FICTION / NONFICTION — AUGUST 2022

Call for Submissions and Pitches: Black and Asian Feminist Solidarities

AAWW’s The Margins / Black and Asian Feminist Solidarities

DEADLINE: Rolling

INFO: A collaboration between Black Women Radicals and the Asian American Feminist Collective, Black and Asian Feminist Solidarities is a monthly series published in AAWW’s The Margins that launched in July 2020. This ongoing project looks to Black and Asian American feminist histories, practices, and frameworks on care, community, and survival for the tools and strategies to continue to build towards collective liberation.

With two years under our belt, the editors of Black and Asian Feminist Solidarities are looking for pitches and submissions to shape the next phase in this series.

Since we started this project, people in Black and Asian communities have been reckoning with grief, loss, heartbreak, and death at different scales. We are witnessing in real time the stripping of reproductive rights; the ways state-based responses to violence pit Black and Asian communities against each other; and attempts to legislate queer and trans people out of existence.

In reflecting on solidarity, we often are left with more questions than answers.

What does it mean to create and nurture solidarity at this juncture? We’re currently seeking new pitches and finished pieces that interrogate past, present, and future issues within the realm of Black and Asian feminist solidarities, and that imagine possibilities between our communities through various written forms.

Topics and approaches of specific interest include:

  • Environmental justice and water protection; land, water, and place as solidarity; islands and oceans as connective sites; ancestral foodways and ecologies; and growing and caring for land and nature

  • Storytelling centering queer intimacies, friendships, kinships, and relationships across race

  • Reproductive justice, care work, and labor

  • Speculative fiction exploring fantasy, myth, magic, histories, futures, and more

  • Histories, genealogies, and inheritances of movements and migration

  • Transnational approaches to abolition politics, including political imprisonment, war, and demilitarization

  • Ending caste apartheid, politics of colorism, interrogations of racial categories and hierarchies of racialization

  • Navigating conflicts, tensions, difficulties, contradictions, and controversies within and across communities

  • Joy, love, and pleasure as solidarity including gatherings, sex and romance, and humor

  • Engagements with feminist literatures and critique and writing as craft

We invite submissions and pitches on feminist solidarities from creative writers, poets, community organizers, workers, artists, journalists, and scholars.

We are seeking FINISHED SUBMISSIONS in the following genres and forms:

  • Short creative stories across genres including speculative fiction, young adult, and romance

  • Illustrations, graphics, and comics

  • Creative nonfiction including personal essays and historical narratives

  • Poetry, letters, journal entries, songs, and spells

We are also open to PITCHES for:

  • Interviews and conversations

  • Researched or reported works

  • Political and cultural criticism and commentary

  • Collaborative works, hybrid genres, and/or exploratory formats

We are currently not seeking submissions for commentary and reported works that require timely or urgent publication.

GUIDELINES:

Email your finished submission or pitch as a .doc/x, or Google doc to bafs@aaww.org.

Please format the title of your submission as follows: “LAST NAME – Black and Asian Feminist Solidarities – TITLE OF PIECE or PITCH .”

Include your preferred name for publishing and a short biography (maximum 100 words).

For finished pieces, we welcome:

  • essays up to a maximum of 3,000 words

  • short fiction up to 3,500 words

  • poetry, illustrations, and hybrid work up to 10 pages or panels for consideration

Please include any image attachments as .jpgs or .pngs.

If you are sending a pitch, please indicate your plan and timeline for completion.

Please also include a short cover letter (max 300 words) about how you connect to this call as an author and how your submitted work relates to this call. Feel free to respond in a way that aligns with the aims of your work.

If our editors decide to move forward with a pitch or submission, writers can expect a reply within six weeks to three months. Although we cannot guarantee a response to all pitches and pieces, our editors will do their best to get back to all writers. We appreciate your patience.

We will pay for published pieces. The Margins‘ 2022 rate sheet is here.

About Black and Asian Feminist Solidarities

This ongoing project looks to Black and Asian American feminist histories, practices, and frameworks on care, community, and survival for the tools and strategies to continue to build towards collective liberation. Solidarity at its core is about relationships. Solidarity means we understand and commit to taking responsibility for one another—and that is the radical feminist future we believe in. So far we have featured nonfiction essays, creative writing and poetry, reading lists, archival materials, and interviews and conversations. The project offers political analysis and ruminations on a variety of topics such as reproductive justice, sex worker organizing, transnational feminisms, war and militarism, care work, and intergenerational movements. Black and Asian Feminist Solidarities is edited by Salonee Bhaman, Julie Ae Kim, Rachel Kuo, Senti Sojwal, Jaimee A. Swift, and Tiffany Diane Tso.

https://aaww.org/submissions-black-asian-feminist-solidarities/

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GRANUM FOUNDATION PRIZES

Granum Foundation

DEADLINE: August 2, 2022 at 11:59 pm Pacific Time

INFO: The Granum Foundation Prize will be awarded annually to help U.S.-based writers complete substantive literary works—such as poetry books, essay or short story collections, novels, and memoirs—or to help launch these works.

