FILM -- FEB 2020

WILD TO INSPIRE SHORT FILM CONTEST

National Geographic

INFO: National Geographic has invested in bold people and transformative ideas across the globe, with the aim of bettering our understanding of the natural world. As National Geographic Explorer Dr. Jane Goodall once said: “Only if we understand, will we care. Only if we care, will we help. Only if we help, shall all be saved.” 

For this year’s National Geographic Wild to Inspire Short Film Contest, we’re asking you to create a short film that celebrates the 50-year anniversary of Earth Day. Launched in 1970, the first Earth Day spurred critical environmental conversations around some of these big problems, leading to efforts to save endangered species, regulate pesticides and harmful chemicals, and reduce single-use plastic. These efforts have become even more critical today. 

50 years after the first Earth Day, how will you use the power of film to inspire viewers to work towards a planet in balance in the 21st century? 

The Finalists

Up to 3 finalists will be flown to the 2020 Sun Valley Film Festival for a special screening of their films. 

The Grand Prize

One grand prize winner – selected by a panel of experts after the screenings at the Sun Valley Film Festival  – will receive a National Geographic expedition.

Requirements

Films must be under 3 minutes long and celebrate Earth Day. Films will be judged on the following criteria:

  1. Thirty percent (30%) for connection to the theme 

  2. Twenty percent (20%) for quality of storyline and script

  3. Twenty percent (20%) for creativity and/or content originality

  4. Twenty percent (20%) for production quality (e.g., lighting, shot composition, focus, sounds)

  5. Ten percent (10%) for editing

Only legal residents of the fifty (50) United States and the District of Columbia who are eighteen (18) years of age or older at the time of entry are eligible to enter.
We encourage submissions from indigenous filmmakers, filmmakers of color, filmmakers with disabilities, LGBTQQIA filmmakers, female-identified filmmakers, and filmmakers from other intersectional and marginalized groups. If you identify as one or more of the above and would like to let us know, please include a note along with your film description.

DEADLINE: February 4, 2020

https://wildtoinspire.submittable.com/submit/152941/wild-to-inspire-short-film-contest?aid=nat-geo-TW1&utm_medium=social&utm_source=twitter.com&utm_campaign=natgeo-3&utm_content=nat-geo-2019&utm_term=Submittable

ISA FAST TRACK FELLOWSHIP — FEATURE FILM

INFO: This is the 11th season of the ISA Fast Track Fellowship. With each passing year we continue to find fresh and original voices to pair up with eight veteran industry mentors for an intense, career-launching week in Los Angeles. After the week is over, our Fellows are invited onto the ISA Development Slate for support from the Development Team for a minimum of one year! 

When the program launched, we had no idea what impact it would have on our Fellows' careers. Many of our Fellows have signed with top agents, managers and/or had their scripts optioned or purchased. There is no faster path to breaking in than getting on the Fast Track!

The ISA Fast Track Fellowship gives two undiscovered screenwriters a direct line to meet with and be mentored by eight top executives in Los Angeles. We'll fly you to L.A. and provide you the experience of a lifetime by connecting you to top industry contacts. The two Fast Track Fellows will immediately be invited onto the ISA Development Slate and work directly with the ISA Development Team for an entire year in an effort to Fast Track their careers.

OVER 60 SCRIPTS ON THE ISA DEVELOPMENT SLATE HAVE BEEN PRODUCED OR OPTIONED! 
Many more are out to top producers and many of these emerging screenwriters have received representation as a result of getting onto the Slate. 

TWO FAST TRACK FELLOWS WILL RECEIVE:

    • Mentorship Week in Los Angeles featuring 8 meetings with studio and development executives and literary agents

    • Airfare and hotel included

    • Year-long script development and guidance

    • Acceptance onto the ISA Development Slate

    • Script Diagnosis Read and Notes Session from Jessica Blank Coaching

    • A 12-Month ISAConnect Membership

    • The Craft Course in Screenwriting 

    • Fellowship announcements to various media outlets

TOP 50 WILL RECEIVE:

With the ISA Fast Track, you win the experience of a lifetime, a launching pad to a career with connections that normally take decades to create. When we fly you to Los Angeles, you'll build relationships that can lead to a paying career doing what you love! The ISA is here to give writers a shortcut to resources, support and experience that will aid in long-term career success. We encourage emerging screenwriters of all levels and backgrounds to apply.

SUBMISSION FEE: $79

DEADLINE: February 12, 2020

https://www.networkisa.org/contest/view/fasttrack

The Roxbury International Film Festival

INFO: The Roxbury International Film Festival (ROXFILM) is the largest festival in New England dedicated to celebrating the work of filmmakers creating films celebrating people of color.

ROXFILM showcases feature-length films, documentaries, shorts and animation. We are particularly committed to screening works by filmmakers with a connection to the New England area, however we also screen works by filmmakers from around the world as well.

The festival also includes workshops, panel discussions, networking opportunities, receptions, parties, and Q&A with filmmakers and special guests. Previous guests have included, Ruby Lee, Billy Dee Williams, Robert Townsend, Charles Burnett, Ernie Hudson, Daphne Maxwell-Reid, Michael Beach, Ava DuVernay, CCH Pounder, Kasi Lemmons, Victoria Rowell, Hill Harper, Jamie Hector, Mel Jackson, and Miriam Colon, Russ Parr, Guy Torry, N'Bushe Wright, Susan Batson, Anthony Montgomery, Sheryl Lee Ralph, Michael Ealy, Chico Bennymon, Marla Gibbs Topper Carew, Quincy Newell and S. Epatha Merkerson.

21st Annual Roxbury International Film Festival will be held June 19, 2018- June 29, 2019. Films will be screened at the Boston's Museum of Fine Arts, Haley House Bakery Cafe and Hibernian Hall in Roxbury, MA.

More general information about the festival can be found at www.roxburyinternationalfilmfestival.com

AWARDS & PRIZES: ROXFILM is a competitive festival. Awards include "Audience Favorite," "Best Short Film," "Best of Festival," "Best Documentary," "Emerging Local Filmmaker," and "Youth Filmmaker."

DEADLINES:

  • Regular: February 17, 2020

  • Late: March 9, 2020

https://filmfreeway.com/TheRoxburyInternationalFilmFestival

CINEODYSSEY FILM FESTIVAL

INFO: The CineOdyssey Film Festival showcases diverse, contemporary films from around the world, featuring cutting edge works by filmmakers of color from the African, Caribbean, Latino, Asian, and Native American diasporas, as well as the U.S.

It serves to bring together diverse audiences, bridge cultural understanding, and encourage the artistic development of aspiring filmmakers. Through workshops, panel discussions, celebrated guest speakers, and educational programming throughout the year, the festival's intent is to entertain, enlighten, empower, and engage. The impressive lineup of films boldly address the multicultural issues of today, which meet at the intersection of race, class, and gender, as well as celebrating the creative craft of the art form.

AWARDS CATEGORIES:

  • Best Feature Film

  • Best Actor

  • Best Actress

  • Best Short Film

  • Best Student Film

  • Best Regional Film (North Carolina or South Carolina, short or feature)

  • Best Documentary Film

  • Best Animated Film

  • Best Smartphone Film

  • Best Web Series

DEADLINES:

  • Regular: February 19, 2020

  • Late: April 3, 2020

  • Extended: May 22, 2020

https://filmfreeway.com/CineOdysseyFilmFestival?fbclid=IwAR1-xECHsOL-zRKGR8nOgMV2adEH4ORNhLpDRrfvXW4nbiV02kcSk_Od-80

WORKSPACE RESIDENCY

Lower Manhattan Cultural Center

INFO: LMCC’s flagship residency program, Workspace, is a nine-month studio-based program that focuses on the creative process and cohort development of emerging artists. At its core, Workspace nurtures experimentation, creative risk taking, collaboration, learning and skill sharing through regular opportunities for dialogue with peers and arts professionals. Participating artists are provided round-the-clock access to semi-private studio spaces and are expected to engage with the cohort for the full duration of the nine-month program.

LMCC is shifting its guidelines for the Workspace program to be more responsive to the multi- and interdisciplinary ways in which artists work. We seek to create a welcoming, diverse, and dynamic cohort of individuals working across disciplines, including but not limited to visual arts, film, performance art, social practice, design, digital media, and the literary arts. 

DEADLINE: February 27, 2020

https://lmcc.submittable.com/submit/7ba98eef-0f75-4089-8dce-af0c3b14a4de/workspace-2020-2021-online-application?mc_cid=a5defe2f2c&mc_eid=2bec2fd1bc

CREATIVE CAPITAL AWARDS

INFO: Creative Capital supports innovative and adventurous artists across the country through funding, counsel, and career development services. Our pioneering venture philanthropy approach helps artists working realize their visions and build sustainable practices. Creative Capital provides each funded project with up to $50,000 in direct funding and career development services valued at more than $50,000, for a total commitment of over $100,000 per project.

The application for the Creative Capital Awards is open to artists, collectives, and collaborations working in all disciplines, including Literary Fiction, Poetry, Theater, and Narrative Film, among others.

DEADLINE: February 29, 2020

https://creative-capital.org/award/about-the-creative-capital-award-open/

SCREENCRAFT SCREENWRITING FELLOWSHIP (2020): SCREENWRITING FELLOWSHIP

INFO: The chosen Fellowship recipients will receive ongoing professional support and a special trip to Los Angeles for meetings, mentorship and personal introductions to key entertainment studio executives, producers, literary managers and agents. To apply, simply submit your feature film script or original television script, along with an optional cover letter that expresses your vision and background as an emerging writer.

Apply now and join a thriving community of talented screenwriters with meaningful connections to industry mentors.

ENTRY FEE: $69

DEADLINE: February 29, 2020

https://screencraft.org/fellowship/

REEL SISTERS OF THE DIASPORA FILM FESTIVAL & LECTURE SERIES 

INFO: The Reel Sisters of the Diaspora Film Festival & Lecture Series is a two-day annual film festival founded by African Voices magazine and LIU's Media Arts Dept., Brooklyn Campus. Reel Sisters has expanded to include a six week season with a kick off in Harlem and awards ceremony. Established in 1997, Reel Sisters (www.reelsisters.org) is dedicated to providing opportunities for women of color to advance their careers in the film industry. Reel Sisters accepts films written, directed, or produced by women/non-binary filmmakers of color. Reel Sisters is the first Academy Qualifying Film Festival devoted to women of color across the globe.

Reel Sisters 23 Anniversary event will take place from Oct. 24-25, 2020 in NYC. Reel Sisters is a competitive festival and films are selected by an independent jury. Please submit films early as deadlines are final. The festival provides quality customer service and does not offer fee waivers. The fee helps pay for a small fraction of the administrative costs for running a professional film festival.

Reel Sisters accepts all genres and formats with a special interest in submissions from animated and web series producers. Send us films that will make our audience “cry, dance, laugh, sing and explore." Reel Sisters is an Academy Qualifying Film Festival for Short Narratives. The festival curates events throughout the year so all entries will be considered for Reel Sisters Tea & Cinema series. Join our worldwide community of film professionals in celebrating stories produced, directed and written by women of color!

REEL SISTERS HIGHLIGHTS

• Listed in Film Daily's Top 10 Women Centered Film Festivals (2018)

https://filmdaily.co/news/female-focused-film-festivals/

• Profiled in Bushwick Daily, Shadow & Act, Film Daily, the Washington Post and Black Enterprise for presenting outstanding films by women of color from across the globe!

• Reel Sisters is a top tier film festival that provides a chance for women to gain distribution, network and access to opportunities in the film industry.

Awards & Prizes

Reel Sisters screens original films by women across the globe each year — the festival has screened over 5,000 films since its inception. Awards for Best Director, Best Documentary, Best Screenplay, Best Experimental, Best Animation, Best Feature, Best Short, Best Narrative, Best Web Series, Best Original Soundtrack and the Reel Sisters Spirit Award are selected by an independent jury composed of filmmakers, community leaders and artists. In 2016, Reel Sisters presented the Reel Sisters/Centric Awards, which includes a distribution deal with Centric/BET Networks. The cash awards depend on our funding level. It was a pleasure to bring back our scholarship awards to the film festival and with your support we can continue this tradition.

CASH AWARDS FOR 2020

  • Best Narrative Short - $1,000

  • Best Director - $500

  • Best Screenplay - $300

  • Best Animation - $200

DEADLINES:

  • Earlybird - March 9, 2020

  • Regular - May 15, 2020

  • Extended - June 15, 2020

https://filmfreeway.com/ReelSistersoftheDiasporaFilmFestival

BLACK WOMEN IN COMEDY FILM FESTIVAL

INFO: Black Women in Comedy Festival is celebrating its 2nd Year. The Festival celebrates women in Comedy from the African diaspora. We seek comedic films centered in the Black female experience from the US and across the world.

The Festival also showcases live comedy with standup acts, sketch comedy, Improv and Musical Comedy.

This two day Festival brings together #blackgirlmagic in it's truest comedic form.

Awards & Prizes

  • Best Screenplay

  • Best Actor

  • Best Director

  • Best Film

Rules & Terms

BWICF aims at sharing the comedic experiences of the women of the African diaspora. We celebrate allies showcasing us and aggressively seek to showcase many layers of our comedy. We are not monolithic.

This Festival welcomes those who want to celebrate in our sisterhood, our funny and layers of comedic art.

DEADLINE: March 15, 2020

https://filmfreeway.com/BlackWomeninComedyFilmFestival

FILM -- JAN 2020

BBC Writersroom Script Room DRAMA 2020

INFO: We are especially looking for distinctive voices - and scripts that express those voices. We do not look for more of the same – we look for the writer’s ability to pull an audience into a world and hold them in it. It’s not necessarily about finding precincts or situations that have ‘never been done before’ but having an original take on stories that have the potential to have wide breadth of appeal. 

