filmmaker (working on their first or second feature-length documentary).

Filmmakers are not eligible to receive support through one or any of Firelight Media’s artist programs if:

• The filmmaker is applying with a project that is a student film or related to ongoing coursework.

• The filmmaker is re-applying to a program they previously received support from.

• The filmmaker is contracted with another Firelight Media artist program and has not completed the final deliverables by the time they are selected for this program.

• The filmmaker is employed by Firelight Media, Firelight Films, or PBS as an officer, full-time employee, or is a member of the board of directors.

• The filmmaker does not hold the majority of the intellectual property of the film.

APPLICATION TIMELINE:

• Monday, May 13, 2024 at 11:59 pm EST - Application Open Call Ends

• May-August 2024 - Application Review Period 

• August 2024 - Panel Review 

• September 2024 - Finalist Interviews 

• October 2024 - Final Notifications

‍FELLOWSHIP TIMELINE:

• Mid-November 2024 - Orientation 

• Spring 2025 - Retreat #1 (in-person, location TBD) 

• Summer/Fall 2025 - Retreat #2 (virtual)

• Winter 2026 - Retreat #3 (in-person, location TBD)

APPLY NOW!

Firelight Media utilizes the Core Documentary Application. As part of your submission, you will need to share a work sample or rough cut no less than 10 minutes and no longer than 30 minutes.

We strongly suggest that you first write your application in a Word document or create your own separate copy as a back-up prior to applying via the Submittable portal. Please be sure to save your document then copy & paste your responses into the online application via Submittable. Uploading files into your application via Submittable might take some time; do not wait until the last hour to submit as we do not accept any late submissions.

RESOURCES:

We will be hosting a 2024 Documentary Lab Open Call webinar on Friday, May 3, 2024 from 4-5pm EST. RSVP HERE.

firelightmedia.tv/programs/documentary-lab

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DISNEY ENTERTAINMENT TELEVISION WRITING PROGRAM

SUBMISSION PERIOD: May 13 - June 7, 2024

INFO: The primary goal of the Disney Entertainment Television (“DET”) Writing Program (the “Program”) is to staff Program Writers on DET series as staff writers during the Program year. Staffing is not guaranteed.  The twelve-month Program is tentatively set to begin January 2025 and end in January of the following year. Please note, time frames are subject to change. For the first few months of the Program, writers participate in a professional development curriculum designed to better prepare them for staffing consideration, including developing, writing, and polishing at least one (1) original pilot script to be used as a staffing sample. The Program also provides engagement with executives, producers and credentialed writers, designed to facilitate relationships that can prove invaluable in developing a television writing career. Additional past activities have included: workshops led by veteran television writers, producers and Program alumni, and networking mixers with executives, producers, and showrunners.

SUBMISSION REQUIREMENTS:

Applicants must be able to legally work in the United States and be at least twenty-one (21) years of age by December 1, 2024.  Entertainment industry experience is not required but is strongly recommended. Those applying must fully complete an online application and submissions package, including uploading the following seven (7) items (eight (8) if you are opting in to be considered for the Boone Scholarship OR the FX John Singleton Scholars Initiative) (applicants may not apply for both Scholarships):

1. SCRIPT ONE: ORIGINAL PILOT SCRIPT capturing the writer’s unique tone, style and point of view. This sample must be live-action content; animation samples of any form are not accepted. This sample should tonally translate to the type of programming broadcast, airing or streaming on DET. This will be the primary script for consideration of your application.  It cannot be changed or replaced after submission.  This sample must not have been submitted in a previous application.  

2. EXHIBIT “A”: SCRIPT ONE SUMMARY FORM  

3. SCRIPT TWO: SECONDARY ORIGINAL PILOT SCRIPT capturing the writer’s unique tone, style and point of view.  This sample must be live-action content; animation samples of any form are not accepted.  This sample should tonally translate to the type of programming broadcast, airing or streaming on DET. This sample may have been submitted in a previous application and will receive the same score as before.  

4. EXHIBIT “B”: SCRIPT TWO SUMMARY FORM  

5. RESUME (two pages or less) outlining chronological salaried employment (which may include entertainment and non-entertainment positions).  Only list jobs or positions where compensation was received, with the exception of entertainment industry internships and full-time volunteer work at non-profits.  Please also list any courses or training you have taken to develop your craft as a writer.  Please do not list undergraduate coursework.  

6. STAFFING PITCH (no more than 1500 characters): “Pitch” yourself as a potential staff writer on a current DET series (broadcast, cable, or streaming). Before completing this section, please make sure you have a solid command of the breadth of programming across DET, as well as the particular show you are pitching yourself for; accepted series includes those confirmed to return for the 2024-25 season.  In your pitch, please specify: 1) why you think you would be a good fit for the particular show you selected, 2) how you identify with that show (whether it’s through a character, series theme, series storyline, series location, premise, etc.), and 3) what you think you could add to this particular writers’ room.  The pitch should address why you’re a fit, and not why you like the show or its impact.

7. PERSONAL ESSAY (no more than 3000 characters): a story from your life experience that conveys your unique perspective and/or multi-cultural sensibility. 

8. DISNEY BRANDED TELEVISION (“DBT”) EUNETTA T. BOONE SCHOLARSHIP PITCH (if applicable): If you opt in to be considered for the Eunetta T. Boone Comedy Writers Scholarship, please answer the following prompt in 1500 characters or less: Please share why you are applying for the Boone Scholarship.  Specifically, share how familiar you are with Eunetta T. Boone’s life and work, your connection to the shows she ran, and, if selected for the scholarship, how you plan to honor Ms. Boone’s legacy in a Disney Channel writers’ room.

9. FX JOHN SINGLETON SCHOLARS INTITIATIVE PITCH (if applicable): If you opt in to be considered for the FX John Singleton Scholarship, please answer the following prompt in 1500 characters or less: Please share why you are applying for the Singleton Scholars Initiative. Specifically, share how familiar you are with John Singleton’s life and work, and your connection to the shows he created/produced/directed.  Please also share how and why you think you’re a great fit for an FX Networks writers’ room.

SUBMISSION INSTRUCTIONS:

Complete only one online application per individual applicant or writing team (application will provide fields to list your writing partner’s information). Incomplete applications will not be opened or reviewed and will be disqualified without notification.

• Review all application materials carefully.

  • Instructions

  • FAQ

• Assemble required documents (download required forms here)  

  • Internet connection/browser (no faxed, mailed or emailed apps allowed)

  • Two original writing samples (fully completed pilot scripts)

  • Two completed script summary forms (one for each script)

  • A resume

  • Personal essay   

  • Staffing pitch

  • Your writing partner’s designated email address (if applicable)

  • Boone Scholarship Pitch (if applicable)

  • FX John Singleton Scholars Initiative Pitch (if applicable)

• Select the two scripts you plan to submit. Both scripts must be original pilots.

  • Assess your writing samples for quality and excellence 

    • Check for story and structure elements 

    • Does the main character behave in a clear, consistent manner?

    • Does the pilot stand alone as an episode (as opposed to a script that has set up all characters, places, etc., at the expense of an actual story arc)?

    • For comedy scripts, are there multiple laughs throughout each script?

    • Is it crystal clear what the underlying conflict, setting, and circumstances of the next 99 episodes would be?

    • Did the script get high marks in professional coverage from an established analyst, competition, or coverage service? Note: We cannot provide recommendations.

    • Determine which script will be your primary script (Script 1, the main script for consideration) and your secondary script (Script 2, the back-up script for consideration) 

  • Check to ensure your samples are completed pilot scripts (no treatments, beat sheets, etc.) 

    • Page count

    • Format

    • Spell check

    • Save/Print as PDF using the required naming conventions

• Launch the online application form. Once you have assembled all of the above materials, open the online application. It will take you approximately 30 minutes to complete, including uploading your required documents. Once you have electronically signed and submitted your application, it cannot be edited. You will receive a confirmation email following the successful submission of the online application.

  • Answer each question directly

  • Do not type in all caps in any field 

    • If you do not have an answer to the question, leave it blank. Do not type N/A,  TBD, ? or anything else. Leave it blank.  

    • If you have a writing partner, be sure your applications have the same scripts and script summaries – and include each other’s names and email addresses in the fields for your writing partner information. Decide in advance which emails you will use and be consistent.  

• If you experience any technical difficulties while completing the application, please send us a  message using the form below.

• Do not wait until the last day to submit as the chances increase of experiencing issues with uploading and submitting due to server overload. Applications will not be opened, reviewed, or accepted after the deadline; no exceptions, including for technical difficulty reasons.

sites.disney.com/ctdi/application/

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SHORT SCRIPT LAB

WeScreenplay 

DEADLINES / FEES:

• Regular - May 15, 2024 - $49.00 (Standard Entry with Feedback) / $104.99 (Standard Entry with Upgraded Feedback)

• Late - June 15, 2024 - $59.99 (Standard Entry with Feedback) / $114.99 (Standard Entry with Upgraded Feedback)

• Final - July 15, 2024 - $69.99 (Standard Entry with Feedback) / $124.99 (Standard Entry with Upgraded Feedback)

INFO: Short scripts are a fantastic way to get your screenwriting feet wet, explore a new genre, hone your craft, and gain recognition within the entertainment industry!

6 winners will be invited to take part in our exclusive Virtual Shorts Lab to help define the next steps in their projects journey – whether that’s self-producing, crowdfunding, or connecting it with producers looking for short content.

Plus, every entry receives one page of feedback from a professional reader!

BENEFITS:

Grand Prize Winners:

6 winners will be selected to participate in this game-changing virtual lab. This lab will be PACKED with virtual meetings with industry professionals, workshops, and more so you can learn, network, and gain exposure.

Winners will also receive:

• A copy of Final Draft screenwriting software

• Guidance for drafting query letters, research methods for finding the right representation, and insight for career next steps.

Finalists:

Finalists will be invited to a special virtual group mentor session with an industry professional!

Select finalists will have a 1:1 virtual meeting with a member of the WeScreenplay team to discuss you and your work.

writers.coverfly.com/competitions/view/wescreenplay-shorts

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The Studios at Key West

DEADLINE: May 15, 2024

INFO: The Studios of Key West, the premier arts organization at the Southernmost Point of the United States, offers a residency program for emerging and established artists and writers from around the world. We provide residencies to visual artists, writers, composers, musicians, media artists, performers, and interdisciplinary artists.

The program grants nearly 40 artists each year the time and space to imagine new artistic work, engage in valuable dialogue and explore island connections.

The Studios’ residency program is community-based and built upon the hope that visiting artists will take inspiration from Key West’s rich artistic past and present, and will engage with — and be inspired by — the remarkable people and culture that surrounds them.

Key West’s official motto, “One Human Family” reflects our commitment to living together as caring, sharing neighbors dedicated to making our home as close to paradise as we can. To that end, we encourage artists of all races, nationalities, gender identities, sexual orientations, and abilities to apply.

DURATION: Our residencies are one month; they run from the 2nd day of the month to the last day of the month. For example: if you are awarded a residency in June, you would plan to arrive on June 2, and would plan to depart by June 30.

We’re sorry, but we are currently unable to offer residencies of less than one month. If you are accepted to the program, please plan to be in residence for the full month.

COST: There is no fee for the residency once an artist has been accepted into the program. However, artists are responsible for their travel to Key West, as well as living expenses and incidentals.

tskw.org/pear-program/

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MONSON ARTS RESIDENCY

DEADLINE: May 15, 2024

INFO: Monson Arts’ residency program supports emerging and established artists and writers by providing them time and space to devote to their creative practices. During each of our 2-week and 4-week programs throughout the year, a cohort of 5 artists and 5 writers are invited to immerse themselves in small town life at the edge of Maine’s North Woods and focus intensely on their work within a creative and inspiring environment. They receive a private studio, private bedroom in shared housing, all meals, and $1,000 stipend ($500 for 2-week programs).

Applications for a residency at Monson Arts are open to anyone at any stage of their career, working in visual arts, writing, and related fields (i.e. audio, video, photography, movement, screen and playwrights). Open calls for residency applications currently take place 3 times throughout the year with deadlines on January 15, May 15, and September 15. Each application period corresponds to specific residency offerings 3-6 months out.

Residents’ studios are located in newly renovated Main Street buildings that have been designed specifically for visual artists and writers. All of our studio spaces are outfitted to be as flexible as possible so that we can accommodate a variety of creative practices. Our visual arts studios are spacious and light-filled with large work tables and sinks. Shelving and portable storage carts are available as needed. Access is available to woodshop and metal shop facilities in nearby buildings for any fabrication needs. Our writing studios are comfortably furnished with work tables, office chairs, bookshelves, and reading chairs. For those working in time and sound based media: apply to the Writing category if quiet contemplation would be best for your project or the Visual Arts category if you need room and the opportunity to make and play sounds out loud.

Residents live in newly renovated historic homes throughout town, within walking distance to studios and everything that downtown Monson has to offer. These are mostly 3 bedroom structures that are fully furnished and comfortable all four seasons of the year. Houses all have shared kitchens, bathrooms, and common areas with laundry machines, telephone, and other amenities as well. Wifi is available in all of our buildings through high speed fiberoptic service.

APPLICATION REQUIREMENTS:

• Up to 5 pages of work samples / 15 pages for playwright or screen writing

• A letter of intent for your time at the residency

• C.V. or Resume (limited to 6000 characters)

• Two reference names

monsonarts.org/residencies/overview/

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VCCA RESIDENCY

DEADLINE: May 15, 2024

APPLICATION FEE: $30

INFO: Residencies can be transformative to an artist’s process and the effect on an artist’s career profound. A residency at VCCA gives artists the time and space to explore and go deeper into their work. Away from the constraints of “the real world” and in an accepting environment of talented peers, one can dream and create with the feeling that anything is possible.

VCCA’s Mt. San Angelo location in Amherst, Virginia, typically hosts 360 artists each year in residencies of varying lengths (no minimum; up to six weeks) with flexible scheduling. A residency at Mt. San Angelo includes a private bedroom with private en-suite bath, a private individual studio, three prepared meals a day, and access to a community of more than 20 other artists in residence.

Nestled in the foothills of the Blue Ridge Mountains, VCCA is surrounded by natural wonders and hiking trails. Many local sites and additional inspiration can be found in short drives to Lynchburg (20 minutes), Charlottesville (1 hour), Roanoke (1.5 hours), or Richmond (2 hours).

VCCA Fellows are selected by peer review on the basis of professional achievement or promise of achievement in their respective fields. Separate review panels are created for each category (poetry, fiction, nonfiction, playwriting/screenwriting, children’s literature, performance, film/video, book arts, drawing, painting, sculpture, photography, installation art, music composition, etc.). Panelists undergo periodic review and rotate regularly to ensure VCCA admission decisions are guided by high caliber artists who represent a diversity of styles and tastes.

All VCCA residency and fellowship applications are accepted online via SlideRoom. The standard application fee is $30. If the application fee presents a significant barrier to application, artists should reach out to Artists Services at vcca@vcca.com to request an application fee waiver at least five days before the deadline.

FELLOWSHIP OPPORTUNITIES: A variety of fully-funded fellowship opportunities are available at each application deadline. In addition, significant financial assistance is available throughout the year.

vcca.com/apply/residencies-at-vcca/

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2025 (EGG)CELERATOR LAB

Chicken & Egg Pictures

DEADLINE: May 22, 2024 at 3:00 pm EST

INFO: Applications for the 2025 (Egg)celerator Lab are now open! 

The (Egg)celerator Lab is focused on identifying and supporting nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects, with a special focus on women and gender-expansive directors.

In this year-long program, these ten projects will receive:

• $40,000 USD in grant funding for the production of their feature-length film


• Monthly mentorship with Chicken & Egg Pictures’ team members


• Two creative retreats focused on career building and creative development


• Tailored industry meetings and funder connections


• Peer support from the (Egg)celerator Lab cohort


ELIGIBILITY:

To be eligible for this grant, filmmakers must meet the following criteria:

• Identify as a woman (cis and trans) or gender-expansive director:

  • For information about how we define gender-expansive, please refer to additional information on the gender expansion page of our website.

  • Applicants who are not in the target demographic that our organization serves are encouraged to partner with a woman or gender-expansive director.

  • If a prospective applicant does not meet the targeted demographic criteria, we will accept and evaluate the application based on merit/strength of the proposed project.

• Be directing their first or second feature-length (48 minutes or longer) documentary or nonfiction (including hybrid docs) film. See below for additional information on how we define this career stage.

  • A first-time director has never completed a feature-length documentary/nonfiction film and is currently working on their first feature-length documentary/nonfiction film.

  • A second-time director has already completed one feature-length documentary/nonfiction film and is currently working on their second feature-length documentary/nonfiction film.

• A director who has completed one feature-length documentary/nonfiction film and has two works-in-progress is considered a second-time director as long as they have not completed/premiered a second feature documentary/nonfiction film.

  • You are still considered a first- or second-time director, even if you have the following experience:

• You have directed multiple shorts or a web series.

• You have directed feature-length narrative film(s)

• You have produced feature-length documentary film(s)

• If you have questions about co-directing teams go to the FAQ: “What if we are co-directors, but the other has made more than two feature-length films?”

• Be based anywhere in the world, except for the countries which are under comprehensive US sanctions, which include: Cuba, Iran, North Korea, Syria, and the following regions of Ukraine: Crimea, Donetsk, and Luhansk. Further information on why filmmakers based in these countries/regions are ineligible to apply can be found here.

  • Legally, Chicken & Egg Pictures is required to comply with these laws, and therefore is not able to engage in financial transactions (i.e. grant disbursements) with any person/entity in any country/territory that is the subject of current comprehensive sanctions administered by the US Government.

  • If you are originally from these countries/regions but are based outside of them, you are still eligible to apply.

  • Please note: If you are making a film that takes place in one of these countries/regions, you may apply, but you will not be able to spend the grant in such countries/regions.

PROJECT ELIGIBILITY:

Applicants to this grant must submit a project for consideration that meets the following criteria:

• Must be a documentary or nonfiction film (including hybrid docs). VR, interactive, branded content, or fiction films are not eligible.

• Must be intended as a feature-length (48 minutes or longer) film. Short / medium-length films or series are not eligible.

• Must be in early to mid-production at the time of applying:

We recommend that you apply if you have between 10-60% of your footage shot by the date of application.

If you are aiming to reach the rough cut stage by the end of 2024 or by the first quarter of 2025, your project is most likely too advanced. The purpose of the (Egg)celerator Lab is to support projects at a stage where they can be actively workshopped and developed over the course of the program year.

We understand that production timelines are dependent on many factors including funding, and so if you have any questions about the eligibility of your project stage, please reach out to us at egglab_opencall@chickeneggpics.org

• Must be independently produced. Works-for-hire are not eligible, and student films produced in an undergraduate or graduate program are also not eligible.

You do not need a fiscal sponsor to apply for the (Egg)celerator Lab. However, if you are awarded, you must secure a US fiscal sponsor, or be a 501(c)(3), to receive the funds. A fiscal sponsor is a 501(c)(3) organization that shares its tax-exempt status with individual filmmakers, meaning that you are able to accept charitable grants. In exchange for this service, they may take a percentage of the incoming funds. A few examples of 501(c)3 organizations that offer fiscal sponsorships to filmmakers are included here.

For more details about eligibility, please review the full list of FAQs at the end of this page. If you have any questions regarding our open call that are not addressed in the FAQs, you can contact us at egglab_opencall@chickeneggpics.org.

APPLICATION TIMELINE:

• May 22, 2024, at 3:00 pm EDT: 2025 (Egg)celerator Lab application deadline

• June – October 2024: Chicken & Egg Pictures reviews applications in a three-round process

• Late October 2024: Chicken & Egg Pictures interviews finalists

• November 2024: Applicants are notified of their application status

• February 2025: (Egg)celerator Lab program year begins with first cohort check-in call

• February – March 2025: Grants disbursed

We kindly ask that you do not email to request an update on your application status. We will update applicants on the status of their application as we move through the reviewing process. The timeline may be subject to change, and we will communicate any significant delays to applicants.

PROGRAM TIMELINE:

• February 2025: Orientation Call (Zoom)

• March/April 2025: Spring Retreat (5 days, in-person – all costs covered by Chicken & Egg Pictures)

• June 2025: Cohort call (Zoom)

• July 2025: Summer Retreat (5 days, in-person – all costs covered by Chicken & Egg Pictures)

• October 2025: Cohort Call (Zoom)

In addition to the group activities outlined above, the program includes monthly one-on-one calls with members of our senior creative team. Each of the ten projects will also receive individualized industry strategy consultations with International Program Consultant Tereza Simikova.

Please note, the program timeline may be subject to change, and any changes will be communicated in November upon acceptance into the program.

APPLICATION:

The majority of the questions are based on the Nonfiction Core Application 2.0, with some supplemental questions included.

1. Review application checklist: 2025 (Egg)celerator Lab – Application Checklist

2. Confirm your eligibility: You must first fill out the pre-application form to confirm you are eligible for the grant. If eligible, you will receive an email with your account login information and the link to the application platform.

3. Submit application: You must submit your application via the platform no later than Wednesday, May 22, 2024, at 3:00 PM EDT. Important: late applications will not be accepted for any reason. You must submit your application via the platform by the deadline, otherwise you must wait until the following year to apply.

Accessibility Request: If you require technical assistance to navigate the application platform due to a disability, please contact egglab_opencall@chickeneggpics.org. We kindly ask that you make your request for assistance as soon as possible, and no later than Wednesday, May 15, 2024, to allow adequate time for staff to support you before the deadline.

WORK SAMPLES FOR APPLICATION:

All work samples must be in English or have accurate English subtitles on-screen.

First-time directors:

• Must submit a sample of the project with which they’re applying

• (OPTIONAL) Can submit a prior work sample

Second-time directors:

• Must submit a sample of the project with which they’re applying

• Must submit a prior work sample from their first feature-length document/non-fiction film, on which they served as director or co-director

Co-directing teams:

• Must submit a sample of the project with which they’re applying

• Must submit a prior work sample from the first- or second-time director, if your co-directing team consists of one first- or second-time director and one more experienced director

• (OPTIONAL) May submit a prior work sample if all directors are first-time director

CURRENT WORK SAMPLES REQUIREMENTS:

The current work sample should meet the following criteria:

• Length: Should be 7-20 minutes of material from the project with which you are applying.

We encourage applicants not to spend extra resources creating a brand new sample for this application if they already have one they have been using to apply to other funding opportunities. If your current sample is longer than the maximum length of 20 minutes, you can provide timecodes to the portion of the sample that you would like reviewers to watch and that best reflects your intended style and approach and that you would like to highlight.

• Content: Can consist of a combination of the following, but a trailer alone will not be eligible nor competitive:

2–3 scene selects/excerpts

Character strands

Trailer/Teaser/Sizzle Reel

Since we will be looking at your ability to construct a story, we encourage first-time filmmakers to ensure that their work samples include constructed scene selects/excerpts.

Scenes/excerpts do not need to be in chronological order; we encourage you to put your strongest material first since in the first round reviewers are required to watch up to the first 10 minutes of the project sample. In this early round, we consider that 10 minutes should be sufficient to get a sense of the project, the importance of the subject matter, and the talent of the filmmaker to move into the following round. Work samples will be viewed in full in subsequent rounds.

Important notes on trailers, character strands, and scene selects/excerpts:

Trailers: Trailers can often be slick, fast, and energetic, and may not give us an accurate sense of your film’s tone, character development, or story structure. If you’re submitting a trailer, we encourage you to also attach a couple of additional scenes. This will give us a better chance to experience your style and get a feel for your characters, access, relationship to the material, and narrative arc.

Character strands: If you’ve been following a character over time and want to show their evolution or development, you might want to string together scenes that show the character’s progression. A character strand doesn’t require formal transitions or the scenes to be interwoven with others, but it should demonstrate a character’s story arc, what makes them unique, and your depth of access to them. Please do this only if the character is your lead and a major part of the story.

Selected Scenes/Excerpts: If you are a bit further along, you can send us a selection of edited scenes or an excerpt of an early assembly of the film. These can be edited together consecutively to tell us a part of your story (with transitions), or they can be intercut with black in between (no transitions), to show us the range of your story. Scene selects or excerpts should provide us with a feel for how your story will play out in real time; they should also offer a sense of your tone, pacing, and cinematic language.

chickeneggpics.org/programs/#eggcelerator-lab

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2025 Philadelphia Filmmaker Lab

BlackStar

DEADLINE: May 23, 2024

INFO: BlackStar is proud to present the 2025 Philadelphia Filmmaker Lab, an opportunity designed to uplift emerging and mid-career artists in the Greater Philadelphia area. BlackStar’s Filmmaker Lab will support four projects by Black, Brown and Indigenous filmmakers with mentorship, funding and critical feedback over the course of a year-long program. BlackStar will provide $50,000 in production funds and act as an executive producer on each short film created during the Lab. Lab films will later premiere at the BlackStar Film Festival in 2025.

Selected directors will receive mentorship throughout the fellowship including feedback on works-in-progress, advice on working with crew and career guidance from a working director. The fellowship supports short narrative, experimental or hybrid projects.

ELIGIBILITY:

• Candidates must live in the Greater Philadelphia area.

• The Lab is not open to students currently pursuing an art or film degree, organizations, or corporations.

• Candidates should identify as Black, Brown, Indigenous or as a Person of Color (BIPOC).

• The Lab is open to adults at least 18 years of age.

• Applicants must be available for Orientation Weekend, currently set for September 21-22, 2024.

GUIDELINES:

• The Lab does not accept films that are currently in production or post-production.

• Applicants must be listed as the director of the submitted project.

• Candidates must have directed and exhibited at least one short film in any genre.

• Candidates should submit a short script for an original film. Our preference is for narrative, experimental and hybrid work of 15 minutes in length or less. Adaptations are acceptable as long as applicants can demonstrate permission to use the material.

• Previous Lab fellows are not eligible to participate.

KEY DATES:

• May 2, 2024 – Application Info Session

• May 23, 2024 – Application Closes

• July 1, 2024 – Notification Date

• Aug 1-4, 2024 – Meetup at 2024 BlackStar Film Festival

• September 21-22, 2024 – Orientation Weekend (Candidates must be available for in-person programming)

blackstarfest.org/lab/

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CALL FOR FILMS

The Reel Sisters of the Diaspora Film Festival & Lecture Series

DEADLINE: May 24, 2024

INFO: The Reel Sisters of the Diaspora Film Festival & Lecture Series is an annual film festival founded by African Voices magazine. Established in 1997, Reel Sisters (www.reelsisters.org) is dedicated to providing opportunities for women of color to advance their careers in the film industry. Reel Sisters accepts films written, directed, or produced by women/non-binary filmmakers of color. Reel Sisters is the first Academy Qualifying Film Festival for short narratives devoted to women of color across the globe. Reel Sisters is an IMDb qualifying film festival. Reel Sisters celebrates our 27th Anniversary in 2024.

APPLICATION INFO:

YOU MUST SUBMIT PRODUCTION STILLS/PHOTOS and a TRAILER for your submission to be ELIGIBLE AND COMPLETE. You can screenshot photos from your film if you were unable to hire a photographer.

Reel Sisters is a competitive festival and films are selected by an independent jury. Please submit films early as deadlines are final. The festival provides quality customer service and does not offer fee waivers. The fee covers a small fraction of the administrative costs for running a professional Oscar qualifying film festival.

Reel Sisters accepts all genres and formats with a special interest in submissions from animated and web series producers. Send us films that will make our audience “cry, dance, laugh, sing and explore." The festival curates events throughout the year so all entries will be considered for Reel Sisters Tea & Cinema series. Join our worldwide community of film professionals in celebrating stories produced, directed and written by women of color!

For complete application visit www.reelsisters.org

AWARDS + PRIZES

Reel Sisters screens original films by women across the globe each year — the festival has screened over 5,500 films since its inception. Awards for Best Director, Best Documentary, Best Screenplay, Best Experimental, Best Animation, Best Feature, Best Short, Best Narrative, Best Web Series, Best Original Soundtrack and the Reel Sisters Spirit Award are selected by an independent jury composed of filmmakers, community leaders and artists. Reel Sisters has given over $75,000 in cash awards, fellowships and scholarships since our inception. In 2023, Reel Sisters Micro Budget Film Fellowship provided script to screen opportunities to three women of color filmmakers who received $5K each towards their short film project. Our fellows receive a premiere screening at Reel Sisters, an Oscar Qualifying festival.

CASH AWARDS FOR 2024

• Best Narrative Short - $1,000

• Best Director - $500

• Best Screenplay - $300

• Best Animation - $200

filmfreeway.com/ReelSistersoftheDiasporaFilmFestival

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Teaching Fellowship for Black Writers

GrubStreet

DEADLINE: May 30, 2024

INFO: GrubStreet’s Teaching Fellowship for Black Writers provides financial and professional development support to two self-identified Black writers interested in teaching classes, participating in events, and working with our instructors and staff to deepen our curriculum. The fellowship includes compensation of $25,000, artistic mentorship, and access to the GrubStreet community and the Muse and the Marketplace conference. In time, the program aims to offer sustainable support to Black Writers and create a cohort of fellows who have direct access to GrubStreet resources, classes, and events. We also hope the fellows can influence GrubStreet’s pedagogy and cultural vision based on their experience and feedback.

COMPENSATION:

• $25,000 per fellow for the year.

• Access to mentorship from GrubStreet’s Education Director and fellow instructors.

• Free access to the Muse and the Marketplace during the fellowship year and the option to lead a paid session at the conference.

• Access to additional GrubStreet events.

• A dedicated space at GrubStreet’s new home to work on personal writing projects.

• 60 hours (or roughly 20 weeks) of free GrubStreet classes, which can be taken during or after the fellowship.

• A two-year GrubStreet membership.

RESPONSIBILITIES:

• Teaching one ten-week class.

• Teaching one six-week class.

• Teaching one week-long teen camp.

• Teaching one three-hour seminar (plus, the option to teach more for additional payment).

• Moderate or participate in a Boston Writers of Color’s event.

• Meet with the Director of Faculty and Fellowships periodically to track progress.

• Meet with new fellows at the end of your own fellowship year.

The fellowship begins September 3rd, 2024 and runs through the end of August 2025.

WHO SHOULD APPLY:

This fellowship is open to writers who self-identify as Black, are 18 or older, are able to work with both adult and teen audiences, and have a passion for expansive pedagogy, curriculum development, and professional growth. Ideal candidates will have some publication and teaching experience. Preference will be given to those working on their first book or a larger project. MFAs, a long publishing record, or extensive teaching experience are not requirements to apply, though feel free to tell us if you have any of these things.

Covid-19 Update: GrubStreet’s programming is currently taking place both virtually and in-person. We hope fellows will be able to join us in-person later in 2024 and 2025. Priority will be given to applicants who will be able to join us in Boston when it's safe to do so.

HOW TO APPLY:

The Teaching Fellowship for Black Writers Application Form will require the following:

• A personal statement (500 words max), which should include:

• Your background as a writer and teacher.

• Your personal philosophy or approach to creative writing workshops.

• How this particular fellowship fits your interests and goals as a writer and educator.

• Your CV or resume.

• A writing sample (20 pages limit for prose; 12 pages for poetry; 25 pages for scripts; and 20 pages for other or fused genres) that best exemplifies your current trajectory as a writer.

• Two personal references (name, email, and phone number) who can speak to your experience and dedication to writing and teaching.

IMPORTANT DATES:

• Deadline: Thursday, May 30th, 2024.

• Applications will be reviewed by a panel composed of GrubStreet’s program staff.

• Final decisions will be announced at the end of June.

• Program kicks off on September 3rd, 2024 and runs through the end of August 2025.

QUESTIONS?

If you have specific questions about the Teaching Fellowship for Black Writers, email programs@grubstreet.org or call the office anytime at 617.695.0075.

grubstreet.org/write/teaching-fellowship-for-black-writers

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Disney Launchpad Season Three

Disney

DEADLINE: June 2, 2024 at 11:59 p.m. PDT

INFO: With a focus on building a more inclusive entertainment industry, Disney is looking for experienced writers and/or directors from underrepresented backgrounds or those with unique perspectives to produce a short film for the Disney Launchpad: Shorts Incubator program.

As part of Disney Launchpad, writers and/or directors will be paired with Disney creative executives who will serve as mentors as they embark on a training program centered on creative collaboration within the Disney Studio system. Under the purview of the Disney Launchpad Producer, three (3) writers and/or directors will work to deliver three (3) live-action short films for possible exhibition on Disney+.

Select shorts may be considered for further feature-length or episodic development, based on the short’s quality, performance on the platform, future arcs, and other factors, though future development is not guaranteed.

ABOUT THE PROGRAM:

Launchpad is a minimum twelve (12) month program that will include the following (please note that timeframes and program parameters are subject to change):

• Three (3) months of script development and professional development classes, specifically designed to strengthen professional and storytelling skills.

• Classes for the writers and/or directors led by educational partner, the American Film Institute (AFI), as well as The Walt Disney Studios, held once or twice per week on the Disney studio lot in Burbank, California from 6:30-10 p.m. PT. Please note: these classes are mandatory for directors.

• The production schedule will include up to eight (8) weeks of pre-production, four (4) weeks of principal photography, and up to twelve (12) weeks of post-production. Please note: program timelines are subject to change.

HOW TO APPLY:

When applying, you will need to provide the following:

• Three (3) essays

• One (1) directing sample if applying as a director, one (1) short film script if applying as a writer, and both if applying as a writer/director.

• One (1) resume

• Signed legal agreements

• One (1) professional reference (optional)

APPLICANT CRITERIA:

To qualify for Disney Launchpad, applicants must:

• Be from an underrepresented background and/or have a unique perspective.

• Have the unrestricted right to be employed in the United States throughout the duration of the Launchpad program and throughout the term of any additional post-term obligations in connection with the Launchpad program. (Disney will not sponsor work visas for individuals employed for Launchpad.)

• Be at least twenty-one (21) years of age as of December 1, 2024.

• Have completed at least one (1) scripted, live-action narrative work (e.g., a short, feature film, webisode, or episodic program) of at least five (5) minutes in length within the past eight (8) years if applying as a director.

• Demonstrate a shared history of co-directing, if applying as a directing team of two (2), which will be evaluated on a case-by-case basis. Please see the FAQ for more information.

• Co-wrote the submitted script together, if applying as a writing team of two (2).

You are NOT eligible to apply either as a director, writer, or writer/director, if you’ve done any of the following:

• Directed a theatrically distributed, scripted, non-documentary feature film.

• Directed two (2) or more scripted, non-documentary episodes of a network television, cable television, or premium streaming series.

• Directed two (2) or more scripted, non-documentary films, distributed on network television, cable television, or premium streaming service.

• Written a theatrically distributed, scripted, non-documentary feature film.

• Written more than two (2) episodes of an aired and/or released network television, cable, or premium streaming series.

• Written a scripted, non-documentary film, distributed on network television, cable television, or a premium streaming service.

launchpad.disney.com/#howToApply

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The Disruptors Fellowship

The Center For Cultural Power

DEADLINE: June 7, 2024

INFO: The Disruptors Fellowship is an annual program for emerging television writers of color who identify as trans, nonbinary, disabled or undocumented/formerly undocumented immigrants.

Culture is power–it shapes us, sets the terms of the world we live in, and informs how we perceive issues, stories, and each other. Yet, white supremacy holds so much power as culture makers, reinforcing and perpetuating systems of oppression and preventing racial and gender equity from becoming the norm. The Disruptors Fellowship aims to change that.

The Disruptors Fellowship builds new pathways for Artist Disruptors, enabling them to generate more narratives that inspire and define their experiences on their own terms. As artist disruptors increase their power and impact, they accelerate narrative change and shift culture.

#OscarsSoWhite, #MeToo, and #TimesUp disrupted cultural norms around racial and gender justice, taking aim at the structures that normalize abuse and oppression, and catalyzed an effort to bring more diverse narratives to the forefront. The Disruptors Fellowship continues to build on this momentum and energy and chart new ways forward.

Artists Disruptors are dedicated to their craft and committed to creating a more just and harmonious world.

PROGRAM DETAILS: During this 3-month program, fellows are provided with mentorship, professional development, master classes and an opportunity to build community with other writers of color, both emergent and leaders in their field. Each fellow will receive a $10,000 stipend!

FELLOWSHIP SCHEDULE:

• APPLICATION DEADLINE - June 7, 2024

• 2024 FELLOWS NOTIFIED - Late July 2024

• TUESDAY & THURSDAY SESSIONS* - August 8 - October 17
  In-person Sessions: 6PM-7:30PM
  Online Sessions 7PM-8:30PM

• FELLOWSHIP KICK-OFF PARTY - August TBD • 6PM-9PM PST (In-Person)
  Los Angeles, Location TBD

• DISRUPTORS SHOWCASE - November TBD (In-Person)

• CLOSING CELEBRATION - November TBD (In-Person)

artistdisruptors.org

TV / FILM — APRIL 2024

CREATIVE CAPITAL GRANTS

Creative Capital

DEADLINE: April 4, 2024

INFO: For our 25th Anniversary, Creative Capital welcomes innovative and original new project proposals in visual arts, performing arts, film/moving image, technology, literature, multidisciplinary, and socially engaged forms.

The Creative Capital Award provides unrestricted project grants which can be drawn down over a multi-year period, bespoke professional development services, and community-building opportunities.

Grants are awarded via a democratic, national, open call, external review process. Our goal is to fund individual artists creating conceptually, aesthetically, and formally challenging, risk-taking, and never-before-seen projects.

GRANT APPLICATION DETAILS:

Creative Capital is committed to groundbreaking ideas that challenge what art can be. As Creative Capital Awardees have demonstrated, socially impactful ideas are embedded in a myriad of artistic forms and practices. We invite artists to propose experimental, original, bold projects in the visual arts, performing arts, film/moving image, technology, literature, multidisciplinary, and socially engaged forms which push boundaries formally and/or thematically. 

We invite artists to select a primary discipline for their proposals based on which experts are most suited and qualified to review the project proposal, with the understanding that radical art is often by nature interdisciplinary, multidisciplinary, or antidisciplinary. By choosing to apply within a certain disciplinary category, we are asking you to choose how you want to frame the discussion around your work and to indicate which experts are most qualified to evaluate your project proposal.