Additionally, the Granum Foundation Translation Prize will be awarded to support the completion of a work translated by a U.S.-based writer.

Funding from both prizes can be used to provide a writer with the tools, time, and freedom to help ensure their success. For example, resources may be used to cover fees for a writing residency, mentorship, or editing services. They also may be used for necessities such as books or writing equipment.

Competitive applicants will be able to present a compelling project with a reasonable timeline for completion. They also should be able to demonstrate a record of commitment to the literary arts.

The Granum Foundation is committed to diversity, equity, and inclusion. We welcome applicants from all backgrounds.

PRIZES:

  • Granum Foundation Prize: One winner will be awarded $5,000. Up to three finalists will be awarded $500 or more.

  • Granum Foundation Translation Prize: One winner will receive $500 or more.

ELIGIBILITY: Winners and finalists who received cash prizes from the 2021 competition are not eligible.

granumfoundation.org/granum-prize

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CALL FOR SUBMISSIONS: THE “BODIES” ISSUE

Yes! Magazine

DEADLINE: August 2, 2022

INFO: Bodily autonomy is under attack, especially in the United States—from the end of Roe and its attendant attacks on reproductive freedoms, to punitive laws criminalizing health care for transgender youth, to unrelenting gun violence. This trauma not only ripples through our communities, but it also impacts the ways we relate to one another, stunting the hopes we have for the future and our ability to conceive of—let alone implement—transformational solutions.

“Bodies,” the theme for our Winter 2023 issue, will explore the ways our bodies, in both the literal and metaphorical sense, can provide avenues for resistance, healing, community cohesion, and societal transformation. Our conception of the body is not limited to the physical body, but rather includes the bodies of which we are also a part: our communities, our body politic (local, national, and global), and our planet. The “Bodies” issue begins with an understanding that we are interdependent, that none of us leads single-issue lives, and that attacks on any one of our personal, political, or planetary bodies are a threat to us all.

Hurry and send your pitches to winter2023@yesmagazine.org by Aug. 2 to be considered for the Winter 2023 issue.

yesmagazine.org/social-justice/2022/07/06/call-for-submissions-bodies

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2023 WINTER WRITERS’ RETREAT

Roots. Wounds. Words.

DEADLINE: Extended to August 7, 2022

APPLICATION FEE: $25

INFO: The Roots. Wounds. Words. Annual Writers’ Retreat for Storytellers of Color is a sacred space wherein BIPOC stories are celebrated, and BIPOC storytellers immersed in liberation. At the Writers’ Retreat, Storytellers receive literary arts instruction offered by award-winning BIPOC writers in the fields of nonfiction, fiction, poetry, speculative fiction, and young adult fiction.

In January 2023, Roots. Wounds. Words. Fellows will journey to a virtual sacred space where they will workshop their literary art, perform their work, participate in BIPOC-centered healing and liberation modalities, as well as receive literary arts pedagogy from renowned BIPOC storytellers.

To attend this offering, submit an application through our online system. Prior writing experience is insignificant. Whether you’ve attended a writing workshop before or not holds no weight. All applicants are judged on the merits of their full application, which includes an artistic statement, bio and writing sample.

The Roots. Wounds. Words. Writers’ Retreat is for Us.

Our annual Retreat provides BIPOC storytellers with a transformative opportunity to push your pen, strengthen your craft, access literary art professionals, rest and restore, and build the tribe you need to support your writing goals.

RETREAT DATES:

January 8 - January 14, 2023

RETREAT LOCATION:

Virtual

ELIGIBILITY:

The Retreat is open to storytellers of color.

Storytellers of all levels are welcome to apply.

Storytellers must be at least 21 years old.

Storytellers currently enrolled in graduate or undergraduate programs are also welcome to apply.

APPLICATION PROCESS:

Applicants are required to select a category into which your submission fits. The categories are:

(1) Fiction

(2) Nonfiction

(3) Poetry

(4) Speculative Fiction

(5) Young Adult Fiction

Your writing sample must match the category you apply for. For example, if you are applying for the fiction workshop, you must submit a fiction writing sample. You are allowed only one submission per category. You may apply to more than one category. However, each submission is separate. You must complete separate applications and pay the submission fee for each category you submit to. 

MANUSCRIPT WORK SAMPLE:

We require a standard format for all fiction, nonfiction, speculative fiction, and young adult fiction submissions. The format is:

  • The manuscript may not exceed 10 pages.

  • 1-inch page margins.

  • Double spaced.

  • Text must be in a 12-point serif font (preferably Times New Roman).

  • Electronic file names must consist of the writer’s last name followed by the manuscript title. For example, Smith__A Day in the Park. Poets and those with a longer manuscript title can simply use something like Smith__manuscript for RootsWoundsWords

  • The manuscript must be submitted as a Word document or PDF

  • The applicant’s name and page number must appear on each sheet of the manuscript; for example, Smith, p.1

  • If you are submitting prose, you must include a brief note regarding whether the piece stands on its own as a short story or essay, or is an excerpt from a longer project.