We want to see characters who are well rounded, consistent and who drive the action rather than are carried by it.  Also, a sense of storytelling ability - handling of pace, climax, mood for example. 

We look for what the script tells us about the writer as we see all scripts as a calling card to showcase a writer’s ability and talent. 

We want to see the best possible draft you can achieve. We are not looking for early/first/rough drafts of scripts. Only submit to the Script Room when your script is ready, even if it means waiting for a later Script Room submission window. 

We are looking to unearth the treasures, the page-turners, the new perspectives, the engaging dialogue and the surprising character creations. 

We want to find that special something which makes us want to read more from the person behind the project. 

Before considering making a submission, you will need to read the following information carefully. Submissions which do not meet the criteria or are in breach of the terms and conditions will be subject to disqualification without discussion.

WHAT TO SUBMIT

One drama script of at least 30 full pages in length for TV, Film, Radio, Stage or Online* with your personal details removed.

  • Your script should be saved as a single PDF document of no more than 10MB in size, with your name removed from the document.

  • If you are writing your script using Final Draft and do not know how to remove your name and contact details from your script, please refer to Final Draft's own trouble shooter.

  • If you are using Microsoft word processing and do not know how to save your file as a PDF, please refer to Office Support

(All software will come with its own user guidelines. We cannot offer technical support for third party software).

Please remember to remove your name and contact details from every page of your script. All scripts will be read “blind” i.e. without a name attached, until after the full-read stage.

*If you are submitting a sample script for Children’s TV or Online, you are welcome to submit 2 x 15 minute episodes as a single PDF document. 

HOW TO SUBMIT

Once you have clicked on the link for the opportunity, you will be asked to confirm your eligibility before entering. 

(*Please note* If you do not meet the listed criteria, you cannot enter the opportunity. If you still proceed with your application, your submission will be flagged as ineligible and you are unlikely to hear that this is the case until after the deadline has passed.) 

You will then need to fill in a simple application form along with uploading your script.  As part of this, you will need to fill in the following details:

  • TITLE of the script being submitted.

  • LOGLINE: one sentence that clearly and succinctly tells us who and what the story is about. For more information about loglines please see our blog.

  • ADDITIONAL WRITERS: State here whether it is a joint application and provide the name of the other writer involved if applicable.  Writers can submit individually or as part of a writing team of up to a maximum of 2 people. If entering as duo, both entrants must meet the entry requirements.  You cannot submit as a duo and an individual within the same window.

  • MEDIUM / GENRE: select the relevant options from the drop down lists.

  • BIO: A brief biography, up to one paragraph, of your writing to date. 

You can also include a link to a personal website and agent details but these are not required for the submission. 

OUTCOME OF THE SCRIPT ROOM

At the end of the process, a group of writers (usually between 10 and 15) will be selected to join the BBC Drama Room writer development group for 2020/21. 

Our Script Room open calls are not competitions but a means by which the BBC seeks out the best writing talent in either Drama or Comedy. We look for writers with the strongest potential to be developed and produced for BBC broadcast. You could be new to writing or new to the BBC but equally, you may be a playwright looking to write for TV, or you’ve written for radio and would like to try your hand at writing for CBBC. We understand that carving a career as a writer takes time and that each writer’s development needs will be different. 

We will also consider whether scripts have real potential to be developed further towards production. If we believe a script could be developed further by a BBC department, we will send it to them with the writer's knowledge. Original scripts written on spec' are produced extremely rarely, and writers should not send them in with the expectation that they will be produced. However, original spec' scripts are the means by which writers get noticed, so you should always write your script with the same level of commitment as if it were for production.

DEADLINE: January 6, 2020

https://www.bbc.co.uk/writersroom/opportunities/script-room

ISA Fast Track Fellowship — FEATURE FILM

INFO: This is the 11th season of the ISA Fast Track Fellowship. With each passing year we continue to find fresh and original voices to pair up with eight veteran industry mentors for an intense, career-launching week in Los Angeles. After the week is over, our Fellows are invited onto the ISA Development Slate for support from the Development Team for a minimum of one year! 

When the program launched, we had no idea what impact it would have on our Fellows' careers. Many of our Fellows have signed with top agents, managers and/or had their scripts optioned or purchased. There is no faster path to breaking in than getting on the Fast Track!

The ISA Fast Track Fellowship gives two undiscovered screenwriters a direct line to meet with and be mentored by eight top executives in Los Angeles. We'll fly you to L.A. and provide you the experience of a lifetime by connecting you to top industry contacts. The two Fast Track Fellows will immediately be invited onto the ISA Development Slate and work directly with the ISA Development Team for an entire year in an effort to Fast Track their careers.

OVER 60 SCRIPTS ON THE ISA DEVELOPMENT SLATE HAVE BEEN PRODUCED OR OPTIONED! 
Many more are out to top producers and many of these emerging screenwriters have received representation as a result of getting onto the Slate. 

TWO FAST TRACK FELLOWS WILL RECEIVE:

    • Mentorship Week in Los Angeles featuring 8 meetings with studio and development executives and literary agents

    • Airfare and hotel included

    • Year-long script development and guidance

    • Acceptance onto the ISA Development Slate

    • Script Diagnosis Read and Notes Session from Jessica Blank Coaching

    • A 12-Month ISAConnect Membership

    • The Craft Course in Screenwriting 

    • Fellowship announcements to various media outlets

TOP 50 WILL RECEIVE:

With the ISA Fast Track, you win the experience of a lifetime, a launching pad to a career with connections that normally take decades to create. When we fly you to Los Angeles, you'll build relationships that can lead to a paying career doing what you love! The ISA is here to give writers a shortcut to resources, support and experience that will aid in long-term career success. We encourage emerging screenwriters of all levels and backgrounds to apply.

DEADLINES / FEES:

  • Regular Deadline: January 9, 2020 / $59

  • Final Deadline: February 12, 2020 / $79

https://www.networkisa.org/contest/view/fasttrack

Call for Applications: Immersive residency for African female filmmakers

UNESCO

INFO: UNESCO is offering a 2-week filmmaking residency (29 March to 12 April 2020) for 10 young African women filmmakers from selected countries in Africa. This film and artist-in-residence workshop will allow for the transnational exchange and sharing of artistic experiences between young African and Japanese filmmakers in a productive creative environment. It will provide artistic guidance and put in place a genuine platform for experimental creation and artistic renewal, and foster collaborations between Africa and Japanese artists, provide international exposure to the work of young women artists, and open new opportunities for artistic creation, production and dissemination.

Within the duration of workshop, the participants will complete their short films from shooting to editing. They will collaborate and interact with other participants, discuss technical and artistic issues, sharing with the group the different stages of the editing.

Participants will also be invited to present their in-residency work during the Nara Internatoinal Film Festival (18-22 September 2020), in order to increase networking opportunities, establish solid international ties, and reach out to new audiences.

Ms Naomi Kawase, internationally acclaimed film director and founder of the Nara International Film Festival, will ensure the overall artistic direction of the residency with the support from her team from the Nara film festival. Ms Fatou Kande Senghor, film director and producer from Senegal, will also be coaching and mentoring the participants.

WHO CAN APPLY?

Applicants are emerging women filmmakers, with some film or audio-visual experience, a good command of English and aged 21-35 from the following countries:

  • Burkina Faso

  • Kenya

  • Nigeria

  • Senegal

  • South Africa

Two applicants will be selected in each country by a joint national/UNESCO committee.

WHEN, WHERE AND WHAT?

The Film and artist-in-residence will take place between 29 March and 12 April 2020. Participants will live and work in the beautiful village of Tawara (Nara, Japan), where Naomi Kawase filmed The Mourning Forest, Grand Prix at the 2007 Cannes Film Festival.

The Nara team will provide artistic, technical and logistical assistance. Filming equipment will be put at the disposal of participants.

The residency participants will be invited again to screen and present the work completed at the Nara International Film Festival from 18-22 September 2020. They will participate in public discussions, masterclasses and networking sessions with Japanese film industry professionals.

SELECTION CRITERIA

Applicants will be evaluated based on the following criteria:

  1. Motivation. Why you are interested in participating in this filmmaking residency in Nara, Japan?

  2. Relevance. How do you think this filmmaking residency could help develop your capacities in filming?

  3. Sustainability. How can you use this residency to promote further the role of women in the film sector?

The UNESCO/Nara residency is funded by the Government of Japan and organized in partnership with the Nara International Film Festival Organizing Committe, with the support of the Japan Foundation.

DEADLINE: January 10, 2020

https://en.unesco.org/creativity/news/call-applications-immersive-residency-african-female

1 POTATO SHORT SCRIPT COMPETITION

Sun Valley Film Festival

INFO: The Sun Valley Film Festival developed the 1 Potato Initiative to support emerging filmmakers and incentivize filmmaking in the state of Idaho. We’re inviting the winner of the screenplay competition to use the 5k to bring their story to life by filming on location in Idaho.

Whether you have a short script that’s been sitting on your shelf, or you want to write something with the competition in mind, SVFF and the 6th annual 1 Potato Initiative want to hear your story, and help the finalists take their idea from page to screen.

The winning script will receive $5,000 in funds towards shooting their film on location in Idaho, as well as having SVFF support from development to finished product. As a partner on the film, SVFF will connect the winner with seasoned filmmaker participants, arrange special networking opportunities with Industry experts, and help build a presence for the film as it begins its festival journey.

The winning 1 Potato short script will be announced at the 1 Potato Initiative reception during the 2020 Sun Valley Film Festival in March.

Scripts will be judged on the strength of the story, originality/creativity, clarity, and feasibility of financial/location parameters.

The winning script must be filmed in Idaho. Do not submit your script unless you are able to commit to filming in Idaho.

BENEFITS FOR SELECTED FILMMAKER[S] INCLUDE:

  • $5,000 prize towards film budget

  • lodging and all-access credentials during SVFF

  • rare networking opportunities with Industry established filmmakers

  • inclusion in exclusive SVFF events

  • highlighted world premiere at SVFF 2021

  • SVFF brokered deals, guidance and opportunities

GENERAL RULES:

  • The Sun Valley Film Festival reserves the right to determine eligibility of any project submitted.

  • Must be 15 pages or less.

  • Participants must be at least 18 years of age.

  • Without exception, the winning script MUST BE FILMED IN IDAHO; do not submit your project unless you are able to commit to filming in Idaho.

  • The Sun Valley Film Festival and Producers will be involved in the hiring of all cast and crew.

  • While additional fundraising in encouraged, the script must be feasible to film on a limited budget.

  • The Sun Valley Film Festival will receive a Made In Association With credit, as well as end credit scroll logo placement.

  • Finalists will be asked to fill out a brief questionnaire upon completing the program. 

  • Finalized film must have its world premiere at the Sun Valley Film Festival. 

SUBMISSION FEE: $10

DEADLINE: January 11, 2020

 https://onepotatofilminitiative.submittable.com/submit/147665/svffs-1-potato-short-script-competition?aid=smmw&utm_medium=email&utm_source=submishmash&utm_campaign=svff-1-potato-2019&utm_content=svff-1-potato-2019&utm_term=Submittable

Black Women in Comedy Film Festival

INFO: Black Women in Comedy Festival is celebrating its 2nd Year. The Festival celebrates women in Comedy from the African diaspora. We seek comedic films centered in the Black female experience from the US and across the world.

The Festival also showcases live comedy with standup acts, sketch comedy, Improv and Musical Comedy.

This two day Festival brings together #blackgirlmagic in it's truest comedic form.

Awards & Prizes

  • Best Screenplay

  • Best Actor

  • Best Director

  • Best Film

Rules & Terms

BWICF aims at sharing the comedic experiences of the women of the African diaspora. We celebrate allies showcasing us and aggressively seek to showcase many layers of our comedy. We are not monolithic.

This Festival welcomes those who want to celebrate in our sisterhood, our funny and layers of comedic art.

DEADLINE:

  • Regular — January 15, 2020

  • Late — March 15, 2020

https://filmfreeway.com/BlackWomeninComedyFilmFestival

CALL FOR SUBMISSIONS

Please See Me

INFO: We seek previously unpublished, creative, and high-quality work in the form of poetry, creative nonfiction/essays, fiction/short stories/flash fiction, and digital media (photography, drawings, podcasts, and short films). Patients, students, family members, caregivers, nurses, physicians, healthcare consumers, artists, mental health providers, physical therapists, writers, clergy—all of us will be patients one day and all are welcome to submit work. We are especially looking for content that connects us, make us feel something, or helps us see illness, wellness, health, or the healthcare environment differently.

Theme Guidelines

The theme for our March 2020 issue is Hope. What, or who, gives you hope? A caregiver? A patient? A child? A colleague? What did you hope for and receive, or not receive? What are you hoping for as it relates to health and wellness–for yourself or for others? Have you lost hope? Have you found hope? Did a new treatment or wellness plan give you hope for a cure? A better way of life? Tell us about all of it. All submissions should directly or indirectly touch on this theme in some way. Be creative! It’s a new year and there is much to be hopeful about!

All Submissions can be made through Submittable.

Mental Health Awareness Writing Contest

In this issue we are also hosting a Writing Contest with a $250 award in all 3 written genres for stories and narratives that raise awareness on issues related to mental health, such as homelessness, missed or delayed diagnosis, or loss (of family, husband/wife, jobs), with extra credit given to those who can tie both into our theme of Hope. Contest Submission should be made through Submittable.

Genre Guidelines

Poetry

Please submit a maximum of three poems at a time.

Fiction

Please submit short stories up to 4,000 words in length. Flash fiction, up to 1,000 words, is welcome and encouraged.

We will look at excepts of longer works on a case-by-case basis; please query us with a description of your project before submitting.

