2022 RESIDENCIES
SPACE on Ryder Farm
DEADLINE: January 5, 2022 at 11:59 pm ET
INFO: SPACE on Ryder Farm offers a unique and dynamic atmosphere that nourishes artists and innovators both individually and relationally, allowing them to focus on their work in a significant way. Residents have hours on end to devote to deep thinking and expansive creation. And the relationships that are forged among residents at SPACE offer radiating benefits to the wider artistic community: collaborations are sparked, ideas are challenged, and curiosities are piqued.
Residencies at SPACE are self-determined in order to meet the needs of each individual resident (or group, if attending together). The only requirements at SPACE are that residents attend three communal meals each day, give back two to three hours of their time to Ryder Farm and share some of what they’ve developed while in residence here.
RESIDENCIES:
The Working Farm: The Working Farm is SPACE’s resident writers’ group, which offers five playwrights, composers, lyricists or librettists a non-consecutive five-week residency on Ryder Farm during the course of the annual May-October season.
Family Residency: The Family Residency was founded in association with The Lilly Awards Foundation (spearheaded by Julia Jordan, Marsha Norman and Pia Scala-Zankel), and offers parents and their children (ages 5-12) time and space to work during a residency on Ryder Farm.
Institutional Residency: Institutional Residencies provide 501c(3) organizations and incorporated ensembles with time and space for the writing or workshopping of commissions, strategic planning and retreat opportunities away from the hustle and bustle.
BLKSPACE: This residency, curated and organized by Interfest (Kristen Adele Calhoun and Nikki Vera), offers Black creatives the opportunity to gather communally, play, make art, and breathe with their fellow Black artists.
spaceonryderfarm.org/residency-programs-2022
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Native Voices’ 12th Annual Short Play Festival
Autry Museum of the American West
DEADLINE: January 10, 2022
INFO: TRICKSTER : Coyotes, Rabbits, and Ravens, Oh My!
Many Native stories involve a Trickster, a cunning, crafty, clever, mischief-making being who often teaches humankind how to be while embodying what not to be. A Trickster is the ultimate disrupter. They can be charming, witty, funny, harsh, critical, but they have a truth to share with us if we only listen. And if we don’t listen? Well, they will find a way whether we like it or not.
We promise: this isn't a trick! For our 2022 Short Play Festival, we invite you to tell a story inspired by a Trickster. These plays can be funny, sad, triumphant, or anything in between. The only rule: they must be 10 minutes long. They also must incorporate the theme "Trickster" (see? I tricked you! I said there was one rule but there's actually two!)
AWARD: Plays chosen to participate in the 12th Annual Short Play Festival will also be entered to win the Von Marie Atchley Excellence in Playwriting award – a $1,000 cash prize!!
Scripts longer than 15 pages or read aloud at longer than 10 minutes will not be accepted. Fresh, surprising perspectives are welcome, and unique theatricality is a must.
theautry.org/events/signature-programs/native-voices-annual-call-for-scripts
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2022 Jerome Emerging Artist Residency
The Anderson Center
DEADLINE: January 15, 2022 at 11:59pm CST
APPLICATION FEE: $0
INFO: The Anderson Center’s Jerome Emerging Artist Residency Program offers month-long residency-fellowships at Tower View to a cohort of early-career artists from Minnesota or one of the five boroughs of New York City for concentrated, uninterrupted creative time to advance their personal artistic goals and projects.
The program aims to meet the specific needs of emerging artists while welcoming them into a supportive and inspiring residency environment that empowers them to take risks, embrace challenges, and utilize unconventional approaches to problem-solving.
Thanks to support from the Jerome Foundation, selected emerging artists receive a $625/week artist stipend, documentation support, art-making resources, facilitation of community connections, lodging & studio space, a travel honorarium, groceries, and chef-prepared communal dinners.
Located at the historic Tower View estate, a venerable research-and-development lab for the arts rooted in an expansive natural setting, the program is an ideal fit for early-career artists whose work reveals a significant potential for cultural and community impact, is technically accomplished, engages diverse communities.
The Anderson Center’s goal is for connections participating artists make with one another, as well as connections made with other creatives and community members, to outlast the duration of their residency visit. The organization believes that the environment and resources of Tower View, along with an exchange of ideas across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work emerging artists create while in residence.