  • Manuscripts excerpted from a longer project should include a one-page synopsis of the larger project placed at the back of the work sample (the synopsis can be single-spaced and does not count toward the 10-page limit).

We require a standard format for all poetry submissions. The format is:

  • The manuscript may not exceed 10 pages.

  • May include one or more poems as long as the total number of pages is within the 10-page limit.

  • Electronic file names must consist of the writer’s last name followed by the manuscript title. For example, Smith__A Day in the Park. Poets and those with a longer manuscript title can simply use something like Smith__manuscript for RootsWoundsWords

  • The manuscript must be submitted as a Word document or PDF

  • The applicant’s name and page number must appear on each sheet of the manuscript; for example, Smith, p.1

BRIEF BIO:

Each applicant must submit a bio of no more than 250 words.

ARTIST STATEMENT:

Each applicant must submit a statement describing their literary art and how it pushes liberation for BIPOC forward. Resources: How to Write a Poetry Cover Letter from The Watering Hole, “Ready, Set, Residency” by Brevity Nonfiction Blog, and Artist Statement Guidelines by Getting Your Sh*t Together Ink.

WHY RWW:

Each applicant must describe what they intend to gain from and contribute while at the Writers’ Retreat.

ACCEPTANCES:

RWW will work with our Faculty to notify all accepted Storytellers of their acceptance to the Writers’ Retreat by Aug 28, 2022.

TUITION:

  • The Writers' Retreat is virtual and tuition will be $875.

  • When the Writers’ Retreat is in-person, the tuition is $1,875.

  • Payment plans as well as limited partial and full scholarships will be available.

DEPOSIT:

  • The Writers’ Retreat is virtual and, as a result, a $300 deposit will be due no later than September 23, 2022.

  • When the Retreat is In-Person, a $500 deposit is due.

  • Receipt of deposit confirms your attendance.

CANCELLATION POLICY:

Full deposit refunds will be issued for Storytellers who cancel their participation in the Writers' Retreat no later than October 14, 2022.

Refunds will not be issued to Storytellers who seek to cancel participation in the Writers' Retreat after October 14, 2022.

PRIVACY:

All application materials and work samples are confidential and retained for use of the RWW Writers’ Retreat programming only.

rootswoundswords.org

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Writer to Writer Mentorship Program

AWP

DEADLINE: August 15, 2022

INFO: AWP's mentorship program, Writer to Writer, runs twice a year for three months per session. We match emerging writers with published authors to work towards the mentees’ writing goals. Mentors volunteer their time and receive a free one-year AWP membership. Writer to Writer is free of charge, though we do require that mentees have an active AWP membership to participate in the program.

The Writer to Writer mentorship program is open to all AWP members, but we particularly encourage applications from those writers who have never been associated with an MFA program and those writing from regions, backgrounds, and cultures that are too often underrepresented in the literary world.

We take your interest in connecting with a mentor seriously. After the AWP membership team reviews all mentee applications, we send a selection of potential matches to our mentors, who ultimately choose their own mentee. They tend to choose mentees based on shared goals and interests, and whether they feel they can help that person at the stage they are in now. Our mentees come from all backgrounds and levels of experience. To ensure that we make the best possible matches this season, we ask that you be open and honest about your goals, your background, and where you are now with your writing.

Should you be chosen to participate, your mentor will review your writing, listen to your concerns, and help you work towards your writing goals. You will have opportunities to interact with the others taking part in that session. AWP's membership team will also be there to support you, every step of the way.

Season 17 begins on September 19 and will consist of six lightly structured modules over a three-month period, concluding on December 9. You and your mentor will make a commitment to the process—and to each other.

awpwriter.org/community_calendar/mentorship_program_overview?fbclid=IwAR0F2jNyOZVqN3mUda_ggX0wNy-t3u1UZPlfudCk6slNtCZRpeyPk0YcM5M

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CALL FOR SUBMISSIONS

Raspa Magazine

DEADLINE: August 15, 2022

INFO: Raspa Magazine publishes creative written work and visual art that narrates the queer Latinx experience. We do not focus on genre or form, but on artistic merit, innovativeness, and potential cultural impact. Raspa Magazine serves as a sustainable space for queer Latinx artist to share work without the fear of being tokenized, with liberty to experiment, and create work with the knowledge that it will be treated with dignity and respect. Our intent is to cultivate an environment that empowers art makers to push boundaries in their process, redefine the literary canon, and reshape art to be more representative and inclusive.

Raspa Magazine accepts submission from February 15 through August 15. We are looking for short fiction, poetry, dramatic works, visual art, creative non-fiction, or creative written work created by self identifying queer Latinxs. We do not accept works written by non self-identifying queer Latinx artists.

Poetry should be submitted in a single word document with each poem beginning on a new page. We usually select more than one piece per contributor so please submit a minimum of 3 pieces and no more that 8 pieces.