Creative Nonfiction

Please submit nonfiction pieces up to 4,000 words in length.

We will look at excepts of longer works on a case-by-case basis; please query us with a description of your project before submitting.

Films

Please submit links to your short films for review, and up to five minutes in length.

Other Media

We welcome submissions of photography, podcasts, and other media. All digital media will should be hosted by the creator, and shared by a link. Photography and still images can be attached to submission.

For All Submissions

Get creative! Anything that touches on our theme is be considered fair game. If you are not sure your work fits, please query us through Submittable.

DEADLINE: January 15, 2020

http://pleaseseeme.com/submissions/

Summer 2020 FILM/VIDEO ARTS FELLOWSHIP (June 1– September 30, 2020)

MacDowell Colony

INFO: About 300 artists in seven disciplines are awarded fellowships each year and the sole criterion for acceptance is artistic excellence. There are no residency fees. Travel grants as well as need-based stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply. MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts.

Fellowships extend to animators, documentary makers, experimental filmmakers, feature filmmakers, and screenwriters.

SUBMISSION FEE: $30

DEADLINE: January 15, 2020

https://macdowell.slideroom.com/#/Login

ARTIST RESIDENCY

Helene Wurlitzer Foundation

INFO: The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven guest houses, or casitas, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.

The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.

Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.

Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.

SESSIONS:

  • Session 1: Jan - Apr

  • Session 2: June - Aug

  • Session 3: Sept - Dec

DEADLINE: January 18, 2020

https://wurlitzerfoundation.org/apply

YOUTH FILM CONCEPT

AT&T

INFO: The AT&T Film Awards recognizes aspiring creators who are shaping the future of entertainment through innovative and immersive filmmaking while sharing their unique stories. We are supporting and rewarding excellence in filmmaking with $60,000 in cash and prizes, featured screenings during SHAPE at the Warner Bros. Studios in June 2020, and the opportunity to network with industry executives.

Awarded to the top film concepts by youth filmmakers age 13-18. Five winners will be selected to receive an ​all-expenses-paid trip for themselves and a chaperone to the opening weekend of the Tribeca Film Festival with nonprofit Fresh Films, where youth will receive hands-on filmmaking training and mentoring, learn about AR/VR content​, and will work together with Fresh Films to create a short piece of mobile-filmed content about the experience. 

Five Grand Prize Winners

Five winners will receive a prize package with AT&T and Fresh Films to attend the first weekend of the Tribeca Film Festival. On this all-expenses-paid trip, winners will receive exposure to AR and VR content and will receive training from Fresh Films as they work together to create content about their Tribeca experience through the lens of the importance of opportunities related to AR and VR content.

Submission Requirements

(1) An idea for a short film in 500 words or less on one of the three below themes: 

  • A video to inspire your peers to protect the environment. This can be done as a PSA to provide practical tips or a video to highlight the importance of protecting the environment.

  • A video to highlight the importance of positivity and kindness in a world where many young people face bullying (or may have bullied others). Some themes you might consider are: How mobile phones can be used to spread positivity and kindness and the importance of stepping in to help others when they are facing bullying. 

  • A video to remind your peers why it is important not to drive distracted. Some themes you might consider are: How everyone in a car has a responsibility to make sure a driver isn’t distracted and nothing on a cell phone is more important than safe driving

(2) A short essay (up to 300 words) explaining how AR and/or VR would enhance your idea. Hint: AR and VR stands for Augmented Reality and Virtual Reality. In this essay, you may want to address how your concept would be enhanced if you were able to film in 360 degrees, or how Augmented Reality effects might be used to reinforce your film's message.

(3) A 60 second or less video of yourself sharing why you’re interested in developing your film skills and sharing any specific interest you have in AR and VR.

DEADLINE: January 24, 2020

https://attfilmawards.submittable.com/submit/150479/youth-film-concept?aid=att-youth-smmw&utm_medium=email&utm_source=submishmash&utm_campaign=att-film-7&utm_content=att-film-awards-f19&utm_term=Submittable

 

ScreenCraft Screenwriting Fellowship (2020): Screenwriting Fellowship

INFO: The chosen Fellowship recipients will receive ongoing professional support and a special trip to Los Angeles for meetings, mentorship and personal introductions to key entertainment studio executives, producers, literary managers and agents. To apply, simply submit your feature film script or original television script, along with an optional cover letter that expresses your vision and background as an emerging writer.

Apply now and join a thriving community of talented screenwriters with meaningful connections to industry mentors.

ENTRY FEE: $69

DEADLINES:

  • Regular - January 31, 2020

  • Final - February 29, 2020

https://screencraft.org/fellowship/

Wild to Inspire Short Film Contest

National Geographic

INFO: National Geographic has invested in bold people and transformative ideas across the globe, with the aim of bettering our understanding of the natural world. As National Geographic Explorer Dr. Jane Goodall once said: “Only if we understand, will we care. Only if we care, will we help. Only if we help, shall all be saved.” 

For this year’s National Geographic Wild to Inspire Short Film Contest, we’re asking you to create a short film that celebrates the 50-year anniversary of Earth Day. Launched in 1970, the first Earth Day spurred critical environmental conversations around some of these big problems, leading to efforts to save endangered species, regulate pesticides and harmful chemicals, and reduce single-use plastic. These efforts have become even more critical today. 

50 years after the first Earth Day, how will you use the power of film to inspire viewers to work towards a planet in balance in the 21st century? 

The Finalists

Up to 3 finalists will be flown to the 2020 Sun Valley Film Festival for a special screening of their films. 

The Grand Prize

One grand prize winner – selected by a panel of experts after the screenings at the Sun Valley Film Festival  – will receive a National Geographic expedition.

Requirements

Films must be under 3 minutes long and celebrate Earth Day. Films will be judged on the following criteria:

  1. Thirty percent (30%) for connection to the theme 

  2. Twenty percent (20%) for quality of storyline and script

  3. Twenty percent (20%) for creativity and/or content originality

  4. Twenty percent (20%) for production quality (e.g., lighting, shot composition, focus, sounds)

  5. Ten percent (10%) for editing

Only legal residents of the fifty (50) United States and the District of Columbia who are eighteen (18) years of age or older at the time of entry are eligible to enter.
We encourage submissions from indigenous filmmakers, filmmakers of color, filmmakers with disabilities, LGBTQQIA filmmakers, female-identified filmmakers, and filmmakers from other intersectional and marginalized groups. If you identify as one or more of the above and would like to let us know, please include a note along with your film description.

DEADLINE: February 4, 2020

https://wildtoinspire.submittable.com/submit/152941/wild-to-inspire-short-film-contest?aid=nat-geo-TW1&utm_medium=social&utm_source=twitter.com&utm_campaign=natgeo-3&utm_content=nat-geo-2019&utm_term=Submittable

REEL SISTERS OF THE DIASPORA FILM FESTIVAL & LECTURE SERIES 

INFO: The Reel Sisters of the Diaspora Film Festival & Lecture Series is a two-day annual film festival founded by African Voices magazine and LIU's Media Arts Dept., Brooklyn Campus. Reel Sisters has expanded to include a six week season with a kick off in Harlem and awards ceremony. Established in 1997, Reel Sisters (www.reelsisters.org) is dedicated to providing opportunities for women of color to advance their careers in the film industry. Reel Sisters accepts films written, directed, or produced by women/non-binary filmmakers of color. Reel Sisters is the first Academy Qualifying Film Festival devoted to women of color across the globe.

Reel Sisters 23 Anniversary event will take place from Oct. 24-25, 2020 in NYC. Reel Sisters is a competitive festival and films are selected by an independent jury. Please submit films early as deadlines are final. The festival provides quality customer service and does not offer fee waivers. The fee helps pay for a small fraction of the administrative costs for running a professional film festival.

Reel Sisters accepts all genres and formats with a special interest in submissions from animated and web series producers. Send us films that will make our audience “cry, dance, laugh, sing and explore." Reel Sisters is an Academy Qualifying Film Festival for Short Narratives. The festival curates events throughout the year so all entries will be considered for Reel Sisters Tea & Cinema series. Join our worldwide community of film professionals in celebrating stories produced, directed and written by women of color!

REEL SISTERS HIGHLIGHTS

• Listed in Film Daily's Top 10 Women Centered Film Festivals (2018)

https://filmdaily.co/news/female-focused-film-festivals/

• Profiled in Bushwick Daily, Shadow & Act, Film Daily, the Washington Post and Black Enterprise for presenting outstanding films by women of color from across the globe!

• Reel Sisters is a top tier film festival that provides a chance for women to gain distribution, network and access to opportunities in the film industry.

Awards & Prizes

Reel Sisters screens original films by women across the globe each year — the festival has screened over 5,000 films since its inception. Awards for Best Director, Best Documentary, Best Screenplay, Best Experimental, Best Animation, Best Feature, Best Short, Best Narrative, Best Web Series, Best Original Soundtrack and the Reel Sisters Spirit Award are selected by an independent jury composed of filmmakers, community leaders and artists. In 2016, Reel Sisters presented the Reel Sisters/Centric Awards, which includes a distribution deal with Centric/BET Networks. The cash awards depend on our funding level. It was a pleasure to bring back our scholarship awards to the film festival and with your support we can continue this tradition.

CASH AWARDS FOR 2020

  • Best Narrative Short - $1,000

  • Best Director - $500

  • Best Screenplay - $300

  • Best Animation - $200

DEADLINES:

  • Earlybird - March 9, 2020

  • Regular - May 15, 2020

  • Extended - June 15, 2020

https://filmfreeway.com/ReelSistersoftheDiasporaFilmFestival

FILM -- DEC 2019

2020 ARTIST IN RESIDENCE PROGRAM: PLAYWRITING/SCREENWRITING

Marble House

INFO: Marble House Project is a multidisciplinary artist residency program that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. Residencies run from April through October, scheduled into six three-week residencies and one two-week family-friendly residency for artists with children. Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond.

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. All residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. A substantial amount of the food we provide comes from our organic garden, which also serves as a space for gathering and an educational tool. Residents are invited to help with planting, harvesting, and maintenance. While not required, our hope is that you will spend some time in the garden alongside your studio practice. Each session culminates with ART SEED, our public open house weekend event. Artists are invited to share their work with our community through artist talks, readings, performances, and open studios.

Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni, staff, and outside experts, and artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you. You may choose the family friendly residency only if you will be bringing your children. Family friendly applicants may select additional dates if willing to attend without your children.

Marble House Project does not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations.

Selection Process  

Our jury is composed of Marble House Project alumni and professionals within their field. We do not post the names of our jury and jury members change annually. After artists are chosen, they are specifically curated into residency groups by staff, board and outside consultants. 

Collaborators:

Two artists maximum. 

If applying as a collaborative (two artists max), please complete a single application in the discipline most applicable for your shared project. Please include both artists’ resumes in your upload and an artist statement which relates to both collaborators. Work samples should reflect both artists’ work, and/or work from previous collaborations. Collaborators should be willing to share a studio and possibly a bedroom. 

Applicant Information and Contact

1. First Name 

2. Last Name

3. Email address  This information will not be shared with our jury

4. Phone Number This information will not be shared with our jury

5. Mailing Address This information will not be shared with our jury

6. Artists Statement

Word count should not exceed one page or 250 words.  

7. Resume or CV. 

Please upload a current resume and include education history; awards, grants and fellowships received, artists' residencies attended and a list of professional achievements in your field (exhibitions, publications, performances, recordings). Please delete your address and email from this document. We want to respect the privacy of each applicant.

8. Website 

If you do not have a website, do not input this information. 

9. Statement of intent/project description

What will your focus be or what do you plan to accomplish during your residency at Marble House Project? While we are aware that this may change, it is important in shaping how each residency group is curated.  300 words limit.

10. Work Samples.

You may upload up to 15 pages writing samples. Pages must be double spaced.

11. Studio Needs

Please tell us about any special requirements you might have for your studio space. Jurors will not see this information. 

12. How did you hear about Marble House and anything else we need to know.

This question refers to anything that may be relevant to your application that is not asked in other areas. Please tell us who referred you to our program or how you heard about it.. Our jury will not see this information.

13. Residency Dates

Each session hosts eight artists and is carefully curated to bring together a group of creative workers across various disciplines, who might collaborate and learn from one another. The more dates you are available, the more flexibility Marble House Project has in curating each group. Please choose carefully because if accepted, you will be placed in a residency session that has been curated with you in mind. and it is sometimes very difficult to move people around. If your dates change, please notify us prior to January 15th. If you are applying for the family friendly residency please check that box. If you are applying for family friendly but can also attend a residency without your child/children then check each time slot that you are available. You may not apply to the family friendly residency without a child. Children should be no younger than three in order to participate in our camp for artists children. If your child is younger than three, you will need to have a partner provide childcare. Jurors will not see which sessions you apply to. Residency dates for the 2020 Artist in Residency are as follows:

  • April 13th - May 5th

  • May 11th - June 2nd

  • June 8th - June 30th

  • August 3rd - August 25

  • August 31 - Sept 22

  • October 5 - 27th

  • July 13 - July 28  Family Friendly Residency

14. For Family Friendly Residency only.

Please answer all of the questions if you are applying to our family friendly residency session.. If you are not applying to this session, please leave the answers blank. This information remains internal and is not seen by our jurors. 

15. Outreach and Statistical purposes

The questions below are for outreach and statistical purposes, and will remain confidential. Marble House Project is working hard to reach creative people in many different communities.. Although optional, we strongly encourage you to answer the questions below. Our demographic questions will help us achieve this goal in the coming years and we need your help.  

Marble House Project does not and shall not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations.  

  • Date of Birth

  • Country of Birth

  • How do you self-identify - This question refers to pronouns and anything else you choose to tell us about yourself.

