THEATER — OCTOBER 2023

Intensive Mentorship

Latinx Playwrights Circle

DEADLINE: October 15, 2023

INFO: Participants of this program can expect to work one on one with Migdalia Cruz, Carmen Rivera, Cándido Tirado, and C. Julian Jiménez in a tailored mentorship designed to focus on the individual needs of the play. Along with an Artist Stipend and mentorship, participants will be able to take classes at The Primary Stages Einhorn School of Performing Arts (ESPA) as an additional source of feeding the artistic process.

While it is a goal for us to lead in Latinx play development, we also understand and are committed to nurturing the needs of an artist and not just their voice. Over the course of the two-and-a-half month intensive, there will be two in-house table reads as well as an industry reading at participating theaters as a capstone to the program’s goal of inserting artists literally into institutions. Below are guidelines for the submission process.

Includes:

  • Mentorship

  • Artist Stipend

  • Artist-Residency at LPC

  • Monthly work sessions

  • Access to industry resources

  • Industry Reading

latinxplaywrights.com/intensive-mentorship-2

_____

Reading Period for Obsidian Issue 50.1 

Obsidian

DEADLINE: October 16, 2023

MANUSCRIPT SUBMISSION GUIDELINES:

  • Include a short cover letter noting the title(s) of the work(s) submitted and citing major publications and awards, as well as any association or past correspondence with a guest or staff editor.

  • Upload your text submission as a Word (DOC, DOCX), portable document format/PDF (PDF) or rich-text format (RTF) file. No Pages, TXT, or Open Office Documents.

  • Typed, double-spaced (poetry may be single-spaced) pages.

  • Numbered pages.

  • Submissions should follow the Chicago Manual of Style for grammar and MLA format for citations and works cited, when applicable. 

  • Margins should be set at no less than 1” and no greater than 1.5”.

  • Poetry: submit up to five (5) poems totaling no more than eight (8) pages.

  • Fiction, Hybrid genre: 12-point font. No more than twenty (20) pages or 5000 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained. 

  • Drama/Performance: submit one act or a collection of short scenes no longer than twenty (20) pages following Samuel French or the Dramatists Guild suggested formatting. Excerpts of longer works are welcome if self-contained.

  • Translations are welcome if permission has been granted.

https://obsidian.submittable.com/submit

_____

Forough Farrokhzad Folio

Kenyon Review

DEADLINE: October 31, 2023

READING FEE: $0

INFO: Poet, translator, and filmmaker Forough (or Forugh) Farrokhzad, often referred to as Forough, is a household Iranian name. Her inimitable work, known and loved intimately all over the world, has brought about many translations and transmutations. In celebration of her ninetieth birthday in December 2024, this winter issue folio will newly gather translations by multiple translators of her original Farsi poems (whose rights are in the public domain), alongside writing across genres about, for, and after Forough: essays, stories, poems, and hybrid writing engaging with her through various modes. The folio seeks to complicate rather than complete, to share unusual permutations and under-acknowledged histories. From criticism to personal history, imagined interactions to visual bursts, the prompt is as open as the poet’s distinctive force.

Guest edited by Kenyon Review Fellow Cindy Juyoung Ok.

GUIDELINES:

We consider previously unpublished:

  • poetry (up to 6 poems; please format and submit as a single document)

  • short fiction and essays (up to 7,500 words)

  • flash fiction and essays (up to 3 pieces, up to 1,000 words each; please format and submit as a single document)

  • plays (up to 30 pages double-spaced)

  • excerpts (up to 30 pages double-spaced) from larger works

Please submit translated work to its corresponding genre (fiction, nonfiction, poetry, or drama). By submitting, you affirm that you hold first-serial English-language publication rights to the work or else that it falls in the public domain.

You may submit to more than one genre. However, please submit no more than one submission in a given genre (fiction, nonfiction, poetry, and drama); multiple submissions in the same genre (including multiple submissions with different themes) will be disregarded.

We are not currently considering the following:

  • unsolicited interviews

  • unsolicited book reviews

  • unsolicited artwork

  • emailed submissions (please use Submittable)

  • previously published material

We consider submissions on Submittable and do not consider paper submissions, except from writers (such as those who are incarcerated) who do not have ready access to the internet. Paper submissions for the current submissions period must be postmarked by the current submission period’s deadline and must be accompanied by a self-addressed, stamped envelope. Send hard copies to: SUBMISSIONS, The Kenyon Review, 102 W. Wiggin St., Gambier, OH 43022

We do not accept revisions to submissions once the submission period is closed. Do not send new drafts unless requested to do so by an editor.

We allow simultaneous submissions, but please notify us immediately if the work has been accepted elsewhere.

For prose and drama submissions, please withdraw your piece via Submittable.

For poetry and flash fiction/nonfiction submissions, please use your Submittable account to add a note to your submission listing the titles of works no longer available for consideration.

We cannot consider additional work in the place of withdrawn work.

We read every submission, and because we receive so many submissions per year, response times will vary according to the volume of submissions. We aim to respond to all submissions within six months of receipt. Feel free to query us at kenyonreview@kenyon.edu for an update if after six months of submitting work you do not hear from us. Thank you in advance for your patience.

Authors will receive a contract upon acceptance and payment upon publication. Authors retain copyright to their work published in The Kenyon Review.

Submitting work to The Kenyon Review adds you to our mailing lists. You may unsubscribe from these lists at any time.

Please be sure to add kenyonreview@kenyon.edu to contacts so that you can receive correspondence from us about your submission.

If you are unable to submit because you have not verified your email address with Submittable and have not received a verification notification, we recommend adding notifications@email.submittable.com to your safe-sender or contact list and attempting email verification again. The Submittable forms require email verification for security purposes. If you continue to experience issues, we recommend you submit a Submittable support request; the support team usually respond quite quickly and can send you your individual verification link directly.

COMPENSATION: We pay $0.08 per published word of prose (minimum $80, maximum $450) and $0.16 per published word of poetry (minimum $40, maximum $200).

We generally follow the Chicago Manual of Style and Webster’s latest New Collegiate Dictionary.

kenyonreview.org/submit/special-calls-for-submissions/

_____

Call for Submissions: Black Appalachia: Past, Present, and Future

Callaloo

DEADLINE:
October 31, 2023

INFO: Callaloo: A Journal of African Diaspora Arts invites submissions for a special issue on being Black and Appalachian, guest edited by Crystal Wilkinson (University of Kentucky). This issue invites essays, critical articles, fiction, poetry, interviews, drama, and visual art. We seek work that speaks to all facets of the Black Appalachian/Black Rural experience—present, historical, and future. This call for submissions does not seek to define Appalachia simply in terms of geography but hopes to include a variety of writers in a variety of genres and disciplines who expand the notion and reality of what it means to be Black and Appalachian. Potential topics and approaches include but are not limited to:

  • Aesthetics and form in Black literature of Appalachia

  • Black artists and writers in Appalachia

  • Historical perspectives of Black Appalachia

  • Black music in Appalachia

  • Teaching Black literature and culture in Appalachia

  • Digital and/or archival work on Black culture and literature in Appalachia

  • Living in Appalachia as Black people

  • Black children’s literature in Appalachia

  • Black Art, photography, and other visual studies in Appalachia

  • Black futures in Appalachia

  • The rural landscape and Black Appalachians

  • Black Appalachian foodways

  • The Affrilachian Poets

  • Black farmers in Appalachia

In addition, work might address one of the following: What does it mean to be Black and living in Appalachia now? In the past? What is Affrilachia? The visibility of Black people in Appalachia; Politics and the Black Appalachian experience; etc.

Submissions must be sent via our submission management system here. Please indicate that your submission is for the Black Appalachia special issue in your cover letter.

callalooliteraryjournal.com/submission-guidelines

_____

The NYC Women’s Fund for Media, Music and Theatre

NYFA

DEADLINE: November 1, 2023 at 11:59 PM EST

INFO: The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, and live or online theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre (“Women’s Fund”), administered by the New York Foundation for the Arts (NYFA) in partnership with the City of New York Mayor’s Office of Media and Entertainment (MOME), is a signature initiative that addresses the underrepresentation of women in the entertainment industry. The Fund provides grants to encourage and support the creation of content that reflects the voices and perspectives of all who identify as women.

The $1.8 million to be awarded in the fifth cycle will bring the grand total of Women’s Fund grants to $9.3 million, allocated to a current total of 343 recipients (97 in Cycle 4, 89 in Cycle 3, 94 in Cycle 2, and 63 in Cycle 1).

THE PROGRAM PROVIDES:

  • Finishing grants* for film and digital projects

  • Funds for the creation of music recordings or videos

  • Production funds for live or online theatre

  • In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a prominent woman perspective; and/or include a woman-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or woman-indentified protagonist(s) or lead musical role.

  • *To be eligible, projects need to have completed principal photography.

GRANTS WILL BE GIVEN IN THE FOLLOWING CATEGORIES:

  • Fiction Feature (running time of 60 minutes or more) – up to $50,000

  • Fiction Short (running time of 59 minutes or less) – up to $25,000

  • Fiction Webisode/Webseries (all forms) – up to $20,000

  • Documentary Feature (running time of 60 minutes or more) – up to $50,000

  • Documentary Short (running time of 59 minutes or less) – up to $25,000

  • Documentary Webisodes/Webseries (all lengths and forms) – up to $20,000

  • Music (all categories) – up to $20,000

  • Theatre Production – up to $50,000

GRANT TIMELINE

  • Applications close: November 1, 2023 at 11:59 PM ET*

  • Recipients notified: March 2024

  • Funded Project completion: March 31, 2025

nyfa.org/awards-grants/nyc-womens-fund-for-media-music-and-theatre/

_____

LITERATURE GRANT

Café Royal Cultural Foundation

DEADLINE: November 6, 2023 at 9:00 am ET (or when they reach their limit of 40 applications, which ever comes first).

INFO: Café Royal Cultural Foundation NYC will award a writing grant to authors of fiction / creative nonfiction, poetry and playwriting.

AWARD: Up to $10,000.00

ELIGIBILITY:

  • Authors in fiction / creative non-fiction, poetry and playwriting.

  • The applicant must be the originator of the written material.

  • Grants will not be made for the purpose of research only.

  • Grants will not be made for equipment.

  • Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying and plan to be a resident through the completion of their project.

Grants awarded in this category may fund costs associated with continuing the composition of work submitted. Such as:

  • Course Reduction (if you're a Teacher/Professor)

  • Salary Replacement

  • Living Expenses

  • Research Expenses

  • Travel Research Expenses

APPLICATION REQUIREMENTS:

  • Up to and no more than a 15 page PDF of the work, for the Café Royal Cultural Foundation Selection and Executive Committee to download and read. Please make sure your links are correct and not password protected. If they are not correct or have password protection your application will be declined and not reviewed by the Selection Committee.

  • A short description of the project.

  • A short author biography of the person(s) involved.

  • Budget must not exceed the amount of $10,000.00.

  • List of costs of how you plan to use the grant funds.

  • (Please review our lists of Approved and Ineligible Budget Items for Literature Grant Funds, located below)

  • Travel and Research costs within the United States must demonstrate a direct correlation to the project for which you are applying.

  • You may not apply for International Travel and Research Costs.

  • If you are hiring fact checkers / editors / research assistants please be aware that we prefer that individuals providing these services are located in the NYC area.

  • Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying and plan to be a resident through the completion of their project.

  • We ask that the completion of your manuscript is no sooner than 90 days after this application's due date and no later than 12 months after your grant’s award date.

  • Applicants can only apply with the same project twice.

  • You may apply in a different cycle with a different project.

caferoyalculturalfoundation.org/literature-page

THEATER — SEPTEMBER 2023

2024 Spring/Summer residencY

MacDowell

DEADLINE: September 10, 2023

INFO: The Fellowship application period for 2024 Spring/Summer residencies at MacDowell is now open.

There are no residency fees, and to defray expenses that accrue during an artist’s stay, MacDowell provides need-based stipends to cover rent, utilities, childcare, and lost income from taking time off from employment, as well as grants to travel to and from the residency.

MacDowell encourages artists to apply in any stage of their career, and from all backgrounds and countries, in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts.

If your proposed project does not fall clearly within one of these artistic disciplines, you should contact the admissions department for guidance at admissions@macdowell.org.

Spring/Summer residencies will take place between March 1, 2024 and August 31, 2024.

macdowell.org/apply/apply-for-fellowship

_____

2024 SUMMER/FALL RESIDENCY

Hedgebrook

DEADLINE: September 11, 2023

APPLICATION FEE:

  • Applications submitted weeks 1-3: $45

  • Applications submitted week 4: $55

INFO: Hedgebrook’s Writer-in-Residence Program supports writers from all over the world for fully-funded residencies of two to four weeks (travel is not included and is the responsibility of the writer to arrange and pay for). Up to 6 writers can be in residence at a time, each housed in their own handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women-identified writers, 18 and older, whose stories and ideas shape our culture now and for generations to come. Writers must be women, which is inclusive of transgender women and female-identified individuals. Because gender inequity still occurs in all spaces including literary ones, it is part of our explicit mission to support and promote women’s voices. This application is not for alumnae seeking a return stay.

2023 RESIDENCY DATES: July-Oct 2024

hedgebrook.org/writers-in-residence

_____

PRINCETON ARTS FELLOWSHIP

Princeton University

DEADLINE: September 12, 2022 at 11:59 p.m. ET.

INFO: Princeton Arts Fellowships, funded in part by The Andrew W. Mellon Foundation, David E. Kelley Society of Fellows in the Arts, and the Maurice R. Greenberg Scholarship Fund, will be awarded to artists whose achievements have been recognized as demonstrating extraordinary promise in any area of artistic practice and teaching. Applicants should be early career visual artists, filmmakers, poets, novelists, playwrights, designers, directors and performance artists—this list is not meant to be exhaustive—who would find it beneficial to spend two years teaching and working in an artistically vibrant university community.

We are only accepting submissions for the Programs in Creative Writing, Theater, and Visual Arts for the 2023 Princeton Arts Fellowship application cycle.

Princeton Arts Fellows spend two consecutive academic years (September 1-July 1) at Princeton University and formal teaching is expected. The normal work assignment will be to teach one course each semester subject to approval by the Dean of the Faculty, but fellows may be asked to take on an artistic assignment in lieu of a class, such as directing a play or creating a dance with students. Although the teaching load is light, our expectation is that Fellows will be full and active members of our community, committed to frequent and engaged interactions with students during the academic year.

STIPEND: A $90,000 a year stipend is provided. Fellowships are not intended to fund work leading to an advanced degree. One need not be a U.S. citizen to apply. Holders of Ph.D. degrees from Princeton are not eligible to apply.

GUIDELINES: To apply, please submit a curriculum vitae, contact information for three references (should the search committee choose to contact references, please do not request letters or have letters sent in advance of a request from the search committee), and work samples (i.e., a writing sample, images of your work, video links to performances, etc.). Please also submit a 750-word proposal that includes how you would hope to use the two years of the fellowship to develop your work, how you would contribute to Princeton’s arts community through teaching and/or production, and how you have encouraged diversity and inclusion in your artistic practice, teaching, and/or research.

Applicants can only apply for the Princeton Arts Fellowship twice in a lifetime.

arts.princeton.edu/fellowships/princeton-arts-fellowship/

_____

CALL FOR Short Plays

Autry Museum of the American West

DEADLINE: September 15, 2023

14th Annual Short Play Festival

Who You Calling “Stoic?”: Not Your Cigar Store Indian

There are many stereotypes that Native Americans - living and dead - have had to contend with. One of the most pervasive in film, history, and wooden statues: the stoic, wise leader.

He never smiles. He rarely speaks. He is always a he.

But we know better. And for Native Voices 14th Annual Short Play Festival, you will, too!

We’re asking our writers to dive into the image of the “Stoic Indian.” Let’s flip that stereotype on its head.

Will you…

Showcase that brilliant wit lurking behind that stoic facade?

Tackle the stories of the very real (and wise)?

Regale us with the playfully mischievous?

Surprise us?

Instead of playing stoic, Native Voices’ 2024 Short Play Festival is asking for stories that play with stoic. Come, make us laugh, teach us a lesson, or show us stoic as we join together for the Autry for our 14th Annual Short Play Festival.

Please keep your plays under 10 minutes! Plays selected to participate in the 14th Annual Short Play Festival will also be entered to win the Thomas Studie Gadugi Audience Prize of $500 and the Von Marie Atchley Excellence in Playwriting Award of $1,000.

Scripts longer than 15 pages or read aloud at longer than 10 minutes will not be accepted. Fresh, surprising perspectives are welcome!

theautry.org/explore/theatre-native-voices/call-scripts

_____

LANI’S GARDENS ARTISTS' RESIDENCY

DEADLINE: September 15, 2023

APPLICATION FEE: $20 (Paypal: issilah@gmail.com | Venmo: @kehaulanimusic | CashApp: $LaniPark888)

FEE: $555/month

INFO: Lani’s Gardens Artists Residency’s mission is to serve BIPOC, LGBTQ+ & ally artists & their families by providing them with a transformative island residency experience and a beautiful space in nature to relax, recharge, rejuvenate and create. The residency is located on the Big Island of Hawai'i. Artists live in an off-grid, solar-powered, private & gated, close-to-nature, glamping artists' sanctuary with a round swimming pool, picnic table, fireplace, and meditation tipi and a permaculture food forest with over 100 medicinal and edible plants, berry bushes, flowers, and fruit trees.

ELIGIBILITY: Practicing artists of all backgrounds and at any stage of their career are eligible to apply for a Lani’s Gardens Artists’ Retreat residency. Artists must be at least twenty-one years old. Please note that all eligibility requirements must be met at the time of application. We invite applicants to apply in the following disciplines:

  • Writing (poetry, fiction, nonfiction, screenwriting, and journalism)

  • Visual Arts

  • Dance

  • Theater

  • Music Composition

  • Architecture

  • Interdisciplinary Work

DIVERSITY STATEMENT: Lani’s Gardens Artists’ Retreat actively seeks to invite diverse artists. Lani’s Gardens Artists’ Retreat does not discriminate on the basis of race, age, religion, gender expression, sexual orientation, national origin, citizenship status, marital status, veteran status, medical conditions including HIV, or sensory, physical, or mental disability.

RESIDENCY SESSIONS:

  • September 1st

  • October 2023

  • November 2023

  • December 2023

  • January 2024

  • February 2024

  • March 2024

APPLICATION TIMELINE & QUALIFICATIONS:

Applications will be accepted annually starting September 1st, until October 1st, at midnight Hawai'i Time. Late applications will not be accepted. Applicants will be contacted by October 1st. To apply, please contact Lani at kehaulanimusic@gmail.com and ask for an Lani’s Gardens’ Artists’ Retreat Application form. For questions, please contact kehaulanimusic@gmail.com with the subject line “Residency.” Or, give us a call at (808) 430-5459.

Applicants are judged by the same criteria across disciplines. We are looking for artistic excellence, sustained impact, and boldness of vision.

REFERENCES:

All applicants are required to submit two professional references. Please provide the name, contact information, and a very brief description of the nature of your professional relationship for each reference. Lani’s Gardens contacts references only if the application advances. References would be contacted iby either email or phone and would not submit a formal letter.

WORK SAMPLES:

  • VISUAL ART - Submit 5 JPEG images that best represent your work. They can be no more than three MB per image.

  • MUSIC COMPOSITION - Submit two or three audio samples of representative work. Each should be no more than 30MB each and should be in MP3 format or in MP4 or MOV format or by Vimeo or YouTube link.

  • DANCE - Submit two or three works totaling no more than fifteen minutes of video. Each work sample should be submitted in MP4 or MOV format or by Vimeo or YouTube link.

  • THEATER - Submit either two or three videos or PDFs. If you submit via video, they should total no more than fifteen minutes together in MP4 or MOV format or by Vimeo or YouTube link.

  • POETRY - Submit eight to ten short poems or excerpts of poems. The total should not exceed 15 pages and should be in PDF format.

  • FICTION, NONFICTION, & SCREENWRITING - Submit two to three work samples in the genre that you wish to work in during your residency. The total should not exceed 20 pages, be double-spaced, and be in PDF format.

  • ARCHITECTURE - Submit two to three examples of previous design-based architecture projects in the form of PDFs, video, or a combination of the two. The applicant may submit work samples including but not limited to models, drawings, and images of completed work.

  • INTERDISCIPLINARY WORK - Submit three to five work samples. The work samples can be in one type of media or a mixture of media including images (jpegs should be no more than three MB each), PDFs, video (MP4/MOV should be no more than 250 MB), Vimeo link, YouTube link, or audio (MP3 should be no more 30MB each).

kehaulanimusic.typeform.com/to/gBdFe4lR

_____

2024-2025 Cullman Center Fellowship

New York Public Library

DEADLINE: September 29, 2023

INFO: The Dorothy and Lewis B. Cullman Center for Scholars and Writers offers Fellowships to people whose work will benefit directly from access to the research collections at the Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street. Renowned for the extraordinary comprehensiveness of its collections, the Library is one of the world’s preeminent resources for study in anthropology, art, geography, history, languages and literature, philosophy, politics, popular culture, psychology, religion, sociology, sports, and urban studies.

CRITERIA + TERMS: The Cullman Center’s Selection Committee awards fifteen Fellowships a year to outstanding scholars and writers—academics, independent scholars, journalists, creative writers (novelists, playwrights, poets), translators, and visual artists. Foreign nationals conversant in English are welcome to apply. Candidates for the Fellowship will need to work primarily at the Stephen A. Schwarzman Building rather than at other divisions of the Library. People seeking funding for research leading directly to a degree are not eligible. 

The Cullman Center looks for top-quality writing. It aims to promote dynamic communication about literature and scholarship at the very highest level—within the Center, in public forums throughout the Library, and in the Fellows’ published work.

A Cullman Center Fellow receives a stipend of up to $75,000, the use of an office with a computer, and full access to the Library’s physical and electronic resources. Fellows work at the Center for the duration of the Fellowship term, which runs from September through May. Each Fellow gives a talk over lunch on his or her current work-in-progress to the other Fellows and to a wide range of invited guests, and may be asked to take part in other programs at The New York Public Library.

nypl.org/help/about-nypl/fellowships-institutes/center-for-scholars-and-writers/fellowships-at-the-cullman-center

_____

ARTISTS & WRITERS RESIDENCY

Vermont Studio Center

DEADLINE: October 1, 2023

INFO: Each month, VSC welcomes over 50 artists and writers from across the country and around the world to our historic campus in northern Vermont.

All of our residencies include:

  • A private room in modest, shared housing

  • 24-hour access to a private studio space in one of our 6 medium-specific studio buildings

  • 3 communal meals per day (plus fresh fruit, coffee/tea/cold beverages, and cereal available around the clock)

Most residents stay with us for 1 month, so our sessions adhere to a 4-week calendar however, residencies can be scheduled in 2-week increments ranging from 2 to 12 weeks if a shorter or longer stay better suits your needs. Although we accept residents for stays for 2 weeks, we recommend a minimum stay of one month for the fullest experience.

Each 4-week session includes:

  • Opening Night Dinner & Reception

  • 7 Resident Presentation (“Res Pres”) Nights

  • 2 Open Studios Nights

  • Public Slide Talks / Public Readings from our Visiting Artists & Writers

  • Visiting Writer Craft Talks (open to writers only)

  • Opportunities for studio visits/manuscript critiques with Visiting Artists/Writers

Most months, numerous other spontaneous events take place--intimate readings, pop-up shows, group hikes or swims, performances, site-specific installations, movie screenings, dance parties, and bonfires, to name a few.

All events in our monthly program are optional. Our program is designed to enhance your studio practice by providing opportunities to engage with a supportive creative community; you are welcome to participate in as many or as few of these activities as you like. 

FELLOWSHIPS:

  • Voices Rising Fellowship - For Black American women fiction writers with demonstrable financial need. This fellowship was established in honor of women writers of color such as Maya Angelou, Toni Morrison, and Zora Neale Hurston, whose voices have inspired so many. This award includes a $2,000 stipend.

  • Susanna Colloredo Environmental Writing Fellowship - For a writer whose creative work directly engages environmental issues, awareness, and the complex challenges facing the planet.

  • Harpo Foundation Native American Fellowship - This award supports exceptional Native American writers. This award includes a $500 travel stipend.

vermontstudiocenter.org/

THEATER — AUGUST 2023

2024 playwriting competition

Yale University Press

DEADLINE: August 15, 2023

INFO: The Yale Drama Series is seeking submissions for its 2024 playwriting competition. The winning play will be selected by the series’ current judge, Jeremy O. Harris.

The winner of this annual competition will be awarded the David Charles Horn Prize of $10,000, publication of their manuscript by Yale University Press, and a celebratory event. The prize and publication are contingent on the playwright’s agreeing to the terms of the publishing agreement.

There is no entry fee. Please follow these guidelines in preparing your manuscript:

  1. This contest is restricted to plays written in the English language. Worldwide submissions are accepted.

  2. Submissions must be original, unpublished full-length plays, with a minimum of 65 pages. Plays with less than 65 pages will not be considered. Translations, musicals, and children’s plays are not accepted.

  3. The Yale Drama Series is intended to support emerging playwrights. Playwrights may win the competition only once.

  4. Playwrights may submit only one manuscript per year.  Only manuscripts authored by one playwright are eligible.

  5. Plays that have been professionally produced or published are not eligible. Plays that have had a workshop, reading, or non-professional production or that have been published as an actor’s edition will be considered.

  6. Plays may not be under option, commissioned, or scheduled for professional production or publication at the time of submission.

  7. Plays must be typed/word-processed and page-numbered.

  8. The Yale Drama Series reserves the right to reject any manuscript for any reason.

  9. The Yale Drama Series reserves the right of the judge to not choose a winner for any given year of the competition and reserves the right to determine the ineligibility of a winner, in keeping with the spirit of the competition, and based upon the accomplishments of the author.

ELECTRONIC SUBMISSIONS:

The Yale Drama Series Competition strongly urges electronic submission. By electronically submitting your script, you will receive immediate confirmation of your successful submission and the ability to check the status of your entry.

Electronic submissions for the 2024 competition must be submitted no earlier than June 1, 2023, and no later than August 15, 2023.  The submission window closes at midnight EST.

If you are submitting your play electronically, please omit your name and contact information from your manuscript and submission file name. The manuscript must begin with a title page that shows the play’s title, a 2-3 sentence keynote description of the play, a list of characters, and a list of acts and scenes. Please enter the title of your play, your name and contact information (including address, phone number, and email address), and a brief biography where indicated in the electronic submission form.

If you would like to submit an electronic copy of your manuscript please go to: https://yup.submittable.com/submit.

HARDCOPY SUBMISSIONS:

The Yale Drama Series Competition strongly urges applicants to submit their scripts electronically, but if that is impossible, we will accept hardcopies.

Submissions for the 2024 competition must be postmarked no earlier than June 1, 2023, and no later than August 15, 2023.

If you are submitting a hard copy of your play, the manuscript must begin with a title page that shows the play’s title and your name, address, telephone number, e-mail address (if you have one), and page count; and, a second title page that lists the title of the play only, a 2-3 sentence keynote description of the play, a list of characters, and a list of acts and scenes. Please include a brief biography at the end of the manuscript, on a separate page.

Do not bind or staple the manuscript.

Do not send the only copy of your work. Manuscripts cannot be returned after the competition. If you wish receipt of your manuscript to be acknowledged, please include an email address on the title page or a stamped, self-addressed postcard.

Send the manuscript to Yale Drama Series, P.O. Box 209040, New Haven, CT 06520-9040.

