2018 GRACE PALEY TEACHING FELLOWSHIP
INFO: Eugene Lang College of Liberal Arts at the New School is welcoming applications for the second annual Grace Paley Teaching Fellowship, a semester-long residency in the First-Year Writing Program. The Fellowship will honor a writer of considerable achievement, in any genre, whose work also reveals a concern for social justice.
The Grace Paley Fellow will teach a first-year essay-writing seminar for 15 incoming undergraduate students. Classes meet twice per week throughout the Fall 2018 semester. In addition to the course, over the semester the Paley Fellow will deliver one public craft lecture, offer one public reading of new work, and participate in at least three informal lunch-time writing seminars where faculty take up various themes and topics of interest from our classes. The Fellow will also deliver a talk during the 2018 orientation for all incoming New School students and will be invited to deliver the keynote address at the spring 2019 Scholastic Writing Awards.
The Fellow works closely with the Director of First-Year Writing and other faculty to discuss pedagogy, grading, and assessment (including student preparedness for more advanced writing courses).
The Grace Paley Teaching Fellowship is open to writers in any genre (nonfiction, fiction, poetry, drama) whose work demonstrates a concern for social justice.
Applicants should have published at least two book-length works. These books, combined with additional publications, should demonstrate considerable achievement in the writer’s field and engagement with the world at large.
The New School is committed to creating and maintaining an environment that promises diversity and tolerance in all areas of employment, education and access to its educational, artistic or cultural programs and activities. The New School does not discriminate on the basis of age, race, color, creed, sex or gender (including gender identity and expression), pregnancy, sexual orientation, religion, religious practices, mental or physical disability, national or ethnic origin, citizenship status, veteran status, marital or partnership status, or any other legally protected status.
AWARD: The Fellowship offers a $25,000 stipend and is located in New York City.
DEADLINE: April 1, 2018
JACK JONES RETREAT
INFO: Jack Jones Literary Arts is hosting its second annual writing retreat at Blue Sky Retreat, Taos, New Mexico. This two-week retreat will be held October 13- 27, 2018, and is open exclusively to women of color. Jenna Wortham joins us as our 2018 Writer-in-Residence.
As part of the retreat experience, Jack Jones is featuring daily Skype master classes with agents, editors and acclaimed women in publishing to promote networking, learning and engagement. These sessions are mandatory for retreat participants.
Housing includes individual writing suites with private bedroom, private baths, communal fireplaces, writing areas, wifi, and all meals are provided.
Professional and emerging women writers of color at work on book projects are eligible for residencies. Women with and without MFAs are eligible, and graduate students who are currently enrolled in a degree program are now eligible to apply for a fellowship. Unfortunately, the Blue Sky Retreat grounds do not support wheelchairs or walkers. We are making every effort to secure a location for 2019 that is both cost-effective and accessible.
SUBMISSION FEE: $35
- Deadline: April 1, 2018
- Notifications: By June 1, 2018
- Retreat Dates: October 13 – 27, 2018
CALL FOR SUBMISSIONS -- ESSAYS
INFO: Electric Literature considers personal and critical essays, as well as humor that reflects on the world of reading, writing, literature, and storytelling in all its forms. We’re particularly interested in pieces that examine the intersection of the literary world and other creative disciplines: film, fine art, music, video games, architecture — you name it.
Payment for essays is $50. Length is up to you, but they suggest aiming for 1,500–4,
DEADLINE: April 13, 2018
CALL FOR SUBMISSIONS
INFO: The MacDowell Colony is the nation’s leading artist colony. The Colony nurtures the arts by offering creative individuals of the highest talent an inspiring environment in which they can produce enduring works of the imagination.
Each year about 300 Fellowships, or residencies, are awarded to artists in seven disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. A Fellowship consists of exclusive use of a private studio, accommodations, and three prepared meals a day for two weeks to two months. MacDowell does not offer classes or instruction.
MacDowell encourages applications from artists representing the widest possible range of perspectives and demographics.
