RISING VOICES
Hillman Grad / Indeed
DEADLINE: January 4, 2022
INFO: Hillman Grad and Indeed are thrilled to announce the second season of the Rising Voices program. The initiative aims to discover, invest in and share stories created by BIPOC filmmakers & storytellers around the power and meaning of work. Last year’s program awarded a $100K production budget for 10 short films which premiered at The Tribeca Festival in New York and created over 600 jobs, and we’re excited to keep the opportunity going for another season this year.
HOW IT WORKS: Our advisory team will identify 10 filmmakers who will be selected to participate in Rising Voices. A $100,000 production budget will be allocated to produce their stories, and each filmmaker will have access to mentorship and support from the advisory panel through members from Hillman Grad and Ventureland. The films will be produced by Hillman Grad in partnership with 271 Films. An additional COVID-19 safety fund will also be made available to the filmmakers.
FILMMAKER SUPPORT: Following the conclusion of the program, Indeed will invest in marketing and distribution support for the finished films, along with a debut at The Tribeca Festival. Additionally, one or more filmmakers will be offered a filmmaker-in-residency position at Indeed to continue producing content with the brand.
REQUIREMENTS:
You must submit a complete and accurate application through the Hillman Grad website prior to the application deadline. The application will include:
Short answers to a series of questions
A resume and biography
Past work samples
An original short or pilot script written by the director or writer/director collaboration. (10 pages max)
You must be at least 18 years of age and not a minor in the state or country of your residence at time of submission.
All Participants are required to review and sign a Submission Agreement, which will govern your participation in the Rising Voices 2022 Program. Terms and conditions apply.
TIMELINE:
Jan. 4th: Application closes
Jan 24th-28th: Top 20 interviews
Feb 3rd: Final 10 candidates notified
Week of 2/7: Program Begins
hillmangrad.com/indeed-rising-voices
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YADDO ARTIST RESIDENCY
Yaddo
DEADLINE: January 5, 2022
APPLICATION FEE: $30
INFO: Yaddo is a retreat for artists located on a 400-acre estate in Saratoga Springs, New York. Its mission is to nurture the creative process by providing an opportunity for artists to work without interruption in a supportive environment.
Yaddo offers residencies to professional creative artists from all nations and backgrounds working in one or more of the following disciplines: choreography, film, literature, musical composition, painting, performance art, photography, printmaking, sculpture, and video. Artists may apply individually or as members of collaborative teams of two or three persons. They are selected by panels of other professional artists without regard to financial means. Residencies last from two weeks to two months and include room, board, and a studio.
ELIGIBILITY: Artists in all disciplines who are enrolled in graduate or undergraduate programs, or are engaged in completing work toward an academic degree at the time of application, are not eligible to apply to Yaddo.
Artists may apply once every other calendar year. For example, if you applied in 2019 (January or August deadline), you will be eligible to apply again in either January or August of 2021.
RAPPLICATION: All artists seeking residency at Yaddo must submit a complete application, including recent work samples. The criterion for repeat visit requests is the same as for first visits – the quality of the artist’s work. However, preference is normally given to persons who have not recently visited Yaddo.
FEES: Yaddo’s nonrefundable application fee is $30, to which is added a fee for media uploads ranging from $5 to $10, depending on the discipline. Application fees must be paid by credit card. Applicants who might experience difficulty in paying the application fee are encouraged to contact our Program Department. Artists are responsible for the means to travel to and from Yaddo. However, we have access grants available to offset the costs of accepting an invitation to Yaddo.
LENGTH OF STAY: Residencies vary in length – the average stay is five weeks. The minimum stay is two weeks; the maximum is eight weeks.
FINANCIAL AID: Funds exist to provide limited financial aid to artists, based on need. Only individuals who have already been invited for visits may apply for financial assistance. Specific instructions and an application form are included with each letter of invitation.
ADMISSIONS PANEL: Applications are considered by five independent admissions committees in the artistic disciplines represented at Yaddo: Literature, Visual Art, Music Composition, Performance, and Film & Video. Membership in these committees rotates frequently and the members are artists whose work is recognized and esteemed by their peers. Collaborative applications are considered by appropriate cross-disciplinary panelists.