CONTACT US

For more information regarding the Yale Drama Series please write to us at:

Yale Drama Series
P.O. Box 209040
New Haven, CT
06520-9040

Or email us at yaledramaseries@yale.edu

yalebooks.yale.edu/yale-drama-series-rules-and-submission-guidelines/

_____

CALL FOR SUBMISSIONS

Raspa Magazine

DEADLINE: August 15, 2023

INFO: Raspa Magazine publishes creative written work and visual art that narrates the queer Latinx experience. We do not focus on genre or form, but on artistic merit, innovativeness, and potential cultural impact. Raspa Magazine serves as a sustainable space for queer Latinx artist to share work without the fear of being tokenized, with liberty to experiment, and create work with the knowledge that it will be treated with dignity and respect. Our intent is to cultivate an environment that empowers art makers to push boundaries in their process, redefine the literary canon, and reshape art to be more representative and inclusive.

Raspa Magazine accepts submission from February 15 through August 15. We are looking for short fiction, poetry, dramatic works, visual art, creative non-fiction, or creative written work created by self identifying queer Latinxs. We do not accept works written by non self-identifying queer Latinx artists.

Poetry should be submitted in a single word document with each poem beginning on a new page. We usually select more than one piece per contributor so please submit a minimum of 3 pieces and no more that 8 pieces.

Short stories and creative non-fiction should reach a minimum of 1,500 words and a maximum of 3,000 words.

We welcome all submission in either English or Spanish. Spanish language work will be translated into English. Works by self-identifying Latinxs who write in any language other than English or Spanish will need to submit a translation to appear with the original piece.

Visual art should consist of a minimum 5 high resolution JPEG, Photoshop, or TIFF files that are at least 2 megabytes and reach 300 DPI. When possible a link to an artist portfolio is preferred.

Raspa Magazine holds all first serial publishing rights, after publication all rights return to the artist. Reprinted work must have a footnote indicating what issue and year it first appeared in Raspa Magazine.

Raspa Magazine provides monetary compensation for all contributors. Compensation amount will depend on the amount of funding accessible for the particular issue and will be discussed with the contributor if the work should be selected for print.

Please submit all submissions via email to hola@raspamagazine.com with your last name and the word “submission” on the subject line. On the first page of your submission document please include your full name, a valid email address, and a brief bio. Submissions without the requested information will not be read.

raspamagazine.com/submissions

_____

CALL FOR FULL-LENGTH PLAYS

Autry Museum of the American West

DEADLINE: August 15, 2023

INFO: Native Voices at the Autry is accepting submissions of full-length plays (60+ pages) by American Indian, Alaska Native, Native Hawaiian, and First Nations playwrights addressing all themes and topics.

The Retreat and Festival bring artists to Los Angeles to work on a selected number of plays through a rigorous directorial and dramaturgical commitment for 8–10 days in June. The Retreat culminates in public staged readings of the plays at the Autry Museum of the American West in Los Angeles. Selected playwrights receive artistic support as well as an honorarium; out-of-town artists receive roundtrip airfare plus lodging in Southern California.

Selection Process: Full-length plays (60+ pages) received by August 15th, 2023 will be read and evaluated. A select number of playwrights will be invited to submit formal proposals detailing their developmental goals should their play be chosen for the short list. Scripts will then be sent to a committee of nationally recognized theatre artists for further evaluation. With their help, Native Voices selects up to four plays for the Playwrights Retreat and Festival of New Plays. Playwrights will be notified in March 2024.

*Due to budget constraints post-COVID, we cannot accept plays that require more than six actors to produce. Express doubling is encouraged, should it be necessary to complete your vision.

theautry.org/explore/theatre-native-voices/call-scripts

_____

STORYKNIFE WRITERS RETREAT

DEADLINE: August 31, 2023

APPLICATION FEE: $40

INFO: Storyknife provides women with the time and space to explore their craft without distraction. Every aspect of a residency at Storyknife is steeped in a profound generosity of spirit so that each writer knows she and her work are valuable. Storyknife residents carry away both this affirmation and a living community of women writers to assist their valuable work wherever they go.

Residencies at Storyknife in Homer, Alaska, are either for two or four weeks. Resident’s food and lodging is covered during the period of their residency, but travel to and from Homer, Alaska, is the responsibility of the resident. Residents stay in individual cabins & dine at the main house. An on-staff chef is responsible for food preparation.

Four week residencies begin on the 1st of each month and end on the 28th. Two week residencies begin on the 1st of each month and end on the 15th OR begin on the 15th and end on the 28th. Residencies are available April through October.

ELIGIBILITY:

Applicants must:

  • Be woman-identified

  • Be 21 years of age or older

  • Apply as an individual artist, not a collaborative group or team

You will provide a work sample and answer four questions (each answer 300 words or fewer).

  • How have you sought to educate yourself as a writer? (Formal education not a prerequisite, but evidence of curiosity and learning in your applicable genre is.)

  • What is your experience with publishing your work? (Publishing is not a prerequisite but is considered a goal for writers who attend Storyknife.)

  • What project will you pursue while in residency? (Please note that you will be free to work on whatever writing you wish during residency. We simply are interested in what you think you’ll be pursuing.)

  • Why would a writing residency benefit you at this time especially?

Work Sample Requirements:

  • Work samples should reflect work completed within the last two years. All work samples must be uploaded through Submittable. Written work samples will be uploaded directly within the application. 

  • Applicants can submit published or unpublished work samples. 

  • All work samples must be combined into one PDF file.

  • A writing sample not to exceed 10 pages (prose: double-spaced 12 point font, poetry: single-spaced 12 point font acceptable). Prose includes screenplays and stage plays which also must conform to the 10 page limit. 

  • Any writing samples with identifying material will be disqualified. Identifying material is your name, address, or publication credits. This only refers to the writing sample, not the answers to the questions. This is an anonymous jurying process.

Diversity

Storyknife is committed to diversity and elevating voices of historically excluded communities. We value all aspects of diversity and seek to make each resident’s time at Storyknife as productive and pleasant as possible.

Please contact executive director, Erin Hollowell, at ehollowell@storyknife.org to ask about accommodation or to speak further about your needs. Storyknife is welcoming to all and will work with you to meet your needs.

storyknife.org/how-to-apply/

_____

Princeton Arts Fellowships

Lewis Center for the Arts

DEADLINE: September 10, 2024 at 11:59pm ET

INFO: Princeton Arts Fellowships, funded in part by The Andrew W. Mellon Foundation, David E. Kelley Society of Fellows in the Arts, and the Maurice R. Greenberg Scholarship Fund, will be awarded to artists whose achievements have been recognized as demonstrating extraordinary promise in any area of artistic practice and teaching. Applicants should be early career visual artists, filmmakers, poets, novelists, playwrights, designers, directors and performance artists—this list is not meant to be exhaustive—who would find it beneficial to spend two years teaching and working in an artistically vibrant university community.

Princeton Arts Fellows spend two consecutive academic years (September 1-July 1) at Princeton University and formal teaching is expected. The normal work assignment will be to teach one course each semester subject to approval by the Dean of the Faculty, but fellows may be asked to take on an artistic assignment in lieu of a class, such as directing a play or creating a dance with students. Although the teaching load is light, our expectation is that Fellows will be full and active members of our community, committed to frequent and engaged interactions with students during the academic year.

A $92,000 a year stipend is provided. Fellowships are not intended to fund work leading to an advanced degree. One need not be a U.S. citizen to apply. Holders of Ph.D. degrees from Princeton are not eligible to apply.

Past recipients of the Hodder Fellowship and individuals who have had a sustained and continuous relationship with Princeton University are not eligible to apply. Those who have had an occasional and sporadic relationship with Princeton may apply.

To apply, please submit a curriculum vitae, contact information for three references (should the search committee choose to contact references, please do not request letters or have letters sent in advance of a request from the search committee), and work samples (i.e., a writing sample, images of your work, video links to performances, etc.). Please also submit a 750-word proposal that includes how you would hope to use the two years of the fellowship to develop your work, how you would contribute to Princeton’s arts community through teaching and/or production, and how you have encouraged diversity and inclusion and furthered accessibility in your artistic practice, teaching, and/or research.

Applicants can only apply for the Princeton Arts Fellowship twice in a lifetime.

arts.princeton.edu/fellowships/princeton-arts-fellowship/

THEATER — JULY 2023

LOGHAVEN ARTIST RESIDENCY

DEADLINE: July 15, 2023

APPLICATION FEE: $20

INFO: Loghaven Artist Residency’s mission is to serve artists by providing them with a transformative residency experience and continued post-residency support. The residency is located on ninety acres of woodland in Knoxville, Tennessee. Artists live in five historic log cabins that have been both rehabilitated and modernized to create an ideal setting for reflection and work, and they have access to new, purpose-built studio space. All Loghaven Fellows are awarded stipends to support the creation of new work during the residency.

ELIGIBILITY: Practicing artists of all backgrounds and at any stage of their career are eligible to apply for a Loghaven residency. International artists and artists currently enrolled in a degree-seeking program are not eligible. Artists must be at least twenty-one years old and live more than 120 miles away from Knoxville. This distance requirement is designed to ensure that artists are able to be fully immersed in their residency experience and can take advantage of the retreat-style environment. Please note that all eligibility requirements must be met at the time of application.

We invite applicants in the creation stage of their specified project or work cycle to apply in the following disciplines:

  • Writing (poetry, fiction, nonfiction, screenwriting, and journalism)

  • Visual Arts

  • Dance

  • Theater

  • Music Composition

  • Architecture

  • Interdisciplinary Work

DIVERSITY STATEMENT: Loghaven actively seeks to assemble diverse cohorts. Loghaven does not discriminate on the basis of race, age, religion, gender expression, sexual orientation, national origin, citizenship status, marital status, veteran status, medical conditions including HIV, or sensory, physical, or mental disability.

RESIDENCY SESSIONS:

  • January 8 – 22, 2024 (2 weeks, preference given to alumni/ae)

  • February 12 – March 8, 2024 (4 weeks)

  • April 8 – May 3, 2024 (4 weeks)

  • May 20 – June 14, 2024 (4 weeks)

  • July 8 – 22, 2024 (2 weeks for teaching artists and faculty artists at the university level)

  • September 30 – November 8, 2024 (6 weeks)

  • January 6 – 20, 2025 (2 weeks, preference given to alumni/ae)

APPLICATION TIMELINE & QUALIFICATIONS:

Applications will be accepted annually starting June 1, until July 15, at midnight Eastern Time. Late applications will not be accepted. The application panel will meet in August and September, and applicants will be contacted by November 1.

A national selection committee composed of artist peers and other arts professionals selects artists. Applicants are judged by the same criteria across disciplines. Panelists are looking for artistic excellence, defined by a depth of conceptual content, sustained impact, and boldness of vision. The panel seeks those with sophisticated technical knowledge, whether the applicant displays a high level of traditional skill or, conversely, subverts that knowledge in new or challenging ways. The panel values potential in emerging artists and evidence of commitment and evolution in more established or mid-career applicants.

REFERENCES:

All applicants are required to submit two professional references. Please provide the name, contact information, and a very brief description of the nature of your professional relationship for each reference. Loghaven contacts references only if the application advances. References would be contacted in the fall by either email or phone and would not submit a formal letter.

WORK SAMPLES:

Determine which discipline best fits your work and follow the instructions below to upload the required work samples.
Name all of your submissions using the following naming structure: last name, first name # (Smith, Jane 1).
If the attached work sample is longer than the limits laid out for your discipline, please indicate the section of video or audio you would like the panel to review. If you do not indicate a section, the panelist will review from the start until the time limit is reached.
Note if any submitted work sample is more than four years old.
Provide all submissions in English or accompanied by a translation.

  • VISUAL ART - Submit eight JPEG images that best represent your work. They can be no more than three MB per image. Each image should contain only one artwork. Two additional optional submissions: Installation documentation (either images or video) or detail shots. If your work is based in video, please submit up to two or three works totaling no more than fifteen minutes of video. Video can be submitted in MP4 or MOV format or by Vimeo or YouTube link.

  • MUSIC COMPOSITION - Submit two or three audio samples of representative work. Each should be no more than 30MB each and should be in MP3 format or in MP4 or MOV format or by Vimeo or YouTube link. The work samples should total no more than fifteen minutes of video or audio. If available, please include a score submitted as a PDF.

  • DANCE - Submit two or three works totaling no more than fifteen minutes of video. Each work sample should be submitted in MP4 or MOV format or by Vimeo or YouTube link.

  • THEATER - Submit either two or three videos or PDFs. If you submit via video, they should total no more than fifteen minutes together in MP4 or MOV format or by Vimeo or YouTube link. If you submit via PDF, they should total no more than 250MB or two or three PDFs of scripts or librettos, totaling no more than twenty pages.

  • POETRY - Submit eight to ten short poems or excerpts of poems. The total should not exceed 15 pages and should be in PDF format.

  • FICTION, NONFICTION, & SCREENWRITING - Submit two to three work samples in the genre that you wish to work in during your residency. The total should not exceed 20 pages, be double-spaced, and be in PDF format.

  • ARCHITECTURE - Submit two to three examples of previous design-based architecture projects in the form of PDFs, video, or a combination of the two. The applicant may submit work samples including but not limited to models, drawings, and images of completed work. The applicant may submit multiple pages for each project, but the total number of pages submitted should not exceed ten and should be in PDF format. If submitting video, work samples can be in MP4 or MOV format or by Vimeo or YouTube link. The total length should not exceed ten minutes. The applicant should include a brief, 250-word description of each project with the other submitted materials. In this description, please include whether this project was ever constructed. Please review the FAQs before applying in the discipline of Architecture for additional application guidelines.

  • INTERDISCIPLINARY WORK - Submit three to five work samples. The work samples can be in one type of media or a mixture of media including images (jpegs should be no more than three MB each), PDFs, video (MP4/MOV should be no more than 250 MB), Vimeo link, YouTube link, or audio (MP3 should be no more 30MB each).

loghaven.org/residencies/apply/

_____

2024 DIVERSE VOICES PLAYWRITING INITIATIVE

Illinois State University

DEADLINE: August 1, 2023

INFO: The 2024 Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by Black, Indigenous, and People of Color (BIPOC) playwrights in accordance with the mission statement of the Crossroads Project (see below). A diverse panel of judges including faculty, staff, students, alumni, and community members will select one playwright as the winner.

The winning playwright will receive:

  • An invitation to Illinois State University in Bloomington-Normal, IL as a guest artist in residence for a one-week new play development workshop, culminating in a public staged reading. This residency may also include class visits and other University events.

  • Travel (within the U.S.), housing, and meals during the residency.

  • An honorarium of $500 for the residency.

To be eligible to win, the playwright must be available for a one-week residency in mid-to-late April 2023 (exact dates TBD). If the play has multiple writers/creators, we can only provide funding for one person during the residency. Other writers/creators are welcome to participate in the workshop by self-funding the trip or joining virtually for rehearsals and events.

The deadline for submissions is August 1, 2023 by 11:59 p.m. (central daylight time). There is no entry fee. We only accept electronic submissions in PDF format. Because our staff and resources are limited, we can only consider the first 100 submissions.

Please include in your submission:

  • A representative sample from your play up to 15 pages. These do not have to be the first 15 pages of the play.

  • A synopsis of the play (max. 250 words).

  • A character list with short descriptions for each character (age, ethnicity, gender, occupation, family relationships, etc.)

  • A playwright’s statement (max. 400 words). In the statement, describe your inspiration for writing the play, address where you are in the development process, and discuss how a workshop in a university setting can facilitate that process.

Please follow these guidelines when submitting your play:

  • Submissions must be:

  • A full-length play.

  • Musicals and plays with music are eligible for the program. However, we can only provide piano accompaniment for rehearsals and the staged reading.

  • The primary language of the play must be English. Other languages in the play may be presented through English translations (provided by the playwright) for the staged reading.

  • There are no other restrictions in subject matter or style.

  • A playwright may only submit one play per year. The work must be submitted by the playwright rather than a literary agent or other third party.

  • Submissions must be the original work of the playwright, which may include adaptations of fictional or factual material. Translations of other playwrights’ work are not accepted.

  • The submitting playwright must be either the owner and controller of the copyright or provide written proof that they have acquired the legal right to use copyrighted material in their work.

  • Plays that have been produced or published professionally are ineligible for the competition. Plays that have been presented through staged readings, workshops, university productions, or community theatre productions are eligible.

  • A playwright may submit a play that they submitted in a previous year (including finalists) if there have been substantive revisions.

  • The Crossroads Project reserves the right to accept or reject any submitted play for any reason.

We will contact semi-finalists by November 2023 and ask them to submit the full play.

The winning playwright will be notified by mid-January 2024.

forms.illinoisstate.edu/forms/diversevoices 

_____

CALL FOR FULL-LENGTH PLAYS

Autry Museum of the American West

DEADLINE: August 15, 2023

INFO: Native Voices at the Autry is accepting submissions of full-length plays (60+ pages) by American Indian, Alaska Native, Native Hawaiian, and First Nations playwrights addressing all themes and topics.

The Retreat and Festival bring artists to Los Angeles to work on a selected number of plays through a rigorous directorial and dramaturgical commitment for 8–10 days in June. The Retreat culminates in public staged readings of the plays at the Autry Museum of the American West in Los Angeles. Selected playwrights receive artistic support as well as an honorarium; out-of-town artists receive roundtrip airfare plus lodging in Southern California.

Selection Process: Full-length plays (60+ pages) received by August 15th, 2023 will be read and evaluated. A select number of playwrights will be invited to submit formal proposals detailing their developmental goals should their play be chosen for the short list. Scripts will then be sent to a committee of nationally recognized theatre artists for further evaluation. With their help, Native Voices selects up to four plays for the Playwrights Retreat and Festival of New Plays. Playwrights will be notified in March 2024.

*Due to budget constraints post-COVID, we cannot accept plays that require more than six actors to produce. Express doubling is encouraged, should it be necessary to complete your vision.

theautry.org/explore/theatre-native-voices/call-scripts

THEATER — MAY / JUNE 2023

I AM SOUL PLAYWRIGHTS RESIDENCY PROGRAM

National Black Theatre

DEADLINE: May 8, 2023

INFO: Launched in 2012, The I AM SOUL Playwrights Residency Program uniquely serves the best and brightest emerging Black playwrights from around the nation. Through this program, NBT seeks to foster mutually-beneficial relationships between Black institutions and creatives to re-establish historically Black theatrical institutions as the foremost supporters and producers of Black artistry.

This 18-month residency aims to unleash the souls of two to three Black playwrights per cycle. Coined as a dream MFA program, this program is about process, not product, so playwrights experiment with form, style, and narrative to develop, hone and explore new ways of artistic expression in a nourishing environment.  Each resident is provided a financial stipend, dramaturgical and developmental resources, a full production team, and three 29-hour workshops.  

GOALS OF THE PROGRAM:

  • To help the selected Playwright(s) unleash their soul on the page by providing them a safe, supported, and transformative environment where they can develop, hone, and explore artistic expression.

  • With NBT's Creative Staff, the selected playwright(s) will develop a new play during the eighteen (18) month residency.

  • This process culminates with a Public Presentation in NBT’s Theatrical season.

IMPORTANT DATES:

  • Application Deadline - May 8, 2023

  • Finalists / Semi- Finalists Notifications - June 6, 2023

  • Residents notified - June 30, 2023

  • Residency Begins - Sept 6, 2023

BENEFITS:

  • The playwright(s) will receive a minimum stipend of $7,500.00.

  • NBT will provide support for up to six in-house readings of new plays outside of the Resident's commissioned work.

  • Access to scheduled office space, printing, and administrative support.

  • Two Complimentary tickets to each of National Black Theatre productions that season, as well as additional services and opportunities that NBT has to offer and may come across.

REQUIREMENTS:

  • The I AM SOUL - PLAYWRIGHT RESIDENCY is available to Black playwrights, 21 years of age or older, who are citizens or permanent residents of the United States.

  • Students in K-12 educational programs or enrolled in undergraduate and graduate degree programs for playwriting are not eligible.

  • The resident playwright commits to spending a minimum 18-month residency period by actively participating in the National Black Theatre community.

  • Applicants must commit to being present and an active participant during all readings, workshops,  rehearsals, and public presentations of their work.

  • Playwrights may not receive more than one residency at NBT through this program.

  • The selected playwright is required to serve on the Selection Committee for the I AM SOUL - PLAYWRIGHTS RESIDENCY.

nationalblacktheatre.org/playwrights-residency

_____

REQUEST FOR PROPOSALS: THE VANGUARD ARTS FUND

Olney Theatre Center

DEADLINE: May 12, 2023

INFO: Vanguard Arts Fund applications are now open for Olney Theatre Center’s 2023-24 season. The Vanguard Arts Fund provides development support to diverse teams of artists interested in creating works - especially works that cross artistic disciplines - in a collaborative environment. From the seed of an idea for a new play, to a concept for a classic adaptation, to a first draft or first song of a musical, we provide intensive workshop time at various stages of the development process. We commit to these artistic teams in hopes of  producing their work at Olney Theatre Center in a future season. 

The Vanguard Arts Fund was launched in 2017 with a $350,000 endowment gift from the Eugene B. Casey Foundation; the Fund’s success in developing shows we’ve gone on to produce prompted the Foundation to add $1 million to the endowment in 2022.

WHAT KIND OF PROJECTS ARE WE LOOKING FOR?

While OTC will consider text-based work that springs from the mind of a singular playwright, successful proposals for new work will more likely bring together more than one generative artist in an interdisciplinary fashion to explore new or classic stories. So, a director and videographer working on an off-beat immersive experience, or workshopping a new musical, or a number of designers or actors coming together with a playwright to devise something, or a playwright and director working jointly to create something, or a composer working with a bunch of musicians and a choreographer on an idea all are examples of exciting proposals. Directors, actors, playwrights, designers, stage managers - we want to hear from anyone with a great idea and a great plan to pursue their artistic visions.  

We are committed to ensuring the majority of projects we fund are led by BIPOC generative artists, and intend to support at least one BIPOC-created musical each year. 

At this time, we are only able to consider artists based in the United States.

Past projects include:

The Music Man:  Deaf performer Joey Caverly pitched the idea of a Deaf-hearing production of this classic musical back in 2017. OTC gathered a directing team and ten actors to try out the idea, working on only two numbers. This led to a successful full-scale production in the summer of 2022. The production was nominated for nine 2023 Helen Hayes Awards.

A.D. 16:  a new musical by Bekah Brunstetter and Cinco Paul, about teenaged Mary Magdalene, was developed in 2019 via a Vanguard workshop.  The show got its world premiere at OTC in 2022. Commercial producer TBD Theatricals has obtained the rights and is planning a Broadway production.

The Joy That Carries You:  Pitched during the heart of the pandemic as a response to the murder of George Floyd and rising anti-semitism, co-writers Awa Sal Secka and Dani Stoller received two Vanguard Arts Fund workshops to develop this play, which combined traditional narrative and spoken-word poetry to tell its story.  OTC committed to producing the show after its first workshop, and produced it in 2022.  The production was nominated for five 2023 Helen Hayes Awards.

Currently in development: 

  • The Game - conceived, written and performed by Rhett Guter 

  • Okuni - Book and lyrics by Naomi Iizuka, Music and Lyrics by Lezlie Wade, directed by Lisa Portes

  • The Joint - Book by Dominic Taylor and Curtis Jones, Music and lyrics by Timothy Graphenreed, directed by Kenneth Roberson

  • The Gifted Prince - Music by Daniel Green, Book & Lyrics by Lezlie Wade, Directed & Choreographed by Darren Lee.

What does Olney Theatre provide?

  • Up to one week of workshop space

  • $900 per week for generative artists; all other artists are paid/contracted as required with union agreements

  • For out-of-town artists: Travel and housing with common kitchen.

  • Our rehearsal room or one of our three stages for up to one week (possible off-site space as well)

  • Olney Theatre staff support for casting and other personnel procurement (casting, tech, personnel, musicians, etc.) as  needed

  • Shared vehicles and gas paid by theater

What does Olney Theatre Center require?
Olney Theatre will ask for the right to consider and potentially produce the work within 18 months of the workshop. But we’re not asking for an exclusive right, nor are we asking for world premiere rights. If you get a Broadway production, awesome!  All we ask is that it doesn’t get produced in the DMV before we get a shot at it.

Will Olney Theatre Center own the work or idea?
No. Generative artists always own their ideas and the work they create. 

Is Olney Theatre Center open to partnerships?
Yes! In development, in production, in workshops, whatever. We try to operate from a place of abundance, sharing and transparency, and want what’s best for the generative artists and their work. We’re currently working with Somerled Arts on The Gifted Prince, and Denise Gray Productions for The Joint.

Ok, I’m interested, I’ve got an idea, what should I do?

APPLICATION PROCESS:

Please send the following information as a single pdf to hallie@olneytheatre.org. We are accepting applications until May 12, 2023, and announcements will be made in June. Please include the following in your application: 

  • Project point of contact information (pronouns, email, phone number, city/state)

  • In 1-2 pages: 

    • About the Project

    • Point of View

    • At what stage of development is this project currently, and what is the project’s development history? 

  • In up to 1 page: 

    • What are your goals for a Vanguard Arts Fund workshop? How will this workshop support the development of this project?

    • How much time do you think you need to explore this project? 

  • Please also include:

    • The names and bios of the artists/collaborators involved in this project

    • Number of performers or other types of artists needed for a workshop (if known)

    • Any supporting materials (script draft, up to 3 song recordings if necessary, synopsis, orchestration, etc.)

How large are the support budgets for VAF projects?
Support for projects in the past has ranged from $2,500 to $15,000.  However, support of up to $25,000 will be considered.  

When do you need this and what’s the selection process?
This is the first year we are opening up the application process nationally. We are asking you to send proposals by May 12, 2023. Our selection process will be internal, with OTC’s full-time artistic staff. We’re going to aim to decide by June 30, 2023. Which will give us time to review, and ask questions if needed. 

olneytheatre.org/about-us/work-here/vanguard-arts-fund

_____

50TH ANNIVERSARY FELLOWSHIPS FOR ARTISTS OF COLOR

Virginia Center for the Creative Arts (VCCA)

DEADLINE: May 15, 2023

APPLICATION FEE: $30

INFO: Conceived during VCCA’s 50th anniversary year in 2021 and established in 2022, the 50th Anniversary Fund provides free first-time VCCA residencies for 50 artists of color a year. 

Each 50th Anniversary Fellow receives a free residency of up to two weeks at Mt. San Angelo, VCCA’s artist residency program in the foothills of Virginia’s Blue Ridge Mountains. All VCCA residencies include a private studio, a private bedroom with en-suite bath, three prepared meals each day, and access to a community of more than 20 other artists in residence.

APPLICATION DETAILS:

  • Eligibility: Artists of color (writers, visual artists, and composers) who have not previously been in residence at VCCA

  • Length of Fellowship: Up to two weeks with flexible scheduling

Next available for:

  • Winter 2024

  • Residencies Available: January 2 – April 30, 2024

  • Application Deadline: May 15, 2023

  • Notification by: August 31, 2023

To be considered as a 50th Anniversary Fellow, complete the “Application for Mt. San Angelo Residencies, VCCA in Virginia,” selecting your fellowship interest in Question 2.

* If the application fee presents a significant barrier to application, please write to vcca@vcca.com by May 10, 2023, to request an application fee waiver.

VCCA intends the term artist of color to broadly include those creating original work in a wide variety of literary, visual art, and/or musical/sound disciplines who self-identify as part of one or more of these U.S. census groups: American Indian or Alaskan Native; Asian; Black or African American; Hispanic or Latinx; Middle Eastern or North African; Native Hawaiian or Pacific Islander; Multi-Racial. If you have a question about whether VCCA’s studio spaces would be suitable to the nature of your creative work, please write to Artists Services at vcca@vcca.com in advance of the deadline.