  • Ethnicity Please respond in the way that most appropriately describes how you identify yourself.

  • Education What is the highest degree of education you have completed? 

SUBMISSION FEE: $35

DEADLINE: December 9, 2019

https://marblehouseproject.submittable.com/submit

  

2020 SHORT FILM COMPETITION: SPANISH-LANGUAGE

AT&T Film Awards 

INFO: The AT&T Film Awards recognizes aspiring creators who are shaping the future of entertainment through innovative and immersive filmmaking while sharing their unique stories. We are supporting and rewarding excellence in filmmaking with $60,000 in cash and prizes, featured screenings during SHAPE at the Warner Bros. Studios in June 2020, and the opportunity to network with industry executives.

Awarded to the top Spanish-language short film from current undergraduate, graduate, doctoral, or postdoctoral students enrolled in an accredited college or university. The majority of the film must be in Spanish.

AWARD: Prize package valued at $15,000 to attend the summer 2020 filmmaking program at USC Cinematic Arts in Los Angeles. Includes tuition, roundtrip airfare, housing, and a daily stipend. The winning film will air on DIRECTV in Latin America and the winner will receive a meeting with a CAA agent.

DEADLINE: December 16, 2019 

https://attfilmawards.submittable.com/submit/150486/spanish-language?aid=smmw

 

Universal Animation Writers Program

INFO: The Universal Filmed Entertainment Group (UFEG) animation writing program for both film and television identifies and develops an inclusive pool of talent with unique points of view that build upon UFEG’s commitment to telling stories and creating narratives that appeal to and reflect the vast diversity of our audiences.  During the one-year paid program, Global Talent Development & Inclusion (GTDI) will partner with business units and production entities affiliated with UFEG including DreamWorks Animation, Illumination and Universal 1440 Entertainment.

Writers have the option to submit writing samples for a Film Track, or one of two Television Tracks, Kids 6-11 or Preschool 3-5. Writers selected for the Film Track will write two feature-length scripts for development consideration in collaboration with GTDI executives, animation creative executives and/or producers. Although the goal is for projects to move into development, studio development and production are not guaranteed. Additionally, writers can potentially contribute to active studio projects in development and/or production.

Writers interested in animated television may submit writing samples for either Kids 6-11 or Preschool 3-5. Each track is catered to the sensibility of the specific audience demographic, match UFEG creative executives’ varying sensibilities, and both carry equal weight in the selection process. Writers selected for either Television Track will be considered for potential staffing opportunities, though staffing is not guaranteed. Writers will develop two pilot scripts in collaboration with GTDI executives, animation creative executives and/or producers. Pilots written in the program may be considered for development, but development is not guaranteed.

Those selected for the Program will be hired under a writing service agreement requiring the participant's exclusive, full-time commitment.

DEADLINE: December 16, 2019

https://www.universaltalentdevelopment.com/universal-animation-writers

  

1 Potato Short Script Competition

Sun Valley Film Festival

INFO: The Sun Valley Film Festival developed the 1 Potato Initiative to support emerging filmmakers and incentivize filmmaking in the state of Idaho. We’re inviting the winner of the screenplay competition to use the 5k to bring their story to life by filming on location in Idaho.

Whether you have a short script that’s been sitting on your shelf, or you want to write something with the competition in mind, SVFF and the 6th annual 1 Potato Initiative want to hear your story, and help the finalists take their idea from page to screen.

The winning script will receive $5,000 in funds towards shooting their film on location in Idaho, as well as having SVFF support from development to finished product. As a partner on the film, SVFF will connect the winner with seasoned filmmaker participants, arrange special networking opportunities with Industry experts, and help build a presence for the film as it begins its festival journey.

The winning 1 Potato short script will be announced at the 1 Potato Initiative reception during the 2020 Sun Valley Film Festival in March.

Scripts will be judged on the strength of the story, originality/creativity, clarity, and feasibility of financial/location parameters.

The winning script must be filmed in Idaho. Do not submit your script unless you are able to commit to filming in Idaho.

BENEFITS FOR SELECTED FILMMAKER[S] INCLUDE:

  • $5,000 prize towards film budget

  • lodging and all-access credentials during SVFF

  • rare networking opportunities with Industry established filmmakers

  • inclusion in exclusive SVFF events

  • highlighted world premiere at SVFF 2021

  • SVFF brokered deals, guidance and opportunities

GENERAL RULES:

  • The Sun Valley Film Festival reserves the right to determine eligibility of any project submitted.

  • Must be 15 pages or less.

  • Participants must be at least 18 years of age.

  • Without exception, the winning script MUST BE FILMED IN IDAHO; do not submit your project unless you are able to commit to filming in Idaho.

  • The Sun Valley Film Festival and Producers will be involved in the hiring of all cast and crew.

  • While additional fundraising in encouraged, the script must be feasible to film on a limited budget.

  • The Sun Valley Film Festival will receive a Made In Association With credit, as well as end credit scroll logo placement.

  • Finalists will be asked to fill out a brief questionnaire upon completing the program. 

  • Finalized film must have its world premiere at the Sun Valley Film Festival. 

SUBMISSION FEE: $10

DEADLINE: January 11, 2020

 https://onepotatofilminitiative.submittable.com/submit/147665/svffs-1-potato-short-script-competition?aid=smmw&utm_medium=email&utm_source=submishmash&utm_campaign=svff-1-potato-2019&utm_content=svff-1-potato-2019&utm_term=Submittable

 

Reel Sisters of the Diaspora Film Festival & Lecture Series 

INFO: The Reel Sisters of the Diaspora Film Festival & Lecture Series is a two-day annual film festival founded by African Voices magazine and LIU's Media Arts Dept., Brooklyn Campus. Reel Sisters has expanded to include a six week season with a kick off in Harlem and awards ceremony. Established in 1997, Reel Sisters (www.reelsisters.org) is dedicated to providing opportunities for women of color to advance their careers in the film industry. Reel Sisters accepts films written, directed, or produced by women/non-binary filmmakers of color. Reel Sisters is the first Academy Qualifying Film Festival devoted to women of color across the globe.

Reel Sisters 23 Anniversary event will take place from Oct. 24-25, 2020 in NYC. Reel Sisters is a competitive festival and films are selected by an independent jury. Please submit films early as deadlines are final. The festival provides quality customer service and does not offer fee waivers. The fee helps pay for a small fraction of the administrative costs for running a professional film festival.

Reel Sisters accepts all genres and formats with a special interest in submissions from animated and web series producers. Send us films that will make our audience “cry, dance, laugh, sing and explore." Reel Sisters is an Academy Qualifying Film Festival for Short Narratives. The festival curates events throughout the year so all entries will be considered for Reel Sisters Tea & Cinema series. Join our worldwide community of film professionals in celebrating stories produced, directed and written by women of color!

REEL SISTERS HIGHLIGHTS

• Listed in Film Daily's Top 10 Women Centered Film Festivals (2018)

https://filmdaily.co/news/female-focused-film-festivals/

• Profiled in Bushwick Daily, Shadow & Act, Film Daily, the Washington Post and Black Enterprise for presenting outstanding films by women of color from across the globe!

• Reel Sisters is a top tier film festival that provides a chance for women to gain distribution, network and access to opportunities in the film industry.

Awards & Prizes

Reel Sisters screens original films by women across the globe each year — the festival has screened over 5,000 films since its inception. Awards for Best Director, Best Documentary, Best Screenplay, Best Experimental, Best Animation, Best Feature, Best Short, Best Narrative, Best Web Series, Best Original Soundtrack and the Reel Sisters Spirit Award are selected by an independent jury composed of filmmakers, community leaders and artists. In 2016, Reel Sisters presented the Reel Sisters/Centric Awards, which includes a distribution deal with Centric/BET Networks. The cash awards depend on our funding level. It was a pleasure to bring back our scholarship awards to the film festival and with your support we can continue this tradition.

CASH AWARDS FOR 2020

  • Best Narrative Short - $1,000

  • Best Director - $500

  • Best Screenplay - $300

  • Best Animation - $200

DEADLINES:

  • Earlybird - March 9, 2020

  • Regular - May 15, 2020

  • Extended - June 15, 2020

https://filmfreeway.com/ReelSistersoftheDiasporaFilmFestival

FILM -- NOV 2019

Diverse Voices in Docs

Kartemquin Films / Community Film Workshop Of Chicago

INFO: Diverse Voices in Docs (DVID) is a nine-month professional mentorship and development program for documentary filmmakers of color from the Midwest, organized by  Kartemquin Films and the Community Film Workshop Of Chicago. 

Eligibility Criteria

  • Applicants should have played a principal role in a completed production (producer, writer,  director, editor, etc) and have experience or work history that  demonstrated their commitment to social issue documentary.

  • Applicants must be a legal US resident.

  • Applicants must NOT be a full-time student.

  • Applicants commit to participating in all aspects of the program and attending all 6 classes.

FEES: There is no application fee. An enrollment fee of $100 is due upon acceptance to the program. Decisions will be based on finalist interviews and work samples.

DEADLINE: November 1, 2019

kartemquinfilms.submittable.com/submit/146443/diverse-voices-in-docs-fellowship-application

AT&T Presents: Untold Stories

AT&T / Tribeca Film Festival

INFO: AT&T and the Tribeca Film Festival are giving filmmakers a shot at $1 million to make a movie as a part of the AT&T Presents: Untold Stories program, a multi-year, multi-tier alliance between AT&T and Tribeca, along with the year-round nonprofit Tribeca Film Institute. The program awards $1 million dollars, mentorship, and distribution to underrepresented filmmakers to produce their film and premiere it at the Tribeca Film Festival.

Aspiring filmmakers can submit their scripts for their chance to compete and become the fourth winner of AT&T’s Untold Stories program.

DEADLINE: November 5, 2019

https://www.tfiny.org/programs/detail/att_presents_untold_stories

Intimate Eye, Black Box Filmmaking: Open Call for Writers & Students

BRIC

INFO: BRIC is seeking short 5-8 minute scripts to be produced as part of an innovative new program. The scripts will be staged by a professional acting and directing team, then turned into a film by a group of media artists at BRIC.

Whether you are an experienced and produced playwright or screenwriter, or a first-timer, BRIC wants your short scripts.

WRITER STIPEND: $300

APPLICATION FEE: $5

DEADLINE: November 8, 2019

https://bit.ly/354cc9N

BPM Open Call 2019

Black Public Media

INFO: Throughout its decades of supporting Black storytellers through funding and training opportunities, Black Public Media has always been thrilled to announce an Open Call to our incredible creative community.  We look forward to learning about the range of stories told in a variety of styles, platforms and perspectives that are underway. BPM’s Open Call is our chance to celebrate the complexity of the Black experience through story.  

This year’s Open Call is for feature-length documentaries, shorts (non-fiction or scripted) or limited podcast series for public media distribution. Selected projects will receive production funds to advance their work. There are no limits on the subject area. However, we encourage work that will promote discourse and engage audiences around a critical social issue. In addition, we welcome proposals that target specific viewers such as children and teen audiences.

Projects will be funded in amounts ranging from $50,000 - $150,000, depending on the type of project, scope and phase of development/production.  Please note that BPM funding awards are licensing agreements for public media distribution.

To be eligible:

  • The applicant must (a) be the project’s producer or director (b) be a US citizen (c) have a minimum of three (3) years professional producing and/or directing experience, or have a senior producer attached to the project;

  • Key creative personnel must include a person of African descent or person of color;

  • The proposed content must be nonfiction or scripted shorts, feature-length documentaries, or limited podcast series for public media distribution;

  • The project must be in R&D or production/completion phase and must be completed no later than May 31, 2022;

  • Total Project Budget should not exceed $600,000 for a stand alone or one-off documentary or the pilot for b'cast/web series; and $100,000 for all other project types; However we will review projects at all budget levels;

  • The applicant must hold artistic, budgetary and editorial control, and must own the copyright of the proposed project;

Projects or production entities that are foreign-based, owned or controlled are NOT eligible. Neither are industrial, promotional or student films.

DEADLINE: November 15, 2019

submissions.blackpublicmedia.org/submit/147112/bpm-open-call-2019

 

2020 CAAM Fellowship Program

Center for Asian American Media

INFO: Applications for the 2020 CAAM Fellowship are now open. The CAAM Fellowship Program, supported by the John D. and Catherine T. MacArthur Foundation, is a year-long career and project development opportunity with a focus on nurturing mentor-fellow relationships within the Asian American documentary community in partnership with the A-Doc Network (formerly the Asian American Documentary Network). This is an opportunity to nurture and uplift Asian American documentary film producers and directors. The Program will select three to five Fellows each year.

We are thrilled to announce our 2020 CAAM Fellowship Mentors: Ramona S. Diaz, Senain Kheshgi, Grace Lee, and PJ Raval, plus Uber-Mentor Jean Tsien. Click below to read more about our amazing Mentors.

DEADLINE: November 18, 2019

caamedia.org/blog/2019/10/22/caam-fellowship-applications-now-open/

MICHAEL COLLYER MEMORIAL FELLOWSHIP IN SCREENWRITING

The Black List

INFO: Note that this fellowship is for current undergraduate seniors transitioning into the professional world of screenwriting only.

The Michael Collyer Memorial Fellowship in Screenwriting is a one-year fellowship that is awarded to an undergraduate student who plans to pursue a career in screenwriting upon completion of his or her undergraduate degree. The winner receives a $10,000 stipend to write an original screenplay (not the script used to opt in to the fellowship) and is mentored during the course of the fellowship year by a prominent screenwriter. This program, now in its 12th year, is a partnership between the Writers Guild Initiative and the King Family Foundation, and this is its fourth year being hosted on blcklst.com.