DEADLINE: April 15, 2018
Beacon Street Prize
INFO: Redivider is accepting submissions of fiction, nonfiction, and poetry for the 2018 Beacon Street Prize.
The NONFICTION category will be judged by HANIF ABDURRAQIB! Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His first collection of poems, The Crown Ain’t Worth Much was released in 2016 and was nominated for the Hurston-Wright Legacy Award. His first collection of essays, They Can’t Kill Us Until They Kill Us, was released in fall 2017 by Two Dollar Radio.
The POETRY category will be judged by KHADIJAH QUEEN! Khadijah Queen is the author of five books, most recently I’m So Fine: A List of Famous Men & What I Had On (YesYes Books 2017). Earlier poetry collections include Conduit (Akashic / Black Goat 2008), Black Peculiar (Noemi Press 2011) and Fearful Beloved (Argos Books 2015). Her verse play Non-Sequitur (Litmus Press 2015) won the Leslie Scalapino Award for Innovative Women’s Performance Writing. The prize included a full staged production of the play at Theaterlab NYC from December 10 – 20, 2015 by Fiona Templeton’s The Relationship theater company. Individual poems and prose appear in Fence, Tin House, Buzzfeed, Gulf Coast, Poor Claudia, Memoir, Best American Nonrequired Reading, DIAGRAM and widely elsewhere. Reviews of her work can be found in The New Yorker, Rain Taxi, BOMB Magazine, Los Angeles Review, Kenyon Review, Boston Review, and other publications, and she has performed her work nationally for more than a decade. Queen serves as core faculty in poetry and playwriting for the new Mile-High MFA in creative writing at Regis University, and is a Visiting Professor at University of Colorado, Boulder.
The FICTION category will be judged by ADAM JOHNSON! Adam Johnson is a Professor of English with emphasis in creative writing at Stanford University. Winner of a Whiting Award and Fellowships from the Guggenheim Foundation, the National Endowment for the Arts and the American Academy in Berlin, he is the author of several books, including Fortune Smiles, which won the 2015 National Book Award, and the novel The Orphan Master’s Son, which was awarded the 2013 Pulitzer Prize. His fiction has appeared in Esquire, GQ, Playboy, Harper’s Magazine, Granta, Tin House and The Best American Short Stories. His work has been translated into more than thirty languages.
GUIDELINES: 1 short story of 8,000 words max for fiction; 1 essay of 8,000 words max for nonfiction; three (3) poems max in a single file for poetry
- $1,000 prize for fiction
- $1,000 for nonfiction
- $1,000 for poetry
SUBMISSION FEE: $10 per entry
DEADLINE: April 15, 2018
The Kerouac Project
INFO: The Kerouac Project provides four residencies a year to writers of any stripe or age, living anywhere in the world. In the past they have accepted writers with no formal writing education alongside those with MFA’s and impressive résumés. You will be judged on the quality of the writing sample you submit. Each residency consists of approximately a three-month stay in the cottage where Jack Kerouac wrote his novel Dharma Bums. As writer-in-residence, all you are required to do is live in the Kerouac House during your residency, work on your writing project, and participate in two events—a Welcome Potluck dinner for you, and a Final Reading of your work at the Kerouac House at the end of your residency. Should you desire them, the Kerouac Project can also offer opportunities for you to participate in other readings, lead workshops, and interact in other ways with the vibrant Central Florida literary community.
You will be required to select a category into which your submission fits. The categories are: Poetry, Play, Screenplay, Fiction/Short Story, and Nonfiction.
STIPEND: Utilities and a food stipend of $1,000 are included.
- Fall 2018: September 1 through November 22, 2018
- Winter 2018–2019: December 1, 2018, through February 21, 2019
- Spring 2019: March 1 through May 23, 2019
- Summer 2019: June 1 through August 22, 2019
SUBMISSION FEE: $30
DEADLINE: April 16, 2018
EDITORIAL INTERNSHIPS AT THE NATION
The Nation Institute
INFO: For more than three decades The Nation Institute, in conjunction with The Nation magazine, has provided an internship program for early-career journalists interested in journalism and publishing.