Applicants must submit an online application by the deadline, complete with recent work samples, a project description, and a variety of biographical and logistical details. VCCA no longer requires letters of recommendation. Applicants will be considered for a VCCA residency and as many funding opportunities for which they are eligible.

vcca.com/apply/fully-funded-fellowships/50th-anniversary-fellowships-for-artists-of-color/

_____

Austin Film Festival

DEADLINE: May 25, 2023

APPLICATION FEE: $35

INFO: At Austin Film Festival, our mission is to champion all writers across mediums. Our Playwriting Competition (open to full-length plays) gives playwrights a chance to explore our film and television conference. It will also allow film professionals to discover storytellers who have mastered the art and craft of stage drama.

AFF has always promoted story as the most important element of film and TV. So giving playwrights their own story exposure and a chance of crossover into film and TV only advances our mission. There are many other playwriting competitions out there, but AFF offers playwrights broader access to successful writers and professionals in all the other related fields.

The play that make the Final Round will have a reading during the Conference. Advancing playwrights will have access to exclusive panels, workshops, roundtables, and unique networking opportunities with professionals in theatre, film, and television.

AFF understands the relationship between passion and writing. That’s why we have enormous respect for the many successful playwrights who made the seamless transition to film and TV – playwrights such as Tennessee Williams, Horton Foote, John Patrick Shanley, Tony Kushner and Beau Willimon. And that list grows exponentially with today’s widening viewer market.

austinfilmfestival.com/submit/play/

_____

Marble House Project artist residency

Marble House Project

DEADLINE: May 31, 2023

APPLICATION FEE: $35.00

INFO: Marble House Project is a multidisciplinary artist residency program (ie: Fiction, Non Fiction, Poetry, Playwriting/Screenwriting, Film and Video, etc.) that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. You must be at least 21 years old.   Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond. 

RESIDENCY DATES FOR 2024:

  • March 5th - 26th

  • April 2nd - April 23rd

  • April 30th - May 21st

  • May 28th - June 18

  • September 17th - October 8th

  • October 15th - November 4th

ABOUT THE RESIDENCY:

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. The residency is an opportunity to develop and carry out practices of mutual support, group conversation, and to cultivate adaptive relationships with the environment. This can take the form of discussions with guest multidisciplinary artists, thinkers, and activists and other individual and group activities that benefit our community of residents.

Residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. . Each session culminates with a short video interview and artists are invited to share their work with our community and each other. Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni and staff. Artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you. 

marblehouseproject.submittable.com/submit

_____

Catskills Creative Residency

Arts & Ecology Incorporated

DEADLINE: June 1, 2023 by 11:59 pm ET

INFO: The Catskills Creative Residency invites two playwrights for a fully funded week-long stay in the Sullivan County Catskills of upstate New York. The residency includes accommodations in a lovely two-bedroom home in Livingston Manor, NY. Each playwright receives a $200 travel and food stipend. Playwrights collaborate with director Eugenia Manwelyan and Catskills-based actors to workshop their plays. The residency culminates in a works-in-progress performance at the historic Tusten Theater in Narrowsburg, NY.

Arts & Ecology Incorporated is issuing an open call for playwrights to submit an excerpt of an as-yet unfinished or not yet finalized new work. Full plays or excerpts of any genre are welcome and must be between 20 and 30 minutes/pages in length. (Please note that we are unable to work with musical-based and non-English works at this time.)

The two selected plays or play excerpts are rehearsed by local actors prior to the playwrights’ arrival in the Catskills, and presented to the playwrights at the start of the week-long residency. Over the course the of the residency, the playwrights work with the local actors and director to refine their work, experiment with staging, and iterate the script. Open rehearsals and a community dinner will connect the playwrights with the talented theater-makers working in the Catskills.

The residency culminates in a works-in-progress performance at which the two plays/play excerpts are presented as semi-blocked staged readings, followed by a conversation with the audience.

Please consider that we seek to support artists that further our mission to engage critically with the intersection of nature and culture. We do interpret this mission broadly, we understand that creative projects need not speak to these issues literally or directly, and there is no thematic limitation to submissions.

RESIDENCY SCHEDULE (October 15-22, 2023):

  • Sunday, October 15 - Arrivals and introductions 

  • Monday, October 16 - Actors present the rehearsed pieces to the playwrights

  • Tuesday, October 17 to Thursday, October 19 - Playwrights refine their work, and each has their own stand-alone work session with the director and actors

  • Friday, October 20 - Community Dinner with Catskills-based theater makers and producers

  • Saturday, October 21 - Matinee performance and facilitated discussion between the audience, playwrights, director, and performers

  • Sunday, October 22 - Departure

ELIGIBILITY: You must be at least 18 years of age by October 1, 2023.

STIPEND: Each playwright-in-residence receives a $200 stipend upon arrival at the residency.

ACCOMMODATIONS: The two selected playwrights-in-residence share accommodations in a lovely spacious 2-bedroom, 2-bathroom fully furnished house located in Livingston Manor, NY.

TRANSPORTATION: Playwrights are responsible for arranging transportation to and from the residency. Public transportation is available via the Shortline Bus from Port Authority in New York City to Monticello, NY. Transportation during the residency can be arranged if the playwright-in-residence does not have a personal vehicle.

SUBMISSION DETAILS:

  • As you are not able to save your work on the form prior to submitting, we encourage you to write your answers in a separate document and paste them into the form once you are ready.

  • This residency is designed to help playwrights move their works further toward completion. Therefore, the script that you submit for consideration should not be complete and finalized, but should be ready for a director and actors to work with and stage.

  • Feel free to contact us with any questions.

aeinc.org/catskills-creative-residency

_____

Narrative Prize

Narrative Mag

DEADLINE: June 15, 2023

INFO: The $5,000 Narrative Prize is awarded annually for the best short story, novel excerpt, poem, one-act play, graphic story, or work of literary nonfiction published by a new or emerging writer in Narrative.

The prize is announced each September and is given to the best work published each year in Narrative by a new or emerging writer, as judged by the magazine’s editors. In some years, the prize may be divided between winners, when more than one work merits the award. Entries selected for publication are eligible for the Narrative Prize, which is not a contest but an award.

narrativemagazine.com/great-stories/narrative-prize

_____

THE 2023 GEORGIA LIST

The Black List

DEADLINE: June 15, 2023

INFO: The Georgia List is a new opportunity for all writers with close ties to the state of Georgia to submit their feature scripts, pilots, plays, and musicals. The Black List has partnered with Collective Moxie and Trilith Studios–with support from additional partners 3Arts Entertainment, Fifth Season (formerly Endeavor Content), Content Talent South, the Alliance Theatre, and Art Farm at Serenbe–to identify and curate a list of the ten best unproduced features, pilots, plays, and musicals from writers with a connection to Georgia.

Writers who are new to the Black List may request a fee waiver for one free month of hosting and one free evaluation. 75 fee waivers will be distributed in order of request. When requesting a fee waiver, writers will have to disclose what their close tie to Georgia is, and the Black List and partners will have the right to approve or reject each request based on eligibility.

After submissions close on June 15, 2023, representatives from each supporting partner will read the shortlisted feature scripts, pilots, plays, and musicals and provide input on which scripts show the most promise. The final ten writers on the Georgia List will be announced at the 2023 Georgia Summit in October 2023.

The writers on the Georgia List will meet with managers from 3Arts and Content Talent South for possible representation, and executives from Fifth Season for a potential development deal. The Alliance Theater will mount a staged reading of one of the scripts on the List.

Two writers from the List will also become Artists in Residence at the Art Farm at Serenbe. These two writers will each receive a $10,000 grant and mentorship from Jamie Linden (WE ARE MARSHALL, DEAR JOHN).

IMPORTANT DEADLINES:

  • October 20, 2022 - Submissions open on blcklst.com

  • May 14, 2023 - Purchase deadline for paid evaluations / Deadline to use Fee Waiver

  • June 15, 2023 - Submission deadline

  • June 16, 2023 - Shortlist writers notified

  • September 16, 2023 - Georgia List writers notified

  • October 2023 - Announce List at 2023 Georgia Summit

SPECIAL REQUIREMENTS:

Writers who submit to the Georgia List must have a close tie to the state of Georgia. Close ties to the state can include but are not limited to:

  • The writer is from the state of Georgia

  • The writer grew up in the state of Georgia

  • The writer currently lives in the state of Georgia

  • The writer went to college in the state of Georgia

  • The writer is a part time resident of the state of Georgia

  • The writer has spent significant time  with family in the state of Georgia

blcklst.com/programs/the-2023-georgia-list

_____

Ryan Hudak LGBTQ+ Playwright Award

New York Foundation for the Arts

DEADLINE: Friday, June 30 at 5:00pm ET

INFO: The Ryan Hudak LGBTQ+ Playwright Award is an annual $10,000 cash grant awarded to one (1) New York State-based playwright who self-identifies as LGBTQ+. The Award honors the life and work of Ryan Hudak. Ryan was a gay playwright, theater maker, filmmaker, and a valued member of NYFA’s staff, serving on the executive and development teams. Tragically, Ryan passed away in May 2022 after a long battle with Leukemia at the age of 32. The Award will be open to playwrights who live in New York State, including those who live within the five boroughs of New York City. 

Applicants will need to be practicing playwrights and be able to demonstrate an ongoing commitment to their creative practice and career. Applicants will be required to share a statement on how this Award will impact and catalyze their artistic work and practice. Applicants must self-identify as LGBTQ+. Only those who are at least 25 years of age and current New York State residents and have maintained residency for a minimum of twelve months by the application deadline will be considered. 

Funding for this award is generously provided by Ryan’s parents, Pat and Tom Hudak; individual donors; and the philanthropic community.

APPLICANTS NOTIFIED: October 2023

nyfa.org/awards-grants/the-ryan-hudak-lgbtq-playwright-award/

THEATER — APRIL 2023

2023 My Time Fellowship

Writers’ Colony at Dairy Hollow

DEADLINE: April 10, 2023

APPLICATION FEE: $35

INFO: The Writers’ Colony at Dairy Hollow is pleased to announce the 2023 My Time fellowship funded by the Sustainable Arts Foundation. Writers who are also parents of dependent children under the age of 18 are invited to apply. Work may be any literary genre: poetry, fiction, plays, memoir, screenplays, or nonfiction.  The successful application will demonstrate literary merit and the likelihood of publication. Prior publication is not a requirement.

Two fellowship winners will receive a one-week residency to allow the recipient to focus completely on their work, at least one to be awarded to a Person of Color. A $500 stipend will be provided to cover childcare and/or travel costs. Each writer’s suite has a bedroom, private bathroom, separate writing space, and wireless internet. We provide uninterrupted writing time, a European-style gourmet dinner prepared five nights a week, and served in our community dining room, the camaraderie of other professional writers when you want it, and a community kitchen stocked with the basics for other meals.

Fellowship applications must be accompanied by a writing sample and a non-refundable $35 application fee. There is a limit of one submission per application. The submission period opens on Monday, January 30, 2023. The deadline is midnight CST on Monday, April 10, 2023. The winner will be announced no later than May 1, 2023. Residencies may be completed at any time during 2023. This may be extended up to twelve months for extenuating circumstances including COVID-19 concerns.

www.writerscolony.org/fellowships

_____

THE MUSE OF FIRE BIPOC PLAYWRITING FESTIVAL

Atlanta Shakespeare Company

DEADLINE: April 15, 2023

INFO: The Atlanta Shakespeare company is launching a new playwriting initiative for historically marginalized artists. The "muse of fire playwriting festival'' invites playwrights of the global majority to create a full-length play that reimagines Shakespeare’s themes and plots through the lens of BIPOC America. Script submissions will be accepted through spring 2023, and three finalists will be invited to Atlanta to see their scripts receive staged readings in summer 2023. 

PRIZE: The winning script will also receive a $5000 cash prize and a staged reading at the January 2024 Shakespeare theatre association conference, hosted by the Atlanta Shakespeare company.

2022 MUSE OF FIRE FESTIVAL THEME

“..if you prick us, do we not bleed?”

In Shakespeare’s time, much like our own, society was full of inequalities. Humans divide ourselves over whatever makes us different, rather than acknowledging we’re all the same. 

This year we welcome stories that make us look at what it really means to be human and how we interpret that definition for our own purposes. 

SUBMISSION INFORMATION AND GUIDELINES:

  • Three finalists will have staged readings of their scripts at the Shakespeare Tavern Playhouse during the weekend of June 30 - July 2, 2023;

  • The winning play will receive a prize of $5000.00 U.S., and the possible opportunity to further develop their script with the members of the Atlanta Shakespeare Company;

  • Opening Date for this competition is October 15, 2022; Final Entry Date is April15, 2023;

  • Scripts will be adjudicated by a diverse panel of professional artists (including playwrights, actors, directors, producers, and stage managers), and will be judged on creativity, adherence to the theme, originality, and overall quality;

  • Plays MUST BE NEW WORKS; scripts that have previously been published or produced will not be accepted; any play which has had more than one consecutive performance by a non-college or university theatre which charged admission and/or had a review will not be considered; furthermore, plays may not be under option, commissioned, or scheduled for professional production or publishing at the time of submission;

  • Adaptations and collaborations may be considered (please note that the prize money will be awarded to the winning script, not each individual collaborator);

  • Plays must be submitted by attachment in PDF format under the following guidelines:

    • Send ONLY 1 copy, in PDF format.

    • Scripts should be in a standard format, such as Dramatists Guild Modern Stage Play.

    • Text should be in 12 pt type and in a standard font such as Times New Roman.

    • Script must include page numbers at the bottom of each page.

    • The author's name MUST NOT appear anywhere in the script.

    • DO NOT include resumes, playwright biographies, or a history of the play.

    • DO include a page with character breakdowns (age, gender, etc.)

    • DO include a "slug line" or one sentence blurb about the play as well as a synopsis of no more than 100 words.

  • Special consideration will be given to plays that include any/all of the following:

    • Full length plays with an intermission, running between 90 minutes and 2 hours 30 minutes;

    • Use of direct audience address;

    • Direct reference to Shakespeare (the person or his works);

    • A prologue and/or epilogue.

shakespearetavern.com/news/muse-of-fire-bipoc-playwriting-festival/


_____

Rhinebeck Residency

The Seventh Wave

DEADLINE: April 15, 2023

APPLICATION FEE: $0

INFO: Applications for The Seventh Wave’s 2023 Rhinebeck Residency are now open.

The residency, which is located in Rhinebeck, NY, is now a two-week artist residency open to four writers or artists. This is specifically for the artist or writer who is looking to work on a longer-length work, such as a chapbook, manuscript, film, or play. This is our longest-standing residency, and the property sits on 27 acres of wildness, providing an oasis of lush silence and creative space amid canopies of green and disappearing paths perfect for some natural inspiration. Known for, and as, The Crystal Cottage, our residents tend to congregate in the glass octagon attached to the side of the house, which offers incredible acoustics during rainstorms.

Held in the summer, the Rhinebeck Residency offers residents the opportunity to get a little lost. With 27 acres of disappearing paths, a wrap-around deck that faces west (think: sunsets), and a little glass greenhouse that provides for an acoustic environment that beckons the creative spirit, especially during rainfall. What used to be a three-day program designed to provide writers, artists, and creatives a physical interlude, is now a two-week artist residency catered toward the artist or writer working on a longer-length project, manuscript, or work.  

2023 RESIDENCY: This residency will take place July 9-23 in the blues and greens of upstate NY. There is no cost to apply and no cost to attend; you just have to get yourself there + pitch in on a meal or two.

If shared meals, summer storms, and late-night chats on a wooden deck overlooking rolling hills call to your sensibilities as an artist, we want to hear from you. Those with larger projects and manuscripts are especially encouraged to apply.

Any questions, please feel free to reach out to us at residency@seventhwavemag.com anytime.

theseventhwave.co/rhinebeck-residency/

_____

2023 PLAYWRITING COMPETITION

Austin Film Festival

DEADLINE: April 18, 2023

INFO: At Austin Film Festival, our mission is to champion all writers across mediums. Our Playwriting Competition (open to full-length plays) gives playwrights a chance to explore our film and television conference. It will also allow film professionals to discover storytellers who have mastered the art and craft of stage drama.

AFF has always promoted story as the most important element of film and TV. So giving playwrights their own story exposure and a chance of crossover into film and TV only advances our mission. There are many other playwriting competitions out there, but AFF offers playwrights broader access to successful writers and professionals in all the other related fields.

The play that make the Final Round will have a reading during the Conference. Advancing playwrights will have access to exclusive panels, workshops, roundtables, and unique networking opportunities with professionals in theatre, film, and television.

AFF understands the relationship between passion and writing. That’s why we have enormous respect for the many successful playwrights who made the seamless transition to film and TV – playwrights such as Tennessee Williams, Horton Foote, John Patrick Shanley, Tony Kushner and Beau Willimon. And that list grows exponentially with today’s widening viewer market.

austinfilmfestival.com/submit/play/

_____

REST RESIDENCY FOR SINGLE MOTHERS

The Old Knitting Factory

DEADLINE: April 30, 2023

INFO: The Old Knitting Factory exists to support single mothers and other twice-marginalized single parents. Here’s how you can apply for a retreat and support our work.

Applications are now open for a free one-week stay in the Old Knitting Factory’s residency space, including a cash stipend to apply to childcare costs. The residency is open to single mothers and other twice-marginalized single parents from anywhere in the world. Come enjoy the beauty and peace of Connemara, and take some time to rest and honor yourself and your children.

Inspired by the work of The Nap Ministry, adrienne maree brown’s Pleasure Activism, and The Mae House, I am offering it as a rest residency, meaning that you don’t have to be an artist to apply; you just have to be a single mom (or other twice-marginalized single parent) who could use some rest. And couldn’t we all?

RESIDENCY / STIPEND: You’ll have use of our residency space for any week of your choosing, and you are welcome to bring your children or not, as best suits your needs. The space features a double bed, fold-out single bed, futon, and pack-and-play crib. The resident will receive a €250 cash stipend toward childcare costs, to use at your discretion.

Please note: Travel costs are not included.

GUIDELINES: To apply, email us with a brief statement (up to 500 words, shorter is fine!) on why this residency would be useful to you and your children (whether they will come with you or stay with someone else while you rest).

oldknittingfactory.com/single-mother-retreats

_____

ARTIST-IN-RESIDENCY PROGRAM

Ma’s House & BIPOC Art Studio Inc.

DEADLINE: Rolling

FEE: $0

INFO: Ma’s House’s Artist-In-Residency program is open to US-based creatives of color working in any genre of visual art, creative writing, and performance arts. We encourage resident artists to pursue work that relates to Shinnecock’s history, the local landscape, community based work, and critical engagement in issues of diversity, race, and identity.

ELIGIBILITY: The Ma’s House Artist Residency is open to national and international BIPOC artists 21+ years of age. A variety of disciplines are accepted including, but not limited to: visual arts, media/new genre, performance, architecture, film/video, literature, interdisciplinary arts, and music composition. Solo artists or collaborative groups (up to three people) are welcome to apply. 

Applicants will be chosen based on project proposals, artistic merit, feasibility/logistics of the residency, and how the artist will benefit from working at Ma’s House and Shinnecock.

LOCATION: Ma’s House is located on the Shinnecock Indian Reservation in Southampton, NY (about two hours from NYC).

RESIDENCY LENGTH: Residencies will be scheduled by mutual agreement between accepted resident artists and Ma’s House year-round. Residencies can be a minimum of a weekend and a maximum of one month. Artists from federally recognized tribes may apply for up to six months.

RESIDENCY REQUIREMENTS: Residents will be required to participate in a minimum of one public program during their stay (open rehearsals, workshops, studio visits, lectures, or artist talks). Engaging with or researching Shinnecock artists, east-end artists, and local art institutions  is strongly recommended before arrival.

RESIDENCY COSTS:

  • There is no fee to apply or fee to attend. Residents will be responsible for their own groceries and meals.

  • Thanks to the Creatives Rebuild New York grant, we are grateful to offer $ 250.00 per week honorariums for visiting artists.

mashouse.studio/residency/

THEATER — MARCH 2023

2024 Writer in Residence (WiR) program

Hedgebrook

DEADLINES / FEES:

  • By March 7, 2023 (by midnight, PST) / $45

  • From March 8-14, 2023 (by midnight, PST) / $55

INFO: Hedgebrook’s Writer-in-Residence Program supports writers from all over the world for residencies of two to four weeks. The cottage, all meals, and the entire residency experience at Hedgebrook is free to selected writers. Travel is not included and is the responsibility of the writer to arrange and pay for. Up to 6 writers can be in residence at a time, each housed in their own handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women-identified writers, 18 and older, whose stories and ideas shape our culture now and for generations to come. Writers must be women, which is inclusive of transgender women and female-identified individuals. Because gender inequity still occurs in all spaces including literary ones, it is part of our explicit mission to support and promote women’s voices. This application is not for alumnae seeking a return stay.

These residencies will take place February to mid-June 2024.

ACCEPTED GENRES:

  • FICTION

  • NON-FICTION

  • PLAYWRITING

  • POETRY

  • SCREENWRITING/TV WRITING

  • SONGWRITING

hedgebrook.org/writers-in-residence

_____

EMERGING WRITER FELLOWSHIP

GrubStreet

DEADLINE: March 13, 2023 at 11:59pm EST

INFO: The Emerging Writer Fellowship aims to develop new, exciting voices by providing three writers per year tuition-free access to GrubStreet’s classes and two Muse & the Marketplace summits. Over the course of one year, each Emerging Writer Fellow will attend a combination of seminars and multi-week courses of their choosing, along with a wide selection of Muse & The Marketplace programming, in order to enhance their understanding of craft and the publishing industry.

OVERVIEW:

The Emerging Writer Fellowship will be awarded to three writers who demonstrate a passion for writing, a commitment to developing their writing abilities, and financial need. Any person 18 and older who demonstrates ability and passion for writing is eligible.

The Emerging Writer Fellowship will provide access to each of the following:

  • 4 multi-week courses

  • 4 one-day (6hr) classes

  • 4 three-hour seminars

  • Access to a wide selection of 2023 and 2024 Muse & the Marketplace conference series programming

  • Access to GrubStreet's Education Director and/or other program staff members for quarterly (or as-needed) office hours for personalized mentorship. (Not Required)

The fellowship year begins in May, 2023.

WHO SHOULD APPLY:

This fellowship is open to anyone 18 and older with a passion for writing. The fellowship specifically aims to assist writers in need of financial assistance in reaching their writing goals. We particularly encourage writers of color, ethnic minorities, those who identify as LGBTQ+, people with disabilities, and other members of communities historically underrepresented by the literary community to apply.

HOW TO APPLY:

The Emerging Writer Fellowship Application Form will require the following:

  • A sample of your writing that demonstrates your artistic style and voice. 5-10 pages for prose, screenwriting, or playwriting. 3-7 pages for poetry.

  • A personal statement -- no more than 500 words please! -- which should include the following:

    • How you envision using the fellowship.

    • A description of your relationship to writing. By this we mean: what excites you about it? What does it mean to you personally?

    • How the fellowship will help you in your growth and success as a writer. 

    • Your writing and workshop history (Note: Prior workshop experience at GrubStreet is not required).

grubstreet.org/programs/emerging-writer-fellowship/

_____

The Signpost Fellowship

Chisa Hutchinson

DEADLINE: March 31, 2023

INFO: The Signpost Fellowship is a six-month situation intended for a person of color age 18 or over who's interested in shadowing a professional playwright or screenwriter of color. What that looks like is entirely up to you and your Writer-Mentor but could involve:

  • being invited to meetings, auditions, rehearsals, and events

  • giving and receiving feedback on script drafts

  • performing dramaturgical research

  • fielding bottomless requests for bios and headshots

  • figuring out wtf to do with a stack of 1099s

AWARD: Oh, and there's $2,500 in it for you.

POSSIBLE WRITER -MENTORS (Click name for info):

GUIDELINES:

  • Drop a message below explaining where you are in life and how this opportunity could be helpful to you.

  • Attach a short (10-page maximum) dramatic writing sample.

TIMELINE:

  • Finalists will be selected by Friday, June 30th.

  • Interviews will be conducted in the weeks following.

  • The recipient(s) will be selected by Tuesday, August 1st.

chisahutchinson.com/the-signpost-fellowship.html

_____

FADE TO BLACK PLAY FESTIVAL

DEADLINE: April 1, 2023

ENTRY FEE: $0

INFO: We are seeking ten-minute plays and monologues written by African-American Playwrights.

Winning playwrights will be announced May 1, 2023

GUIDELINES:

  • No restriction of theme or genre.

  • Three (3) plays are allowed per playwright.

  • Selected playwright winners will be awarded a cash prize.

  • Full production provided.

TEN-MINUTE PLAYS:

  1. Playwright must be the sole author of the submitted work.

  2. Playwright must publicly and openly identify themselves as African-American, Black, or of the African diaspora.

  3. Previously published or produced work by the author or theatre/company is not allowed (See definitions below).

  4. Play must run no longer than 10 minutes long on stage, but no shorter than 8 minutes. (Conduct informal readings to ensure).

  5. Play should accommodate a “bare-stage” set requiring only a minimum of removable stage props and require basic lighting and

    sound cues.

  6. Play must not be a musical.

  7. Play must not be written for children or youth.

  8. Play must not contain characters that are under 17 years old.

  9. Play must not be a re-submission of previous Fade To Black play festival seasons.

  10. Play must not be considered a translation or adaptation.

  11. Play must not be a film. Screenplays/Scripts written for television or cinema will not be accepted.

  12. Play should be "stand-alone", a separate body of work that has not been extracted from a larger, previously written play.

  13. Author must be at least 18 years of age.

  14. Play must be submitted in a PDF format.

fadetoblackfest.com/script-submission

_____

ARTIST-IN-RESIDENCY PROGRAM

Ma’s House & BIPOC Art Studio Inc.

DEADLINE: Rolling

FEE: $0

INFO: Ma’s House’s Artist-In-Residency program is open to US-based creatives of color working in any genre of visual art, creative writing, and performance arts. We encourage resident artists to pursue work that relates to Shinnecock’s history, the local landscape, community based work, and critical engagement in issues of diversity, race, and identity.

ELIGIBILITY: The Ma’s House Artist Residency is open to national and international BIPOC artists 21+ years of age. A variety of disciplines are accepted including, but not limited to: visual arts, media/new genre, performance, architecture, film/video, literature, interdisciplinary arts, and music composition. Solo artists or collaborative groups (up to three people) are welcome to apply. 

Applicants will be chosen based on project proposals, artistic merit, feasibility/logistics of the residency, and how the artist will benefit from working at Ma’s House and Shinnecock.

LOCATION: Ma’s House is located on the Shinnecock Indian Reservation in Southampton, NY (about two hours from NYC).

RESIDENCY LENGTH: Residencies will be scheduled by mutual agreement between accepted resident artists and Ma’s House year-round. Residencies can be a minimum of a weekend and a maximum of one month. Artists from federally recognized tribes may apply for up to six months.

RESIDENCY REQUIREMENTS: Residents will be required to participate in a minimum of one public program during their stay (open rehearsals, workshops, studio visits, lectures, or artist talks). Engaging with or researching Shinnecock artists, east-end artists, and local art institutions  is strongly recommended before arrival.

RESIDENCY COSTS:

  • There is no fee to apply or fee to attend. Residents will be responsible for their own groceries and meals.