Jury review will take place in late January and early February. Applicants will be notified by Feb. 3 as to the status of their application. A phone interview process with finalists will take place in late February following a second round of jury review. Selected artist residents, wait-list and runners-up will be notified by March 2, 2022.
ABOUT THE ANDERSON CENTER
The Anderson Center for Interdisciplinary Studies, founded in 1995 on the Tower View estate in rural Red Wing, Minn., has renovated and restored historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden.
The Anderson Center provides residencies of two- or four-weeks’ duration from May through October each year to enable artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment to create, advance, or complete work. In addition to community engagement activities through the artist residency program, the organization has a strong history of helping integrate the arts into community life through local partnerships, hosting annual arts events and participating in other community-based initiatives.
ABOUT THE JEROME FOUNDATION
The Jerome Foundation, created by artist and philanthropist Jerome Hill (1905-1972), seeks to contribute to a dynamic and evolving culture by supporting the creation, development, and production of new works by emerging artists. The Foundation makes grants to not-for-profit arts organizations and artists in Minnesota and New York City. The Jerome Foundation is generously providing support for the Anderson Center’s Jerome Emerging Artist Residency Program in August of 2022.
LOCATION
The Anderson Center campus is located on the 350-acre historic Tower View Estate, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing.
The Center is approximately 45 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.
The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River. The town is settled on the ancestral homelands of the Mdewakanton & Wapakute bands of the Dakota people. The City of Red Wing is named after Tatanka Mani (Walking Buffalo), a leader of the Mdewakanton Dakota in the upper Mississippi Valley who wore a ceremonial swan’s wing dyed in brilliant red. In 1815, Tatanka Mani and his people moved their village south to a place they called Khemnichan (Hill, Wood, & Water) in present-day downtown Red Wing. Euro-American immigrants who met him as they advanced into the region in the early nineteenth century came to know him and his village as “Red Wing.”
Since its settlement and eventual incorporation in 1857, Red Wing established itself as a center for agriculture, industry, tourism, medical care, technology, and the arts. The Red Wing Shoe Company and its iconic brands, in particular, continue to have a significant impact on the community’s economic, business, and community development climates. Natural resources abound with Red Wing's riverfront, winding paths through the majestic bluffs, bike trails, and 35 city parks. The Prairie Island Indian Community is located northwest of the city. Frontenac State Park is to the southeast on Lake Pepin. Minnesota State College Southeast Technical’s Red Wing campus is known for its string and brass instrument repair programs. The MN Dept. of Corrections also operates a large juvenile residential facility in Red Wing.
Other amenities include a destination bakery, a chocolate shop, coffee shops, restaurants, the flagship Red Wing Shoe Company store, Goodhue County Historical Society Museum, the Red Wing Stoneware & Pottery store, the Pottery Museum of Red Wing, a Duluth Trading store, the Red Wing Marine Museum, a Target, several pharmacies, a plant nursery & garden center, a Mayo Health System Hospital, a small independent bookstore, and a public library (the Center has arranged for residents to have access to a library card for their month at the Center)
Other key community stakeholders include the historic Sheldon Theatre, the Red Wing Arts Association, Red Wing YMCA, Red Wing Youth Outreach, Hispanic Outreach of Goodhue County, Red Wing Area Friends of Immigrants, Red Wing Area Women’s Art History Club, Live Healthy Red Wing, Artreach, Red Wing Artisan Collective, the Artist Sanctuary, Pier 55 Red Wing Area Seniors, Big Turn Music Festival, Red Wing AAUW, Red Wing Environmental Learning Center, Red Wing Girl Scouts, Red Wing Public Schools, Tower View Alternative School, and Universal Music Center, as well as several City boards, commissions, and departments.
ELIGIBILITY AND DEFINITION OF “EMERGING ARTIST” While the Anderson Center’s general Artist Residency Program hosts artists with a wide range of talent and experience, the Jerome Emerging Artist Residency Program exclusively focuses on meeting the specific needs of artists who are in the early stages of their artistic development and career.
The Anderson Center defines an emerging artist as someone who has some evidence of professional achievement but has not yet a substantial record of accomplishment. These are the applicants who are practicing vocational artists but are not yet recognized as "established" by the artistic community (other artists, curators, producers, critics, and arts administrators).
The organization looks for artists whose work reveals a significant potential for cultural and community impact. These are artists who are uncompromising in their approach to creation and production, people who are not afraid to take risks, embrace challenges, and utilize unconventional approaches to problem-solving.
