Join Us for Virtual Writing Sessions!

 
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Writing is often a solitary process and may feel even more so these days due to social distancing. This June, Galleyway is offering writers an opportunity to convene while working on personal projects.

Whether you’re writing a new screenplay, polishing your chapbook, or figuring out your next short story, join founder Camille Wanliss for a series of FREE virtual writing sessions — each silent and lasting two hours in duration. Participants can attend one or all sessions.

DATES:
Sessions will take place via Zoom twice a week. The schedule is as follows:

  • Week 1: Tues 6/9 (3 - 5:30 pm EST) and Thurs 6/11 (3 - 5 pm EST)

  • Week 2: Tues 6/16 and Thurs 6/18 (3 - 5 pm EST)

  • Week 3: Tues 6/23 and Thurs 6/25 (3 - 5 pm EST)

  • Week 4: Tues 6/30 and Thurs 7/2, (3 - 5 pm EST)

REGISTER TODAY!

Virtual Writing Sessions are free of cost and open to writers of all disciplines. Pre-registration is required at bit.ly/2ZQex7U

WATCH: Define American's Black + Gold Forum

This week, Define American presented its Black + Gold Forum, a virtual panel discussion on creating solidarity and support with Black and Asian communities during COVID-19 and beyond.

Panelists including Franklin Leonard (The Black List), Nikole Hannah Jones (The New York Times), Jon M. Chu (Director, Crazy Rich Asians), and Prabal Gurung (Fashion Designer / Activist) discussed shared histories, the impact of film and media representation, and the power of coming together socially and politically. The conversation was moderated by Joy-Ann Reid (Host of AM Joy on MSNBC).

Watch the entire conversation below.

Define American is a narrative and culture change organization that uses media and the power of storytelling to transcend politics and shift the conversation about immigrants, identity, and citizenship in a changing America.

 



COVID-19 Emergency Relief Funds For Writers

The COVID-19 pandemic has affected the physical health and financial wealth of many individuals. If you are a writer in need, the following is a list of organizations that have established emergency funding and resources.

Poets & Writers COVID-19 Relief Fund

INFO: Poets & Writers’ Board of Directors established the Poets & Writers COVID-19 Relief Fund to provide emergency assistance to writers having difficulty meeting their basic needs due to the COVID-19 pandemic. The fund will provide grants of up to $1,000 to an initial cohort of approximately eighty writers in April. If we are able to secure additional funds, we will provide another round of funding.

ELIGIBILITY: Given limited funds currently available, at this time eligibility will be limited to writers who:

  • are listed in the Poets & Writers Directory as of April 10, 2020; or

  • have received a mini-grant from our Readings & Workshops program; or

  • have received one of the following awards or fellowships sponsored by Poets & Writers:

    • Amy Award

    • Maureen Egen Writers Exchange Award

    • Barnes & Noble Writers for Writers Award

    • Galen Williams Fellowship

Poets & Writers employees and Board members, and their immediate family members, are ineligible.

DEADLINE: April 19, 2020

https://www.pw.org/content/poets_writers_covid19_relief_fund

Artist Relief

INFO: To support artists during the COVID-19 crisis, a coalition of national arts grantmakers have come together to create an emergency initiative to offer financial and informational resources to artists across the United States.

Artist Relief will distribute $5,000 grants to artists facing dire financial emergencies due to COVID-19; serve as an ongoing informational resource; and co-launch the COVID-19 Impact Survey for Artists and Creative Workers, designed by Americans for the Arts, to better identify and address the needs of artists.

To be eligible for a relief grant, applicants must be:

  • Practicing artists able to demonstrate a sustained commitment to their work, careers, and a public audience;

  • Experiencing dire financial emergencies due to the COVID-19 pandemic;

  • 21 years of age or older;

  • Provide a W9 and Social Security Number (SSN) or Individual Taxpayer Identification Number (ITIN)—we will collect this information after you’ve been notified of your selection;

  • Residing and working in the U.S. for the last two years;

  • Not a full-time employee, board member, director, officer, or immediate family member of any of the coalition partners;

  • Not previously awarded a relief grant from this fund.

DEADLINE: April 23, 2020

https://www.artistrelief.org/apply

MAURICE SENDAK EMERGENCY RELIEF FUND

The Maurice Sendak Foundation / NYFA

INFO: The Maurice Sendak Foundation has seeded a program that will provide one-time grants of up to $2,500 to children's picture book artists and writers.