  • Thanks to the Creatives Rebuild New York grant, we are grateful to offer $ 250.00 per week honorariums for visiting artists.

mashouse.studio/residency/

THEATER — FEBRUARY 2023

The Black Motherhood and Parenting New Play Festival

Blackboard Plays / Parent Artist Advocacy League

DEADLINE: February 10, 2023 at 11:59pm EST

INFO: Blackboard Plays and Parent Artist Advocacy League (PAAL) partner to uplift the experiences of Black Parenthood. The Black Motherhood and Parenting New Play Festival was established to tell stories from and about Black artists with families.

PAAL and Blackboard established #BMPFest to showcase the creative output of Black parent playwrights. They issued an open call in October 2020 for writers who identify as Black parents or caregivers to submit up to 10 pages of work that they would develop into a one-act.

GUIDELINES:

The Black Motherhood and Parenting New Play Festival (#BMPFest) is seeking new plays by Black Parent and caregiver playwrights for its upcoming theatre festival in the Fall of 2023.

  • #BMPFest is open to those that identify as Black parents and caregivers.

  • #BMPFest is seeking stories centering the Black parenting and caregiving experience.

  • This includes, but is not limited to stories from artists with family responsibilities.

PAAL and Blackboard are transgender and non-binary affirming spaces. All language referencing "mother," "parent," "dad," "caregiver," and their derivatives include and refer to any individual who identifies with them.

SUBMISSION DETAILS

  • Please submit up to 10 pages MAX of a play that you would develop into a One-Act (30 - 45 minutes.)

  • Six (6) Semi-Finalists will have a feature digital (zoom) reading as part of Blackboard Plays’ 2023 Season.

  • Four (4) Finalists will develop their One-Act centering on the Black parenting and caregiving experience to premiere digitally during the Fall of 2023.

  • Once selected, we will ask our 10-semifinalists to submit a full script for review.

  • We will then select our 4 finalists.

  • Between the start of rehearsal and your selection as a finalist, you will have the opportunity to expand upon your work.

  • Diverse Gender representation will be prioritized in the review and selection process.

  • Each produced play will have digital production elements and an assigned director.

Although we ask for a sample of 10-pages, this is not a 10-minute play festival.  Video Submissions will not be accepted.

LOCATION:

  • The Final four (4) plays will be produced virtually.

  • Pending partner theatre preferences, we will consider a hybrid presentation.

  • Vaccination will be required for all participants of in-person productions

COMPENSATION: Each of the four (4) Finalists will be paid a stipend of $1,000. USD, as well as a $500. USD Caregiver Reimbursement Stipend per artist.

blackboardplays.submittable.com/submit

_____

LITERATURE GRANT

Café Royal Cultural Foundation NYC

DEADLINE: February 13, 2023 at 9:00 am ET (or as soon as we receive 40 applications).

INFO: Café Royal Cultural Foundation NYC will award a publishing grant to authors of fiction / creative non-fiction, poetry and playwriting. 

To ensure that each submission receives the attention it deserves we will be only accepting 40 applications for each of our categories.

GRANTS: Up to $10,000

ELIGIBILITY: Authors in fiction / creative non-fiction, poetry and playwriting. The applicant must be the originator of the written material. Grants awarded in this category may fund costs associated with continuing the composition of work submitted. Such as:

  • Course Reduction (if you're a Teacher/Professor)

  • Salary Replacement

  • Living Expenses

  • Research Expenses

Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying and plan to be a resident through the completion of their project.

Please make sure to submit your application with ample time before the start date of your project. 

Applicants can only apply with the same project twice.

REVIEW PROCEDURES: Funding decisions will be made by the Café Royal Cultural Foundation Selection and Executive Committees. The following criteria will be applied in evaluating grant proposals:

  • Creativity, originality, ideas and concepts, writing style

  • Importance of the Project/Cultural Relevance

  • Promise of future achievements in writing

APPLICATION REQUIREMENTS: 

  • Up to and no more than a 15 page PDF of the work, for the Café Royal Cultural Foundation executive committee to download and read.

  • A letter of intent from the publisher with a date of planned publication, if no publisher is assigned, Café Royal Cultural Foundation may work with writer to help find a publisher.

  • A short description of the project.

  • A short author biography of the person(s) involved.

  • List of costs that the grant money be used for - must not exceed the amount of $10,000

crcfapplication.org/project

_____

Nawat Fes RESIDENCY

Nawat Fes

DEADLINE: February 15, 2023

INFO: Nawat Fes offers funded residencies in the eighth-century medina of Fes, Morocco to U.S. and international creators in multiple disciplines.

The initiative engages art to cultivate understanding among multifaceted cultures through the exchange of ideas. Hosted by the American Language Center Fes / Arabic Language Institute in Fez, a member of the American Cultural Association, Nawat Fes is a new program that hosted its first residencies in May 2022.

Two Nawat Fes artist residents at one time live and work in the ancient medina of Fes, which is considered one of the most extensive and best conserved historic cities of the Arab-Muslim world.

Designated a UNESCO World Heritage Site, the Fes medina is one of the world’s largest pedestrian zones, containing narrow alleyways leading to ancient architectural treasures, traditional houses, artisan workshops and open-air markets.

Within this unique setting, Nawat Fes provides a supportive environment for research, reflection and artistic practice, allowing artists from around the world to experience and learn from Moroccan culture, and to contribute to the local cultural conversation.

DAR BENNIS: Two artists at one time reside and work on separate floors of Dar Bennis, a restored traditional Moroccan house in the old medina, tucked away not far from the main street. Each artist will have a bedroom, a private bath, and a basic studio in the house. The house has wifi, a shared kitchen, a laundry room and a roof terrace with a view of the medina.

As the rooms in Dar Bennis all open onto an interior courtyard, perfect quiet in the living and work spaces cannot be assured. There are several great cafes nearby that also make excellent off-site working environments.

ADDITIONAL EXPECTATIONS / OPPORTUNITIES: Nawat Fes artist residents will be expected to offer two opportunities for our community to engage with their work. These could be public programs such as a talk, performance, reading, lecture, workshop or concert, or an exhibition of their work during the residency.

These programs are intended for local students of English and/or international students of Arabic, as well as the local community. Artists should be prepared to engage with our community in English or Arabic.

RESDIENCY PERIODS: Nawat Fes offers several residency periods each year of roughly two months each. Artists are expected to arrive at the beginning of each residency period and to stay through the end of the residency period.

Residencies from Mid-May 2023 through Mid-May 2024 will be awarded to artists who apply at the February 15, 2023 application deadline. These residency periods will be:

  • SUMMER 2023 (Mid-May through Mid-July 2023)

  • FALL 2023 (Mid-October to Early December 2023)

  • WINTER 2024 (Mid-January to Mid-March 2024)

  • SPRING 2024 (Mid-March to Mid-May 2024)

Residencies after May 2024 will be scheduled in a future application process. If you are interested in applying at a future deadline, please add your name to the Nawat Fes email list and we will inform you when the next application cycle opens.

ARTIST STIPENDS: Residencies are supported by the American Language Center Fes, which provides housing at no cost to artist residents, along with a 200-dirham/day living allowance (depending on the exchange rate, this normally ranges from 16-20 USD/day), from which artists will provide their own food. Half of the stipend is provided on arrival, and half at the midpoint of the residency. We can recommend some excellent local cooks who can come to Dar Bennis to prepare a variety of meals, including vegetarian, vegan, and gluten free options, as well as traditional Moroccan dishes. Artists can use their stipend to pay for this service. The ALC will host occasional meals including other members of the Fes community.

ALC-ALIF staff and volunteers will be available on a limited basis to help artists engage with the local community. Artists will also be offered the option of a complimentary course in Moroccan Arabic, as well as optional translation services into Arabic for their descriptive and biographical material. Artists support the cost of their own travel, travel medical insurance, artist materials, any cost for mailing finished work out of Morocco, and all other costs.

SELECTION CRITERIA: Artists will be selected by a jury. We value diversity highly within our community of artist residents. Residencies are awarded based on the quality of work submitted, diversity of cohort, the proposal for intended new work, and the fit of the artist within Morocco and the Fes medina.

A high value is placed on linguistic exchange between the artists and the Moroccan community in Fes, which participates in American Language Center Fes programs in English, so artist applicants must have good conversation skills in English. Arabic and French are helpful but not required.

alcfes.org/nawatfes/

_____

MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: February 15, 2023 at 11:59pm EST*

PROCESSING FEE: $30

INFO: MacDowell is a fellowship and residency program for writers, visual artists, composers, filmmakers, playwrights, interdisciplinary artists, and architects. About 300 artists are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence.

There are no residency fees. Need-based travel grants and stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply.

MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

MacDowell is currently accepting applications for the Fall / Winter 2023 residency season and has suspended a longstanding admissions requirement that applicants supply reference letters as part of the application process.

macdowell.org/apply/apply-for-fellowship

_____

Interdisciplinary Artist-in- Residence Programs

The Peter Bullough Foundation

DEADLINE: February 21, 2023

INFO: The Peter Bullough Foundation provides fall and spring residencies for emerging artists and scholars with diverse backgrounds and interests. We hope to create a community that elevates voices that are underserved, including those of the LGBTQIA2S+ community.  

The ideal applicant will be self-directed, motivated, able to work independently, and interested in engaging with the local community. Each awarded residency period is roughly four weeks long and is shared with one or two other artists in residence. Artistic collaborators in groups of two to three may apply in one application. While in residence, artists are required to host a community workshop, lecture, or event virtually or in-person.

The PBF accepts applications from artists working in the following disciplines: architecture, literature, film/video arts, interdisciplinary arts, music, music composition, playwriting, screenwriting, poetry, theatre, and the visual arts.

APPLICATION: Fall residencies begin in August, September, and October, and November and spring residencies start in late January, February, March, and April. Applications open in January for fall residencies and in August for spring residencies. Please sign up for our newsletter to be notified when applications open. 

​Applicants are not required to mail in hard copies of the application forms. If you need assistance with the online application process, or do not have access to a computer, please contact the PBF staff for guidance on applying.

When open, applications are available through the Call for Entry website by first making an artist account at Call for Entry and then by applying to the residency. 

Applications include the following requirements:

  • Application Form

  • Personal Statement/Proposal

  • Resume, CV, or Statement of Qualifications

  • Work Samples/Portfolio

  • Two Personal References

LOCATION: Winchester, Virginia is a quintessential American small town with a rising arts scene. The town is home to a large regional art museum, several house museums, a children's discovery museum, and many small, local shops that embrace the area's creative community. Downtown Winchester offers numerous dining options and four award-winning locally-owned breweries. Additionally, Winchester is home to Shenandoah University which regularly hosts   theater, dance, and music performances.

ACCOMMODATIONS & SUPPORT: The Peter Bullough Foundation is delighted to offer free accommodations for two to three artists at a time in Dr. Bullough’s former home, a renovated 1840’s house with private bedrooms and shared bathrooms and common spaces. Private studios and workspaces are located in an adjacent building that also houses the majority of Dr. Bullough’s book and art collections. Private gardens connect the properties and are also available as open-air workspaces.

A $550 stipend is provided to aid in covering supplies, necessities, and food for the month. If you have any questions about the residency program, please contact the PBF or check out our Frequently Asked Questions page.

SELECTION: Selection is a multi-step process involving the PBF staff, residency committee, residency alumni, and board. We may request an interview with you to learn more about you and your work. Selections will be announced 30-45 days after the application deadline. The PBF does not discriminate in its programs and activities on the basis of race, sex, sexual orientation, gender identity, gender expression, marital status, religion, creed, national origin, age, and/or disability.

peterbulloughfoundation.org/residencies

_____

2023 CBTF SUBMISSIONS ARE OPEN

Mine 4 God Productions

DEADLINE: February 28, 2023

INFO: Mine 4 God Productions (M4GP) is now accepting creative works that share the belief that people have the right to choose what they want for their life. 

Our theme in 2023 is “The Right to Choose”

Who they love. Where they live. What they do with their bodies. To live or die with dignity. To be single or married. To be male or female or both. And any other "right" that you as the playwright feels fits our theme and is questioned by others who feel they have the "right" to judge you. It must be a story that is a story and not a lecture to push your views on others. It must be about everyday people and their everyday lives and how they choose to live it.

We are accepting monologues and one-act plays that have diversity, inclusion, and equity of Black and Brown characters for our 11th Annual Columbus Black Theatre Festival (CBTF) that will be held July 7-9th, at The Columbus Performing Arts Center Van Fleet Theatre in downtown Columbus, Ohio.

The entries need to meet the following criteria:

ONE-ACT PLAYS

  1. No more than 4 characters (6 characters can play double-role.)

  2. No derogatory, hate based, sexually explicit work will be reviewed or accepted.

  3. Have minimal set/light requirements.

  4. If required, play can be rehearsed/performed effectively by virtual means.

  5. 15 to 30 minutes long.

  6. Blocking of the play can be rearranged by the Director to meet social distance guidelines of State and theatre venue if needed.

MONOLOGUES

  1. 5 to 10 minutes long.

  2. No derogatory, hate based, sexually explicit work will be reviewed or accepted.

mine4godproductions.com/cbtf

_____

Artist-In-Residency Program

Ma’s House & BIPOC Art Studio Inc.

DEADLINE: Rolling

FEE: $0

INFO: Ma’s House’s Artist-In-Residency program is open to US-based creatives of color working in any genre of visual art, creative writing, and performance arts. We encourage resident artists to pursue work that relates to Shinnecock’s history, the local landscape, community based work, and critical engagement in issues of diversity, race, and identity.

ELIGIBILITY: The Ma’s House Artist Residency is open to national and international BIPOC artists 21+ years of age. A variety of disciplines are accepted including, but not limited to: visual arts, media/new genre, performance, architecture, film/video, literature, interdisciplinary arts, and music composition. Solo artists or collaborative groups (up to three people) are welcome to apply. 

Applicants will be chosen based on project proposals, artistic merit, feasibility/logistics of the residency, and how the artist will benefit from working at Ma’s House and Shinnecock.

LOCATION: Ma’s House is located on the Shinnecock Indian Reservation in Southampton, NY (about two hours from NYC).

RESIDENCY LENGTH: Residencies will be scheduled by mutual agreement between accepted resident artists and Ma’s House year-round. Residencies can be a minimum of a weekend and a maximum of one month. Artists from federally recognized tribes may apply for up to six months.

RESIDENCY REQUIREMENTS: Residents will be required to participate in a minimum of one public program during their stay (open rehearsals, workshops, studio visits, lectures, or artist talks). Engaging with or researching Shinnecock artists, east-end artists, and local art institutions  is strongly recommended before arrival.

RESIDENCY COSTS:

  • There is no fee to apply or fee to attend. Residents will be responsible for their own groceries and meals.

  • Thanks to the Creatives Rebuild New York grant, we are grateful to offer $ 250.00 per week honorariums for visiting artists.

mashouse.studio/residency/

THEATER — JANUARY 2023

James Merrill Writer-in-Residence

James Merrill House

DEADLINE: January 9, 2023

APPLICATION FEE: $30

INFO: James Merrill House invites writers of all genres to apply for their Fall '23-Summer '24 residencies.

We have six residencies for 2023-24: September 2023 (4 weeks), October (4 weeks) November (4 weeks) February-mid March 2024 (6 weeks) April-mid May (6 weeks) August (4 weeks)

STIPEND: The Writer-in-Residence program includes a stipend of $1,100 per month, prorated according to the length of stay.

SELECTION CRITERIA:

Applicants must be:

  • A writer or scholar with a specific project of literary or academic merit who is committed to full-time residence in Stonington during his or her stay. We regret that the residency is not intended for completion of one’s dissertation. Genres accepted: poetry, fiction, non-fiction, plays.

  • A person willing to contribute to the community. It is expected that this will include a reading or a workshop for the community.

  • A person of integrity and responsibility who can be entrusted with the Merrill Apartment and its contents.

  • We welcome suggestions from applicants about ways in which our fellows might reinforce the community’s links to writing, poetry, and James Merrill’s legacy.

APPLICATIONS: We accept applications for the 2023-2024 residencies between October 1, 2022 and January 9, 2023 11:59 pm Eastern Standard Time. Decisions will be made by mid-March.

GUIDELINES:

A complete application includes the following documents:

  • A resume of four or fewer pages

  • A writing or work sample of ten or fewer pages

  • A statement of your plan of work while in Stonington CT

  • Two letters of reference

  • If applicable, a brief biographical sketch of a spouse or partner who would be residing in the apartment with you. Please note that due to the age and nature of the building we cannot accept pets and it may be difficult for a child to reside there. If you have a child that would need to reside with you during the residency please let us know. Also, please note that the apartment is located on the third floor and is only accessible by stairs.

  • The James Merrill House follows the State of Connecticut guidelines on the COVID-19 pandemic. 

  • A $30 application fee. Unfortunately, we do not allow fee exemptions.

jamesmerrillhouse.submittable.com/submit

_____

2023 Emerging Artist Residency - For MN & NYC Artists

Anderson Center at Tower View

DEADLINE: January 16, 2023

APPLICATION FEE: $0

INFO: The Anderson Center’s Emerging Artist Residency Program offers month-long residency-fellowships at Tower View to a cohort of early-career artists from Minnesota or one of the five boroughs of New York City for concentrated, uninterrupted creative time to advance their personal artistic goals and projects.

The Anderson Center’s Emerging Artist Residency is an ideal fit for early-career artists in need of focused time and dedicated space in an inspiring residency work environment that empowers them take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

Thanks to generous support from the Jerome Foundation, selected emerging artists receive a $625/week artist stipend, documentation support, art-making resources, lodging & studio space, a travel honorarium, groceries, and chef-prepared communal dinners.

The Anderson Center is an artist community founded in 1995 on the Tower View estate, a venerable research-and-development lab for the arts rooted in an expansive natural setting in rural Red Wing, MN (approximately 1-hour outside the Twin Cities metro).

The Anderson Center’s Emerging Artist Residency is geared toward generative art making, as well as exchange across an interdisciplinary cohort. The program is well suited for vocational early-career artists in pursuit of time, space, and resources to truly commit to a project and explore new creative territories. Critiques, studio visits, and formal professional development are not offered.

The Anderson Center seeks to support emerging writers and artists with an uncompromising drive to create new work at Tower View in August 2023 that demonstrates significant potential for cultural and community impact, is technically accomplished, and engages diverse communities. The organization also believes that the environment and resources of Tower View, along with an exchange of ideas between artists working across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work emerging artists create while in residence.

DEFINITION OF “EMERGING ARTIST”: While the Anderson Center’s general Artist Residency Program hosts artists with a wide range of talent and experience, its Emerging Artist Residency Program exclusively focuses on meeting the specific needs of artists who are in the early stages of their artistic development and career.
The Anderson Center’s goal is to support artists early in their careers who create work that is and/or has the potential to be:

  • Compelling—offering distinctive vision and authentic voice;

  • Deeply considered, imaginative, and executed with attention to craft and with technical proficiency, providing artistic experiences that communicate unique perspective/s, and invite viewers to question, discover, explore new ideas in new ways;

  • Innovative and risk-taking—engaging, questioning, challenging or re-imagining conventional artistic forms.

The Anderson Center defines an emerging artist as someone in the early stages of their creative development with 2-10 years of generative experience, and:

  • have a focused direction and goals, even while still developing their artistic “voice”

  • have yet to be substantially celebrated within their field, the media, funding circles or the public at large

  • are vocational (as opposed to avocational, academic, amateur or educational) artists

Artists who have been in the field for longer than 10 years (excluding any time in a degree-granting program; as a dancer in work created by others; remounting the work of other choreographers; or time away from working as an artist due to circumstances–e.g., having children, caring for family members, long-term illness, etc.) are generally not eligible, even if they feel under-recognized. Age is not a factor in determining emerging artist status.

ELIGIBILITY GUIDELINES:
The four primary eligibility guidelines for the Anderson Center’s Emerging Artist Residency are:

  1. Legal residency in the State of Minnesota or one of the five boroughs of New York City.

  2. Not enrolled in any degree-granting program from time of application through residency period.

  3. Self-identification as an “emerging artist” with 2-10 years of generative experience in the field

  4. An artistic practice centered in generating and creating entirely new work.

Minnesota or New York City artists - Artists must currently be legal residents of Minnesota or one of the five boroughs of New York City and have been residents for at least one year prior to the submission of an application. Artist did (or will) file US federal taxes as a resident of Minnesota or New York City. Account address in Submittable must be within MN or NYC. Selected artists will be required to provide proof of Minnesota or New York City residency before a residency is formally offered. Artists must have a US Social Security Number or US Tax ID.

No students - Students enrolled in any degree-granting program from the time of application through the residency period are not eligible to apply for an Emerging Artist Residency at the Anderson Center (this includes any and all K-12, technical school, college, graduate, postgraduate, ABD studies). There are no exceptions to this eligibility criterion. If an artist is pursuing a degree-granting program in some form, they are not eligible. Please do not contact Anderson Center staff regarding technical situations or special edge cases around student status. This program supports vocational artists, not students. No matter the specifics or details, if an artist can be considered a student of a degree-granting program in any way, they are simply not eligible.

“Emerging Artist” Status – Eligible artists self-identify as an “emerging artist” and are in the early stages of their creative development with 2-10 years of generative experience. The Anderson Center’s goal is to serve a spectrum of artists typically in their 2nd to 10th year of creative practice, post-student status (if applicable). This spectrum is framed by artists with some track record of creating and presenting full work (not beginning artists), and artists who are NOT at a point in their careers where they receive consistent development and production opportunities and significant recognition, awards, and acclaim (not mid-career or established artists).

Artists who have been in the field for longer than 10 years (excluding any time in a degree-granting program; as a dancer in work created by others; remounting the work of other choreographers; or time away from working as an artist due to circumstances–e.g., having children, caring for family members, long-term illness, etc.) are generally not eligible, even if they feel under-recognized.

Age is not a determining factor. Career stage is assessed by the cumulative number of years an artist has been generating their own work. Mid-career or established artists shifting from one artistic discipline to another will not be considered early career. For example, a composer with a substantial career in music who is now moving into film will not be considered early career.

The Anderson Center has defined the 2–10 year span recognizing that some artists may experience enormous success and move past early career status well before their 5th year or 10th year. The organization recognizes that the number of opportunities afforded to artists may differ significantly based on discipline, race/ethnicity, class, gender, physical ability, and geography among other factors. Consequently, some artists may be past their 10th year and still be on the spectrum of early career status due to taking time out of active artistic practice for school or other circumstances. The Anderson Center understands that the lack of an absolute or rigid definition leaves room for interpretation, but embraces this flexibility out of our value around diversity and in recognition of the many variables that impact artists’ careers.

New Work – Eligible artists are generating and creating entirely new work (rather than interpreting, translating, arranging, copying, remounting pre-existing work or the work of others). Generative artists are those who conceive and create new original work (e.g., choreographers, composers, playwrights and devisers, filmmakers, writers, visual artists, etc.). This program does not support artists who solely perform or develop/produce the work of others (e.g., dancers, musicians, actors, editors, journalists, etc.).

Collaboratives - Artists that are part of an artistic collective, partnership, or collaborative are welcome to apply, but collaborative residencies are also rare. The program is extremely competitive, and space is simply limited. Each artist must also complete their own application form. Obviously, each application will repeat things and have much overlap. That is OK. In the work plan for in each application, highlight that artist's contribution / skills, while making clear the collaborative nature of the project.

Notes - Artists of all disciplines are eligible and are encouraged to apply. Applications must be submitted through the Anderson Center’s online webform via Submittable.

Please direct any questions regarding emerging artist status and eligibility requirements to Adam Wiltgen, Anderson Center at Tower View Program Director at: adam@andersoncenter.org.

APPLICATION: A completed application form includes a brief artist statement, a work plan, an emerging artist statement, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your current and future work.

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.

The Work Plan is a one page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.

An Emerging Artist Statement addresses, in 250 words or less, your status as an emerging artist or early-career artist. How would participating in this program impact or advance your practice as an emerging artist? In what ways would this program meet your needs as an emerging artist? Why is this residency important to this stage of your career path? How do you identify as an emerging artist? 

Community Engagement Statement is a chance for you to address, in 200 words or less, any interests, goals, or connections that may help staff in developing your engagement activity with community members in Red Wing. What sort of mutually beneficial exchange would both advance your practice and be meaningful for local participants? We are not asking for any concrete plans here, just some general ideas for us to consider.

Work Samples should be of recent work and should include:

· For composers and musicians: 3 to 5 recordings
· For visual artists: At least 5 images of work (300 dpi or larger)
· For nonfiction and fiction writers: 10 pages of double-spaced prose
· For playwrights & screenwriters: 10-page excerpt (does not need to be from the beginning)
· For poets: 10 pages of poetry
· For translators: 10 pages of translation and original text
· For performance artists: 3 short videos excerpts of performances (no videos longer than 5 minutes)
· For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)
· For Scholars: 10 pages of work, including research abstracts and relevant diagrams

DURATION OF RESIDENCY
The Anderson Center’s Emerging Artist Residency Program is a 4-week residency-fellowship the month of August 2023. Selected artists must commit to arriving on August 1 and departing on August 30. August is the only month the program takes place.

PROGRAM DETAILS
Each artist-in-residence receives:
· $625/week artist stipend
· Travel honorarium ($550 for New Yorkers and $150 for Minnesotans)
· $450 documentation budget (services for photography, video, audio, etc.)
Evening dinners are prepared and presented by the Anderson Center chef Monday through Friday. The chef also shops for meal items for artist residents, and residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There are also housekeepers who clean and maintain the historic facilities.

ACCOMMODATIONS
Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists are provided a 15' x 26' studio and are responsible for supplying their own materials.  Other workspaces on site include a cone 10 gas kiln and electric kilns, an open-air metalsmith facility, a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.

COMMUNITY ENGAGEMENT
The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.

Within the last few years, Anderson Center residents have connected with 12 schools in five area communities (ranging from elementary through college), 5 senior centers, 2 correctional or detention facilities, 7 community organizations serving children and families, and 8 community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.

PROGRAM MISSION & VALUES
The mission of the Anderson Center is to, in the unique and historic setting of Tower View, offer residencies in the arts, sciences, and humanities; provide a dynamic environment for the exchange of ideas; encourage the pursuit of creative and scholarly endeavors; and serve as a forum for significant contributions to society.

The Anderson Center Residency Program was set-up by a working poet to support other artists and continues to function by those with hands-on experience in the creative process. The organization seeks out feedback from residents each month in order to implement necessary changes as it works toward continual improvement of the program. Most importantly, staff trust artists to know what they need most to advance their individual practices. The Center does not dictate specific outcomes or arrange regular structured activities. Instead, the expectation is that the gift of time and space will generate significant advancements in residents' work. The Anderson Center trusts the artists to best use their time to benefit their own work and reach their own goals.

Since 2014 the Anderson Center has offered such month-long residencies in alternating years to small groups of Deaf artists, including poets, fiction writers, and nonfiction writers, whose native or adoptive language is American Sign Language (ASL). Supported by the National Endowment for the Arts, the Anderson Center's Deaf Artists Residency is the only program in the country that is Deaf-centric. It was developed with the goal of contributing to the creation of a local and national network of Deaf culture-creators.

The Center also engages in artist exchange programs with the city of Salzburg, Austria, and with Red Wing's Sister City, Quzhou, China. The Center participates in annual scholarship programs with the MFA  programs at The University of Minnesota and Pacific Lutheran University in Washington.

As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.