2025: 50 Grants 

• Visual Arts: including painting, sculpture, drawing, photography, architecture, design, multimedia, installation, video art, performance art, new genres, craft, and socially engaged, and/or sustainable visual art-based practices

  1. Performing Arts: including dance, theater (new theatrical work, playwriting), jazz, music, opera, singing, and socially engaged and/or sustainable performing arts-based practices

  2. Film/Moving Image: including experimental film, short film, animation, documentary film, narrative film, and socially engaged and/or sustainable film/moving image-based practices

  3. Technology: including augmented reality/virtual reality, bio art, data visualization, hardware, software, digital media, internet art, and socially engaged and/or sustainable technology-based practices

  4. Literature: including poetry, fiction, nonfiction, graphic novels, and socially engaged and/or sustainable literature-based practices

APPLICATION CYCLE:

ROUND I: Tell us your idea. Letter of Inquiry (LOI)

Along with your project title, one line project description (25 words max), project description (250 words max), resume (1 page max), and artist website (if applicable), please answer the following questions:

1. How does your project take an original and imaginative approach to content and form? Please be as specific as possible. (150 words)

2. Please place your work in context so we may better evaluate it. What are the main influences upon your work as an artist? How does your past work inform your current project? Please use concrete examples, which may include other artists’ work, art movements, cultural heritage, science, philosophy, research/work from outside the arts field, etc. (150 words)

3. What kind of impact—artistic, intellectual, communal, civic, social, political, environmental, etc.—do you hope your project will have? What strategies will you employ to achieve the desired impact? (100 words)

4. Who are the specific audiences/communities that you hope to engage through this project? Please think beyond the broader art community where possible. How are you hoping to reach them? (100 words)

5. How might your proposed project act as a catalyst for your artistic and professional growth? In what ways is it a pivotal moment in your practice? (100 words)

6. In addition to funding, Creative Capital also provides scaffolding and support services for awardees (such as expert consultations, gatherings, alumni network, workshops). How would our non-monetary services help you to realize your goals for this project and/or your long-term artistic and professional growth? (100 words)

ROUND II: Project Details

1. Project itemized budget (1 page)

2. Project timeline (1 page)

3. Work samples (see application handbook for guidelines)

ROUND III: Final Panel Review

1. Submit proof of eligibility. 

2. Confirm collaborators (if applicable)

3. Project updates (optional, 100 words max)

Full application guidelines are outlined in the Application Handbook.

All applications are reviewed by external reviewers who are scholars, curators, artists, past awardees, and experts in the field. The final recommendations for the awards are reviewed and then ratified by our Board. Awardees are announced in January 2025. Under no circumstances will the reasons for the rejection of an application be provided.

Any awarded projects which are directly related to any of the 17 UN 2030 Sustainable Development Goals will have the opportunity to have the “Way” or the icon of that UN Sustainable Development goal attached to their project on the Creative Capital website in effort to advance the global dialogue around these critical issues impacting the future of our communities, our planet, and beyond. In keeping with the spirit of the 17 UN 2030 Sustainable Development Goals, we too have an expansive definition of “sustainability” that goes far beyond climate change and the environmental challenges we face—including: good health and wellbeing, affordable and clean energy, reduced inequalities, life on land, and peace, justice, and strong institutions.

2025 CREATIVE CAPITAL GRANT TIMELINE:

These dates may change.

• March 4 to April 4, 2024: Letter of Inquiries (LOI) accepted

• April 4, 2024 4:00 PM Eastern Time / New York Time: LOI deadline

• June 2024: Notification of advancement to Round II

• September 2024: Notification of advancement to Final Panel Review

• January 2025: Public announcement of 2025 Creative Capital Awards

ARTIST ELIGIBILITY:

• US citizen, permanent legal resident, or O-1 visa holder

• At least 25 years old

• Working artist(s) with at least 5 years of professional artistic practice

• Applicant may not be enrolled in a degree-granting program

• May not apply to the Warhol Foundation Arts Writers grant program in the same year

• May not have previously received a Creative Capital Award

• May not be an applicant or collaborator on more than one proposed project per year

Projects that are not eligible

• Projects whose main purpose is promotional

• Project is to fund ongoing operations of existing business

• Curation or documentation of existing work

• Projects that will be completed before January, 2025.

JUROR INFORMATION:

Creative Capital invites regional, national, and international experts in a wide range of disciplines to serve in our review process. External reviewers are offered honoraria for their time and expertise. All external reviewer names are confidential until the awards are announced.

creative-capital.org/about-the-creative-capital-award

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SESAME WORKSHOP WRITERS' ROOM

Sesame Workshop

DEADLINE: April 8, 2024 by 12pm EST

INFO: Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. 

Fresh new writing talent that reflect the diversity of our vast audience. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept. Past fellows have gone on to develop their own original content with Sesame Workshop, as well as write for Sesame Street and various programs at Nickelodeon, Disney, DreamWorks, and more! Learn about the 2023 fellows and speakers below.

ABOUT THE PROGRAM:

• Up to 8 writers will be selected 

• Sessions are expected to take place virtually from July to August 2024

• Learn from industry writers, producers, agents and executives 

• Learn and complete all steps of creating an original pilot episode script

• Includes eight, three-hour sessions on creating original children’s content 

• Up to two participants will have the opportunity to receive creative development deals and further mentorship

APPLICATION CHECK LIST:

• Application form: Application must be submitted by April 8th, 2024 12PM EST. 

• Original script sample: 11-page maximum; should NOT contain Sesame Street elements, characters, or intellectual property;  can be an excerpt from a larger piece  wholly written by the applicant; must model a 3 act story structure; and be kid-friendly content for viewers up to age 12…we’re looking for great characters and stories that inspire kids to be smarter, stronger and kinder!

• Resumes: 2-page maximum. Anything longer will be disqualified. More info on your script: what’s the bigger picture/idea of your script sample? (up to 100 words)

• Personal statement: tell us about yourself, for example, why you want to write for children’s educational media, how your experiences influence the stories you tell, why you value diversity/representation in children’s media, etc. (up to 250 words)

ELIGIBILITY CHECK LIST:

• Participants must be a U.S. citizen or permanent resident

• No extensive media writing experience, such as having written more than six episodes for a network or cable scripted/narrative series

• Participants must be 21+ years old

• Participants must be able to attend and complete writing assignments for all 8 sessions, which will be held virtually from June to August 2024

sesameworkshop.org/our-work/fellowships/writers-room

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2024 LFI WORKS IN PROGRESS

The Los Angeles Latino International Film Festival (LALIFF)

DEADLINE: April 8, 2024

INFO: In its second year, LFI Works in Progress sponsored by Amazon Studios, supports independent US based Latino filmmakers in the completion of a feature film (fiction or documentary). The program grants finishing funds towards the final stages of post-production. The fund supports films with high production value, a distinctive directorial voice, culturally significant and commercially viable.

The fund allocates $50,000 between three projects selected through an open call. A jury of industry professionals divides the funds among the projects, based on their post production needs.

ELIGIBILITY CRITERIA:

• Open to USA productions directed by a filmmaker who identifies as Latino.

• The applicant (director or producer) must be 18+ years of age.

• Directors need to reside in the USA (including continental USA, Hawaii, Puerto Rico and the Virgin Islands).

• Applications can be completed by:

  • Individuals

  • Production companies based in the USA

• Projects must submit a fine cut. Funds will be awarded for final stages of post-production (VFX, color correction, sound design, final sound mix, packaging, deliverables).

• Projects must be independently produced.

• Projects must be feature length (minimum 70 min), fiction or documentary.

• Selected projects commit to completion within 8 months from fund allocation.

• If the funds allocated are not enough to cover the cost of finishing the project, the awarded funds will be released upon submission of proof of additional funding.

• Student films or TV/Web pilots are not eligible.

The awarded funds CAN be used for:

• Costs associated with color correction and final grading

• Costs associated with sound completion (including soundtrack)

• Costs associated with master outputs and deliverables

The awarded funds CANNOT be used for:

• Above the line fees

• Costs not directly associated with post-production as described above

• Legal and accounting costs

• Re-shoots, stock footage

• Capital expenditure

• Film festival submission or screening costs

• Retroactive costs (already endured by the film)

If you have any questions email us at wipcoordinator@latinofilm.org

laliff.org/programs/wip2024/

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PILOT ACCELERATOR

Moonshot Initiative

DEADLINE: April 14, 2024

INFO: In this highly competitive virtual accelerator program for TV writers, 6-8 fellows will receive three weeks of industry training before having the opportunity to pitch to major studios, production companies, representatives, and producers. The entire accelerator, including training and pitching, will occur online.

The goal of this program is to launch the careers of our fellows, which could take the form of selling their TV pilot; securing follow-up meetings with executives; getting hired as a freelance writer, staff writer or writing support staff on an existing series; and/or making valuable industry contacts.​ This program aims to increase the representation of women and non-binary people on screen and in writers rooms.

WHO HEARS THE PITCHES?

For every accelerator, we get over 20 studios and production companies on board to hear pitches. Fellows typically receive 6 to 10 requests for pitch meetings. These pitch meetings are all one-on-one, and 85% of the meetings end with a request to read the full script. Here is a list of the companies we have worked with in the past:

WHO READS THE SCRIPTS?

Semi-finalists' pilots will be read by an incredible group of judges, including showrunners, executive producers, series creators and TV writers. This panel of judges will help us select the finalists, who will then go through a virtual interview before the 6-8 fellows are selected. Even if you are not selected as a fellow, there is still a chance you might be contacted if one of these judges likes your script enough to interview or refer you for a writing position.​

Before getting to the semi-finalist stage, all scripts are read at least twice by our internal team, volunteer readers and former fellows.

WHAT HAPPENS DURING THE ACCELERATOR

The accelerator sessions take place on June 18, 20, 25, 26, 27 and July 9, 10, 11 and each session is three hours long. Pitch week if from July 15 to July 19. Here are more details about the sessions:

Perfect the pitch

You'll meet with a development executive (Jasmine Russ, VP of Development at Fabel Entertainment) and a showrunner (Elle Johnson of Netflix's "Self-Made") to get feedback from the perspective of the people who buy and sell stories.

Have fun with it

We'll have a mock writers room with a showrunner to prepare you for life as a tv writer. We'll also have a session with a speech coach, Samara Bay, to make sure you can express yourself fully.

Career Advice

You'll meet with an entertainment lawyer (Rebecca Neipris of 1st Gen Law), agent (Rukayat Giwa at CAA), and manager to discuss how to best protect yourself as a writer and have a long, lucrative career.

Pitch Week

The 25 companies that have agreed to hear pitches will review the loglines we send them. Each company will select at least 3 people to hear pitches (this way you're only pitching to companies who are interested in your work). Each fellows pitches to 4-8 companies on average.

moonshotinitiative.org/accelerator

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DIVERSE VOICES LAB

WeScreenplay 

DEADLINE: April 15, 2024

FEES: 

• Standard Entry with Feedback: $74.99

• Standard Entry with Upgraded Feedback: $129.98

INFO: Diverse Voices is a dynamic virtual screenwriting lab with a proven track record of helping elevate stories that are told from perspectives that are often underrepresented in film and TV today. This includes writers of color, women writers, writers with disabilities, writers over 40, writers in the LGBTQ+ community, and any other voices that have historically been ignored by Hollywood.

6 Fellows will be selected to participate in this career-changing lab!

Plus, all entries receive one page of feedback from a professional reader from a diverse background.

BENEFITS
VIRTUAL WRITING LAB

The top 6 writers will be invited to WeScreenplay’s Diverse Voices Virtual Writing Lab! This multi-day lab will be PACKED with workshops to hone craft, mentorship calls with working writers, and general meetings with studio execs, literary reps, and more.

Winners will also receive:

• A copy of Final Draft screenwriting software

• Guidance for drafting query letters, research methods for finding the right representation, and insights for career next steps.
  

KEYNOTE MENTORS

Keynote mentors will participate in the Diverse Voices Fall lab group sessions and select at least one writer for a one-on-one coaching session, tailored to the selected writer.

NICEOLE LEVY
After growing up near China Lake Naval Weapons Center in the middle of the Mojave Desert, Niceole escaped to the bright lights of Los Angeles. While studying acting at the American Academy of Dramatic Arts, she realized her true love was writing stories, not playing them out. She worked as a police dispatcher to pay her way through USC undergrad and then completed the Master of Professional Writing program, also at USC. An alum of the CBS Writers Mentoring Program, NBC's Writers on the Verge, and the WGAW Showrunner Training Program, Niceole has written on “Ironside,” “Allegiance,” “The Mysteries of Laura,” “Shades of Blue,” "Cloak & Dagger," “Fate: the Winx Saga,” “S.W.A.T,” and “The Recruit.” She also co-wrote a feature, "The Banker," with former “Allegiance” showrunner and director George Nolfi, available on AppleTV+, and recently finished writing “Spark,” a film inspired by the life of Claudette Colvin. Niceole currently has several TV and feature projects in development. Her first book, “The Writers’ Room Survival Guide,” was released in October of 2022.

PRINCE BAGGETT
Prince Baggett leads the charge at Confluential Films & Black Love, steering a diverse film slate from development to production. In his role as Head of Film, he blends a discerning financial acumen with a dedication to inclusive storytelling, championing studio projects that amplify and support underrepresented voices. In January, his strategic efforts were instrumental in presenting three standout Sundance features, including Young. Wild. Free with Sanaa Lathan, and an acclaimed documentary, cementing the company's status as a powerhouse for diverse talent. Particularly noteworthy is "Going to Mars: The Nikki Giovanni Project," generating Oscar buzz and set to captivate HBO audiences post its theatrical run. Additionally, Confluential's production, "The Perfect Find," premiered on Netflix in 2023. Before joining Confluential, Prince held the reins at Genius Productions, overseeing Marsai Martin's first-look deal with Universal Pictures and playing a pivotal role in development on projects like "Little" “Saturdays” and "Amari and the Night Brothers." A fervent advocate for mentorship, Prince previously was a mentor in the Universal Pictures Writers and Director Programs and played a key role in co-founding the Diverse Representation Black Entertainment Executives Pipeline Program.

writers.coverfly.com/competitions/view/wescreenplay-diverse-voices#prices-deadlines

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SHORT SCRIPT LAB

WeScreenplay 

DEADLINES / FEES:

• Early - April 15, 2024 - $39.99 (Standard Entry with Feedback) / $94.99 (Standard Entry with Upgraded Feedback)

• Regular - May 15, 2024 - $49.00 (Standard Entry with Feedback) / $104.99 (Standard Entry with Upgraded Feedback)

• Late - June 15, 2024 - $59.99 (Standard Entry with Feedback) / $114.99 (Standard Entry with Upgraded Feedback)

• Final - July 15, 2024 - $69.99 (Standard Entry with Feedback) / $124.99 (Standard Entry with Upgraded Feedback)

INFO: Short scripts are a fantastic way to get your screenwriting feet wet, explore a new genre, hone your craft, and gain recognition within the entertainment industry!

6 winners will be invited to take part in our exclusive Virtual Shorts Lab to help define the next steps in their projects journey – whether that’s self-producing, crowdfunding, or connecting it with producers looking for short content.

Plus, every entry receives one page of feedback from a professional reader!

BENEFITS:

Grand Prize Winners:

6 winners will be selected to participate in this game-changing virtual lab. This lab will be PACKED with virtual meetings with industry professionals, workshops, and more so you can learn, network, and gain exposure.

Winners will also receive:

• A copy of Final Draft screenwriting software

• Guidance for drafting query letters, research methods for finding the right representation, and insight for career next steps.

Finalists:

Finalists will be invited to a special virtual group mentor session with an industry professional!

Select finalists will have a 1:1 virtual meeting with a member of the WeScreenplay team to discuss you and your work.

writers.coverfly.com/competitions/view/wescreenplay-shorts

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Jerome Hill Artist Fellowships

Jerome Foundation

DEADLINE: April 15, 2024 BY 4:00PM CT / 5:00PM ET

INFO: Jerome Hill Artist Fellowships support early career Minnesota- and New York City-based generative artists who take creative risks in exploring, expanding, imagining, or re-imagining creative practices and experiences; reclaiming or reviving traditional forms in original ways; and/or questioning, challenging, or disrupting cultural norms.

Jerome Foundation seeks to support artists who are creating, developing, and presenting imaginative work that is deeply considered, presented with technical skill, is compelling, and offers a distinctive vision and authentic voice. This three-year Fellowship supports artists who embrace their roles as part of a larger community of artists and citizens, and consciously work with a sense of service and responsibility.

Support is directed to early career artists, which Jerome Foundation defines as within their 2nd–10th year as a generative artist.

Fellows receive $60,000 over three consecutive years ($20,000 each year) to support their time and expenses for the creation of new work, artistic development and/or professional artistic career development. The Foundation expects to award a total of 45 fellowships across 7 artistic fields.

jeromefdn.org/jerome-hill-artist-fellowship

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CATAPULT DEVELOPMENT GRANT

Catapult Film Fund

DEADLINE: April 15, 2024

INFO: Launched in 2010, the Catapult Development Fund provides early-stage support to documentary filmmakers when funding is hardest to find. For this cycle, we will offer fifteen (15) grants of up to $25,000 USD to filmmakers in development with a documentary feature or short. We do not support docuseries at this time.

Our flagship program is geared toward independent filmmakers who have a strong story to tell, have secured access, and are ready to unlock critical production funding. This grant can be used for a variety of development needs and must result in the creation of a fundraising piece as the final deliverable. We prioritize artful, moving storytelling and are not tied to any specific social issue agenda. Learn more about Frequently Asked Questions»

KEY DATES:

• March 11, 2024: Application Opens on Submittable

• April 15, 2024: Application Closes at 5 p.m. PT

• September 2024: Grantees notified

• October 2024: Grantees announced

ELIGIBILITY:

• Applicants (Project Director) must be 18 years or older and cannot be enrolled in an academic institution.

• Documentaries must be in development or early production with an intended length of 28 minutes or longer.

• Grant funds must specifically be used to create a fundraising piece, which may include writing, shooting and editing once story and characters are in place.

• Applicants must own the copyright of their production, and have artistic, budgetary, and editorial control over their project.

• Applicants should have previous film or television production experience in a principal role (director, co-director, producer, co-producer) as demonstrated via previous work samples. Applicants who do not meet this criteria should demonstrate how they will be working with experienced filmmakers as key creative personnel.

• Catapult does not make grants to individuals. If selected, applicants must be able to accept grants through a 501(c)(3) organization such as a fiscal sponsor. Projects may apply without a fiscal sponsor but must confirm the designated organization in order to receive funding. Learn more in our Frequently Asked Questions»

Catapult does not fund student films, docuseries, fiction projects, or projects that are in production, post-production, or completed. Hybrid and experimental formats will be considered on a case-by-case basis.

SELECTION CRITERIA:

• Artful, compelling storytelling that moves you, with a preference for character-driven narratives over lesson or agenda-heavy projects

• Originality of approach, content, and form

• Creative and innovative storytelling techniques

• Contemporary relevance with a unique perspective, style, and/or tone

• Project feasibility with respect to budget, financing, schedule, and scope

• Demonstrated ability of the creative team to implement previous projects

• Credible access and rapport with the proposed subject(s) of the story, with attention to accountability and ethics

• Significant impact of Catapult grant on development stage of the project

• Potential of the project to generate public discourse and social engagement

GUIDELINES:

• Grant awards range from $5000 to $25,000. If selected, grantees must have a U.S.-based 501(c)(3) fiscal sponsor to officially accept the award.

• Once accepted, Catapult will provide a letter of agreement that clearly outlines use of funds, reporting, and deliverables. Report deadlines are determined by the grantee, based on project goals and timeline.

• Grantees must submit two financial reports during the course of the grant period: an interim report, which will accompany a narrative report; and a final financial report to be submitted once the grant is complete.

• Upon completion of the award period, grantees must submit the proposed fundraising piece. Grantees agree to return any funds not used for the purpose of the grant.

• Grantees will be expected to acknowledge Catapult support with text and/or logo recognition in film credits, publicity, and promotional materials, as well as tickets to the film’s premiere.

• Beyond the grant, Catapult serves as an early and engaged champion for our grantees by providing editorial feedback, industry connections, and mentorship based on project needs.

catapultfilmfund.org/how-to-apply/development/

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The Black Film Space Mentorship Program

Black Film Space

DEADLINE: April 24, 2024 by 11:59pm ET

INFO: Black Film Space is elated to launch our second mentorship cohort which offers emerging filmmakers an opportunity to build relationships and develop their skill set alongside seasoned professionals.

The Black Film Space Mentorship Program pairs 10 mentees and 10 mentors together from June 5th to November 22nd, 2024.

Mentees will have (6) 45 minute meetings with their mentor during the program to discuss their work, develop their projects, and careers as it pertains to their short and long term goals.

Mentors will give one round of feedback on the mentees work over the course of the program.

Mentees are selected based on: Quality of work, project goals, personal statement, career objectives and virtual interviews. Mentees must work towards a short term goal over the course of the program.

You must be a Black Film Space member to apply.

blackfilmspace.com/mentorship

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CALL FOR FILMS

The Reel Sisters of the Diaspora Film Festival & Lecture Series

DEADLINES:

• Regular - April 30, 2024

• Final - May 24, 2024

INFO: The Reel Sisters of the Diaspora Film Festival & Lecture Series is an annual film festival founded by African Voices magazine. Established in 1997, Reel Sisters (www.reelsisters.org) is dedicated to providing opportunities for women of color to advance their careers in the film industry. Reel Sisters accepts films written, directed, or produced by women/non-binary filmmakers of color. Reel Sisters is the first Academy Qualifying Film Festival for short narratives devoted to women of color across the globe. Reel Sisters is an IMDb qualifying film festival. Reel Sisters celebrates our 27th Anniversary in 2024.

APPLICATION INFO:

YOU MUST SUBMIT PRODUCTION STILLS/PHOTOS and a TRAILER for your submission to be ELIGIBLE AND COMPLETE. You can screenshot photos from your film if you were unable to hire a photographer.

Reel Sisters is a competitive festival and films are selected by an independent jury. Please submit films early as deadlines are final. The festival provides quality customer service and does not offer fee waivers. The fee covers a small fraction of the administrative costs for running a professional Oscar qualifying film festival.

Reel Sisters accepts all genres and formats with a special interest in submissions from animated and web series producers. Send us films that will make our audience “cry, dance, laugh, sing and explore." The festival curates events throughout the year so all entries will be considered for Reel Sisters Tea & Cinema series. Join our worldwide community of film professionals in celebrating stories produced, directed and written by women of color!

For complete application visit www.reelsisters.org

AWARDS + PRIZES

Reel Sisters screens original films by women across the globe each year — the festival has screened over 5,500 films since its inception. Awards for Best Director, Best Documentary, Best Screenplay, Best Experimental, Best Animation, Best Feature, Best Short, Best Narrative, Best Web Series, Best Original Soundtrack and the Reel Sisters Spirit Award are selected by an independent jury composed of filmmakers, community leaders and artists. Reel Sisters has given over $75,000 in cash awards, fellowships and scholarships since our inception. In 2023, Reel Sisters Micro Budget Film Fellowship provided script to screen opportunities to three women of color filmmakers who received $5K each towards their short film project. Our fellows receive a premiere screening at Reel Sisters, an Oscar Qualifying festival.

CASH AWARDS FOR 2024

• Best Narrative Short - $1,000

• Best Director - $500

• Best Screenplay - $300

• Best Animation - $200

filmfreeway.com/ReelSistersoftheDiasporaFilmFestival

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Academy Nicholl Fellowship

The Academy of Motion Picture Arts and Sciences

DEADLINE: May 1, 2024 at 11:59 pm PT

ENTRY FEE: $120

INFO: Each year, the Academy Nicholl screenwriting competition awards up to five $35,000 fellowships to amateur screenwriters. To enter, submit a feature length screenplay and entry fee via the online application. Fellowship winners are invited to participate in awards week ceremonies and seminars, receive individualized Academy member mentorship and are expected to complete at least one original feature film screenplay during their Fellowship year.

QUALIFICATIONS:

Up to five $35,000 fellowships are awarded each year to promising new screenwriters. From the program’s inception in 1986 through 2022, 192 fellowships totaling $5.08 million have been awarded.

FELLOWSHIP OBLIGATIONS:

Up to five fellows in the Academy Nicholl Fellowships in Screenwriting competition will be invited to participate in awards week ceremonies and seminars in November.

Fellowship recipients will be expected to complete at least one original feature film screenplay during the fellowship year.

Fellowship payments will be made quarterly subject to satisfactory progress of the recipient’s work, as judged by the Academy Nicholl Fellowships Committee.

The Academy reserves the right to grant no awards if, in the opinion of the Academy Nicholl Fellowships Committee, no entry is of sufficient merit.

ENTRY REQUIREMENTS

• Original feature film screenplay (no shorter than 70 pages and no longer than 160 pages) in PDF format only

• Completed online application form

• Early entry fee of US$50 (by 11:59 p.m. Pacific Time on March 1) or regular deadline entry fee of US$70 (by 11:59 p.m. PT on April 1) or late deadline entry fee of US$120 (by 11:59 p.m. PT on May 1).

• There is a maximum entry limit of 5,500 screenplays for 2024. The competition will close to submissions once the maximum number of entries are received or the final deadline is reached--whichever occurs first.

• Writers must create an account at the Nicholl website to enter the competition. PDF scripts must be uploaded and all other requirements met prior to the maximum entry limit of 5,500 screenplays is reached. If the maximum entry limit has not been reached by the final deadline, than PDF scripts must be uploaded and all other requirements met no later than 11:59 p.m. Pacific Time on May 1, 2024.

REGISTER AND APPLY

Writers may create an online account at the Nicholl website at any time. When the competition opens each year, they should use that account to enter, following the links to the Log In page. The Nicholl website allows entrants to fill out the required online application form, submit a PDF version of their script and pay the entry fee with a credit or debit card. It also allows entrants to confirm receipt of their entry and to update their contact information at any time during the competition.

Only online applications will be accepted.

SCRIPT SUBMISSIONS

A single entrant or writing team may submit a maximum of ONE script in the 2024 year competition.

The script should be no shorter than 70 pages and no longer than 160 pages. The recommended length is 80 to 125 pages.

Writers must create an account at the Nicholl website to enter the competition.

There is a maximum entry limit of 5,500 screenplays for 2024. The competition will close to submissions once the maximum number of entries are received or the final deadline is reached--whichever occurs first.

PDF scripts must be uploaded and all other requirements met prior to the maximum entry limit of 5,500 screenplays is reached. If the maximum entry limit has not been reached by the final deadline, than PDF scripts must be uploaded and all other requirements met no later than 11:59 p.m. Pacific Time on May 1, 2024.

PAYMENT

The entry fee must be paid online via credit card or debit card.

THE COMPETITION

5,599 entries were received in 2023. All scripts are read at least twice in the competition. About 10 percent are read a third time. About 5 percent of entries advance to the competition quarterfinals, about 2 percent advance to the semifinals and about 10-15 entries reach the finals.

READER COMMENTS

Brief reader comments for each entered script are available for purchase but are not required for entry.

Every screenplay entry will receive at least two comments and may receive as many as six, up to and including the Quarterfinal round. These comments are released on the date specified in the online application.

Not intended as comprehensive notes, these comments offer a peek at readers’ reactions to the entry.

JUDGING

The first and quarterfinal rounds are judged by industry professionals who are not members of the Academy. The semifinal round is judged by Academy members drawn from across the spectrum of the motion picture industry. The finalist scripts are judged by the Academy Nicholl Committee.

To further the Academy’s commitment to encouraging and valuing diversity in the industry, the Nicholl Fellowships Program takes measures to ensure that our selection process is as fair as possible and without bias.

ANNOUNCEMENTS

All entrants will receive email notification of whether they've advanced to the Quarterfinals in early August. Semifinalist notifications are emailed in early September.

oscars.org/nicholl/about

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Marble House Project

DEADLINE: May 6, 2024 by 11:59pm EST

INFO: Marble House Project is a multidisciplinary artist residency program that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. You must be at least 21 years old.   Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond. 

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. The residency is an opportunity to develop and carry out practices of mutual support, group conversation, and to cultivate adaptive relationships with the environment. This can take the form of discussions with guest multidisciplinary artists, thinkers, and activists and other individual and group activities that benefit our community of residents.

Residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. . Each session culminates with a short video interview and artists are invited to share their work with our community and each other. Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni and staff. Artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you. 

RESIDENCY DATES FOR 2025

• March 11th - April 1st

• April 6th - April 29th

• May 6th - May 27th

• June 3rd - June 24th

• July 8th - July 22nd. Parent / Artist Residency

Parent artist residency. This residency is only for parent artists who will be attending with their children. Children must be four years old by the start of the residency. Please note that if you only apply for this residency it is very competitive. If you choose other dates you will also be considered for those as well.  To find out more about the family friendly residency please visit http://www.marblehouseproject.org/residencyprograms/

• October 7th - October 28th

• November 3 - November 24th

marblehouseproject.submittable.com/submit

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CALL FOR ENTRIES: 2024 Twin Cities Arab Film Festival

Mizna

DEADLINE: May 11, 2024

INFO: Mizna’s 2024 Twin Cities Arab Film Festival seeks films for our upcoming festival scheduled for September 25–29, 2024. They accept narrative, documentary, experimental, and animated films of feature and short lengths. They seek films made by filmmakers from the SWANA region and beyond, as well as films relevant to the social realities of the SWANA region.

This year, all accepted submissions will be considered for Audience and Jury Awards.

Submissions are due May 11, 2024. Late submissions are due May 31, 2024.

Mizna strives to make our film festival accessible to filmmakers of all financial backgrounds. Filmmakers in need of a submission fee waiver can email mizna@mizna.org.

mizna.org/event/call-for-subs-aff2024/

TV / FILM — MARCH 2024

RESEARCH & DEVELOPMENT GRANT

Chicken & Egg Pictures

DEADLINE: March 4, 2024 at 3:00pm EST

INFO: Now in its second year, The Chicken & Egg Pictures Research & Development Grant supports filmmakers from around the world who have directed at least one feature-length documentary and are in the research & development stage of their next feature-length film. (Note: in the pilot year, the grant eligibility was limited to filmmakers who had already directed two or more feature-length documentaries.)

With support for the second consecutive year by Netflix, the Chicken & Egg Pictures Research & Development Grant supports directors to ideate and plan for their next feature-length film. Many filmmakers invest their personal resources into their films and face funding challenges when entering into the research & development stages of new projects. It is hard to secure funding for a new project without significant sample material, yet producing material without external funding can be almost impossible. To address this challenge, The Chicken & Egg Pictures Research & Development Grant provides financial support to directors during a filmmaking stage that is too often unpaid and unsupported. 

A total of $450,000 USD will be awarded in the following grant amounts:

• $10,000 USD grants for Research

• $20,000 USD grants for Development

The final number of Research Grants vs. Development Grants disbursed will be determined during the selection process, based on the characteristics and strength of the applicant pool for each category.

The purpose of the Research & Development Grant is to support projects at the early stages of their lifecycle. If you have already raised a significant amount of capital (over 35% of your film’s total budget) and have shot and/or edited a substantial amount of footage, you may not be competitive for this grant, unless you can demonstrate very specific needs for the project (such as previously overlooked research activity). 

We recognize that each documentary is unique and that processes for research and development, fundraising, and production can vary widely. The information provided here is not intended as strict eligibility criteria, but rather as general guidelines to help applicants understand the stage at which we aim to provide support for projects. 

The 2024 Chicken & Egg Pictures Research & Development Grant is generously supported by the Netflix Fund for Creative Equity.

GUIDING PRINCIPLES:

• Trust: This grant initiative is driven by our trust in filmmakers with an established track record. We look forward to working with them on new projects at a stage that is especially hard to fundraise for. We trust that applicants will make the best determination about which stage to apply to based on the information presented below.

• Simplicity: We aim to keep The Chicken & Egg Pictures Research & Development Grant application as simple as possible so that filmmakers are not burdened by the process. Some important things to note about the application:

  • The applications for the Research Grant vs. the Development Grant are not the same. Most of the questions are shared across both applications, but some questions are specific to each application.

  • Most questions are based on the Nonfiction Core Application 2.0. 

  • The application also includes some supplemental questions to help us gather the necessary information for organizational purposes.

• Deep listening: This grant initiative was born through deeply listening to a wide range of stakeholders including filmmakers and field representatives who were interviewed during our 2023-2025 Strategic Planning process. Filmmakers shared that they need to be fully trusted with funding early on. We heard the need to be financially supported to have the time and space to think, research, and develop new ideas.

PROJECT STAGE: RESEARCH VS. DEVELOPMENT:

It is important to acknowledge that the differences between the research and development stages are often nuanced, and the activities listed in each stage may overlap. It can be challenging to precisely determine where the research stage concludes and where the development stage commences. For this grant application, we have provided the following definitions and core activities associated with each stage to assist applicants in determining the appropriate grant to apply for.

RESEARCH

The research stage is a period of sowing and ideation.

Core activities associated with the research stage: 

• Identifying secondary sources such as literature, art, and cultural materials

• Familiarizing with other (film) projects

• Identifying primary sources and collaborators

• Locating visual assets and archives

• Identifying and tracking potential or multiple storylines

• Finding a narrative framework that can support the film

• Building foundational relationships with the community and collaborators at the center of the story

DEVELOPMENT

The development stage is a nuanced period of exploration and discovery.

Core activities associated with the development stage: 

• Gaining and securing access to core participants and collaborators, and starting shooting

• Developing the story

• Plotting the film’s multiple and intersecting timelines

• Fine-tuning the development budget and creating a fundraising strategy

• Creating fundraising materials such as a pitch deck, trailer, teaser, etc.

• Testing pitch materials for resonance at pitch venues with potential funders 

• Engaging possible partners

The Chicken & Egg Pictures’ Research & Development Grant is designed to be used flexibly and holistically by each filmmaking team. In addition to expenses related to the core activities mentioned above, the grant may also cover reasonable expenses for the filmmaking team’s fees and salaries, as well as caregiving costs to enable filmmakers who are caregivers to take the time they need to fulfill these activities. While the type of expenses can vary, grantees will be required to submit a narrative report to help us evaluate the scope and impact of the grant (more information in the Reporting & Deliverablessection).

ELIGIBILITY:

Important: You may only submit one application per cycle. If you have more than one eligible project, select which project you will submit for consideration. You may apply for either the Research Grant OR Development Grant, but not both categories.

Please review the following eligibility criteria for The 2024 Chicken & Egg Pictures Research & Development Grant.

APPLICANT ELIGIBILITY:

To be eligible for this grant, filmmakers must meet the following criteria:

• Must identify as a woman (cis or trans) or gender-expansive director.

  • Our working definition of gender-expansive is that it is an umbrella term that includes any person whose gender identity or gender expression does not comply with the socially defined gender norms and roles of their culture. This includes, but is not limited to, non-binary, trans, third gender/two-spirit, and agender individuals).

  • If you are unsure whether you are gender-expansive, please refer to our please refer to the gender expansion page on our website for more information. 

• Must have directed at least one (1) completed feature-length documentary film. 

  • The film must have a duration of 48 minutes or longer.

  • Films must be completed to be considered for this requirement. If you are currently directing your first feature-length film, you would not be eligible to apply until that film is completed and has premiered or is completed and actively seeking an upcoming premiere (e.g. within next 3-4 months).

  • The film must be independently produced. However, commissioned documentaries and television documentaries, including those produced for news/journalism outlets, are eligible to be considered as prior work if the director had directorial control.

  • Feature-length narrative work is not eligible to be considered as prior work for this application.

• Can be based anywhere in the world, except for the countries which are under comprehensive US sanctions. These countries include Cuba, Iran, North Korea, Syria, and the following regions of Ukraine: Crimea, Donetsk, and Luhansk. Further information on why filmmakers based in these countries/regions are ineligible to apply can be found here.

  • If you are originally from these countries/regions but are based outside of them, you are still eligible to apply. 

  • Please note: If you are making a film that takes place in one of these countries/regions, you may apply for the grant, but you will not be able to spend the grant within those countries/regions.

PROJECT ELIGIBILITY:

Applicants for this grant must submit a project for consideration that meets the following criteria:

• Must be a documentary or nonfiction film (including hybrid docs). VR, interactive, branded content, or fiction films are not eligible.

• Must be feature-length (48 minutes or more). Short / medium-length films or series are not eligible

• Must be in the Research or Development stage. Please refer to the section Project Stage: Research vs. Development for more information on what we consider each stage to be.

• Must be independently produced. Works-for-hire are not eligible, and student films produced in an undergraduate or graduate program are also not eligible.

You do not need a fiscal sponsor to apply for the Research & Development Grant. However, if you are awarded, you must have a US fiscal sponsor, or be a 501(c)(3), to receive the funds. 

For more details about eligibility, please review the full list of FAQs at the end of this page. If you have any questions regarding our open call that are not addressed in the FAQs, you can contact us at research-development@chickeneggpics.org.

TIMELINE:

• March 4, 2024, at 3:00 PM EST: Research & Development Grant application deadline.

• March-May 2024: Chicken & Egg Pictures processes and reviews applications in a two-round process.

• Mid-June 2024: All applicants are notified of final decisions.

• July-August 2024: Grants disbursed.

• January 2025: 6-month check-in with grantees regarding the status of their projects.

chickeneggpics.org/programs/#research-development-grant

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Creative Capital GRANTS

Creative Capital

APPLICATION PERIOD: March 4 - April 4, 2024

INFO: For our 25th Anniversary, Creative Capital welcomes innovative and original new project proposals in visual arts, performing arts, film/moving image, technology, literature, multidisciplinary, and socially engaged forms.

The Creative Capital Award provides unrestricted project grants which can be drawn down over a multi-year period, bespoke professional development services, and community-building opportunities.

Grants are awarded via a democratic, national, open call, external review process. Our goal is to fund individual artists creating conceptually, aesthetically, and formally challenging, risk-taking, and never-before-seen projects.

GRANT APPLICATION DETAILS:

Creative Capital is committed to groundbreaking ideas that challenge what art can be. As Creative Capital Awardees have demonstrated, socially impactful ideas are embedded in a myriad of artistic forms and practices. We invite artists to propose experimental, original, bold projects in the visual arts, performing arts, film/moving image, technology, literature, multidisciplinary, and socially engaged forms which push boundaries formally and/or thematically. 

We invite artists to select a primary discipline for their proposals based on which experts are most suited and qualified to review the project proposal, with the understanding that radical art is often by nature interdisciplinary, multidisciplinary, or antidisciplinary. By choosing to apply within a certain disciplinary category, we are asking you to choose how you want to frame the discussion around your work and to indicate which experts are most qualified to evaluate your project proposal.