The Maurice Sendak Foundation (MSF) has partnered with the New York Foundation for the Arts (NYFA) to launch an emergency relief grant program to support children’s picture book artists and writers impacted by the COVID-19 crisis. The program will distribute unrestricted grants, up to $2,500 apiece, to artists who have experienced financial hardship from loss of income as a direct result of the crisis. The program is open to children’s picture book artists and writers over the age of 21 in the United States and territories.

MSF, a not-for-profit charitable organization, is devoted to promoting greater public interest in and understanding of the literary, visual, and performing arts. MSF has granted $100,000 to NYFA to begin the program; the initial goal for the fund is $250,000 with hopes that it will expand. Those interested in donating to the fund may do so here.


GRANT TIMELINE:

  • Grant Launch: Wednesday, April 15, 2020, 10:00 AM EDT

  • Application Opens: Thursday, April 23, 2020, 1:00 PM EDT

  • Application Closes: Once 600 applications have been received

  • Application Review: Thursday, April 23-Monday, May 4, 2020

  • Applicants Notified: By May 15, 2020

https://www.nyfa.org/Content/Show/Maurice-Sendak-Emergency-Relief-Fund?mc_cid=f1e2566372&mc_eid=9e9f55163d

Writers’ Emergency Fund

PEN America

INFO: PEN America is an organization of writers and their allies, and that solidarity is never more important than during a global crisis such as we face in the coronavirus pandemic. PEN America is expanding its long-standing Writers’ Emergency Fund as part of our efforts to support the literary community at a time when the health and livelihoods of so many are at risk. We recognize that there are writers who no longer have access to any of the ways in which they have supported themselves, and that this has happened very suddenly and will last for a period none of us can predict. In response, PEN America will distribute grants of $500 to $1,000 based on applications that demonstrate an inability to meet an acute financial need, especially one resulting from the impact of the COVID-19 outbreak. We have developed a new streamlined process for the duration of this crisis, and expect to be able to review and respond to applications within 14 days.

To be eligible, applicants must be based in the United States, be a professional writer, and be able to demonstrate that this one-time grant will be meaningful in helping them to address an emergency situation. The fund is limited, and not every application can be supported.

The Writers’ Emergency Fund is intended to assist fiction and non-fiction authors, poets, playwrights, screenwriters, translators, and journalists. The following guidelines are used in evaluating professional credentials:

  • Publication of one or more books.

  • Multiple essays, short stories, or poems in literary anthologies or literary journals (either online or in print) in the last two years.

  • A full-length play, performed in a theater of more than 250 seats by a professional theater company. Productions in academic settings qualify if not a student at the time of the production.

  • Production of a motion picture project or a segment of television.

  • Employment as a full-time professional journalist, columnist, or critic or a record of consistent publication on a freelance basis in a range of outlets during the last two years.

  • Contracted forthcoming books, essays, short stories, poems, or articles for which the name of the publisher can be provided.

  • Other qualifications that support the applicant’s professional identity as a writer.

Writers do not have to be Members of PEN America to receive a grant, but all recipients of emergency funding will be given a complimentary one-year membership to PEN America.

https://pen.org/writers-emergency-fund/

COVID-19 EMERGENCY GRANT

Dramatists Guild Foundation

INFO: It is vital to support writers in times of need so that they can get back to doing what they do best. DGF provides emergency financial assistance to individual playwrights, composers, lyricists, and librettists in dire need of funds due to severe hardship or unexpected illness.

If you are a writer in need, we can help.

https://dgf.org/programs/grants/grants-for-writers/

The Authors League Fund

The Authors League

INFO: The Authors League Fund helps authors, dramatists, journalists, and poets. Recipients of Authors League Fund assistance must be career writers with a substantial body of work in one of more of the following categories:

  • Book authors with at least one title published by an established traditional publisher. Authors with multiple titles are given priority.

  • Dramatists whose full-length plays have been produced in mid-size or large theaters and/or published by established dramatic presses. [See notes above concerning COVID-19 income loss.]

  • Journalists, critics, essayists, short story writers, and poets with a substantial body of work in periodicals with a national or broad circulation. Whether print or online, these periodicals must have strong editorial oversight and a sizable readership. This category does not include copywriting, blogging, public relations, and writing for non-periodical websites and corporate clients.

The Fund does not typically assist self-published writers unless they have a record of critical and financial success with their publications.

While it is not necessary that the applicant subsists solely on his or her income from writing, or have published in recent years, the applicant’s status as a professional writer is vital. Please list awards, fellowships, and other forms of recognition in your application.