VACCINATION POLICY
Prior to arrival, all artists are sent a revised Residency Handbook outline many items related to daily life for artists-in-residence, including the most current safety policies and protocols. The organization's goal is to balance standard pandemic policies and clear expectations while also highlighting areas where communication or flexibility within each cohort might be beneficial or needed. Again, the Anderson Center Residency Program trusts that artists know what they need most to advance their individual practices and how best to use their time to benefit their own work and reach their own goals. Likewise, artists are empowered to collectively make changes where appropriate and ultimately build the artist community they'd like to see.

At the same time, and as is outlined in the Residency Handbook, the Anderson Center is committed to supporting artists by creating a safe space for their residency experience. As such, for the 2023 season, the organization requires all participating artists to provide proof of up-to-date COVID-19 vaccination prior to arrival.

Of course even with all of these precautions, by simply participating in an artist residency program, there is an inherent risk of exposure, even for vaccinated persons, that is beyond the ability of the Anderson Center to control entirely. By applying to this program you are communicating that you are comfortable with that risk and that you are also up-to-date on your COVID vaccinations (or will be prior to arrival).

SELECTION TIMELINE
January 16, 2023 (12:00 p.m. Noon CST) – application deadline
February 3, 2023 – Jury has selected Round 2 applications. All artists are notified of the status of their application.
February 20, 2023 – Jury has determined finalists. Phone interviews with finalists begin.  
March 2, 2023 – Final notification to selected artists, wait-list and runners-up

SELECTION CRITERIA Selection criteria include (in order of importance):
1) Artistic excellence as demonstrated by work samples, resume and artist statement
2) Potential benefit and impact on career as demonstrated by work plan and emerging artist statement
3) Balance of artistic disciplines, identity, geography, etc within selected cohort

EQUAL OPPORTUNITY
The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.

theandersoncenter.submittable.com/submit/237467/2023-emerging-artist-residency-for-mn-nyc-artists

_____

2023 Anderson Center Residency

Anderson Center at Tower View

DEADLINE: January 16, 2023

APPLICATION FEE: $20

INFO: The Anderson Center, founded in 1995 on the Tower View estate in rural Red Wing, Minn., has renovated and restored historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden.

The Anderson Center at Tower View's flagship artist residency program enables artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment to create, advance, or complete work. In addition to community engagement activities through the artist residency program, the organization has a strong history of helping integrate the arts into community life through local partnerships, hosting annual arts events and participating in other community-based initiatives.

ELIGIBILITY: The Residency Program is open to emerging, mid-career, and established visual artists, writers, composers, choreographers, multidisciplinary artists, musicians, performance artists, scholars, and translators from across the globe. The program is interdisciplinary and the organization welcomes applications from a wide range of creative and intellectual genres, including those that don't fit neatly into the above list.

To be considered, artists must submit an application through the Anderson Center’s online form via Submittable. Complete program details are below. Please contact Adam Wiltgen at 651-388-2009 x4 or adam@andersoncenter.org for any questions.

DURATION OF RESIDENCY: For the 2023 season, the Anderson Center is offering month-long residencies in July, September, and October with rare exceptions made for two-week stays. Additionally, a 2-week session is also taking place the first half of November 2023. In general, there is a 48-hour turnover between residencies to allow time for housekeeping. Specific start and end dates are listed in the application form. Please plan your requested residency dates carefully and provide as much detail as possible regarding your availability.

The Anderson Center is not offering residencies in May or June of 2023 as restoration work and improvements are being completed on the Historic Tower View Residence. August 2023 residencies are reserved for the organization’s Emerging Artist Residency-Fellowship Program.

2023 SCHEDULING & AVAILABILITY: With construction work happening on the residency house in May and June, the 2023 season is running from July through the first half of November. This truncated schedule, coupled with other fellowships, exchanges, and deferrals, has resulted in less availability than would be offered during organization’s regular full May – October season.

Available spots in 2023 for artists submitting materials for this General Residency program opportunity (as of 9/2022):

  • July 2023 - Three 4-week spots; space for 3 – 5 artists depending on duration

  • September 2023 - Three 4-week spots; space for 3 – 5 artists depending on duration

  • October 2023 - Two 4-week spots; space for 2 artists each staying the entire month

  • November 2023 – Four 2-week spots; space for four artists each staying two weeks

Please keep in mind the organization gives preference to 4-week residencies. While flexibility is possible, in general, no more than two spots (4 artists) would be scheduled for 2-week residencies in a given month. Again, ideally all residencies outside of November 2023 would be 4-weeks in duration. In practical terms across the season, there is space available for eight 4-week residencies (and the four 2-week residencies in November) or at least four 4-week residencies and up to twelve 2-week residencies.

Due to the competitiveness of the program, the organization's goal is to be upfront and transparent about the availability for the General Residency program in 2023 in an effort to help you make a decision about whether this year is the best time to submit an application. Please contact us if you have any questions or need further clarification here.

LOCATION: The Anderson Center campus is located on the 350-acre historic Tower View Estate, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing.

The Center is approximately 45 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.
The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River.

The town is settled on the ancestral homelands of the Mdewakanton & Wahpakute bands of the Dakota people. The City of Red Wing is named after Tatanka Mani (Walking Buffalo), a leader of the Mdewakanton Dakota in the upper Mississippi Valley who wore a ceremonial swan’s wing dyed in brilliant red. In 1815, Tatanka Mani and his people moved their village south to a place they called Khemnichan (Hill, Wood, & Water) in present-day downtown Red Wing. Euro-American immigrants who met him as they advanced into the region in the early nineteenth century came to know him and his village as “Red Wing.”

Since its settlement and eventual incorporation in 1857, Red Wing established itself as a center for agriculture, industry, tourism, medical care, technology, and the arts. The Red Wing Shoe Company and its iconic brands, in particular, continue to have a significant impact on the community’s economic, business, and community development climates. Natural resources abound with Red Wing's riverfront, winding paths through the majestic bluffs, bike trails, and 35 city parks. The Prairie Island Indian Community is located northwest of the city. Frontenac State Park is to the southeast on Lake Pepin. Minnesota State College Southeast Technical’s Red Wing campus is known for its string and brass instrument repair programs. The MN Dept. of Corrections also operates a large juvenile residential facility in Red Wing.

Other amenities include a destination bakery, a chocolate shop, coffee shops, restaurants, the flagship Red Wing Shoe Company store, Goodhue County Historical Society Museum, the Red Wing Stoneware & Pottery store, the Pottery Museum of Red Wing, a Duluth Trading store, the Red Wing Marine Museum, a Target, several pharmacies, a plant nursery & garden center, a Mayo Health System Hospital, a small independent bookstore, and a public library.

Other key community stakeholders include the historic Sheldon Theatre, the Red Wing Arts Association, Red Wing YMCA, Red Wing Youth Outreach, Hispanic Outreach of Goodhue County, Red Wing Area Friends of Immigrants, Red Wing Area Women’s Network, Live Healthy Red Wing, Artreach, Red Wing Artisan Collective, the Artist Sanctuary, Pier 55 Red Wing Area Seniors, Big Turn Music Festival, Red Wing AAUW, Red Wing Environmental Learning Center, Red Wing Girl Scouts, Red Wing Public Schools, Tower View Alternative School, and Universal Music Center, as well as several City boards, commissions, and departments.

APPLICATION: A completed application form includes a brief artist statement, a work plan, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your current and future work.

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.

The Work Plan is a one-page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.

Community Engagement Statement is a chance for you to address, in 200 words or less, any interests, goals, or connections that may help staff in developing your engagement activity with community members in Red Wing. What sort of mutually beneficial exchange would both advance your practice and be meaningful for local participants? We are not asking for any concrete plans here, just some general ideas for us to consider.

Work Samples should be of recent work and should include:

  • For composers and musicians: 3 to 5 recordings

  • For visual artists: At least 5 images of work (300 dpi or larger)

  • For nonfiction and fiction writers: 10 pages of double-spaced prose

  • For playwrights & screenwriters: 10-page excerpt (does not need to be from the beginning)

  • For poets: 10 pages of poetry

  • For translators: 10 pages of translation and original text

  • For performance artists: 3 short videos excerpts of performances (no videos longer than 5 minutes)

  • For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)

  • For Scholars: 10 pages of work, including research abstracts and relevant diagrams

ACCOMMODATIONS: Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists will be provided a 15' x 26' studio and are responsible for supplying their own materials. Other workspaces on-site include a cone 10 gas kiln and electric kilns, an open-air metalsmith facility, a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano. 

Dinners are prepared and presented by the Anderson Center chef Monday through Friday. This chef also shops for groceries for artists-in-residence. Residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There are also housekeepers who clean and maintain the historic facilities.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.

COMMUNITY ENGAGEMENT: The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities. 

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place. 

Within the last few years, Anderson Center residents have connected with 12 schools in five area communities (ranging from elementary through college), 5 senior centers, 2 correctional or detention facilities, 7 community organizations serving children and families, and 8 community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.

theandersoncenter.submittable.com/submit/237200/2023-anderson-center-residency

_____

WURLITZER FOUNDATION RESIDENCY

Helene Wurlitzer Foundation

DEADLINE: January 18, 2023

APPLICATION FEE: $30

INFO: The Helene Wurlitzer Foundation of New Mexico (HWF) is a private, 501(c)(3) non-profit, educational and charitable organization committed to supporting the arts. Founded in 1954, the HWF manages one of the oldest artist residency programs in the USA and is located on fifteen acres in the heart of Taos, New Mexico, a multicultural community renowned for its popularity with artists.

The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven artist casitas, or guest houses, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.

The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.

Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.

Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.

GUIDELINES:

  • Literary artists may upload writing samples in .pdf format using the application form above. Alternatively, literary artists may choose to mail hard-copies. Include a cover sheet containing your contact info and table of contents, but please omit names and contact info on the writing samples themselves.

  • Writers: samples should not exceed 35 double-spaced pages

  • Poets: a maximum of six poems.

  • Playwrights: include one complete play.

  • Screenwriters: include one complete screenplay.

Digital work samples are accepted and encouraged for applications from visual artists and composers. Applicants should prepare to submit five work sample files when filling out the online application form. Acceptable file types for images include jpg, gif and png. Accepted types for audio files are mp3 and m4a.

Filmmakers must mail a DVD or USB-drive containing up to 30 minutes of video which represents no more than five different samples of your work.

wurlitzerfoundation.org/apply

_____

MGM + THE BLACK LIST FEATURE PARTNERSHIP

MGM / The Black List

DEADLINE: January 23, 2023

INFO: The Black List and MGM invites new voices with unique perspectives from historically underrepresented communities to submit their work for the fourth and final round of the Feature Partnership. This submission window is the last chance for writers to opt in to consideration for a two-step Guild minimum blind deal with MGM.

MGM seeks to work with creative partners who want to tell original stories with universal, all-audiences appeal for the big screen. The studio is genre-agnostic and aspires to work with great talent to join the ranks of MGM’s historic studio. Stage play (plays and musicals) samples will be considered for this opportunity along with feature film samples - no pilots or webseries, please. 

The fourth and final opt-in period for the MGM partnership begins September 23, 2022, and will close January 23, 2023. If you wish to purchase an evaluation for consideration in this partnership, we strongly recommend doing so no later than December 23, 2022 in order to guarantee that it is received by the partnership’s close.

MGM can offer the agreed upon deal to any number of or none of the shortlist candidates. Shortlist candidates may be asked to provide a resume and personal statement by MGM.

FAQ

When's the deadline?

The deadline for the fourth and final round of the MGM partnership is January 23, 2023. Please purchase your evaluation(s) no later than December 23, 2022 if you wish to receive them by the close of the submission window.

Who’s Eligible to Apply?

MGM seeks to discover new voices with unique perspectives from historically underrepresented communities. We are looking for creative partners who want to tell original stories with universal, all-audiences appeal for the big screen. The studio is genre-agnostic and aspires to work with great talent to join the ranks of MGM’s historic studio. For the first time ever, stage plays (plays and musicals) will be accepted along with feature film samples - no pilots or webseries, please. 

Do I Submit a Feature or a Pilot?

Feature film and stage play (plays and musicals) samples will be considered for the MGM opportunity.

blcklst.com/partnerships/opportunities/93

THEATER — DECEMBER 2022

MCKNIGHT NATIONAL RESIDENCY AND COMMISSION

The Playwrights’ Center

DEADLINE: December 8, 2022

INFO: The intent of the McKnight National Residency and Commission is to support an established playwright from outside of Minnesota who demonstrates a sustained body of work, commitment, and distinct artistic vision. The Recipient of the Residency and Commission will create a new play which will be developed with the Playwrights' Center through a series of workshops and will culminate in a public reading of the play.

Recipients will not be required to move to Minnesota but will have opportunities to engage with local artists and the Playwrights' Center staff and fellows throughout their term (July 1, 2023-June 30, 2024). One of the goals of this program is to create dialogue between Minnesota-based artists and those outside of the community.

BENEFITS INCLUDE: a $15,000 commission, up to $12,250 in workshop funds to support the development of the play, and a public reading. Past recipients include: Sharon Bridgforth, Kia Corthron, Erik Ehn, Idris Goodwin, Karen Hartman, Daniel Alexander Jones, Sibyl Kempson, Taylor Mac, Dan O'Brien, Heather Raffo, Betty Shamieh, James Anthony Tyler, and Mfoniso Udofia.

GUIDELINES: Applicants must reside in and have the legal right to work in the U.S. Applicants must be nationally recognized playwrights who have had at least two different plays fully produced by professional theaters by the time of application. Minnesota-based playwrights are not eligible for this award. Recipients of the 2018-19, 2019-20, 2020-21, 2021-22, and 2022-23 McKnight Artist and Culture Bearer Fellowships in any discipline are not eligible. Full-time students are not eligible. Staff and board members of the McKnight Foundation and the Playwrights' Center or their immediate families are not eligible. Recipients may not receive any other Playwrights' Center fellowships or Core Writer benefits during the grant year. If a recipient is a Core Writer, their Core term will be extended by one year. Recipients must create a new play according to the terms of the contract. Applicants may only apply for one McKnight Artist and Culture Bearer Fellowship each year in any of the disciplines listed below.  

THE APPLICATION:

Each application will contain the following pieces:

-Application Form
(including contact details, eligibility, and demographic information)

-Playwriting Resume
Please note clearly which productions listed on your resume (if any) meet the criteria for being "fully produced by a professional theater." Professional productions are defined as full length productions—running at least 45 minutes in performance— for which the author and primary artists (actors, directors, and creative collaborators) were reasonably compensated and that received at least three public performances each. Ten-minute or one-act plays and university, college, secondary school, amateur, and Equity showcase/waiver productions are not considered full professional productions. Productions that open after the application deadline of December 8, 2022 do not count.

-Full-length play script
Submit a play that is representative of your work. A full-length play generally runs at least 45 minutes. If you are hoping to submit a script that is shorter than 45 minutes in length, please contact Julia at juliab@pwcenter.org to discuss. Co-written work will not be accepted, and musicals may be submitted by the book writer only. If you have previously received a McKnight Artist and Culture Bearer Fellowship in any discipline, this script must have been completed after that fellowship year.

-2-3 page Project Proposal
This proposal should explain the project you intend to create if you receive the commission. The evaluators are looking for a project that is relevant, compelling, original, and that could reasonably have a first draft finished within the year. Please also detail why you would like to develop  this piece with the Playwrights’ Center and your interest in engaging with the community here. Readers and panelists will be evaluating the specificity of your project and development/residency plans to the local community, so be sure to discuss why the Playwrights’ Center, Minneapolis, and/or Minnesota is the right place for you to work on the piece.

-One letter of recommendation
Please request one letter of recommendation from an artistic professional familiar with your work as a playwright. Letters must be received by the application deadline: December 8, 2022. You will be sending a request through the application portal below. You may request a letter through the application system before finishing your final application, so we recommend that you click on the link below and begin your application sooner rather than later to give your recommender time to complete their letter. Letters of recommendation from previous applications cannot be re-used for this program.

pwcenter.org/programs/mcknight-national-residency-and-commission

_____

MCKNIGHT FELLOWSHIPS IN PLAYWRITING

The Playwrights’ Center

DEADLINE: December 15, 2022 at 11:59pm CST

INFO: The McKnight Fellowship in Playwriting recognizes and supports mid-career playwrights living and working in Minnesota who demonstrate a sustained body of work, commitment, and attributes of artistic merit. The fellowship, which runs July 1, 2023-June 30, 2024, includes: a $25,000 stipend, an additional $2,500 to support a play development workshop and other professional expenses, and $1,400 in travel funds.

Past recipients include: Carlyle Brown, Lisa D'Amour, Barbara Field, Keli Garrett, Marvin González De León, Jeffrey Hatcher, Christina Ham, Tori Sampson, TyLie Shider, Carson Kreitzer, May Lee-Yang, Kira Obolensky, Savannah Reich, Harrison David Rivers, Stacey Rose, Katie Ka Vang, and Rhiana Yazzie.

Applicants must reside in and have the legal right to work in the U.S. during the fellowship term. Applicants must have been continuous residents of Minnesota since at least December 15, 2021, and must maintain residency in Minnesota during the fellowship year. Applicants must have had a minimum of one work fully produced by a professional theater at the time of application. (Note for 2023: any programmed/announced professional productions cancelled due to COVID-19 can be counted as long as they would have met the criteria above. Please be sure to mark cancellations or postponements clearly on your resume). Recipients of, 2018-19, 2019-20, 2020-21, 2021-22, and 2022-23 McKnight Artist and Culture Bearer Fellowships in any discipline are not eligible. Full-time students are not eligible. Staff and board members of the McKnight Foundation and the Playwrights' Center and their immediate family members are not eligible. Fellowship recipients may not receive any other Playwrights' Center fellowships, grants, or Core Writer program benefits during the grant year. If a recipient is a Core Writer, the Core term will be extended by one year. Applicants may only apply for one McKnight Artist and Culture Bearer Fellowship each year in any of the disciplines listed below.

THE APPLICATION:

Each application will contain the following pieces:

-Application Form
(including contact details, eligibility, and demographic information)

-Playwriting Resume
Please note clearly which productions listed on your resume (if any) meet the criteria for being "fully produced by a professional theater." Professional productions are defined as full length productions—running at least 45 minutes in performance— for which the author and primary artists (actors, directors, and creative collaborators) were reasonably compensated and that received at least three public performances each. Ten-minute or one-act plays and university, college, secondary school, amateur, and Equity showcase/waiver productions are not considered full professional productions. Productions that open after December 15, 2022 do not count. (Note for 2023: any programmed/announced professional productions cancelled due to COVID-19 can be counted as long as they would have met the criteria above. Please be sure to mark cancellations or postponements clearly on your resume).

-Artistic Statement
Use this one-page statement to describe your artistic goals and vision as a theater maker. This is also an opportunity to provide context for the play you submitted and discuss how it fits into your larger body of work and how you envision your work developing. You may also want to discuss how you hope to take advantage of the fellowship resources.

-Full-length play script
A full-length play generally runs at least 45 minutes. If you are hoping to submit a script that is shorter than 45 minutes in length, please contact Julia at juliab@pwcenter.org to discuss. All script submissions must be written only by the applicant—no co-written submissions will be accepted. Scripts for musicals may be submitted by the book writer only. If you have previously received a McKnight Artist and Culture Bearer Fellowship in any discipline, this script must have been completed after that fellowship year.

-References
Please list two individuals who are familiar with your work as a playwright and who we may contact during the evaluation process.

pwcenter.org/programs/mcknight-fellowships-in-playwriting

_____

2023-2025 Fellowship in Playwriting

Emory College of Arts + Sciences

DEADLINE: December 16, 2022 by 11:59pm

INFO: Emory University offers a two-year Playwriting Fellowship in connection with its BA in Playwriting, a joint major offered by Theater Studies and the Creative Writing Program. Beginning in Fall 2023, the Fellowship offers a $45,000 salary, health benefits, and $1,000 annual travel fund. 

The Fellow will have a 2-1 teaching load, including playwriting workshops, literature courses such as 'Contemporary Drama,' and other courses to support the BA in Playwriting, within Theater Studies, Creative Writing, and/or English.  The Playwriting Fellow will give a public reading for the Creative Writing Reading Series, and work with Theater Emory and its Playwriting Center, including the contribution of a new play to the “Brave New Works” New Play Festival.  Fellows may be asked to direct student honors theses and/or other mentoring activities.  

A two-year commitment is assumed but the contract renewal for the second year is contingent on a positive review of the first year.

https://creativewriting.emory.edu/people/fellowship-positions.html 

_____

CALL FOR SUBMISSIONS: ‘CARRYING: REFLECTION, RECOGNITION AND REPAIR’

The Caribbean Writer 

DEADLINE: December 31, 2022

INFO: The Caribbean Writer (TCW) has issued a call for submissions for Volume 37 under the 2022 theme: Carrying: Reflection,Recognition and Repair. Through the lens of life defining experiences we gain critical insights. We are their agents, so we dutifully, gratefully or unwillingly carry them. Submissions exploring this theme in its widest permutations are invited.

Contributors may submit works of fiction, nonfiction, poetry, essays or one act plays which explore the ideas resonating within the region and its diaspora. The Caribbean should be central to the work, or the work should reflect a Caribbean heritage, experience or perspective. Prospective authors should submit all creative works: drama, fiction and poetry manuscripts, through the online portal ONLY at www.thecaribbeanwriter.org/online-submission. Submit Word files only (no PDFs) . Note that TCW no longer accepts hardcopy submissions.

SUBMISSION GUIDELINES: Individuals may submit poems (3 maximum), short stories (2 maximum) and personal essays (2 maximum) on general topics as well as on the theme. The maximum length (for short stories and personal essays) is 3500 words. Only previously unpublished work will be considered. The term “previously published” covers print and electronic publication —including on social media platforms, and self-published items. The Caribbean Writer does not accept simultaneous submissions (items being considered for publication elsewhere). The prospective author should provide contact information including mailing address, phone number, any professional affiliations, brief biographical information (no more than 100 words and such as appears under the “Contributors” section of the journal). In the event that the author’s contact information changes, all updates should be made by the author by logging into the online account.

Before submitting, submitter should carefully edit and proofread the manuscript, adhering to publication-ready details, as well as standards of proofreading such as spelling, grammar, punctuation, formatting and consistent language, along with the elimination of typographical errors, and with focus on the overall quality of the work.

 The Caribbean Writer is a refereed journal. There are no fees payable to submit or publish in this journal. All submissions undergo an initial blind review by the editor. Creative works, such as fiction, poetry and drama, after editorial review, are advanced by the editor to the double-blind peer review process. In this process, both the reviewers’ and authors’ identities are concealed from the reviewers and vice versa throughout the review process.

Artists interested in having their artwork considered for use by TCW should submit electronic files in vertical format as PNG or JPEG files with a resolution of 300 dpi or greater. The journal also accepts black and white art (line drawings, sketches, block prints, etc.). The journal does not accept graphic poetry or narratives.

thecaribbeanwriter.org/online-submission

THEATER — NOVEMBER 2022

EMERGING VOICES PARTNERSHIP

The Hallmark Mahogany / The Black List

DEADLINE: November 8, 2022

INFO: The Hallmark Mahogany x The Black List Emerging Voices Partnership is a new collaboration that will offer a WGA-minimum open script deal to one writer who has an aptitude and passion for telling authentic stories that reflect the Black experience in the spirit of such classic movies like LOVE & BASKETBALL, JUMPING THE BROOM, and LOVE JONES.

The selected writer will develop an original Mahogany teleplay that embraces the initiative and Mahogany card brand’s core pillars of community, love, sisterhood, faith, and purpose.  

In addition to the open script deal, Crown Media will provide 50 writers with coupons for one free month of hosting and two evaluations on blcklst.com.

This opportunity is open to all writers who can organically and authentically capture the Black experience. Interested writers may submit a feature or pilot script, play, or musical to blcklst.com.

blcklst.com/partnerships/opportunities/125

_____

The Philly Cycle

InterAct Theater Company

DEADLINE: November 11, 2022

INFO: Over the next two years InterAct will commission three plays to be written about and with Philadelphia communities that are under-represented on local (and national) stages. The first of the three Philly Cycle commissions will focus on the city’s community of African American Muslims, which numbers around 200,000.

InterAct Theatre Company is seeking U.S.-based playwrights who would be interested in immersing themselves in deep and ongoing conversations with this diverse community and ultimately crafting a singular story that centers this community.

Selected playwrights will receive a $15,000 commission, support for extensive play development both in and apart from the relevant community (including travel & local housing for playwrights based outside Philadelphia), and a guaranteed production (ideally in InterAct’s 2024-25 season)

WHAT TO EXPECT:

InterAct will support the development of each of The Philly Cycle play in four distinct ways:

Facilitating partnerships with community leaders and community organizations as resources for playwrights to fully mine the worlds of their plays. For the first play, we are partnering with the Council on American-Islamic Relations (CAIR-PA).

Identifying and engaging fully professional artistic teams, including directors, dramaturgs, actors and others, as desired.

Coordinating private workshops and public readings of each play, including in-progress readings on-site in relevant communities.

Providing ongoing dramaturgical consultation with InterAct’s artistic staff throughout the process

SELECTION PROCESS:

Submissions will be evaluated in a two-phased process, within the context of conversations already underway with leaders in the Philadelphia African American Muslim community.

Phase 1: InterAct artistic staff will evaluate all applications, advancing those that are best aligned with the guidelines, vision and/or spirit of The Philly Cycle. Producing Artistic Director, Seth Rozin, and Literary Manager, Charlotte T. Martin, will conduct (virtual or inperson) interviews with applicant playwrights.

Phase 2: InterAct will re-engage community partners and leaders in conversation about the final short list of candidates, and together make a final decision.

interacttheatre.org/the-philly-cycle

_____

WORKSPACE RESIDENCY FOR LGBTQ+ WRITERS

Velvet Park

DEADLINE: November 11, 2022 at 11:59pm

APPLICATION FEE: $25

INFO: Velvet Park invites writers to apply for a six-month workspace residency (January – June 2023). Please keep in mind that the studio space is 114 sq ft. – 14’ x 8’, with 12’ ceilings, large 6’ x 6’ window). The studio is located in Crown Heights in Brooklyn.

CHECKLIST:

  • Poets, submit up to 15 – 20 pages of poetry 

  • Prose, 25 – 30 pages of prose 

  • Screenplay/play script, provide 1 – 2 completed works

  • additional works accepted via url, to online portfolio or published works

CV/Resume
should reflect your artistic/creative accomplishments

2 references

  • 1 professional reference, who can speak about your work and 

  • 1 personal reference, who can speak about you personally, your work ethic, values, and any other pertinent information about you.

  • provide names and contact; phone/email of these individuals (letters not required).

  • finalists’ references will be contacted by selection committee to speak about you.

velvetparkmedia.com/writers-residency-2023/

_____

2023 Premiere Play Festival Submissions

Premiere Play Festival

DEADLINE: November 14, 2022

INFO: Premiere Stages is committed to supporting emerging and regional playwrights by developing and producing new plays. Since 2005, the Premiere Play Festival has offered playwrights the opportunity to develop their work in an encouraging, focused environment through discussions, rehearsals, readings, workshops, and Equity productions.

Through the Premiere Play Festival, Premiere Stages has developed many plays that have gone on to have successful productions in New York and at regional theatres throughout the country. We strive to facilitate relationships between writers and theatre professionals who we think will respond to their work, in hopes that plays developed at Premiere will go on to subsequent productions. We offer Play Festival winners the option to retain the coveted “World Premiere” brand on their plays. Additionally, Premiere’s productions are consistently reviewed, scouted by major publishing houses, and honored by the American Theatre Critics Association.