Degree-seeking students at the time of application, or during the grant period, are not eligible for a residency (including K-12, college, graduate or post graduate studies). Age is not a factor in determining emerging artist status.
Artists that are part of an artistic collective, partnership, or collaborative are welcome to apply, but collaborative residencies are also rare. The program is extremely competitive and space is simply limited. Each artist must also complete their own application form.
Artists of all disciplines are eligible and are encouraged to apply. Artists must currently be legal residents of Minnesota or one of the five boroughs of New York City and have been residents for at least one year prior to the submission of an application. Applications must be submitted through the Anderson Center’s online webform via Submittable. The primary goal of eligible artists must be to generate new works, as opposed to remounting or re-interpreting existing works.
Further details from the Jerome Foundation on emerging artist eligibility requirements can be found here: https://www.jeromefdn.org/defining-early-career-emerging-artists
APPLICATION
A completed application form includes a brief artist statement, a work plan, an emerging artist statement, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.
The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your current and future work.
The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.
The Work Plan is a one page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.
An Emerging Artist Statement addresses, in 250 words or less, your status as an emerging artist or early-career artist. How would participating in this program impact or advance your practice as an emerging artist? In what ways would this program meet your needs as an emerging artist? Why is this residency important to this stage of your career path? How do you identify as an emerging artist?
Work Samples should be of recent work and should include:
For composers and musicians: 3 to 5 recordings
For visual artists: At least 5 images of work (300 dpi or larger)
For nonfiction and fiction writers: 10 pages of double-spaced prose
For playwrights & screenwriters: 20-page excerpt (does not need to be from the beginning)
For poets: 10 pages of poetry
For translators: 10 pages of translation and original text
For performance artists: 3 short videos excerpts of performances (no videos longer than 5 minutes)
For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)
For Scholars: 10 pages of work, including research abstracts and relevant diagrams
DURATION OF RESIDENCY
The Anderson Center’s Jerome Emerging Artist Residency Program offers residency-fellowships of two weeks or one month in August. Strong preference is given to those applying for month-long stays. August is the only month the Jerome Emerging Artist Residency Program takes place.
PROGRAM DETAILS
Each artist-in-residence receives:
$625/week artist stipend
Travel honorarium ($550 for New Yorkers and $150 for Minnesotans)
$450 documentation budget (services for photography, video, audio, etc.)
Evening dinners are prepared and presented by the Anderson Center chef Monday through Friday. The chef also shops for meal items for artist residents, and residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends.
There is also a housekeeper who cleans and maintains the historic facilities. Additional cleaning and sanitization measures are being taken during the pandemic to help ensure the health and safety of artists, staff, and the community.
ACCOMMODATIONS
Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists are provided a 15' x 26' studio and are responsible for supplying their own materials. Other workspaces on site include a cone 10 gas kiln and electric kilns, an open-air metalsmith facility, a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano.
Dinners are prepared and presented by Anderson Center chef Phoebe Nyen Monday through Friday. Chef Phoebe also shops for groceries for artists-in-residence. Residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There is also a housekeeper who cleans and maintains the historic facilities. Additional cleaning and sanitization measures are being taken during the pandemic to help ensure the health and safety of artists, staff, and the community.
Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.
COMMUNITY ENGAGEMENT
The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.
Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.
Within the last few years, Anderson Center residents have connected with 12 schools in five area communities (ranging from elementary through college), 5 senior centers, 2 correctional or detention facilities, 7 community organizations serving children and families, and 8 community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.
During the pandemic, community engagement activities have safely and creatively continued in small group, outdoor, online or distance settings. Examples from the later half of 2020 include a writing exercise letter exchange with residents of a correctional facility, a poetry walk along a park trail, an outdoor natural dye workshop, a distanced reading/discussion with students of Tower View Alternative High School, and various public & private online interviews/discussions with community stakeholders. A majority of the 2021 engagement activities took place in-person, either outdoors or in a small group setting indoors.
PROGRAM MISSION & VALUES
The mission of the Anderson Center is to, in the unique and historic setting of Tower View, offer residencies in the arts, sciences, and humanities; provide a dynamic environment for the exchange of ideas; encourage the pursuit of creative and scholarly endeavors; and serve as a forum for significant contributions to society.