Short stories and creative non-fiction should reach a minimum of 1,500 words and a maximum of 3,000 words.

We welcome all submission in either English or Spanish. Spanish language work will be translated into English. Works by self-identifying Latinxs who write in any language other than English or Spanish will need to submit a translation to appear with the original piece.

Visual art should consist of a minimum 5 high resolution JPEG, Photoshop, or TIFF files that are at least 2 megabytes and reach 300 DPI. When possible a link to an artist portfolio is preferred.

Raspa Magazine holds all first serial publishing rights, after publication all rights return to the artist. Reprinted work must have a footnote indicating what issue and year it first appeared in Raspa Magazine.

Raspa Magazine provides monetary compensation for all contributors. Compensation amount will depend the amount of funding accessible for the particular issue and will be discussed with the contributor if the work should be selected for print.

Please submit all submissions via email to hola@raspamagazine.com with your last name and the word “submission” on the subject line. On the first page of your submission document please include your full name, a valid email address, and a brief bio. Submissions without the requested information will not be read.

raspamagazine.com/submissions/

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Writer-in-Residence Program

Hedgebrook

APPLICATION CYCLE: August 16 - September 12, 2022

APPLICATION FEE: $35

INFO: Hedgebrook’s Writer-in-Residence Program supports writers from all over the world for fully-funded residencies of two to four weeks (travel is not included and is the responsibility of the writer to arrange and pay for). Up to 6 writers can be in residence at a time, each housed in their own handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women-identified writers, 18 and older, whose stories and ideas shape our culture now and for generations to come. Writers must be women, which is inclusive of transgender women and female-identified individuals. Because gender inequity still occurs in all spaces including literary ones, it is part of our explicit mission to support and promote women’s voices. This application is not for alumnae seeking a return stay.

2023 RESIDENCY DATES: July-Oct 2023

hedgebrook.org/writers-in-residence

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CANADIAN WOMEN ARTISTS’ AWARD

New York Foundation for the Arts / Canadian Women’s Club

DEADLINE: August 30, 2022

INFO: The Canadian Women Artists’ Award is a $5,000 cash grant open to Canadian women artists ages 25-40 in New York State. The CWAA is an unrestricted cash grant and can be used in any manner the recipient deems necessary to further their artistic goals. 

In 2022, CWC and NYFA will be awarding three (3) $5,000 awards, one in each of the following categories:

  1. Visual Arts: Painting, Photography, Craft/Sculpture, Printmaking/Drawing, or Interdisciplinary Work

  2. Media and Design: Video/Film, Experimental Sound, or Design

  3. Literary Arts: Poetry, Nonfiction, Fiction, or Playwriting/Screenwriting

ELIGIBILITY:

The Canadian Women Artists’ Award is open to Canadian women artists living in New York State who meet the following requirements:

  • Must be a Canadian citizen, and able to provide proof of citizenship with legal documentation upon receipt of the award.

  • Must be between the ages of 25 and 40 before the application deadline.

  • Must be a current resident of New York State.

  • Must apply in only one of the eligible discipline categories.

  • Must be the originators of the work.

  • Must not be a previous recipient of the Canadian Women Artists’ Award.

  • Must not be a NYFA employee, member of the NYFA Board of Trustees or Artists’ Advisory Committee, and/or an immediate family member of any of the previous.

Students in bachelor’s or master’s degree programs are eligible to apply.

ACCESSIBILITY STATEMENT:

NYFA is committed to supporting artists from every background, and at all stages in their creative careers. We strongly encourage artists of color, LGBTQ+ artists, artists with disabilities, and artists living outside of the metropolitan area to apply.

To request an accommodation or assistance in applying, please email CWAA@nyfa.org. We ask that requests for accommodation be made as soon as possible, or by Tuesday, August 9, 2022, to allow adequate time for staff to support you in submitting an application before the deadline.

https://www.nyfa.org/awards-grants/canadian-women-artists-award/

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CALL FOR SUBMISSIONS: Both/And Essay Series

Electric Literature

DEADLINE: August 31, 2022

INFO: Electric Literature is seeking pitches for Both/And, a new limited essay series focused on personal narratives from trans and gender non-conforming writers of color. Historically, trans people have been forced to imagine, or conjure, representation of ourselves into existing narratives that never sought to include us, often using the stories and fictional lives of canonically cishet characters as foundations for possible trans stories. As people of color, we’re often asked by cishet folks to minimize our queer selves in favor of emphasizing another pressing concern: the matter of racial equity. Both/And is an essay series that seeks to elevate the stories of those at the forefront of the fight for racial and transgender equality. We want to hear from, and work with trans writers of color, so we can uplift those most targeted by the larger cultural obsession with transness, but whose voices are rarely centered in it. 