The purpose of the fellowship is to provide an opportunity for a graduating senior to develop an original screenplay and assist in transitioning into the professional world of screenwriting. The Writers Guild Initiative is looking for diverse and emerging voices, and for projects that are character driven and personal in nature. They are exclusively seeking feature films; no shorts or TV pilots at this time.

This year, the Black List will choose ten screenplays to send to the Writers Guild Initiative selection committee for consideration. The short list will be determined in early December, and the Fellowship recipient will be selected by WGI no later than January 15, 2020.  The winner may also have the opportunity to attend the Writers Guild Awards in New York City in February 2020.

Please keep in mind that, upon opting in, we will verify your status as a current college senior with your school, so it does not benefit you to opt in if you are not currently a college senior.

Additionally, please note that you will be writing a new script for this fellowship, not rewriting the script you submitted to this opportunity. The Michael Collyer Memorial Fellowship provides the opportunity to write an entirely new script with a mentor. The submitted script is used to show your writing skills, voice, etc. and the potential for wanting to hear more of the stories that you’d want to write.

DEADLINE: November 25, 2019

https://blcklst.com/education/opportunities/75

Script-to-Screen Contest

INFO: Script-to-Screen is a once in a lifetime opportunity to get your dramatic screenplay fully produced. We are searching for unique voices and compelling original dramatic stories. One of our missions is to support diverse artists who might otherwise not have these opportunities. Our directors will select one unique story that they will direct and produce. We are searching for screenwriters who have written features or short films before, and have a polished feature length script ready to be produced. 

Script-to-Screen teaches writers how directors transform their screenplay into a shooting script. We believe that writers benefit from learning how production works in order to become better writers. Each application season our program selects one dramatic feature length screenplay to be produced. Your script will be directed by Co-Directors Julie Petrusak and Jermaine Burrowes, who will take the script from pre-production to post-production. 

Our directors are in control of all creative aspects of the film. Writers will receive credits as per WGA guidelines. Whole Picture Films will own the rights of the completed film. Once completed the film will be added to our roster of work and will have opportunities for release and distribution.  

  • Selected candidates will be invited for Round 2 no later than January 2020

  • Finalists will be invited to an in person interview 

  • The winner will be announced in 2020  

  • Preproduction will begin fall end of 2020

Scripts must be dramatic original screenplays only, NO adaptations. This is a low-budget production, therefore we are looking for scripts that reflect that. Our production will apply for SAG eligibility. 

Our selection process will be divided into three rounds:

  • Round 1: CV, Bio, Logline, Synopsis 

  • Round 2: Complete script 

  • Round 3: In person Interview

What we are looking for:

  • Must be written in English

  • Must be in standard script format

  • Dramatic Scripts Only

  • 80 page minimum

  • Screenwriters have to be 18+ to apply

  • Please follow us on Instagram and Facebook to be considered

What we will provide:

  • Full production of your work

  • Credits as per WGA guidelines

  • Sit in meetings with the directors during development of the shooting script

APPLICATION FEE: $25

DEADLINE: November 30, 2019

https://wholepicturefilms.com/script-to-screen-competition/

FILM -- OCT 2019

CALL FOR SCRIPTS

The New Harmony Project 

INFO: The New Harmony Project is pleased to accept applications of un-produced stage play scripts, musicals, screenplays and teleplays. Our streamlined online process will facilitate you uploading your materials in only a few minutes.

What is The Project looking for in a script? We’re looking for scripts that sensitively and truthfully explore the positive aspects of life. If you’ve read our mission statement and you’re still not sure your work is right for the conference, you can gain a fuller sense of our aesthetic and philosophical interests by perusing our roster of writers and scripts that have recently found an artistic home at our conference. The New Harmony Project recognizes that we live in complex times, and we seek stories that honor a multiplicity of perspectives.

What does The Project provide? We provide a creative community and unparalleled level of artistic support. There is no cost to attend the spring conference, and all meals, travel and housing are covered. Additionally, we provide a modest stipend to participants.

Due to the volume of applications received, we will only accept ONE script per writer.

When you are ready to complete your application, simply click the button below to be taken to our online system powered by Submittable. Once items have been submitted, we, unfortunately, will not be able to accept updates or changes. 

If you have any questions, please email submissions@newharmonyproject.org (please, no phone calls). We look forward to reading your work, and thank you for taking the time to share it with us. 

DEADLINE: October 1, 2019 

newharmonyproject.org/apply

THE NYC WOMEN'S FUND FOR MEDIA, MUSIC AND THEATRE

New York Foundation for the Arts

INFO: The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, television, and live theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre is the latest in a groundbreaking series of initiatives by the City of New York Mayor’s Office of Media and Entertainment (MOME) to address the underrepresentation of those who identify as women in film, music, television, and theatre. New York Foundation for the Arts (NYFA) is proud to administer this Fund, which this year adds music as a category.

The program will provide:

  • Finishing grants for film, television, and digital projects

  • Funds for the creation of music recordings or videos

  • Production funds for live theatre

In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a strong female perspective; and/or include a female-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or female protagonist(s) or lead musical role. 

Grants will be given in the following categories (amounts listed are the maximum potential grant):

  • Fiction Feature (running time of 60 minutes or more) - $50,000

  • Fiction Short (running time of 59 minutes or less) - $25,000

  • Fiction Webisode/Webseries (all forms) - $20,000

  • Documentary Feature (running time of 60 minutes or more) - 50,000

  • Documentary Short (running time of 59 minutes or less) - $25,000

  • Documentary Webisodes/Webseries (all lengths and forms) - $20,000

  • Music: Classical/Experimental/Jazz/New Music - $20,000

  • Music General - $20,000

  • Theatre Production - grant amounts up to $50,000

In 2019, finishing funds in the combined amount of $1.5 million were awarded to 63 film, TV, theatre, and digital media projects made by creatives who identify as women.

This is the second round of a $5 million, three-year program made possible through the City of New York Mayor's Office of Media and Entertainment (MOME). The NYC Women's Fund for Media, Music and Theatre will be available for one additional award cycle opening in Summer 2020 (for 2021).

DEADLINE: October 1, 2019

https://www.nyfa.org/Content/Show/NYC-Womens-Fund

WRITERS RESIDENCY

Millay Colony for the Arts

INFO: Each year Millay Colony for the Arts invites up to 62 individuals (including writers, poets, playwrights, screenwriters and visual artists) for residencies through the colony's application process.  

Residency sessions are held each month from April through November, usually lasting around 3 1/2 weeks, with 2 twelve-day sessions also available in June & September. In each discipline, decisions are made by juries of artists, critics and academics.

Your work is presented anonymously to the jury and is considered solely on the merit of your artist statement and work sample. Please keep these factors in mind as you prepare your application. It is very important that you do not include your name anywhere on your artist statement or work samples as you may be disqualified if they are within the body of work shown to the jurors.  Your application will instead be assigned a number by the administration.

DEADLINE: October 1, 2019 (Midnight, EST). This deadline is for the following year of April, May, June & July residency sessions.

https://millaycolony.submittable.com/submit

UNIVERSAL WRITERS PROGRAM

Universal Pictures / Focus Features

INFO: Applicants must be authorized to work legally in the United States and be at least twenty-one (21) years of age as of March 31, 2020.  Entertainment industry experience is not required but strongly recommended.  We encourage those applying to review the FAQs carefully as they are designed to guide applicants towards a strong submission.

Those applying must submit a complete application package, which includes the following items:

  1. APPLICATION must be completed in its entirety. Incomplete applications will be disqualified.

  2. ORIGINAL SCREENPLAY* with wide audience appeal that best reflects the writer’s distinct voice and cultural perspective. Submitted screenplays must: (1) Follow a three-act structure; (2) be between 90-120 pages in length; and (3) have a clear beginning, middle and end. Any scripts less than 90 pages or exceeding 120 pages will be disqualified. Scripts must be registered with the WGA prior to submission, and the applicant must be the sole writer and owner of all original material submitted. We are not able to accept screenplays written by multiple writers.

  3. ORIGINAL TREATMENT* that is not based on the submitted original screenplay. Submitted treatments that are the basis for the submitted original screenplay will be disqualified. Submitted treatments must include the following elements and adhere to these formatting guidelines: (1) Title (2) WGA Registration Number (3) Logline (4) Brief key character descriptions (5) Three-act structure (6) Must not exceed five/5 pages (7) 1.5-inch line spacing (8) 1-inch margins all around (9) nothing smaller than an 11 font-size. Treatments that do not include such elements or that deviate from the above formatting guidelines will be disqualified.

Because all reads are blind, only provide the title and the WGA registration on the title page of the screenplay and treatment. 

Both the original screenplay and the original treatment can be in the following genres: action, adult comedy, drama, family, grounded sci-fi/horror.  However, if selected for the Program writers may be assigned to write content that tonally matches the slates of UFEG’s various divisions including but not limited to Universal Pictures, and Focus Features.   Additionally, material that is a hybrid of animation and live-action will be accepted, provided that the material is predominantly live action with only minimal animation.

*Although Universal Pictures and Focus Features have released films based on true stories, real people and/or pre-existing intellectual property, for the purposes of applying to this Program, submissions must be wholly original and fictional.  Adaptations, biopics and screenplays based on real people, underlying materials or other pre-existing content are not eligible. (Please refer to the FAQs for more information.)

  1. RELEASE FORMS must be completed, signed, dated and uploaded in order for submissions to be accepted. Incomplete release forms will result in disqualification. Release form can be downloaded here

  2. RÉSUMÉ outlining chronological paid employment history (may include entertainment and non-entertainment positions) and any writing-related honors/awards. Positions must have been held within the past 15 years (two pages or less). Only list compensated positions with the exception of entertainment industry internships and full-time volunteer work at non-profits. If listing writing projects, only include projects that were produced. The applicant’s résumé will provide us an understanding of his or her work history and insight into his or her individual life experiences.

  3. PERSONAL ESSAY that articulates the applicant’s unique perspective and background as it relates to their storytelling. Must not exceed 750 words. Essay Topic: Explain how your cultural background and life experiences contribute to your writing.

  4. LETTERS OF RECOMMENDATION (Optional) from entertainment industry professionals who have read the applicant’s material and can comment on the applicant’s writing ability are strongly encouraged, but not required. Acceptable letters must be on business or personal letterhead, dated in the current calendar year and include the author’s title and/or industry affiliation. No more than two letters per application will be accepted. Letters must accompany the submission and may not be submitted separately via email or mail. Any recommendation letters emailed or mailed to the Program separate from the writer’s application will disqualify the application.

ELIGIBILITY REQUIREMENTS

  • Applicant must be authorized to work legally in the United States. This position is not eligible for visa sponsorship.

  • Minimum age of 21 as of March 31, 2020.

  • Applicant must be the sole writer and owner of any material submitted, which must be wholly original. Adaptations, biopics and screenplays based on real people or pre-existing materials are not eligible. Material written by more than one writer will not be accepted.

DEADLINE: October 1, 2019

https://www.universaltalentdevelopment.com/writers/application

FILM -- SEPTEMBER 2019

John Singleton embRace LA Short Film Competition

The City of L.A. /Pan African Film Festival

INFO: Inspired by the legacy of the Los Angeles-born and legendary filmmaker, John Singleton, this short film competition is the result of a partnership between the City of Los Angeles and the Pan African Film & Arts Festival under the initiative of Los Angeles City Council President, Herb J. Wesson Jr.

As an extension of the City of Los Angeles’ embRACE L.A. initiative, this competition will deepen the program’s goal to engage a citywide conversation about race and racism while challenging and changing inequities. In honor of the cinematic achievements of John Singleton and his commitment to the South Los Angeles community, we celebrate his unapologetic approach to filmmaking that centralized Black characters in humanizing stories about the often-routine circumstances of individuals in society that were mostly ignored or exploited beyond the point of recognition.

It is our aim to encourage and ignite Black filmmakers who desire to continue that commitment in their creative approach by providing them with the financial resources to write, direct, and produce an original and innovative film that echoes the cultural contributions of Singleton’s cinematic catalogue.

AWARD: After a competitive process in which their screenplays are submitted, three filmmakers will be awarded $20,000 each for the production and completion of a live-action narrative short film of their winning screenplays.

SUBMISSION FEE: $50

DEADLINE: September 15, 2019

paff.org/john-singleton-short-film-competition/

  

PitchNY

NBC Universal / Tribeca Film Institute / Governor Cuomo’s Office of Motion Picture & Television Development

INFO: PitchNY aims to cultivate New York State’s homegrown talent by expanding pathways for aspiring creators, strengthen diverse voices and showcase diverse communities through film, TV and other creative content. For the fourth year in a row this workshop will allow undergraduate and recent graduate students from New York schools to learn from filmmakers, writers, directors, and producers. Participants are given opportunities to network with their peers, hear from panels of experts and practice pitching their creative ideas one-on-one with entertainment industry representatives. 

Over the past three years, Governor Cuomo’s Office of Motion Picture & Television Development, the National Hispanic Foundation for the Arts and NBCUniversal have hosted PitchNY, a workshop that provides aspiring filmmakers, producers and writers from across New York with resources and advice and facilitates connections with entertainment experts. PitchNY aims to cultivate New York State’s homegrown talent by expanding pathways for aspiring creators, strengthen diverse voices, and showcase diverse communities through film, TV, and other creative content. 

For the fourth installment of PitchNY, the Governor's Office of Motion Picture & Television Development and NBCUniversal will partner with Tribeca Film Institute as a local non-profit partner. Undergraduate and recent graduate students and aspiring filmmakers are invited to apply to participate in the two-day intensive workshop in NYC on November 7-8, 2019. PitchNY is focused on promoting diversity in the entertainment industry both by highlighting diverse content and increasing opportunity for content creators: filmmakers, producers, directors and writers. In previous years, themes of diversity reflected in participants’ work have included race, ethnicity, sexual orientation, gender identity and more.