The Anderson Center Residency Program was set-up by a working poet to support other artists and continues to function by those with hands-on experience in the creative process. The organization seeks out feedback from residents each month in order to implement necessary changes as it works toward continual improvement of the program. Most importantly, staff trust artists to know what they need most to advance their individual practices. The Center does not dictate specific outcomes. Instead, the expectation is that the gift of time and space will generate significant advancements in residents' work. The Anderson Center trusts the artists to best use their time to benefit their own work and reach their own goals.
Since 2014 the Anderson Center has offered such month-long residencies in alternating years to small groups of Deaf artists, including poets, fiction writers, and nonfiction writers, whose native or adoptive language is American Sign Language (ASL). Supported by the National Endowment for the Arts, the Anderson Center's Deaf Artist Residency is the only program in the country that is Deaf-centric. It was developed with the goal of contributing to the creation of a local and national network of Deaf culture-creators.
The Center also engages in artist exchange programs with the city of Salzburg, Austria, and with Red Wing's Sister City, Quzhou, China. The Center participates in annual scholarship programs with the MFA programs at The University of Minnesota and Pacific Lutheran University in Washington.
As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.
PANDEMIC POLICIES
Prior to arrival, all artists are sent a revised Residency Handbook outline many items related to daily life for artists-in-residence, including the most current safety policies and protocols. The organization's goal is to balance standard pandemic policies and clear expectations while also highlighting areas where communication or flexibility within each cohort might be beneficial or needed.
Again, the Anderson Center Residency Program trusts that artists know what they need most to advance their individual practices and how best use their time to benefit their own work and reach their own goals. Likewise, artists are empowered to collective make changes where appropriate and ultimately build the artist community they'd like to see.
At the same time, and as is outlined in the Residency Handbook, the Anderson Center is committed to supporting artists by creating a safe space for their residency experience. As such, for the 2022 season, the organization requires all participating artists to provide proof of full COVID-19 vaccination prior to arrival.
Of course even with all of these precautions, by simply participating in an artist residency program, there is an inherent risk of exposure, even for vaccinated persons, that is beyond the ability of the Anderson Center to control entirely. By applying to this program you are communicating that you are comfortable with that amount of risk and that you are also fully vaccinated (or will be prior to arrival).
SELECTION TIMELINE
January 15, 2022 (11:59 p.m. CST) – application deadline
February 3, 2022 – Jury has selected Round 2 applications. All artists are notified of the status of their application
February 21, 2022 – Jury has determined finalists. Phone interviews with finalists begin.
March 2, 2022 – Final notification to selected artists, wait-list and runners-up
SELECTION CRITERIA Selection criteria include (in order of importance):
1) Artistic excellence as demonstrated by work samples, resume and artist statement
2) Potential benefit and impact on career as demonstrated by work plan and emerging artist statement
3) Balance of artistic disciplines, identity, geography, etc within selected cohort
EQUAL OPPORTUNITY
The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.
https://theandersoncenter.submittable.com/submit/204499/2022-jerome-emerging-artist-residency-for-mn-nyc-artists
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Artist Research Fellowship
Folger Institute
DEADLINE: January 18, 2022
INFO: The Folger Institute Artist Research Fellowship is open to artists working in all media whose work would benefit from significant primary research. This includes, but is not limited to, visual artists, writers, dramaturgs, playwrights, performers, filmmakers, and composers.
While a terminal degree is not required for the Artist Research Fellowship, applicants should describe their training and level of industry-specific experience in their CV. All applicants must apply as individuals, including artists working as collaborators. See additional Rules and Requirements and Application Instructions.
Please note that in 2022–2023, all Artist Research Fellowships will be non-residential. Awards are $3,500 for four weeks of work away from the Folger. Fellowships may be undertaken between July 2022 and June 2023.
RESOURCES & BENEFITS:
Access to Folger electronic resources and Researcher Services consultation.
Opportunities to meet virtually with Folger Theatre, Consort, and Poetry professionals, as well as Folger curators, librarians, and conservators, as relevant.
Participation in scholarly and community-building programs with other Folger Fellows.
Exposure on the Folger website, social media, and newsletters.
J1 Visa sponsorship, if needed.
folger.edu/institute/artist-research-fellowship
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WURLITZER FOUNDATION RESIDENCY
Helene Wurlitzer Foundation
DEADLINE: January 18, 2022
APPLICATION FEE: $25
INFO: The Helene Wurlitzer Foundation of New Mexico (HWF) is a private, 501(c)(3) non-profit, educational and charitable organization committed to supporting the arts. Founded in 1954, the HWF manages one of the oldest artist residency programs in the USA and is located on fifteen acres in the heart of Taos, New Mexico, a multicultural community renowned for its popularity with artists.