ARTISTIC DISCIPLINES:
Five admissions panels consider applications to Yaddo in the following disciplines:
Literature, including fiction, nonfiction, poetry, drama, translation, librettos, and graphic novels.
Visual Art, including painting, drawing, sculpture, printmaking, photography, mixed media, and installation art
Music Composition, including instrumental forms, vocal forms, electronic music, music for film, and sound art
Performance, including choreography, performance art, multi-media and/or collaborative works incorporating live performance
Film & Video, including narrative, documentary and experimental films, animation, and screenplays
Applicants should apply to the Admissions Panel that best represents the project they wish to undertake should they be invited for a residency. Applicants may apply to only one admissions panel, and in one genre, at a time. Artists working in new disciplines or on projects that do not fit easily into the above disciplinary categories are encouraged to contact the Program Manager about which category is most appropriate for their project.
COLLABORATIONS: Small groups (2 to 3 individuals) of artists wishing to work collaboratively are encouraged to apply. Each member of the group will need to submit an individual application under “Collaborative Teams.” Work samples should give a clear and precise representation of the nature of the collaboration, preferably via previous work the applicants have undertaken together as a collaborative team. Support personnel or interpretative artists, such as computer programmers, instrumentalists, set and lighting designers, and dancers, cannot be included in a residency as part of a collaborative team.
Artists who do not have a collaborative history but who wish to be in residence at the same time should apply to the admissions panel most closely connected to their individual artistic discipline, rather than Collaborative Teams. Concurrent dates of residence may be requested.
Specific questions should be directed to the Program Manager before submitting an application.
REFERENCES: Artists are required to have one current reference on file for each application. Rather than a standard letter of recommendation, applicants must provide the name of a colleague who can answer two brief questions regarding artistic work and character. Jurors evaluating your application give more consideration to references from peers in your field. Your reference must be completed no later than January 19, 2022. Yaddo does not accept letters of reference on paper or from Interfolio or other reference services. All references must come through SlideRoom.
SENDING A REFERENCE REQUEST: Provide an accurate e-mail address for your reference provider within your SlideRoom application. Reference requests must be made before submitting your application. There is space to request up to two references – only one is required. Once you have sent the request, SlideRoom sends an e-mail message directly to your reference provider with a link to your application. Alert your reference provider to look for an e-mail from SlideRoom, not Yaddo. They should check junk or spam folders if the email does not appear in their inbox. Please follow this detailed support guide if your reference provider is not receiving SlideRoom’s email requests.
PREVIOUSLY SUBMITTED REFERENCES: References are considered current for a five-year cycle, starting from the application deadline for which the references were initially submitted. Please confirm with the Yaddo admissions staff by sending an email to admissions@yaddo.org before you submit your application to ensure that your reference is current.
Artists who have been in residence at Yaddo within the past five years (including the year of residency) need not submit new references.
INTERNATIONAL ARTISTS: Yaddo has a strong tradition of internationalism, and welcomes artists working in all disciplines from around the world. Writers who work in languages other than English should supply samples of work in translation as well as in the original. A working knowledge of English is helpful for international artists. Yaddo does not provide an interpreter for artists who speak little or no English.
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Hyde Park Entertainment / Warner Music Group Asian Women Screenwriting Lab Fellowship 2022
Film Independent
DEADLINE: January 15, 2022
INFO: Thank you for your interest in the 2022 Hyde Park Entertainment / Warner Music Group Asian Women Screenwriting Lab Fellowship. The selected Fellow will be awarded $12,500.00 and must agree to attach Hyde Park Entertainment as Producer for 18 months. Terms are outlined in the eligibility form. Please read carefully.
The Screenwriting Lab is a full-time, two-week program that will take place in March of 2022. The program is designed to provide individualized story and career development for emerging screenwriters with a fiction feature screenplay.