As the only major literary publication helmed by a Black, openly transgender woman, Denne Michele Norris, Electric Literature offers the unique opportunity for trans and gender non-conforming writers of color to be edited and published by a fellow trans writer of color. Though new and established voices are welcome, we want to emphasize that previous publication is not necessary for consideration. Pitches should center personal narrative and engage with any of the following themes and questions: 

  • Imagination as liberation

  • Coming to light, being seen

  • Balancing and/or integrating multiple, and sometimes conflicting identities

  • Trans lives and voices as transgressive

  • Heightened visibility and/or heightened invisibility

  • Trans joy, euphoria, or freedom

  • Trans anger, rage, or revenge

Additional ideas are welcome as befitting the spirit and themes of the series. We are looking to publish 12 essays, all of which should fall between 2k words and 5k words in length. We will consider pitches on a rolling basis beginning July 18th until August 31st, and begin publishing from the series in September. We’ve completed a dedicated fundraising campaign in order to pay Both/And contributors a higher rate than our standard fee, and are offering $500 per essay—5x our standard rate.  

Pitches should be no more than 2-3 paragraphs in length, and can be addressed directly to Denne Michele Norris. For additional information about how to write a pitch, please watch our video, “How to Pitch Electric Lit.” Those planning to submit to the series can use the code bothand2022 to watch the video for free. 

electricliterature.submittable.com/submit

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CALL FOR NOVELS + SHORT STORY COLLECTIONS

The Publishing Laboratory at the University of New Orleans

DEADLINE: August 31, 2022

SUBMISSION FEE: $28

INFO: We are looking for the best unpublished novel or short story collection. The Publishing Laboratory at the University of New Orleans seeks to bring innovative publicity and broad distribution to authors. We collect submissions from March 1 to August 31, deciding on 15-20 finalists. The finalists are read by students from The Publishing Laboratory in the fall, and one is chosen for publication.

COMPENSATION / GUIDELINES: The selected author will receive a ten thousand dollar ($10,000) advance on royalties and a contract to publish with The University of New Orleans Press. The work does not have to be regionally focused. There is no word limit. There is no restriction on subjects covered. The contest is open to all authors from around the world, regardless of publishing history.  Works of fiction (novels and short story collections) only. .

The University of New Orleans Press is based at the University of New Orleans and distributed by Hopkins Fulfillment Services. Abram Shalom Himelstein is the editor-in-chief.

uno.edu/unopress/lab

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CALL FOR FICTION

The Rumpus

DEADLINE: August 31, 2022

INFO: The Rumpus is open for fiction submissions.

Send your boldest, most exciting, most alive short fiction up to 7500 words.

therumpus.submittable.com/submit

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Aesthetica Creative Writing Award 2022: Short Fiction

Aesthetica 

DEADLINE: August 31, 2022

ENTRY FEE: £18

INFO: The Aesthetica Creative Writing Award is a celebration of innovative new writing from across the globe. Each year, the competition invites submissions of short fiction that redefine the parameters of form, concept and technique.

JURY: Our jury comprises some of the UK's best editors and publishers, and has included representatives from the Guardian, the Independent, Wasafiri, Hodder & Stoughton, Litro, The Rialto, The Poetry Exchange and Jacaranda Books. Our authors and poets who have won, or been longlisted for, the Desmond Elliott Prize, the Not the Booker Prize and the Northern Writers' Awards, amongst others. Representatives have also appeared on BBC Radio 3's The Verb, and been featured in the Observer, VICE and HQ.

WINNERS: Each year, we select two winners – one for poetry and one for fiction – who are each awarded £2,500 prize money as well as publication with the Aesthetica Creative Writing Anthology. We offer further prizes with esteemed partner organisations, including consultations, subscriptions and courses with The Poetry School, The Poetry Society, Redhammer Management, Granta, VINTAGE and more. We offer continued support throughout the year, including further exposure through our channels, as well as opportunities for talent development, such as tailored offers to courses, residencies, subscriptions and more.

SHORT FICTION PRIZES:

ELIGIBILITY:

  • Fiction entries should be no more than 2,000 words.

  • Works published or entered elsewhere are accepted.

  • We accept works on any theme, and in any genre.

  • You may enter the Award as many times as you wish, although each work requires a fee and new submission form.

  • For more information, read our FAQs or for our refund policy.

https://aestheticamagazine.submit.com//show/2

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Fall 2022 Call for Submissions

A Gathering Together Literary Journal

DEADLINE: September 1, 2022

INFO: A Gathering Together is a journal that resists the easy and often unsophisticated attempt to say profound things in the moment, without deep contemplation, or in the heat of discursive battle.

We primarily select works that speak to Mekhet--the Kemetic (Ancient Egyptian) term for resonating across time and space. This term is reserved for works that simultaneously transcend and address the moment they speak from, works that will last beyond the creator's last breath and still be relevant, or works that put the writer and reader in conversation with the intellectual thought of Ancestors of all kinds.

Our writers are primarily descendants of Africa and her Diaspora. All writers whose works resonate with the human experience, and thus the Diasporic African experience, are considered. Our back issues are all available online and serve as a good model for the variety of writers and works we've featured.