PLAY FESTIVAL GUIDELINES: Premiere Stages will accept submissions of unproduced plays written by playwrights affiliated with the greater metropolitan area from September 1, 2022, through November 14, 2022. All plays submitted to the festival are evaluated by a panel of professional theatre producers, directors, dramaturgs, playwrights, and publishers. Four to five finalists are subsequently selected for public Equity readings in Spring of 2023.

AWARDS: Following the Spring readings, one play is selected for an Equity production in the Premiere Stages 2024 season and receives an award of $3000. The runner-up receives a 29-hour staged reading and $1500. The other finalists will each be awarded $1000.

Premiere Stages is committed to supporting a diverse group of writers; playwrights of all backgrounds, ages, and experience levels are encouraged to apply.

SUBMISSION GUIDELINES:

PDF Format Submissions Only

  • Plays must be full-length and have a cast size of no more than eight.

  • Plays must be unpublished and unproduced (readings and workshops are okay), with no productions and/or publication currently scheduled through September 2023.

  • Playwrights must have strong affiliations with the greater metropolitan area (New York, New Jersey, Connecticut, Pennsylvania, and Delaware).

  • Musicals, adaptations (of existing plays or other sources), and solo shows are not eligible.

  • Submissions are limited to one script per playwright.

  • Please contact Premiere Stages to inquire about submitting a script that has been previously submitted.

  • Playwrights must be available for the development of their script (see the 2023 schedule table).

  • Submissions are accepted September 1, 2022 through 11:59 p.m. on November 14, 2022. Submissions sent early in the submission window are strongly encouraged.

  • Names and contact information are welcome on cover pages of scripts.

  • All plays must be submitted as a PDF via Submittable at premierestagesatkean.submittable.com/submit. Hard copies will not be accepted.

NON_AGENT SUBMISSIONS:

We accept script samples and synopses from playwrights without an agent. Submissions must include:

  • Brief synopsis of the play (no more than half a page)

  • History of the play’s development (or statement that it has none)

  • The playwright’s bio or resume

  • Script sample from the play (no more than 10 pages plus title page and character breakdown)

  • Premiere Stages will request full scripts to read if the play seems viable for the 2023 season. In 2022, almost half of the 35 Semi-Finalists were first received as samples.

All plays must be submitted as a PDF via Submittable at premierestagesatkean.submittable.com/submit. Hard copies will not be accepted.

AGENT SUBMISSIONS: Premiere Stages will accept full scripts from literary agents or theatre professionals affiliated with Premiere Stages.

premierestagesatkean.com/play-festival/guidelines/

_____

Scholars-in-Residence Program Fellowship 2023-24

The Schomburg Center for Research in Black Culture

DEADLINE: December 1, 2022

INFO: The Scholars-in-Residence Program offers both long-term and short-term fellowships designed to support and encourage top-quality research and writing on the history, politics, literature, and culture of the peoples of Africa and the African diaspora, as well as to promote and facilitate interdisciplinary exchange among scholars and writers in residence at the Schomburg Center.

Long-term fellowships provide a $35,000 stipend to support postdoctoral scholars and independent researchers who work in residence at the Center for a continuous period of six months. The Scholars-in-Residence Program provides funding for six fellows each year, three of whom are supported by funding from the National Endowment for the Humanities. Selected fellows can choose to begin their term either in September or in January. Fellows are provided with individual office space and a computer, research assistance, and full access to the unparalleled resources of the Schomburg Center. In addition to pursuing their own research projects, fellows also engage in an ongoing interdisciplinary exchange of ideas, sharing their research with one another in a weekly work-in-progress seminar. While in residence, they are also exposed to the vibrant intellectual life of the Schomburg through its public exhibitions, panels, screenings, and events.

Short-term fellowships are open to postdoctoral scholars, independent researchers, and creative writers (novelists, playwrights, poets) who work in residence at the Center for a continuous period of one to three months. Short-term fellows receive a stipend of $3000 per month. (These short-term fellowships are a recent addition to the Scholars-in-Residence Program, having been offered for the first time in the 2017-18 application cycle; they are funded by an endowment provided by the Ford Foundation and the Newhouse Foundation.)

Both long-term and short-term fellowships are awarded for continuous periods in residence at the Schomburg Center. Fellows are expected to devote their full time to their research and writing. They are expected to work regularly at the Schomburg Center and to participate in the intellectual life of the Scholars-in-Residence Program. Fellows may not be employed during the period in residence, except on sabbaticals from their home institutions. Those selected as Scholars-in-Residence are encouraged to supplement their stipends with funding support from their home institutions or other non-residential fellowships or grants if the requisite approval is received from the Schomburg Center.

ELIGIBILITY: The Scholars-in-Residence Program is intended for scholars and writers requiring extensive, on-site research with collections at the Schomburg Center, the pre-eminent repository for documentation on the history and cultures of peoples of African descent around the globe. Fellows are expected to be in full-time residency at the Center during the award period and to participate in scheduled seminars and colloquia. The Program is intended to support research in African diasporic studies undertaken from a humanistic perspective; projects in the social sciences, science and technology, psychology, education, and religion are eligible if they utilize a humanistic approach and contribute to humanistic knowledge.

Candidates who need to work primarily in the New York Public Library's other research libraries – the Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street, the Library for the Performing Arts at Lincoln Center, and the Science, Industry and Business Library – are not eligible for this fellowship, nor are people seeking funding for research leading directly to a degree. (Applications are accepted from current doctoral students, as long as they will defend their dissertation and graduate before starting the fellowship tenure.) Only U.S. citizens, permanent residents and foreign nationals who have been resident in the United States for the three years immediately preceding the application deadline may apply.

APLICATION INSTRUCTIONS:

A complete application must include:

  • The Schomburg Center Scholars-in-Residence Application.

  • A 1500-word description of the proposed study.

  • Curriculum vitae (limit to 3 pages).

  • Names of references (long-term fellows must submit three recommendation letters; short-term fellows must submit a minimum of two letters). References will receive an e-mail instructing them how to upload their recommendations.

Fill out an application here.

DESCRIPTION OF STUDY:

In no more than 1500 words the applicant should provide a detailed description of the proposed study, including but by no means restricted to the following elements:

  • A statement of the topic under consideration with specific reference to the major questions, problems, and theses being investigated.

  • An outline of the plan for carrying out the study or project.

  • Discussion of the sources in the Schomburg Center and other research units of The New York Public Library that the applicant plans to use for the study and plans for examining them.

  • Description of research methods.

  • Applicant's competence in the use of any foreign languages needed to complete the study.

  • The place of the study in the applicant's overall research and writing program.

  • The significance of the study for the applicant's field and for the humanities in general.

  • The final objective and expected outcomes of the project. Plans for publications, lectures, exhibitions, teaching, and other vehicles of dissemination should be detailed. Fellows will be expected to share and discuss their research and writing with other scholars-in-residence in the weekly work-in-progress seminar during their residency.

SELECTION CRITERIA:

Applications for the Scholars-in-Residence Program will be reviewed by a Selection Committee consisting of five external reviewers, a rotating panel of accomplished scholars and writers with expertise across the fields of study covered by the fellowship. The Selection Committee is convened and chaired by the Director of the Scholars-in-Residence Program.

Fellows will be selected on the basis of the following criteria:

  • Relationship of the project to the resources of the Schomburg Center.

  • Qualifications of the applicant.

  • Quality and feasibility of the project plan.

  • Importance of the proposed project to the applicant's field and to the humanities.

  • Relationship of the project to the humanities.

  • Likelihood that the project will be completed successfully.

  • The provisions for making the results of the project available to scholars and to the public at large.

Applicants selected for the Program will be notified in late March.

https://www.nypl.org/help/about-nypl/fellowships-institutes/schomburg-center-scholars-in-residency/application?utm_campaign=schomburgsocialmedia&utm_source=twitter&utm_medium=social

_____

Black in Appalachia Initiative MONOLOGUE COMPETITION

Barter Theatre

DEADLINE: December 1, 2022

INFO: 5-7 monologues will be selected to be performed during Barter’s Appalachian Festival of Plays and Playwrights (Jan./Feb. 2023 – date TBD)

It is our hope that by connecting Black playwrights (wherever they are located) with stories from Black Appalachian communities, we can:

  • Create monologues that can be developed into full-length plays

  • Create work that explores the Black Appalachian experience, both past and present

  • Establish and cultivate relationships with Black playwrights and other Black theatre artists

  • Give audiences accessibility to new perspectives on life in Appalachia

MONOLOGUE SUBMISSION GUIDELINES:

  • Playwright must be Black.

  • Monologues must be set in Appalachia. (See link below for list of qualifying states/counties as defined by the Appalachian Regional Commission)
    https://www.arc.gov/appalachian_region/CountiesinAppalachia.asp

  • Monologues must be 5-7 minutes in length (190 words = 1 minute).

  • Monologues must be unpublished and not have had a professional production.

  • Monologues must be written using these prompts.

  • Monologues must be submitted electronically.

Please submit monologues to: tjackson@bartertheatre.com

bartertheatre.com/black-in-appalachia-initiative/#submissions

THEATER — OCTOBER 2022

2023 ART OMI: WRITERS RESIDENCY

Art Omi

DEADLINE: October 15, 2022 by 11:59pm ET

INFO: Art Omi: Writers hosts authors and translators from around the world for residencies throughout the spring and fall. The program’s strong international emphasis provides exposure for global literary voices and reflects the spirit of cultural exchange that is essential to Art Omi’s mission.

Guests may select a residency of one week to two months; about ten writers at a time gather to live and work in a rural setting overlooking the Catskill Mountains. Daytime is reserved for writing and quiet activities, while evenings are more communal. A program of weekly visits bring guests from the New York publishing community. Noted editors, agents and book scouts are invited to share dinner and conversation on both creative and practical subjects, offering insight into the workings of the publishing industry, and introductions to some of its key professionals. Readings throughout the year invite the public to experience finished and in-process work by writers and translators in residence.

Art Omi: Writers welcomes published writers and translators of every type of literature. All text-based projects -- fiction, nonfiction, theater, film, poetry, etc.—are eligible. International, cultural and creative exchange is a foundation of our mission, and a wide distribution of national background is an important part of our selection process.

All residencies are fully funded with accommodations, food, local transport and public programming provided. However, please note that Art Omi: Writers does not provide travel funds. Selected residents are responsible for funding their own travel or securing travel funds from a third party.

2023 RESIDENCY DATES:

  • Spring: March 24 - Friday, May 26, 2023

  • Fall: Friday, September 1 - Friday, November 3, 2023

GUIDELINES:

Each applicant is required to provide 4 (four) separate items in total:

  1. A cover letter, which provides the following details: country of birth, country of residency, the language in which you write, your preferred residency dates. Please note we have two sessions per year: Spring (March 20 - June 5) and Fall (September 4 - November 6). Additionally, please let us know how you heard about Art Omi: Writers, why you want to come to Art Omi: Writers and what you expect to get from the experience. Important Note: If you are eligible for our sponsored residency for a previous Whiting Award winner please indicate so in your cover letter.

  2. A brief (2 pages, maximum) statement about your work history, referencing publications, performances and writing credits. This can be submitted in CV format.

  3. A writing sample, no more than 50 pages. Please be sure to indicate if the writing is published or unpublished; if it is published please provide details.

  4. A one page description of the work to be undertaken while at Art Omi: Writers.

Your writing sample does NOT have to be an English translation; please submit your writing sample in your mother tongue. All other documentation must be submitted in English.

Your cover letter should be provided in the designated Cover Letter field. Items 2-4 should each be provided as separately uploaded files.

Alumni of the program are eligible to reapply.

artomi.submittable.com/submit/232906/art-omiwriters-2023-application

_____

CALL FOR Drama/Performance Script

Obsidian

DEADLINE: October 16, 2022

INFO: Submit one act or a collection of short scenes no longer than twenty (20) pages in the Samuel French format. Excerpts of longer works are welcome if self-contained.

obsidian.submittable.com

_____

MELANATED MONDAYS

Black Revolutionary Theatre Workshop

DEADLINE: Rolling

INFO: Each month, Black Revolutionary Theatre Workshop curates a selection of new works by the hottest up-and-coming Black writers around a new theme. On the 3rd Monday of each month, BRTW’s ensemble brings these pieces to life and facilitates a conversation with the audience about the underlying societal issues highlighted in the pieces and potential solutions to those challenges. We partner with organizers, educators, and organizations to share key avenues of civic engagement we all can undertake to make our communities more just and equitable.

October's theme is "Spooky-ooky-ooky.” Participating writers will be paid a $40 honorarium.

You can also apply to have your work considered for other upcoming months, the themes of which are:

  • November: Housing Justice

  • December: Revolution NOW

airtable.com/shr9KOsK68EZX9K8E

THEATER — SEPTEMBER 2022

MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: September 10, 2022 at 11:59pm EST*

PROCESSING FEE: $30

INFO: MacDowell is a fellowship and residency program for writers, visual artists, composers, filmmakers, playwrights, interdisciplinary artists, and architects. About 300 artists are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence.

There are no residency fees. Need-based travel grants and stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply.

MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

MacDowell is currently accepting applications for the Spring Summer 2023 residency season (March - August 2023) and has suspended a longstanding admissions requirement that applicants supply reference letters as part of the application process.

macdowell.org/apply/apply-for-fellowship

_____

Princeton Arts Fellowship

Princeton University

DEADLINE: September 13, 2022 at 11:59 p.m. ET.

INFO: Princeton Arts Fellowships, funded in part by The Andrew W. Mellon Foundation, David E. Kelley Society of Fellows in the Arts, and the Maurice R. Greenberg Scholarship Fund, will be awarded to artists whose achievements have been recognized as demonstrating extraordinary promise in any area of artistic practice and teaching. Applicants should be early career composers, conductors, musicians, choreographers, visual artists, filmmakers, poets, novelists, playwrights, designers, directors and performance artists–this list is not meant to be exhaustive–who would find it beneficial to spend two years teaching and working in an artistically vibrant university community.

Princeton Arts Fellows spend two consecutive academic years (September 1-July 1) at Princeton University and formal teaching is expected. The normal work assignment will be to teach one course each semester subject to approval by the Dean of the Faculty, but fellows may be asked to take on an artistic assignment in lieu of a class, such as directing a play or creating a dance with students. Although the teaching load is light, our expectation is that Fellows will be full and active members of our community, committed to frequent and engaged interactions with students during the academic year.

STIPEND: An $88,000 a year stipend is provided. Fellowships are not intended to fund work leading to an advanced degree. One need not be a U.S. citizen to apply. Holders of Ph.D. degrees from Princeton are not eligible to apply.

GUIDELINES: To apply, please submit a curriculum vitae, contact information for three references (should the search committee choose to contact references, please do not request letters or have letters sent in advance of a request from the search committee), and work samples (i.e., a writing sample, images of your work, video links to performances, etc.). Please also submit a 750-word proposal that includes how you would hope to use the two years of the fellowship to develop your work, how you would contribute to Princeton’s arts community through teaching and/or production, and how you have encouraged diversity and inclusion in your artistic practice, teaching, and/or research.

arts.princeton.edu/fellowships/princeton-arts-fellowship/

_____

CANADIAN WOMEN ARTISTS’ AWARD

New York Foundation for the Arts / Canadian Women’s Club

DEADLINE: Extended to September 13, 2022

INFO: The Canadian Women Artists’ Award is a $5,000 cash grant open to Canadian women artists ages 25-40 in New York State. The CWAA is an unrestricted cash grant and can be used in any manner the recipient deems necessary to further their artistic goals. 

In 2022, CWC and NYFA will be awarding three (3) $5,000 awards, one in each of the following categories:

  1. Visual Arts: Painting, Photography, Craft/Sculpture, Printmaking/Drawing, or Interdisciplinary Work

  2. Media and Design: Video/Film, Experimental Sound, or Design

  3. Literary Arts: Poetry, Nonfiction, Fiction, or Playwriting/Screenwriting

ELIGIBILITY:

The Canadian Women Artists’ Award is open to Canadian women artists living in New York State who meet the following requirements:

  • Must be a Canadian citizen, and able to provide proof of citizenship with legal documentation upon receipt of the award.

  • Must be between the ages of 25 and 40 before the application deadline.

  • Must be a current resident of New York State.

  • Must apply in only one of the eligible discipline categories.

  • Must be the originators of the work.

  • Must not be a previous recipient of the Canadian Women Artists’ Award.

  • Must not be a NYFA employee, member of the NYFA Board of Trustees or Artists’ Advisory Committee, and/or an immediate family member of any of the previous.

Students in bachelor’s or master’s degree programs are eligible to apply.

ACCESSIBILITY STATEMENT:

NYFA is committed to supporting artists from every background, and at all stages in their creative careers. We strongly encourage artists of color, LGBTQ+ artists, artists with disabilities, and artists living outside of the metropolitan area to apply.

To request an accommodation or assistance in applying, please email CWAA@nyfa.org. We ask that requests for accommodation be made as soon as possible, or by Tuesday, August 9, 2022, to allow adequate time for staff to support you in submitting an application before the deadline.

https://www.nyfa.org/awards-grants/canadian-women-artists-award/

_____

Storyknife Writers Retreat

DEADLINE: September 30, 2022

APPLICATION FEE: $40

INFO: Storyknife provides women with the time and space to explore their craft without distraction. Every aspect of a residency at Storyknife is steeped in a profound generosity of spirit so that each writer knows she and her work are valuable. Storyknife residents carry away both this affirmation and a living community of women writers to assist their valuable work wherever they go.

Residencies at Storyknife in Homer, Alaska, are either for two or four weeks. Resident’s food and lodging is covered during the period of their residency, but travel to and from Homer, Alaska, is the responsibility of the resident. Residents stay in individual cabins & dine at the main house. An on-staff chef is responsible for food preparation.

Four week residencies begin on the 1st of each month and end on the 28th. Two week residencies begin on the 1st of each month and end on the 15th OR begin on the 15th and end on the 28th. Residencies are available April through October.

ELIGIBILITY:

Applicants must:

  • Be woman-identified

  • Be 21 years of age or older

  • Apply as an individual artist, not a collaborative group or team

You will provide a work sample and answer four questions (each answer 300 words or fewer).

  • How have you sought to educate yourself as a writer? (Formal education not a prerequisite, but evidence of curiosity and learning in your applicable genre is.)

  • What is your experience with publishing your work? (Publishing is not a prerequisite but is considered a goal for writers who attend Storyknife.)

  • What project will you pursue while in residency? (Please note that you will be free to work on whatever writing you wish during residency. We simply are interested in what you think you’ll be pursuing.)

  • Why would a writing residency benefit you at this time especially?

Work Sample Requirements:

  • Work samples should reflect work completed within the last two years. All work samples must be uploaded through Submittable. Written work samples will be uploaded directly within the application. 

  • Applicants can submit published or unpublished work samples. 

  • All work samples must be combined into one PDF file.

  • A writing sample not to exceed 10 pages (prose: double-spaced 12 point font, poetry: single-spaced 12 point font acceptable). Prose includes screenplays and stage plays which also must conform to the 10 page limit. 

  • Any writing samples with identifying material will be disqualified. Identifying material is your name, address, or publication credits. This only refers to the writing sample, not the answers to the questions. This is an anonymous jurying process.

Diversity

Storyknife is committed to diversity and elevating voices of historically excluded communities. We value all aspects of diversity and seek to make each resident’s time at Storyknife as productive and pleasant as possible.

Please contact executive director, Erin Hollowell, at ehollowell@storyknife.org to ask about accommodation or to speak further about your needs. Storyknife is welcoming to all and will work with you to meet your needs.

storyknife.org/how-to-apply/

THEATER — AUGUST 2022

CALL FOR FULL-LENGTH PLAYS

Autry Museum of the American West

DEADLINE: August 2, 2022

INFO: Native Voices at the Autry is accepting submissions of full-length plays (60+ pages) by American Indian, Alaska Native, Native Hawaiian, and First Nations playwrights addressing all themes and topics.

theautry.org/events/signature-programs/native-voices-annual-call-for-scripts

_____

Writer’s Vision Grant

The Black List / Warby Parker

DEADLINE: August 15, 2022

INFO: The Black List and Warby Parker have partnered to create the Writer’s Vision Grant, which will award $20,000 each to three aspiring writers in film, television, and theater. Each writer will receive $20,000 to either film a short proof of concept based on their feature screenplay, develop a new theatrical work for the stage, or develop and write an original television pilot script. 

The Writer’s Vision Grant will foster and celebrate scripts that harness and explore creativity, diversity, inclusion, empathy, and innovation in their storytelling. 

Writers are invited to submit their work for consideration by uploading it directly to the Black List website. Writers can opt-in to the opportunity until midnight on August 15, 2022. Though writers can submit work of any genre, the scripts should avoid violence, illegal activity, drugs/alcohol use, and overly explicit content. 

IMPORTANT DEADLINES:

  • Submission Period Closes August 15, 2022

  • Short List Writers Notified August 16, 2022

  • Personal Statements Due August 23, 2022

  • Final Participants Notified September 16, 2022

* In order for new script evaluations to qualify for consideration for the Grant, they must be purchased by midnight on the Evaluations Deadline. Please note, purchase of an evaluation is not required for consideration. However we strongly encourage having your script evaluated.

This partnership marks the sixth year of collaboration between the Black List and Warby Parker. In previous years, Warby Parker presented Black List Live!, a series of live readings of unproduced scripts from up-and-coming creative talent. Previous live readings include: CHARMING by Elliot Owen, featuring Rachel McAdams and Adam Scott; SAVING CHAPLIN by Justin Shady, starring Jon Hamm and Randall Park; and EL FUEGO CALIENTE by Ben Schwartz, starring Schwartz and Don Cheadle. 

ABOUT WARBY PARKER

Warby Parker was founded with a mission: to inspire and impact the world with vision, purpose, and style.

Headquartered in New York City, the co-founder-led lifestyle brand pioneers ideas, designs products, and develops technologies that help people see, from designer-quality prescription glasses (starting at $95) and contacts, to eye exams and vision tests available online and in more than 160 retail stores across the U.S. and Canada.

Warby Parker aims to demonstrate that businesses can scale while doing good in the world. Ultimately, the brand believes in vision for all, which is why for every pair of glasses or sunglasses sold, a pair is distributed to someone in need through their Buy a Pair, Give a Pair program. To date, Warby Parker has worked alongside its nonprofit partners to distribute more than 10 million glasses to people in need.

Writing has always been an important cultural pillar for Warby Parker—the brand name is made up of two characters from a Jack Kerouac journal, Warby Pepper and Zagg Parker. In the past, Warby Parker has teamed up with writers, written and published books under Warby Parker Press, and partnered with the Black List to support up-and-coming filmmakers. The brand is excited to continue this tradition with the Writer’s Vision Grant.

blcklst.com/partnerships/opportunities/116

_____

Yale Drama Series

DEADLINE: August 15, 2022

ENTRY FEE: $0

INFO: The Yale Drama Series is seeking submissions for its 2023 playwriting competition. The winning play will be selected by the series’ current judge, Jeremy O. Harris. The winner of this annual competition will be awarded the David Charles Horn Prize of $10,000, publication of their manuscript by Yale University Press, and a celebratory event. The prize and publication are contingent on the playwright’s agreeing to the terms of the publishing agreement.

There is no entry fee. Please follow these guidelines in preparing your manuscript:

  1. This contest is restricted to plays written in the English language. Worldwide submissions are accepted.

  2. Submissions must be original, unpublished full-length plays, with a minimum of 65 pages. Plays with less than 65 pages will not be considered. Translations, musicals, and children’s plays are not accepted.

  3. The Yale Drama Series is intended to support emerging playwrights. Playwrights may win the competition only once.

  4. Playwrights may submit only one manuscript per year. Only manuscripts authored by one playwright are eligible.

  5. Plays that have been professionally produced or published are not eligible. Plays that have had a workshop, reading, or non-professional production or that have been published as an actor’s edition will be considered.

  6. Plays may not be under option, commissioned, or scheduled for professional production or publication at the time of submission.

  7. Plays must be typed/word-processed and page-numbered.

  8. The Yale Drama Series reserves the right to reject any manuscript for any reason.

  9. The Yale Drama Series reserves the right of the judge to not choose a winner for any given year of the competition and reserves the right to determine the ineligibility of a winner, in keeping with the spirit of the competition, and based upon the accomplishments of the author.

yalebooks.yale.edu/yale-drama-series-rules-and-submission-guidelines/

_____

CALL FOR SHORT PLAYS: Don’t Mess with Auntie!

Autry Museum of the American West

DEADLINE: August 23, 2022

INFO: They’re fierce. They’re funny. Their frybread!!

Our communities shape us - our identities, our values, our taste in food. And, in our Native communities, the list of those who rear us extends far beyond that westernized “nuclear family.” This year, Native Voices invites you to tell a story inspired by an Auntie (or, many Aunties…let’s be honest)!

Don’t Mess with Auntie. We know it, we live by it, and goodness, do we have stories about it! Native Voices’ 2023 Short Play Festival is calling all Auntie stories. Laugh, cry, and learn your lessons as we assemble at the Autry for our 13th Annual Short Play Festival. Please keep your plays under 10 minutes. (Or you’ll have Auntie to answer to!!)

Plays selected to participate in the 13th Annual Short Play Festival will also be entered to win the Thomas Studi Gadugi Audience Prize of $500 and the Von Marie Atchley Excellence in Playwriting Award of $1,000.

Scripts longer than 15 pages or read aloud at longer than 10 minutes will not be accepted. Fresh, surprising perspectives are welcome!

theautry.org/events/signature-programs/native-voices-annual-call-for-scripts

_____

CANADIAN WOMEN ARTISTS’ AWARD

New York Foundation for the Arts / Canadian Women’s Club

DEADLINE: August 30, 2022

INFO: The Canadian Women Artists’ Award is a $5,000 cash grant open to Canadian women artists ages 25-40 in New York State. The CWAA is an unrestricted cash grant and can be used in any manner the recipient deems necessary to further their artistic goals. 

In 2022, CWC and NYFA will be awarding three (3) $5,000 awards, one in each of the following categories:

  1. Visual Arts: Painting, Photography, Craft/Sculpture, Printmaking/Drawing, or Interdisciplinary Work

  2. Media and Design: Video/Film, Experimental Sound, or Design

  3. Literary Arts: Poetry, Nonfiction, Fiction, or Playwriting/Screenwriting

ELIGIBILITY:

The Canadian Women Artists’ Award is open to Canadian women artists living in New York State who meet the following requirements:

  • Must be a Canadian citizen, and able to provide proof of citizenship with legal documentation upon receipt of the award.

  • Must be between the ages of 25 and 40 before the application deadline.

  • Must be a current resident of New York State.

  • Must apply in only one of the eligible discipline categories.

  • Must be the originators of the work.

  • Must not be a previous recipient of the Canadian Women Artists’ Award.

  • Must not be a NYFA employee, member of the NYFA Board of Trustees or Artists’ Advisory Committee, and/or an immediate family member of any of the previous.

Students in bachelor’s or master’s degree programs are eligible to apply.

ACCESSIBILITY STATEMENT:

NYFA is committed to supporting artists from every background, and at all stages in their creative careers. We strongly encourage artists of color, LGBTQ+ artists, artists with disabilities, and artists living outside of the metropolitan area to apply.

To request an accommodation or assistance in applying, please email CWAA@nyfa.org. We ask that requests for accommodation be made as soon as possible, or by Tuesday, August 9, 2022, to allow adequate time for staff to support you in submitting an application before the deadline.

https://www.nyfa.org/awards-grants/canadian-women-artists-award/

_____

MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: September 10, 2022 at 11:59pm EST*

PROCESSING FEE: $30

INFO: MacDowell is a fellowship and residency program for writers, visual artists, composers, filmmakers, playwrights, interdisciplinary artists, and architects. About 300 artists are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence.