2025: 50 Grants 

• Visual Arts: including painting, sculpture, drawing, photography, architecture, design, multimedia, installation, video art, performance art, new genres, craft, and socially engaged, and/or sustainable visual art-based practices

  1. Performing Arts: including dance, theater (new theatrical work, playwriting), jazz, music, opera, singing, and socially engaged and/or sustainable performing arts-based practices

  2. Film/Moving Image: including experimental film, short film, animation, documentary film, narrative film, and socially engaged and/or sustainable film/moving image-based practices

  3. Technology: including augmented reality/virtual reality, bio art, data visualization, hardware, software, digital media, internet art, and socially engaged and/or sustainable technology-based practices

  4. Literature: including poetry, fiction, nonfiction, graphic novels, and socially engaged and/or sustainable literature-based practices

APPLICATION CYCLE:

ROUND I: Tell us your idea. Letter of Inquiry (LOI)

Along with your project title, one line project description (25 words max), project description (250 words max), resume (1 page max), and artist website (if applicable), please answer the following questions:

1. How does your project take an original and imaginative approach to content and form? Please be as specific as possible. (150 words)

2. Please place your work in context so we may better evaluate it. What are the main influences upon your work as an artist? How does your past work inform your current project? Please use concrete examples, which may include other artists’ work, art movements, cultural heritage, science, philosophy, research/work from outside the arts field, etc. (150 words)

3. What kind of impact—artistic, intellectual, communal, civic, social, political, environmental, etc.—do you hope your project will have? What strategies will you employ to achieve the desired impact? (100 words)

4. Who are the specific audiences/communities that you hope to engage through this project? Please think beyond the broader art community where possible. How are you hoping to reach them? (100 words)

5. How might your proposed project act as a catalyst for your artistic and professional growth? In what ways is it a pivotal moment in your practice? (100 words)

6. In addition to funding, Creative Capital also provides scaffolding and support services for awardees (such as expert consultations, gatherings, alumni network, workshops). How would our non-monetary services help you to realize your goals for this project and/or your long-term artistic and professional growth? (100 words)

ROUND II: Project Details

1. Project itemized budget (1 page)

2. Project timeline (1 page)

3. Work samples (see application handbook for guidelines)

ROUND III: Final Panel Review

1. Submit proof of eligibility. 

2. Confirm collaborators (if applicable)

3. Project updates (optional, 100 words max)

Full application guidelines are outlined in the Application Handbook.

All applications are reviewed by external reviewers who are scholars, curators, artists, past awardees, and experts in the field. The final recommendations for the awards are reviewed and then ratified by our Board. Awardees are announced in January 2025. Under no circumstances will the reasons for the rejection of an application be provided.

Any awarded projects which are directly related to any of the 17 UN 2030 Sustainable Development Goals will have the opportunity to have the “Way” or the icon of that UN Sustainable Development goal attached to their project on the Creative Capital website in effort to advance the global dialogue around these critical issues impacting the future of our communities, our planet, and beyond. In keeping with the spirit of the 17 UN 2030 Sustainable Development Goals, we too have an expansive definition of “sustainability” that goes far beyond climate change and the environmental challenges we face—including: good health and wellbeing, affordable and clean energy, reduced inequalities, life on land, and peace, justice, and strong institutions.

2025 CREATIVE CAPITAL GRANT TIMELINE:

These dates may change.

• March 4 to April 4, 2024: Letter of Inquiries (LOI) accepted

• April 4, 2024 4:00 PM Eastern Time / New York Time: LOI deadline

• June 2024: Notification of advancement to Round II

• September 2024: Notification of advancement to Final Panel Review

• January 2025: Public announcement of 2025 Creative Capital Awards

ARTIST ELIGIBILITY:

• US citizen, permanent legal resident, or O-1 visa holder

• At least 25 years old

• Working artist(s) with at least 5 years of professional artistic practice

• Applicant may not be enrolled in a degree-granting program

• May not apply to the Warhol Foundation Arts Writers grant program in the same year

• May not have previously received a Creative Capital Award

• May not be an applicant or collaborator on more than one proposed project per year

Projects that are not eligible

• Projects whose main purpose is promotional

• Project is to fund ongoing operations of existing business

• Curation or documentation of existing work

• Projects that will be completed before January, 2025.

JUROR INFORMATION:

Creative Capital invites regional, national, and international experts in a wide range of disciplines to serve in our review process. External reviewers are offered honoraria for their time and expertise. All external reviewer names are confidential until the awards are announced.

creative-capital.org/about-the-creative-capital-award

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BLACK & UNLIMITED FATHERHOOD PROJECT

American Black Film Festival

DEADLINE: March 10, 2024

INFO: The Black & Unlimited Fatherhood Project is a national competition created, in partnership with Walmart’s Black and Unlimited, to champion independent filmmaking while providing a platform to showcase a wide range of stories about Black fatherhood. This initiative has been designed to spotlight emerging directors and amplify the presence of Black men in their families and communities.

Three directors will be selected as winners and will receive the following:

• a $10,000 cash award

• an opportunity to attend and screen their films at the 2024 ABFF (Miami, June 12-16)

• an industry mentorship opportunity with an established filmmaker

In addition, each film will also be featured on ABFF PLAY the festival’s online global platform and Walmart’s Black and Unlimited YouTube page.

Submit your up to 30 minute film about Black fatherhood now.

Each entry must include a signed release form downloadable HERE. At the time of submission via FilmFreeway, upload your signed copy to the PRESS area.

Full submission and eligibility details on FilmFreeway. Entrants will be notified of the festival’s decision by May 1.

abff.com/miami/black-and-unlimited-fatherhood-project/

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EPISODIC LAB

Film Independent

MEMBER DEADLINE / FEE: March 11, 2024 / $45

INFO: Designed to support writers with original long-form episodic projects, Film Independent’s Episodic Lab will accept a diverse group of 6–8 writers or writing teams and provide them with critical support and mentorship. Through personalized feedback from experienced showrunners, creative producers and executives, Fellows will gain the tools to revise and refine their pilots and navigate a changing industry landscape.

The Episodic Lab helps to further the careers of its Fellows by introducing them to industry veterans who can offer guidance on both the craft and business of writing episodic content. Each Fellow will be paired with a Creative Advisor with whom they’ll work one-on-one and in group sessions to develop their project during the month of September. Additionally, guest speakers will screen and discuss their own work to offer insights into the creative process and industry best practices. A final networking and pitch event will offer Fellows the opportunity to introduce themselves and their work to studio and network executives.

For more information on the application deadline please visit our applications page.

The Alfred P. Sloan Foundation will award one participant of the Film Independent Episodic Lab a $20,000 development grant.

To apply for the Sloan Episodic Lab Grant, apply to the Episodic Lab and provide a statement on how the project fulfills the mission of the Alfred P. Sloan Foundation in your cover letter. The applicant must possess the rights to the script with which they are applying. The teleplay should have a scientific, mathematical and/or technological theme and storyline or have a leading character that is a scientist, engineer or mathematician.

At this time, science fiction projects are not eligible for the Sloan Episodic Lab Grant.

WHO CAN APPLY?

The Episodic Lab is open to any emerging writer applying with a completed draft of a half hour or hour-long television pilot they wish to workshop during the program. Each applicant must be the author of the script he or she submits. The submitted pilot cannot have been pitched at any point to a studio or network.

Writing partners are welcome to apply as teams and need only submit a single application. International applicants are also welcome to apply. At this time, documentary and short-form digital series are not eligible to apply.

HOW TO APPLY:

Please read over the application form before preparing your materials. Applicants must submit the following for consideration:

Required

• A cover letter introducing yourself and your interest in the Episodic Lab

• One complete, original pilot

• A series logline and pilot synopsis

• A series description describing the story engine and series arc of the show

• Project status and history, including any industry exposure

• A series proposal document that includes brief descriptions of the world of the series and its premise and genre, as well as breakdowns for the show’s primary characters and their first season arcs

SELECTION CRITERIA:

Film Independent is looking for well-written, compelling, pilots with an original premise or vision. The submitted pilot may be original or adapted from optioned source material. Though applicants must submit a completed draft, the Lab is structured to support writers who are still creatively engaged in the writing process; those who welcome feedback and discussion will most benefit from the program as they further develop their work.

THE FINE PRINT:

Beyond the application fee, there is no cost or tuition to participate in any of Film Independent’s Artist Development programs.

Film Independent Membership is not required when applying to Artist Development Labs. However, all participants accepted into the Labs are required to join Film Independent at the standard annual General Membership rate of $95.

Applicants will be notified three to four weeks prior to the start of the program.

Until further notice, all Film Independent Labs will be held online.

filmindependent.org/programs/artist-development/episodic-lab/

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CATAPULT Development Grant

Catapult Film Fund

SUBMISSION PERIOD: March 11 - April 15, 2024

INFO: Launched in 2010, the Catapult Development Fund provides early-stage support to documentary filmmakers when funding is hardest to find. For this cycle, we will offer fifteen (15) grants of up to $25,000 USD to filmmakers in development with a documentary feature or short. We do not support docuseries at this time.

Our flagship program is geared toward independent filmmakers who have a strong story to tell, have secured access, and are ready to unlock critical production funding. This grant can be used for a variety of development needs and must result in the creation of a fundraising piece as the final deliverable. We prioritize artful, moving storytelling and are not tied to any specific social issue agenda. Learn more about Frequently Asked Questions»

KEY DATES:

• March 11, 2024: Application Opens on Submittable

• April 15, 2024: Application Closes at 5 p.m. PT

• September 2024: Grantees notified

• October 2024: Grantees announced

ELIGIBILITY:

• Applicants (Project Director) must be 18 years or older and cannot be enrolled in an academic institution.

• Documentaries must be in development or early production with an intended length of 28 minutes or longer.

• Grant funds must specifically be used to create a fundraising piece, which may include writing, shooting and editing once story and characters are in place.

• Applicants must own the copyright of their production, and have artistic, budgetary, and editorial control over their project.

• Applicants should have previous film or television production experience in a principal role (director, co-director, producer, co-producer) as demonstrated via previous work samples. Applicants who do not meet this criteria should demonstrate how they will be working with experienced filmmakers as key creative personnel.

• Catapult does not make grants to individuals. If selected, applicants must be able to accept grants through a 501(c)(3) organization such as a fiscal sponsor. Projects may apply without a fiscal sponsor but must confirm the designated organization in order to receive funding. Learn more in our Frequently Asked Questions»

Catapult does not fund student films, docuseries, fiction projects, or projects that are in production, post-production, or completed. Hybrid and experimental formats will be considered on a case-by-case basis.

SELECTION CRITERIA:

• Artful, compelling storytelling that moves you, with a preference for character-driven narratives over lesson or agenda-heavy projects

• Originality of approach, content, and form

• Creative and innovative storytelling techniques

• Contemporary relevance with a unique perspective, style, and/or tone

• Project feasibility with respect to budget, financing, schedule, and scope

• Demonstrated ability of the creative team to implement previous projects

• Credible access and rapport with the proposed subject(s) of the story, with attention to accountability and ethics

• Significant impact of Catapult grant on development stage of the project

• Potential of the project to generate public discourse and social engagement

GUIDELINES:

• Grant awards range from $5000 to $25,000. If selected, grantees must have a U.S.-based 501(c)(3) fiscal sponsor to officially accept the award.

• Once accepted, Catapult will provide a letter of agreement that clearly outlines use of funds, reporting, and deliverables. Report deadlines are determined by the grantee, based on project goals and timeline.

• Grantees must submit two financial reports during the course of the grant period: an interim report, which will accompany a narrative report; and a final financial report to be submitted once the grant is complete.

• Upon completion of the award period, grantees must submit the proposed fundraising piece. Grantees agree to return any funds not used for the purpose of the grant.

• Grantees will be expected to acknowledge Catapult support with text and/or logo recognition in film credits, publicity, and promotional materials, as well as tickets to the film’s premiere.

• Beyond the grant, Catapult serves as an early and engaged champion for our grantees by providing editorial feedback, industry connections, and mentorship based on project needs.

catapultfilmfund.org/how-to-apply/development/

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THE TO BE COMMISSIONED INITIATIVE

The Black List / Tubi

DEADLINE: March 15, 2024

INFO: The Black List and Tubi have partnered to discover five feature scripts for Tubi to purchase and develop, with the intent of greenlighting each script for production and distribution.

In order to submit for this program, you must be logged into the website and have uploaded a script.

The Black List and Tubi have partnered to discover five feature scripts for Tubi to purchase and develop, with the intent of greenlighting each script for production and distribution.

Tubi is looking for stories that appeal to a youthful audience across diverse communities. They are especially interested in science fiction, faith-based, romance and comedy movies from the LGBTQ+, Black, Latine, and AAPI communities. If a script does not fit any of the above categories, it may be submitted to the Wild Card category.

Selected scripts will first be purchased by Tubi for a predetermined amount relative to the intended film budget; from there, a Guild-minimum step deal structure will be determined with Tubi until intended greenlight and production. The Black List will also be an executive producer on each of the films.

200 fee waivers are available for this program! In order to qualify for a fee waiver, you must have a completed screenplay and identify as a writer from a traditionally underrepresented community. Please be patient as it might take some time before we can respond to your request. Fee waivers will be distributed at the discretion of the Black List and Tubi - submitting writers will be asked to elaborate on why they qualify for a fee waiver during the final stages of the program submission process.

This opportunity is open to writers at every level, WGA and otherwise, and we encourage all voices to submit their screenplay for consideration.

The selection process will work like this:

On April 1st, a long list of up to fifty scripts will be selected and the writers of those scripts will be invited to submit a resume and a personal statement. The Black List and Tubi will review those projects. On May 15th, a short list of up to twenty-five scripts will be selected from the long list and those writers will be invited to submit additional materials.

The Black List and Tubi will then identify a top tier of scripts from the short list and will interview those writers before confirming selection of the final scripts.

IMPORTANT DATES:

• March 15, 2024 - Submissions Close

• April 1, 2024 - Long List Notifications

• May 15, 2024 - Short List Notifications

• July 1, 2024 - Final Selection Notification

blcklst.com/programs/the-to-be-commissioned-initiative

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2023 MICHAEL COLLYER MEMORIAL FELLOWSHIP IN SCREENWRITING

The Black List

DEADLINE: March 15, 2024

INFO: The Michael Collyer Memorial Fellowship in Screenwriting is a one-year fellowship that is awarded to an emerging screenwriter under 25 who intends to pursue a career in screenwriting. The winner receives a $10,000 stipend to write an original screenplay (not the script used to opt in to the fellowship) and is mentored during the course of the fellowship year by a prominent screenwriter. This program, now in its 16th year, is a partnership between the Writers Guild Initiative and the King Family Foundation, and this is its eighth year being hosted on blcklst.com.

The purpose of the fellowship is to provide an opportunity for an emerging screenwriter to develop an original screenplay and assist in transitioning into the professional world of screenwriting. The Writers Guild Initiative (WGI) is looking for diverse and unique voices, and for projects that are character driven and personal in nature. They are exclusively seeking feature films; no shorts, plays, or TV pilots at this time.

This year, the Black List will choose ten screenplays to send to the Writers Guild Initiative selection committee for consideration. The short list will be determined in March, and the Fellowship recipient will be selected by WGI no later than May 30, 2024. The winner of this year’s Fellowship will be announced in Spring 2024 and will be invited to attend the 2025 WGI Gala.

Please keep in mind that, upon opting in, we will verify your age, so it does not benefit you to opt in if you are not within the age bracket of 18-25. Any writers who do not fit into the age requirements for this partnership will not be considered.

Additionally, please note that you will be writing a new script for this fellowship, not rewriting the script you submitted to this opportunity. The Michael Collyer Memorial Fellowship provides the opportunity to write an entirely new script with a mentor. The submitted script is used to show your writing skills, voice, etc. and the potential for wanting to hear more of the stories that you’d want to write. You may also be asked to submit a resume and personal statement that speak to where this opportunity would fit into your overall journey as a writer.

REQUIREMENTS

• Entrant must submit a full-length feature screenplay on blcklst.com during the overall submission period - November 13, 2023 through March 15, 2024.

• Entrant must be the sole and exclusive author of the screenplay submitted for consideration.

• Entrant must be over the age of 18 and no older than the age of 25 by 12/31/23 and competent to contract.

• Entrant must not be represented by an agent or manager in the film or television industry at the time Entrant opts into this program.

• Non-US citizens are eligible to apply.

If requested, the entrant must submit the following, which are also governed by the submission requirements and agreement:

• A personal statement

• A professional resume

• Contact and other personal information

• A logline and 250 word synopsis of the submitted screenplay

• Two page pitch of film you'd like to write during the fellowship year

• Signed originals of the Submission Agreement

Note that if you already have a script hosted on the Black List website, the deadline to opt into consideration for this fellowship is March 15, 2024. All ratings associated with the script, including those that predate the submissions period, will be considered in the final decision. Additionally, please note that you will need to have at least one evaluation of your script in order to complete the submission process for this opportunity.

blcklst.com/programs/2023-michael-collyer-memorial-fellowship-in-screenwriting

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SERIOUS MENTAL ILLNESS SHORT FILM COMPETITION

Voices With Impact

DEADLINE: March 17 2023

SUBMISSION FEE: $0

INFO: Voices With Impact is proud to present the Serious Mental Illness Short Film Competition.

This is an open call to submit film projects, up to 5 minutes in in length, of any genre, using Serious Mental Illness as the point of interest. Film topics may either be interpretive of Serious Mental Illness, or address it directly. We are looking for films on Schizophrenia, Schizoaffective Disorder, Psychosis, Bipolar Disorder, and films that take a wider view of serious mental illness - we define this as any a mental illness that significantly impairs daily life.

We do not place any formal restrictions on submissions, and will consider all genres and types of short films, including submissions utilizing original footage, shared footage, photo stills, music, essays, screenplays, original art work and more. The film must however be your own original work and you must have the correct license for any materials used within the film. There is no fee for submissions.

The submission window opens on November 10 2023 and closes on March 17 2023. Entries will be juried by our advisory board of filmmakers, students and mental health professionals. Applicants will be notified of outcomes in late May 2024. Winning films will be announced at the Voices With Impact festival June 2024.

To watch films from our library visit www.voiceswithimpact.com/archive. This should give you a good idea of the films that we accept.

This competition is supported by The Sidney R. Baer Jr. Foundation.

AWARDS + PRIZES:

• We will award prizes to 3 winning entries.

• Each winner will receive a cash prize of $2000 USD and have their film inducted into our film library for Distribution in our educational programming across the US & Canada.

• Winning films will be announced at the Voices With Impact festival, June 2024.

RULES + TERMS:

Length and Content:

• We only accept submissions as Vimeo video URLs. YouTube, Google Drive, Dropbox, and any other URL links are not accepted and will be disqualified.

• Submissions must either be interpretive of serious mental illness, or address it directly to be eligible for this competition.

• Submissions must be 5 minutes or less. Films longer than five (5) minutes will be disqualified.

• Submissions may not advertise any product, service, brand, or other commercial interest.

• Submissions that are music videos may only portray original music that you own rights to.

LANGUAGE + LOCATION:

• There are no geographic limitations on entries — we accept short films made anywhere in the world!

  If a submission is not in English, a translation or subtitles in English must be accessible (Closed Caption CC options turned on)

PROCESS:

• If your video is listed as private, you must provide a viewing password in your submission form so our jurors are able to view it.

• Participants may submit only one version of a given project. However, any participant may submit more than one project. A separate Entry must be completed for each submission.

• Past winners are required to wait at least one year before re-submitting to the competition.

• Film jurors from our Advisory Board who are also filmmakers may submit work, but only during competitions in which they are not serving as a juror.

CONTENTS RIGHTS:

• Filmmaker agrees that all submitted films may be used by Art With Impact for educational and outreach activities and the winning filmmaker will sign a license agreement to Art With Impact that will allow both AWI and and affiliated organizations in any relevant programming in perpetuity.

• Filmmakers are responsible for securing any and all necessary licenses for any third party content, including footage, music, fonts, artwork, and any other asset used in film production.

JURYING PROCEDURES:

• Films will be judged by the Film Program team and select members of the Advisory Board, which comprises of filmmakers, mental health professionals, and students.

• To select the winner, jurors respond to the 10 questions found in the contest FAQ.
  Art With Impact reserves the right to not award a prize ($2,000 cash) if submissions do not meet the jury’s standards for both content and production value.

TOPIC FOCUS:

• This competition is inspired by the life and legacy of Sidney Baer Jr. and supported by the Baer Foundation.

• The three winning films will tell authentic stories of people living with serious mental illnesses with the goal of reducing stigma and opening opportunities for dialogue and learning.

filmfreeway.com/mentalhealthfilmcompetition

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NHMC's Series Scriptwriters Program

National Hispanic Media Coalition

DEADLINE: March 18, 2024 by 11:59pm PST

INFO: Aspiring Latinx writers with a strong desire to write for streaming & television are encouraged to apply!

This program is virtual, to run Monday-Friday evenings, and Saturday mornings over the course of the 8 weeks. On-screen participation in all meetings is mandatory.

ELIGIBILITY:

• You must be 18 years or older

• You must have access to reliable internet connection to participate in daily video conferencing

• Entertainment industry experience is not required

• Writing teams cannot apply

PROGRAM DATES: 5/28/24 – 7/19/24

REQUIRED APPLICATION CRITERIA:

• Resume (maximum 1 page) - Please submit a current professional resume. Make sure to include any relevant writing experience. However, this is not exclusively a writing resume, do include any experience that you feel enhances what you bring to the table as a writer even if it’s not directly writing-related.

• Bio (maximum 200 words) - Think of your Bio and Statement of Purpose as non-fiction writing samples. These are equally as important as your script in giving us a sense of your unique voice. With your bio, think of it as part of what you might say in your elevator pitch about yourself. Tell us a story about who you are beyond what you have included on your resume.

• Statement of Purpose (maximum 500 words) - Use this section to answer the following questions: Why do you write? What motivates you to tell those stories? What is your personal connection to your material? Why is writing for the small screen your passion?

• List of Writing Samples - Please provide a list of your completed writing samples - title and logline (1-2 sentences max) only. On this list please include reference to any pilots, specs, features, shorts, short stories, published articles, etc, which you’ve written. If any of the work was with a writing partner or team, make note of which items were written as a collaboration. Note: All samples you list should be work you feel is polished enough to be read by execs, showrunners, etc.

  Writing Sample - Please submit a properly formatted pilot or spec script. We will accept the following:
  
  - 1-hour (max 59 pages)
  - Half-hour (max 35 pages)
  
  Your sample can be any genre including, but not limited to:
  
  - Drama
  - Dramedy
  - Comedy
  - Animation
  
  Writing Samples NOT Accepted:
  
  - Features
  - Short Film script
  - Novels
  - Plays
  - Poems
  - Any other alternative samples
  

• Logline (1-2 sentences)

nhmc.org/writers/

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The Signpost Fellowship

Chisa Hutchinson

DEADLINE: March 22, 2024 (or when the first 200 submissions have been received)

INFO: The Signpost Fellowship is a six-month situation intended for a person of color (singular-- sorry, no writing partners) age 18 or over who's interested in shadowing professional playwright or screenwriter of color. What that looks like is entirely up to you and your Writer-Mentor but could involve:

• being invited to meetings, auditions, rehearsals, and events

• giving and receiving feedback on script drafts

• performing dramaturgical research

• fielding bottomless requests for bios and headshots

• figuring out wtf to do with a stack of 1099s

Oh, and there's $2500 in it for you.

INTERESTED IN APPLYING?

• Drop a short message below describing where you are in life and how this opportunity could be helpful to you.

• Attach a short (10-page maximum) dramatic writing sample. (That means plays or screenplays-- no essays, short stories, haiku, etc.) PLEASE MAKE SURE THAT THE SAMPLE HAS A TITLE THE AUTHOR NAME, AND THAT THE TITLE OF THE DOCUMENT IS FORMATTED LIKE THIS: TITLE - Author Last Name. We can't process it otherwise.

• The deadline is Friday, March 22nd OR when the first 200 submissions have been received.

• Finalists will be selected by Friday, June 28th.

• Interviews will be conducted in the weeks following.

• The recipient(s) will be selected by Friday, August 2nd.

POSSIBLE WRITER-MENTORS (click name for info):

• Betty Shamieh

• C.A. Johnson

• Charly Evon Simpson

• Chisa Hutchinson

• Christine Toy Johnson

• christopher oscar peña

• C. Julian Jiménez

• Cori Thomas

• C.Q. Quintana

• Diana Son

• Idris Goodwin

• Jiehae Park

• Kristoffer Diaz

• Lori Sykes Roper

• Madhuri Shekar

• Matthew Paul Olmos

• Nambi Kelley

• Reginald Edmund

• Timothy Huang

• T.J. Young

chisahutchinson.com/the-signpost-fellowship.html

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THE WRITERS LAB US 2024

DEADLINE: March 28, 2024

ENTRY FEE: $65

INFO: TWL US is a 4-day retreat in New York that focuses on project, craft, and career development for selected women and non-binary screenwriters 40+. Writers undergo deep development work on their projects, with revision guidance and career support from the experienced TWL team and some of the industry’s best writers and producers in one-on-one and group sessions. Shared meals and group activities provide an opportunity for broader conversations and creative exchange.

Writers selected to participate are expected to provide their own transportation to and from New York City. TWL provides transportation between New York City and the retreat itself, along with food and accommodations at the retreat venue.

The Writers Lab US is produced by co-founders Elizabeth Kaiden and Nitza Wilon, with New York Women in Film & Television. It is presented in collaboration with the Writers Guild of America, East, with in-kind support from The Black List, Falco Ink, Film Fatales and Roadmap Writers.

It is supported by Meryl Streep, Nicole Kidman, the Cornelia T. Bailey Foundation, the Lynch Hall Charitable Fund and the Meg and Alex Weidner Family Foundation.

BENEFITS

All applicants receive an overview of TWL Readers’ scores on submitted screenplays.

Participating Writers gain:

• Individualized feedback, insights and guidance on their selected project and their craft;

• Understanding of industry standards, practices, expectations and predilections, and strategies and resources for navigating them;

• Extensive ongoing alumnae support, including a community of peers and a network of relationships that can extend well beyond the program;

• Exposure and opportunities beyond the Lab;

• Resources and year-round supplemental programming from The Writers Lab.

• The Lab aims to build skills, confidence and community, and to prepare writers for collaborative work and market demands.

The Writers Lab network of producing, partnering and supporting entities has included:

• TWL US co-founders Elizabeth Kaiden and Nitza Wilon

• New York Women in Film & Television

• Untamed Stories producers Julia Berg and Ruth Spencer

• TWL US Mentors & Speakers: Anya Epstein (The Affair), Susan Cartsonis(What Women Want), Lisa Cortés (Precious), Amy Fox (The Conners), Daniela Gonzalez (Good Fear Content), Pamela Gray (A Walk on the Moon), Rita Hsaio (Mulan), Melissa James Gibson (House of Cards), Jennifer Kassabian (Carter), Meg LeFauve (Inside Out), Robina Lord-Stafford (Moonshine), Riva Marker (Beasts of No Nation), Leah Meyerhoff (Film Fatales, I Believe in Unicorns), Gina Prince-Blythewood (The Woman King), Erica Saleh (One of Us is Lying), Tracey Scott Wilson (The Americans), Susan Seidelman (Desperately Seeking Susan), Mary Jane Skalski (The Station Agent), Kiwi Smith (Legally Blonde), Shelby Stone (The Chi), Robin Swicord (Memoirs of a Geisha), Frida Torresblanco (Pan's Labyrinth), Pat Verducci(True Crime), Jamie Zelermyer (Focus Features).

writers.coverfly.com/competitions/view/the-writers-lab-us

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call for films

The Reel Sisters of the Diaspora Film Festival & Lecture Series

DEADLINES:

• Early Bird - March 29, 2024

• Regular - April 30, 2024

• Final - May 24, 2024

INFO: The Reel Sisters of the Diaspora Film Festival & Lecture Series is an annual film festival founded by African Voices magazine. Established in 1997, Reel Sisters (www.reelsisters.org) is dedicated to providing opportunities for women of color to advance their careers in the film industry. Reel Sisters accepts films written, directed, or produced by women/non-binary filmmakers of color. Reel Sisters is the first Academy Qualifying Film Festival for short narratives devoted to women of color across the globe. Reel Sisters is an IMDb qualifying film festival. Reel Sisters celebrates our 27th Anniversary in 2024.

APPLICATION INFO:

YOU MUST SUBMIT PRODUCTION STILLS/PHOTOS and a TRAILER for your submission to be ELIGIBLE AND COMPLETE. You can screenshot photos from your film if you were unable to hire a photographer.

Reel Sisters is a competitive festival and films are selected by an independent jury. Please submit films early as deadlines are final. The festival provides quality customer service and does not offer fee waivers. The fee covers a small fraction of the administrative costs for running a professional Oscar qualifying film festival.

Reel Sisters accepts all genres and formats with a special interest in submissions from animated and web series producers. Send us films that will make our audience “cry, dance, laugh, sing and explore." The festival curates events throughout the year so all entries will be considered for Reel Sisters Tea & Cinema series. Join our worldwide community of film professionals in celebrating stories produced, directed and written by women of color!

For complete application visit www.reelsisters.org

AWARDS + PRIZES

Reel Sisters screens original films by women across the globe each year — the festival has screened over 5,500 films since its inception. Awards for Best Director, Best Documentary, Best Screenplay, Best Experimental, Best Animation, Best Feature, Best Short, Best Narrative, Best Web Series, Best Original Soundtrack and the Reel Sisters Spirit Award are selected by an independent jury composed of filmmakers, community leaders and artists. Reel Sisters has given over $75,000 in cash awards, fellowships and scholarships since our inception. In 2023, Reel Sisters Micro Budget Film Fellowship provided script to screen opportunities to three women of color filmmakers who received $5K each towards their short film project. Our fellows receive a premiere screening at Reel Sisters, an Oscar Qualifying festival.

CASH AWARDS FOR 2024

• Best Narrative Short - $1,000

• Best Director - $500

• Best Screenplay - $300

• Best Animation - $200

filmfreeway.com/ReelSistersoftheDiasporaFilmFestival

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PROJECT: HATCHED 2024

Chicken & Egg Pictures

DEADLINE: April 1, 2024

INFO: At Chicken & Egg Pictures, we believe that all nonfiction films, from the overtly political to films that are abstract or personal, have the power to impact their viewers, their communities, and beyond. We define impact as the transformative effect that films can have in creating personal, cultural, and/or social change, particularly for the individuals most affected by the issues addressed in the documentary. Through this program, we aim to support filmmakers who have a strategic vision for the impact they want to achieve, while also embracing diverse interpretations of what “impact” and “engagement” mean, and how that can manifest throughout the lifespan of their film.

Project: Hatched will provide grants of $30,000 USD each to 10 directing teams from around the world, who have plans to strategize, build, and launch an impact campaign for their film.

The film must have been completed and premiered (see criteria for what constitutes a premiere in the Eligibility section) between April 1, 2023, and March 31, 2024. You can start an application anytime during the open call period, but please only submit an application if your premiere occurs within that time frame. If you don’t have a confirmed premiere yet, please refrain from submitting an application.

We designed this program with flexibility in mind. Out of the $30,000 USD grant, a minimum of $15,000 USD must be allocated towards an impact campaign, and up to $15,000 USD can be used for post-production/completion expenses (including already incurred expenses) or distribution expenses (such as marketing, festival fees, sales agent fees, etc). In addition to funding, grantees will become part of our AlumNest community, which provides peer support and deeper connections in the documentary film industry.

ELIGIBILITY
*New eligibility updates for 2024*

In addition to the eligibility criteria listed below this section, the following additions have been made:

Films previously supported by Chicken & Egg Pictures are now eligible to apply.

Community screening premieres are now eligible to apply. Eligible screenings are considered to be at venues with a minimum seating capacity of approximately 50 or more people.

Please continue reading below for the full eligibility criteria.

APPLICANT ELIGIBILITY:

To be eligible for this grant, filmmakers must meet the following criteria:

• Must identify as a woman (cis or trans) or gender-expansive director.

• Our working definition of gender-expansive is that it is an umbrella term that includes any person whose gender identity (including but not limited to non-binary, trans, third gender/two spirit, agender) or gender expression does not comply with the socially defined gender norms and roles of their culture. 

• If you are unsure of whether you are gender-expansive, please refer to the gender expansion page on our website for more information.

• Must be committed to implementing an impact campaign for the film.

• Can be based anywhere in the world, except for the countries which are under comprehensive US sanctions, which include: Cuba, Iran, North Korea, Syria, and the following regions of Ukraine: Crimea, Donetsk, and Luhansk. Further information on why filmmakers based in these countries/regions are ineligible to apply can be found here. 

• If you are originally from these countries/regions but are based outside of them, you are still eligible to apply. 

• Please note: If you are making a film that takes place in one of these countries/regions, you may apply, but you will not be able to spend the grant in such countries/regions.

• Note: Filmmakers who have previously received support from Chicken & Egg Pictures are eligible to apply to Project: Hatched 2024, whether they are applying with a film that has already received support or a completely new film. 

FILM ELIGIBILITY:

Applicants to this grant must submit a film for consideration that meets the following criteria:

• Must be a documentary or nonfiction film (including hybrid docs).

• Can be of any length, whether short, medium, or feature.

• Must have been completed and premiered between April 1, 2023 and March 31, 2024. Eligible premieres include:

• Festival premiere: Any festival is eligible as long as the film has world premiere status). You must submit a screenshot or link to a public page of the festival showing the premiere date and premiere status.

• Community screening: We consider eligible community screenings that take place at verifiable venues with a minimum seating capacity of approximately 50+ people. To qualify for the community screening premiere, you will need to: 

• Verify the venue and the community screening event. Please provide one of the following: 

• A link or a screenshot to the venue listing the event 

• A link to a social media listing or website with information about the venue and event details. 

• Confirm the venue’s seating capacity. Please provide a link or screenshot to the venue’s seating capacity, often listed on the venue’s rental/logistics webpage.

• Must be planning for a continued release or distribution, whether that is theatrical, educational or broadcast.

• Must have clear impact goals and objectives.

The film is not eligible if:

• It does not meet the eligibility requirements listed above.

• It is a series.

• It is a VR or interactive project.

• Its plans are solely limited to a marketing strategy.

For more details, please review the full list of FAQs at the end of this page. If you have any questions regarding our open call that are not addressed in the FAQs, you can contact us at ph_opencall@chickeneggpics.org.

TIMELINE:

• January 16, 2024: Project: Hatched application opens.

• April 1, 2024, at 3:00 PM ET:  Project: Hatched application deadline.

• April-July 2024: Chicken & Egg Pictures processes and reviews applications in a two-round process.

• August 2024: All applicants are notified of final decisions.

• August – September 2024: Grants disbursed and introductory calls are conducted with grantees.

• December 2024: 4-month check-in: written status update

• April 2025: 8-month check-in: written status update and final calls with grantees.

chickeneggpics.org/programs/#project-hatched

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Bayard Rustin Residency

Penington Friends House

DEADLINE: April 1, 2024

INFO: We are currently accepting applications for the 2024-2025 Bayard Rustin Residency.

Building on the social activist history of Penington’s founders, original board, and later residents, the Bayard Rustin Residency at Penington Friends House (PFH) is envisioned as an ongoing ladder to empowerment for Black Indigenous and People of Color (BIPOC) working to end Systemic Racism and to create a culture of anti-Racism and intersectional equality in the United States of America. It is also intended to extend and strengthen the wider Quaker witness to equality.

Beginning in September of 2024, this residency will provide up to one year of room and board to a person who demonstrates a strong project that addresses ending Systemic Racism and who has a necessity to be in New York City for up to one year. They will reside at the Penington Friends House located in New York City’s Lower East Side of Manhattan. The Bayard Rustin Resident will demonstrate a need to live in Manhattan. Areas of focus of their work can include activism in the arts, policy change, human rights, community organizing, and other areas of activism focusing on ending racism and strengthening equality. Residents will meet regularly with the Residency Manager and will be expected to share their progress with the New York City community in the form of presentations or workshops.

The resident does not have to be Quaker but their work should be shaped by and in harmony with our tenants of Simplicity, Peace, Integrity, Community, Equality, and Stewardship. The resident will be expected to be a full-time resident of PFH and be participating member of this intentional community. This includes eating chef prepared dinners with the other residents and participating in shared light house chores. (1 1/2 hour commitment per week on average.) The Penington Friends House’s approach to living collaboratively may be new to you. We encourage to look at our website and instagram account (@Penington_friends_house) to gain a better understanding of what we are. Feel free to call us as well with questions. We are LGBTQ embracing community. We believe Black Lives Matter. We are always working to be a safe space and an anti-racist community.

Resident selection is made through a BIPOC committee of Quakers and non-Quakers and is based on the strength of the applicants work and proposed project. Final approval of the Bayard Rustin resident is made by the Penington Friends House Residents and staff, in the same interview process that all other residents are approved to live at the Penington. Applicants should note that the Bayard Rustin Resident bedroom is on the 4th floor of an historic Brownstone. An elevator is not available. Bathrooms are shared with other floor residents. This residency covers the cost of rent, boarding (food) provided 5 nights a week, internet, cable, and heat/AC. A stipend and studio space is NOT currently provided.

Here are a few types of artists and activists activities that we would be interested in considering. Please contact us before applying if you are not sure your project would fit our call.

• An artist working on a body of art that addresses racism and/or intersectional issues.

• A writer working on a new book, play, screenplay, or collection that addresses racism and/or intersectional issues.

• A performer creating a new dance piece that addresses racism and/or intersectional issues.

• A community based artist designing or carrying out a community based project that addresses racism and/or intersectional issues.

• An activist organizing communities to address racism and/or intersectional issues.

• A social entrepreneur that is starting a non-profit focused on addressing racism and/or intersectional issues.

• An inventor or designer working on solving a problem associated with systemic racism and/or intersectional issues.

• A graduate student that has a strong and well defined anti-racism project that needs support and time to launch.

Background
The residency is named after Bayard Rustin who was a Quaker and an attender at 15th Street Monthly Meeting in New York City. This meeting (Quaker house of worship) is next to the Penington Friends House. Rustin worked commitedly for the Civil Rights Movement in the United States. He was an advisor to Dr. Martin Luther King Jr. on nonviolence. Rustin was also a chief organizer of the 1963 March on Washington for Jobs and Freedom and a founding member of the Freedom Riders. He was an early advocate for gay rights. Rustin’s later work included a heavy focus on refugee affairs. Rustin served as Vice Chairman of the International Rescue Committee, helped to found the National Emergency Coalition for Haitian Refugees, and was Chairman of the Executive Committee of Freedom House. He died in 1987. In 2013, President Barack Obama posthumously awarded Rustin the Presidential Medal of Freedom. ( Source rustinfund.org)

penington.org/rustin-residency/

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2024–25 American Library in Paris Visiting Fellowship

The American Library in Paris

DEADLINE: April 1, 2024

INFO: The American Library in Paris Visiting Fellowship was created in 2013 to nurture and sustain a heritage as old as the Library itself: deepening French-American understanding. The Visiting Fellowship offers writers and researchers an opportunity to pursue a creative project in Paris for a month or longer while participating actively in the life of the American Library.

There are two one-month Fellowship periods a year in fall and spring, with dates to be specified later.

A $5,000 stipend will be paid before start of a Fellowship period. The award, to be spent at the discretion of the Fellow, is designed to cover travel to Paris, accommodation, and expenses associated with the month in Paris. In addition to the stipend, the Library will connect the fellow to resources and people in Paris that could be helpful to his or her project.