The short version: works by and about people of the African Diaspora are privileged here, but if your work resonates across time, space, culture, and ethnicity, we will go for it. (Emphasis on resonating across time and space.)

We welcome submissions of previously unpublished essays, short stories, poetry, reviews, visual art, and film for our Fall 2022 issue. Our current cutoff for fall 2022 submissions is September 1. In the case of extensions, we will post to social media!

Artists who want to be featured in our upcoming issues are invited to send us a letter of interest, a brief bio, and a sample portfolio. Writers who want to conduct artist interviews are welcome to send us pitches letting us know how the interview and artist would be a good fit for our journal. Features are generally published January-March or July-September.

A Gathering Together is unable to compensate writers at this time.

For more information about our journal and submission formatting guidelines go to:
agatheringtogether.com/how-to-submit/

We are especially keen to have more reviews (any format), essays, and short stories. If you have questions, contact us at
submissions@agatheringtogether.com

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MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: September 10, 2022 at 11:59pm EST*

PROCESSING FEE: $30

INFO: MacDowell is a fellowship and residency program for writers, visual artists, composers, filmmakers, playwrights, interdisciplinary artists, and architects. About 300 artists are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence.

There are no residency fees. Need-based travel grants and stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply.

MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

MacDowell is currently accepting applications for the Spring Summer 2023 residency season (March - August 2023) and has suspended a longstanding admissions requirement that applicants supply reference letters as part of the application process.

macdowell.org/apply/apply-for-fellowship

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ROLLING SUBMISSIONS


CALL FOR SUBMISSIONS: BLACK + BROWN ARTISTS

Emergent Literary

DEADLINE: Rolling

INFO: Emergent Literary is a new journal that welcomes the work of Black and brown makers in all genres, as well as work that reaches across multiple genres or obscures the boundaries between them.

The work must be previously unpublished in print or online.

Before submitting, we ask that you take a look at our mission statement in order to get a sense of the journal.

Please send all submissions to editors@emergentliterary.com with the genre in all caps as the subject line, i.e. POETRY. If your work is multimedia or doesn’t exactly fit into one category, list MULTI as your genre. Feel free to include a short note in the body of the email, and your work as an attachment.

We’re cool with simultaneous submissions, just let us know by email if one or all of your pieces are accepted elsewhere!

We will try our best to get back to you within 6 months. We’re a small team! If you have not received a response by then, you can send us an email, but please wait until then to do so.

  • Poetry: Please submit three to five poems in a standard font. Please include page breaks between poems and clearly delineated titles.

  • Fiction, Creative Nonfiction and other narrative work (including reviews) Please submit up to 1500 words, double-spaced in a standard font.

  • Photography and Visual Art: Please submit up to four images as an attachment to your email with the title(s) of the work(s) as the file names.

  • Audio and Video: Please submit up to 7 minutes of video or audio, with audio files attached as .mp3 or mp4.

  • Recipes: Yes, please! If you have accompanying photographs, please attach them to the email.

We warmly welcome mixed/multimedia work!

We look forward to engaging with your work.

emergentliterary.com/submission-guidelines

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ESSAYS ON RADICAL HEALING

That’s No Longer My Ministry

DEADLINE: Rolling

INFO: Hi! We’re journalists, editors and content creators Foram Mehta and Nadia Imafidon. And we’re teaming up to publish a first-of-its-kind anthology that aims to tell a different story about healing. As an extension to the evocative podcast series of the same name, the collection will tell the stories of marginalized folk in their own words about how they’re actively purging years of conditioning and the consequences of never being centered.

These stories acknowledge and move through trauma; they hold space for radical self-liberation and using “No.” as a complete sentence. They remind us: We don't have to hold onto the things that no longer serve us because that's no longer our ministry.

Publication Details

Accepted essays will be edited by us (Foram & Nadia) and curated together for a book that will be available for purchase as an e-book or as a paperback. Print copies of the book and one-hundred percent of proceeds from subsequent sales will be donated to Aakoma Project, an organization that aims to

Compensation

Writers whose essays are accepted for final publication will be credited with a byline in the book and a complimentary paperback copy of the completed anthology.

A note about writing for free: As writers ourselves, we know writers are highly underpaid and undervalued, but we also know the joy of contributing to a collaborative body of work for the sake of storytelling, for the sake of healing together. Everyone on this project (including us) is a non-paid contributor donating their time and work for the benefit of Aakoma Project.

We say this while also acknowledging that we live in a world that operates on money, and spending time to write for free is not a privilege afforded to everyone. That’s also why we’re asking for non-exclusive rights only to contributors’ essays (more details to be provided in the contributor’s agreement).

build the consciousness of youth of color and their

caregivers on the recognition and importance of mental health. They do this by offering free

therapy and workshops to youth and their families, helping to influence systems and services to

receive and address the needs of youth of color and their families.