The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven artist casitas, or guest houses, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.
The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.
Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.
Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.
GUIDELINES:
Literary artists may upload writing samples in .pdf format using the application form above. Alternatively, literary artists may choose to mail hard-copies. Include a cover sheet containing your contact info and table of contents, but please omit names and contact info on the writing samples themselves.
Writers: samples should not exceed 35 double-spaced pages
Poets: a maximum of six poems.
Playwrights: include one complete play.
Screenwriters: include one complete screenplay.
Digital work samples are accepted and encouraged for applications from visual artists and composers. Applicants should prepare to submit five work sample files when filling out the online application form. Acceptable file types for images include jpg, gif and png. Accepted types for audio files are mp3 and m4a.
Filmmakers must mail a DVD or USB-drive containing up to 30 minutes of video which represents no more than five different samples of your work.
wurlitzerfoundation.org/apply
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Core Writer Program 2022-2025
Playwrights' Center
DEADLINE: January 20, 2022
INFO: The Core Writer Program is a three-year appointment designed to support a diverse group of playwrights who demonstrate a sustained body of work, commitment, and attributes of artistic merit. The program is available to committed professional playwrights nationally and offers significant resources intended to further a playwright's career.
Playwrights who have benefited from the Core Writer Program include: Christina Anderson, Trista Baldwin, Lee Blessing, George Brant, Carlyle Brown, Kristoffer Diaz, Larissa FastHorse, Marcus Gardley, Marvin Gonzalez deLeon, Idris Goodwin, Jeffrey Hatcher, Sherry Kramer, Carson Kreitzer, Martyna Majok, Melanie Marnich, Qui Nguyen, Kira Obolensky, Jen Silverman, Susan Soon He Stanton, Alice Tuan, and Rhiana Yazzie.
The Core Writer program annually gives 25-35 of the most exciting playwrights from across the country the time and tools to develop new work for the stage. All Core Writers receive play development workshops with the Center, in collaboration with prominent directors, actors, dramaturgs, and designers. All writers are paid for their workshop time, and Core Writers who are not local are provided travel and housing to Playwrights’ Center for their workshops.
Core Writers are eligible to be included in our formal season of public readings: the PlayLabs festival and the Ruth Easton New Play Series. Core Writers are also promoted by the Center and provided opportunities through an extensive network of colleges and universities, cultural institutions, and producing theaters. Each term is three years; Core Writers may reapply for additional terms.
Applicants must reside in and have the legal right to work in the U.S. It is not required for an applicant to have had professional productions in order to apply. However, please note that this program is highly competitive and is designed for committed professional playwrights who are pursuing playwriting as their primary career. Students enrolled in a full-time educational program are not eligible.
The Core Writer term will be July 1, 2022-June 30, 2025.
pwcenter.slideroom.com/#/login/program/63016
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NYSCA / NYFA ARTIST FELLOWSHIP
DEADLINE: January 26, 2022
INFO: The NYSCA/NYFA Artist Fellowship is a $7,000 unrestricted cash grant available to artists living in New York State and/or one of the Indian Nations located therein.
The Playwriting/Screenwriting category accepts work in the writing of stageplays, screenplays, teleplays, libretti, radioplays, and audiodramas. While librettists may apply in this category, no audiotapes are accepted in this category. Composers of music theater works are advised to apply separately in the Music/Sound category.
APPLICATION REQUIREMENTS:
When Submitting an application to the Playwriting/Screenwriting category you will need to complete:
Required:
Artist Statement – up to 100 words
Work Statement – up to 100 words
Excerpt Explanation – up to 400 words
Work Samples – up to 20 pages of manuscript, 12 point font, double spaced or in script format, and a one page title page (21 pages total)
Optional written statements:
ACCESSIBILITY STATEMENT:
NYFA is committed to supporting artists from every background, and at all stages in their creative careers. We strongly encourage artists of color, LGBTQ+ artists, artists with disabilities, and artists living outside of the metropolitan area to apply.
To request an accommodation or assistance in applying, please email fellowships@nyfa.org. We ask that requests for accommodation be made as soon as possible or by January 12, 2022 to allow adequate time for staff to support you in submitting an application before the deadline.