The Authors League Fund helps writers living in the United States, regardless of citizenship, and American writers living abroad.

https://authorsleaguefund.org/apply/

Writers Emergency Assistance Fund

American Society of Journalists and Authors

INFO: Coronavirus-related WEAF funds are only available to those who cannot work because they are currently ill or caring for someone who is ill. Funds are not available to those who have lost work because publishers and/or clients are no longer assigning due of the pandemic. All other guidelines outlined below still apply. 

ASJA is receiving four times the number of WEAF applications as usual. Please review our guidelines carefully before applying. We want to help as many applicants as possible, and our WEAF review team is made up of professional freelance writers who are also struggling during this crisis. Please be cognizant of our staff and volunteer time, by considering carefully whether or not your application meets our criteria. 

The Writers Emergency Assistance Fund helps established freelance writers who, because of illness, disability, a natural disaster, or an extraordinary professional crisis are unable to work. A writer need not be a member of ASJA to qualify for a grant. However, applicants must establish a record of past professional freelance nonfiction writing over a sustained period of years, which means qualifications generally similar to those of ASJA members. WEAF does not award grants to beginning freelancers seeking funding for writing projects, nor does it fund works-in-progress of any kind.

http://asja.org/For-Writers/WEAF

HEARD/WORD: CALL FOR AUDIO SUBMISSIONS

INFO: In addition to spotlighting monthly opportunities for writers of color, our mission is to champion diverse voices.

HEARD/WORD is a new audio series highlighting compelling voices in poetry and prose. We’re seeking recordings of original poems and short fiction. Selected work will be showcased on our blog and social media platforms.

Submissions must include:

  • An MP3 recording of you reading your poetry (no longer than 3 minutes) or short fiction (no longer than 5 minutes)

  • Text version of the piece

  • A headshot 

  • A brief bio

  • Social media handles

Please send submissions to camille@galleyway.com

A Single Story is now Galleyway

We are pleased to announce that A Single Story will now be known as Galleyway.

While the name has changed, our mission to champion diverse voices in literature, poetry, television, film and theater remains the same.

Let Galleyway be your path to new, monthly writing opportunities. 

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A SINGLE STORY -- WEEKLY PICKS (AUG 8-14)

MUST LISTEN

INTERVIEWS

KRYS LEE

KRYS LEE

  • A Language Is a Window: An Interview with Krys Lee [Words Without Borders]

  • Unadorned and Free: An Interview with Issue 07 Contributor Naomi Extra [Apogee]

  • Interviews with Camille Rankine, Ocean Vuong, Saeed Jones, Wendy Xu, and others [Dive Dapper]

WHAT WE’RE READING

  • On The Politics of Europe’s New Literary Stars [LitHub]

  • The Poet Kevin Young Is Named New Director of Schomburg Center [The New York Times]

  • Oprah’s book club pick: ‘The Underground Railroad,’ by Colson Whitehead [The Washington Post]

  • Starz Developing ‘Pussy Valley’ Series From Playwright Katori Hall [Shadow and Act]

  • Writer James Alan McPherson, Winner Of Pulitzer, MacArthur And Guggenheim, Dies At 72 [NPR]

  • Exploring the books of #BlackLivesMatter [Melville House]

THINGS TO DO

 

 

 

 

A SINGLE STORY -- WeeKLY PICKS (AUG 1-7)

WHAT WE’RE READING

ESTHER LOU WEITHERS

ESTHER LOU WEITHERS

  • Fox Writers Intensive Fellowship Goes To Ester Lou Weithers [Deadline]

  • John Cho, Sulu of ‘Star Trek Beyond,’ Navigates a Beckoning Universe [The New York Times]

  • Afrolatin@ Theatre Series: Interview with Playwright and Actress Krysta Gonzalez [ Black Girl, Latin World]

  • Yaa Gyasi And Hsu Hsu Talk About Writing [The Fader]

  • Anti-Black Racism in Speculative Fiction [Medium]

THINGS TO DO

  • Khrys Lee (How I Became a North Korean) in conversation with Jessie Chaffee (editor at Words Without Borders) at Greenlight Bookstore [August 4, at 7:30pm]

  • Poets of The Conversation (Camonghne Felix, Thiahera Nurse, Jose Olivarez, and Paul Tran) at Brooklyn Bridge Park [August 8, at 7pm]

  • Book Launch: Teju Cole (Known and Strange Things) in conversation with Amitava Kumar at St. Joseph’s College [August 9, at 7:30pm]