Students apply by filling out a brief, free application online and submitting creative concepts that they will pitch at the workshop. Selected students receive travel stipends for transportation and lodging. 

The event includes informational panel discussions with industry professionals and creative leaders sharing insights and guidance. In the afternoon, there is a “speed pitching” opportunity in which participants rotate tables and simulate real-life pitching situations, giving students the opportunity to share their stories and enhance their pitching skills. The purpose of these pitch meetings is professional development and educational feedback and not to sell or produce a specific project.

DEADLINE: September 16, 2019 

esd.ny.gov/pitchny

 

CALL FOR SCRIPTS

The New Harmony Project 

INFO: The New Harmony Project is pleased to accept applications of un-produced stage play scripts, musicals, screenplays and teleplays. Our streamlined online process will facilitate you uploading your materials in only a few minutes.

What is The Project looking for in a script? We’re looking for scripts that sensitively and truthfully explore the positive aspects of life. If you’ve read our mission statement and you’re still not sure your work is right for the conference, you can gain a fuller sense of our aesthetic and philosophical interests by perusing our roster of writers and scripts that have recently found an artistic home at our conference. The New Harmony Project recognizes that we live in complex times, and we seek stories that honor a multiplicity of perspectives.

What does The Project provide? We provide a creative community and unparalleled level of artistic support. There is no cost to attend the spring conference, and all meals, travel and housing are covered. Additionally, we provide a modest stipend to participants.

Due to the volume of applications received, we will only accept ONE script per writer.

When you are ready to complete your application, simply click the button below to be taken to our online system powered by Submittable. Once items have been submitted, we, unfortunately, will not be able to accept updates or changes. 

If you have any questions, please email submissions@newharmonyproject.org (please, no phone calls). We look forward to reading your work, and thank you for taking the time to share it with us. 

DEADLINE: October 1, 2019 

newharmonyproject.org/apply

THE NYC WOMEN'S FUND FOR MEDIA, MUSIC AND THEATRE

New York Foundation for the Arts

INFO: The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, television, and live theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre is the latest in a groundbreaking series of initiatives by the City of New York Mayor’s Office of Media and Entertainment (MOME) to address the underrepresentation of those who identify as women in film, music, television, and theatre. New York Foundation for the Arts (NYFA) is proud to administer this Fund, which this year adds music as a category.

The program will provide:

  • Finishing grants for film, television, and digital projects

  • Funds for the creation of music recordings or videos

  • Production funds for live theatre

In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a strong female perspective; and/or include a female-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or female protagonist(s) or lead musical role. 

Grants will be given in the following categories (amounts listed are the maximum potential grant):

  • Fiction Feature (running time of 60 minutes or more) - $50,000

  • Fiction Short (running time of 59 minutes or less) - $25,000

  • Fiction Webisode/Webseries (all forms) - $20,000

  • Documentary Feature (running time of 60 minutes or more) - 50,000

  • Documentary Short (running time of 59 minutes or less) - $25,000

  • Documentary Webisodes/Webseries (all lengths and forms) - $20,000

  • Music: Classical/Experimental/Jazz/New Music - $20,000

  • Music General - $20,000

  • Theatre Production - grant amounts up to $50,000

In 2019, finishing funds in the combined amount of $1.5 million were awarded to 63 film, TV, theatre, and digital media projects made by creatives who identify as women.

This is the second round of a $5 million, three-year program made possible through the City of New York Mayor's Office of Media and Entertainment (MOME). The NYC Women's Fund for Media, Music and Theatre will be available for one additional award cycle opening in Summer 2020 (for 2021).

DEADLINE: October 1, 2019

https://www.nyfa.org/Content/Show/NYC-Womens-Fund

WRITERS RESIDENCY

Millay Colony for the Arts

INFO: Each year Millay Colony for the Arts invites up to 62 individuals (including writers, poets, playwrights, screenwriters and visual artists) for residencies through the colony's application process.  

Residency sessions are held each month from April through November, usually lasting around 3 1/2 weeks, with 2 twelve-day sessions also available in June & September. In each discipline, decisions are made by juries of artists, critics and academics.

Your work is presented anonymously to the jury and is considered solely on the merit of your artist statement and work sample. Please keep these factors in mind as you prepare your application. It is very important that you do not include your name anywhere on your artist statement or work samples as you may be disqualified if they are within the body of work shown to the jurors.  Your application will instead be assigned a number by the administration.

DEADLINE: October 1, 2019 (Midnight, EST). This deadline is for the following year of April, May, June & July residency sessions.

https://millaycolony.submittable.com/submit

UNIVERSAL WRITERS PROGRAM

Universal Pictures / Focus Features

INFO: Applicants must be authorized to work legally in the United States and be at least twenty-one (21) years of age as of March 31, 2020.  Entertainment industry experience is not required but strongly recommended.  We encourage those applying to review the FAQs carefully as they are designed to guide applicants towards a strong submission.

Those applying must submit a complete application package, which includes the following items:

  1. APPLICATION must be completed in its entirety. Incomplete applications will be disqualified.

  2. ORIGINAL SCREENPLAY* with wide audience appeal that best reflects the writer’s distinct voice and cultural perspective. Submitted screenplays must: (1) Follow a three-act structure; (2) be between 90-120 pages in length; and (3) have a clear beginning, middle and end. Any scripts less than 90 pages or exceeding 120 pages will be disqualified. Scripts must be registered with the WGA prior to submission, and the applicant must be the sole writer and owner of all original material submitted. We are not able to accept screenplays written by multiple writers.

  3. ORIGINAL TREATMENT* that is not based on the submitted original screenplay. Submitted treatments that are the basis for the submitted original screenplay will be disqualified. Submitted treatments must include the following elements and adhere to these formatting guidelines: (1) Title (2) WGA Registration Number (3) Logline (4) Brief key character descriptions (5) Three-act structure (6) Must not exceed five/5 pages (7) 1.5-inch line spacing (8) 1-inch margins all around (9) nothing smaller than an 11 font-size. Treatments that do not include such elements or that deviate from the above formatting guidelines will be disqualified.

Because all reads are blind, only provide the title and the WGA registration on the title page of the screenplay and treatment. 

Both the original screenplay and the original treatment can be in the following genres: action, adult comedy, drama, family, grounded sci-fi/horror.  However, if selected for the Program writers may be assigned to write content that tonally matches the slates of UFEG’s various divisions including but not limited to Universal Pictures, and Focus Features.   Additionally, material that is a hybrid of animation and live-action will be accepted, provided that the material is predominantly live action with only minimal animation.

*Although Universal Pictures and Focus Features have released films based on true stories, real people and/or pre-existing intellectual property, for the purposes of applying to this Program, submissions must be wholly original and fictional.  Adaptations, biopics and screenplays based on real people, underlying materials or other pre-existing content are not eligible. (Please refer to the FAQs for more information.)

  1. RELEASE FORMS must be completed, signed, dated and uploaded in order for submissions to be accepted. Incomplete release forms will result in disqualification. Release form can be downloaded here

  2. RÉSUMÉ outlining chronological paid employment history (may include entertainment and non-entertainment positions) and any writing-related honors/awards. Positions must have been held within the past 15 years (two pages or less). Only list compensated positions with the exception of entertainment industry internships and full-time volunteer work at non-profits. If listing writing projects, only include projects that were produced. The applicant’s résumé will provide us an understanding of his or her work history and insight into his or her individual life experiences.

  3. PERSONAL ESSAY that articulates the applicant’s unique perspective and background as it relates to their storytelling. Must not exceed 750 words. Essay Topic: Explain how your cultural background and life experiences contribute to your writing.

  4. LETTERS OF RECOMMENDATION (Optional) from entertainment industry professionals who have read the applicant’s material and can comment on the applicant’s writing ability are strongly encouraged, but not required. Acceptable letters must be on business or personal letterhead, dated in the current calendar year and include the author’s title and/or industry affiliation. No more than two letters per application will be accepted. Letters must accompany the submission and may not be submitted separately via email or mail. Any recommendation letters emailed or mailed to the Program separate from the writer’s application will disqualify the application.

ELIGIBILITY REQUIREMENTS

  • Applicant must be authorized to work legally in the United States. This position is not eligible for visa sponsorship.

  • Minimum age of 21 as of March 31, 2020.

  • Applicant must be the sole writer and owner of any material submitted, which must be wholly original. Adaptations, biopics and screenplays based on real people or pre-existing materials are not eligible. Material written by more than one writer will not be accepted.

DEADLINE: October 1, 2019

https://www.universaltalentdevelopment.com/writers/application


FILM -- AUGUST 2019

THE TEEN MOVIE CONTEST

ColorCreative / Powderkeg

INFO: This is a joint venture between ColorCreative and Powderkeg. We're looking for underrepresented writers who have an idea for an ensemble feature film that captures the humor, the awkwardness, and the all consuming drama of the modern high school experience! 

We want to see fresh and inclusive perspectives that represent a new generation coming of age in today’s world. The 80's had FERRIS BULLER'S DAY OFF and THE BREAKFAST CLUB. The 90's had CLUELESS and EMPIRE RECORDS. The 00's had MEAN GIRLS and BRING IT ON...

We are looking for the next decade-defining teen movie to launch us into 2020!

Submit your film idea to us via a 1-3 page pitch document.

50 Writers will be chosen to continue in the contest as "First Round Selects" where each candidate will have four weeks to submit an outline or scriptment, in addition to the first act of their feature based on their pitch. 

ColorCreative and Powderkeg will choose 20-25 submissions to advance into the Quarter-Finalist round where candidates will be asked to submit a bio and a full feature script, not to exceed 120 pages. 

8 Semi-Finalists will advance to the next round where they will be scheduled for in-person or Skype interviews with representatives from each company.

After all of the interviews have concluded, 4 Finalists will be chosen to enter a one-month incubation period to develop and write a short film script that serves as proof of concept for their feature. During this stage, Finalists will be paired with an experienced writer that will serve as their mentor. 

2 Winning Writers will be announced and have their script optioned. Powderkeg and ColorCreative will produce the short film with a budget of $25K each to subsequently take both the short and script to potential buyers.

DEADLINE: August 9, 2019

https://colorcreative-teenmoviecontest.submittable.com/submit

 

FILM -- JULY 2019

LAUNCHPAD SHORTS INCUBATOR

Disney

With a focus on building a more inclusive entertainment industry, Walt Disney Pictures is looking for experienced directors from underrepresented backgrounds with diverse and varied perspectives, including but certainly not limited to women, people of color, the LGBTQ community, various religious groups, military veterans, people with disabilities and others, to produce a short in the Disney Launchpad: Shorts Incubator program.

Inspired by life’s journey, the shorts should be based on the theme of “discover.” In the Launchpad, the director(s) of each project will be paired with Disney creative executives who will serve as mentors. Select shorts will have the opportunity to live on Disney+ and may be considered for further development for long-form or episodic motion pictures, based on the short’s quality, performance on the platform, future arc, and other factors, though future development is not guaranteed.

The Launchpad is a seven (7) month program and will include the following (please note that time frames and program parameters are subject to change):

  • Three (3) months of script development and professional development classes, specifically designed to strengthen your professional and storytelling skills.

  • Bringing the robust curriculum of the American Film Institute (“AFI”) to the Launchpad, classes will be led primarily by our educational partner, AFI, and held once or twice per week on the Disney studio lot in Burbank, California from 7pm - 10pm PT, with one (1) Saturday field trip to the AFI campus in Los Angeles.

  • A staggered production schedule, which will include: up to four (4) weeks of pre-production, principal photography, and up to six (6) weeks of post-production.

DEADLINE: July 2, 2019

https://launchpad.disney.com/

FILM -- JUNE 2019

URBANWORLD SCREENPLAY COMPETITION

Urban World Film Festival 

INFO: Urbanworld Foundation Inc., a nonprofit organization that seeks to redefine and advance the presence and impact of the multicultural community in cinema, is seeking feature film length screenplays (90-130 pages) for its five-day festival. The screenwriter must consider himself / herself of African American, Latino, East Asian, or South Asian descent. If the screenwriter is none of the above, the screenplay must feature African American, Africans, Latinos or Asians in prominent roles. 

SUBMISSION FEES: Please check the website for fee requirement.

DEADLINE: June 7, 2019

filmfreeway.com/festival/UrbanworldFilmFestival

FIRELIGHT DOCUMENTARY LAB OPEN CALL

INFO: The Firelight Media Documentary Lab is an 18-month fellowship program that supports filmmakers from racially and ethnically underrepresented communities working on their first or second feature length documentary film. The Lab provides filmmakers with customized mentorship from prominent leaders in the documentary world, funding, professional development workshops and networking opportunities.

We are looking for applicants who make artful and innovative documentary films that focus on underrepresented communities and provide new narratives about the most pressing issues of our time. Firelight Media will consider all types of long form documentary projects - historical, investigative, personal, verité, and experimental.

Firelight Media utilizes the Core Documentary Application. As part of your submission, you will need to share a work sample no longer than 15 minutes (for projects in production) or a rough cut at any length (for projects in post.)

You will receive notification of your status within 12-16 weeks of submission. If you are among a small group of finalists who advance through a series of peer reviews, you may be asked for additional information or project updates. Results will be shared September 2019. 

DEADLINE: June 17, 2019

firelightmedia.tv/doc-lab-open-call/

FILM -- MAY 2019

THE BREAKK SCREENPLAY CONTEST

INFO: Are you a female TV writer interested in attending The Breakk 2019? Then this contest is for you. Story comes first and foremost. Our jury is looking for smart screenplays with strong original voices, and compelling stories with lots of heart. 