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2022 Jerome Emerging Artist Residency
The Anderson Center
DEADLINE: January 15, 2022 at 11:59pm CST
APPLICATION FEE: $0
INFO: The Anderson Center’s Jerome Emerging Artist Residency Program offers month-long residency-fellowships at Tower View to a cohort of early-career artists from Minnesota or one of the five boroughs of New York City for concentrated, uninterrupted creative time to advance their personal artistic goals and projects.
The program aims to meet the specific needs of emerging artists while welcoming them into a supportive and inspiring residency environment that empowers them to take risks, embrace challenges, and utilize unconventional approaches to problem-solving.
Thanks to support from the Jerome Foundation, selected emerging artists receive a $625/week artist stipend, documentation support, art-making resources, facilitation of community connections, lodging & studio space, a travel honorarium, groceries, and chef-prepared communal dinners.
Located at the historic Tower View estate, a venerable research-and-development lab for the arts rooted in an expansive natural setting, the program is an ideal fit for early-career artists whose work reveals a significant potential for cultural and community impact, is technically accomplished, engages diverse communities.
The Anderson Center’s goal is for connections participating artists make with one another, as well as connections made with other creatives and community members, to outlast the duration of their residency visit. The organization believes that the environment and resources of Tower View, along with an exchange of ideas across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work emerging artists create while in residence.
Jury review will take place in late January and early February. Applicants will be notified by Feb. 3 as to the status of their application. A phone interview process with finalists will take place in late February following a second round of jury review. Selected artist residents, wait-list and runners-up will be notified by March 2, 2022.
ABOUT THE ANDERSON CENTER
The Anderson Center for Interdisciplinary Studies, founded in 1995 on the Tower View estate in rural Red Wing, Minn., has renovated and restored historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden.
The Anderson Center provides residencies of two- or four-weeks’ duration from May through October each year to enable artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment to create, advance, or complete work. In addition to community engagement activities through the artist residency program, the organization has a strong history of helping integrate the arts into community life through local partnerships, hosting annual arts events and participating in other community-based initiatives.
ABOUT THE JEROME FOUNDATION
The Jerome Foundation, created by artist and philanthropist Jerome Hill (1905-1972), seeks to contribute to a dynamic and evolving culture by supporting the creation, development, and production of new works by emerging artists. The Foundation makes grants to not-for-profit arts organizations and artists in Minnesota and New York City. The Jerome Foundation is generously providing support for the Anderson Center’s Jerome Emerging Artist Residency Program in August of 2022.
LOCATION
The Anderson Center campus is located on the 350-acre historic Tower View Estate, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing.
The Center is approximately 45 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.
The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River. The town is settled on the ancestral homelands of the Mdewakanton & Wapakute bands of the Dakota people. The City of Red Wing is named after Tatanka Mani (Walking Buffalo), a leader of the Mdewakanton Dakota in the upper Mississippi Valley who wore a ceremonial swan’s wing dyed in brilliant red. In 1815, Tatanka Mani and his people moved their village south to a place they called Khemnichan (Hill, Wood, & Water) in present-day downtown Red Wing. Euro-American immigrants who met him as they advanced into the region in the early nineteenth century came to know him and his village as “Red Wing.”
Since its settlement and eventual incorporation in 1857, Red Wing established itself as a center for agriculture, industry, tourism, medical care, technology, and the arts. The Red Wing Shoe Company and its iconic brands, in particular, continue to have a significant impact on the community’s economic, business, and community development climates. Natural resources abound with Red Wing's riverfront, winding paths through the majestic bluffs, bike trails, and 35 city parks. The Prairie Island Indian Community is located northwest of the city. Frontenac State Park is to the southeast on Lake Pepin. Minnesota State College Southeast Technical’s Red Wing campus is known for its string and brass instrument repair programs. The MN Dept. of Corrections also operates a large juvenile residential facility in Red Wing.