  • Register for Kweli Journal’s “Art of the Short Story Workshop” [Sept. 10 – Oct. 22]

OPPORTUNITIES

  • Pen America announced its current employment opportunities [career page]

  • The Bronx Museum opens applications for its 2017 Artist in the Marketplace Program [AIM page]

  • LMCC announces grant opportunities for art educators based in New York [grant page]

 

A SINGLE STORY SPOTLIGHT -- SUMMER RETREATS

Writing is often a solitary effort. Typically, we're hunkered down in front of a computer at home. If we do manage to get fresh air, it's usually at a cafe or library. That's why writers' retreats are a great way to break from routine and share your craft with other writers in a new environment. Some retreats also offer mentorship opportunities with master writers. 

A Single Story has highlighted several summer writers' retreats you might be interested in. Want to get away but don't want to travel too far? The Pink Door Writers' Retreat and Kimbilio [Fiction] are holding retreats stateside (Rochester, New York and Taos, New Mexico). For those looking to travel out-of-country, The Drawing Room Project is looking for participants to join them in St. Andrew, Jamaica, and Farafina Trust invites participants to join them in Lagos, Nigeria.

For more details and deadlines, check out the following:

 

THE PINK DOOR WRITERS RETREAT

INFO: The Pink Door Women’s Writing Retreat is exclusively for writers of color. It serves to promote community and dialogue for writers currently excluded from the dominant cultural narrative; it actively seeks to bring Black women, women of color, trans women and gender non-conforming writers / activists / scholars / rebels and regional voices into exchange and engagement with each other to provide a space for mentorship and exploration of ideas while building an active and informed literary community.  

 The retreat will be held in Rochester, New York from July 27-30, 2016.

APPLICATIONS DUE: April 15, 2016

thepinkdoorwomenswritingretreat.tumblr.com/

 

2016 KIMBILIO [FICTION] SUMMER RETREAT

INFO: Kimbilio [Fiction], a community of writers and scholars committed to developing, empowering and sustaining fiction writers from the African diaspora, is currently accepting applications for their summer retreat, which will be held at SMU Campus in Taos, New Mexico from July 17-23, 2016.

FEES: Tuition is covered by Kimbilio [Fiction] and there is no application fee, however, participants are responsible for their own transportation to/from the retreat as well as a fee that partially covers the costs for room and board with the amount varying by size of the chosen accommodation. Should one get accepted, a $200 deposit is due by May 15 to secure a spot at the summer retreat. 

DEADLINE: April 15, 2016 (for applications)

kimbiliosubmissions.submittable.com/submit

 

THE DRP 3rd ANNUAL WRITERS’ RETREAT: CONVERSATIONS IN THE HEART OF ST. ANDREW

The Drawing Room Project

INFO: The DRP Writers’ Retreat (in St. Andrew, Jamaica from May 27 – 29) supports writers in the genre of poetry. A series of workshops will be led by Jamaican master writer Edward Baugh (author of Black Sand, winner of the Guyana Prize for Literature Caribbean Awards Best Book of Poetry 2016 and Gold Musgrave Medalist, 2014). During this intense 3-day program, groups are kept small to encourage conversations, and the environment is relaxed enough that participants may approach the mentor to elaborate on workshop comments during social time.

The program culminates in a poetry reading, where participants and the mentor present their work to the local community. The local community in turn will exhibit craft and art of significant cultural worth.

Objectives:

  • Support writers in the creative process with time to develop their skills and create new work.
  • Create mentoring opportunities in which persons are encouraged by established Jamaican writers to pursue a career in the literary arts.
  • Expose persons to traditional and indigenous practices that will be documented and / or re-imaged as personal histories.
  • Explore the themes and motifs of the Caribbean.
  • Share quality literature using new and traditional mediums.
  • Produce a high quality literary event that reaches Jamaicans in rural communities

Writers of all backgrounds are encouraged to apply. The DRP does not discriminate against anyone on the basis of race, creed, color, religion, national origin, gender, age, sexual orientation, marital status, ancestry, disability, HIV status, or veteran status. They encourage internationalism and welcome writers from around the world.

No previous publication is required; however, writers must demonstrate exceptional skill. The program is in English, and, therefore, writers are expected to be fluent in the language.

SUBMISSION GUIDELINES: Writers are asked to submit a sample of their work, a brief bio and a personal statement todrawingroomproject@gmail.com

FEES: A fee is required to cover housing, program, meals and transfer. For more information, please contact the email address provided above.