DEADLINES:

·       Early: May 15, 2019 w/ $39 submission fee

·       Regular: June 10, 2019 w/ 49 submission fee

·       Final: July 10, 2019 w/ $59 submission fee

https://www.thebreakk.com/contest?fbclid=IwAR1obB18QD6iqKiDtennjbo-KbT0wb5_R-e1elfrR3x4b-u5WT7H0LEVVY8

 

ALL VOICES FILM FESTIVAL

Amazon

INFO: Prime Video will host the first annual All Voices Film Festival, celebrating underrepresented communities. This digital short film festival is seeking entries from filmmakers in the U.S. from all backgrounds, where the creator or content represents the diversity of our world.  

The writer, director, cast or theme of the short must reflect underrepresented communities. This includes but is not limited to people of color, ethnic, gender and religious minorities, members of the LGBTQI community, people with disabilities, veterans, young, aspiring filmmakers as well as older adults, and other groups that are underrepresented or marginalized in the US or globally. Submissions must be published as a “Standalone” film in the “Short Films” category, offer availability set to “US” and “Prime”, and may not exceed 40 minutes. The title must also comply with the requirements to be included in Prime Video, including (i) HD picture quality, (ii) closed captioned or subtitled and (iii) have a rating of “R” or less (or an equivalent through local rating agencies).

All submissions must comply with the Rules and Regulations. 

PRIZE:

• One Prime Video winner will receive a paid trip for two within the US to visit Amazon Studios in Culver City, CA. They will also receive a $25,000 royalty bonus. 
• Four other winners will be selected to receive a $10,000 royalty bonus. 
• All five winners’ short films will be promoted on Prime Video.

DEADLINE: May 20, 2019

https://www.amazon.com/b?ie=UTF8&node=18338484011

 

AT&T HELLO LAB MENTORSHIP PROGRAM

INFO: AT&T is committed to creating an inclusive entertainment industry through initiatives such as The Hello Lab Mentorship Program. Launched in 2017, the program seeks to discover, incubate and empower emerging filmmakers from underrepresented communities to evolve their work, grow their audience and distribute their short films on owned platforms such as DIRECTV and DIRECTV NOW.

The program will offer five emerging screenwriters the opportunity to be mentored by actress, writer and producer Lena Waithe and chance to have their short film fully financed and produced by AT&T.  

DEADLINE: May 22, 2019

https://www.att-hellolab.com/the-mentorship-program-year-three/

URBANWORLD SCREENPLAY COMPETITION

Urban World Film Festival 

INFO: Urbanworld Foundation Inc., a nonprofit organization that seeks to redefine and advance the presence and impact of the multicultural community in cinema, is seeking feature film length screenplays (90-130 pages) for its five-day festival. The screenwriter must consider himself / herself of African American, Latino, East Asian, or South Asian descent. If the screenwriter is none of the above, the screenplay must feature African American, Africans, Latinos or Asians in prominent roles. 

SUBMISSION FEES: Please check the website for fee requirement.

DEADLINES:

  • Late – May 24, 2019

  • Extended – June 7, 2019

filmfreeway.com/festival/UrbanworldFilmFestival

FILM -- APRIL 2019

2020 JANUARY SCREENWRITERS LAB

Sundance Institute

INFO: The Screenwriters Lab is a five-day writer's workshop that gives independent screenwriters the opportunity to work intensively on their feature film scripts with the support of established writers in an environment that encourages innovation and creative risk-taking. Through one-on-one story sessions with Creative Advisors, Fellows engage in an artistically rigorous process that offers them indispensable lessons in craft, as well as the means to do the deep exploration needed to fully realize their material.  

The 2020 January Screenwriters Lab will take place January 17-22, 2020 at the Sundance Mountain Resort, Utah. 12 projects are chosen every year.

SUBMISSION PERIOD: April 3 - May 15, 2019

applications2.sundance.org/

ACADEMY NICHOLL FELLOWSHIP IN SCREENWRITING

The Academy of Motion Picture Arts and Sciences   

INFO: Each year, the Academy Nicholl screenwriting competition awards up to five fellowships to amateur screenwriters. Fellowship winners are invited to participate in awards week ceremonies and seminars in November and expected to complete at least one original feature film screenplay during the Fellowship year.

AWARD: $35,000 Fellowship

DEADLINE & SUBMISSION FEES:

  • Regular Submission – April 10, 2019 ($60 entry fee)

  • Late Submission – May 1, 2019 ($85 entry fee)

oscars.org/nicholl/about

 

DIVERSE VOICES SCREENPLAY CONTEST

WeScreenplay

INFO: WeScreenplay’s contest is focused on promoting and encouraging diverse voices and stories. The contest encourages stories that are told from perspectives – through the author and/or characters (ethnic minorities, women, women over 40, LGBTQ members, senior citizens, faith-driven characters, etc.) – that are often underrepresented in Hollywood today. The contest accepts Features, TV Pilots, Web Series, and Shorts.

DEADLINE: April 15th, 2019

wescreenplay.com/contests/diverse-voices

 

URBANWORLD SCREENPLAY COMPETITION

Urban World Film Festival 

INFO: Urbanworld Foundation Inc., a nonprofit organization that seeks to redefine and advance the presence and impact of the multicultural community in cinema, is seeking feature film length screenplays (90-130 pages) for its five-day festival. The screenwriter must consider himself / herself of African American, Latino, East Asian, or South Asian descent. If the screenwriter is none of the above, the screenplay must feature African American, Africans, Latinos or Asians in prominent roles. 

SUBMISSION FEES: Please check the website for fee requirement.

DEADLINES:

  • Regular – April 26 2019

  • Late – May 24, 2019

  • Extended – June 7, 2019

filmfreeway.com/festival/UrbanworldFilmFestival

FILM - MARCH 2019


THE KEROUAC PROJECT

INFO: The Kerouac Project provides four residencies a year to writers of any stripe or age, living anywhere in the world. In the past we have accepted writers with no formal writing education alongside those with MFA’s and impressive résumés. You will be judged on the quality of the writing sample you submit. Each residency consists of approximately a three month stay in the cottage where Jack Kerouac wrote his novel Dharma Bums. Utilities and a food stipend of $1,000 are included. As writer-in-residence, all you are required to do is live in the Kerouac House during your residency, work on your writing project, and participate in two events—a Welcome Potluck dinner for you, and a Final Reading of your work at the Kerouac House at the end of your residency. Should you desire them, the Kerouac Project can also offer opportunities for you to participate in other readings, lead workshops, and interact in other ways with the vibrant Central Florida literary community.

Residency Slots

Fall 2019: September 1 through November 21, 2019
Winter 2019–2020: December 1, 2019, through February 20, 2020
Spring 2020: March 1 through May 22, 2020
Summer 2020: June 1 through August 21, 2020

At the time you submit your application you will be asked which residency time slot(s) you prefer or are available for. Or you can just indicate ‘any’ if you have no specific time slot preference.

The Application Process:

You will be required to select a category into which your submission fits. The categories are: Poetry, Play, Screenplay, Fiction/Short Story, and Nonfiction. Your writing sample must match the category. So, for example, if you are applying in the fiction category, your writing sample must only be a fiction sample. You cannot include some fiction and some poems you may have written. You are allowed one submission per category. This means you can submit to more than one category if you wish to do so. However, each submission is separate and you must complete the whole application process again for each submission.  

We require a standard format for all prose submissions, fiction and nonfiction. The format is:

  • 10 pages in length.

  • 1-inch page margins.

  • 1.5 line spacing.

  • Text must be in a 12-point serif font, (preferably Times New Roman as its compact structure allows you the maximum number of words per page). 

Those submitting poetry, a play, or screenplay, may continue to follow the genre conventions in their submissions, though your writing sample must also be limited to 10-pages in length.

APPLICATION FEE: $35  

DEADLINE: March 10, 2019 

kerouacproject.org/submissions/

2019 EPISODIC LAB

·       What are the dates of the Episodic Lab?

o   The 2019 Episodic Lab will take place October 10 - 15, 2019 at the Sundance Resort in Utah.

 

·       Who is eligible for the Lab?

o   Applicants must be 18 years of age or older at time of application.

o   The project must be the applicant’s original creation or adapted from optioned source material.

o   The project must be written in the English language.

o   The project must be new: not previously submitted to Sundance, not already produced, not already sold to a third party, and not distributed online or otherwise.

o   Applicants cannot have sold an episodic project (pilot or pitch) to a studio or network in the past that has been shot.

o   The project shall not infringe the copyright or any other proprietary right of another individual or entity. The creator/applicant is responsible for all rights pertaining to the project.

 

·       What is the submission period for Round 1 of the application process?

o   February 13 - March 13, 2019

 

·       What do I need to submit in Round 1 of the application process?

o   Contact information for writer(s) (we allow for up to 2 writers per project, however, you must choose one person to be the primary applicant/creator and your designated point of contact)

o   Bio(s) of the writer(s) (no more than 250 words per person)

o   Series logline: a one-sentence description of your series (no more than 50 words) that conveys what your project is about.

o   Pilot synopsis (no more than 500 words): a summary of your pilot episode

o   Series overview (no more than 500 words): this is a one-page description of your series that gives the reader a feel for its main characters, the basic plot and themes, as well as the tone and format. Imagine you’re describing your series to a friend in a way that conveys your excitement, clearly explains what your series is about and gives them a reason to want to watch it.

o   Personal Statement  (no more than 250  words): A brief written response to the following questions:

§  Why are you interested in telling this story?

§  What is your personal connection to the material?

§  Why are you the best person to tell this story?

§  Why tell this story now?

o   Thematic Statement (no more than 250 words): a brief written response to the following questions:

§  What is the theme of you series? That is, what is the central idea or big question you are exploring? (e.g. “In the wake of the ultimate betrayal, how does one continue to trust others?”, OR “Are criminals born or are they made?” OR “Can a modern family still function like a traditional family?”)

§  How is this "thematic question" explored on an episode-to-episode basis in your series? (e.g. “Each episode, the betrayal is seen through the eyes of a different character as its ripple effect permeates more and more lives” OR “Each episode, we focus on a different criminal and the path that led to their crimes” OR “Each episode, an unconventional family struggles to overcome conventional problems)

§  How does this theme inform each of your characters and their journeys over the course of the series? How does the theme connect emotionally to what your characters are going through?

o   Video samples of previous work (OPTIONAL) – Provide 1-3 URL links to samples of your previous work (not to exceed 10 minutes total in length). Samples may include short films, web series episodes or other relevant video content. Please be sure to include passwords as needed.

o   The first 5 pages of your pilot script

o   Demographics – To be filled out by the designated primary applicant/creator.

o   Application Terms – To be signed by the designated primary applicant/creator.

o   A $40 non-refundable processing fee payable by credit card via the online application

 

·       When will I be notified if I have advanced to Round 2?

o   Applicants will receive email notification about whether or not they have been selected for the Round 2 of our online application process by April 10, 2019.

 

·       What do I need to submit in Round 2 of the application process?

o   After they receiving email notification, applicants who are selected to advance to Round 2 are required to upload the full pilot script for their original series through our online application system by April 24, 2019, in order to be considered for the Lab.

 

·       Is there an application fee to apply for the Episodic Lab?

o   Yes, for the Round 1 ONLY, there is a $40 Non-Refundable Processing Fee, payable by credit card via the online application.

 

·       How complete should the pilot script be?

o   You must have a full, completed original  pilot script in order to be considered.

 

·       Will you consider writing teams?

o   Yes, we will consider writing teams of up to 2 people.

 

·       Will you consider animated series this year?

o   Yes, however, the candidate must notify us of this intention when applying as we may request  supplemental materials.

 

·       Will you consider nonfiction series this year?

o   Yes, however, the candidate must notify us of this intention when applying as we may request supplemental materials.

 

·       Will you consider international series?

o   Yes, however, the project must be in English and we are not able to provide for international travel at this time. We will cover the cost of the domestic portion of international airfare.

 

·       Will you consider adaptations of other material (novels, magazine articles, films, etc.)?

o   Yes, we will consider adaptations so long as the writer/s has secured the rights to the original source material and can disclose the legal rights for Sundance to review.

 

·       Do participants pay for travel and accommodation?

o   No, Sundance Institute will pay for domestic airfare and provide accommodations for all participants. At this time, we are not able to provide for international travel. We will cover the cost of the domestic portion of international airfare.

 

·       What does the program cost?

o   Aside from an application fee of $40, participation in the Episodic Lab, including travel, food and accommodations, is completely free.

 

·       Does Sundance own my pilot?

o   No. The Sundance Institute is a 501(c)(3) nonprofit organization and does not have an ownership stake in any projects that are submitted to, or selected for the Lab, nor are we attached in any producorial capacity. All Lab Fellows must own or have approval from the project owner to participate.

 

·       When does the application open?

o   The application for the 2019 Episodic Lab opens on February 13, 2019 at 12:00pm PT. 

 

·       What is the application deadline?

o   The deadline for project submission is March 13, 2019 at 6:00pm PT.

·       Is it possible to get an extension? What’s the final final deadline?

o   No, it’s not possible to get an extension. You must turn in your application by March 13, 2019 at 6:00pm PT.

 

·       When will final decisions be made?

o   Applicants will receive email notification about whether or not they have been selected for the Lab by August 14, 2019.