Other amenities include a destination bakery, a chocolate shop, coffee shops, restaurants, the flagship Red Wing Shoe Company store, Goodhue County Historical Society Museum, the Red Wing Stoneware & Pottery store, the Pottery Museum of Red Wing, a Duluth Trading store, the Red Wing Marine Museum, a Target, several pharmacies, a plant nursery & garden center, a Mayo Health System Hospital, a small independent bookstore, and a public library (the Center has arranged for residents to have access to a library card for their month at the Center)
Other key community stakeholders include the historic Sheldon Theatre, the Red Wing Arts Association, Red Wing YMCA, Red Wing Youth Outreach, Hispanic Outreach of Goodhue County, Red Wing Area Friends of Immigrants, Red Wing Area Women’s Art History Club, Live Healthy Red Wing, Artreach, Red Wing Artisan Collective, the Artist Sanctuary, Pier 55 Red Wing Area Seniors, Big Turn Music Festival, Red Wing AAUW, Red Wing Environmental Learning Center, Red Wing Girl Scouts, Red Wing Public Schools, Tower View Alternative School, and Universal Music Center, as well as several City boards, commissions, and departments.
ELIGIBILITY AND DEFINITION OF “EMERGING ARTIST” While the Anderson Center’s general Artist Residency Program hosts artists with a wide range of talent and experience, the Jerome Emerging Artist Residency Program exclusively focuses on meeting the specific needs of artists who are in the early stages of their artistic development and career.
The Anderson Center defines an emerging artist as someone who has some evidence of professional achievement but has not yet a substantial record of accomplishment. These are the applicants who are practicing vocational artists but are not yet recognized as "established" by the artistic community (other artists, curators, producers, critics, and arts administrators).
The organization looks for artists whose work reveals a significant potential for cultural and community impact. These are artists who are uncompromising in their approach to creation and production, people who are not afraid to take risks, embrace challenges, and utilize unconventional approaches to problem-solving.
Degree-seeking students at the time of application, or during the grant period, are not eligible for a residency (including K-12, college, graduate or post graduate studies). Age is not a factor in determining emerging artist status.
Artists that are part of an artistic collective, partnership, or collaborative are welcome to apply, but collaborative residencies are also rare. The program is extremely competitive and space is simply limited. Each artist must also complete their own application form.
Artists of all disciplines are eligible and are encouraged to apply. Artists must currently be legal residents of Minnesota or one of the five boroughs of New York City and have been residents for at least one year prior to the submission of an application. Applications must be submitted through the Anderson Center’s online webform via Submittable. The primary goal of eligible artists must be to generate new works, as opposed to remounting or re-interpreting existing works.
Further details from the Jerome Foundation on emerging artist eligibility requirements can be found here: https://www.jeromefdn.org/defining-early-career-emerging-artists
APPLICATION
A completed application form includes a brief artist statement, a work plan, an emerging artist statement, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.
The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your current and future work.
The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.
The Work Plan is a one page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.
An Emerging Artist Statement addresses, in 250 words or less, your status as an emerging artist or early-career artist. How would participating in this program impact or advance your practice as an emerging artist? In what ways would this program meet your needs as an emerging artist? Why is this residency important to this stage of your career path? How do you identify as an emerging artist?
Work Samples should be of recent work and should include:
For composers and musicians: 3 to 5 recordings
For visual artists: At least 5 images of work (300 dpi or larger)
For nonfiction and fiction writers: 10 pages of double-spaced prose
For playwrights & screenwriters: 20-page excerpt (does not need to be from the beginning)
For poets: 10 pages of poetry
For translators: 10 pages of translation and original text
For performance artists: 3 short videos excerpts of performances (no videos longer than 5 minutes)
For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)
For Scholars: 10 pages of work, including research abstracts and relevant diagrams
DURATION OF RESIDENCY
The Anderson Center’s Jerome Emerging Artist Residency Program offers residency-fellowships of two weeks or one month in August. Strong preference is given to those applying for month-long stays. August is the only month the Jerome Emerging Artist Residency Program takes place.
PROGRAM DETAILS
Each artist-in-residence receives:
$625/week artist stipend
Travel honorarium ($550 for New Yorkers and $150 for Minnesotans)
$450 documentation budget (services for photography, video, audio, etc.)