Pitching Guidelines

We are seeking pitches for non-fiction first-person essays from people of color who hold identities that are marginalized. This includes but is not limited to:

  1. LGBTQIA+

  2. Immigrant/First-generation

  3. Refugee

  4. Indigenous

  5. People with disabilities

When submitting your pitch, please include a brief bio and a link to your portfolio and/or first-person writing samples. We understand that not everyone will have a portfolio, so please send us something to give us an idea of your writing style.

Your pitch should include:

  1. Working title

  2. A summary of your story. (Tell us why you’re the person who needs to tell this story.)

We aim to get back to everyone who submits a pitch, but please allow us some time to respond, as we anticipate a full inbox! We will send contributor agreements to writers whose pitches we accept. Please, do not submit fully written essays.

Submit pitches to nolongermyministry@gmail.com. Editorial Guidelines

After we accept your essay pitch, writers should use the following writing guidelines: ● First-person reflections

○ Use this creative, non-fiction writing guide for reference

  • ●  Non-fiction

  • ●  English (with creative use of language)

  • ●  8th grade reading level (When in doubt, keep it simple!)

  • ●  1,500-3,00 words recommended

  • ●  AP Style (reference guide)

    We’re interested in your story, but we acknowledge that your story will likely include other people in it. For that reason, we ask that if you’re mentioning someone by their name that you get their permission to do so or change the name.

thatsnolongermyministry.com/anthology?fbclid=IwAR24GQ_s4cHpXBc3mp3bjvbmdvLyxKwr4dCaz6lTgGd2zYV_YlH-KmZIvVM

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TORCH FRIDAY FEATURE

Torch Literary Arts

DEADLINE: Rolling

ENTRY FEE: $0

INFO: Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world.

Reading Period
Submissions are accepted for Friday Features only. We accept submissions on a rolling basis.

Simultaneous Submissions
Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.

Manuscript Submission Guidelines
Include a one (1) page cover letter noting the title(s) of the work(s) submitted.

Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).

Typed, double-spaced (poetry may be single-spaced) pages. 

Numbered pages.

Margins should be set at no less than 1” and no greater than 1.5”.

Poetry: submit up to five (5) poems totaling no more than eight (8) pages.

Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.

Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.

Restrictions
We do not reprint previously published work for TORCH Friday Features.

Submitting Online
We accept submissions via our online submission management system only. Submissions via postal mail or email will be discarded without response.

Notifications and Queries

Please allow up to three months for a decision. Using our online submissions system, you will be able to track the status of your submission.

Publication & Compensation
Publication is online at TorchLiteraryArts.org, unless expressly stated for special publications.

Authors whose work is selected for a Friday Feature will receive a $50 (US) payment for publication.

All rights revert back to the author after publication.

Awards

All work accepted for publication will be considered for nomination for internal and external awards such as The Pushcart Prize, Best of the Net, etc.

torchliteraryarts.submittable.com/submit

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OPEN CALL: EYEBEAM CENTER FOR THE FUTURE OF JOURNALISM

Eyebeam Center

DEADLINE: Rolling

INFO: The Eyebeam Center for the Future of Journalism (ECFJ) is a grant-making program that supports artists producing innovative and revelatory journalistic work for major media outlets.     

The funds distributed to artists will assist with research, travel, and other expenses many media outlets struggle to cover, allowing stories that are often out of reach in today’s climate to be produced. And, in an effort to be responsive to an ever-fluctuating news cycle, artists will be able to apply to ECFJ for support of their work on a rolling basis. Artists with longer-term, research-intensive projects are also encouraged to apply. Grant support will range from $500 to $5,000.

All applicants must read the ECFJ Open Call page before applying: https://eyebeam.org/ecfj

Eligibility:

  • Individuals and collectives can apply. Collectives must have work samples that reflect a history of working together.

  • International applicants are welcome.

  • Applicants must have an existing commission letter from an editor.

  • Applications are accepted on a rolling basis.

  • At this stage of the program, all applications must be in English.

Criteria

ECFJ is a grant-making program that financially supports artists producing innovative journalistic work for major media outlets. Artists applying must have demonstrated track record of working with major media outlets. 

Artists creating work with a focus on the following issues are encouraged to apply: 

  • Data privacy

  • 2018/2020 elections

  • Role of technology in society

  • Political influence campaigns

  • Interrogating harmful technologies

  • Countering disinformation

  • Artificial Intelligence

Each applicant must provide: 

  • 300-word project description

  • Assignment letter from editor

  • A reference contact or letter of support

  • Two samples of past work

  • Detailed budget of expenses (travel costs, per diem and research costs are acceptable)

At this time, final pieces must be in English. 

All applications should be in alignment with Eyebeam’s core values of:  

  • Openness: All the work here is driven by an open-source ethos.

  • Invention: We build on old ideas to generate new possibilities.

  • Justice: Technology by artists is a move towards equity and democracy.