The American Library in Paris Visiting Fellowship is made possible through the generous support of The de Groot Foundation.

WHO SHOULD APPLY?

We welcome the applications of all researchers, journalists, writers (both fiction and non-fiction), poets, screenwriters, playwrights, directors, and documentary filmmakers.

Applicants should be researching or working on a project that contributes to cross-cultural discourse. Particular attention will be paid to an applicant’s ability to offer the Library’s community a variety of opportunities for exploring a topic. All topics and subject matters are eligible.

Applicants need not be American. International applicants are encouraged. The proposed project must be in English. Members of the Library governance are not eligible recipients of a Visiting Fellowship.

WHAT IS EXPECTED OF VISITING FELLOWS?

Visiting Fellows must be in Paris during the period of the fellowship, and are expected to be present in the American Library for a minimum of three half-days a week. During their residency, fellows will present an hour-long evening program at the Library, participate in a Library reception, meet with staff informally to explore a topic of mutual interest, and extend the Library’s reach by participating in events arranged by the Library with other organizations in Paris.

At the conclusion of the Visiting Fellowship period, fellows will provide the Library and the funding foundation with a written report of the Fellowship experience. Fellows are expected to appropriately acknowledge the Library and the Visiting Fellowship in publications and print media related to the Fellowship project. Fellows will participate in the Library’s social media communication, fundraising campaigns, and other public events.

HOW TO APPLY?

This year’s application form asked applicants to provide a single file containing:

• A cover letter (one page) and CV (two pages max.).

• The narrative description of your project (one page max.). In this description, please indicate the timeline and current stage of the project, what you hope to accomplish during your residency period, and why a fellowship at the American Library will contribute to its success.

• Three proposals (max. 50 words each) for cultural programs at the Library during your residency period. These can include evening conversations, workshops, performances, panels, or other event formats.

• The names and contacts of two professional references.

• A one-time application fee of 30 €.

americanlibraryinparis.org/visiting-fellowship

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Sesame Workshop Writers' Room

Sesame Workshop

DEADLINE: April 8, 2024 by 12pm EST

INFO: Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. 

Fresh new writing talent that reflect the diversity of our vast audience. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept. Past fellows have gone on to develop their own original content with Sesame Workshop, as well as write for Sesame Street and various programs at Nickelodeon, Disney, DreamWorks, and more! Learn about the 2023 fellows and speakers below.

ABOUT THE PROGRAM:

• Up to 8 writers will be selected 

• Sessions are expected to take place virtually from July to August 2024

• Learn from industry writers, producers, agents and executives 

• Learn and complete all steps of creating an original pilot episode script

• Includes eight, three-hour sessions on creating original children’s content 

• Up to two participants will have the opportunity to receive creative development deals and further mentorship

APPLICATION CHECK LIST:

• Application form: Application must be submitted by April 8th, 2024 12PM EST. 

• Original script sample: 11-page maximum; should NOT contain Sesame Street elements, characters, or intellectual property;  can be an excerpt from a larger piece  wholly written by the applicant; must model a 3 act story structure; and be kid-friendly content for viewers up to age 12…we’re looking for great characters and stories that inspire kids to be smarter, stronger and kinder!

• Resumes: 2-page maximum. Anything longer will be disqualified. More info on your script: what’s the bigger picture/idea of your script sample? (up to 100 words)

• Personal statement: tell us about yourself, for example, why you want to write for children’s educational media, how your experiences influence the stories you tell, why you value diversity/representation in children’s media, etc. (up to 250 words)

ELIGIBILITY CHECK LIST:

• Participants must be a U.S. citizen or permanent resident

• No extensive media writing experience, such as having written more than six episodes for a network or cable scripted/narrative series

• Participants must be 21+ years old

• Participants must be able to attend and complete writing assignments for all 8 sessions, which will be held virtually from June to August 2024

sesameworkshop.org/our-work/fellowships/writers-room

TV / FILM — FEBRUARY 2024

2024 COURAGE TO WRITE GRANTS

The de Groot Foundation

DEADLINE: February 5, 2024

APPLICATION FEE: $22.00

INFO: The de Groot Foundation will award thirty COURAGE to WRITE unrestricted grants to writers in 2024.

Ten COURAGE to WRITE grants of $7000 each and twenty Writer of Note grants of $1500 each. These grants are meant to encourage and support writers as they further or complete a specific project. The Writer of Note grantees are chosen from the pool of finalists for the COURAGE to WRITE grants.

GUIDELINES: Applicants for COURAGE to WRITE grants may be writing in any genre. We welcome projects of fiction, nonfiction, creative nonfiction, poetry, YA, children’s books, plays, and screenplays.

WHO SHOULD APPLY: Writers over 18 years of age who are actively engaged in a writing project and for whom a monetary boost could help them further or complete a project.

ELIGIBILITY:

Applications:

• are open to individual writers over 18 years of age regardless of race, ethnicity, gender orientation, education, economic situation, geographic origin or location.

• must be submitted in English.

• are not open to family, members of the board or employees of the The de Groot Foundation, Lando family members, reviewers, or the selection committee.

• Applicants must be individuals. Companies or organizations are not eligible.

• If you’ve already received a writing grant from The de Groot Foundation, please wait a year before applying again.

HOW TO APPLY:

Please read this section carefully before preparing or submitting your application. We receive grant applications through the Submittable platform. If you have an account already, click the button at the bottom of this page and login to apply. If you do not have an account, you will need to create a free account in order to apply. You can create an account here: https://manager.submittable.com/signup

Application

There are three parts to your application: 1) a biosketch, 2) the letter of application, 3) your writing sample

1. Your biosketch

a. A brief statement about you, what matters in your work, what you’ve written, what you want to write, and something about you as a person

b. Limited to no more than 100 words

c. Your biosketch will be inserted into a form on the application so have this ready to cut and paste.

2. The letter of application (2-4 pages) which must include:

a. An introduction to the writing project for which you are seeking support (1-3 paragraphs)

b. How this project is important (1-2 paragraphs)

c. How a grant at this time would be helpful to you and how you would use the funds (2-3 paragraphs)

d. Anything else you would like us to know about you as a writer (1 paragraph)

e. Please address the letter to: Dear COURAGE to WRITE Reviewers

f. Please double space your letter of application and use Times New Roman 12-point font.

The paragraph suggestions above are recommendations. Should you wish to add a paragraph in a section and have one fewer in another that is fine as long as the needed information is well conveyed.

3. Writing sample

a. Please submit an unpublished writing sample, which relates to the project for which you are requesting funds. Do not submit a previously published writing sample.

b. Your unpublished writing sample should be five pages.

c. The writing sample, like the letter of application, should be double spaced and in Times New Roman 12-point font.

d. Exceptions:

i. Poetry: Use your original poetry formatting. You do not need to double space the poems. There can be more than one poem on a page.

ii. Screenplay or a play: You may submit up to 12 pages of a sample using the standard formatting for plays or screenplays.

iii. Graphic novel: You may include up to 10 pages of prose and graphics for the writing sample. Please submit by PDF.

IMPORTANT: The letter of application and the five pages of your current writing project must be uploaded as a SINGLE DOCUMENT. Please make sure you have merged them as a SINGLE DOCUMENT before you submit.

Submit your application through the Submittable platform, which you will be directed to below. Make sure your document is ready and exactly as you want it to be before uploading. Once you have submitted an application, you are unable to change it.

Format:

• Use Times New Roman 12-point font and double space your application document.

• Numbering pages is optional.

Application Timeline:

• Grant recipients will receive an automatic notification from Submittable once your application is received.

• Finalists will be notified by the end of April 2024.

• Grant awardees will be notified by the end of May 2024.

Review and Selection:

You’ll be sent a message when your application has been received.

• Stage 1 Review: All eligible applications are read by teams of reviewers. Depending on the discretion of the reviewers, between 40 to 60 finalist applications are chosen.

• Stage 2 Review: Finalist applications are evaluated by the final Selection Committee. This committee chooses the ten COURAGE to WRITE grantees. From the remaining applications, this committee will then pick the 20 Writer of Note grantees.

The Selection Committees are writers and writing professionals who appreciate the challenges of emerging writers. Selection Committee decisions are final. Correspondence will only be entered into with finalists and grantees.

Grantees will be asked to complete a Grant Acceptance Agreement and, if appropriate, a U.S. W-9 tax form. One year after receipt of funding, grantees agree to complete and return a one-to-three-page final report so that we can learn about your project and the grant’s impact on your work.

degrootfoundation.org/courage-to-write-grants/

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2024 LANDO GRANT

The de Groot Foundation

DEADLINE: February 5, 2024

APPLICATION FEE: $22.00

The de Groot Foundation is thrilled to collaborate with Barry Lando, award winning investigative journalist and former 60 Minutes producer, to provide the LANDO grants for immigration, migration, and/or refugee writing.

GUIDELINES: Applicants for LANDO grants may be writing in any genre. We welcome projects of fiction, nonfiction, creative nonfiction, poetry, YA, children’s books, plays, and screenplays.

WHO SHOULD APPLY: Writers over 18 years of age who are actively engaged in a writing project and for whom a monetary boost could help them further or complete a project.

ELIGIBILITY:

Applications:

• are open to individual writers over 18 years of age regardless of race, ethnicity, gender orientation, education, economic situation, geographic origin or location.

• must be submitted in English.

• are not open to family, members of the board or employees of the The de Groot Foundation, Lando family members, reviewers, or the selection committees.

• Applicants must be individuals. Companies or organizations are not eligible.

• If you’ve already received a writing grant from The de Groot Foundation, please wait a year before applying again.

HOW TO APPLY:

We want all applications to be considered. Please read this section carefully before preparing or submitting your application. We receive grant applications through the Submittable platform. If you have an account already, click the button at the bottom of this page and login to apply. If you do not have an account, you will need to create a free account in order to apply. You can create an account here: https://manager.submittable.com/signup

Application

There are three parts to your application: 1) a biosketch, 2) the letter of application, 3) your writing sample

1. Your biosketch

• A brief statement about you, what matters in your work, what you’ve written, what you want to write, and something about you as a person

• Limited to no more than 100 words

• Your biosketch will be inserted into a form on the application so have this ready to cut and paste.

2. The letter of application (2-4 pages) which must include:

• An introduction to the writing project for which you are seeking support (1-3 paragraphs)

• How this project is important (1-2 paragraphs)

• How a grant at this time would be helpful to you and how you would use the funds (2-3 paragraphs)

• Anything else you would like us to know about you as a writer (1 paragraph)

• Please address the letter to: Dear LANDO Reviewers

• Please double space your letter of application and use Times New Roman 12-point font.

The paragraph suggestions above are recommendations. Should you wish to add a paragraph in a section and have one fewer in another that is fine as long as the needed information is well conveyed.

3. Writing sample

• Please submit a writing sample which relates to the project for which you are requesting funds. Do not submit a previously published writing sample.

• Your unpublished writing sample should be five pages.

• The writing sample, like the letter of application, should be double spaced and in Times New Roman 12-point font.

• Exceptions:

i. Poetry: Use your original poetry formatting. You do not need to double space the poems. There can be more than one poem on a page.

ii. Screenplay or a play: Please submit a one to two page synopsis of the screenplay or play and up to 12 pages of a sample script using the standard formatting for plays or screenplays.

iii. Graphic novel: You may include up to 10 pages of prose and graphics for the writing sample. Please submit by PDF.

IMPORTANT: The letter of application and the five pages of your current writing project must be uploaded as a SINGLE DOCUMENT. Please make sure you have merged them as a SINGLE DOCUMENT before you submit.

Submit your application through the Submittable platform, which you will be directed to below. Make sure your document is ready and exactly as you want it to be before uploading. Once you have submitted an application, you are unable to change it.

FORMAT:

• Use Times New Roman 12-point font and double space your application document.

• Numbering pages is optional.

Grant recipients will receive an automatic notification from Submittable once your application is received.

Finalists will be notified by early April 2024.

Grant awardees will be notified by early May 2024.

degrootfoundation.org/2024-lando-grant-guidelines/

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AT&T UNTOLD STORIES

AT&T / Tribeca Festival

DEADLINE: February 6, 2024

INFO: Untold Stories is a multi-year, multi-tier alliance between AT&T and Tribeca Festival that awards $1 million dollars, mentorship, and comprehensive support to systemically underrepresented filmmakers to produce their films.

This unique partnership has already made a major impact on inclusivity in film. Following the first four nationally-distributed films, Nigerian Prince, Lucky Grandma, Marvelous and the Black Hole, and Land of Gold, Smoking Tigers is currently screening on the festival circuit. Untold Stories’ next feature Color Book will premiere in 2024.

At the 2024 Tribeca Festival, 5 new talented and diverse filmmaking teams will pitch their original feature scripted film projects to an esteemed Greenlight Committee of industry professionals to decide who will be the next $1 million dollar prize recipient.

The winning film will be guaranteed a premiere at the 2025 Tribeca Festival, subject to timely delivery of the film, and dedicated distribution support. The additional 4 teams will receive a $15,000 grant for development support.

Participating films receive extensive exposure for their stories through dedicated content and press opportunities. Films in Untold Stories have the potential to connect with industry and audiences alike, which has allowed over 40% of all participating films to be completed.

tribecafilm.com/attuntoldstories

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2024 SUNDANCE IGNITE X ADOBE FELLOWSHIP

The Sundance Institute / Adobe

DEADLINE: February 7, 2024 at 11 am PST

INFO: The Sundance Institute and Adobe are teaming up to find the next 10 Sundance Ignite x Adobe Fellows—emerging filmmakers (ages 18 to 25) who are creating stories that bring their passion, voice, and perspective to life. 

The Sundance Ignite program identifies and supports new voices and talent from the next generation of filmmakers by providing artistic and professional development to advance filmmakers to the next stage in their filmmaking. The yearlong Sundance Ignite x Adobe Fellowship is open to emerging documentary and fiction filmmakers between ages 18 and 25. The fellowship begins with a weeklong lab orienting filmmakers to the fellowship and year ahead.

Throughout the year, filmmakers will:

• Work with a Sundance Institute alumni mentor

• Receive a $3,000 artist grant

• Participate as a cohort in monthly webinars, workshops and workshares throughout the year

• Receive a complimentary Adobe Creative Cloud 12-month membership, where Creative Cloud is available.

To choose this year’s fellows, we’re asking filmmakers to submit a one- to 15-minute short that shows us their artistic vision and unique voice. Submissions aren’t limited to any genre or topic — the only requirement is that they represent the filmmaker’s perspective as an artist. You will also include materials in support of a new project that you intend to work on throughout the fellowship. 

For resources to help craft your submission, check out the Sundance Collab Filmmaker Toolkit.

SUBMISSION GUIDELINES:

• One entry per person.

• Films submitted must be under 15 minutes long (including credits) and must have been completed within the last 12 months, as of February 7, 2024.

• Accepted video file formats: AVI, FLV, MOV, MP4, or MPEG-2.
  Note: If you choose to upload a .MOV file, make sure that it is not using the Apple ProRes compression. We do not support reading Apple ProRes files or raw camera formats like ARRI and RED at this time.

• An active project is required for the fellowship, however there is no obligation or expectation to complete the project during the fellowship.

• Materials supporting a project that you intend to work on throughout the yearlong fellowship. These can include lookbooks, five pages of a script, treatments and pitch decks. Note: Materials must be in a PDF format.

collab.sundance.org/catalog/2024-Sundance-Ignite-x-Adobe-Fellowship-Application

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ADOC IMPACT FELLOWSHIP

Asian American Documentary Network

DEADLINE: February 8, 2024 by 11:59pm ET

INFO: The A-Doc Impact Fellowship seeks social justice-oriented leaders, filmmakers, impact strategists, thinkers, doers, and believers with ideas for projects that organize within and support AAPI communities to bring about long-term, equitable social change by leveraging nonfiction film, narrative strategies, or storytelling.

A-Doc will award three (3) Impact Fellows a grant ($20,000) towards the implementation of their Impact project and a year-long fellowship program (12 months, March 2024 – March 2025), designed for the Impact Fellows to be in community with a cohort of peers, collaborators, co-conspirators, and leaders within the documentary film and social justice ecosystem. A-Doc will carefully craft the program to be tailored towards the needs of each Impact project to provide the optimal amount of support and mentorship required. Fellows are expected to complete their proposed projects by the end of the fellowship.

GUIDELINES: We will consider projects that focus on one or more of our broad goals of the Impact Fellowship supporting individuals leading projects within AAPI communities to bring about long-term, equitable social change that leverages an aspect of nonfiction film, narrative strategies, or storytelling. In our view, there are numerous, intersecting issues that have historically and continue to impact our AAPI communities—for example, working-class immigrants fighting exploitation and gentrification; combating the rise of anti-AAPI hate; campaigns to decriminalize massage therapy; undocumented folks fighting for a pathway to citizenship; as well as efforts to envision and create alternatives to our current systems and structures that negatively impact AAPI communities.

We expect applicants to make the case that their projects have the potential to contribute something valuable to the debate and discussions around AAPI movements. We are living in unprecedented times, where issues impacting the AAPI communities are exceptionally complex and involve an array of interrelated social, economic, political, and historical dynamics. As such, to the extent that it’s relevant to applicants’ proposed work, we encourage applicants to demonstrate how their projects fit within the current social and political moment, and AAPI movement and organizing work past and present. We encourage applicants to contextualize their projects, and propose how the project moves us toward a more just and equitable society for our AAPI communities.

Who is the Impact Fellowship for?

While we do not limit how any applicant identify as part of their craft and work, here are some examples of who the Impact Fellowship is for:

• Filmmakers / Impact Producers – While the Impact Fellowship is not designed to support a film’s impact campaign, it can support an individual—who can be a part of a film project—to better position their already in place or envisioned strategies for impact. There will need to be distinction that the award is not directly supporting an impact campaign or production costs, but instead is building off the impact work.

  • E.g. A filmmaker with an ongoing impact campaign who intends to use the funds to pay for the campaign costs will not be eligible.

  • E.g. A filmmaker, who is committed to impact work in film, wants to use the funds to create filmmaking workshops for AAPI youth as a way of democratizing access to the medium. This can be eligible.

• Social Justice Activists / Organizers – You are an activist / organizer working within AAPI communities that is seeking to create a new project that ensures our people are seen, heard and empowered.

  • E.g. You work at an organization that leads campaigns directly working to support AAPI communities, and you want to lead a storytelling workshop of oral traditions that shares knowledge, art, ideas and cultural materials that are received, preserved, and transmitted orally from one generation to another.

• Community Leaders – You are a leader and/or directly impacted member of an AAPI community that is working to address an issue that impacts your community.

• Policy Makers – You are working to create structural transformation for AAPI communities through policy advocacy, and you want to leverage non-fiction film or storytelling as part of your work.

INFO SESSION & FREQUENTLY ASKED QUESTIONS
Watch the recording of the Impact Fellowship Info Session HERE. Check out a compiled FAQ list HERE.

KEY DATES:

• Info Session: January 11, 2024 at 7pm ET — Watch the recording HERE.

• Applications Closes: February 8, 2024 at 11:59PM ET

• A-Doc Impact Fellowship Review Period: January 11, 2024 – February 15, 2024

• Award Notification: February 22, 2024

• Fellowship Period: March 2024 – March 2025

a-doc.org/impact-fellowship/

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macdowell fellowship: 2024 Fall/Winter

MacDowell

DEADLINE: February 10, 2024, at 11:59pm ET

INFO: The Fellowship application period for 2024 Fall/Winter residencies at MacDowell is now open!

MacDowell encourages artists to apply in any stage of their career, and from all backgrounds and countries. We invite applications in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. If your proposed project does not fall clearly within one of these artistic disciplines, contact the admissions department for guidance at admissions@macdowell.org.

We also encourage you to watch our “How to Apply to MacDowell's Residency Program” video on our YouTube channel for detailed instructions on our application process.

MacDowell has no residency fees, and to defray expenses that accrue during an artist’s stay, we provide need-based stipends to cover rent, utilities, childcare, and lost income from taking time off from employment, as well as reimbursements for travel to and from the residency.

Fall/Winter residencies will take place between September 1, 2024 and February 28, 2025.

macdowell.org/apply/apply-for-fellowship

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2024 RESidencies

Vermont Studio Center

DEADLINE: February 15, 2024

INFO: Vermont Studio Center is pleased to invite applications for its residency program for writers working in all genres. The Maverick Studio Building offers views of the Gihon River and daily inspiration.

Accepted residents will enjoy access to:

• Visiting Artists & Writers Program

• private accommodation

• private studio space

• delicious fresh daily meals

Residency sessions are approximately 2-, 3-, and 4-weeks. Each residency offers a supportive environment where you can further develop your writing projects, finish your manuscript, make deep revisions, start a new project, and more.

Vermont Studio Center accepts writers working in all genres, and includes the following: 

• fiction 

• creative nonfiction 

• poetry 

• screen/playwriting 

• hybrid*

• translation 

vermontstudiocenter.org/fellowships

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The Diverso Fellowship

Diverso

DEADLINE: February 20, 2024

ENTRY FEE: $25

INFO: DIVERSO is a student-run film nonprofit dedicated to changing the face of entertainment by empowering the next generation of underrepresented storytellers.

In partnership with THE WRITERS GUILD FOUNDATION, we have created The Diverso Fellowship: a paid internship program for minority student screenwriters.

Vetted by a rigorous committee of industry readers, four talented students will spend ten weeks over the summer fine-tuning a writing sample with a personalized mentor, attending panels and classes with industry leaders, and learning from the best by shadowing in a writers' room.

Selected students will receive a $6,000 stipend to support a part-time commitment over 10 weeks. Interns are expected to make a 20-hour commitment each week. The internship program will be hosted virtually over the summer (tentatively set for June 6th - August 19th).

BENEFITS

• $6000 Stipend

• Distribution to Agencies and Production Co's: Fellows' scripts will be sent to over a dozen agents and producers at different companies including A24, Blumhouse, Anonymous Content, Paradigm, United Talent Agency, and more.

• Virtual Panels with Top Industry Professionals:

Previous speakers include:

1. The Daniels, EVERYTHING EVERYWHERE ALL AT ONCE

2. Shaka King, JUDAS AND THE BLACK MESSIAH

3. Jessica Gao, RICK & MORTY

4. Amy Aniobi, INSECURE

5. JD Dillard, STARWARS: THE RISE OF SKYWALKER

6. Dennis Liu, RAISING DION

• General Meetings: Our fellows will be set up on 5+ general meetings with executives from studios and production companies. Previous companies include Plan B, 3Arts, Paramount, Universal, Big Beach, JuVee, Tornante, and more.

• Mentorship: Like our Minority Report and Black Writers in Focus programs, Fellows will be matched with experienced writers in the industry based on their personalized style and experience. Mentors provided both career and script guidance. Previous Diverso mentors included:

1. Charles Rogers, SEARCH PARTY

2. Charise Castro Smith, ENCANTO

3. Ifuoma Ofordire, LOVECRAFT COUNTRY

RULES:

At the program's request, Coverfly will automatically remove your title page for you if you include one when submitting to this program.

Please read all instructions and FAQs carefully before you begin your submission process. Applicants can only submit once per category. Any errors or multiple submissions could disqualify your application.

SUBMISSIONS INSTRUCTIONS:

Applicants must be Underrepresented writers currently enrolled in a university as an UNDERGRADUATE or GRADUATE student (Class of 2024 Graduates are eligible). They may be graduating at the end of the 2024 calendar year. For eligibility and submissions information, please scroll down and read the Frequently Asked Questions portion.

Please ensure your submission has a cover sheet with only the TITLE of the screenplay. The author's name must NOT appear anywhere in the script in order to preserve anonymity in the judging process. Please specify genre when submitting material. 

SUBMISSIONS FORM:

After submission on Coverfly, applicants MUST fill out a submission form which includes a PERSONAL ESSAY and a RELEASE FORM. The submission form can be found here. 

FREQUENTLY ASKED QUESTIONS:

Who can submit? 

Underrepresented student writers currently enrolled in a university whose script has not been optioned. Screenwriters may not have earned more than $25,000 writing fictional work for film or television. The Minority Report is intended to promote and assist amateur writers exclusively. 

How long should my script be?

We accept submissions within the page count below for each category:          

• Feature screenplays: 75 -120 pages

• Half-hour teleplays: 20-40

• Hour-long teleplays: 45-70

Scripts over 130 pages will be eliminated.

Refund/Resubmission Policy:

At this time, no refunds will be issued, please read all instructions before submitting. If you wish to submit a new/corrected draft, applicants will incur a second submission fee. Please reach out for assistance with this. 

Who qualifies as an underrepresented writer? 

Underrepresented writers as defined by the Writers Guild of America include:

• American Indian, Asian/Pacific Islander, Black, Middle Eastern, Latino/a, LGBTQ, Women, Writers with disabilities.

writers.coverfly.com/competitions/view/diverso-fellowship

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Episodic Lab

Film Independent

DEADLINES / FEES:

• Non-member: February 26, 2024 / $65

• Member: March 11, 2024 / $45

INFO: Designed to support writers with original long-form episodic projects, Film Independent’s Episodic Lab will accept a diverse group of 6–8 writers or writing teams and provide them with critical support and mentorship. Through personalized feedback from experienced showrunners, creative producers and executives, Fellows will gain the tools to revise and refine their pilots and navigate a changing industry landscape.

The Episodic Lab helps to further the careers of its Fellows by introducing them to industry veterans who can offer guidance on both the craft and business of writing episodic content. Each Fellow will be paired with a Creative Advisor with whom they’ll work one-on-one and in group sessions to develop their project during the month of September. Additionally, guest speakers will screen and discuss their own work to offer insights into the creative process and industry best practices. A final networking and pitch event will offer Fellows the opportunity to introduce themselves and their work to studio and network executives.

For more information on the application deadline please visit our applications page.

The Alfred P. Sloan Foundation will award one participant of the Film Independent Episodic Lab a $20,000 development grant.

To apply for the Sloan Episodic Lab Grant, apply to the Episodic Lab and provide a statement on how the project fulfills the mission of the Alfred P. Sloan Foundation in your cover letter. The applicant must possess the rights to the script with which they are applying. The teleplay should have a scientific, mathematical and/or technological theme and storyline or have a leading character that is a scientist, engineer or mathematician.

At this time, science fiction projects are not eligible for the Sloan Episodic Lab Grant.

WHO CAN APPLY?

The Episodic Lab is open to any emerging writer applying with a completed draft of a half hour or hour-long television pilot they wish to workshop during the program. Each applicant must be the author of the script he or she submits. The submitted pilot cannot have been pitched at any point to a studio or network.

Writing partners are welcome to apply as teams and need only submit a single application. International applicants are also welcome to apply. At this time, documentary and short-form digital series are not eligible to apply.

HOW TO APPLY:

Please read over the application form before preparing your materials. Applicants must submit the following for consideration:

Required

• A cover letter introducing yourself and your interest in the Episodic Lab

• One complete, original pilot

• A series logline and pilot synopsis

• A series description describing the story engine and series arc of the show

• Project status and history, including any industry exposure

• A series proposal document that includes brief descriptions of the world of the series and its premise and genre, as well as breakdowns for the show’s primary characters and their first season arcs

SELECTION CRITERIA:

Film Independent is looking for well-written, compelling, pilots with an original premise or vision. The submitted pilot may be original or adapted from optioned source material. Though applicants must submit a completed draft, the Lab is structured to support writers who are still creatively engaged in the writing process; those who welcome feedback and discussion will most benefit from the program as they further develop their work.

THE FINE PRINT:

Beyond the application fee, there is no cost or tuition to participate in any of Film Independent’s Artist Development programs.

Film Independent Membership is not required when applying to Artist Development Labs. However, all participants accepted into the Labs are required to join Film Independent at the standard annual General Membership rate of $95.

Applicants will be notified three to four weeks prior to the start of the program.

Until further notice, all Film Independent Labs will be held online.

filmindependent.org/programs/artist-development/episodic-lab/

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American Black Film Festival

DEADLINE: February 28, 2024

INFO: The 28th annual ABFF will be held in Miami Beach, June 12-16, 2024, and on ABFF PLAY from June 17-24. All Official Selections will play during both the live and virtual segments of the festival.

AWARDS + PRIZES:

• Jury Award -- Best Narrative Feature

• Jury Award -- Best Director, Narrative Feature

• Jury Award -- Best Actor, Narrative Feature

• Jury Award -- Best Documentary Feature

• Jury Award -- Best Series (Television or Web)

• HBO® Short Film Award [Entries without the completed SUBMISSION and RELEASE FORMS attached will not be considered.]

abff.com/miami/submissions/

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New Voices Filmmaker Grant

NewFest / Netflix

DEADLINE: February 22, 2024

INFO: NewFest’s New Voices Filmmaker Grant, in partnership with Netflix, supports emerging LGBTQ+ directors by providing funding to make new work, assisting in getting their work more widely shared, and propelling their careers forward through mentorship, networking and professional development opportunities.

The Grant seeks to support underrepresented voices in the film industry, and provides a $25,000 unrestricted grant to 4 emerging directors.

In addition to the $25,000 grant and industry mentorship, fellows will also participate in events and have their work showcased at NewFest’s New York LGBTQ+ Film Festival, one of the largest queer film festivals in the world. Fellows will also have the opportunity to travel as guests of NewFest to other North American film festivals.

Submissions are accepted from emerging LGBTQ+ directors who make documentary/nonfiction, narrative, and/or animated film/episodic projects for and about the LGBTQ+ community.

newfest.org/new-voices-grant

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Research & Development Grant

Chicken & Egg Pictures

DEADLINE: March 4, 2024 at 3:00pm EST

INFO: Now in its second year, The Chicken & Egg Pictures Research & Development Grant supports filmmakers from around the world who have directed at least one feature-length documentary and are in the research & development stage of their next feature-length film. (Note: in the pilot year, the grant eligibility was limited to filmmakers who had already directed two or more feature-length documentaries.)

With support for the second consecutive year by Netflix, the Chicken & Egg Pictures Research & Development Grant supports directors to ideate and plan for their next feature-length film. Many filmmakers invest their personal resources into their films and face funding challenges when entering into the research & development stages of new projects. It is hard to secure funding for a new project without significant sample material, yet producing material without external funding can be almost impossible. To address this challenge, The Chicken & Egg Pictures Research & Development Grant provides financial support to directors during a filmmaking stage that is too often unpaid and unsupported. 

A total of $450,000 USD will be awarded in the following grant amounts:

• $10,000 USD grants for Research

• $20,000 USD grants for Development

The final number of Research Grants vs. Development Grants disbursed will be determined during the selection process, based on the characteristics and strength of the applicant pool for each category.

The purpose of the Research & Development Grant is to support projects at the early stages of their lifecycle. If you have already raised a significant amount of capital (over 35% of your film’s total budget) and have shot and/or edited a substantial amount of footage, you may not be competitive for this grant, unless you can demonstrate very specific needs for the project (such as previously overlooked research activity). 

We recognize that each documentary is unique and that processes for research and development, fundraising, and production can vary widely. The information provided here is not intended as strict eligibility criteria, but rather as general guidelines to help applicants understand the stage at which we aim to provide support for projects. 

The 2024 Chicken & Egg Pictures Research & Development Grant is generously supported by the Netflix Fund for Creative Equity.

GUIDING PRINCIPLES:

• Trust: This grant initiative is driven by our trust in filmmakers with an established track record. We look forward to working with them on new projects at a stage that is especially hard to fundraise for. We trust that applicants will make the best determination about which stage to apply to based on the information presented below.

• Simplicity: We aim to keep The Chicken & Egg Pictures Research & Development Grant application as simple as possible so that filmmakers are not burdened by the process. Some important things to note about the application:

  • The applications for the Research Grant vs. the Development Grant are not the same. Most of the questions are shared across both applications, but some questions are specific to each application.

  • Most questions are based on the Nonfiction Core Application 2.0. 

  • The application also includes some supplemental questions to help us gather the necessary information for organizational purposes.

• Deep listening: This grant initiative was born through deeply listening to a wide range of stakeholders including filmmakers and field representatives who were interviewed during our 2023-2025 Strategic Planning process. Filmmakers shared that they need to be fully trusted with funding early on. We heard the need to be financially supported to have the time and space to think, research, and develop new ideas.

PROJECT STAGE: RESEARCH VS. DEVELOPMENT:

It is important to acknowledge that the differences between the research and development stages are often nuanced, and the activities listed in each stage may overlap. It can be challenging to precisely determine where the research stage concludes and where the development stage commences. For this grant application, we have provided the following definitions and core activities associated with each stage to assist applicants in determining the appropriate grant to apply for.

RESEARCH

The research stage is a period of sowing and ideation.

Core activities associated with the research stage: 

• Identifying secondary sources such as literature, art, and cultural materials

• Familiarizing with other (film) projects

• Identifying primary sources and collaborators

• Locating visual assets and archives

• Identifying and tracking potential or multiple storylines

• Finding a narrative framework that can support the film

• Building foundational relationships with the community and collaborators at the center of the story

DEVELOPMENT

The development stage is a nuanced period of exploration and discovery.

Core activities associated with the development stage: 

• Gaining and securing access to core participants and collaborators, and starting shooting

• Developing the story

• Plotting the film’s multiple and intersecting timelines

• Fine-tuning the development budget and creating a fundraising strategy

• Creating fundraising materials such as a pitch deck, trailer, teaser, etc.

• Testing pitch materials for resonance at pitch venues with potential funders 

• Engaging possible partners

The Chicken & Egg Pictures’ Research & Development Grant is designed to be used flexibly and holistically by each filmmaking team. In addition to expenses related to the core activities mentioned above, the grant may also cover reasonable expenses for the filmmaking team’s fees and salaries, as well as caregiving costs to enable filmmakers who are caregivers to take the time they need to fulfill these activities. While the type of expenses can vary, grantees will be required to submit a narrative report to help us evaluate the scope and impact of the grant (more information in the Reporting & Deliverablessection).

ELIGIBILITY:

Important: You may only submit one application per cycle. If you have more than one eligible project, select which project you will submit for consideration. You may apply for either the Research Grant OR Development Grant, but not both categories.

Please review the following eligibility criteria for The 2024 Chicken & Egg Pictures Research & Development Grant.

APPLICANT ELIGIBILITY:

To be eligible for this grant, filmmakers must meet the following criteria:

• Must identify as a woman (cis or trans) or gender-expansive director.

  • Our working definition of gender-expansive is that it is an umbrella term that includes any person whose gender identity or gender expression does not comply with the socially defined gender norms and roles of their culture. This includes, but is not limited to, non-binary, trans, third gender/two-spirit, and agender individuals).

  • If you are unsure whether you are gender-expansive, please refer to our please refer to the gender expansion page on our website for more information. 

• Must have directed at least one (1) completed feature-length documentary film. 

  • The film must have a duration of 48 minutes or longer.

  • Films must be completed to be considered for this requirement. If you are currently directing your first feature-length film, you would not be eligible to apply until that film is completed and has premiered or is completed and actively seeking an upcoming premiere (e.g. within next 3-4 months).

  • The film must be independently produced. However, commissioned documentaries and television documentaries, including those produced for news/journalism outlets, are eligible to be considered as prior work if the director had directorial control.

  • Feature-length narrative work is not eligible to be considered as prior work for this application.

• Can be based anywhere in the world, except for the countries which are under comprehensive US sanctions. These countries include Cuba, Iran, North Korea, Syria, and the following regions of Ukraine: Crimea, Donetsk, and Luhansk. Further information on why filmmakers based in these countries/regions are ineligible to apply can be found here.

  • If you are originally from these countries/regions but are based outside of them, you are still eligible to apply. 

  • Please note: If you are making a film that takes place in one of these countries/regions, you may apply for the grant, but you will not be able to spend the grant within those countries/regions.

PROJECT ELIGIBILITY:

Applicants for this grant must submit a project for consideration that meets the following criteria:

• Must be a documentary or nonfiction film (including hybrid docs). VR, interactive, branded content, or fiction films are not eligible.

• Must be feature-length (48 minutes or more). Short / medium-length films or series are not eligible

• Must be in the Research or Development stage. Please refer to the section Project Stage: Research vs. Development for more information on what we consider each stage to be.

• Must be independently produced. Works-for-hire are not eligible, and student films produced in an undergraduate or graduate program are also not eligible.

You do not need a fiscal sponsor to apply for the Research & Development Grant. However, if you are awarded, you must have a US fiscal sponsor, or be a 501(c)(3), to receive the funds. 

For more details about eligibility, please review the full list of FAQs at the end of this page. If you have any questions regarding our open call that are not addressed in the FAQs, you can contact us at research-development@chickeneggpics.org.

TIMELINE:

• March 4, 2024, at 3:00 PM EST: Research & Development Grant application deadline.

• March-May 2024: Chicken & Egg Pictures processes and reviews applications in a two-round process.

• Mid-June 2024: All applicants are notified of final decisions.

• July-August 2024: Grants disbursed.

• January 2025: 6-month check-in with grantees regarding the status of their projects.

chickeneggpics.org/programs/#research-development-grant

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Black & Unlimited Fatherhood Project

American Black Film Festival

DEADLINE: March 10, 2024

INFO: The Black & Unlimited Fatherhood Project is a national competition created, in partnership with Walmart’s Black and Unlimited, to champion independent filmmaking while providing a platform to showcase a wide range of stories about Black fatherhood. This initiative has been designed to spotlight emerging directors and amplify the presence of Black men in their families and communities.

Three directors will be selected as winners and will receive the following:

• a $10,000 cash award

• an opportunity to attend and screen their films at the 2024 ABFF (Miami, June 12-16)

• an industry mentorship opportunity with an established filmmaker

In addition, each film will also be featured on ABFF PLAY the festival’s online global platform and Walmart’s Black and Unlimited YouTube page.

Submit your up to 30 minute film about Black fatherhood now.

Each entry must include a signed release form downloadable HERE. At the time of submission via FilmFreeway, upload your signed copy to the PRESS area.

Full submission and eligibility details on FilmFreeway. Entrants will be notified of the festival’s decision by May 1.

abff.com/miami/black-and-unlimited-fatherhood-project/

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Serious Mental Illness Short Film Competition

Voices With Impact

DEADLINE: March 17 2023

INFO: Voices With Impact is proud to present the Serious Mental Illness Short Film Competition.

This is an open call to submit film projects, up to 5 minutes in in length, of any genre, using Serious Mental Illness as the point of interest. Film topics may either be interpretive of Serious Mental Illness, or address it directly. We are looking for films on Schizophrenia, Schizoaffective Disorder, Psychosis, Bipolar Disorder, and films that take a wider view of serious mental illness - we define this as any a mental illness that significantly impairs daily life.

We do not place any formal restrictions on submissions, and will consider all genres and types of short films, including submissions utilizing original footage, shared footage, photo stills, music, essays, screenplays, original art work and more. The film must however be your own original work and you must have the correct license for any materials used within the film. There is no fee for submissions.