Editorial interns experience a comprehensive immersion into The Nation and TheNation.com’s editorial processes. These interns' primary responsibilities include fact-checking for the magazine and website, providing research support to Nation writers and editors, and assisting bloggers on TheNation.com. Interns are not expected to arrive with fact-checking or digital media experience and will be extensively trained in those areas, though a familiarity with The Nation and the range of issues we cover is essential. These interns are based in the magazine's New York City offices.
Editorial Internship at the Investigative Fund:
The Don and Doris Shaffer Intern is dedicated to working with the Nation Institute's Investigative Fund, assisting in the creation and distribution of long-form investigative pieces that appear in a wide variety of media outlets. This intern will conduct research for reporters and editors, do in-depth fact-checking, and assist with push-out on stories. This intern also occasionally works on Institute-related projects and is based at the Institute’s New York City offices.
All interns participate in educational seminars with journalists, academics, and activists who come by our offices to speak to interns about their work. Recent guests have included Pulitzer Prize-winning historian Eric Foner, author and critic Vivian Gornick, Nation Institute fellow Sharif Abdel Kouddous, national correspondent for The Atlantic Ta-Nehisi Coates, and New Yorker staff writer Rachel Aviv. Interns are encouraged to suggest people they would like to come in and speak with the group.
The internship is full-time, five days a week.
COMPENSATION & CREDIT: Interns are paid $15 per hour, $525 per week. Whenever possible, The Nation Institute will assist interns in arranging for academic or work-study credit.
- Application deadline: April 16, 2018
- Notification deadline: May 11, 2018
- Program duration: June 26 - December 21, 2018
THE PEN PARENTIS WRITING FELLOWSHIP FOR NEW PARENTS
INFO: In addition to a full year of promotion and the publication of the winning story by Brain, Child Magazine, a $1000 prize will be presented to the new Pen Parentis Writing Fellow at a public reading of the winning work at our September Salon Season Opener in Manhattan.
Entrants must be the parent of at least one child under 10 years of age, but there are no style or genre limitations on the works of fiction submitted for consideration. Entrants can be at any level of their literary careers.
ENTRY FEE: $15
DEADLINE: April 17, 2018
MVICW PARENT-WRITER FELLOWSHIP
The Martha's Vineyard Institute of Creative Writing
INFO: The Martha’s Vineyard Institute of Creative Writing was founded in order to give writers the opportunity to develop their craft among established authors. The Institute offers a comprehensive week-long focus on writing, providing writers with the necessary time to devote to their art, in the idyllic setting of the Vineyard. Each summer, we invite award-winning authors and poets, literary journal editors, and university creative writing faculty from around the country to lead writing workshops, work one-on-one with individuals, and provide the necessary tips and tools for editing and publishing.
They are proud to announce the MVICW Parent-Writer Fellowships (est. in 2016 thanks to support from The Sustainable Arts Foundation). Writers who are also parents have increased difficulties in making time for their writing. Their Parent-Writer Fellowships are intended to give parents both the time and financial support to devote a week to themselves and their writing at MVICW. These fellowships offer funding to attend a week of choice at the Martha's Vineyard Institute of Creative Writing. The fellowships are open to anyone who has a child age 16 or younger living with them.
- Five Full Fellowships: $1600 (Tuition & Lodging for the Week): Two Poetry, Two Fiction/CNF, One Poetry or Fiction/CNF
- Two Runner-Up Fellowships: $500 each (Towards Tuition): Poetry and Fiction/CNF
- Poetry: Submit your best poem (1-3 pages) and a letter of interest.
- Prose: Submit your best short fiction, novel excerpt, or creative non-fiction piece (up to 3000 words) and a letter of interest
DEADLINE: April 21, 2018
INFO: The Tin House Summer Workshop is a weeklong intensive of workshops, seminars, panels, and readings led by prominent contemporary writers of fiction, nonfiction, and poetry. The program combines morning workshops with afternoon seminars and career panels. Evenings are reserved for author readings, singing, and dancing.