Evening dinners are prepared and presented by the Anderson Center chef Monday through Friday. The chef also shops for meal items for artist residents, and residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends.
There is also a housekeeper who cleans and maintains the historic facilities. Additional cleaning and sanitization measures are being taken during the pandemic to help ensure the health and safety of artists, staff, and the community.
ACCOMMODATIONS
Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists are provided a 15' x 26' studio and are responsible for supplying their own materials. Other workspaces on site include a cone 10 gas kiln and electric kilns, an open-air metalsmith facility, a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano.
Dinners are prepared and presented by Anderson Center chef Phoebe Nyen Monday through Friday. Chef Phoebe also shops for groceries for artists-in-residence. Residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There is also a housekeeper who cleans and maintains the historic facilities. Additional cleaning and sanitization measures are being taken during the pandemic to help ensure the health and safety of artists, staff, and the community.
Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.
COMMUNITY ENGAGEMENT
The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.
Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.
Within the last few years, Anderson Center residents have connected with 12 schools in five area communities (ranging from elementary through college), 5 senior centers, 2 correctional or detention facilities, 7 community organizations serving children and families, and 8 community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.
During the pandemic, community engagement activities have safely and creatively continued in small group, outdoor, online or distance settings. Examples from the later half of 2020 include a writing exercise letter exchange with residents of a correctional facility, a poetry walk along a park trail, an outdoor natural dye workshop, a distanced reading/discussion with students of Tower View Alternative High School, and various public & private online interviews/discussions with community stakeholders. A majority of the 2021 engagement activities took place in-person, either outdoors or in a small group setting indoors.
PROGRAM MISSION & VALUES
The mission of the Anderson Center is to, in the unique and historic setting of Tower View, offer residencies in the arts, sciences, and humanities; provide a dynamic environment for the exchange of ideas; encourage the pursuit of creative and scholarly endeavors; and serve as a forum for significant contributions to society.
The Anderson Center Residency Program was set-up by a working poet to support other artists and continues to function by those with hands-on experience in the creative process. The organization seeks out feedback from residents each month in order to implement necessary changes as it works toward continual improvement of the program. Most importantly, staff trust artists to know what they need most to advance their individual practices. The Center does not dictate specific outcomes. Instead, the expectation is that the gift of time and space will generate significant advancements in residents' work. The Anderson Center trusts the artists to best use their time to benefit their own work and reach their own goals.
Since 2014 the Anderson Center has offered such month-long residencies in alternating years to small groups of Deaf artists, including poets, fiction writers, and nonfiction writers, whose native or adoptive language is American Sign Language (ASL). Supported by the National Endowment for the Arts, the Anderson Center's Deaf Artist Residency is the only program in the country that is Deaf-centric. It was developed with the goal of contributing to the creation of a local and national network of Deaf culture-creators.
The Center also engages in artist exchange programs with the city of Salzburg, Austria, and with Red Wing's Sister City, Quzhou, China. The Center participates in annual scholarship programs with the MFA programs at The University of Minnesota and Pacific Lutheran University in Washington.
As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.
PANDEMIC POLICIES
Prior to arrival, all artists are sent a revised Residency Handbook outline many items related to daily life for artists-in-residence, including the most current safety policies and protocols. The organization's goal is to balance standard pandemic policies and clear expectations while also highlighting areas where communication or flexibility within each cohort might be beneficial or needed.
Again, the Anderson Center Residency Program trusts that artists know what they need most to advance their individual practices and how best use their time to benefit their own work and reach their own goals. Likewise, artists are empowered to collective make changes where appropriate and ultimately build the artist community they'd like to see.
At the same time, and as is outlined in the Residency Handbook, the Anderson Center is committed to supporting artists by creating a safe space for their residency experience. As such, for the 2022 season, the organization requires all participating artists to provide proof of full COVID-19 vaccination prior to arrival.
Of course even with all of these precautions, by simply participating in an artist residency program, there is an inherent risk of exposure, even for vaccinated persons, that is beyond the ability of the Anderson Center to control entirely. By applying to this program you are communicating that you are comfortable with that amount of risk and that you are also fully vaccinated (or will be prior to arrival).