The submission window opens on November 10 2023 and closes on March 17 2023. Entries will be juried by our advisory board of filmmakers, students and mental health professionals. Applicants will be notified of outcomes in late May 2024. Winning films will be announced at the Voices With Impact festival June 2024.

To watch films from our library visit www.voiceswithimpact.com/archive. This should give you a good idea of the films that we accept.

This competition is supported by The Sidney R. Baer Jr. Foundation.

AWARDS + PRIZES:

• We will award prizes to 3 winning entries.

• Each winner will receive a cash prize of $2000 USD and have their film inducted into our film library for Distribution in our educational programming across the US & Canada.

• Winning films will be announced at the Voices With Impact festival, June 2024.

RULES + TERMS:

Length and Content:

• We only accept submissions as Vimeo video URLs. YouTube, Google Drive, Dropbox, and any other URL links are not accepted and will be disqualified.

• Submissions must either be interpretive of serious mental illness, or address it directly to be eligible for this competition.

• Submissions must be 5 minutes or less. Films longer than five (5) minutes will be disqualified.

• Submissions may not advertise any product, service, brand, or other commercial interest.

• Submissions that are music videos may only portray original music that you own rights to.

LANGUAGE + LOCATION:

• There are no geographic limitations on entries — we accept short films made anywhere in the world!

  If a submission is not in English, a translation or subtitles in English must be accessible (Closed Caption CC options turned on)

PROCESS:

• If your video is listed as private, you must provide a viewing password in your submission form so our jurors are able to view it.

• Participants may submit only one version of a given project. However, any participant may submit more than one project. A separate Entry must be completed for each submission.

• Past winners are required to wait at least one year before re-submitting to the competition.

• Film jurors from our Advisory Board who are also filmmakers may submit work, but only during competitions in which they are not serving as a juror.

CONTENTS RIGHTS:

• Filmmaker agrees that all submitted films may be used by Art With Impact for educational and outreach activities and the winning filmmaker will sign a license agreement to Art With Impact that will allow both AWI and and affiliated organizations in any relevant programming in perpetuity.

• Filmmakers are responsible for securing any and all necessary licenses for any third party content, including footage, music, fonts, artwork, and any other asset used in film production.

JURYING PROCEDURES:

• Films will be judged by the Film Program team and select members of the Advisory Board, which comprises of filmmakers, mental health professionals, and students.

• To select the winner, jurors respond to the 10 questions found in the contest FAQ.
  Art With Impact reserves the right to not award a prize ($2,000 cash) if submissions do not meet the jury’s standards for both content and production value.

TOPIC FOCUS:

• This competition is inspired by the life and legacy of Sidney Baer Jr. and supported by the Baer Foundation.

• The three winning films will tell authentic stories of people living with serious mental illnesses with the goal of reducing stigma and opening opportunities for dialogue and learning.

filmfreeway.com/mentalhealthfilmcompetition

TV / FILM — JANUARY 2024

2024 COURAGE to WRITE GRANTS

The de Groot Foundation

APPLICATION PERIOD: January 7 - February 5, 2024

APPLICATION FEE: $22.00

INFO: The de Groot Foundation will award thirty COURAGE to WRITE unrestricted grants to writers in 2024.

Ten COURAGE to WRITE grants of $7000 each and twenty Writer of Note grants of $1500 each. These grants are meant to encourage and support writers as they further or complete a specific project. The Writer of Note grantees are chosen from the pool of finalists for the COURAGE to WRITE grants.

GUIDELINES: Applicants for COURAGE to WRITE grants may be writing in any genre. We welcome projects of fiction, nonfiction, creative nonfiction, poetry, YA, children’s books, plays, and screenplays.

WHO SHOULD APPLY: Writers over 18 years of age who are actively engaged in a writing project and for whom a monetary boost could help them further or complete a project.

ELIGIBILITY:

Applications:

• are open to individual writers over 18 years of age regardless of race, ethnicity, gender orientation, education, economic situation, geographic origin or location.

• must be submitted in English.

• are not open to family, members of the board or employees of the The de Groot Foundation, Lando family members, reviewers, or the selection committee.

• Applicants must be individuals. Companies or organizations are not eligible.

• If you’ve already received a writing grant from The de Groot Foundation, please wait a year before applying again.

HOW TO APPLY:

Please read this section carefully before preparing or submitting your application. We receive grant applications through the Submittable platform. If you have an account already, click the button at the bottom of this page and login to apply. If you do not have an account, you will need to create a free account in order to apply. You can create an account here: https://manager.submittable.com/signup

Application

There are three parts to your application: 1) a biosketch, 2) the letter of application, 3) your writing sample

1. Your biosketch

a. A brief statement about you, what matters in your work, what you’ve written, what you want to write, and something about you as a person

b. Limited to no more than 100 words

c. Your biosketch will be inserted into a form on the application so have this ready to cut and paste.

2. The letter of application (2-4 pages) which must include:

a. An introduction to the writing project for which you are seeking support (1-3 paragraphs)

b. How this project is important (1-2 paragraphs)

c. How a grant at this time would be helpful to you and how you would use the funds (2-3 paragraphs)

d. Anything else you would like us to know about you as a writer (1 paragraph)

e. Please address the letter to: Dear COURAGE to WRITE Reviewers

f. Please double space your letter of application and use Times New Roman 12-point font.

The paragraph suggestions above are recommendations. Should you wish to add a paragraph in a section and have one fewer in another that is fine as long as the needed information is well conveyed.

3. Writing sample

a. Please submit an unpublished writing sample, which relates to the project for which you are requesting funds. Do not submit a previously published writing sample.

b. Your unpublished writing sample should be five pages.

c. The writing sample, like the letter of application, should be double spaced and in Times New Roman 12-point font.

d. Exceptions:

i. Poetry: Use your original poetry formatting. You do not need to double space the poems. There can be more than one poem on a page.

ii. Screenplay or a play: You may submit up to 12 pages of a sample using the standard formatting for plays or screenplays.

iii. Graphic novel: You may include up to 10 pages of prose and graphics for the writing sample. Please submit by PDF.

IMPORTANT: The letter of application and the five pages of your current writing project must be uploaded as a SINGLE DOCUMENT. Please make sure you have merged them as a SINGLE DOCUMENT before you submit.

Submit your application through the Submittable platform, which you will be directed to below. Make sure your document is ready and exactly as you want it to be before uploading. Once you have submitted an application, you are unable to change it.

Format:

• Use Times New Roman 12-point font and double space your application document.

• Numbering pages is optional.

Application Timeline:

• Grant recipients will receive an automatic notification from Submittable once your application is received.

• Finalists will be notified by the end of April 2024.

• Grant awardees will be notified by the end of May 2024.

Review and Selection:

You’ll be sent a message when your application has been received.

• Stage 1 Review: All eligible applications are read by teams of reviewers. Depending on the discretion of the reviewers, between 40 to 60 finalist applications are chosen.

• Stage 2 Review: Finalist applications are evaluated by the final Selection Committee. This committee chooses the ten COURAGE to WRITE grantees. From the remaining applications, this committee will then pick the 20 Writer of Note grantees.

The Selection Committees are writers and writing professionals who appreciate the challenges of emerging writers. Selection Committee decisions are final. Correspondence will only be entered into with finalists and grantees.

Grantees will be asked to complete a Grant Acceptance Agreement and, if appropriate, a U.S. W-9 tax form. One year after receipt of funding, grantees agree to complete and return a one-to-three-page final report so that we can learn about your project and the grant’s impact on your work.

degrootfoundation.org/courage-to-write-grants/

_____

2024 LANDO Grant

The de Groot Foundation

APPLICATION PERIOD: January 7 - February 5, 2024

APPLICATION FEE: $22.00

The de Groot Foundation is thrilled to collaborate with Barry Lando, award winning investigative journalist and former 60 Minutes producer, to provide the LANDO grants for immigration, migration, and/or refugee writing.

GUIDELINES: Applicants for LANDO grants may be writing in any genre. We welcome projects of fiction, nonfiction, creative nonfiction, poetry, YA, children’s books, plays, and screenplays.

WHO SHOULD APPLY: Writers over 18 years of age who are actively engaged in a writing project and for whom a monetary boost could help them further or complete a project.

ELIGIBILITY:

Applications:

• are open to individual writers over 18 years of age regardless of race, ethnicity, gender orientation, education, economic situation, geographic origin or location.

• must be submitted in English.

• are not open to family, members of the board or employees of the The de Groot Foundation, Lando family members, reviewers, or the selection committees.

• Applicants must be individuals. Companies or organizations are not eligible.

• If you’ve already received a writing grant from The de Groot Foundation, please wait a year before applying again.

HOW TO APPLY:

We want all applications to be considered. Please read this section carefully before preparing or submitting your application. We receive grant applications through the Submittable platform. If you have an account already, click the button at the bottom of this page and login to apply. If you do not have an account, you will need to create a free account in order to apply. You can create an account here: https://manager.submittable.com/signup

Application

There are three parts to your application: 1) a biosketch, 2) the letter of application, 3) your writing sample

1. Your biosketch

• A brief statement about you, what matters in your work, what you’ve written, what you want to write, and something about you as a person

• Limited to no more than 100 words

• Your biosketch will be inserted into a form on the application so have this ready to cut and paste.

2. The letter of application (2-4 pages) which must include:

• An introduction to the writing project for which you are seeking support (1-3 paragraphs)

• How this project is important (1-2 paragraphs)

• How a grant at this time would be helpful to you and how you would use the funds (2-3 paragraphs)

• Anything else you would like us to know about you as a writer (1 paragraph)

• Please address the letter to: Dear LANDO Reviewers

• Please double space your letter of application and use Times New Roman 12-point font.

The paragraph suggestions above are recommendations. Should you wish to add a paragraph in a section and have one fewer in another that is fine as long as the needed information is well conveyed.

3. Writing sample

• Please submit a writing sample which relates to the project for which you are requesting funds. Do not submit a previously published writing sample.

• Your unpublished writing sample should be five pages.

• The writing sample, like the letter of application, should be double spaced and in Times New Roman 12-point font.

• Exceptions:

i. Poetry: Use your original poetry formatting. You do not need to double space the poems. There can be more than one poem on a page.

ii. Screenplay or a play: Please submit a one to two page synopsis of the screenplay or play and up to 12 pages of a sample script using the standard formatting for plays or screenplays.

iii. Graphic novel: You may include up to 10 pages of prose and graphics for the writing sample. Please submit by PDF.

IMPORTANT: The letter of application and the five pages of your current writing project must be uploaded as a SINGLE DOCUMENT. Please make sure you have merged them as a SINGLE DOCUMENT before you submit.

Submit your application through the Submittable platform, which you will be directed to below. Make sure your document is ready and exactly as you want it to be before uploading. Once you have submitted an application, you are unable to change it.

FORMAT:

• Use Times New Roman 12-point font and double space your application document.

• Numbering pages is optional.

Grant recipients will receive an automatic notification from Submittable once your application is received.

Finalists will be notified by early April 2024.

Grant awardees will be notified by early May 2024.

degrootfoundation.org/2024-lando-grant-guidelines/

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WIF WRITER FELLOWSHIP

Women in Film

DEADLINE: January 8, 2024

INFO: Created in honor of our 50th year, the WIF Fellowships reflect our commitment to advancing the careers of women, nonbinary, and trans people across all areas of the industry.

This year-long program assigns each Fellow an intimate cohort of those on the same career path. Each cohort is teamed up with Mentors who will help guide them through group mentoring sessions, and with Guest Speakers who will present workshops and panels aimed to demystify the more nuanced areas of the industry. Connections are made to cohorts of other disciplines through intentional networking opportunities throughout the year.

With an eye on career advancement, each Fellow will also receive individualized career strategy sessions throughout their year in the program to identify immediate steps that can be taken to help the Fellow achieve their goals or brainstorm the best professional paths forward.

All those accepted to the Episodic Lab will become WIF Fellows with additional Writer Fellows accepted through both the Episodic Lab and Fellowship applicant pools (applicants only need to apply through one of the applications — please see the FAQs below for more information). Though our Financing Intensive is currently on hiatus, we will include many aspects of that program within our Producer Fellowship.

It is our belief that a true culture shift includes support and community for every entertainment industry role. To that end, if you don’t see your role represented in the list of application options, we still encourage you to apply.

FELLOWSHIP SPECIFICS: Each Fellow will meet within their cohort for a year of master classes, networking, and community building. Fellows will also receive 1:1 career strategy sessions and mentoring from a professional with extensive experience in their field, either in groups or individually (depending on Mentor availability). Fellows are expected to have at least six sessions with their mentor(s) within a 12-month period. Dates and locations will be determined solely by mentors, and may continue to be virtual for the time being.

REQUIREMENTS:

• You must be local to Los Angeles in order to participate.

• You must have a clear career focus that you can articulate in your application.

• We anticipate the WIF Fellowship as having both virtual and in-person elements, some of which may be mandatory. In order to attend in-person events, fellows must be able to provide proof of current vaccination, subject to CDC guidelines relating to boosters, and willing to test for COVID-19 prior to events.

FELLOWSHIP OPPORTUNITIES

• Episodic Lab – all selected participants will also be Writer Fellows

• Writer Fellowship – we will provide fellowship opportunities to a small group of applicants that are not accepted into the Episodic Lab and/or apply directly to the Fellowship. Please see the FAQs below for more information.

womeninfilm.org/updates/fellowship-specifics/

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2024 Sundance Native Lab

Indigenous Screen Office / Sundance Institute

DEADLINE: January 8, 2024

INFO: The Indigenous Screen Office and the Sundance Institute are excited to once again invite Indigenous storytellers to apply to be part of the 2024 Sundance Institute’s Native Lab.

The Native Lab provides direct support to emerging filmmakers and episodic creators from the U.S.-based Native American, Native Hawaiian, Alaskan Native, and Canada-based Indigenous (First Nations, Métis, and Inuit) communities.

WHO CAN APPLY

Filmmakers and episodic creators

DESCRIPTION

The lab focuses on the specific development of storytellers from Native and Indigenous backgrounds, encompassing feature film and episodic work.

PROGRAM SUMMARY:

• This opportunity is available to one (1) Indigenous storyteller based in Canada.

• This is a year-long fellowship starting with a two-week lab, during which Fellows will hone their storytelling and technical skills in a hands-on and supportive environment, including one-on-one feedback sessions with advisors and roundtables. After this there will be check-ins via Zoom once a month.

• The two week lab will take place in early May (date TBC). The first week will be virtual and the second week will take place in person in Sante Fe, New Mexico. Travel, accommodation and food costs will be paid for.

• The fellow will also receive a $10,000 USD grant as part of the lab.

SUBMISSION PROCESS + NOTIFICATION: An initial review for eligibility and missing documentation will be conducted by the ISO Program Manager. Final decisions will be made by the Indigenous Program staff at the Sundance Institute.

APPLICATION REQUIREMENTS: You are required to submit a narrative feature or episodic pilot script.

PROGRAM CLOSURE: If applicants wish to access their application, they must contact funding@iso-bea.ca within 10 business days of the program’s closure. The ISO will provide a downloaded copy if requested. Otherwise, all in-progress applications will be deleted 10 business days after the program has been officially closed.

ACCESSIBILITY FUNDING:

The ISO provides up to $500.00 CAD in additional funding to cover accessibility costs incurred during the stages of applying for funding, completing a project, and writing your final report. Requests for support are encouraged at least two weeks prior to the application due date.

If you have barriers to access including but not limited to language, internet or physical barriers, please contact the ISO to discuss accommodations and support at funding@iso-bea.ca.

Support may include telephone or video application submission, language interpretation, or support worker assistance. Equipment purchases are not eligible for accessibility support.

GENERAL CRITERIA: All applicants to ISO programs must confirm they have read the General Funding Guidelines prior to submitting an application.

ELIGIBILITY REVIEW: An initial review for eligibility and missing documentation will be conducted by the ISO Program Manager. The ISO program manager will reach out if any of this information is needed and applicants will be given a short period (maximum 10 days) to submit anything outstanding.

Ineligible or incomplete applications can be withdrawn at any time in the process. Applicants will be notified by the ISO when the application is withdrawn.

MISREPRESENTATION:

If at any time, an Applicant, as required by the Criteria or as requested by the ISO, provides false information or omits or misrepresents material information in connection with an application, including with respect to Indigenous identity, such provision of false information, omission or misrepresentation will be considered an event of default and the ISO may exercise the following contractual rights:

• termination of any contracts, including any remedies thereunder;

• denial of eligibility for existing and future funding;

• repayment of any funds already advanced; and

• civil and potential criminal prosecution, in the case of fraud.

These measures may be imposed not only on the Applicant but also on related, associated and affiliated companies and individuals that are parties to the application. Any Applicant receiving approval for funding will be required to sign a legally enforceable agreement, which includes provisions concerning misrepresentations, defaults, and related matters.

FINAL REPORTING:

A final report will be required within three months following the completion of the fellowship. Applicants with overdue final reports will not be eligible for Indigenous Screen Office funding until the report is submitted and approved.

Final report will be provided.

RECOGNITION OF CONTRIBUTION:

Recipients must acknowledge ISO support with textual reference and/or logo in the credit sequence, or appropriate placement in the completed work (where applicable). ISO logos are available for download on the ISO website.

When sharing information about your participation in the proposed activity. Please also tag the ISO on any social media posts related to this funding:

• Instagram – indigenousscreen

• Twitter – screen_office

• Facebook – ISO.BEA

Questions are encouraged at least two weeks prior to submission or the application closing date and may be directed at any time to funding@iso-bea.ca.

iso-bea.ca/industry-initiatives/programs/sundance-native-lab-2024/

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LALIFF 2024: CALL FOR SUBMISSIONS

Los Angeles Latino International Film Festival (LALIFF)

DEADLINE / FEE: January 9, 2024 / $45.00 (Early Submission)

INFO: We invite all Latino artists to participate in LALIFF 2024 by submitting their work for consideration. The Festival will take place from May 29 to June 2.

Submissions are open in the following categories:

I - U.S. FEATURE FILMS

Any fiction film, documentary or animation in any genre made by Latino filmmakers in the United States with a total running time of more than 50 minutes are eligible for feature submission. World premiere must have occurred no earlier than January 1, 2023, and we will NOT be accepting feature films that have had commercial, theatrical, television or internet distribution in the United States.

Submission Deadlines & Fees:

• Early Submission Deadline: January 9, 2024 | Fee: $45.00

• Regular Submission Deadline: February 6, 2024 | Fee: $55.00

• Late Submission Deadline: February 29, 2024 | Fee: $65.00
  

II - U.S. & INTERNATIONAL SHORT FILMS

Any fiction film, documentary or animation in any genre made by Latino filmmakers (in the U.S, Latin America and the diaspora) with a total running time of less than 50 minutes. World premiere must have occurred no earlier than January 1, 2023, and we will NOT be accepting short films that have had commercial, theatrical, television or internet distribution in the United States.

Submission Deadlines & Fees:

• Early Submission Deadline: January 9, 2024 | Fee: $35.00

• Regular Submission Deadline: February 6, 2024 | Fee: $45.00

• Late Submission Deadline: February 29, 2024 | Fee: $55.00
  

III - U.S. & INTERNATIONAL EPISODICS

Scripted or non-scripted series in any genre made by Latino writers/filmmakers. Applicants may submit single or multiple episodes of the same project, provided that the total running time does not exceed 90 minutes, including credits.

Multiple episodes should be submitted as one continuous video file. Individual episodes may not exceed 60 minutes in length. Open submissions in this category are not eligible for the Festival if the submitted content has been made available to the general public via any platform (broadcast television, Blu-ray, DVD, streaming, VOD, etc.) in the United States. If the submitted content is a continuation of an existing series, only new episodes are eligible for open submission to the Festival.

Submission Deadlines & Fees:

• Early Submission Deadline: January 9, 2024 | Fee: $35.00

• Regular Submission Deadline: February 6, 2024 | Fee: $45.00

• Late Submission Deadline: February 29, 2024 | Fee: $55.00

IV - U.S. MUSIC VIDEOS

Open to independent artists who are located in the U.S., and who are submitting music videos that have not been released to the public, on any platform, to get launched at our 2024 edition as part of LALIFF Music.

Submission Deadlines & Fees:

• Early Submission Deadline: January 9, 2024 | Fee: $35.00

• Regular Submission Deadline: February 6, 2024 | Fee: $45.00

• Late Submission Deadline: February 29, 2024 | Fee: $55.00

laliff.org/festival/2024/submissions/

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2024 Documentary Story Lab

Film Independent

DEADLINES:

• Regular Deadline: January 15, 2024

• Extended Member Deadline: January 29, 2024

INFO: The 2024 Documentary Story Lab is a full-time, one week program that will take place in April of 2024. The program is designed to provide individualized story and career development for documentary directors with a project in post-production.

Applicants must submit a work sample which should include a minimum of a polished trailer and scene selects, all the way up to a rough cut.

Filmmakers that have yet to complete the majority of principal photography and those that do not yet have any footage assembled are not eligible to apply.

Please complete and submit the following electronic application form. You will be able to save your application and add documents or information until the application deadline. Once you click "submit," the application will be considered final and no additional information will be accepted. If you do not click "submit," the application will not be considered. At the end of the submission form, you will be asked for your payment information.

Please be advised: the application may time out if you keep it open for a long time. It is recommended that you keep a backup of your answers in a separate document. Save early and often. You can verify that your application has saved by logging out and logging back in.

All applicants will be notified 3-4 weeks before the program start date. If you don't receive a notification, please check your spam folder.

filmindependent1.submittable.com/submit/275591/film-independent-documentary-story-lab-2024

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ARTIST RESIDENCY PROGRAM

The Helene Wurlitzer Foundation

DEADLINE: January 18, 2024

APPLICATION FEE: $30

INFO: The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven artist casitas, or guest houses, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.

The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.

Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.

Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.

RESIDENCY SESSIONS:

• #1: Jan - Apr, 2025

• #2: Jun - Aug, 2025

• #3: Sep - Dec, 2025

wurlitzerfoundation.org/apply

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2024 Brendan Gill Prize

The Municipal Art Society of New York

DEADLINE: January 19, 2024

INFO: The Brendan Gill Prize is given each year to the creator of a specific work; a book, essay, musical composition, play, painting, sculpture, film, or choreographic piece, that best captures the spirit and energy of New York City.

All eligible nominations must have been completed and produced between January 1, 2023, and December 31, 2023, and must be based-in and pertaining to New York City. The prize is not awarded for a body of work or lifetime achievement.

The prize was established in 1987 in honor of Brendan Gill by friend and fellow MAS board member Jacqueline Kennedy Onassis along with board members Helen Tucker and Margot Wellington.

mas.org/news/nominate-brendan-gill-prize-2024/

_____

2024 Emerging Voices Directors Lab

New Orleans Film Society

DEADLINE: January 19, 2024 at 11:59pm CST

INFO: Applications for the 2024 Emerging Voices Directors Lab are now open.

Six Louisiana-based early-career directors are invited annually to hone their artistic voice and deepen their community ties through industry mentorship and peer support in a 4-day intensive lab. At the completion of the lab, participating filmmakers will receive a $2,000 unrestricted grant to support their project as well as the opportunity to convene at the New Orleans Film Festival and one additional regional festival.

The Emerging Voices Directors Lab, an initiative of the New Orleans Film Society, was created in 2014 to promote the unique perspectives and cultures of Louisiana filmmakers of color to the rest of the country, and the world.

CRITERIA:

Applications will be reviewed by an independent panel and will be scored according to the following criteria:

• ORIGINALITY & VISION - Does the project have a unique vision and perspective? Does the visual component of the application support the description and artistic approach of the project? Is it clear why this project needs to be made now?

• CONNECTION TO THE STORY - What is the film team’s relationship to the story and communities represented in the film? How are they working with the community to ensure the story is crafted with care and respect?

• CONNECTION TO THE REGION - What is the filmmaker’s relationship to the region? How long have they lived in the region? Do they live here full-time? How connected are they to their Southern community? Is their body of work focused on Southern stories? How much of the project will be filmed in the South?

• ABILITY TO EXECUTE THE PROJECT - Does the applicant’s past body of work demonstrate an ability to execute the current project? Does the project have committed collaborators? Is there a clear plan for current and future phases of the project?

• WILLINGNESS TO LEARN AND CONTRIBUTE TO THE COHORT - Do they demonstrate a need and willingness to learn? Will they contribute to and support other members of the cohort? How engaged will they be in the lab?

• ABILITY TO LEVERAGE THE OPPORTUNITY - Is the project developed enough to take advantage of the lab and award? Is the applicant in an ideal place in their career to receive mentorship from an industry advisor? Is there a clear explanation of how the lab will move the project forward?

neworleansfilmsociety.org/emerging-voices/

_____

AT&T Untold Stories

AT&T / Tribeca Festival

DEADLINE: February 6, 2024

INFO: Untold Stories is a multi-year, multi-tier alliance between AT&T and Tribeca Festival that awards $1 million dollars, mentorship, and comprehensive support to systemically underrepresented filmmakers to produce their films.

This unique partnership has already made a major impact on inclusivity in film. Following the first four nationally-distributed films, Nigerian Prince, Lucky Grandma, Marvelous and the Black Hole, and Land of Gold, Smoking Tigers is currently screening on the festival circuit. Untold Stories’ next feature Color Book will premiere in 2024.

At the 2024 Tribeca Festival, 5 new talented and diverse filmmaking teams will pitch their original feature scripted film projects to an esteemed Greenlight Committee of industry professionals to decide who will be the next $1 million dollar prize recipient.

The winning film will be guaranteed a premiere at the 2025 Tribeca Festival, subject to timely delivery of the film, and dedicated distribution support. The additional 4 teams will receive a $15,000 grant for development support.

Participating films receive extensive exposure for their stories through dedicated content and press opportunities. Films in Untold Stories have the potential to connect with industry and audiences alike, which has allowed over 40% of all participating films to be completed.

tribecafilm.com/attuntoldstories

TV / FILM — DECEMBER 2023

TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINE: December 3, 2023

SUBMISSION FEE: $90

INFO: The CineStory Foundation believes in helping writers find their voice. We’re entering a world in which the ways to tell stories are limitless. Those stories always begin with a blank page. Our goal with the Television Retreat is to educate writers about the unique world of TV storytelling, from the collaborative nature of writing for networks or streaming channels to the independent realm of creating and shooting series for the web.

Structured like the CineStory Feature Retreat, the CineStory Television Retreat takes place over three days in the beautiful mountains of Idyllwild, California. Attendees receive three one-on-one, one and a half hour sessions with CineStory mentors. During these sessions, mentors will give attendees feedback on improving the craft of the script(s) they submitted in advance and will also discuss with writers various aspects of the business of TV writing to help writers better understand TV writers’ various roles in the entertainment industry. 

TV writers also will experience what it’s like to sit in a professional writers room run by an experienced mentor.  In addition, mentors and writers will gather for meals, drinks, screenings, and other special events.

RETREAT DATES:

• May 3 – 7, 2024

RETREAT FEE:

The retreat fee for the 2023 Feature Retreat is $2,200 for individual participants and $3,000 for teams (who participate in all retreat events as a team).

The retreat fee covers meals (a light breakfast, lunch, and dinner) and all retreat events, including informal sessions, one-on-one meetings, social gatherings (cocktail parties, etc.).

ANNOUNCEMENTS:

• Quarterfinalists – Late January

• Semifinalists – Late February

• Finalists – Mid March

• Division Winners – Early April

• Fellowship Winner – Mid April

TV DIVISIONS:

• Original Drama – 1 hour series

• Original Comedy – 30 minute series

• Original Sci Fi/Fantasy – 1 hour series

• Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

_____

STARZ #TakeTheLead Writers' Intensive

STARZ / NALIP / NFMLA

DEADLINE: December 4th, 2023 at 7:59 pm PT

INFO: NALIP and NFMLA have returned with STARZ for another year of STARZ #TakeTheLead Writers' Intensive. The STARZ #TakeTheLead Writers' Intensive provides a unique platform for emerging talents to cultivate their skills and refine their spec scripts with the guidance of esteemed mentors, executives, and established writers.

As part of the 2023 edition of STARZ #TakeTheLead Writers' Intensive, a total of 10 talented writers will be carefully chosen to embark on the first phase of the program. During this stage, they will have the invaluable opportunity to be mentored by seasoned industry professionals while simultaneously crafting an episode treatment and pitch.

The program opens for submissions on Monday, November 13th, 2023 at 11am PT and the deadline to submit is Monday,

TIMELINE:

• Call for entries closes December 4th, 2023 at 7:59 pm PT

• Participants announcement January 27th, 2024

PROGRAM DATES:

Selected participants must be available for the duration of the following dates:

• Phase 1: February 5th, 2024 to February 16th, 2024

• Phase 2: March 4th, 2024 to March 29th

BENEFITS:

• $5,000USD grant awarded to the four participants who move on to phase 2 of the program

• Opportunity to meet industry professionals and creatives

• Feedback from top executives on your pitch (phase 1 participants)

• Feedback from top executives on your spec episode script (phase 2 participants only)

PROGRAM HIGHLIGHTS:

Phase One

(2 weeks for participants at approximately 16 hours each week, primarily taking place Monday - Friday)

• One week intensive of meetings and sessions with industry creatives and professionals

• Participants work with feedback and support to develop an episode treatment and pitch

• Culminates in a STARZ Jury hearing pitches, reading treatments and making final cohort selection

Phase Two

(4 weeks for participants at approximately 8 hours each week, primarily taking place Monday - Friday)

• Meetings with STARZ executives to hone spec script

• Feedback from STARZ mentors to refine spec script

• Final review and final set of notes for spec script

• Pitch of spec script

writers.coverfly.com/competitions/view/starz-writers-intensive#about

_____

OPEN CALL FOR SCRIPT SUBMISSIONS

BBC Writersroom

DEADLINE: December 5, 2023 (by noon)

INFO: BBC Writersroom's Drama Room is a 1-year writer development scheme for writers.

We work with around 12 writers on the Drama Room scheme every year, to develop their craft skills and knowledge of the industry. During the first 6 months of the programme, writers receive workshop sessions exploring character, structure, different mediums of storytelling, practical writing exercises as well as industry masterclasses with writers, producers and agents. There are also networking and ad hoc pitching opportunities (often in continuing drama, audio drama and children’s). The writers are paired up with Script Editors for 9 months to develop an original spec' script, which they focus on for the second half of the programme.

The aim of the scheme is to encourage and develop the best in new drama writing and to give these writers the opportunity to build strong connections with producers and help them gain BBC broadcast commissions.

bbc.co.uk/writersroom/opportunities/send-a-script 

_____

ARTISTS IN RESIDENCE FELLOWSHIP

Newberry Library

DEADLINE: December 15, 2023

INFO: Newberry Library provides fellowships for writers, artists, and other humanists.

FELLOWSHIPS:

The Arthur and Lila Weinberg Artist-in-Residence Fellowship for Independent Researchers

• This fellowship is for writers, journalists, filmmakers, visual and performing artists, and other humanists who wish to use the Newberry’s collection to further their creative work. Preference is given to individuals working on projects that focus on social justice or reform.

• Stipend: $3,000/month

• Length: 1 month

• Who can apply: Applicants must be working outside of traditional academic settings.

newberry.org/research/artists-in-residence

_____

WIF Writer Fellowship

Women in Film

DEADLINE: January 8, 2024

INFO: Created in honor of our 50th year, the WIF Fellowships reflect our commitment to advancing the careers of women, nonbinary, and trans people across all areas of the industry.

This year-long program assigns each Fellow an intimate cohort of those on the same career path. Each cohort is teamed up with Mentors who will help guide them through group mentoring sessions, and with Guest Speakers who will present workshops and panels aimed to demystify the more nuanced areas of the industry. Connections are made to cohorts of other disciplines through intentional networking opportunities throughout the year.

With an eye on career advancement, each Fellow will also receive individualized career strategy sessions throughout their year in the program to identify immediate steps that can be taken to help the Fellow achieve their goals or brainstorm the best professional paths forward.

All those accepted to the Episodic Lab will become WIF Fellows with additional Writer Fellows accepted through both the Episodic Lab and Fellowship applicant pools (applicants only need to apply through one of the applications — please see the FAQs below for more information). Though our Financing Intensive is currently on hiatus, we will include many aspects of that program within our Producer Fellowship.

It is our belief that a true culture shift includes support and community for every entertainment industry role. To that end, if you don’t see your role represented in the list of application options, we still encourage you to apply.

FELLOWSHIP SPECIFICS: Each Fellow will meet within their cohort for a year of master classes, networking, and community building. Fellows will also receive 1:1 career strategy sessions and mentoring from a professional with extensive experience in their field, either in groups or individually (depending on Mentor availability). Fellows are expected to have at least six sessions with their mentor(s) within a 12-month period. Dates and locations will be determined solely by mentors, and may continue to be virtual for the time being.

REQUIREMENTS:

• You must be local to Los Angeles in order to participate.

• You must have a clear career focus that you can articulate in your application.

• We anticipate the WIF Fellowship as having both virtual and in-person elements, some of which may be mandatory. In order to attend in-person events, fellows must be able to provide proof of current vaccination, subject to CDC guidelines relating to boosters, and willing to test for COVID-19 prior to events.

FELLOWSHIP OPPORTUNITIES

• Episodic Lab – all selected participants will also be Writer Fellows

• Writer Fellowship – we will provide fellowship opportunities to a small group of applicants that are not accepted into the Episodic Lab and/or apply directly to the Fellowship. Please see the FAQs below for more information.

womeninfilm.org/updates/fellowship-specifics/

TV / FILM — NOVEMBER 2023

TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINES & SUBMISSION FEES:

• Extended Late Deadline – November 5, 2023 ($85)

• Final Deadline: December 3, 2023 ($90)

INFO: The CineStory Foundation believes in helping writers find their voice. We’re entering a world in which the ways to tell stories are limitless. Those stories always begin with a blank page. Our goal with the Television Retreat is to educate writers about the unique world of TV storytelling, from the collaborative nature of writing for networks or streaming channels to the independent realm of creating and shooting series for the web.

Structured like the CineStory Feature Retreat, the CineStory Television Retreat takes place over three days in the beautiful mountains of Idyllwild, California. Attendees receive three one-on-one, one and a half hour sessions with CineStory mentors. During these sessions, mentors will give attendees feedback on improving the craft of the script(s) they submitted in advance and will also discuss with writers various aspects of the business of TV writing to help writers better understand TV writers’ various roles in the entertainment industry. 

TV writers also will experience what it’s like to sit in a professional writers room run by an experienced mentor.  In addition, mentors and writers will gather for meals, drinks, screenings, and other special events.

RETREAT DATES:

• May 3 – 7, 2024

RETREAT FEE:

The retreat fee for the 2023 Feature Retreat is $2,200 for individual participants and $3,000 for teams (who participate in all retreat events as a team).

The retreat fee covers meals (a light breakfast, lunch, and dinner) and all retreat events, including informal sessions, one-on-one meetings, social gatherings (cocktail parties, etc.).

ANNOUNCEMENTS:

• Quarterfinalists – Late January

• Semifinalists – Late February

• Finalists – Mid March

• Division Winners – Early April

• Fellowship Winner – Mid April

TV DIVISIONS:

• Original Drama – 1 hour series

• Original Comedy – 30 minute series

• Original Sci Fi/Fantasy – 1 hour series

• Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

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Open Call for script submissions

BBC Writersroom

SUBMISSION PERIOD: November 7 - December 5, 2023 (by noon)

INFO: BBC Writersroom's Drama Room is a 1-year writer development scheme for writers.

We work with around 12 writers on the Drama Room scheme every year, to develop their craft skills and knowledge of the industry. During the first 6 months of the programme, writers receive workshop sessions exploring character, structure, different mediums of storytelling, practical writing exercises as well as industry masterclasses with writers, producers and agents. There are also networking and ad hoc pitching opportunities (often in continuing drama, audio drama and children’s). The writers are paired up with Script Editors for 9 months to develop an original spec' script, which they focus on for the second half of the programme.

The aim of the scheme is to encourage and develop the best in new drama writing and to give these writers the opportunity to build strong connections with producers and help them gain BBC broadcast commissions.

bbc.co.uk/writersroom/opportunities/send-a-script 

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2024 CAPE New Writers Fellowship

Coalition of Asian Pacifics in Entertainment (CAPE)

DEADLINE: November 13, 2023 at 11:59pm PT

APPLICATION FEE: $65 (non-refundable)

INFO: The CAPE New Writers Fellowship (CNWF) discovers and nurtures emerging Asian and Pacific Islanders writers launching their careers in television. Founded and co-chaired by Emmy Award-winning Writer, Creator and Showrunner Leo Chu and veteran film and TV executive Steve Tao, the CAPE New Writers Fellowship is one of few writing programs in Hollywood created by a creative and an executive. This immersive Fellowship arms each writer with the practical and business knowledge they need to succeed as a professional writer in the entertainment industry.

Over the course of several weeks, CAPE brings in top television and film writers, producers, agents, managers, and executives for a series of intimate panels, workshops, and discussions. The Fellowship also features a Writing Lab where each Fellow is matched with a high-level industry mentor to help them revise their original script into professional level writing samples to get them noticed and land that all-important first staff job.

The Fellowship typically runs each year in the spring. Sessions take place on weekday evenings PT for approximately 3 hours, twice a week.

The 2024 CAPE New Writers Fellowship will be a hybrid program with in-person and virtual sessions. Sessions will be held on March-April 2024 on Monday and Wednesday weekday evenings (Pacific Time). You must be able to attend all in-person sessions in Los Angeles. Transportation and lodging costs will not be covered. You must be able to attend every virtual session via Zoom.

ELIGIBILITY REQUIREMENTS:

• You must be at least 18 years old to apply.

• You or your script should be consistent with CAPE’s mission to champion diversity by educating, empowering, and connecting Asian American and Pacific Islander artists and leaders in entertainment.

• You must have the ability to accept paid work in the United States. CAPE does not sponsor or assist with visas.

• The 2024 CAPE New Writers Fellowship will be a hybrid program with in-person and virtual sessions. Sessions will be held on March-April 2024 on Monday and Wednesday weekday evenings (Pacific Time).

• You must be able to attend all in-person sessions in Los Angeles. Transportation and lodging costs will not be covered.

• You must be able to attend every virtual session via Zoom.

• We accept half-hour or hour long pilots only. All genres accepted. Animation accepted.

• Your script must be in English. Additional languages are accepted with subtitles.

• You must not have been employed as a staff writer (or higher level).

• Your script must be in PDF format and in industry format.

• Your script must not contain any identifying information (name, email, rep information) on any pages. You may include WGA or copyright registration numbers if you wish, but it is not necessary.

• Your script must be original and you must own all rights to the script free and clear.

• Your script must not be under an option and you must have sole authority over changes to the script.

• We accept writing teams of up to 2 writers. You must be committed to pursuing a career as a writing team. Both members of any writing team must meet all requirements.