There are no residency fees. Need-based travel grants and stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply.

MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

MacDowell is currently accepting applications for the Spring Summer 2023 residency season (March - August 2023) and has suspended a longstanding admissions requirement that applicants supply reference letters as part of the application process.

macdowell.org/apply/apply-for-fellowship

THEATER — JULY 2022

Loghaven Artist Residency

DEADLINE: July 15, 2022

INFO: Loghaven Artist Residency’s mission is to serve artists by providing them with a transformative residency experience and continued post-residency support. The residency is located on ninety acres of woodland in Knoxville, Tennessee. Artists live in five historic log cabins that have been both rehabilitated and modernized to create an ideal setting for reflection and work, and they have access to new, purpose-built studio space. All Loghaven Fellows are awarded stipends to support the creation of new work during the residency.

ELIGIBILITY: Practicing artists of all backgrounds and at any stage of their career are eligible to apply for a Loghaven residency. International artists and artists currently enrolled in a degree-seeking program are not eligible. Artists must be at least twenty-one years old and live more than 120 miles away from Knoxville. This distance requirement is designed to ensure that artists are able to be fully immersed in their residency experience and can take advantage of the retreat-style environment. Please note that all eligibility requirements must be met at the time of application.

We invite applicants in the creation stage of their specified project or work cycle to apply in the following disciplines:

  • Writing (poetry, fiction, nonfiction, screenwriting, and journalism)

  • Visual Arts

  • Dance

  • Theater

  • Music Composition

  • Architecture

  • Interdisciplinary Work

DIVERSITY STATEMENT: Loghaven actively seeks to assemble diverse cohorts. Loghaven does not discriminate on the basis of race, age, religion, gender expression, sexual orientation, national origin, citizenship status, marital status, veteran status, medical conditions including HIV, or sensory, physical, or mental disability.

RESIDENCY SESSIONS:

  • February 6 – March 3, 2023 (4 weeks)

  • April 10 – May 5, 2023 (4 weeks)

  • May 22 – June 16, 2023 (4 weeks)

  • July 17 – 31, 2023 (2 weeks for teaching artists and faculty artists at the university level)

  • September 25 – November 3, 2023 (6 weeks)

  • January 8 – 22, 2024 (2 weeks, preference given to alumni/ae)

APPLICATION TIMELINE & QUALIFICATIONS:

Applications will be accepted starting Wednesday, June 1, 2022, until Friday, July 15, 2022, at midnight Eastern Time. Late applications will not be accepted. The application panel will meet in September, and applicants will be contacted by November 1, 2022.

A national selection committee composed of artist peers and other arts professionals selects artists. Applicants are judged by the same criteria across disciplines. Panelists are looking for artistic excellence, defined by a depth of conceptual content, sustained impact, and boldness of vision. The panel seeks those with sophisticated technical knowledge, whether the applicant displays a high level of traditional skill or, conversely, subverts that knowledge in new or challenging ways. The panel values potential in emerging artists and evidence of commitment and evolution in more established or mid-career applicants.

REFERENCES:

All applicants are required to submit two professional references. Please provide the name, contact information, and a very brief description of the nature of your professional relationship for each reference. Loghaven contacts references only if the application advances. References would be contacted in the fall by either email or phone and would not submit a formal letter.

WORK SAMPLES:

Determine which discipline best fits your work and follow the instructions below to upload the required work samples.
Name all of your submissions using the following naming structure: last name, first name # (Smith, Jane 1).
If the attached work sample is longer than the limits laid out for your discipline, please indicate the section of video or audio you would like the panel to review. If you do not indicate a section, the panelist will review from the start until the time limit is reached.
Note if any submitted work sample is more than four years old.
Provide all submissions in English or accompanied by a translation.

  • VISUAL ART - Submit eight JPEG images that best represent your work. They can be no more than three MB per image. Each image should contain only one artwork. Two additional optional submissions: Installation documentation (either images or video) or detail shots. If your work is based in video, please submit up to two or three works totaling no more than fifteen minutes of video. Video can be submitted in MP4 or MOV format or by Vimeo or YouTube link.

  • MUSIC COMPOSITION - Submit two or three audio samples of representative work. Each should be no more than 30MB each and should be in MP3 format or in MP4 or MOV format or by Vimeo or YouTube link. The work samples should total no more than fifteen minutes of video or audio. If available, please include a score submitted as a PDF.

  • DANCE - Submit two or three works totaling no more than fifteen minutes of video. Each work sample should be submitted in MP4 or MOV format or by Vimeo or YouTube link.

  • THEATER - Submit either two or three videos or PDFs. If you submit via video, they should total no more than fifteen minutes together in MP4 or MOV format or by Vimeo or YouTube link. If you submit via PDF, they should total no more than 250MB or two or three PDFs of scripts or librettos, totaling no more than twenty pages.

  • POETRY - Submit eight to ten short poems or excerpts of poems. The total should not exceed 15 pages and should be in PDF format.

  • FICTION, NONFICTION, & SCREENWRITING - Submit two to three work samples in the genre that you wish to work in during your residency. The total should not exceed 20 pages, be double-spaced, and be in PDF format.

  • ARCHITECTURE - Submit two to three examples of previous design-based architecture projects in the form of PDFs, video, or a combination of the two. The applicant may submit work samples including but not limited to models, drawings, and images of completed work. The applicant may submit multiple pages for each project, but the total number of pages submitted should not exceed ten and should be in PDF format. If submitting video, work samples can be in MP4 or MOV format or by Vimeo or YouTube link. The total length should not exceed ten minutes. The applicant should include a brief, 250-word description of each project with the other submitted materials. In this description, please include whether this project was ever constructed. Please review the FAQs before applying in the discipline of Architecture for additional application guidelines.

  • INTERDISCIPLINARY WORK - Submit three to five work samples. The work samples can be in one type of media or a mixture of media including images (jpegs should be no more than three MB each), PDFs, video (MP4/MOV should be no more than 250 MB), Vimeo link, YouTube link, or audio (MP3 should be no more 30MB each).

loghaven.org/residencies/apply/

_____

2023 DIVERSE VOICES PLAYWRITING INITIATIVE

Illinois State University

DEADLINE: August 1, 2022

INFO: The 2023 Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by Black, Indigenous, and People of Color (BIPOC) playwrights in accordance with the mission statement of the Crossroads Project (see below). A diverse panel of judges including faculty, staff, students, alumni, and community members will select one playwright as the winner.

The winning playwright will receive:

  • An invitation to Illinois State University in Bloomington-Normal, IL as a guest artist in residence for a one-week new play development workshop, culminating in a public staged reading. This residency may also include class visits and other University events.

  • Travel (within the U.S.), housing, and meals during the residency.

  • An honorarium of $500 for the residency.

To be eligible to win, the playwright must be available for a one-week residency in mid-to-late April 2023 (exact dates TBD). If the play has multiple writers/creators, we can only provide funding for one person during the residency. Other writers/creators are welcome to participate in the workshop by self-funding the trip or joining virtually for rehearsals and events.

The deadline for submissions is August 1, 2022 by 11:59 p.m. (central daylight time). There is no entry fee. We only accept electronic submissions in PDF format. Because our staff and resources are limited, we can only consider the first 100 submissions.

Please include in your submission:

  • A representative sample from your play up to 15 pages. These do not have to be the first 15 pages of the play.

  • A synopsis of the play (max. 250 words).

  • A character list with short descriptions for each character (age, ethnicity, gender, occupation, family relationships, etc.)

  • A playwright’s statement (max. 400 words). In the statement, describe your inspiration for writing the play, address where you are in the development process, and discuss how a workshop in a university setting can facilitate that process.

Please follow these guidelines when submitting your play:

  • Submissions must be:

  • A full-length play.

  • Musicals and plays with music are eligible for the program. However, we can only provide piano accompaniment for rehearsals and the staged reading.

  • The primary language of the play must be English. Other languages in the play may be presented through English translations (provided by the playwright) for the staged reading.

  • There are no other restrictions in subject matter or style.

  • A playwright may only submit one play per year. The work must be submitted by the playwright rather than a literary agent or other third party.

  • Submissions must be the original work of the playwright, which may include adaptations of fictional or factual material. Translations of other playwrights’ work are not accepted.

  • The submitting playwright must be either the owner and controller of the copyright or provide written proof that they have acquired the legal right to use copyrighted material in their work.

  • Plays that have been produced or published professionally are ineligible for the competition. Plays that have been presented through staged readings, workshops, university productions, or community theatre productions are eligible.

  • A playwright may submit a play that they submitted in a previous year (including finalists) if there have been substantive revisions.

  • The Crossroads Project reserves the right to accept or reject any submitted play for any reason.

We will contact semi-finalists by November 2022 and ask them to submit the full play.

The winning playwright will be notified by mid-January 2023.

forms.illinoisstate.edu/forms/diversevoices 

_____

SEA ISLAND WRITERS RETREAT

DEADLINE: August 1, 2022

INFO: Join a small group of committed “writers” for four full days of uninterrupted “writer’s heaven” discussing, editing, revamping, and workshopping your work-in-progress with some of the most notable and brilliant “writers” of our time.

Each workshop leader teaches her particular genre/writing, talks craft, and joins in camaraderie in the idyllic setting on one of the historic Georgia Sea Islands. This writing community is curated for established and emerging women of color. The retreat provides participants with an opportunity to meet other writers, workshop their writing among peers, and engage with published writers about concerns and issues related to the industry. Participants will study with professionals in the genres of playwriting, historical fiction, poetry, YA, editing, and memoir.

Accommodations and workshops will be held in a luscious spot in a sprawling island house with six bedrooms, four bathrooms, several porches, and common areas for lectures and writing. Enjoy casual breakfast and chef-prepared meals each day, along with complimentary beverages and snacks throughout the day.

siwr2022.org

_____

Call for Full-Length Plays

Autry Museum of the American West

DEADLINE: August 2, 2022

INFO: Native Voices at the Autry is accepting submissions of full-length plays (60+ pages) by American Indian, Alaska Native, Native Hawaiian, and First Nations playwrights addressing all themes and topics.

theautry.org/events/signature-programs/native-voices-annual-call-for-scripts

THEATER — JUNE 2022

QUEER CAT PRODUCTIONS ARTIST OFFERING

Queer Cat Productions

DEADLINE: June 5, 2022

INFO: Queer Cat Productions is a theater company based in the San Francisco Bay Area. We create consent-forward, accessible, immersive theater and experiences that leave our audiences more connected. We create playful, curious, haunted works of art that are queer, not just in content, but in vision, perspective, care, and collaboration at every level of the process. We are committed to the spirit of play, as interactive and consensual; to curiosity about our world and each other; and to haunting: ancestry, fluidity, and resilience. Learn more about us at queercatproductions.com!

WHAT ARE WE LOOKING FOR?
A “primary generative artist” (creator), for example: playwright, solo performer, choreographer, musician/composer, lead artist for a collaborative artwork, etc.

A new artwork that falls under the Performing Arts umbrella (theater, solo performance, music, dance, etc.).

An artwork that seeks to answer this question: What encourages your personal playfulness, engages your curiosity about our humanness and how we connect with each other, and/or what haunts you and drives you to build work that makes space in and/or for the places where you feel that “space” is needed the most?

An artwork that engages with and interprets our mission.

An artwork that can be performed with hybrid elements for both an in-person performance in the San Francisco Bay Area at least once over the weekend of October 20-22, 2023 and an experience that is accessible worldwide.

WHAT ARE WE OFFERING?

Pay: A total of $8,000 to create, develop, rehearse, and publicly share the new work (paid in quarterly installments and according to Queer Cat Productions’ flat artist pay rate, which is $22/hour for 2022).

Other resources:
A budget for hiring collaborating artists (i.e. actors, designers, musicians, dramaturgs).

A budget for venue rental and materials.

A travel stipend for artists outside the San Francisco Bay Area.

Accommodations (i.e. ASL interpretation, flexible scheduling to accommodate childcare, and/or other accommodations you share with us).

Tailored creative support specific to your artistic needs (i.e. dramaturgy, feedback and brainstorming, mentorship, workshopping and/or other creative supports you share with us).

Connection to a community of Queer Cat Productions artists.

Our commitment to create a supportive environment for your artistic process.

WHAT ARE WE ASKING YOU TO COMMIT TO US IF YOU GET PICKED?
To be in residence as primary generative artist (creator) with Queer Cat Productions for one year. (Residency is virtual - artists can be geographically located anywhere.)

Creation of the new artwork.

Monthly preproduction meetings (with the option of more frequent meetings if desired by the artist) during development period, including check-ins with the Selection Committee Leader for support and accountability.

More frequent (weekly or biweekly) meetings during production period.

Monthly Company meetings with Queer Cat Productions.

HOW DOES THE SELECTION PROCESS WORK?
This process was designed by the Manifestation Council in 2021: Genevieve Jessee, librecht baker, and Troy Rockett. The artists who will read submissions this year are: Genevieve Jessee, Chivas Michael, Rawiyah Tariq (additional readers may be added and announced on our website).

The process has three rounds. In Round 1, all Readers read all applications. Readers give a “yes” or “no” vote on whether each application should go to the next round (and briefly say why). Applications that receive a majority of “yeses” move on to Round 2.

In Round 2, Readers evaluate applications according to a rubric and select three finalists. The elements on the rubric are: 1) The application demonstrates a desire to generate work that is immersive and/or will leave audiences more connected to each other; 2) The application demonstrates a desire to generate work connecting to and/or elevating the humanity of the artist’s identit(ies); 3) The application demonstrates a desire to generate work that explores playfulness, curiosity, and/or haunting (in whatever way the artist defines it); 4) The application demonstrates a desire to generate work that has qualities of an evolving form, and/or expands or elevates the genre(s) the artist works in; and 5) I want to hear more from this artist.

In Round 3, Readers interview each finalist and choose one artist. Finalists will be compensated for their interview time at a rate of $22/hour for about 2 hours.

queercatproductions.com/offering

_____

BETC’s New Play Development Program

Butterfly Effect Theater of Colorado

DEADLINE: June 15, 2022

INFO: BETC’s new play development program, Generations, features work by parent playwrights with children under 18. The name comes from BETC’s goals for the program: to welcome all generations into the theater to see new plays and empower playwrights to generate new work.

Each season, BETC selects one playwright through a national competition to join us in Boulder for a one-week residency.  During the residency week, the playwright works with a professional director, dramaturg, and actors to develop the selected script.  The week concludes with a public reading and post-reading conversation.

betc.org/programs/generations/2022-generations-competition/

_____

NARRATIVE PRIZE

Narrative Magazine

DEADLINE: June 15, 2022

INFO: THE $4,000 NARRATIVE PRIZE is awarded annually for the best short story, novel excerpt, poem, one-act play, graphic story, or work of literary nonfiction published by a new or emerging writer in Narrative.

narrativemagazine.com

_____

2023 Diverse Voices Playwriting Initiative

Illinois State University

DEADLINE: August 1, 2022

INFO: The 2023 Diverse Voices Playwriting Initiative welcomes submissions for full-length, unproduced plays by Black, Indigenous, and People of Color (BIPOC) playwrights in accordance with the mission statement of the Crossroads Project (see below). A diverse panel of judges including faculty, staff, students, alumni, and community members will select one playwright as the winner.

The winning playwright will receive:

  • An invitation to Illinois State University in Bloomington-Normal, IL as a guest artist in residence for a one-week new play development workshop, culminating in a public staged reading. This residency may also include class visits and other University events.

  • Travel (within the U.S.), housing, and meals during the residency.

  • An honorarium of $500 for the residency.

To be eligible to win, the playwright must be available for a one-week residency in mid-to-late April 2023 (exact dates TBD). If the play has multiple writers/creators, we can only provide funding for one person during the residency. Other writers/creators are welcome to participate in the workshop by self-funding the trip or joining virtually for rehearsals and events.

The deadline for submissions is August 1, 2022 by 11:59 p.m. (central daylight time). There is no entry fee. We only accept electronic submissions in PDF format. Because our staff and resources are limited, we can only consider the first 100 submissions.

Please include in your submission:

  • A representative sample from your play up to 15 pages. These do not have to be the first 15 pages of the play.

  • A synopsis of the play (max. 250 words).

  • A character list with short descriptions for each character (age, ethnicity, gender, occupation, family relationships, etc.)

  • A playwright’s statement (max. 400 words). In the statement, describe your inspiration for writing the play, address where you are in the development process, and discuss how a workshop in a university setting can facilitate that process.

Please follow these guidelines when submitting your play:

  • Submissions must be:

  • A full-length play.

  • Musicals and plays with music are eligible for the program. However, we can only provide piano accompaniment for rehearsals and the staged reading.

  • The primary language of the play must be English. Other languages in the play may be presented through English translations (provided by the playwright) for the staged reading.

  • There are no other restrictions in subject matter or style.

  • A playwright may only submit one play per year. The work must be submitted by the playwright rather than a literary agent or other third party.

  • Submissions must be the original work of the playwright, which may include adaptations of fictional or factual material. Translations of other playwrights’ work are not accepted.

  • The submitting playwright must be either the owner and controller of the copyright or provide written proof that they have acquired the legal right to use copyrighted material in their work.

  • Plays that have been produced or published professionally are ineligible for the competition. Plays that have been presented through staged readings, workshops, university productions, or community theatre productions are eligible.

  • A playwright may submit a play that they submitted in a previous year (including finalists) if there have been substantive revisions.

  • The Crossroads Project reserves the right to accept or reject any submitted play for any reason.

We will contact semi-finalists by November 2022 and ask them to submit the full play.

The winning playwright will be notified by mid-January 2023.

forms.illinoisstate.edu/forms/diversevoices 

THEATER — MAY 2022

2022 Incubation Series

Egg & Spoon Theatre Collective

DEADLINE: May 4, 2022 at 11:59PM ET

INFO: Egg & Spoon’s 2022 Incubation Series provides developmental support for three Global Majority writers’ full-length plays. This program reflects our passion for developing new plays, and our commitment to building a more equitable theatre ecology.

WHO CAN APPLY? This submission process is open to all Black writers, Indigenous writers, and writers of color. Those writers can be at any stage in their career, and from any geographical location.

The Incubation workshops are intended for full-length plays that have not had a fully-realized production.

Each selected playwright will receive a fifteen-hour developmental workshop along with dramaturgical support, staff feedback, and an optional public reading. We will curate the workshop – including its personnel and schedule – to the playwright’s needs.

STIPEND: Each writer will receive a stipend of $500. A budget will be made available for all artists’ consideration before the workshop begins.

eggandspoontheatre.org/incubation

_____

I AM SOUL Playwrights Residency Program

National Black Theatre

DEADLINE: May 9, 2022

INFO: Launched in 2012, the I AM SOUL Playwrights Residency Program uniquely serves the best and brightest emerging Black playwrights from around the nation. Through this program, NBT seeks to foster mutually-beneficial relationships between Black institutions and creatives to re-establish historically Black theatrical institutions as the foremost supporters and producers of Black artistry.

This 18-month residency aims to unleash the souls of two to three Black playwrights per cycle. Coined as a dream MFA program, this program is about process, not product, so playwrights experiment with form, style, and narrative to develop, hone and explore new ways of artistic expression in a nourishing environment. Each resident is provided a financial stipend, dramaturgical and developmental resources, a full production team, and two 29-hour workshops.

IMPORTANT DATES:

  • Finalists / Semi- Finalists Notifications - June 6, 2022

  • Recipients Playwright Program - July 11, 2022

  • Residency dates - Sept 6, 2022 - March 30, 2024

GOALS OF THE PROGRAM:

  • To help the selected Playwright(s) unleash their soul on the page by providing them a safe, supported, and transformative environment where they can develop, hone, and explore artistic expression.

  • Work in partnership with NBT to curate a Playwright’s Workshop and/or Symposium open for the community to participate in.

  • Alongside NBT’s Artistic Director, the selected playwright(s) will develop a new play during the eighteen (18) month residency.

  • This process culminates with a Workshop Production in NBT’s following season.

BENEFITS:

  • The playwright(s) will receive a minimum stipend of $5,000.00.

  • Access to scheduled office space, printing, and administrative support.

  • Two Complimentary tickets to National Black Theatre productions that season, as well as additional services and opportunities that NBT has to offer and may come across.

REQUIREMENTS:

  • The I AM SOUL - PLAYWRIGHT RESIDENCY is available to Black playwrights, 21 years of age or older, who are citizens or permanent residents of the United States.

  • Students in K-12 educational programs or enrolled in undergraduate and graduate degree programs for playwriting are not eligible.

  • The resident playwright commits to spending the 18-month residency period by actively participating in the National Black Theatre community.

  • Applicants have to commit to being present and actively participating during the rehearsal process of all workshop opportunities.

  • Playwrights may not receive more than one residency at NBT through this program.

  • The selected playwright is required to serve on the Selection Committee for the 2023 - 2025 I AM SOUL - PLAYWRIGHTS RESIDENCY.

nationalblacktheatre.org/playwrights-residency

_____

2023 ARTIST RESIDENCY

Marble House Project

DEADLINE: May 15, 2022

INFO: Marble House Project is a multidisciplinary artist residency program that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. You must be at least 21 years old.   Residencies run from the end of February  through November, scheduled into six three-week residencies and one two-week family-friendly residency for artists with children. Please note that if you apply to the family friendly residency, it is a specific date within the artist in residency application. Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond. 

RESIDENCY DATES FOR 2023

  • February 28th - March 21

  • March 28th  -  April 18th

  • April 25th  -  May 16th

  • June 6th  -  June 27th

  • July 11th - July 25th   FAMILY FRIENDLY RESIDENCY WITH CHILDREN ONLY

  • October 2 - October 23rd

  • October 30th  -  November 20th

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. All residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. A substantial amount of the food we provide comes from our organic garden, which also serves as a space for gathering and an educational tool. Residents are invited to help with planting, harvesting, and maintenance. While not required, our hope is that you will spend some time in the garden alongside your studio practice. Each session culminates with ARTSEED, our public open house Saturday event. Artists are invited to share their work with our community through artist talks, readings, performances, and open studios.  

Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni, staff, and outside experts, and artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you. You may choose the family friendly residency only if you will be bringing your children. Family friendly applicants may select additional dates if willing to attend without your children.

Marble House Project does not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations. For exact dates, more information or questions about the residency, visit our FAQ page.  If you still have questions you may   contact info@marblehouseproject.org

Personal information is not shared with our jury and will remain confidential. This includes email, home address, phone number and any information regarding your family, anything else you would need to tell us and how you heard about Marble House Project.  Please make sure to remove this information from your resume.  All of our outreach questions also remain confidential and blind to our jury.  

We look forward to viewing your application.

marblehouseproject.submittable.com/submit

_____

2022 PLAYWRITING COMPETITION 

Austin Film Festival

DEADLINE: June 1, 2022

ENTRY FEE: $30

INFO: At Austin Film Festival, our mission is to champion all writers across mediums. Our Playwriting Competition (open to full-length plays) gives playwrights a chance to explore our film and television conference. It will also allow film professionals to discover storytellers who have mastered the art and craft of stage drama.

AFF has always promoted story as the most important element of film and TV. So giving playwrights their own story exposure and a chance of crossover into film and TV only advances our mission. There are many other playwriting competitions out there, but AFF offers playwrights broader access to successful writers and professionals in all the other related fields.

Plays that make the Final Round will have readings during the Conference. Advancing playwrights will have access to exclusive panels, workshops, roundtables, and unique networking opportunities with professionals in theatre, film, and television.

AFF understands the relationship between passion and writing. That’s why we have enormous respect for the many successful playwrights who made the seamless transition to film and TV – playwrights such as Tennessee Williams, Horton Foote, John Patrick Shanley, Tony Kushner and Beau Willimon. And that list grows exponentially with today’s widening viewer market.

austinfilmfestival.com/submit/play/

THEATER — APRIL 2022

National Latine Playwrights Award

Arizona Theatre Company

DEADLINE: April 15, 2022

INFO: Latine playwrights residing in the United States, its territories or Mexico are encouraged to submit scripts for the award. Each script will be read and evaluated by a culturally diverse panel of theatre artists; finalists will be judged by ATC artistic staff.

ELIGIBILITY:

  • The award is open to all Latine playwrights currently residing in the United States, its territories, or Mexico.

  • Scripts may be in English, Spanish, or a combination of the two (Spanish scripts must be accompanied by an English translation).

  • Plays must be unpublished, professionally unproduced, and not currently under option at the time of submission.

  • Full-length and one-act plays, with a minimum length of 50 pages, on any subject will be accepted.

SCRIPTS:

The physical scripts become the property of Arizona Theatre Company and will not be returned. In this case, “property” means the physical property of the theatre, not the intellectual property or any rights to the play.

The winner will be notified by August 1, 2022. Application requirements include:

  • Submissions of a single script can be sent via email to NLPA@arizonatheatre.org.

  • Include a cover letter of no more than one page describing the play’s developmental history and how the play fits into the playwright’s broader career trajectory.

For more information contact Elaine Romero, ATC Playwright-in Residence: info@arizonatheatre.org.

atc.org/programs/national-latine-playwrights-award/

_____

CALL FOR BLACK PLAYWRIGHTS: A DIFFERENT MYTH NEW WORKS DEVELOPMENT PROGRAM

Different Strokes! Performing Arts Collective

DEADLINE: Rolling

INFO: A Different Myth is proud to foster emerging Black Playwrights in the development and production of powerful new plays which entertain, inform, and enlighten audiences, and deepen their awareness of Black joy. A Different Myth offers playwrights a chance to develop their work with experienced mentors, directors, actors, and eventually an audience.

This is a rolling submission with no deadline. Once Playwrights are accepted into the program, the developmental process will be tailored specifically to the individual Playwright. This may include dramaturgical or analytical mentorship, access to directors and actors, and any combination of private and public readings. There is no financial cost to the Playwright; payment for all artists and developmental staff is included in the program. The process will last as long as it takes for the play to be finished. Once the play is finished, the Playwright will receive a $1,000 honorarium and the play will be scheduled for professional production by Different Strokes! Performing Arts Collective.

Different Strokes! Performing Arts Collective is a non-profit performing arts organization committed to making theatre, building community, facilitating awareness, and changing the world one play at a time. Different Strokes! appreciates the value of empathetic and thought-provoking theatre as a profound and effective means to social change and transformation. Stephanie Hickling Beckman has been active in theatre for most of her life, as an Actor, Stage Manager, and Director. As the Founder and Managing Artistic Director for Different Strokes!, Stephanie is committed to directing and producing theatre that expresses the diversity we encounter in our everyday lives and finding ways to recognize and honor our differences in a safe and positive environment.

differentstrokespac.org/5191-2/

THEATER — MARCH 2022

Summer 2022 The VONA Experience

VONA

DEADLINE: March 4, 2022, by 11:59pm PST

ENTRY FEE: $35

INFO: The VONA Experience is a spectacular week of writing workshops, professional development, panels, and community building designed for writers of color (June 27, 2022 - July 3, 2022).

TUITION:

  • Workshop: $1,000

  • Residency: $1,200

WORKSHOPS INCLUDE:

  • Poetry Residency with Adrian Castro - This workshop will be conducted focusing on writing about place. We will examine poems both from workshop participants and other poets that exemplify the use of place. We will also ask where is that place? Where is that physical place, that geographical place, and also where is that mental place? Is that place existent, nostalgic, dreamt, etc.? Participants will bring to the workshop poems with these themes. Feedback will be given based on the Liz Lerhman method, which focuses feedback beginning from the artist place of inspiration and creative space, then from the reader’s/listener’s perspective—i.e. what the reader thought, felt, assimilated while reading the poem. Lastly poets will be encouraged to appropriately render their poems out aloud—from their voice, their perspective, their place.