Workshops meet for six sessions, Monday through Saturday, from 9:30 am until 12:30 pm. Each workshop will have no more than twelve students and will treat two manuscripts per session. Each student will meet with their faculty instructor for a 15-minute one-on-one meeting during the week.
Tin House editors and guest agents are available to meet individually with students throughout the week.
For students who have completed a collection of stories or poems, a memoir, or a novel, one-on-one mentorships are available with select faculty and staff for an additional fee.
The Workshop will take place at Reed College, located on 100 acres of rolling lawns, winding lanes, and magnificent old trees in the southeast area of Portland, Oregon, just minutes from downtown and twelve miles from the airport.
Summer Workshop participants are housed in the dormitories of Reed College near the center of campus. Unless requested, all rooms are singles, with shared bathrooms (private stalls) on each floor. ADA accessible rooms are available.
All classrooms, readings, panel presentations, dining and reception areas are within walking distance from the dormitories.
Meals are served in the dining area of the college and are catered by Bon Appetit, and we work closely with them in the hopes that all dietary requirements and restrictions are accounted for and that participants’ needs are met. Students not staying with us on campus need to pay for meals individually.
- Short Fiction/Nonfiction - One writing sample of no more than 5,000 words.
- Novel - One excerpt (from the project you will be workshopping from) of no more than 5,000 words.
- Poetry - Up to four poems.
If you have been accepted into a Tin House workshop previously, please do not apply with the same application material. You are free to excerpt from the same project.
Please do not apply with published material. However, it is acceptable to apply with work that is out for submission.
If accepted, you will have the opportunity to switch your manuscript.
DEADLINE: April 29, 2018
ARTIST FELLOWSHIP PROGRAM
The Jerome Foundation
INFO: The Jerome Foundation is pleased to announce the first round of a new Artist Fellowship program that offers flexible, two-year grants to support the creative development of early-career generative artists in the state of Minnesota and the five boroughs of New York City. Artists may apply individually or together with other members of ongoing collectives or ensembles.
The Jerome Foundation makes a distinction between generative artists (those artists responsible for artistic control in generating entirely new work, including writers, choreographers, film directors, visual artists, composers, playwrights, etc.) and interpretive artists (those who interpret or execute the work created by others, including actors, editors, dramaturgs, singers, dancers, musicians, designers, etc.). The Foundation recognizes that some artists do both generative and interpretive work. Nevertheless, the Fellowship program supports only those artists with a significant history of generative work.
All eligible applicants must have a history of making and presenting new work to the public beyond student work (if the applicant has pursued formal training). While an applicant’s past projects are reviewed as part of the selection process, the program’s primary focus is supporting an artist’s future potential through the creation of new work or activities that support professional development and/or career advancement.
The Foundation will make 10 grants in each of six categories:
- Literature (fiction, creative non-fiction and poetry)
- ·Media—including Film, Video and Digital Production (documentary, narrative, animation, or experimental) and New Media (artistic work that is computational and distributed digitally, in the form of websites, mobile apps, virtual worlds, computer games, human-computer interface or interactive computer installations)
- Theater, Performance and Spoken Word
- Visual arts
Artists whose work spans multiple disciplines may request to be reviewed in two different disciplines. The Foundation reserves the right, however, to direct such applications to a single panel.
AWARD: Each fellow will receive $20,000 per year for two consecutive years, making the total cash award $40,000 over the two-year period. Individual artists may petition the Foundation to reduce the award amount but must present specific, compelling reasons to do so. Artists applying as part of a collective or ensemble will share one $20,000 per year award.
- Application Period: Now through May 8, 2018 at 4pm Central / 5pm Eastern Time
- Notification of grant awards: By April 15, 2019
- Earliest Date to Receive Funds: May 8, 2019