• You must workshop and edit the script you submitted to the Fellowship, if accepted.

• We do not accept revised or replacement scripts - no exceptions.

• You may submit more than one entry, but they must be submitted separately with their own application and fee.

• All entries are non-refundable.

• Any applicant or writing team failing to meet the above requirements will be disqualified.

• Both members of any writing team must meet all requirements, and any applicant or writing team failing to meet the above requirements will be disqualified. All entries are non-refundable.

capeusa.org/cnwf

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WIF / THE BLACK LIST EPISODIC LAB

WIF / The Black List

DEADLINE: November 13, 2023

INFO: The Black List and WIF will invite six to eight promising non-professional television writers who are of underrepresented genders to the Lab. The Lab will kick off the first week of March 2024, running twice weekly for four weeks, and will consist of script development, peer workshopping sessions, and master classes with established writers and industry executives. Lab participants will have their final pilots read by agencies and networks. Past advisors and master class teachers include Monica Beletsky (“Parenthood”), Carly Wray (“Watchmen”), Sono Patel (“Crazy Ex-Girlfriend”), Glen Mazzara (“The Dark Tower”), Erika L. Johnson (“The Good Lord Bird”), Kira Snyder (“The Handmaid’s Tale”), Lauren LeFranc (“Impulse”), Jane Becker (“Ted Lasso”) and many others.

All participants of the 2024 Episodic Lab will also be 2024 WIF Fellows. All WIF Fellowships provide year long support.

ELIGIBILITY:

IMPORTANT: Please note, applicants can apply through either WIF or The Black List, however, instructions are different for each platform. WIF members can apply for membership rates and non-members can apply for $40 per application. Through WIF, applicants can submit up to three scripts. Each script must be submitted through its own application, so fees and/or waivers are applicable per script. For Black List instructions or any other Black List questions, please click here or contact SUPPORT@BLCKLST.COM.

To be eligible to apply through WIF:

• You are the sole and exclusive author of the television pilot submitted for consideration.

• You have not received more than $25K in aggregate to date as compensation for  television writing work.

• You will be available for in-person evening sessions during the month of March 2024.

  • Participants must be able to provide proof of current vaccination, subject to CDC guidelines relating to boosters prior to February 20, 2024, and be willing to test for COVID-19 infection prior to each session in March 2024.

TIMELINE:

• October 2, 2023 – Applications open

• October XX, 2023 — Program AMA (“Ask Me Anything”) Panel

• November 13, 2023 – Applications close

• Week of January 15, 2024 – Shortlist writers notified

• Week of February 5, 2024 – Interviews

• Week of February 12, 2024 – Final Participants and all other applicants notified 

• March 5, 2024 — Episodic Lab begins

womeninfilm.org/updates/episodic-lab-details/

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NICKELODEON WRITING PROGRAM

Nickelodeon Animation

DEADLINE: November 15, 2023

INFO: Founded in the year 2000, the Nickelodeon Writing Program is a full-time, paid, yearlong development Program for television comedy writers with unique voices and from underrepresented communities. Join us at the studio in Burbank for classes and workshops to sharpen your skills, executive mentorship and networking to build your professional relationships, and the opportunity to work in the iconic live-action and animation writers’ rooms at Nick. This is a once-in-a-lifetime opportunity to dedicate yourself to the craft of writing and build your career from the ground up.

The Nick Writing Program is not a writing contest – It’s a launching pad for diverse and emerging creatives. If you bring the unique voice and innovative ideas for kids’ and family content, we’ll help you launch a career with all the tools you’ll need to succeed in the industry for years to come.

ELIGIBILITY / HOW TO APPLY:

• You must be 18 years or older, and eligible to work in the United States to participate.

• To apply, follow the link under the “Apply Online” section, fill out the application through our submission portal, and submit two scripts: One spec from our Accepted Shows List which gets updated every year (watch our social media channels for announcements), and one half-hour original comedy pilot.

• If you have previously applied to the Program and were not selected, you are welcome and encouraged to apply again with a new spec script for each submission period.

APPLICATION DETAILS:

STEP 1 (Pick a Focus) - When you pick a focus, it helps us curate your experience in the Program to better help you reach your goals as a television writer. Picking a focus does not mean your time in the Program will be spent exclusively working on content for this audience, but simply helps us gauge your interests and set you on a course for success. Your spec and pilot submissions do not need to adhere to these audience age groups in any way.

• Kids’ Content (Audience Age 6-11) - This age group is Nickelodeon’s bread and butter. Most of Nickelodeon’s most iconic live-action and animated shows are developed for this demographic including SpongeBob SquarePants, Danger Force, and The Loud House.

• Preschool Content (Audience Age 2-6) - The Preschool age group (including “bridge” content for tots moving into early elementary school age) loves to laugh and play along with their content. They’re smart, engaged, and always ready for new shows to watch like Paw Patrol, Ryan’s Mystery Playdate, and Baby Shark’s Big Show.

• Preteen/Young Adult (Audience Age 11-17) - Nickelodeon shares its home in the Paramount Kids & Family Group with our partners at Awesomeness who cater to a tween and teen audience. We’ll partner with ATV and the creators of Nick’s shows for a slightly older audience like Side Hustle, Drama Club, and iCarly to make this experience the right one for you.

STEP 2 (Script Preparation) - All applicants must submit a SPEC SCRIPT and HALF HOUR ORIGINAL COMEDY PILOT that adhere to the following guidelines:

• Must be based on a television series from the Accepted Shows List (spec only).

• Typed in standard Final Draft (or equivalent) script format.

• In black type, 12pt courier style font.

• Do not upload a cover page with your script.

The following information should be included in the header/footer of your spec script on the first or all pages: 

• Name of the show (center of the header). 

• Title of the episode (center of the footer).

• Filename should include only the name of your show and episode (Do not include your name or your submission will not be considered).

• Do not put your name anywhere on the script, file, or file name.

THE FOLLOWING MATERIALS WILL NOT BE CONSIDERED:

Feature-length screenplays, reality-based comedies or dramas, treatments, outlines, plays, short stories, books, graphics, magazine/newspaper articles, poems, headshots, audio/videotapes, or other digital media. If it’s not on the Accepted Shows list or your comedy pilot, please do not submit it!

Please note: Submissions that do not adhere to these guidelines will not be considered.

STEP 3 (Accepted Shows 2023):

• Abbott Elementary

• Agent Elvis

• American Auto

• Awkwafina is Nora from Queens

• Big Mouth

• Bob Hearts Abishola

• Bob’s Burgers

• Call Me Kat

• Ghosts

• Girls5eva

• Grand Crew

• Harley Quinn

• Home Economics

• HouseBroken

• How I Met Your Father

• Human Resources

• I Love That For You

• Loot

• Lopez vs. Lopez

• Mythic Quest

• Night Court (2023)

• Our Flag Means Death

• Party Down

• Raven’s Home

• Rick and Morty

• Solar Opposites

• Star Trek: Lower Decks

• Tacoma FD

• That ’90s Show

• The Conners

• The Great North

• The Ms. Pat Show

• The Neighborhood

• The Other Two

• The Wonder Years (2021)

• This Fool

• Unstable

• We Are Lady Parts

• Welcome to Flatch

• What We Do in the Shadows

• Young Rock

• Young Sheldon

STEP 4 (Apply Online)

SUBMISSION MATERIALS TO INCLUDE:

• Completed application questions – some of these are long, so start your application early.

• One spec script in .pdf format (this applies to both individual writers and writing teams).

• One original comedy pilot in .pdf format (this applies to both individual writers and writing teams).

• One-page resume in .pdf format.

• Completed and digitally signed Submission Release form and Schedule A for each script. These can be downloaded from the link above the document upload section.

COMPLETE YOUR ONLINE APPLICATION:

Beginning July 1st, you can start your application for the Nickelodeon Writing Program. Submissions must be uploaded before 11:59pm PT on August 1st.

• All submission materials should be completed and uploaded to the Nickelodeon online submission platform Coverfly. All necessary forms can be downloaded via links embedded in the application.

• Once in the platform, fill in the form with your “Project Info” about your spec from the Accepted Shows List.

• Projects written by writing teams should only be submitted once. On the first page of the checkout form, writers will have the option to add one additional writer by clicking on the plus sign (+) next to the name fields.

• Upload a .pdf of your spec script following the provided instructions. Leave off all identifiable information. At this stage, you will be asked to provide a few additional details about the script.

• Choose the Program “Package” and “Add to Cart.”

• Give us some “Additional Info” including your contact details, a signed Schedule A form, and a signed Release form (one for each member in the case of writing teams) for each script you submit (spec and pilot). Both forms can be downloaded from the link above the document upload section.

• We’ll also need a resume in .pdf format. Please be sure to fill out all required fields and answer all questions or you will not be able to submit your application.

• Finally, “Check Out” (at no cost) to complete your submission.

• Don’t wait until the last minute! We advise that you give yourself at least two weeks prior to the August 1st deadline to complete your submission. No exceptions will be made for late submissions regardless of the circumstances.

• If you are experiencing problems with the online application, please contact the technical support team at Coverfly by scrolling to the bottom of their site homepage and clicking “Contact.”

IMPORTANT DATES:

• November 15, 2023 - Submission Period Closes

• February 15, 2024 - Semi-Finalists Notified

• March 1, 2024 - Chosen Writers Notified

nickanimation.com/programs/writing-program/

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Cassian Elwes Independent Screenwriting Fellowship AT SUNDANCE FILM FESTIVAL

The Black List

DEADLINE: November 20, 2023

INFO: The Cassian Elwes Independent Screenwriting Fellowship is an annual program designed to encourage and identify new talent in the field of independent cinema by awarding one screenwriter each year with an all-expenses paid trip to the Sundance Film Festival with producer Cassian Elwes (MUDBOUND, Lee Daniels' THE BUTLER, DALLAS BUYERS CLUB). 

Unrepresented feature writers with an independent sensibility who have made less than $5,000 in aggregate in their film or television writing careers will be able to opt into consideration via the Black List website until November 20th, 2023. At that time, the Black List will choose ten screenplays imbued with an independent spirit by unrepresented screenwriters, which will be sent on to Mr. Elwes for his consideration. Up to two fellowship recipients will be selected by Mr. Elwes by calendar year's end.

REQUIREMENTS:

• Entrant must host a script on blcklst.com for at least one week during the submission period.

• Entrant must be the sole and exclusive author of the screenplay submitted.

• Entrant agrees to the terms of the submission agreement.

• Entrant must be over the age of 18 and competent to contract.

• Entrant must not have earned more than $5,000 in the aggregate in connection with any prior film or television writing work.

• If selected, Entrant is available to be flown to Salt Lake City, UT from a major American airport in order to attend the Sundance Film Festival on or about January 18, 2024, pending COVID-19 travel restrictions. Please note, in the event Entrant is selected but is not able to attend the Sundance Film Festival on such date, Mr. Elwes will have the right, but not the obligation, to award the Fellowship to the runner up.

blcklst.com/programs/2023-cassian-elwes-independent-screenwriting-fellowship-at-the-sundance-film-festival-1697486937

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2024 NRDC Climate Storytelling Fellowship

The Black List

DEADLINE: November 27, 2023

INFO: The Black List is thrilled to announce that it has partnered with NRDC’s (Natural Resources Defense Council) Rewrite the Future program, The Redford Center, and The CAA Foundation to launch the third annual NRDC Climate Storytelling Fellowship.

AWARD: The Fellowship will grant $20,000 each to three writers to support revision of a feature screenplay or pilot that engages with climate change in a compelling way through events, actions, character, emotions, plot, and/or setting.

In addition, NRDC will connect each fellowship recipient with the following professionals for feedback and guidance on their scripts:

• A credited professional screenwriter with an interest in climate storytelling

• A climate story consultant from NRDC’s Rewrite the Future program to advise on effective approaches to climate storytelling that are entertaining and impactful

• As applicable, one or more NRDC experts to advise on climate issues highlighted in the script.

• After receiving these consultations, Fellows have six (6) months to complete a revision of their script. Revised scripts may be reviewed for development by prominent studios, agencies and/or production companies including Creative Artists Agency (CAA), Hyperobject Industries, NBCUniversal, Participant, United Talent Agency (UTA) and WME among others.

• At the end of the Fellowship, each recipient will provide NRDC with a short reflection of how the fellowship has advanced their work and/or career in addition to a revised version of their script including an overview of the changes they made during the revision process.

Writers that opt in with a qualified screenplay or pilot will receive one free month of hosting and one free evaluation. To be considered for the fellowship, a script should engage with climate through events, actions, character, emotions, plot, and/or setting. If you meet these criteria when you opt in, you will receive a notification. Fee waivers must be requested no later than November 27, 2023.

Writers who are interested in submitting to the 2024 NRDC Climate Storytelling Fellowship may do so via this link. Please note that submissions will only be accepted if the writer also includes a short description of how their script qualifies as a climate story. Qualified screenplays and pilots will automatically receive a fee waiver for one free month of hosting and one free evaluation once their submissions are accepted. Qualified screenplays will also automatically be opted into consideration for the program once they are accepted.

Each fellowship recipient will retain complete ownership of their work.

WHAT MAKES A COMPELLING CLIMATE STORY?...

The script can be in any genre, but climate change and solutions must influence action and/or impact characters.

Climate storytelling highlights the ways that climate change affects characters, influences choices, and/or drives action. A climate story acknowledges that we already live in a climate-altered world and are grappling with the impacts to our homes, health, communities, and jobs. We would love to see stories that highlight communities most impacted by the climate crisis and/or stories that feature characters and communities working toward solutions.

We worry about climate change. We feel shame and grief about it. We talk about it with our partners and friends. People discuss whether it makes sense to have children, or wonder where the safest place is to live, or what they can possibly do to help.

Climate can be a central factor in motivating characters and driving plot. The story and genre options are limitless because climate can touch every aspect of life, from food, health, and relationships to justice, jobs, and national security.

There have been few climate stories in mainstream entertainment, especially considering the scale of the crisis. Many depict extreme weather disasters, societal breakdown, and apocalypse. That dark and narrow vision is understandable, and it can be entertaining, but if all the climate stories we see show characters stuck in despair, or in dystopian futures, it reinforces the view that there’s no way out.

It also overlooks the enormous potential for original content that illuminates the more complex and nuanced human reality of the climate crisis, including stories about people fighting for a healthier, more equitable and sustainable future.

We need it all–the bleak and the inspirational, the fantasies, dramas, satires, and rom-coms. It is the power and privilege of writers to show us how climate change is transforming our world, and to help us find a path to salvation. This program aims to support well told stories with climate themes that entertain viewers and allow them to engage with the range of emotions caused by the climate crisis. Our general frame is that if a story works artistically, it’s a great way to approach climate and we hope that submitted scripts continue to reflect a diversity of characters, settings, and tones.

We encourage you to clearly highlight your script’s climate connection in your submission materials, as only qualifying scripts will receive a script waiver.

Note: For TV pilot submissions, applicants who make the long list must also provide a long synopsis or treatment describing the primary story arcs and how the climate themes will be developed throughout the show.

THE SELECTION PROCESS

Writers who meet the submission requirements will be able to opt into consideration via the Black List website until midnight on November 27, 2023 All qualifying scripts submitted before the deadline will receive one free script evaluation for their hosted scripts. Based on the strength of their scripts as determined by the Black List’s script evaluations, a long list will be invited to submit a one-page personal statement and professional resume. Short listed writers may be asked to conduct a short interview and three fellowship recipients will be selected no later than April 15, 2024.

IS MY SCRIPT ELIGIBLE FOR CONSIDERATION?

ELIGIBILITY:

Scripts that have been previously reviewed on The Black ListScripts by international writersScripts of any genre (as long as they include climate!)Pilots for episodic series or feature scriptsAdapted work, although we recommend securing an option or permission for the original material

NOT ELIGIBLE:

Content created as part of a commercial campaignIncomplete scripts—please upload a completed draft of an original feature film script or pilot teleplayStage plays or musical scriptsNovels

WRITER’S RESOURCES:

• Rewrite the Future: Learn more about Rewrite the Future, NRDC’s initiative to help Hollywood take on the climate crisis. Watch their Sundance panels (presented by NRDC and the Black List) for tips and resources to guide your writing.

  • “The Big Picture: Representing Our Climate-Altered World On-Screen” (Sundance 2023) brought together a panel of Hollywood professionals to discuss creative strategies for representing climate in film and on TV.

  • “More Than a Feeling: Climate Emotions in Film & TV” (Sundance 2022) brought together mental health experts and Hollywood storytellers to discuss how to represent climate emotions in entertainment to better reflect our lived responses to the crisis.

  • “Beyond Apocalypse: Alternative Climate Futures in Film and TV” (Sundance 2021) gathered filmmakers and climate leaders to discuss how entertainment stories can help us see, feel, and build the climate future we want.

• Sustainability Onscreen Tipsheet: This tipsheet offers a wide array of options for creators and producers interested in representing climate and sustainability onscreen.

• Green Production Guide Creative Resources: The PGA and Sustainable Production Alliance have a variety of creative tools available on the Green Production Guide site.

• ALBERT Editorial Toolkit: The team at BAFTA’s albert program has put together a comprehensive creative guideon how to incorporate climate and environmental stories into content.

blcklst.com/programs/2024-nrdc-climate-storytelling-fellowship

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Mesa Refuge Residency

DEADLINE: December 1, 2023

APPLICATION FEE: $50

INFO: Mesa Refuge welcomes a diverse community of writers—both emerging and established—who define and/or offer solutions to the pressing issues of our time. Particularly, it is our priority to support writers, activists and artists whose ideas are “on the edge,” taking on the pressing issues of our time including (but not limited to): nature, environment and climate crisis; economic, racial and gender equity; social justice and restorative justice; immigration; health care access; housing; and more.

We especially want writers of nonfiction books, long-form journalism, audio and documentary film. Occasionally we accept poetry, fiction (Young Adult/Adult Literary), screenwriting and playwriting, photojournalism, personal memoirs (as a vehicle to tell a larger story) and graphic narrative. We tend not to accept academic writing. The potential impact and distribution of your project is also important.

We aim to support a diverse community of writers and welcome applicants that represent a broad spectrum of race, ethnicity, gender identity, sexual orientation, age, immigration status, religion or ability. Please see our DEI statement for more information about our commitment to diversity, equity and inclusion.

We typically have one application deadline during the year: December 1. Applications received in December will be considered for residencies throughout the following year.

As a small nonprofit, our application fee of $50 helps underwrite the cost of application review. However, we do not want the application fee to be a barrier to apply. To request a fee waiver, please email us directly here.

Our application process is anonymous, and the questions are mostly short answer. We require one writing sample (max 2,000 words or 10 pages), a current resume, headshot photo and two references (we do not require letters of recommendation). Applicants will be contacted approximately 8-10 weeks after the application deadline.

Our residencies are two weeks long and there is no residency fee. Additional residency expenses like travel, transportation and food are your responsibility. Our facility accommodates three residents at a time.

2024 RESIDENCY DATES:

• Session 1: March 1-March 14

• Session 2: March 15-28

• Session 3: March 29-April 11

• Session 4: April 12-April 25

• Session 5: April 26-May 9

• Session 6: Oct 18-Oct 31

• Session 7: Nov 1-Nov 14

• Session 8: Nov 29-Dec 12

mesarefuge.org/residencies/application/

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WAVE GRANT

Wavelength Productions

DEADLINE: December 1, 2023

INFO: The WAVE Grant is devoted to helping emerging female and non-binary filmmakers of color tell their own “great f**king story.” This year we will select five recipients to receive a $5,000 seed grant for the production of their short film. Recipients will also receive mentorship from our award-winning team with development, production, and distribution strategies.

AWARD:

• Recipients will receive a $5,000 seed grant for the production of their short film.

• Recipients will receive a mentorship program. The Wavelength team will assist with development, production, and distribution strategies.

ELIGIBILITY:

• Wavelength’s WAVE Grant is for a short narrative film of approximately 10 minutes. Shorts already in production or post-production will not be considered.

• Production of the short must be completed within 2024. Production cannot begin before Feb. 2024.

• This project must be the applicant’s directorial debut. Student films do not count as prior work. Applicants may have prior experience in film industry apart from directorial role.

• Applicants must own the copyright of their production and have budgetary and editorial control.

• Applicants must identify as a member of the BIPOC community and identify as woman or non-binary.

• Applicants must be based in the United States and will be required to provide proof of residency.

• Student films, feature films, series and engagement/outreach campaigns will not be considered. Documentary concepts or films in need of finishing funds will not be considered.

REQUIREMENTS:

• Treatment (one-page max) – include a brief outline of the story and tone

• Script (optional) – a script is not required but preferred if you have it.

• Budget & Schedule – work-in-progress budget at development stage only and your production schedule. (A note on film financing: Wavelength partners with Seed & Spark as a platform tool for grantees to utilize. If the budget exceeds $5,000, must include information on how you plan to raise the additional funding.)

• Resume – include a PDF of your CV. A link to your personal portfolio is also welcome.

• Video pitch (3 minutes max) – 1-3 minute video introducing yourself and the project (private Vimeo or YouTube link is preferred)

• Signed release form – we will not be able to review your application without this release.

• If currently enrolled in university, must be graduating in or by 2024.

TIMELINE:

• Applications open: October 1, 2023

• Applications close: December 1, 2023 at 11:59pm PT

• Interviews with finalists: January 2024

• All applicants will be notified by January 31, 2024 of the status of their submission

• WAVE Grant program begins: February 2024

wavelengthproductions.com/grants

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WINTER '23 GUEST RESIDENCY

Woodward Residency

DEADLINE: December 1, 2023

INFO: Woodward Residency is announces that applications are now open for its Winter '23 Guest Residency in Ridgewood, Queens.

Established/emerging creative professionals in the fields of literary arts, design, music, film, visual arts, architecture, multi-disciplinary and other arts are all encouraged to apply. They also have two pianos in the space for musicians and composers.

RESIDENCY DATES: January 8 — March 29, 2024

ELIGIBILITY: Established/emerging artists and creative professionals in the fields of literary arts, visual arts, design, music, architecture, multi-disciplinary and other arts are encouraged to apply.

Please note that art forms that generate fumes (such as oil painting) cannot be accommodated. Also, with the exception of our piano residents, our space is best suited to less cacophonous artistic pursuits.

AWARD BENEFITS:

• Access to the building from 9AM-5 PM, Monday through Friday for the duration of your Guest Residency.

• Guest Residents will work in the communal Great Room, with library etiquette.

• Open invite to weekly resident gatherings.

• A supportive and engaged community of working creatives.

REQUIRED APPLICATION MATERIALS:

• Work Samples + Personal Statement - Recent work samples and your personal statement should reflect your commitment to your work and clarify how the residency would benefit your work at this time. Please see our application for specific guidelines.

• References - Please provide the contact info of at least one professional and one personal reference (excluding family members or significant others). If you are new to your field of interest and don’t have a professional reference to speak to your current creative pursuits, you are welcome to provide a reference from someone in another field who has worked directly with you.

EVALUATION PROCESS: A rotating panel of arts professionals will review all applications with the intent of supporting both established and emerging artists. Panelists include novelists, filmmakers, performance artists, literary agents, film/theater producers.

Selection criteria includes originality, commitment to your proposed field of work, interest in community, and demonstrated need for a work space.

We have limited space for Guest Residents and encourage all applicants to reapply if they don’t get a spot in the upcoming session.

woodwardresidency.co/guestresidency

TV / FILM — OCTOBER 2023

WAVE Grant

Wavelength Productions

SUBMISSION PERIOD: October 1 - December 1, 2023

INFO: The WAVE Grant is devoted to helping emerging female and non-binary filmmakers of color tell their own “great f**king story.” This year we will select five recipients to receive a $5,000 seed grant for the production of their short film. Recipients will also receive mentorship from our award-winning team with development, production, and distribution strategies.

AWARD:

• Recipients will receive a $5,000 seed grant for the production of their short film.

• Recipients will receive a mentorship program. The Wavelength team will assist with development, production, and distribution strategies.

ELIGIBILITY:

• Wavelength’s WAVE Grant is for a short narrative film of approximately 10 minutes. Shorts already in production or post-production will not be considered.

• Production of the short must be completed within 2024. Production cannot begin before Feb. 2024.

• This project must be the applicant’s directorial debut. Student films do not count as prior work. Applicants may have prior experience in film industry apart from directorial role.

• Applicants must own the copyright of their production and have budgetary and editorial control.

• Applicants must identify as a member of the BIPOC community and identify as woman or non-binary.

• Applicants must be based in the United States and will be required to provide proof of residency.

• Student films, feature films, series and engagement/outreach campaigns will not be considered. Documentary concepts or films in need of finishing funds will not be considered.

REQUIREMENTS:

• Treatment (one-page max) – include a brief outline of the story and tone

• Script (optional) – a script is not required but preferred if you have it.

• Budget & Schedule – work-in-progress budget at development stage only and your production schedule. (A note on film financing: Wavelength partners with Seed & Spark as a platform tool for grantees to utilize. If the budget exceeds $5,000, must include information on how you plan to raise the additional funding.)

• Resume – include a PDF of your CV. A link to your personal portfolio is also welcome.

• Video pitch (3 minutes max) – 1-3 minute video introducing yourself and the project (private Vimeo or YouTube link is preferred)

• Signed release form – we will not be able to review your application without this release.

• If currently enrolled in university, must be graduating in or by 2024.

TIMELINE:

• Applications open: October 1, 2023

• Applications close: December 1, 2023 at 11:59pm PT

• Interviews with finalists: January 2024

• All applicants will be notified by January 31, 2024 of the status of their submission

• WAVE Grant program begins: February 2024

wavelengthproductions.com/grants

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WIF / The Black List Episodic Lab

WIF / The Black List

APPLICATION PERIOD: October 2 - November 13, 2023

INFO: The Black List and WIF will invite six to eight promising non-professional television writers who are of underrepresented genders to the Lab. The Lab will kick off the first week of March 2024, running twice weekly for four weeks, and will consist of script development, peer workshopping sessions, and master classes with established writers and industry executives. Lab participants will have their final pilots read by agencies and networks. Past advisors and master class teachers include Monica Beletsky (“Parenthood”), Carly Wray (“Watchmen”), Sono Patel (“Crazy Ex-Girlfriend”), Glen Mazzara (“The Dark Tower”), Erika L. Johnson (“The Good Lord Bird”), Kira Snyder (“The Handmaid’s Tale”), Lauren LeFranc (“Impulse”), Jane Becker (“Ted Lasso”) and many others.

All participants of the 2024 Episodic Lab will also be 2024 WIF Fellows. All WIF Fellowships provide year long support.

ELIGIBILITY:

IMPORTANT: Please note, applicants can apply through either WIF or The Black List, however, instructions are different for each platform. WIF members can apply for membership rates and non-members can apply for $40 per application. Through WIF, applicants can submit up to three scripts. Each script must be submitted through its own application, so fees and/or waivers are applicable per script. For Black List instructions or any other Black List questions, please click here or contact SUPPORT@BLCKLST.COM.

To be eligible to apply through WIF:

• You are the sole and exclusive author of the television pilot submitted for consideration.

• You have not received more than $25K in aggregate to date as compensation for  television writing work.

• You will be available for in-person evening sessions during the month of March 2024.

  • Participants must be able to provide proof of current vaccination, subject to CDC guidelines relating to boosters prior to February 20, 2024, and be willing to test for COVID-19 infection prior to each session in March 2024.

TIMELINE:

• October 2, 2023 – Applications open

• October XX, 2023 — Program AMA (“Ask Me Anything”) Panel

• November 13, 2023 – Applications close

• Week of January 15, 2024 – Shortlist writers notified

• Week of February 5, 2024 – Interviews

• Week of February 12, 2024 – Final Participants and all other applicants notified 

• March 5, 2024 — Episodic Lab begins

womeninfilm.org/updates/episodic-lab-details/

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2023 PBS/Firelight William Greaves Production Fund

APPLICATION PERIOD: October 4 - November 1, 2023 at 11:59pm ET.

INFO: The PBS/Firelight William Greaves Production Fund will resource documentary productions by mid-career filmmakers from diverse communities in the United States that are intended for distribution on PBS through finishing funds or co-production funding.

The Fund is designed to address the persistent structural challenges many filmmakers face after producing their first films, so that they can remain in the field and continue to create vital stories focused on underrepresented people and topics.

ELIGIBILITY:

The PBS/Greaves Fund is open to documentary filmmakers who meet the following criteria:

• Identifies as Black, Indigenous, or Person of Color.

• Mid-Career filmmaker with a minimum of 7 years experience in documentary filmmaking as a Producer, Director, Co-Director, Editor, Cinematographer, and/or Writer.

• Credits on a minimum of two (2) hours of distributed films of any genre, as a Producer, Director, Co-Director, Editor, Cinematographer, and/or Writer. The films must have been distributed via broadcast, streaming, and/or an Academy Award qualifying festival.

• Be based in the United States or a U.S. territory (Puerto Rico, U.S. Virgin Islands, U.S. Samoa, Guam/Northern Mariana Islands).

• Secured a minimum of 20% of the total Production budget.

• Holds a minimum of 50% of the Copyright to the production.

You are not eligible to apply if you are:

• Currently enrolled as a student. Productions that are part of a degree-granting program are not eligible.

• Currently a signatory of any Firelight Media fellowship, development or production agreement(s) which has not yet completed delivery.

• Employed by Firelight Media or PBS as an officer, full-time employee, or are a member of the board of directors.

Please email grants@firelightmedia.org if you have any questions.

firelightmedia.submittable.com/submit

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PROOF OF CONCEPT SHORT FILM GRANT

Black Film Space / cliveRd

DEADLINE: Extended to October 6, 2023

APPLICATION FEE: $35 (Free for Black Film Space paying members)

INFO: Black Film Space is partnering with cliveRd, a studio focused on producing and building in media, on a Proof of Concept Short Film Grant.

We are seeking one short film script under 15 minutes/pages that aims to serve as a teaser/preview for a feature film or episodic series.

The grant total will be $9,000.

The project will be selected based on the filmmaker’s ability to present a strong script and treatment that shows great promise as a proof of concept for a feature film or episodic series. We will also consider other factors such as the merit of previous work and financial need. 

APPLICANT QUALIFICATIONS

• Must have at least one visual sample that showcases previous work

• Must present a completed script for their short film or episodic series.

• Must present a completed treatment

• Must present a detailed plan on how they will execute their project with details on production, casting, their team, post production, festival strategy, etc.

• Must reside in the United States

• At least one of the core team members on the team listed in the application must be of Black/African descent

• Must submit a narrative, scripted film. Documentary films/non fiction works will not be considered

REQUIREMENTS FOR GRANT RECIPIENT:

• The production timeline for the completed short must be within six months of receiving the grant

• Applicants must function in one of the following three roles: writer, director and/or executive producer, and the writer needs to be a part of the selection process

• The filmmaker must be willing to exhibit their proof of concept short at Black Film Space’s Awards ceremony in the fall of 2024

• CliveRd and Black Film Space must be credited as producers on the short film

• Filmmakers must be available for follow up discussions with cliveRd on their progress of their short and their feature film/episodic series

• Must be in pre-production and/or producing their feature film or episodic series within AT LEAST a year of receiving the grant

• There is a possibility that cliveRd will show continued interest depending on the quality of the feature film/episodic series script and readiness of the filmmaker to complete their project.

blackfilmspace.com/cliverd

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WRITER-DRIVEN SHORTS

The Black List

DEADLINE: Extended to October 15, 2023

INFO: The “Writer-Driven Shorts” program, presented by the Black List x General Motors Marketing and Media Incubator Fund, will grant two emerging filmmakers with $100,000 in production funds to shoot a short film based on their feature scripts.

The short films that are produced as part of the program will aim to have a successful festival run and compete for awards consideration in 2024. GM will provide picture cars to the two filmmakers to use in their short films (if needed).

All genres are encouraged to submit for the Writer-Driven Shorts program, ranging from romantic comedy, action adventure, grounded dramas, fantastical sci-fi and more. In alignment with GM's sustainable, all-electric future and aspiration to be the most inclusive company in the world, films showcasing sustainability, electrification and/or diversity will be highly considered. Scripts with scenes of excessive violence, illegal drug or substance abuse, car crashes, unsafe driving and/or explicit sexual acts will not be considered.

Scripts are not required to include scenes with vehicles.

GM is committed to fighting climate change and achieving carbon neutrality in their operations and products by 2040. As such, the Writer-Driven Shorts program is particularly interested in identifying and supporting filmmakers whose scripts include compelling and optimistic climate storytelling. This opportunity is ideal for writers whose scripts promote hope and idealism–stories about characters who dream of and fight for a more sustainable and equitable future.

These kinds of stories can include (but are certainly not limited to!):

• Rom-coms about rival chefs in the slow food movement

• Family comedies about a sustainable road trip

• Satires about the cutthroat world of local composting organizations

• An imagined biopic about a scientist who stops the polar ice caps from melting

• Action movies with electric car chases

As part of a broader commitment to a more equitable Hollywood, the Black List and the GM Incubator Fund will also grant fee waivers for one free month of hosting and two free evaluations on blcklst.com to the first 200 writers from traditionally underrepresented communities. Fee waivers will be distributed at the discretion of the Black List and GM - submitting writers will be asked to elaborate on why they qualify for a fee waiver during the final stages of the program submission process.

Writer/directors and writer and director teams are welcome to submit for this opportunity. A link to your project’s directing sample will be required when you submit for the opportunity. If you are a writer who has paired with a director for this project, you must submit a directing sample for your attached director. Please note that only filmmakers who have directed at least one narrative short film will be considered eligible. If you are a writer submitting for this opportunity who has not directed a short film, you must attach an eligible director to your project.

When the submission period ends, a short list of 20 filmmakers will be invited to submit additional materials. These materials include prior directing samples, production plans, lookbooks, and budgets so please be prepared with these materials should you make it to the next round and do not submit for this opportunity if you will not be able to provide any of the above.

Only feature-length scripts will be considered for this program. All shorts will be excerpts and/or adaptations of the selected feature-length scripts. The Black List does not accept short film scripts on the website. Only full-length, completed feature scripts will be accepted for consideration. Do not submit your short film script.

You must have at least one evaluation attached to your script to submit to this program. If you are unable to purchase an evaluation, please check if you qualify for a GM fee waiver for one free month of hosting and two free evaluations. You can read more about the Black List's evaluation requirements here.

IMPORTANT DATES:

• Long List Notified: October 16, 2023

• Short List Notified: November 15, 2023

• Filmmakers Announced: December 15, 2023

REQUIREMENTS:

• You must post an original screenplay on www.blcklst.com and opt-in to the Program during the Submission Period. Ideally, you will have directed at least one short film previously.

• You must agree to (1) these Submission Requirements, (2) all terms relating to the Program posted on Black List’s website, which you should review and read in full, and (3) the Submission Agreement, which governs the submission of your script to Company and Black List. The Submission Agreement includes important, legally binding terms and conditions, including arbitration of any disputes, which you must read in full before accepting.

• If requested, you must submit by a date determined by Company the following materials, which are also governed by the Submission Agreement:

• A professional resume and personal statement;

• Samples, production plan, look book and short script; o Contact and other personal information; and

• Executed originals of the Submission Agreement.

• If selected by Company for the Program, as a condition of your participation, you must agree to Company’s terms of such participation, which shall include, without limitation:

• The selected candidate will receive a $100,000 grant to produce a short film based on candidate's feature screenplay or other submitted material.

• If the candidate does not deliver a completed short film on schedule or otherwise fails to meet their obligations, which will include but will not be limited to identifying and detailing a budget for the use of the grant in the production of the short film (which budget shall be subject to Company's approval), providing a timeline for production (which timeline shall be subject to Company’s approval), and clearing all rights necessary for Company to exploit the short film free and clear of all obligations to third parties, Company shall be entitled to a refund of the grant money.

• Company will receive "Producer" mentions in the short films produced in connection with the Be Unstoppable Film Project Program, and Company's name and/or logo will be included in each short film and in promotional communications about each short film.

• If selected for the Program, the candidate will grant to Company the necessary rights, permissions and authorizations for Company to use the candidate's name, likeness and the short film produced in connection with the Program (including but not limited to stills, key art, and clips therefrom) in Company advertising, marketing, and promotional material in all media.

• All rights or benefits granted by the candidate to Company or services provided by the candidate in connection with the Program shall be non-union.

• At Company's request, you may be required to enter into a more formal agreement with Company regarding your participation in this Program, provided that until such time as a more formal agreement is entered into, these Submission Requirements shall remain binding.

• You must be at least 18 years of age and not a minor in the state or country of your residence at time of submission.

• If the submitted materials written by a team consisting of one or more writers, (i) each member of that writing team must comply with these Submission Requirements, including agreeing to the Submission Agreement described below and (ii) all members of the writing team must opt-out of the Program if any other member becomes ineligible (including as a result of failing to timely agree to the Submission Agreement or failing to timely provide the materials listed above).

• The submitted materials must be wholly original to you and you must be the sole owner of all rights. The submitted materials must not in any way infringe upon the copyright of any person or entity or, to the best of your knowledge in the exercise of reasonable prudence, constitute libel, defamation or invasion of privacy or any other rights of any third party. You understand and agree that Black List will share any information that you provide in connection with the Program with Company.

blcklst.com/programs/writerdriven-shorts-presented-by-the-black-list-x-the-gm-incubator-fund

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NICKELODEON WRITING PROGRAM

Nickelodeon Animation

ENTRY PERIOD: October 15 - November 15, 2023

INFO: Founded in the year 2000, the Nickelodeon Writing Program is a full-time, paid, yearlong development Program for television comedy writers with unique voices and from underrepresented communities. Join us at the studio in Burbank for classes and workshops to sharpen your skills, executive mentorship and networking to build your professional relationships, and the opportunity to work in the iconic live-action and animation writers’ rooms at Nick. This is a once-in-a-lifetime opportunity to dedicate yourself to the craft of writing and build your career from the ground up.

The Nick Writing Program is not a writing contest – It’s a launching pad for diverse and emerging creatives. If you bring the unique voice and innovative ideas for kids’ and family content, we’ll help you launch a career with all the tools you’ll need to succeed in the industry for years to come.

ELIGIBILITY / HOW TO APPLY:

• You must be 18 years or older, and eligible to work in the United States to participate.

• To apply, follow the link under the “Apply Online” section, fill out the application through our submission portal, and submit two scripts: One spec from our Accepted Shows List which gets updated every year (watch our social media channels for announcements), and one half-hour original comedy pilot.

• If you have previously applied to the Program and were not selected, you are welcome and encouraged to apply again with a new spec script for each submission period.

APPLICATION DETAILS:

STEP 1 (Pick a Focus) - When you pick a focus, it helps us curate your experience in the Program to better help you reach your goals as a television writer. Picking a focus does not mean your time in the Program will be spent exclusively working on content for this audience, but simply helps us gauge your interests and set you on a course for success. Your spec and pilot submissions do not need to adhere to these audience age groups in any way.