Equity and Inclusion: Eyebeam aims to create a hub for conversation and practice-sharing that is aware and responsive to systemic inequities in technology and invests in the meaningful inclusion of historically marginalized groups and voices. Eyebeam is committed to and values diversity in its organization and programs as defined by gender, race, ethnicity, disability-status, age, sexual orientation, immigrant status, and socioeconomic status. With a history rooted in innovation and collaboration Eyebeam’s programs are grounded in artist-community dialogue. Eyebeam supports the meaningful access to technology for everyone. 

https://eyebeam.submittable.com/submit/8c1eb216-e4b6-4693-af07-66c58e7053fb/eyebeam-center-for-the-future-of-journalism-application

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CALL FOR IMMIGRANT WRITERS

ẹwà

DEADLINE: Rolling

INFO: ẹwà is an independent journal that publishes original work exclusively by immigrant writers — foreign-born and first-generation — living in the United States. We are interested in poetry, fiction, memoir, personal essay, lyric, hybrid forms as well as non-academic cultural criticism.

A few things:

  • Submissions are accepted year-round, on a rolling basis.

  • We do not accept previously published material (in print or online).

  • Simultaneous submissions are accepted, but please notify us right away if your work is accepted anywhere else. 

  • We accept multiple submissions in all genres of writing. We also accept co-/multiple-authored works, but please make sure that appropriate permissions have been granted.

  • To submit, please send your work in a single document containing no more than six pages of writing to submit@ewajournal.com.

TERMS: ẹwà requests first rights, worldwide, and the right to include the work on the ẹwà website indefinitely. After publication, all rights revert to the author. Copyright always remains with the author. Should your work be republished elsewhere in the future, please credit ẹwà with its first publication. Our terms will be updated as necessary.

ewajournal.com/submissions

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CALL FOR MENTORS

Latinx in Publishing

DEADLINE: Rolling

INFO: The Latinx in Publishing Writers Mentorship Program is a volunteer-based initiative that offers the opportunity for unpublished and/or unagented writers who identify as Latinx (mentees) to strengthen their craft, gain first-hand industry knowledge, and expand their professional connections through work with experienced published authors (mentors).

QUALIFICATIONS TO BE A MENTOR

  • Must identify as Latinx (does not include individuals of Spanish origin)

  • Must have published at least one book prior to February 2020

  • Must be located in the U.S. during the course of the program

  • Must be available to dedicate at least one hour per month for a minimum of ten months

ABOUT THE WRITING MENTORSHIP PROGRAM

  • The next cycle of the program runs from February 2022 through October 2022.

  • Applications for 2022 mentees will open in September, 2021. Applications for mentors are open on a rolling basis.

  • Mentees must complete a sign-up survey and submit 5-10 pages of sample writing.

  • Mentors must complete a sign-up survey and review mentor guidelines.

  • We match individuals based on category and time- commitment preferences. The sign-up survey will help us make the best matches between mentor and mentee.

    • Please be aware that not everyone who applies will be matched.

  • Participants will be notified of their mentor-mentee match and provided with contact information by January 2022.

  • Mentors and mentees will connect for one hour per month over a minimum of ten months.

  • The program will close in October 2022, but if the mentor and mentee would like to continue their mentor relationship, it is entirely at their discretion.

  • Please be aware that the Latinx in Publishing Writers Mentorship Program is a volunteer-based initiative. Latinx in Publishing will not be held responsible for mediating any relations between mentors and mentees once the program ends.

https://latinxinpublishing.com/mentorship

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CALL FOR SUBMISSIONS

Unmute Magazine

DEADLINE: Rolling

INFO: Unmute Magazine, is a digital mag that aims to lift the voices of BIPOC creatives who’ve been historically marginalized.

They are accepting the following submissions (must be arts-related):

  • Album/EP or concert review (600-800 words).

  • A review of your own music or art including a discussion of the inspiration behind it (600-800 words).

  • Art-related how-to article (600-800 words).

  • Interviews (an introductory paragraph and five written questions).

  • Reflections / Essays (up to 1,500 words).

  • Song or poem including a discussion of the inspiration behind it (may submit up to four for review).

  • Photograph(s), illustrations, art (JPEG or PNG format).

  • Have your own idea? Please pitch it to us!

Please submit the following with your piece:

  • A third-person bio of up to 100 words.

  • (Optional) Photo as JPEG or PNG format for your bio.

  • (Optional) Up to 3 links to social media (i.e. Spotify, Soundcloud, website, Instagram, etc).

Submission Rules:

  • Written works and bio must be submitted in Word or Pages format

  • By submitting you agree to be considered for publication in Unmute Magazine.

  • Work must be original.

  • Unmute Magazine retains standard first publication rights for submissions. All rights immediately revert to the creator upon publication.

  • It may take several weeks for a response, but your submission will be read. If accepted, you will be notified.

  • By submitting to Unmute Magazine, you agree to be added to our mailing list. You can unsubscribe at any time.

  • Please email your submission to Submissions (at) unmutemagazine (dot) com

https://unmutemagazine.com/submissions/