SELECTION TIMELINE
January 15, 2022 (11:59 p.m. CST) – application deadline
February 3, 2022 – Jury has selected Round 2 applications. All artists are notified of the status of their application
February 21, 2022 – Jury has determined finalists. Phone interviews with finalists begin.
March 2, 2022 – Final notification to selected artists, wait-list and runners-up
SELECTION CRITERIA Selection criteria include (in order of importance):
1) Artistic excellence as demonstrated by work samples, resume and artist statement
2) Potential benefit and impact on career as demonstrated by work plan and emerging artist statement
3) Balance of artistic disciplines, identity, geography, etc within selected cohort
EQUAL OPPORTUNITY
The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.
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Artist Research Fellowship
Folger Institute
DEADLINE: January 18, 2022
INFO: The Folger Institute Artist Research Fellowship is open to artists working in all media whose work would benefit from significant primary research. This includes, but is not limited to, visual artists, writers, dramaturgs, playwrights, performers, filmmakers, and composers.
While a terminal degree is not required for the Artist Research Fellowship, applicants should describe their training and level of industry-specific experience in their CV. All applicants must apply as individuals, including artists working as collaborators. See additional Rules and Requirements and Application Instructions.
Please note that in 2022–2023, all Artist Research Fellowships will be non-residential. Awards are $3,500 for four weeks of work away from the Folger. Fellowships may be undertaken between July 2022 and June 2023.
RESOURCES & BENEFITS:
Access to Folger electronic resources and Researcher Services consultation.
Opportunities to meet virtually with Folger Theatre, Consort, and Poetry professionals, as well as Folger curators, librarians, and conservators, as relevant.
Participation in scholarly and community-building programs with other Folger Fellows.
Exposure on the Folger website, social media, and newsletters.
J1 Visa sponsorship, if needed.
folger.edu/institute/artist-research-fellowship
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WURLITZER FOUNDATION RESIDENCY
Helene Wurlitzer Foundation
DEADLINE: January 18, 2022
APPLICATION FEE: $25
INFO: The Helene Wurlitzer Foundation of New Mexico (HWF) is a private, 501(c)(3) non-profit, educational and charitable organization committed to supporting the arts. Founded in 1954, the HWF manages one of the oldest artist residency programs in the USA and is located on fifteen acres in the heart of Taos, New Mexico, a multicultural community renowned for its popularity with artists.
The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven artist casitas, or guest houses, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.
The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.
Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.
Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.
GUIDELINES:
Literary artists may upload writing samples in .pdf format using the application form above. Alternatively, literary artists may choose to mail hard-copies. Include a cover sheet containing your contact info and table of contents, but please omit names and contact info on the writing samples themselves.
Writers: samples should not exceed 35 double-spaced pages
Poets: a maximum of six poems.
Playwrights: include one complete play.
Screenwriters: include one complete screenplay.
Digital work samples are accepted and encouraged for applications from visual artists and composers. Applicants should prepare to submit five work sample files when filling out the online application form. Acceptable file types for images include jpg, gif and png. Accepted types for audio files are mp3 and m4a.
Filmmakers must mail a DVD or USB-drive containing up to 30 minutes of video which represents no more than five different samples of your work.
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Julia S. Gouw Short Film Challenge
CAPE
DEADLINE: January 26, 2022
INFO: CAPE is joining forces with Janet Yang Productions to provide short film production grants of $15,000 each to four AAPI women or non-binary filmmakers, funded by Julia S. Gouw!
The four awardees in the inaugural Julia S. Gouw Short Film Challenge will be offered unparalleled networking opportunities with Emmy Award- and Golden Globe-winning Hollywood producer Janet Yang and the CAPE network, along with the chance to submit films to potential buyers and platforms with access to industry professionals including agents, managers, producers and studio executives.
Submissions are open now for narrative live-action or animated short film scripts featuring an AAPI woman or non-binary protagonist. We welcome all AAPI woman or non-binary directors and writers to apply!