• Kids’ Content (Audience Age 6-11) - This age group is Nickelodeon’s bread and butter. Most of Nickelodeon’s most iconic live-action and animated shows are developed for this demographic including SpongeBob SquarePants, Danger Force, and The Loud House.

• Preschool Content (Audience Age 2-6) - The Preschool age group (including “bridge” content for tots moving into early elementary school age) loves to laugh and play along with their content. They’re smart, engaged, and always ready for new shows to watch like Paw Patrol, Ryan’s Mystery Playdate, and Baby Shark’s Big Show.

• Preteen/Young Adult (Audience Age 11-17) - Nickelodeon shares its home in the Paramount Kids & Family Group with our partners at Awesomeness who cater to a tween and teen audience. We’ll partner with ATV and the creators of Nick’s shows for a slightly older audience like Side Hustle, Drama Club, and iCarly to make this experience the right one for you.

STEP 2 (Script Preparation) - All applicants must submit a SPEC SCRIPT and HALF HOUR ORIGINAL COMEDY PILOT that adhere to the following guidelines:

• Must be based on a television series from the Accepted Shows List (spec only).

• Typed in standard Final Draft (or equivalent) script format.

• In black type, 12pt courier style font.

• Do not upload a cover page with your script.

The following information should be included in the header/footer of your spec script on the first or all pages: 

• Name of the show (center of the header). 

• Title of the episode (center of the footer).

• Filename should include only the name of your show and episode (Do not include your name or your submission will not be considered).

• Do not put your name anywhere on the script, file, or file name.

THE FOLLOWING MATERIALS WILL NOT BE CONSIDERED:

Feature-length screenplays, reality-based comedies or dramas, treatments, outlines, plays, short stories, books, graphics, magazine/newspaper articles, poems, headshots, audio/videotapes, or other digital media. If it’s not on the Accepted Shows list or your comedy pilot, please do not submit it!

Please note: Submissions that do not adhere to these guidelines will not be considered.

STEP 3 (Accepted Shows 2023):

• Abbott Elementary

• Agent Elvis

• American Auto

• Awkwafina is Nora from Queens

• Big Mouth

• Bob Hearts Abishola

• Bob’s Burgers

• Call Me Kat

• Ghosts

• Girls5eva

• Grand Crew

• Harley Quinn

• Home Economics

• HouseBroken

• How I Met Your Father

• Human Resources

• I Love That For You

• Loot

• Lopez vs. Lopez

• Mythic Quest

• Night Court (2023)

• Our Flag Means Death

• Party Down

• Raven’s Home

• Rick and Morty

• Solar Opposites

• Star Trek: Lower Decks

• Tacoma FD

• That ’90s Show

• The Conners

• The Great North

• The Ms. Pat Show

• The Neighborhood

• The Other Two

• The Wonder Years (2021)

• This Fool

• Unstable

• We Are Lady Parts

• Welcome to Flatch

• What We Do in the Shadows

• Young Rock

• Young Sheldon

STEP 4 (Apply Online)

SUBMISSION MATERIALS TO INCLUDE:

• Completed application questions – some of these are long, so start your application early.

• One spec script in .pdf format (this applies to both individual writers and writing teams).

• One original comedy pilot in .pdf format (this applies to both individual writers and writing teams).

• One-page resume in .pdf format.

• Completed and digitally signed Submission Release form and Schedule A for each script. These can be downloaded from the link above the document upload section.

COMPLETE YOUR ONLINE APPLICATION:

Beginning July 1st, you can start your application for the Nickelodeon Writing Program. Submissions must be uploaded before 11:59pm PT on August 1st.

• All submission materials should be completed and uploaded to the Nickelodeon online submission platform Coverfly. All necessary forms can be downloaded via links embedded in the application.

• Once in the platform, fill in the form with your “Project Info” about your spec from the Accepted Shows List.

• Projects written by writing teams should only be submitted once. On the first page of the checkout form, writers will have the option to add one additional writer by clicking on the plus sign (+) next to the name fields.

• Upload a .pdf of your spec script following the provided instructions. Leave off all identifiable information. At this stage, you will be asked to provide a few additional details about the script.

• Choose the Program “Package” and “Add to Cart.”

• Give us some “Additional Info” including your contact details, a signed Schedule A form, and a signed Release form (one for each member in the case of writing teams) for each script you submit (spec and pilot). Both forms can be downloaded from the link above the document upload section.

• We’ll also need a resume in .pdf format. Please be sure to fill out all required fields and answer all questions or you will not be able to submit your application.

• Finally, “Check Out” (at no cost) to complete your submission.

• Don’t wait until the last minute! We advise that you give yourself at least two weeks prior to the August 1st deadline to complete your submission. No exceptions will be made for late submissions regardless of the circumstances.

• If you are experiencing problems with the online application, please contact the technical support team at Coverfly by scrolling to the bottom of their site homepage and clicking “Contact.”

IMPORTANT DATES:

• November 15, 2023 - Submission Period Closes

• February 15, 2024 - Semi-Finalists Notified

• March 1, 2024 - Chosen Writers Notified

nickanimation.com/programs/writing-program/

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Unscripted Producers Lab

BIPOC TV + FILM

DEADLINE: October 20, 2023

INFO: The Unscripted Producers Lab is a one-week intensive for emerging producers and aspiring showrunners working in unscripted, factual, and reality TV content production.

Developed in partnership with Bell Media senior production executive Tina Apostolopoulos and 2023 lead facilitator Andrea Griffith, the lab will focus on producing an unscripted series from start to finish, covering a range of topics: unscripted storytelling, management skills, casting, production and post-production workflows, financing and scheduling, and career development.

Following the lab intensive, participants will be matched with a mentor for individual support for six months.

KEY DATES

• Call for Applications: September 21 to October 20, 2023

• Lab Dates: February 26 to March 1, 2024 at Bell Media Studios in Toronto

ELIGIBILITY CRITERIA:

• The BIPOC TV & Film Unscripted Producers’ Lab in partnership with Bell Media is open to Canadian residents who are Black, Indigenous, and/or racialized Persons of Colour. To be eligible, you must also meet at least one of the following criteria:

• You have/had an unscripted, factual, or reality series in development with a Canadian or US broadcaster or production company; OR,

• You have attained a producer-level credit on at least one season of a Canadian or US unscripted, factual, reality or documentary series; OR,

• You have a producer credit on a feature-length or broadcast documentary. Note: associate producer credits are eligible.

TOPICS TO BE EXPLORED:

• Unscripted Storytelling: Building the vision for your series

• Building and Leading an Unscripted Team

• The Ins and Outs of Casting

• Production and Post-production

• Financing, Budgeting and Scheduling

• Building Your Relationship with Your Broadcaster/Network

• Building and Evolving Your Career

bipoctvandfilm.com/unscripted-producers-lab

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The NYC Women’s Fund for Media, Music and Theatre

NYFA

DEADLINE: November 1, 2023 at 11:59 PM EST

INFO: The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, and live or online theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre (“Women’s Fund”), administered by the New York Foundation for the Arts (NYFA) in partnership with the City of New York Mayor’s Office of Media and Entertainment (MOME), is a signature initiative that addresses the underrepresentation of women in the entertainment industry. The Fund provides grants to encourage and support the creation of content that reflects the voices and perspectives of all who identify as women.

The $1.8 million to be awarded in the fifth cycle will bring the grand total of Women’s Fund grants to $9.3 million, allocated to a current total of 343 recipients (97 in Cycle 4, 89 in Cycle 3, 94 in Cycle 2, and 63 in Cycle 1).

THE PROGRAM PROVIDES:

• Finishing grants* for film and digital projects

• Funds for the creation of music recordings or videos

• Production funds for live or online theatre

• In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a prominent woman perspective; and/or include a woman-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or woman-indentified protagonist(s) or lead musical role.

• *To be eligible, projects need to have completed principal photography.

GRANTS WILL BE GIVEN IN THE FOLLOWING CATEGORIES:

• Fiction Feature (running time of 60 minutes or more) – up to $50,000

• Fiction Short (running time of 59 minutes or less) – up to $25,000

• Fiction Webisode/Webseries (all forms) – up to $20,000

• Documentary Feature (running time of 60 minutes or more) – up to $50,000

• Documentary Short (running time of 59 minutes or less) – up to $25,000

• Documentary Webisodes/Webseries (all lengths and forms) – up to $20,000

• Music (all categories) – up to $20,000

• Theatre Production – up to $50,000

GRANT TIMELINE

• Applications close: November 1, 2023 at 11:59 PM ET*

• Recipients notified: March 2024

• Funded Project completion: March 31, 2025

nyfa.org/awards-grants/nyc-womens-fund-for-media-music-and-theatre/

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TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINES & SUBMISSION FEES:

• Extended Late Deadline – November 5, 2023 ($85)

• Final Deadline: December 3, 2023 ($90)

INFO: The CineStory Foundation believes in helping writers find their voice. We’re entering a world in which the ways to tell stories are limitless. Those stories always begin with a blank page. Our goal with the Television Retreat is to educate writers about the unique world of TV storytelling, from the collaborative nature of writing for networks or streaming channels to the independent realm of creating and shooting series for the web.

Structured like the CineStory Feature Retreat, the CineStory Television Retreat takes place over three days in the beautiful mountains of Idyllwild, California. Attendees receive three one-on-one, one and a half hour sessions with CineStory mentors. During these sessions, mentors will give attendees feedback on improving the craft of the script(s) they submitted in advance and will also discuss with writers various aspects of the business of TV writing to help writers better understand TV writers’ various roles in the entertainment industry. 

TV writers also will experience what it’s like to sit in a professional writers room run by an experienced mentor.  In addition, mentors and writers will gather for meals, drinks, screenings, and other special events.

RETREAT DATES:

• May 3 – 7, 2024

RETREAT FEE:

The retreat fee for the 2023 Feature Retreat is $2,200 for individual participants and $3,000 for teams (who participate in all retreat events as a team).

The retreat fee covers meals (a light breakfast, lunch, and dinner) and all retreat events, including informal sessions, one-on-one meetings, social gatherings (cocktail parties, etc.).

ANNOUNCEMENTS:

• Quarterfinalists – Late January

• Semifinalists – Late February

• Finalists – Mid March

• Division Winners – Early April

• Fellowship Winner – Mid April

TV DIVISIONS:

• Original Drama – 1 hour series

• Original Comedy – 30 minute series

• Original Sci Fi/Fantasy – 1 hour series

• Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

TV / FILM — SEPTEMBER 2023

TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINES & SUBMISSION FEES:

• Regular Deadline: September 4, 2023 ($65)

• Late Deadline – October 1, 2023 ($75)

• Extended Late Deadline – November 5, 2023 ($85)

• Final Deadline: December 3, 2023 ($90)

INFO: The CineStory Foundation believes in helping writers find their voice. We’re entering a world in which the ways to tell stories are limitless. Those stories always begin with a blank page. Our goal with the Television Retreat is to educate writers about the unique world of TV storytelling, from the collaborative nature of writing for networks or streaming channels to the independent realm of creating and shooting series for the web.

Structured like the CineStory Feature Retreat, the CineStory Television Retreat takes place over three days in the beautiful mountains of Idyllwild, California. Attendees receive three one-on-one, one and a half hour sessions with CineStory mentors. During these sessions, mentors will give attendees feedback on improving the craft of the script(s) they submitted in advance and will also discuss with writers various aspects of the business of TV writing to help writers better understand TV writers’ various roles in the entertainment industry. 

TV writers also will experience what it’s like to sit in a professional writers room run by an experienced mentor.  In addition, mentors and writers will gather for meals, drinks, screenings, and other special events.

RETREAT DATES:

• May 3 – 7, 2024

RETREAT FEE:

The retreat fee for the 2023 Feature Retreat is $2,200 for individual participants and $3,000 for teams (who participate in all retreat events as a team).

The retreat fee covers meals (a light breakfast, lunch, and dinner) and all retreat events, including informal sessions, one-on-one meetings, social gatherings (cocktail parties, etc.).

ANNOUNCEMENTS:

• Quarterfinalists – Late January

• Semifinalists – Late February

• Finalists – Mid March

• Division Winners – Early April

• Fellowship Winner – Mid April

TV DIVISIONS:

• Original Drama – 1 hour series

• Original Comedy – 30 minute series

• Original Sci Fi/Fantasy – 1 hour series

• Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

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FilmHouse Residency

SFFILM

DEADLINE: September 8, 2023

INFO: Located in San Francisco’s SoMa neighborhood, FilmHouse—the only year-round filmmaker residency program of its kind in the United States—supports narrative and documentary films by making office space available to independent filmmakers actively engaged in various stages of production.

FilmHouse currently holds 21 filmmakers engaged in 12-month residencies, all working in early project stages of screenwriting and pre-production. Typically throughout the year there are roughly 10–20 visiting filmmakers from our other Artist Development programs that utilize FilmHouse work space.

SFFILM’s FilmHouse residency program provides Bay Area-based documentary and narrative filmmakers with artistic guidance, office space, a vibrant creative community, and support from established film industry professionals.

FilmHouse provides an environment where local filmmakers can gather with their colleagues, collaborate on projects together, share resources, get peer-to-peer feedback, find new networks, and more

FilmHouse residents get year-round access to a strong network of support from professional advisors, SFFILM Makers staff, visiting industry professionals, and established artists from the Bay Area and beyond

sffilm.org/artist-development/filmhouse-residencies/

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2024 Spring/Summer residencY

MacDowell

DEADLINE: September 10, 2023

INFO: The Fellowship application period for 2024 Spring/Summer residencies at MacDowell is now open.

There are no residency fees, and to defray expenses that accrue during an artist’s stay, MacDowell provides need-based stipends to cover rent, utilities, childcare, and lost income from taking time off from employment, as well as grants to travel to and from the residency.

MacDowell encourages artists to apply in any stage of their career, and from all backgrounds and countries, in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts.

If your proposed project does not fall clearly within one of these artistic disciplines, you should contact the admissions department for guidance at admissions@macdowell.org.

Spring/Summer residencies will take place between March 1, 2024 and August 31, 2024.

macdowell.org/apply/apply-for-fellowship

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SCREENWRITING LAB

Film Independent

DEADLINES / FEES:

• Member: September 11, 2023 / $45

INFO: The Screenwriting Lab is a two-week workshop held in the first quarter of the year, designed to provide individualized story and career development for emerging screenwriters with a fiction feature screenplay.

Each Screenwriting Fellow will be paired with a Creative Advisor, with whom they’ll work one-on-one and in group sessions to further develop their project over the course of the program. The Screenwriting Lab also helps to further the careers of its Fellows by introducing them to film industry veterans who can offer guidance on both the craft and business of screenwriting. A variety of guest speakers may screen and discuss their own films and offer career insights, and a final pitch event offers further opportunity for individualized feedback and discussion with industry executives.

ELIGIBILITY:

The Screenwriting Lab is open to any writer applying with a completed draft of a feature-length project they wish to workshop during the program, with an eye toward production. More details available in the FAQ section below.

HOW TO APPLY:

Applicants must submit the following materials for consideration:

• A cover letter detailing what drew you to apply to the Screenwriting Lab and why this is the right time for you to participate in the program (500 words max)

• One complete, feature-length screenplay

• An artist statement explaining the genesis of the story, your creative vision and intentions for the film (750 words max)

• A look book (optional)

• A logline (35 words) and synopsis for the film

• Bios of attached key cast and crew, if any – Attachments are not required for consideration

• Project status and history, including any relevant development history, awards received or labs and/or markets attended with the project

• A narrative directing sample, if you plan on directing the film with which you are applying

FAQ:

• Screenwriting Lab is for writers only; other collaborators are not invited to participate.

• Writing partners/teams are welcome to apply and need only submit one application.

• We are open to filmmakers at any level of experience.

• International applicants are eligible; the script must be translated into English for consideration.

• Adaptations are eligible; the applicant must retain rights to the underlying material.

• At this time, documentary, short film and television projects are not eligible to apply.

• We will reconsider projects that have previously been submitted, provided the writer(s) can demonstrate progress on the project and/or professional development.

• Filmmakers may apply to multiple Film Independent Artist Development programs and there is no requirement to have participated in any one program before another.

Please note: Each applicant must be the author of the script he/she submits.

THE FINE PRINT:

Beyond the application fee, there is no cost or tuition to participate in any of Film Independent’s Artist Development programs.

Film Independent Membership is not required when applying to Artist Development Labs. However, all participants accepted into the Labs are required to join Film Independent at the standard annual General Membership rate of $95.

Applicants will be notified three to four weeks prior to the start of the program.

Applicants who are invited to participate in the program should plan to be in Los Angeles for the duration of the Lab. Film Independent is unable to subsidize any travel, lodging and/or visa expenses for any participants attending from outside of Los Angeles. Participants are expected to attend all sessions in person.

filmindependent.org/programs/artist-development/screenwriting-lab/

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LANI’S GARDENS ARTISTS' RESIDENCY

DEADLINE: September 15, 2023

APPLICATION FEE: $20 (Paypal: issilah@gmail.com | Venmo: @kehaulanimusic | CashApp: $LaniPark888)

FEE: $555/month

INFO: Lani’s Gardens Artists Residency’s mission is to serve BIPOC, LGBTQ+ & ally artists & their families by providing them with a transformative island residency experience and a beautiful space in nature to relax, recharge, rejuvenate and create. The residency is located on the Big Island of Hawai'i. Artists live in an off-grid, solar-powered, private & gated, close-to-nature, glamping artists' sanctuary with a round swimming pool, picnic table, fireplace, and meditation tipi and a permaculture food forest with over 100 medicinal and edible plants, berry bushes, flowers, and fruit trees.

ELIGIBILITY: Practicing artists of all backgrounds and at any stage of their career are eligible to apply for a Lani’s Gardens Artists’ Retreat residency. Artists must be at least twenty-one years old. Please note that all eligibility requirements must be met at the time of application. We invite applicants to apply in the following disciplines:

• Writing (poetry, fiction, nonfiction, screenwriting, and journalism)

• Visual Arts

• Dance

• Theater

• Music Composition

• Architecture

• Interdisciplinary Work

DIVERSITY STATEMENT: Lani’s Gardens Artists’ Retreat actively seeks to invite diverse artists. Lani’s Gardens Artists’ Retreat does not discriminate on the basis of race, age, religion, gender expression, sexual orientation, national origin, citizenship status, marital status, veteran status, medical conditions including HIV, or sensory, physical, or mental disability.

RESIDENCY SESSIONS:

• September 1st

• October 2023

• November 2023

• December 2023

• January 2024

• February 2024

• March 2024

APPLICATION TIMELINE & QUALIFICATIONS:

Applications will be accepted annually starting September 1st, until October 1st, at midnight Hawai'i Time. Late applications will not be accepted. Applicants will be contacted by October 1st. To apply, please contact Lani at kehaulanimusic@gmail.com and ask for an Lani’s Gardens’ Artists’ Retreat Application form. For questions, please contact kehaulanimusic@gmail.com with the subject line “Residency.” Or, give us a call at (808) 430-5459.

Applicants are judged by the same criteria across disciplines. We are looking for artistic excellence, sustained impact, and boldness of vision.

REFERENCES:

All applicants are required to submit two professional references. Please provide the name, contact information, and a very brief description of the nature of your professional relationship for each reference. Lani’s Gardens contacts references only if the application advances. References would be contacted iby either email or phone and would not submit a formal letter.

WORK SAMPLES:

• VISUAL ART - Submit 5 JPEG images that best represent your work. They can be no more than three MB per image.

• MUSIC COMPOSITION - Submit two or three audio samples of representative work. Each should be no more than 30MB each and should be in MP3 format or in MP4 or MOV format or by Vimeo or YouTube link.

• DANCE - Submit two or three works totaling no more than fifteen minutes of video. Each work sample should be submitted in MP4 or MOV format or by Vimeo or YouTube link.

• THEATER - Submit either two or three videos or PDFs. If you submit via video, they should total no more than fifteen minutes together in MP4 or MOV format or by Vimeo or YouTube link.

• POETRY - Submit eight to ten short poems or excerpts of poems. The total should not exceed 15 pages and should be in PDF format.

• FICTION, NONFICTION, & SCREENWRITING - Submit two to three work samples in the genre that you wish to work in during your residency. The total should not exceed 20 pages, be double-spaced, and be in PDF format.

• ARCHITECTURE - Submit two to three examples of previous design-based architecture projects in the form of PDFs, video, or a combination of the two. The applicant may submit work samples including but not limited to models, drawings, and images of completed work.

• INTERDISCIPLINARY WORK - Submit three to five work samples. The work samples can be in one type of media or a mixture of media including images (jpegs should be no more than three MB each), PDFs, video (MP4/MOV should be no more than 250 MB), Vimeo link, YouTube link, or audio (MP3 should be no more 30MB each).

kehaulanimusic.typeform.com/to/gBdFe4lR

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BIPOC WOMEN FILM PRODUCTION GRANT

BendFilm

DEADLINE: September 15, 2023

INFO: On-screen representation affects cultural understanding of BIPOC, women, and LGBTQ+ characters. Barriers need to be broken down until equal representation is achieved on-screen and behind the camera.

BendFilm’s Grant will support a BIPOC women artist with $20,000 toward making their short or feature film. The grant supports storytellers who are working to tell creative and complex stories told from a point of view that is unique and authentic.

Filmmakers who have been underrepresented are less likely to have the funding support to produce their first films to jumpstart their careers. This grant breaks down the economic barrier to democratize the art form which in turn will:

Support the career of an underrepresented artist.

Increase the production of films that accurately portray underrepresented communities.

Lead audiences to a better understanding of themselves (if underrepresented) or to the life experience of someone unlike themselves.

HOW IT WILL WORK:

• Preferred candidates will produce their film in Oregon, but that is not a mandatory requirement.

• BendFilm programmers and independent reviewers will assess each application to narrow down the finalists.

• Five (5) to ten (10) final candidates will virtually pitch their projects live to a panel of industry professionals (to be announced soon) during the 19th Annual BendFilm Festival between October 6-9th in-person and 10th-23rd virtually, 2022.

• The panel will decide the winner of the $10,000 production grant and may provide mentorship during the filmmaking process at panelists discretion and interest.

APPLICATION PROCESS:

• Submit a proposal (details coming soon). Eligibility guidelines:

• The director of the film must identify as a woman and person of color

• The funded film must be made in accordance with the treatment that will be provided in the official RFP.

• The film must be completed on deadline (details coming soon).

• The project must credit Braemar Charitable Trust, the Oregon Film Office, and BendFilm as Associate Producers.

• The film must be available to World Premiere during BendFilm’s 20th Annual Festival in October 2023.

FAQs:

Are there any limitations on how grant funds can be spent?

Yes. The film must be directed by a woman who is a black, indigenous, or a person of color . Preferred applicants will reside in Oregon and plan to shoot their film in Oregon.

How will applications be evaluated?

A team made up of BendFilm staff, Board Members and two (2) local filmmakers will evaluate initial applications for artistic merit and ensure all minimum requirements are met. Due to the volume of applications we are not able to provide specific feedback on projects that are not selected.

bendfilm.org/education/bendfilm-production-grant/

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Open Call For Proposals: Film Production Grant

Voices With Impact

DEADLINE: September 17, 2023 at midnight

INFO: Voices With Impact is a yearly short film production grant that funds 5 minute films that create transformative conversations around the topic of mental health. Each year VWI awards 10 filmmaking teams $7.5k to make a 5 minute short on specific underrepresented mental health topics.

This year we are looking for proposals on the topic of Serious Mental Illness, or Cliques & Echo Chambers.

FAQ:

• We global you can apply from anywhere in the world!

• We accept any genre of film proposal, from documentary to dark comedy, from drama to experimental animation.

• The proposal must be for a film 5 minutes or less.

• The 2024 submission window for film proposals is now open. The deadline is Midnight PT September 17 2023. Submissions will be juried by filmmakers and mental health professionals.​

PROPOSAL GUIDE:

Your Contact Information (completed on webform)

• Name of primary filmmaker (to be main point of contact) Email of primary filmmaker

• Phone of primary filmmaker

• Location of primary filmmaker (city, state or province, country) Which film content area are you applying for?

Your Previous Work (completed on webform)

• Brief description and links (if available) of up to three relevant films and/or scripts that you’ve created (max. 150 words/project, 5 mins/clip)

Your Proposal

The following numbered items should be included in 1 document. You will share a downloadable link such as Google Drive or WeTransfer in the webform. We encourage you to make this proposal document look nice and appealing for our jurors.

1. Your Resume (We want to see what you've done in film here)

2. Names, bios, and credentials of any identified collaborators (director, director of photography, writer, producer, actors)

3. A Logline: a brief summary of your film idea (max. 75 words)

4. Project treatment: outline of story, plot, themes, filmmaking techniques. (max. 500 words)

5. Mood board or alternative visual inspiration.

6. Why you, why this film, and why now? (max. 250 words)

7. Explain:

a. WHAT mental health themes are explored in the film?

b.HOW are mental health themes explored in the film?

8. Connection with content area - how voices of people most impacted by Serious Mental Illness or Cliques & Echo Chambers you are exploring will be included in the film, whether it’s through the identities of the filmmaker/ filmmaking team, connection or affiliation with the population, or demonstrated awareness of and sensitivity to the population (max. 250 words)

9. What subject matter expert community organizations or partners might you work/consult with during production, or which organizations would you like to be connected with? (max. 150 words)

10. A realistic and reasonable line-by-line budget for how the $7,500 grant would be used, including any additional funding and funding sources if relevant.

11. Production schedule from November 1, 2022 through April 1, 2023 (including any resources, locations, collaborations, etc.)

voiceswithimpact.com/production-grant

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REQUEST FOR PROPOSALS: ‘HOMEGROWN: A Part Of/Apart From.'

Firelight Media

DEADLINE: September 18, 2023 at 11:59pm PST

INFO: Firelight Media, Black Public Media, Latino Public Broadcasting, and Pacific Islanders in Communications invite emerging BIPOC filmmakers living in the U.S. territories and Hawai'i – and their diasporic communities – to submit proposals for season two of 'HOMEGROWN: A Part Of/Apart From.'

Eight selected filmmakers will receive $45,000 each to produce an 8-15 minute non-fiction short film, work with the producing partners from development through distribution, and receive mentorship by established independent filmmakers. Selected films will be distributed through public media with a planned release for winter 2024.

CREATIVE BRIEF:

Titled after a term coined by Michael Bevacqua, host of the Fanachu! podcast, our upcoming HOMEGROWN collection will focus on stories grappling with issues of sovereignty, agency, and the variety of ways communities negotiate what it means to be “a part of and apart from.”

We seek projects that disrupt mainstream narratives about the U.S. Territories and illuminate the living histories, cultures, and future visions of the regions. Projects can vary in scope/approach, and address topics including (but not limited to):

• New forms of resistance

• Land rights and reparations work

• Climate change and migration

• Cultural changemakers

• Community portraits and rituals

• Bureaucracy and its misuse

• Healthcare & the body

• Celebrations and joy

• Voting rights

• Historical inaccuracies

• Militarization

• Self determination

• Home and identity

• Solidarity across territories

• Duality

• Freedom

In preparation for another election cycle, HOMEGROWN: A Part of/Apart From explores how filmmakers, culture bearers, and communities are re-defining democracy through place-based storytelling.

Projects that address the following questions will receive priority consideration:

• What does duality look like in your community?

• In what ways does the past affect the present?

• What socio-cultural values should be retained?

• What communities would benefit from amplification?

• Are there movements/people/events that have flourished that the rest of the country should know about?

• How can difference be a propelling force?

The ideal candidates for the initiative are emerging filmmakers committed to unearthing never-before-told narratives rooted in their local community.

ELIGIBILITY REQUIREMENTS:

• Project must be short form non-fiction, with a duration of 8-15 minutes

• Project must be in development, pre-production, or early production

• Applicants must identify as Black, Indigenous, and/or a person of color

• Applicants must reside in or be a descendant of the U.S territories (Virgin Islands, Puerto Rico, American Samoa, Guam, the Northern Mariana Islands) and Hawai’i

• Applicants must be able to complete the project by Winter 2024

• Applicants must hold artistic, budgetary, and editorial control, and must own the copyright of the proposed project

• Applicants must be 18 years of age or older by the time of submission

• Applicants must be willing and able to work collaboratively with Firelight Media, PIC, the National Multicultural Alliance partners, PBS, local public media staff, and mentors

• Only one proposal may be submitted per applicant

• Currently enrolled graduate students may apply, but you must demonstrate your ability to deliver a short film with a demanding timeline and strict PBS reporting guidelines

Projects NOT Eligible:

• Applicants cannot reside in New York or L.A.

• Feature documentaries, series, or fiction projects

• Projects in post-production or completed films

• Projects that are student films or are related to coursework

• Projects or production entities which are non-US-based, owned, or controlled

• Branded content or promotional projects

firelightmedia.submittable.com/submit/

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OPEN CALL FOR MEDIA MAKERS

Black Public Media

DEADLINE: September 25, 2023

INFO: Each year, BPM issues an open call for feature-length documentaries and shorts (nonfiction or scripted) that are currently in pre-production, production, or post-production and intended for public media distribution. In addition to feature length documentaries and shorts, we accept proposals for pilot episodes of a broadcast length or shorts limited series. The limited series must be 3 to 5 episodes.  Selected projects will receive production funding to advance the work. The submission dates and specific content priorities for the 2023 Open Call will be announced in August. Awards will be announced in December 2023.

OUR FUNDING PRIORITIES:

• 1)  Climate Change

• 2)  Environmental Justice

• 3)  Democracy

Projects will receive funding as follows: One broadcast-length project will receive up to $100,000. One short project will receive up to $50,000. In addition, BPM may award invitations to participate in our 360 Incubator+, a hybrid professional development program or PitchBLACK, a forum to compete for up to $150,000 in production funding. Please note that all Black Public Media (BPM) funding awards are licensing agreements for public media distribution.

ELIGIBILITY:

To be eligible for the Open Call:

• The applicant must (a) be the project’s producer or director, (b) be a US citizen, (c) have a minimum of three years professional producing and/or directing experience, or have a senior producer attached to the project;

• Key creative personnel (producer, director, writer, or editor) must include a person of color;

• The proposed content must be either a short (scripted or nonfiction) or broadcast-length documentary for public media distribution;

• The project must be completed within 36 months of receiving the award;

• The applicant must hold artistic, budgetary and editorial control, and must own the copyright of the proposed project;

• Projects or production entities that are foreign-based, owned or controlled are NOT eligible. Neither are industrial, promotional or student films.

DEADLINE: Our deadlines are strict. We highly recommend that you start your application in plenty of time and “save” to complete your submission over time. As soon as the application window closes, a panel of media professionals across the industry will evaluate the proposals in a two-tier review process. The deadline for this year’s Open Call will be announced in August.

REVIEW CRITERIA:

The review panel will evaluate each proposal using the following guidelines:

• The subject/story meets BPM’s mission to engage audiences around a critical social issue.

• The synopsis demonstrates a compelling narrative that is unique and original.

• The treatment clearly describes the visual and audio approach, narrative structure and overall style.

• The team’s production experience will support the execution of the project.

• The budget and production timeline matches the scope of the project presented.

• The video sample demonstrates skill, creativity and ability of production team to execute the proposed project

• The overall application is a professional proposal that demonstrates project readiness.

RIGHTS + RELEASES:

Projects selected for funding will receive a BPM funding contract. The contract is not a grant but a licensing agreement in which BPM is granted exclusive or shared domestic public television distribution rights as well as the exclusive or shared right to package, schedule and promote the program through public broadcasting. BPM makes no expressed or implied commitment to financially support a project until an agreement is signed by both the applicant and BPM. As a condition of the funding contract, producers must agree to BPM’s standard terms and conditions, including the following:

• For broadcast projects, assignment to BPM of public television broadcast rights for four (4) years over national public television, off-air record rights, and internet streaming rights;

• For web projects only, assignment to BPM of streaming rights for four (4) years;

• Funding and/or Presentation credit to BPM and Corporation for Public Broadcasting (CPB);

• Net revenues must be shared with BPM from the exercise of subsidiary or ancillary rights over a 15-year period;

• Financial books and records related to the production must be maintained for three (3) years following the receipt of funds or net revenues by the producers.

Producers must comply with all equal employment opportunity and non-discrimination laws and policies, payola/plugola requirements and other applicable federal and state rules and regulations.

blackpublicmedia.org/for-media-makers/open-call/

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Proof of Concept Short Film Grant

Black Film Space / cliveRd

DEADLINE: September 26, 2023

APPLICATION FEE: $35 (Free for Black Film Space paying members)

INFO: Black Film Space is partnering with cliveRd, a studio focused on producing and building in media, on a Proof of Concept Short Film Grant.

We are seeking one short film script under 15 minutes/pages that aims to serve as a teaser/preview for a feature film or episodic series.

The grant total will be $9,000.

The project will be selected based on the filmmaker’s ability to present a strong script and treatment that shows great promise as a proof of concept for a feature film or episodic series. We will also consider other factors such as the merit of previous work and financial need. 

APPLICANT QUALIFICATIONS

• Must have at least one visual sample that showcases previous work

• Must present a completed script for their short film or episodic series.

• Must present a completed treatment

• Must present a detailed plan on how they will execute their project with details on production, casting, their team, post production, festival strategy, etc.

• Must reside in the United States

• At least one of the core team members on the team listed in the application must be of Black/African descent

• Must submit a narrative, scripted film. Documentary films/non fiction works will not be considered

REQUIREMENTS FOR GRANT RECIPIENT:

• The production timeline for the completed short must be within six months of receiving the grant

• Applicants must function in one of the following three roles: writer, director and/or executive producer, and the writer needs to be a part of the selection process

• The filmmaker must be willing to exhibit their proof of concept short at Black Film Space’s Awards ceremony in the fall of 2024

• CliveRd and Black Film Space must be credited as producers on the short film

• Filmmakers must be available for follow up discussions with cliveRd on their progress of their short and their feature film/episodic series

• Must be in pre-production and/or producing their feature film or episodic series within AT LEAST a year of receiving the grant

• There is a possibility that cliveRd will show continued interest depending on the quality of the feature film/episodic series script and readiness of the filmmaker to complete their project.

blackfilmspace.com/cliverd

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TV PILOT COMPETITION

ScreenCraft

DEADLINES: September 30, 2023

INFO: Our TV Competition has a history of getting writers signed, staffed, and have helped them land development deals for their own projects. It's one of our most successful competitions, period. Winners and finalists have signed with 3Arts, Management 360, CAA, Verve, Zero Gravity, and more.

MENTORS: We welcome Emmy-winning writer, creator, showrunner Damon Lindelof (WATCHMEN, THE LEFTOVERS, LOST) as our Grand Juror. Damon will meet with the grand prize winner of the program.

A Note To Entrants And Those Considering Entry During The WGA Strike:

At ScreenCraft, we stand in solidarity with the Writers Guild of America and its efforts to ensure fair compensation for writers.

ScreenCraft has publicly committed to pausing the sharing of writers’ work with struck companies and, if needed, coordinating with finalists and winners to see what alternate outreach they are comfortable with.

We’re all hoping the strike will be over soon, but if it isn’t, ScreenCraft will offer alternatives, postpone announcements, or otherwise work with writers to ensure they’re staying within the rules of the WGA strike.

GRAND PRIZE WINNER:

The overall grand prize winner will be welcomed to the ScreenCraft Writer Development Program and receive personal introductions and phone calls with one or more top Hollywood literary manager(s) who are looking for talented emerging Film & TV screenwriters.

ScreenCraft's relationships include companies like Blumhouse, Netflix, HBO Max, AMC, and over 150 other Hollywood managers, agents, producers, and development executives.

ScreenCraft has a proven track record for getting writers signed with managers, agents, and staffed in writing rooms.

• Personal Introduction to industry professionals

• Accepted into the ScreenCraft Writer Development Program

• $1,000 Cash

• An exclusive invitation to a Finalist+ workshop to position yourself and your writing to the industry

• Free 6-month membership to The Tracking Board

RUNNER-UP PRIZES:

Winner:

• $500 cash award

• Accepted into ScreenCraft Development Program

• An exclusive invitation to a Finalist+ workshop to position yourself and your writing to the industry

• Free 6-month membership to The Tracking Board

Finalists:

• An exclusive invitation to a Finalist+ workshop to position yourself and your writing to the industry

• Free 6-month membership to The Tracking Board

screencraft.org/pilot/

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ARTISTS & WRITERS RESIDENCY

Vermont Studio Center

DEADLINE: October 1, 2023

INFO: Each month, VSC welcomes over 50 artists and writers from across the country and around the world to our historic campus in northern Vermont.

All of our residencies include:

• A private room in modest, shared housing

• 24-hour access to a private studio space in one of our 6 medium-specific studio buildings

• 3 communal meals per day (plus fresh fruit, coffee/tea/cold beverages, and cereal available around the clock)

Most residents stay with us for 1 month, so our sessions adhere to a 4-week calendar however, residencies can be scheduled in 2-week increments ranging from 2 to 12 weeks if a shorter or longer stay better suits your needs. Although we accept residents for stays for 2 weeks, we recommend a minimum stay of one month for the fullest experience.

Each 4-week session includes:

• Opening Night Dinner & Reception

• 7 Resident Presentation (“Res Pres”) Nights

• 2 Open Studios Nights

• Public Slide Talks / Public Readings from our Visiting Artists & Writers

• Visiting Writer Craft Talks (open to writers only)

• Opportunities for studio visits/manuscript critiques with Visiting Artists/Writers

Most months, numerous other spontaneous events take place--intimate readings, pop-up shows, group hikes or swims, performances, site-specific installations, movie screenings, dance parties, and bonfires, to name a few.

All events in our monthly program are optional. Our program is designed to enhance your studio practice by providing opportunities to engage with a supportive creative community; you are welcome to participate in as many or as few of these activities as you like. 

FELLOWSHIPS:

• Voices Rising Fellowship - For Black American women fiction writers with demonstrable financial need. This fellowship was established in honor of women writers of color such as Maya Angelou, Toni Morrison, and Zora Neale Hurston, whose voices have inspired so many. This award includes a $2,000 stipend.

• Susanna Colloredo Environmental Writing Fellowship - For a writer whose creative work directly engages environmental issues, awareness, and the complex challenges facing the planet.

• Harpo Foundation Native American Fellowship - This award supports exceptional Native American writers. This award includes a $500 travel stipend.

vermontstudiocenter.org/

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WRITER-DRIVEN SHORTS

The Black List

DEADLINE: Extended to October 15, 2023

INFO: The “Writer-Driven Shorts” program, presented by the Black List x General Motors Marketing and Media Incubator Fund, will grant two emerging filmmakers with $100,000 in production funds to shoot a short film based on their feature scripts.