WORK SAMPLES:
Manuscript of your Literary work
Work samples are a representation of your artistic work created within the last five years. This is the most important part of your application, as it will be the primary point of review.
Work Sample Inventory:
Applicants can submit up to 20 pages from a manuscript that best represents their practice. Please also include a one page title page in your PDF in addition to the 20 page manuscript (21 pages in total). The title page should include the title of the piece and the date of completion, but not the name of the author. If your work sample includes a combination of excerpts from larger works, you are strongly advised to include substantial portions from each larger work, rather than small fragments.
Do not include publication and/or production information anywhere on your manuscript. Do not include your artistic résumé in your .pdf. Materials can be previously published or not. If published, scanned excerpts from books or periodicals, in published form, will be ineligible. Manuscripts must be in English, but can be translated into English by someone other than the artist.
Work Sample Descriptions:
Before you upload the .pdf file to your application, you will need to name your file. Do not label your work sample with your name. Instead, label it with the title of your work.
After your work sample has been uploaded, you will be able to provide a description (metadata) including title, date the work was completed, and additional information. Do not include production or publication history.
File Format:
File name: label your manuscript with the title of the work, ex. The Big Story.pdf or Work Sample 2021. Do not include your name.
Length: Up to 20 pages. Must be 12 point font and double spaced or in script format.
Title Page: One page title page with the title of the work(s), and year of completion, but not the name of the author/applicant.
Language: English
File format: .pdf
SUPPORT STATEMENTS:
Written statements about your artistic practice
Support statements are available to the panelists in the later rounds of review.
Artist Statement: A short concise statement giving an overview of your artistic practice. This statement should give a brief introduction to ideas, themes and methods in your practice. This is not an Artist’s Bio. Up to 100 words.
Work Statement: A statement explaining your artistic vision as directly related to your submitted work samples. This is not an artist statement, but should instead reflect only the ideas and inspiration relevant ONLY to the work submitted. Up to 100 words. The work statement is available to panelists in the first round of review.
Questions to consider for your Work Statement: Referencing only the submitted Work Samples
What is your submitted work about?
How does this work represent the primary concerns and intentions of your artistic practice as described in your artist statement?
Excerpt Explanation: A supplemental statement further explains the context, concept, and execution of your work sample(s). This statement should explain how the excerpted work sample relates to the entire original piece. Within the Excerpt Explanation you can itemize each submitted work sample(s) and discuss them individually. Up to 400 words.
Questions to consider for your Excerpt Explanation: Referencing only the submitted Work Samples
How does your work sample(s) relate to the full work?
What information is needed to give context to your work samples?
Technical Statement (Optional): A supplemental statement describing the key technical aspects of the work. Use this statement to highlight your role in creating/executing the work. Be sure to note whether your work samples represent documentation of a performance, installation, experience, etc. You can also describe the circumstances in which the viewer/audience should experience the work. Please include instructions on how to navigate your work if it’s interactive. Up to 200 words.
Questions to consider for your Technical Explanation: Referencing only the submitted Work Samples
How was the work created/executed?
What specific techniques are integral to creating the work?
What is the original context for this work, i.e. book, performance, etc?
Cultural Statement (Optional): A supplemental statement describing how your work is rooted in a specific cultural technique, tradition or community. Up to 400 words.
Write a Cultural Statement if: Referencing only the submitted Work Samples
our practice stems from a specific and/or unique cultural tradition.
The understanding of your work is dependent on the context of a cultural community.
REVIEW PROCESS:
How are applications reviewed? Playwriting/Screenwriting applications are reviewed online over the course of 3 elimination rounds. All applications will be reviewed anonymously in the first round of review.
In Round 1, the panel will have access to all applicants’ Work Samples (up to 20 pages of manuscript) and the Work Statement. Applications are assigned a number and reviewed anonymously. In these rounds panelists are directed to review and score applications independently.
In Round 2, panelists will have access to all supplemental written statements (i.e: Artist Statement, Excerpt Explanation, Cultural Statement, and/or Technical Statement). Similar to the first round, the panel will continue to review and score applications independently.
In the following round, the panel will meet online and collectively discuss the applications that have made it into this round before selecting the Fellowship Recipients.
nyfa.org/awards-grants/artist-fellowships/2022-playwritingscreenwriting-guidelines/?mc_cid=90b5b2dcf2&mc_eid=b2828bf2ea