2022 Challenge Ambassadors:
GEMMA CHAN
ETERNALS, CRAZY RICH ASIANS
RICHA MOORJANI
NEVER HAVE I EVER
KELLY MARIE TRAN
LILY TOPPLES THE WORLD,
RAYA AND THE LAST DRAGON
capeusa.org/short-film-challenge
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NYSCA / NYFA ARTIST FELLOWSHIP
DEADLINE: January 26, 2022
INFO: The NYSCA/NYFA Artist Fellowship is a $7,000 unrestricted cash grant available to artists living in New York State and/or one of the Indian Nations located therein.
The Playwriting/Screenwriting category accepts work in the writing of stageplays, screenplays, teleplays, libretti, radioplays, and audiodramas. While librettists may apply in this category, no audiotapes are accepted in this category. Composers of music theater works are advised to apply separately in the Music/Sound category.
APPLICATION REQUIREMENTS:
When Submitting an application to the Playwriting/Screenwriting category you will need to complete:
Required:
Artist Statement – up to 100 words
Work Statement – up to 100 words
Excerpt Explanation – up to 400 words
Work Samples – up to 20 pages of manuscript, 12 point font, double spaced or in script format, and a one page title page (21 pages total)
Optional written statements:
Technical Statement – up to 200 words
Cultural Statement – up to 400 words
ACCESSIBILITY STATEMENT:
NYFA is committed to supporting artists from every background, and at all stages in their creative careers. We strongly encourage artists of color, LGBTQ+ artists, artists with disabilities, and artists living outside of the metropolitan area to apply.
To request an accommodation or assistance in applying, please email fellowships@nyfa.org. We ask that requests for accommodation be made as soon as possible or by January 12, 2022 to allow adequate time for staff to support you in submitting an application before the deadline.
WORK SAMPLES:
Manuscript of your Literary work
Work samples are a representation of your artistic work created within the last five years. This is the most important part of your application, as it will be the primary point of review.
Work Sample Inventory:
Applicants can submit up to 20 pages from a manuscript that best represents their practice. Please also include a one page title page in your PDF in addition to the 20 page manuscript (21 pages in total). The title page should include the title of the piece and the date of completion, but not the name of the author. If your work sample includes a combination of excerpts from larger works, you are strongly advised to include substantial portions from each larger work, rather than small fragments.
Do not include publication and/or production information anywhere on your manuscript. Do not include your artistic résumé in your .pdf. Materials can be previously published or not. If published, scanned excerpts from books or periodicals, in published form, will be ineligible. Manuscripts must be in English, but can be translated into English by someone other than the artist.
Work Sample Descriptions:
Before you upload the .pdf file to your application, you will need to name your file. Do not label your work sample with your name. Instead, label it with the title of your work.
After your work sample has been uploaded, you will be able to provide a description (metadata) including title, date the work was completed, and additional information. Do not include production or publication history.
File Format:
File name: label your manuscript with the title of the work, ex. The Big Story.pdf or Work Sample 2021. Do not include your name.
Length: Up to 20 pages. Must be 12 point font and double spaced or in script format.
Title Page: One page title page with the title of the work(s), and year of completion, but not the name of the author/applicant.
Language: English
File format: .pdf
SUPPORT STATEMENTS:
Written statements about your artistic practice
Support statements are available to the panelists in the later rounds of review.
Artist Statement: A short concise statement giving an overview of your artistic practice. This statement should give a brief introduction to ideas, themes and methods in your practice. This is not an Artist’s Bio. Up to 100 words.
Work Statement: A statement explaining your artistic vision as directly related to your submitted work samples. This is not an artist statement, but should instead reflect only the ideas and inspiration relevant ONLY to the work submitted. Up to 100 words. The work statement is available to panelists in the first round of review.
Questions to consider for your Work Statement: Referencing only the submitted Work Samples
What is your submitted work about?
How does this work represent the primary concerns and intentions of your artistic practice as described in your artist statement?