 

2016 FARAFINA TRUST CREATIVE WRITING WORKSHOP

INFO: Organized by its creative director, award-winning writer Chimamanda Adichie, Farafina Trust will be holding a creative writing workshop in Lagos, Nigeria from June 21 – July 1, 2016. The Caine-Prize winning writer Binyavanga Wainaina, Aslak Sira Myhre and others will teach the workshop alongside Adichie.

The workshop will take the form of a class and participants will be assigned a wide range of reading and writing exercises. The aim of the workshop is to improve the craft of published and unpublished writers and encourage them by bringing different perspectives to the art of storytelling.

DEADLINE: May 20, 2016

farafinabooks.wordpress.com/2016/04/08/2016-farafina-trust-creative-writing-workshop/

 

WATCH: A Conversation with Chris Jackson

Chris Jackson, a leading editor in the publishing industry and recent subject of a New York Times profile, recently sat down with WNYC’s Rebecca Carroll to discuss his career trajectory, what it took to bring Ta-Nehisi Coates’ award-winning masterpiece Between the World and Me to bookshelves, and the role race often plays in publishing and crafting literature.

In addition to Coates, Jackson has also worked to bring the works of celebrity chef Eddie Huang, Jay-Z and MK Asante to mass audiences.

You can watch the entire conversation below:

Well Read Black Girl at Housing Works Bookstore

Camille Rankine

Camille Rankine

On a chilly night in late February, Well Read Black Girl - a digital platform that amplifies the voices of black women in literature - presented "Reimagining the Literary Canon," an evening of readings by an eclectic group of poets, fiction writers and essayists at Housing Works in SoHo.

Hosted by Well Read Black Girl herself, Glory Edim, the event explored various themes including home in distant lands, ancestry, and hyphenated identities. Camille Rankine recited poetry about her genealogy and “occupying that weird space” as a first generation American of Jamaican descent. Bsrat Mezghebe’s work centered on Eritrea, and Nicole Dennis-Benn read an excerpt from her forthcoming debut novel “Here Comes The Sun,” which explored skin bleaching in Jamaica.

Other work recalled the sexualization and brutalization of black women’s bodies. Writer Ashley Ford's searing personal essay about her changing pubescent figure and the shame projected on her by the men in her community was inspiring and relatable, and Diamond Sharp read a timely poem called “Black Lady Lazarus” about the death of Sandra Bland and a slew of other black women whose lives were stolen at the hands of police.

The night was also complete with odes to #blackgirlmagic of the past and present. Ms. Sharp dedicated a poem to Lorraine Hansbery and Jenna Wortham read a draft of afro-futurist fiction inspired by Willow Smith. Other featured readers included Morgan Parker, Nicole Sealey, and Kyla Marshall

For more information on Well Read Black Girl, please visit wellreadblackgirl.com


Welcome to A Single Story!

A Single Story is a new website that seeks to champion diverse voices in literature, poetry, television, film and theater by aggregating and spotlighting opportunities for writers of color.

We are living in a seminal moment; are present at a time when the national conversation, despite the efforts of many, is centered on inclusion. The call for diversity has permeated every industry – from Hollywood to Silicon Valley, from art museums to publishing houses – and marginalized voices are saying “no more.” We deserve our spot at the table. Our voices will be heard.

A Single Story wants to echo those voices. It was created in response to the need for people of color to have ownership of their stories and the dangers that arise when others frame our narratives on our behalf.

In the last year alone, a conservative playwright developed a play that tried to validate the injustice that took place in Ferguson; a white poet pretended to be Asian as "a strategy" to get published; and stage veteran Tonya Pinkins stepped down from the lead role in Mother Courage to pen a scathing and necessary missive titled “Who Loses, Who Thrives When White Creatives Tell Black Stories?”

The upside? There are many opportunities available for writers of color and A Single Story will share them with you through posts about contests, fellowships, and workshops, event listings and a resource page that lists magazines, journals, organizations and programs that are dedicated to working with writers of color. Another goal this year is to build a community of writers through social gatherings and readings, so please stay tuned.

I began by telling you that the site was a labor or love. It is also a collaborative effort. I want to personally thank everyone who submitted opportunities. Please bookmark and share A Single Story with your friends, your writing groups, and through social media. And feel free to submit any opportunities you come across.

Let’s work together to bring accuracy and authenticity to the stories that shape our lives!

XoXo,

Camille Ortiz