The short films that are produced as part of the program will aim to have a successful festival run and compete for awards consideration in 2024. GM will provide picture cars to the two filmmakers to use in their short films (if needed).

All genres are encouraged to submit for the Writer-Driven Shorts program, ranging from romantic comedy, action adventure, grounded dramas, fantastical sci-fi and more. In alignment with GM's sustainable, all-electric future and aspiration to be the most inclusive company in the world, films showcasing sustainability, electrification and/or diversity will be highly considered. Scripts with scenes of excessive violence, illegal drug or substance abuse, car crashes, unsafe driving and/or explicit sexual acts will not be considered.

Scripts are not required to include scenes with vehicles.

GM is committed to fighting climate change and achieving carbon neutrality in their operations and products by 2040. As such, the Writer-Driven Shorts program is particularly interested in identifying and supporting filmmakers whose scripts include compelling and optimistic climate storytelling. This opportunity is ideal for writers whose scripts promote hope and idealism–stories about characters who dream of and fight for a more sustainable and equitable future.

These kinds of stories can include (but are certainly not limited to!):

• Rom-coms about rival chefs in the slow food movement

• Family comedies about a sustainable road trip

• Satires about the cutthroat world of local composting organizations

• An imagined biopic about a scientist who stops the polar ice caps from melting

• Action movies with electric car chases

As part of a broader commitment to a more equitable Hollywood, the Black List and the GM Incubator Fund will also grant fee waivers for one free month of hosting and two free evaluations on blcklst.com to the first 200 writers from traditionally underrepresented communities. Fee waivers will be distributed at the discretion of the Black List and GM - submitting writers will be asked to elaborate on why they qualify for a fee waiver during the final stages of the program submission process.

Writer/directors and writer and director teams are welcome to submit for this opportunity. A link to your project’s directing sample will be required when you submit for the opportunity. If you are a writer who has paired with a director for this project, you must submit a directing sample for your attached director. Please note that only filmmakers who have directed at least one narrative short film will be considered eligible. If you are a writer submitting for this opportunity who has not directed a short film, you must attach an eligible director to your project.

When the submission period ends, a short list of 20 filmmakers will be invited to submit additional materials. These materials include prior directing samples, production plans, lookbooks, and budgets so please be prepared with these materials should you make it to the next round and do not submit for this opportunity if you will not be able to provide any of the above.

Only feature-length scripts will be considered for this program. All shorts will be excerpts and/or adaptations of the selected feature-length scripts. The Black List does not accept short film scripts on the website. Only full-length, completed feature scripts will be accepted for consideration. Do not submit your short film script.

You must have at least one evaluation attached to your script to submit to this program. If you are unable to purchase an evaluation, please check if you qualify for a GM fee waiver for one free month of hosting and two free evaluations. You can read more about the Black List's evaluation requirements here.

IMPORTANT DATES:

• Long List Notified: October 16, 2023

• Short List Notified: November 15, 2023

• Filmmakers Announced: December 15, 2023

REQUIREMENTS:

• You must post an original screenplay on www.blcklst.com and opt-in to the Program during the Submission Period. Ideally, you will have directed at least one short film previously.

• You must agree to (1) these Submission Requirements, (2) all terms relating to the Program posted on Black List’s website, which you should review and read in full, and (3) the Submission Agreement, which governs the submission of your script to Company and Black List. The Submission Agreement includes important, legally binding terms and conditions, including arbitration of any disputes, which you must read in full before accepting.

• If requested, you must submit by a date determined by Company the following materials, which are also governed by the Submission Agreement:

• A professional resume and personal statement;

• Samples, production plan, look book and short script; o Contact and other personal information; and

• Executed originals of the Submission Agreement.

• If selected by Company for the Program, as a condition of your participation, you must agree to Company’s terms of such participation, which shall include, without limitation:

• The selected candidate will receive a $100,000 grant to produce a short film based on candidate's feature screenplay or other submitted material.

• If the candidate does not deliver a completed short film on schedule or otherwise fails to meet their obligations, which will include but will not be limited to identifying and detailing a budget for the use of the grant in the production of the short film (which budget shall be subject to Company's approval), providing a timeline for production (which timeline shall be subject to Company’s approval), and clearing all rights necessary for Company to exploit the short film free and clear of all obligations to third parties, Company shall be entitled to a refund of the grant money.

• Company will receive "Producer" mentions in the short films produced in connection with the Be Unstoppable Film Project Program, and Company's name and/or logo will be included in each short film and in promotional communications about each short film.

• If selected for the Program, the candidate will grant to Company the necessary rights, permissions and authorizations for Company to use the candidate's name, likeness and the short film produced in connection with the Program (including but not limited to stills, key art, and clips therefrom) in Company advertising, marketing, and promotional material in all media.

• All rights or benefits granted by the candidate to Company or services provided by the candidate in connection with the Program shall be non-union.

• At Company's request, you may be required to enter into a more formal agreement with Company regarding your participation in this Program, provided that until such time as a more formal agreement is entered into, these Submission Requirements shall remain binding.

• You must be at least 18 years of age and not a minor in the state or country of your residence at time of submission.

• If the submitted materials written by a team consisting of one or more writers, (i) each member of that writing team must comply with these Submission Requirements, including agreeing to the Submission Agreement described below and (ii) all members of the writing team must opt-out of the Program if any other member becomes ineligible (including as a result of failing to timely agree to the Submission Agreement or failing to timely provide the materials listed above).

• The submitted materials must be wholly original to you and you must be the sole owner of all rights. The submitted materials must not in any way infringe upon the copyright of any person or entity or, to the best of your knowledge in the exercise of reasonable prudence, constitute libel, defamation or invasion of privacy or any other rights of any third party. You understand and agree that Black List will share any information that you provide in connection with the Program with Company.

blcklst.com/programs/writerdriven-shorts-presented-by-the-black-list-x-the-gm-incubator-fund

TV / FILM — AUGUST 2023

OPEN CALL FOR MEDIA MAKERS

Black Public Media

APPLICATION OPEN: August 2023

INFO: Each year, BPM issues an open call for feature-length documentaries and shorts (nonfiction or scripted) that are currently in pre-production, production, or post-production and intended for public media distribution. In addition to feature length documentaries and shorts, we accept proposals for pilot episodes of a broadcast length or shorts limited series. The limited series must be 3 to 5 episodes.  Selected projects will receive production funding to advance the work. The submission dates and specific content priorities for the 2023 Open Call will be announced in August. Awards will be announced in December 2023.

OUR FUNDING PRIORITIES:

• 1)  Climate Change

• 2)  Environmental Justice

• 3)  Democracy

Projects will receive funding as follows: One broadcast-length project will receive up to $100,000. One short project will receive up to $50,000. In addition, BPM may award invitations to participate in our 360 Incubator+, a hybrid professional development program or PitchBLACK, a forum to compete for up to $150,000 in production funding. Please note that all Black Public Media (BPM) funding awards are licensing agreements for public media distribution.

ELIGIBILITY:

To be eligible for the Open Call:

• The applicant must (a) be the project’s producer or director, (b) be a US citizen, (c) have a minimum of three years professional producing and/or directing experience, or have a senior producer attached to the project;

• Key creative personnel (producer, director, writer, or editor) must include a person of color;

• The proposed content must be either a short (scripted or nonfiction) or broadcast-length documentary for public media distribution;

• The project must be completed within 36 months of receiving the award;

• The applicant must hold artistic, budgetary and editorial control, and must own the copyright of the proposed project;

• Projects or production entities that are foreign-based, owned or controlled are NOT eligible. Neither are industrial, promotional or student films.

DEADLINE: Our deadlines are strict. We highly recommend that you start your application in plenty of time and “save” to complete your submission over time. As soon as the application window closes, a panel of media professionals across the industry will evaluate the proposals in a two-tier review process. The deadline for this year’s Open Call will be announced in August.

REVIEW CRITERIA:

The review panel will evaluate each proposal using the following guidelines:

• The subject/story meets BPM’s mission to engage audiences around a critical social issue.

• The synopsis demonstrates a compelling narrative that is unique and original.

• The treatment clearly describes the visual and audio approach, narrative structure and overall style.

• The team’s production experience will support the execution of the project.

• The budget and production timeline matches the scope of the project presented.

• The video sample demonstrates skill, creativity and ability of production team to execute the proposed project

• The overall application is a professional proposal that demonstrates project readiness.

RIGHTS + RELEASES:

Projects selected for funding will receive a BPM funding contract. The contract is not a grant but a licensing agreement in which BPM is granted exclusive or shared domestic public television distribution rights as well as the exclusive or shared right to package, schedule and promote the program through public broadcasting. BPM makes no expressed or implied commitment to financially support a project until an agreement is signed by both the applicant and BPM. As a condition of the funding contract, producers must agree to BPM’s standard terms and conditions, including the following:

• For broadcast projects, assignment to BPM of public television broadcast rights for four (4) years over national public television, off-air record rights, and internet streaming rights;

• For web projects only, assignment to BPM of streaming rights for four (4) years;

• Funding and/or Presentation credit to BPM and Corporation for Public Broadcasting (CPB);

• Net revenues must be shared with BPM from the exercise of subsidiary or ancillary rights over a 15-year period;

• Financial books and records related to the production must be maintained for three (3) years following the receipt of funds or net revenues by the producers.

Producers must comply with all equal employment opportunity and non-discrimination laws and policies, payola/plugola requirements and other applicable federal and state rules and regulations.

blackpublicmedia.org/for-media-makers/open-call/

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OPEN CALL

ITVS

DEADLINE: August 11, 2023 by 11:59pm PT

INFO: Open Call gives independent producers up to $350,000 to complete production for a standalone broadcast length documentary to air on public television. The documentary can be on any subject, viewpoint or style as long as it is in active production already, as evidenced via a ten to fifteen minute work in progress sample. For pre-production nonfiction projects, see Diversity Development Fund or Short-Form Open Call. 

Open Call is not a grant. You will receive funding in the form of a co-production agreement that assigns ITVS certain broadcast and streaming rights to your project during the term of the contract.

Be sure to allow sufficient time (2-4 weeks) to complete the application. ITVS has adopted the Non-Fiction Core standards as a foundation for our funding applications. Much of the Open Call application has been aligned with this model, however, there is additional production detail required to complete the application as ITVS funds documentaries for public television. 

WHO WE FUND:

Open Call supports:

• Single, non-fiction projects of standard broadcast length (30, 60, or 90 minutes) that aren’t intended solely for theatrical or SVOD (Subscription Video on Demand) release. We do not accept live-action drama or fiction.

• Broadcast distribution for feature length programs on public television are very limited. ITVS may require you to deliver a one-hour version of your program.

• Works in progress.

WHAT TO EXPECT:

Review Process

After you submit your application, you will receive notification of your status within 16-20 weeks. If you are among a small group of finalists who advance through a series of peer reviews, you will be asked to submit additional materials for a feasibility review. 

Decisions are final and may not be appealed. However, unsuccessful applicants are welcome to apply again in the future. Reviewer feedback will only be provided to those applicants that make it to panel review or, based on staff capacity, for those applicants from Phase One.

Production and Distribution 

ITVS doesn’t just fund your film. We provide you with creative development and feedback, and, depending on the broadcast outlet, with marketing, publicity, and audience engagement services. You own copyright and maintain full editorial, creative, and financial control.

Funded projects will be expected to acknowledge the production support from ITVS in all program and publicity materials; cooperate with ITVS’ publicity protocols; provide timely information to ITVS about project activities, including notification of and request for approval of any major changes to the project; and submit contract deliverables, including final financial reporting at the conclusion of the project. Failure to submit the final financials will preclude applicants from eligibility to apply for future funding. 

When your program is at or near completion, we offer it to and work closely with public television programmers across the U.S. to secure a sublicense of public television broadcast rights and ensure the broadcast of your program. ITVS will enter into a license agreement for exclusive domestic television rights. 

Most ITVS-funded programs air on PBS series such as Independent Lens, POV, American Masters, FRONTLINE, and America ReFramed. Our programs also have success in the festival, educational video, home video, SVOD and foreign broadcast markets. 

ELIGIBILITY:

You are eligible to apply if you are:

• The owner of the copyright of your production and maintain editorial control of the story. If more than one applicant is included on the application, both applicants must be copyright owners. 

• Not employed full-time as a producer or director by a broadcast entity or film studio.

• Someone with previous film or television production experience in a principal role: director, producer or first-time filmmakers with an experienced producer attached to the project. 

• Graduate thesis are eligible as previously completed work. Undergraduate student work will not be reviewed

• Applying to only this ITVS funding initiative at this time – we won’t review projects already under consideration for other ITVS funding.

• A citizen or legal resident of the U.S. or its external territories age 18 or older.

• Individuals can only submit one application per round, as either an applicant or a second applicant. However, an applicant can be a member of the key creative personnel on multiple projects.

• Seeking funding for only production activities that support the completion and delivery of a program for broadcast.

• Submitting a project that is in production or post-production. Projects that are early in production may not be as competitive unless you have demonstrated access, strong storytelling in your treatment and work sample, and an urgency to the story. 

You are not eligible to apply if you are: 

• Currently enrolled student.

• Current signatories of any ITVS production contracts who have not yet completed delivery.

• Producers representing foreign-based production entities.

• Persons employed full-time as producers/directors by a public or commercial broadcast entity, including public access stations.

• Organizations including universities, foundations, and nonprofit organizations.

• Your project is too advanced (e.g. at fine cut or festival submission cut).

• Programs that have been previously broadcast, or distributed publicly (including theatrical, festivals, educational, community screenings or online platforms). 

• Former employees who have worked for ITVS within the past 12 months.

itvs.org/funding/open-call/#who-we-fund

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2023 SDF Production Grant

Southern Documentary Fund

DEADLINE: August 18, 2023

INFO: Applications are now open for the 2023 SDF Production Grant for Southern filmmakers living and working in the American South.

GRANT ELIGIBILITY:

• Project Directors should reside or have deep roots in one of the following twelve Southern states: Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Virginia, and West Virginia.

• Applicants must have a U.S. social security number or U.S. federal tax ID number.

• Applicants must be 18 years of age or older.

• Applicants must not be enrolled in a film school and/or seeking funds for a student project.

  *NOTE: If your project has special circumstances regarding eligibility, please feel free to reach out: sdfgrants@southerndocumentaryfund.org

WHAT WE FUND:

This program is for Southern makers. We seek to bring visibility to makers and communities who are oftentimes overlooked. We will fund:

• Nonfiction documentaries (shorts, features, docuseries, and experimental).

• Projects must be in production. Proposals for research, development, post-production, distribution or engagement/impact funding are not eligible to apply for this grant.

INELIGIBLE PROJECTS:

The following projects are ineligible for funding and will NOT be considered:

• The applicant and project do not meet the above listed eligibility requirements.

• Non-documentary projects.

• Projects that meet our criteria, but have an incomplete application and/or are missing support materials.

• Projects submitted after the submission deadline.

• Projects that have already received production funds from SDF.

REFERENCE DOCUMENTS

• Application Checklist (English)

• Application Checklist (Spanish)

• Sample Budget

• Roundtable Budgeting Workshop (Recording)

• Sample Application

• Community Care and Safety Handbook

• Grant Info Session #1 (Recording)

• Grant Info Session#2 (Recording)

REVIEW CRITERIA:

• Project falls within the scope of SDF’s mission and values.

• Primary team members have a strong connection to the story.

• Proposal is well-researched and clearly presented.

• Project has a feasible budget and fundraising plan.

• Project Director and collaborators possess the skills necessary to successfully complete the project.

• The applicant shows an understanding of their intended audience and how to reach them.

• A completed application and all requested documents.

• A fulfillment of eligibility requirements.

GRANT INFORMATION SESSIONS:

• Info Session #1: July 31 @ 1PM ET – RSVP

• Info Session #2: August 15 @ 4PM ET – RSVP

southerndocumentaryfund.org/programs/filmmaking-grants/

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screenwriting lab

Film Independent

DEADLINES / FEES:

• Non-Member: August 28, 2023 / $65

• Member: September 11, 2023 / $45

INFO: The Screenwriting Lab is a two-week workshop held in the first quarter of the year, designed to provide individualized story and career development for emerging screenwriters with a fiction feature screenplay.

Each Screenwriting Fellow will be paired with a Creative Advisor, with whom they’ll work one-on-one and in group sessions to further develop their project over the course of the program. The Screenwriting Lab also helps to further the careers of its Fellows by introducing them to film industry veterans who can offer guidance on both the craft and business of screenwriting. A variety of guest speakers may screen and discuss their own films and offer career insights, and a final pitch event offers further opportunity for individualized feedback and discussion with industry executives.

ELIGIBILITY:

The Screenwriting Lab is open to any writer applying with a completed draft of a feature-length project they wish to workshop during the program, with an eye toward production. More details available in the FAQ section below.

HOW TO APPLY:

Applicants must submit the following materials for consideration:

• A cover letter detailing what drew you to apply to the Screenwriting Lab and why this is the right time for you to participate in the program (500 words max)

• One complete, feature-length screenplay

• An artist statement explaining the genesis of the story, your creative vision and intentions for the film (750 words max)

• A look book (optional)

• A logline (35 words) and synopsis for the film

• Bios of attached key cast and crew, if any – Attachments are not required for consideration

• Project status and history, including any relevant development history, awards received or labs and/or markets attended with the project

• A narrative directing sample, if you plan on directing the film with which you are applying

FAQ:

• Screenwriting Lab is for writers only; other collaborators are not invited to participate.

• Writing partners/teams are welcome to apply and need only submit one application.

• We are open to filmmakers at any level of experience.

• International applicants are eligible; the script must be translated into English for consideration.

• Adaptations are eligible; the applicant must retain rights to the underlying material.

• At this time, documentary, short film and television projects are not eligible to apply.

• We will reconsider projects that have previously been submitted, provided the writer(s) can demonstrate progress on the project and/or professional development.

• Filmmakers may apply to multiple Film Independent Artist Development programs and there is no requirement to have participated in any one program before another.

Please note: Each applicant must be the author of the script he/she submits.

THE FINE PRINT:

Beyond the application fee, there is no cost or tuition to participate in any of Film Independent’s Artist Development programs.

Film Independent Membership is not required when applying to Artist Development Labs. However, all participants accepted into the Labs are required to join Film Independent at the standard annual General Membership rate of $95.

Applicants will be notified three to four weeks prior to the start of the program.

Applicants who are invited to participate in the program should plan to be in Los Angeles for the duration of the Lab. Film Independent is unable to subsidize any travel, lodging and/or visa expenses for any participants attending from outside of Los Angeles. Participants are expected to attend all sessions in person.

filmindependent.org/programs/artist-development/screenwriting-lab/

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TV PILOT COMPETITION

ScreenCraft

DEADLINES:

• Regular - August 31, 2023

• Final - September 30, 2023

INFO: Our TV Competition has a history of getting writers signed, staffed, and have helped them land development deals for their own projects. It's one of our most successful competitions, period. Winners and finalists have signed with 3Arts, Management 360, CAA, Verve, Zero Gravity, and more.

MENTORS: We welcome Emmy-winning writer, creator, showrunner Damon Lindelof (WATCHMEN, THE LEFTOVERS, LOST) as our Grand Juror. Damon will meet with the grand prize winner of the program.

A Note To Entrants And Those Considering Entry During The WGA Strike:

At ScreenCraft, we stand in solidarity with the Writers Guild of America and its efforts to ensure fair compensation for writers.

ScreenCraft has publicly committed to pausing the sharing of writers’ work with struck companies and, if needed, coordinating with finalists and winners to see what alternate outreach they are comfortable with.

We’re all hoping the strike will be over soon, but if it isn’t, ScreenCraft will offer alternatives, postpone announcements, or otherwise work with writers to ensure they’re staying within the rules of the WGA strike.

GRAND PRIZE WINNER:

The overall grand prize winner will be welcomed to the ScreenCraft Writer Development Program and receive personal introductions and phone calls with one or more top Hollywood literary manager(s) who are looking for talented emerging Film & TV screenwriters.

ScreenCraft's relationships include companies like Blumhouse, Netflix, HBO Max, AMC, and over 150 other Hollywood managers, agents, producers, and development executives.

ScreenCraft has a proven track record for getting writers signed with managers, agents, and staffed in writing rooms.

• Personal Introduction to industry professionals

• Accepted into the ScreenCraft Writer Development Program

• $1,000 Cash

• An exclusive invitation to a Finalist+ workshop to position yourself and your writing to the industry

• Free 6-month membership to The Tracking Board

RUNNER-UP PRIZES:

Winner:

• $500 cash award

• Accepted into ScreenCraft Development Program

• An exclusive invitation to a Finalist+ workshop to position yourself and your writing to the industry

• Free 6-month membership to The Tracking Board

Finalists:

• An exclusive invitation to a Finalist+ workshop to position yourself and your writing to the industry

• Free 6-month membership to The Tracking Board

screencraft.org/pilot/

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FALL 2023 CALL FOR SUBMISSIONS

A Gathering Together Literary Journal

DEADLINE: September 1, 2023

INFO: A Gathering Together welcomes previously unpublished essays, short stories, poetry, reviews, visual art, and film. If you have other kinds of submissions in mind please let us know.

The journal is published bi-annually, with special features published between issues. Our deadline for submissions for our spring issue is March 1st and for our fall issue, September 1st.

Please take some time to review our content so that you can get a feel for what we would like to publish. The About Us page is also a great starting point for determining if your work is a good fit. As well, the essay, “Inauguration,” in which our founding editors frame what we are trying to accomplish with this space.

A Gathering Together is unable to compensate writers at this time.

All submissions will undergo a blind review. Please remove all identifying information from your submission–with the exception of the title page, which should include your name, a brief bio, and any other information you would like the editorial team to know. Please submit all text in .doc or .docx format, double spaced, size twelve font (unless your poetry or other creative submission requires otherwise). We welcome simultaneous submissions, but please let us know if your work has been accepted elsewhere during the process of reviewing.

SPECIAL FEATURES:

Features are generally published January-March or July-September. Our interviews usually consist of a conversation with the artist whose work illustrates the immediately preceding issues, but we are interested in featuring projects, initiatives, and works of all kinds.

Artists: Artists who want to be featured in our upcoming issues are invited to send us a letter of interest, brief bio, and a sample portfolio. See additional guidelines below.

Interviews: Writers who want to conduct interviews are welcome to send us pitches letting us know how the interview and interviewee (artist, performer, community initiative, archive, etc.) would be a good fit for our journal.

GENERAL SUBMISSIONS:

Essays and Creative Nonfiction: Essays should address issues of relevance and import. We are looking primarily to use this space to engage ideas that are not normally considered in popular media or ways that they might be considered differently. If necessary, we encourage the use of either footnotes or hyperlinks. If you would like to skip these, please add a further reading list, so that our readers can engage your ideas in depth. We do not impose a word count, as long as there is a convergence between the idea and its proper elaboration.  

Poetry: Poetry submissions should engage issues of enduring consequence. Please submit between three and five poems that reflect your style. We will choose up to three if we accept your work for publication. Submit all poems in one document using a page break between each poem.

Short Stories: The short story form continues to represent an important format for intellectual production. We seek compelling narratives that tell stories that rebel against master narratives of our existence be it by use of plot, narrative structure, characterization, or another device. Tell us a story we’ve never heard before, or an old one with an ending we’ve not yet dreamed.

Reviews: William Cooper Nell once wrote that “we must be a reading people.” A Gathering Together is above all a place guided by the written word. We are interested in books that may not have gotten the attention they deserved. Less concerned with engaging the “hot new book,” the reviews section will feature works that strike us as necessary reads, regardless of the date of publication. In addition to books, we offer space for reviews of music, independent film, museum exhibitions, and theater. We will accept both essay reviews and standard reviews. There is no word limit—so the same principles about length outlined in the guidelines for essays holds here.

Visual Art: There are limits to words. Art submissions must do the same kinds of work that we expect in other forms. We accept all kinds of submissions. Please ensure that whatever you submit is of publishable quality. Image resolution should be a minimum of 72dpi and the file should be no larger than 2MB. We prefer that they be submitted in .eps, .jpg, .tiff, or .png file formats.

Film: The moving image, too, is a striking way to articulate meaningful ideas. Films should be no longer than 30 minutes. If we decide to share your work, we will require you to upload it to a third-party site, such as Youtube or Vimeo, so that we can embed it on our site.

SUBMISSIONS PROTOCOL:

 All submissions should be sent as attachments to submissions@agatheringtogether.com. In your email, please briefly indicate the nature of your submission and whether you would like it to be considered for our biannual issue or for a special feature.

agatheringtogether.com/how-to-submit/  

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TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINES & SUBMISSION FEES:

• Regular Deadline: September 4, 2023 ($65)

• Late Deadline – October 1, 2023 ($75)

• Extended Late Deadline – November 5, 2023 ($85)

• Final Deadline: December 3, 2023 ($90)

INFO: The CineStory Foundation believes in helping writers find their voice. We’re entering a world in which the ways to tell stories are limitless. Those stories always begin with a blank page. Our goal with the Television Retreat is to educate writers about the unique world of TV storytelling, from the collaborative nature of writing for networks or streaming channels to the independent realm of creating and shooting series for the web.

Structured like the CineStory Feature Retreat, the CineStory Television Retreat takes place over three days in the beautiful mountains of Idyllwild, California. Attendees receive three one-on-one, one and a half hour sessions with CineStory mentors. During these sessions, mentors will give attendees feedback on improving the craft of the script(s) they submitted in advance and will also discuss with writers various aspects of the business of TV writing to help writers better understand TV writers’ various roles in the entertainment industry. 

TV writers also will experience what it’s like to sit in a professional writers room run by an experienced mentor.  In addition, mentors and writers will gather for meals, drinks, screenings, and other special events.

RETREAT DATES:

• May 3 – 7, 2024

RETREAT FEE:

The retreat fee for the 2023 Feature Retreat is $2,200 for individual participants and $3,000 for teams (who participate in all retreat events as a team).

The retreat fee covers meals (a light breakfast, lunch, and dinner) and all retreat events, including informal sessions, one-on-one meetings, social gatherings (cocktail parties, etc.).

ANNOUNCEMENTS:

• Quarterfinalists – Late January

• Semifinalists – Late February

• Finalists – Mid March

• Division Winners – Early April

• Fellowship Winner – Mid April

TV DIVISIONS:

• Original Drama – 1 hour series

• Original Comedy – 30 minute series

• Original Sci Fi/Fantasy – 1 hour series

• Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

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Writer-Driven Shorts

The Black List

DEADLINE: September 15, 2023

INFO: The “Writer-Driven Shorts” program, presented by the Black List x General Motors Marketing and Media Incubator Fund, will grant two emerging filmmakers with $100,000 in production funds to shoot a short film based on their feature scripts.

The short films that are produced as part of the program will aim to have a successful festival run and compete for awards consideration in 2024. GM will provide picture cars to the two filmmakers to use in their short films (if needed).

All genres are encouraged to submit for the Writer-Driven Shorts program, ranging from romantic comedy, action adventure, grounded dramas, fantastical sci-fi and more. In alignment with GM's sustainable, all-electric future and aspiration to be the most inclusive company in the world, films showcasing sustainability, electrification and/or diversity will be highly considered. Scripts with scenes of excessive violence, illegal drug or substance abuse, car crashes, unsafe driving and/or explicit sexual acts will not be considered.

Scripts are not required to include scenes with vehicles.

GM is committed to fighting climate change and achieving carbon neutrality in their operations and products by 2040. As such, the Writer-Driven Shorts program is particularly interested in identifying and supporting filmmakers whose scripts include compelling and optimistic climate storytelling. This opportunity is ideal for writers whose scripts promote hope and idealism–stories about characters who dream of and fight for a more sustainable and equitable future.

These kinds of stories can include (but are certainly not limited to!):

• Rom-coms about rival chefs in the slow food movement

• Family comedies about a sustainable road trip

• Satires about the cutthroat world of local composting organizations

• An imagined biopic about a scientist who stops the polar ice caps from melting

• Action movies with electric car chases

As part of a broader commitment to a more equitable Hollywood, the Black List and the GM Incubator Fund will also grant fee waivers for one free month of hosting and two free evaluations on blcklst.com to the first 200 writers from traditionally underrepresented communities. Fee waivers will be distributed at the discretion of the Black List and GM - submitting writers will be asked to elaborate on why they qualify for a fee waiver during the final stages of the program submission process.

Writer/directors and writer and director teams are welcome to submit for this opportunity. A link to your project’s directing sample will be required when you submit for the opportunity. If you are a writer who has paired with a director for this project, you must submit a directing sample for your attached director. Please note that only filmmakers who have directed at least one narrative short film will be considered eligible. If you are a writer submitting for this opportunity who has not directed a short film, you must attach an eligible director to your project.

When the submission period ends, a short list of 20 filmmakers will be invited to submit additional materials. These materials include prior directing samples, production plans, lookbooks, and budgets so please be prepared with these materials should you make it to the next round and do not submit for this opportunity if you will not be able to provide any of the above.

Only feature-length scripts will be considered for this program. All shorts will be excerpts and/or adaptations of the selected feature-length scripts. The Black List does not accept short film scripts on the website. Only full-length, completed feature scripts will be accepted for consideration. Do not submit your short film script.

You must have at least one evaluation attached to your script to submit to this program. If you are unable to purchase an evaluation, please check if you qualify for a GM fee waiver for one free month of hosting and two free evaluations. You can read more about the Black List's evaluation requirements here.

IMPORTANT DATES:
Long List Notified: October 16, 2023
Short List Notified: November 15, 2023
Filmmakers Announced: December 15, 2023

REQUIREMENTS:

• You must post an original screenplay on www.blcklst.com and opt-in to the Program during the Submission Period. Ideally, you will have directed at least one short film previously.

• You must agree to (1) these Submission Requirements, (2) all terms relating to the Program posted on Black List’s website, which you should review and read in full, and (3) the Submission Agreement, which governs the submission of your script to Company and Black List. The Submission Agreement includes important, legally binding terms and conditions, including arbitration of any disputes, which you must read in full before accepting.

• If requested, you must submit by a date determined by Company the following materials, which are also governed by the Submission Agreement:

• A professional resume and personal statement;

• Samples, production plan, look book and short script; o Contact and other personal information; and

• Executed originals of the Submission Agreement.

• If selected by Company for the Program, as a condition of your participation, you must agree to Company’s terms of such participation, which shall include, without limitation:

• The selected candidate will receive a $100,000 grant to produce a short film based on candidate's feature screenplay or other submitted material.

• If the candidate does not deliver a completed short film on schedule or otherwise fails to meet their obligations, which will include but will not be limited to identifying and detailing a budget for the use of the grant in the production of the short film (which budget shall be subject to Company's approval), providing a timeline for production (which timeline shall be subject to Company’s approval), and clearing all rights necessary for Company to exploit the short film free and clear of all obligations to third parties, Company shall be entitled to a refund of the grant money.

• Company will receive "Producer" mentions in the short films produced in connection with the Be Unstoppable Film Project Program, and Company's name and/or logo will be included in each short film and in promotional communications about each short film.

• If selected for the Program, the candidate will grant to Company the necessary rights, permissions and authorizations for Company to use the candidate's name, likeness and the short film produced in connection with the Program (including but not limited to stills, key art, and clips therefrom) in Company advertising, marketing, and promotional material in all media.

• All rights or benefits granted by the candidate to Company or services provided by the candidate in connection with the Program shall be non-union.

• At Company's request, you may be required to enter into a more formal agreement with Company regarding your participation in this Program, provided that until such time as a more formal agreement is entered into, these Submission Requirements shall remain binding.

• You must be at least 18 years of age and not a minor in the state or country of your residence at time of submission.

• If the submitted materials written by a team consisting of one or more writers, (i) each member of that writing team must comply with these Submission Requirements, including agreeing to the Submission Agreement described below and (ii) all members of the writing team must opt-out of the Program if any other member becomes ineligible (including as a result of failing to timely agree to the Submission Agreement or failing to timely provide the materials listed above).

• The submitted materials must be wholly original to you and you must be the sole owner of all rights. The submitted materials must not in any way infringe upon the copyright of any person or entity or, to the best of your knowledge in the exercise of reasonable prudence, constitute libel, defamation or invasion of privacy or any other rights of any third party. You understand and agree that Black List will share any information that you provide in connection with the Program with Company.

blcklst.com/programs/writerdriven-shorts-presented-by-the-black-list-x-the-gm-incubator-fund

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NICKELODEON WRITING PROGRAM

Nickelodeon Animation

DEADLINE: [Postponed - please check back for updates]

INFO: Founded in the year 2000, the Nickelodeon Writing Program is a full-time, paid, yearlong development Program for television comedy writers with unique voices and from underrepresented communities. Join us at the studio in Burbank for classes and workshops to sharpen your skills, executive mentorship and networking to build your professional relationships, and the opportunity to work in the iconic live-action and animation writers’ rooms at Nick. This is a once-in-a-lifetime opportunity to dedicate yourself to the craft of writing and build your career from the ground up.

The Nick Writing Program is not a writing contest – It’s a launching pad for diverse and emerging creatives. If you bring the unique voice and innovative ideas for kids’ and family content, we’ll help you launch a career with all the tools you’ll need to succeed in the industry for years to come.

ELIGIBILITY / HOW TO APPLY:

• You must be 18 years or older, and eligible to work in the United States to participate.

• To apply, follow the link under the “Apply Online” section, fill out the application through our submission portal, and submit two scripts: One spec from our Accepted Shows List which gets updated every year (watch our social media channels for announcements), and one half-hour original comedy pilot.

• If you have previously applied to the Program and were not selected, you are welcome and encouraged to apply again with a new spec script for each submission period.

APPLICATION DETAILS:

STEP 1 (Pick a Focus) - When you pick a focus, it helps us curate your experience in the Program to better help you reach your goals as a television writer. Picking a focus does not mean your time in the Program will be spent exclusively working on content for this audience, but simply helps us gauge your interests and set you on a course for success. Your spec and pilot submissions do not need to adhere to these audience age groups in any way.

• Kids’ Content (Audience Age 6-11) - This age group is Nickelodeon’s bread and butter. Most of Nickelodeon’s most iconic live-action and animated shows are developed for this demographic including SpongeBob SquarePants, Danger Force, and The Loud House.

• Preschool Content (Audience Age 2-6) - The Preschool age group (including “bridge” content for tots moving into early elementary school age) loves to laugh and play along with their content. They’re smart, engaged, and always ready for new shows to watch like Paw Patrol, Ryan’s Mystery Playdate, and Baby Shark’s Big Show.

• Preteen/Young Adult (Audience Age 11-17) - Nickelodeon shares its home in the Paramount Kids & Family Group with our partners at Awesomeness who cater to a tween and teen audience. We’ll partner with ATV and the creators of Nick’s shows for a slightly older audience like Side Hustle, Drama Club, and iCarly to make this experience the right one for you.

STEP 2 (Script Preparation) - All applicants must submit a SPEC SCRIPT and HALF HOUR ORIGINAL COMEDY PILOT that adhere to the following guidelines:

• Must be based on a television series from the Accepted Shows List (spec only).

• Typed in standard Final Draft (or equivalent) script format.

• In black type, 12pt courier style font.

• Do not upload a cover page with your script.

The following information should be included in the header/footer of your spec script on the first or all pages: 

• Name of the show (center of the header). 

• Title of the episode (center of the footer).

• Filename should include only the name of your show and episode (Do not include your name or your submission will not be considered).

• Do not put your name anywhere on the script, file, or file name.

THE FOLLOWING MATERIALS WILL NOT BE CONSIDERED:

Feature-length screenplays, reality-based comedies or dramas, treatments, outlines, plays, short stories, books, graphics, magazine/newspaper articles, poems, headshots, audio/videotapes, or other digital media. If it’s not on the Accepted Shows list or your comedy pilot, please do not submit it!

Please note: Submissions that do not adhere to these guidelines will not be considered.

STEP 3 (Accepted Shows 2023):

• Abbott Elementary

• Agent Elvis

• American Auto

• Awkwafina is Nora from Queens

• Big Mouth

• Bob Hearts Abishola

• Bob’s Burgers

• Call Me Kat

• Ghosts

• Girls5eva

• Grand Crew

• Harley Quinn

• Home Economics

• HouseBroken

• How I Met Your Father

• Human Resources

• I Love That For You

• Loot

• Lopez vs. Lopez

• Mythic Quest

• Night Court (2023)

• Our Flag Means Death

• Party Down

• Raven’s Home

• Rick and Morty

• Solar Opposites

• Star Trek: Lower Decks

• Tacoma FD

• That ’90s Show

• The Conners

• The Great North

• The Ms. Pat Show

• The Neighborhood

• The Other Two

• The Wonder Years (2021)

• This Fool

• Unstable

• We Are Lady Parts

• Welcome to Flatch

• What We Do in the Shadows

• Young Rock

• Young Sheldon

STEP 4 (Apply Online)

SUBMISSION MATERIALS TO INCLUDE:

• Completed application questions – some of these are long, so start your application early.

• One spec script in .pdf format (this applies to both individual writers and writing teams).

• One original comedy pilot in .pdf format (this applies to both individual writers and writing teams).

• One-page resume in .pdf format.

• Completed and digitally signed Submission Release form and Schedule A for each script. These can be downloaded from the link above the document upload section.

COMPLETE YOUR ONLINE APPLICATION:

Beginning July 1st, you can start your application for the Nickelodeon Writing Program. Submissions must be uploaded before 11:59pm PT on August 1st.

• All submission materials should be completed and uploaded to the Nickelodeon online submission platform Coverfly. All necessary forms can be downloaded via links embedded in the application.

• Once in the platform, fill in the form with your “Project Info” about your spec from the Accepted Shows List.

• Projects written by writing teams should only be submitted once. On the first page of the checkout form, writers will have the option to add one additional writer by clicking on the plus sign (+) next to the name fields.

• Upload a .pdf of your spec script following the provided instructions. Leave off all identifiable information. At this stage, you will be asked to provide a few additional details about the script.

• Choose the Program “Package” and “Add to Cart.”

• Give us some “Additional Info” including your contact details, a signed Schedule A form, and a signed Release form (one for each member in the case of writing teams) for each script you submit (spec and pilot). Both forms can be downloaded from the link above the document upload section.

• We’ll also need a resume in .pdf format. Please be sure to fill out all required fields and answer all questions or you will not be able to submit your application.

• Finally, “Check Out” (at no cost) to complete your submission.

• Don’t wait until the last minute! We advise that you give yourself at least two weeks prior to the August 1st deadline to complete your submission. No exceptions will be made for late submissions regardless of the circumstances.

• If you are experiencing problems with the online application, please contact the technical support team at Coverfly by scrolling to the bottom of their site homepage and clicking “Contact.”

IMPORTANT DATES:

• August 1 - Submission Period Closes

• October 30 - Semi-Finalists Notified

• November 15 - Finalists Notified

• December 1 - Chosen Writers Notified

nickanimation.com/programs/writing-program/