Excerpt Explanation: A supplemental statement further explains the context, concept, and execution of your work sample(s). This statement should explain how the excerpted work sample relates to the entire original piece. Within the Excerpt Explanation you can itemize each submitted work sample(s) and discuss them individually. Up to 400 words.
Questions to consider for your Excerpt Explanation: Referencing only the submitted Work Samples
How does your work sample(s) relate to the full work?
What information is needed to give context to your work samples?
Technical Statement (Optional): A supplemental statement describing the key technical aspects of the work. Use this statement to highlight your role in creating/executing the work. Be sure to note whether your work samples represent documentation of a performance, installation, experience, etc. You can also describe the circumstances in which the viewer/audience should experience the work. Please include instructions on how to navigate your work if it’s interactive. Up to 200 words.
Questions to consider for your Technical Explanation: Referencing only the submitted Work Samples
How was the work created/executed?
What specific techniques are integral to creating the work?
What is the original context for this work, i.e. book, performance, etc?
Cultural Statement (Optional): A supplemental statement describing how your work is rooted in a specific cultural technique, tradition or community. Up to 400 words.
Write a Cultural Statement if: Referencing only the submitted Work Samples
our practice stems from a specific and/or unique cultural tradition.
The understanding of your work is dependent on the context of a cultural community.
REVIEW PROCESS:
How are applications reviewed? Playwriting/Screenwriting applications are reviewed online over the course of 3 elimination rounds. All applications will be reviewed anonymously in the first round of review.
In Round 1, the panel will have access to all applicants’ Work Samples (up to 20 pages of manuscript) and the Work Statement. Applications are assigned a number and reviewed anonymously. In these rounds panelists are directed to review and score applications independently.
In Round 2, panelists will have access to all supplemental written statements (i.e: Artist Statement, Excerpt Explanation, Cultural Statement, and/or Technical Statement). Similar to the first round, the panel will continue to review and score applications independently.
In the following round, the panel will meet online and collectively discuss the applications that have made it into this round before selecting the Fellowship Recipients.
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BLACK MUSLIM FILMMAKER GRANT
Muslim Public Affairs Council
DEADLINE: January 28, 2022 at 11:59 PST
INFO: The $10,000 grant is open to filmmakers who identify as Black Muslims; are either U.S. citizens or permanent residents; and have an episodic, narrative or animated project in development, production or post-production.
mpachollywoodbureau.org/fullstory
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DOCLANDS Documentary Film Festival
DOCLANDS
DEADLINES:
Early: January 31, 2022
Final: February 11, 2022
INFO: Presented by the California Film Institute, DOCLANDS Documentary Film Festival brings compelling stories and the provocative insight behind them to Marin County, CA.
With extended dates in early May, the 2022 Festival will reflect and build upon the structure and innovations we introduced during the outbreak of COVID while being responsive and respectful of the public health situation. This flexibility means planning for an accessible, inclusive hybrid Festival, with the hope we're able to maintain access to those unable or unwilling to attend. We will continue to deliver a festival that engages our members and patrons, supports filmmakers and our valued partners, and bolsters the documentary film community.
No matter what form screenings and conversations take moving forward, DocLands encourages the exchange of ideas and inspiration through public screenings, engaged conversations, pitching, and grassroots networking events with an aim to build an active, inclusive, fully supportive community around documentary film dedicated to initiating connections and partnerships that will illuminate and invigorate the business and art of non-fiction filmmaking.
filmfreeway.com/DocLandsDocumentaryFilmFestival
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2021/2022 INDIGENOUS LIST
The Black List / IllumiNative / Sundance Institute
DEADLINE: February 4, 2022
INFO: For the second year in a row, The Black List has partnered with IllumiNative and Sundance Institute for the Indigenous List. The Indigenous List will feature film and television scripts authored by Native American, Native Hawaiian, and Alaskan Native Film artists working in the U.S.
Filmmakers and content creators are invited to submit a script for consideration by uploading it to The Black List website during the winter of 2021/2022. Feature film, one-hour, and half-hour original pilot submissions will be considered for this opportunity (no webseries or documentaries, please.) Scripts from any genre are eligible for this partnership.