    Adrian Castro is a poet, performer, and interdisciplinary artist. Born in Miami from Caribbean heritage which has provided fertile ground for the rhythmic Afro-Caribbean style in which he writes and performs. He is the author of Cantos to Blood and Honey, Wise Fish, Handling Destiny (all Coffee House Press). He has been published in many literary anthologies. He is the recipient of many awards and fellowships including from the Academy of American Poets and USA Knight Fellowship for Writing. He is also a Doctor of Acupuncture and Oriental Medicine practicing in Miami.

  • Prose Residency with Reyna Grande - The prose residency mainly consists of individual conferences with the instructor. The conferences are designed for the instructor to give intense individual attention to the student’s work (this is not a workshop where students critique each other’s work). The topics of the noontime daily classes will include material on the writing process, on race and creative writing, and on narrative structures and other techniques in fiction and memoir. Students will be asked to do readings and some writing before the residency begins.

    Reyna Grande is the author of the bestselling memoir, The Distance Between Us, (2012) and the sequel, A Dream Called Home (2018). Reyna has received an American Book award, the El Premio Aztlán Literary Award, and the International Latino Book Award. She was a finalist for the National Book Critics Circle Awards and honored with a Luis Leal Award for Distinction in Chicano/Latino Literature. Reyna has two forthcoming books in 2022: A Ballad of Love and Glory (March 15), her first historical fiction set during the Mexican-American War, and Somewhere We Are Human: Authentic Voices on Migration, Survival, and New Beginnings (June 7), an anthology of essays, poems, and artwork by and about undocumented Americans.

  • Narrative Journalism/Memoir with Roberto Lovato - This workshop is designed to explore the form and techniques of a genre whose fluid, malleable boundaries, its dynamism, and, especially, its focus on truth conditions and identity make it an ideal instrument for exploration in times of such astonishing uncertainty and confusion: narrative journalism. The filter through which we’ll study the choices made by narrative journalists are some of the defining elements of creative nonfiction, including bodily writing; scene and summary, voice, structure, and character. We will pay close attention to the choices made by writers engaged in the struggle to tell truthful stories in an age of epic, technologically-enabled lying.

    Roberto Lovato is the author of Unforgetting (Harper Collins), a “groundbreaking” memoir the New York Times picked as an “Editor’s Choice” Newsweek listed Lovato’s memoir as a “must-read” 2020 book and the Los Angeles Times listed it as one of its 20 Best Books of 2020. Lovato is also an educator, journalist, and writer based at The Writers Grotto in San Francisco, California. A recipient of a reporting grant from the Pulitzer Center, Lovato has reported on numerous issues—violence, terrorism, the drug war, and the refugee crisis—from Mexico, Venezuela, El Salvador, Dominican Republic, Haiti, France, and the United States, among other countries.

  • Fiction with Mathangi Subramanian - What are the stories you want to tell that are unlike anything that has been told before? What are your fears about creating and sharing original work with our capitalist, white supremacy culture? How does your inner editor work with existing power structures to stifle your voice? In this workshop, we will explore our choices about perspective, tense, character, and setting, while also developing self-care-based revision techniques that allow us to bring our whole selves to the page. Students will receive feedback from the instructor as well as small critique groups within the class.

    Mathangi Subramanian is an award winning South Asian American author, educator, mother, and musician. Her novel A People's History of Heaven was a finalist for the Lambda Literary Awards and was longlisted for the PEN/Faulkner and the Center for Fiction First Novel Prize. Her middle grades book Dear Mrs. Naidu won the South Asia Book Award and was a finalist for The Hindu-Goodbooks Award. Her essays and op-eds have appeared in The Washington Post, Harper's Bazaar, The San Francisco Chronicle, Ms., and Al Jazeer America, among others. A former public school teacher, Assistant Vice President at Sesame Workshop, and senior policy analyst for the New York City Council, she holds a doctorate in education from Columbia University Teachers College.

  • Poetry with Cynthia Dewi Oka - This workshop engages with how displacement as a tactic of conquest alienates the displaced across time, place, language, and modes of identity. What does it mean to recover and to speak to/from/as our Othered selves? In this workshop, we will study, generate, and workshop poems through the lens of exile and errantry (in contrast/opposition to empire), as conceptualized by the poet and philosopher Edouard Glissant. Participants will be provided with and required to read Glissant's essay, “Errantry, Exile” from his book Poetics of Relation in preparation.

    Cynthia Dewi Oka is the author of Fire Is Not a Country (2021) and Salvage (2017) from Northwestern University Press, and Nomad of Salt and Hard Water (2016) from Thread Makes Blanket Press. A recipient of the Amy Clampitt Residency, Tupelo Quarterly Poetry Prize, and the Leeway Transformation Award, her writing has appeared in The Atlantic, POETRY, Academy of American Poets, Poetry Society of America, Hyperallergic, Guernica, The Rumpus, ESPNW, and elsewhere. An alumnus of the Warren Wilson MFA Program for Writers, she has taught creative writing at Bryn Mawr College and New Mexico State University, and with arts organizations such as Blue Stoop, Asian Arts Initiative, The Speakeasy Project, Kundiman, and the Ubud Writers and Readers Festival. 

  • Comedy Writing with Zahra Noorbakhsh - Whether it’s in storytelling, stand-up, or essay, dialogue, prose, or a performance, we’re all funny some of the time. But, how do we make it happen on purpose, and often? How do we walk the line between comedy and drama? When do we take criticism and when do we tell critics to shove it? What are the tools and techniques that deliver laughs and how do we innovate in the genre? All attendees will leave with the fundamentals and guidance to master humor. Get ready to play and ready to work!

    Zahra Noorbakhsh is a comedian, writer, and performer. Her award-winning podcast, #GoodMuslimBadMuslim was deemed a must-listen by O, the Oprah Magazine, and invited to the Obama Whitehouse to record an episode. She’s a Senior Fellow on Comedy for Social Change with the Pop Culture Collaborative and an Innovations Fellow with The Opportunity Agenda. Her one-woman show, “All Atheists are Muslim” originally directed by W. Kamau Bell, was dubbed a highlight of the International New York City Fringe Theater Festival by the New Yorker. Her comedy special, “On Behalf of All Muslims” debuts this year. Visit ZahraComedy.com.

  • Playwriting with Lisa Marie Rollins - This workshop’s focus is centered on supporting the development of your new play in progress. Part generative, part workshop, we will spend time with focused exercises to explore and articulate the imagined realm of your play, and time will be spent reading and attending to the worlds created inside your individual scripts. We’ll ask questions about worldmaking for the stage, and spend time discussing place, conflict, character, endings and explore the uses of a non-linear /nontraditional structures to support the needs of your play.

    Lisa Marie Rollins is a freelance director, writer and new play developer. She is currently developing her new play LOVE IS ANOTHER COUNTRY. She is a Sundance Institute Theatre Lab Fellow (Directing), a Directors Lab Westmember and an Associate Member of Stage Directors and Choreographers. Lisa Marie recently received the WallaceGerbode Special Award in the Arts commission in which she will be working with Crowded Fire Theater to write and develop a new play to world premiere in Fall 2023. She was an Artistic Associate for Intiman Theater in Seattle (20-21) and is currently a Resident Artist with Crowded Fire Theater.

  • Political Content in Journalism with Teresa Wiltz - This workshop will focus on exploring race and culture as political content in Journalism. You will spend time revising and refining articles infused that elevate racial and cultural issues. Participants will receive faculty and peer feedback as they prepare a piece to pitch major market outlets like The Guardian, Mother Jones, and Essence.

    Teresa Wiltz, is the author of The Real America: The Tangled Roots of Race and Identity. A Senior Editor at POLITICO magazine, Teresa launched The Recast last year, a biweekly newsletter unpacking how race and identity are shaking up politics. As a staff writer on the Chicago Tribune’s metro news desk, she was part of a reporting team that won the Grand Prize, Robert Kennedy Journalism Award for a series on murdered children in Chicago; the team also was a finalist for the Pulitzer Prize for Public Service. During a decade at the Post, Teresa wrote for the paper’s acclaimed Style section, with a focus on cultural criticism.

vonavoices.org/summer-2022-workshops-open

_____

WRITERS IN RESIDENCE

Hedgebrook

DEADLINE: March 14, 2022

INFO: Hedgebrook is on Whidbey Island, about thirty-five miles northwest of Seattle. Situated on 48-acres of forest and meadow facing Puget Sound, with a view of Mount Rainier, the retreat hosts writers from all over the world for fully-funded residencies of two to four weeks (travel is not included and is the responsibility of the writer to arrange and pay for). This residency is open to women-identified writers 18 and older.

Central to what we do, our Writer-in-Residence Program supports fully-funded residencies for selected women-identified writers at the retreat each year. Up to 6 writers can be in residence at a time, each housed in a handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women writers whose stories and ideas shape our culture now and for generations to come. Residents must be willing to adhere to a specific set of health and safety protocols we have implemented to keep writers, staff, and surrounding communities safer. We will be following CDC and local government guidelines and recommendations for travel and in-person gathering restrictions.

Residencies for this application cycle, Cycle 1, will take place February - June 2023.

2023 WiR Genres for Cycle One:

  • Fiction

  • Non-Fiction

  • Playwriting

  • Poetry

  • Screenwriting/TV Writing

  • Songwriting

hedgebrook.org/writers-in-residence

_____

CALL FOR SUBMISSIONS: RED CLAY PLAYS - SEASON 2

MOJOAA Performing Arts Company

DEADLINE: March 28, 2022

SUBMISSION FEE: $0

INFO: MOJOAA Performing Arts Company presents Season 2 of Red Clay Plays Podcast, featuring plays by Black playwrights in the American South!

We are pleased to continue our mission of championing living Black playwrights with season 2 of our podcast premiering late 2022/early 2023. Each playwright will receive two episodes. The first will be the reading of their play. The second episode will be a one-on-one interview about the playwright, their plays, their process and what it means to them to be a Southern Black playwright/theatre artist.

We are looking for four 10-30 minute plays and monologues written by Black playwrights currently living in NC, SC, GA, AL, MS, TX, AR, LA and VA OR Black trans playwrights living in the US with connections to the South.

GUIDELINES:

Plays must:

  • Be written primarily in English

  • Be able to be performed by 4 actors (double casting is an option)

  • Work as reader's theatre

  • Have the rights for all material in the play

Each playwright can submit up to 30 minutes worth of work. One 30-minute play, 2 15-minute plays, 3 10-minute plays, etc.

We are especially looking for plays written by trans, non-binary, genderqueer and women playwrights. And when we say Black playwrights we mean ALL BLACK PLAYWRIGHTS. We invite all your intersections and identities. You retain full rights to your work.

COMPENSATION: Playwrights will be paid $100 for participation.

Please send all submissions and questions to MOJOAApac@gmail.com or apply via New Play Exchange. We can't wait to read your work

mojoaa.org/#auditionsandsubmissions

_____

The Thousand Miles Project

Coverfly

DEADLINE: March 31, 2022

ENTRY FEE: $0

INFO: The Thousand Miles Project is open to writers who are passionate about telling Asian and Pacific Islander stories. They’re accepting Features, TV Pilots, Shorts, Web Series, Short Stories, Book/Manuscripts, Stage Plays, Graphic Novels, and Articles

We at The Thousand Miles Project are committed to h elping emerging writers tell their stories and jumpstart lasting writing careers in the entertainment industry. In partnership with Universal Content Productions (UCP) and writer/producer Soo Hugh (The Terror, Pachinko), the program will provide up to 20 writers/writing teams the opportunity to learn about television writing and the industry through panels and lectures with writers, development execs, managers, and agents in a two-day intensive virtual workshop.

After the workshop, participants will be invited to apply for a 24-week development lab by submitting a series idea for further development. Television project proposals in any genre are welcome. We are interested in narratives told through the lenses of any Asian and Pacific Islander community (all Asian or Pacific Islander countries or cultures). From those proposals, up to 3 writers/writing teams will be selected to join the development lab with Soo Hugh, her team and UCP to write a pilot script and potentially develop their project further with UCP. The lab writers will meet on a bi-weekly basis, with additional monthly meetings with Soo and her team.

BENEFITS:

Workshop Participants - Up to 20 writers/writing teams will be invited to free virtual workshops to learn about television development and career strategies from writers, showrunners, managers, agents, and studio execs. 

Virtual Workshop dates will be June 11, 2022 and June 18, 2022. 

Development Lab Writers - Workshop participants will be invited to apply for the development lab by submitting additional materials by August 1, 2022, which are currently contemplated to include:

  • Short answers to a series of questions regarding their series concept

  • An artistic statement of intent about themselves (750 words or less)

Up to 3 writers/writing teams who participated in the workshops and submitted series development ideas will be selected to participate in a 24-week paid development lab. With guidance from Soo and her team, plus peer-to-peer feedback, writers will write a pilot. Selected writers are expected to fully participate by giving support and feedback to each other in the lab.

Writers/writing teams from the lab may be invited to further develop their project with UCP after the development lab is completed.

If UCP chooses not to further develop a project from the lab, UCP will give the rights to the applicable script back to the writer/writing team (and UCP will no longer continue to own it). Further details, and an agreement, will be provided to writers/writing teams selected to participate in the lab.

ELIGIBILITY:

  • Applicants must be at least 18 years old at the time of their application.

  • Applicants can be from any country or background.

  • Applicants must have a strong proficiency in English.

  • Applicant’s participation in the 2-day workshop (and lab, if applicable) must not violate any other obligations applicant may have at law, pursuant to contract, or otherwise.

  • To participate in the development lab, applicants must be legally authorized to live, work and participate in the lab in the United States.

  • Applicants must be available to participate in the 2-day workshop and lab (if applicable): Workshop is currently scheduled for June 11, 2022 and June 18, 2022, for approximately 8 hours each day with hours based on the Pacific Time Zone. Confirmed dates and time will be provided.

  • If selected for the development lab, applicant must execute a standard writer agreement, and other required documentation, in order to participate.

  • Writing teams can be no more than 2 writers. Each writer must submit a separate application.

writers.coverfly.com/competitions/view/thousandmilesproject?fbclid=IwAR1Q-gSJSv5NkLrLB-61oXPVPF8-_ZcRUKUiicayFpdg6CjcrQf21MGYES0

_____

CALL FOR BLACK PLAYWRIGHTS: A DIFFERENT MYTH NEW WORKS DEVELOPMENT PROGRAM

Different Strokes! Performing Arts Collective

DEADLINE: Rolling

INFO: A Different Myth is proud to foster emerging Black Playwrights in the development and production of powerful new plays which entertain, inform, and enlighten audiences, and deepen their awareness of Black joy. A Different Myth offers playwrights a chance to develop their work with experienced mentors, directors, actors, and eventually an audience.

This is a rolling submission with no deadline. Once Playwrights are accepted into the program, the developmental process will be tailored specifically to the individual Playwright. This may include dramaturgical or analytical mentorship, access to directors and actors, and any combination of private and public readings. There is no financial cost to the Playwright; payment for all artists and developmental staff is included in the program. The process will last as long as it takes for the play to be finished. Once the play is finished, the Playwright will receive a $1,000 honorarium and the play will be scheduled for professional production by Different Strokes! Performing Arts Collective.

Different Strokes! Performing Arts Collective is a non-profit performing arts organization committed to making theatre, building community, facilitating awareness, and changing the world one play at a time. Different Strokes! appreciates the value of empathetic and thought-provoking theatre as a profound and effective means to social change and transformation. Stephanie Hickling Beckman has been active in theatre for most of her life, as an Actor, Stage Manager, and Director. As the Founder and Managing Artistic Director for Different Strokes!, Stephanie is committed to directing and producing theatre that expresses the diversity we encounter in our everyday lives and finding ways to recognize and honor our differences in a safe and positive environment.

differentstrokespac.org/5191-2/

THEATER — FEBRUARY 2022

2022-23 New Victory LabWorks

The New Victory Theater

DEADLINE: February 7, 2022

INFO: New Victory® LabWorks is for artists who identify as Black, Indigenous, and People of Color (BIPOC) creating original work for kids and families. We welcome and uplift all BIPOC artists, including those who identify as LGBTQIA+ and who identify as disabled. As an artistic home for artists of all disciplines, New Victory LabWorks explores, devises and reimagines what theater for families can be.

Once all applications are reviewed, a select group of applicants will be contacted to participate in an interview with members of the New Victory Artistic Programming staff. From there, final applicants will be notified of their acceptance. All applicants will receive notification of final decisions. No phone calls, please.

REQUIREMENTS:

  • Artist(s) must have a primary residence in NYC and be available to participate between August 2022 and July 2023.

  • Artist(s) must identify as Black, Indigenous or a Person of Color.

  • Artist(s) must be 18 years of age or older.

  • Artist’s work must be intended for family audiences (artist does not need prior experience in creating work suitable for families).

  • Artist’s project(s) must be in development, but may be at any point during development, including initial concept.

  • Pending the lifting of COVID-19 restrictions, Artist(s) must be able to attend monthly meetings in Manhattan.

  • Artist(s) must be interested in actively participating in all aspects of the New Victory LabWorks program, including professional development, monthly meetings with the 2022-23 LabWorks cohort, peer-based exchange and peer and/or audience feedback.

newvictory.org/about/labworks/labworks-application/

_____

MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: February 10, 2022 at 11:59pm EST*

INFO: MacDowell is a fellowship and residency program for writers, visual artists, composers, filmmakers, playwrights, interdisciplinary artists, and architects. About 300 artists are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence.

There are no residency fees. Need-based travel grants and stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply.

MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

*MacDowell has announced it will go from three annual application deadlines and corresponding seasons to two. That means the next application deadline will be February 10, 2022 for residencies during the period September of 2022 through February of 2023. To go along with that change, the admissions department has decided to temporarily suspend a longstanding requirement that applicants supply reference letters as part of the application process.

https://www.macdowell.org/apply/apply-for-fellowship

_____

LITERATURE GRANT

Café Royal Cultural Foundation

DEADLINE: February 14, 2022 at 9:00am EST

INFO: Café Royal Cultural Foundation NYC will award a publishing grant to authors of fiction / creative non-fiction, poetry and playwriting. 

GRANT: Up to $10,000.00  

ELIGIBILITY: Authors in fiction / creative non-fiction, poetry and playwriting. The applicant must be the originator of the written material.
Grants awarded in this category may fund costs associated with continuing the composition of work submitted. Such as:

  • Course Reduction (if you're a Teacher/Professor)

  • Salary Replacement

  • Living Expenses

  • Research Expenses

Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying.

Please make sure to submit your application with ample time before the start date of your project. 

Applicants can only apply with the same project twice.

REVIEW PROCEDURES: Funding decisions will be made by the Café Royal Cultural Foundation Selection and Executive Committees. The following criteria will be applied in evaluating grant proposals:

  • Creativity, originality, ideas and concepts, writing style

  • Importance of the Project/Cultural Relevance

  • Promise of future achievements in writing

APPLICATION REQUIREMENTS: 

  • Up to and no more than a 15 page PDF of the work, for the Café Royal Cultural Foundation executive committee to download and read.

  • A letter of intent from the publisher with a date of planned publication, if no publisher is assigned, Café Royal Cultural Foundation may work with writer to help find a publisher.

  • A short description of the project.

  • A short author biography of the person(s) involved.

  • List of costs that the grant money be used for - must not exceed the amount of $10,000.00

caferoyalculturalfoundation.org/literature-page

_____

2022 Developmental Residency

Play Incubation Collective

DEADLINE: February 15, 2022

INFO: The Play Incubation Collective (in Easthampton, MA) 2022 9-month developmental residency is seeking submissions of scripts-in-progress by local BIPOC and/or queer playwrights only. Submitted scripts do not need to be complete. Playwrights must submit a minimum of 20 pages, and the play’s cast should not exceed 10 characters. For this development opportunity, PIC is focusing on plays, not musicals.

During this 9-month residency, the incoming playwright will work with our team of actors, dramaturgs, designers and more to collaborate on the further development of their piece. All of the participating artists help contribute to PIC’s monthly administrative duties, including the playwright. The PIC team will work with the selected playwright to determine the best approach to develop their script.

The writer-in-residence will receive a stipend to go along with this 9-month residency, access to monthly rehearsal space, and a culminating public presentation of their play in the fall of 2022. 

  • The Residency will take place from March-December 2022 

  • Rehearsals will be held in Hampshire County, MA. Playwrights should expect to regularly attend local in-person work-sessions.

  • Finalists will be notified by March 1st and PIC will be in touch to schedule an interview.

  • Estimated Time Commitment: 10 hrs/month rehearsal time, 2-4 hrs/month admin time

  • Send all questions to sarah@playincubation.org and rachel@playincubation.org

playincubation.org/playwrights

_____

Interdisciplinary Artist Residency Program

Peter Bullough Foundation

DEADLINE: February 22, 2022

INFO: The Peter Bullough Foundation in downtown historic Winchester, Virginia provides residencies to emerging artists and scholars, including those elevating voices and topics relevant to the LGBTQIA2S+ community. Applications are now being accepted for fall 2022 residencies to work in the private studios and enjoy the garden and former homes of Dr. Peter Bullough. The ideal applicant will be self-directed and able to work independently. Each awarded residency period is roughly four weeks and is shared with one to two other artists in residence. Artistic collaborators in groups of two to three may apply in one application. Hosting a community workshop virtually or in-person during the residency is encouraged, but not required.

Disciplines Accepted:
Architecture, literature, film/video arts, interdisciplinary arts, music, music composition, playwriting, screenwriting, poetry, scholars, theatre, and the visual arts.

Fall 2022 Residency Dates:

August 18 - September 13
September 15 - October 11
October 13 - November 8
November 10 - December 6

Selection:
Selection is a multi-step process involving the PBF staff, residency committee, residency alumni, and board. We may request an interview with you to learn more about you and your work. Selections will be announced 30-45 days after the application deadline. The PBF does not discriminate in its programs and activities on the basis of race, sex, sexual orientation, gender identity, gender expression, marital status, religion, creed, national origin, age, and/or disability.

Accommodations & Support:
The Peter Bullough Foundation is delighted to offer free accommodations for two to three artists at a time in Dr. Bullough’s former home, a renovated 1840’s house with private bedrooms and bathrooms and shared common spaces. Private studios and workspaces are located in an adjacent building that also houses the majority of the late Dr. Bullough’s book and art collections. Private gardens connect the properties and are also available as open-air workspaces.

A $550 stipend is provided to aid in covering supplies, necessities, and food for the month. 

Accessibility:
The PBF is not ADA accessible at this time. For more information on accessibility, please check out our FAQ's

Location: 
Winchester, Virginia is a quintessential American small town, with four locally-owned breweries, many small shops, 10 different historic house museums, a kids science museum, and a large regional art museum. 

Application Requirements:

  • Application Form

  • Resume, CV, or Statement of Qualifications

  • Two Personal References

  • Personal Statement and Proposal

  • Portfolio

peterbulloughfoundation.org/residency?fbclid=IwAR1MRyNsx3HGw1Vimr66ld9RkMwoyFRYvIA6qHHNlUaE8hw2rarYFoUF2wE

_____

Writing Residency 2022 - 2023

Liberation Theatre Company

DEADLINE: February 28, 2022 by 11:59pm EST

INFO: Liberation Theatre Company (LTC) is proud to present our fifth year of The Writing Residency Program 2022 - 2023 (supported by NYSCA); furthering our commitment to the development of new Black playwrights for the American theatre.

We will select four early-career playwrights and provide them with dramaturgical and professional support over a ten-month period, during which time they will each be required to complete a new full-length play.

Beginning in May 2022, selected playwrights will attend monthly group meetings to share and refine their works-in-progress in a collaborative, energized setting via Zoom; meet individually with LTC’s Artistic Director and staff who will provide additional support for their artistic needs, concerns and process; and have the resources of a director and professional actors during a table reading as their play begins to take shape.

Additionally, through connections with the larger New York City theatrical community, LTC will provide access to theatre tickets (when available) and seek to support, inspire, and assist playwrights in any way a small and dedicated company can.  

The Residency will conclude in February 2023 with public readings of each playwright’s finished play. Upon successful completion of the program, each playwright will receive an honorarium. 

ELIGIBILITY: To be considered for the Writing Residency Program all applicants must be a) residents of New York City at the time of participation (May 2022 – February 2023). b) Applicants must have written at least two full-length plays or three one-act plays. The applicant must not have received a production of any of their work that was more developed than a Showcase presentation under the Actors’ Equity Association production code.

SUBMISSION PROCEDURE: To be considered for the 2022 - 2023 Writing Residency Program, Liberation Theatre Company will only accept submissions via this online form. If you have questions about the program or the application process, please email: info@liberationtheatrecompany.org.

The following materials must be uploaded and submitted in PDF form no later than 11:59 PM EST on Monday, February 28, 2022. Make sure that all documents are properly labeled with your name.

1. Completed Online Application Form

2. Letter of Intent. This should be limited to 1,000 words and address all of the following points:

  • Your writing career thus far and where you feel you are in your creative and professional life

  • Your career goals and how you will use the Residency to further those goals

  • Briefly describe the play you will complete over the 10-month program

  • Why you feel ready for a rigorous residency such as this

  • Have you participated in a residency/fellowship before? If so, describe your experience.

  • Anything else you think may be relevant

3. A 10-page Work Sample that best represents you as a playwright

4. The full script from which you selected your 10-page work sample

5. Your playwriting resume (not a bio). Please include one personal or professional reference, with the person’s title or institutional affiliation, phone number and email address. (Referrer must be someone familiar with you and your work.)

https://liberationtheatrecompany.submittable.com/submit/293aa993-be84-411f-bcfd-f268851f5bba/liberation-theatre-company-writing-residency-2022-2023?step=submission&fbclid=IwAR1QM98BRvuI-3Lc1le1MkNUVJg0dNMt3aMP2OWRI_8e7irFmxW4RACe1sA

_____

CALL FOR BLACK PLAYWRIGHTS: A Different Myth New Works Development Program

Different Strokes! Performing Arts Collective

DEADLINE: Rolling

INFO: A Different Myth is proud to foster emerging Black Playwrights in the development and production of powerful new plays which entertain, inform, and enlighten audiences, and deepen their awareness of Black joy. A Different Myth offers playwrights a chance to develop their work with experienced mentors, directors, actors, and eventually an audience.

This is a rolling submission with no deadline. Once Playwrights are accepted into the program, the developmental process will be tailored specifically to the individual Playwright. This may include dramaturgical or analytical mentorship, access to directors and actors, and any combination of private and public readings. There is no financial cost to the Playwright; payment for all artists and developmental staff is included in the program. The process will last as long as it takes for the play to be finished. Once the play is finished, the Playwright will receive a $1,000 honorarium and the play will be scheduled for professional production by Different Strokes! Performing Arts Collective.

Different Strokes! Performing Arts Collective is a non-profit performing arts organization committed to making theatre, building community, facilitating awareness, and changing the world one play at a time. Different Strokes! appreciates the value of empathetic and thought-provoking theatre as a profound and effective means to social change and transformation. Stephanie Hickling Beckman has been active in theatre for most of her life, as an Actor, Stage Manager, and Director. As the Founder and Managing Artistic Director for Different Strokes!, Stephanie is committed to directing and producing theatre that expresses the diversity we encounter in our everyday lives and finding ways to recognize and honor our differences in a safe and positive environment.

differentstrokespac.org/5191-2/