 

·       If you are interested in learning more about writing for the episodic space, please find a list of helpful websites and books that provide additional resources for writers below:

o   Websites:

§  “On Story presented by the Austin Film Festival” – onstory.tv

§  “FAQ & Writing Resources” from the Writers Guild Foundation Library – wgfoundation.org

§  John August’s Blog, “A Ton of Useful Information about Screenwriting from Screenwriter John August” – johnaugust.com

o   Books:

§  Writing the TV Pilot by William Rabkin

§  The TV Showrunner’s Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series by Neil Landau

§  The TV Writer’s Workbook: A Creative Approach to Television Scripts by Ellen Sandler

§  Writing the TV Drama Series: How to Succeed as a Professional Writer in TV by Pamela Douglas

§  Writing the Screenplay, TV and Film by Alan Armer

§  The Hero Succeeds by Kam Miller

apply.sundance.org/prog/2019_episodic_lab/  

 

THE WRITERS LAB RETREAT

INFO: The Writers Lab is a four-day script development workshop that gives women screenwriters over 40 the opportunity to work intensively on their feature film scripts with the support of established writers, directors, and producers. The retreat takes place near NYC, but in the countryside: beautiful and private locations that minimize distractions and promote creativity and confidence. Through one-on-one meetings, panel discussions, guest speakers, and group meals, Mentors and Writers engage in a rigorous process that provides support in both the craft and commerce of screenwriting. 

DEADLINE: March 14, 2019

thewriterslab.nyc/apply/

Celluloids of Desire Film Submission

CINEDIASPORA

INFO: CineDiaspora is a new diasporic film festival premiering in 2019 in partnership with South Asian Diaspora Artists Collective (SADAC)! CineDiaspora will be an immersive platform to promote a redefinition of South Asian cinema while drawing linkages with cinematic expressions from all communities of color. The festival will seek to champion storytelling in all its forms, particularly from emerging and thoroughly underrepresented voices who are existent within the murky terrains of the 'diaspora.'

We are calling for entries for Celluloids of Desire, which will screen seasonally over two nights in NYC at a public venue: one in mid-April 2019 and the other mid-July. The theme of the night will be desire: submissions should speak to the longing to break down barriers standing in the way of human connection and community. Films from all artists of color are open to consideration.


Short video works (max. 13 minutes)
All genres welcome (music videos, experimental, fiction, documentary, animation, etc.)
Excerpts from longer works welcome, but submissions should work as stand-alone pieces

COMPENSATION: An equal portion of the admissions to the screenings will be provided equally amongst the filmmakers whose works are selected.

DEADLINE: March 15, 2019

docs.google.com/forms/d/e/1FAIpQLSfb5J5voEE_2KFcxrqETK7KQ8Rpvmu9yZJle42XM-4oIVvmig/viewform

FILM -- JANUARY 2019

NYSCA/NYFA ARTIST FELLOWSHIP 

INFO: NYFA is committed to supporting artists from diverse cultural backgrounds at all stages of their professional careers. NYSCA/NYFA Artist Fellowships, awarded in fifteen different disciplines over a three-year period, are $7,000 cash awards made to individual originating artists living and working in the state of New York for unrestricted use. These fellowships are not project grants but are intended to fund an artist’s vision or voice, regardless of the level of his or her artistic development. 

2019 NYSCA/NYFA Artist Fellowship Categories:

The following categories will be reviewed; please click for discipline-specific guidelines:

o    Architecture/Environmental Structures/Design

o    Choreography

o    Music/Sound

o    Photography

o    Playwriting/Screenwriting

DEADLINE: Wednesday, January 23, 2019, 11:59 PM EST.

nyfa.org/Content/Show/Artists'-Fellowships?fbclid=IwAR0GEkRYgSde_C_kmEPgeuM67z14NHoCGSwiFBan9aIGDeVncR4MlI8Gbk0

  

CALL FOR SUBMISSIONS: FILM / TV SCRIPTS

Monkeypaw Productions

INFO: Monkeypaw Productions – created by writer, producer, director Jordan Peele – is now accepting film and TV script submissions. 

Monkeypaw Productions is the studio behind Key & PeeleGet OutBlacKkKlansman, and upcoming projects like Us and The Twilight Zone.

monkeypawproductions.com/submit

  

2019 STORIES OF CHANGE STORYTELLING FELLOWSHIP APPLICATION

Sundance Institute / Skoll Foundation 

INFO: Stories of Change (SOC), a partnership of Sundance Institute and the Skoll Foundation is expanding its global network of storytellers. As part of this effort we are creating the opportunity for 4 experienced filmmakers to attend the 2019 Skoll World Forum (SWF) as SOC Storytelling Fellows. 

Selected SOC Fellows will attend the 2019 Skoll World Forum and travel to Oxford, England from April 6– 13, 2019. Sundance Institute will provide round trip economy travel, ground transportation (including airport pickup and drop off) in the host city, and on-site lodging. We will also cover SWF registration fees, meals on-site, and a modest honorarium of $1,200.

SOC Fellows will have the opportunity to network with Skoll-Awarded Social Entrepreneurs (SASEs) and explore the possibility of bringing their independent voice to create meaningful storytelling projects with SASEs. Activities for the week include: attending Skoll World Forum events, taking meetings with Skoll-Awarded Social Entrepreneurs (SASEs), and participating in a dinner (which includes giving a presentation about your work) that will bring together SOC Fellows, Skoll-Awarded Social Entrepreneurs (SASEs) and Sundance Institute Staff.  

Stories of Change supports the creation of compelling film and media projects inspired by the work of renowned social entrepreneurs; builds and sustains a network of independent storytellers and Skoll-Awarded Social Entrepreneurs; and enhances story skills and the exchange of knowledge between these communities. This collaboration is predicated on common values and the understanding that working together, independent storytellers and social entrepreneurs can reach strategic audiences and find pathways to a better world. 

SUBMISSION FEE: $0 

IMPORTANT DATES:

  • Deadline: January 31, 2019 

  • Skoll World Forum: April 6-13, 2019

apply.sundance.org/prog/2019_stories_of_change_storytelling_fellowship_application/?fbclid=IwAR09JzBWFvFDfHjNyhMfIomWzOm2Mxl292l__BgMfiWbilQ6ZTwa58F6Hb8

 

FILM -- OCTOBER 2018

ARTIST RESIDENCY PROGRAM

The Millay Colony

INFO: The Millay Colony is an artists residency program in Upstate New York. We welcome 6-7 visual artists, writers, poets, playwrights, screenwriters, and composers each month between April and November. We offer a number of flexible residency formats. all including a private bedroom and studio as well as all meals. We welcome artists of all ages, from all cultures and communities, and in all stages of their career. We offer ample time to work in a gorgeous atmosphere, organizing everything an artist needs for maximum productivity.

Our seven-acre Upstate New York campus, with its lovely meadows and forest, is adjacent to the former home and gardens of poet Edna St. Vincent Millay and the exquisite Harvey Mountain State Forest. Our residents and guests have access to trails for hiking and bicycles, as well as meadows for picnics (with wild blueberry, wild thyme and a delicious mix of plants and flowers), and creeks and streams for cooling off. In the Winter, residents may choose to go cross-country skiing. We are near the towns of Chatham, NY and Great Barrington, MA.

Our chef cooks healthy delicious dinners and also provides food for residents to cook their own day-time meals. We are happy to respond to food allergies and special diets. We have a barbecue for outdoor grilling and a fire pit for smores.

The Steepletop Barn has four bedrooms and four studios with meadow and mountain views. The Main Building was featured in the July ’98 issue of Architectural Record for its sleek look and commitment to universal access. This building contains two residency suites and studios as well as common areas open to all residents, including the kitchen, dining and living areas, and a laundry room. All are fully accessible. The Main House also has a darkroom, a Yamaha U1 upright piano, a large collection of art books, two lounges, a public telephone, and WiFi. In our adjacent offices, we have a fax machine, copier, computer and printer for residents’s use. 

APPLICATION FEE: $37 

DEADLINE: October 4, 2018 

millaycolony.org/programs/residencies-artists-millay-colony-arts/apply/

SCREENWRITING LAB

Film Independent

INFO: Through personalized feedback from experienced industry professionals and other writers in the program, Screenwriting Fellows will gain the tools to revise and refine their scripts for production.

The Screenwriting Lab also helps to further the careers of its Fellows by introducing them to film industry veterans who can offer guidance on both the craft and business of screenwriting. Each Screenwriting Fellow will be paired with a Creative Advisor, with whom they’ll work one-on-one and in Lab sessions to further develop their project over the course of the program. A variety of guest speakers may screen and discuss their own films, or offer insights into their career trajectories, and a final retreat offers further opportunity for individualized feedback and discussion with additional established filmmakers and producers.

Film Independent is looking for well-written, compelling, screenplays with an indie spirit and scale, and an original premise or vision. Though applicants must submit a completed draft, the Lab is structured to support writers who are still creatively engaged in the writing process. Those who welcome feedback and discussion will benefit most from the program, as they further develop their work.

Cast and crew attachments aren’t necessary to a project’s eligibility, though the program is geared toward those scripts already on the path to production.

BENEFITS:

  • A pass to the LA Film Festival

  • Inclusion in the Film Independent Talent Guide

  • Year-round support from Film Independent, for all phases of production

  • Eligibility for the Indie Writers Caucus of the WGAw

APPLICATION FEE:

  • FREE for Filmmaker Pro Members (limited to one waived fee per Membership year)

  • $45 for Film Independent Members

  • $65 for non-Members 

THE FINE PRINT

Beyond the application fee, there is no cost or tuition to participate in any of Film Independent’s Artist Development programs.

Film Independent membership is not required when applying to Artist Development Labs; however, all participants accepted into the labs are required to join Film Independent at the standard annual membership rate of $95.

Film Independent Members applying to the Screenwriting Lab will receive written coverage of their submissions, whether or not they’re accepted to the program.

Those applicants who are invited to participate in the program should plan to be in Los Angeles for the four-week duration of the Lab. Film Independent is unable to subsidize any travel, lodging and/or visa expenses for any participants attending from outside of Los Angeles. Participants are expected to attend all sessions in person.

DEADLINE: 

  • Non-Member Deadline: October 22, 2018

  • Film Independent Member Extended Deadline: November 5, 2018

https://www.filmindependent.org/programs/applications/

Universal Writers Program

INFO: The Universal Writers Program identifies up-and-coming and experienced screenwriters with unique points of view that build upon the Studio’s commitment to telling stories and creating films that reflect the vast diversity of our audiences. The only feature film program sanctioned by the Writers Guild of America West (WGAW), the Program develops storytellers who organically incorporate multicultural and global perspectives in screenwriting.

The one-year paid program engages writers to create material for development consideration; however, concept development is not guaranteed. From pitch to final draft, writers are afforded creative guidance from executives, producers and designated creative consultants. In addition to penning two (2) feature-length scripts, writers participate in a curriculum designed to strengthen their creative and professional development, as well as overall knowledge of the Studio production process from pitch to premiere. The Program also provides access to agents, managers and various industry professionals through meetings and/or events.

Writers selected to participate in the Program are hired under a writing service agreement requiring an exclusive, full-time commitment of a minimum of 40 hours per week. Additionally, should a writer’s material be identified as potential development content, Universal Filmed Entertainment Group (UFEG) has the option to extend the writer’s contract for a term of up to one additional year. 

DEADLINE: October 31, 2018 at 11:59 p.m. PST.

universaltalentdevelopment.com/writers

 

FILM -- SEPTEMBER 2018

RADCLIFFE INSTITUTE FELLOWSHIPS

Harvard University

INFO: The Radcliffe Institute Fellowship Program is a scholarly community where individuals pursue advanced work across a wide range of academic disciplines, professions, and creative arts (including Fiction, Poetry, Nonfiction/Biography/ Autobiography/Memoir, Nonfiction/Current Issues, Playwriting or Screenwriting, and other topics). 

To be considered for a fellowship in fiction or nonfiction, applicants must have any of the following: one or more published books, contract for the publication of a book-length manuscript, or at least three shorter works (longer than newspaper articles) published. Evidence of publication in print format within the last five years is highly desirable; Web site publications are not acceptable as the only form of previously published work. Applicants should note that reviewers take into account evidence of a distinctive, original voice, richness or dimensionality of text, and coherence in the project plan. Professionals interested in writing about their work experiences should apply in the category of nonfiction. Recommendations from editors and/or agents are not acceptable.

AWARD: Radcliffe Institute fellows are in residence for a period of nine months between September 1, 2019 and May 31, 2020 and receive a stipend of $77,500 plus an additional $5,000 to cover project expenses. Applicants may apply for either one or two semesters. Single-semester Radcliffe fellows receive a $38,750 stipend plus an additional $2,500 to cover project expenses.

This is a residential fellowship; therefore, fellows are expected to reside in the Boston area for the duration of their time as Radcliffe fellows. Fellows are expected to be free of their regular commitments so they may devote themselves full time to the work outlined in their proposal. The Institute will provide office or studio space and access to libraries and other resources at Harvard University during the fellowship year. Radcliffe fellows may also be eligible to receive relocation, housing, and childcare funds to aid them in making a smooth transition to Radcliffe. Health care options are made available as needed.

DEADLINE: September 13, 2018

radcliffe.harvard.edu/fellowship-program/how-apply

FILM -- AUGUST 2018

360 INCUBATOR

Black Public Media

INFO: 360 Incubator + is back with a call for submissions open now. In its third year, 360Incubator + is one of Black Public Media’s innovative programs designed to bring filmmakers representing an array of styles, interests and creative approaches into the public media community.  Ten projects (nonfiction feature length or limited series films) that are currently in the pre-production phase will be selected to participate in the program that kicks off this fall and concludes with an opportunity to pitch funders at BPM’s Pitch Black in June 2019.  T

he 360 Incubator, an intensive hands-on training residency, provides media-makers with tailored instruction to address needs specific to each project.  With the guidance of a media professional mentor and group workshops, training is provided in targeted areas such as proposal development, script writing, fundraising, understanding the business, distribution options, outreach, and more.  Every participant completes the Incubator with a pilot or funding reel, a full project proposal, and a robust fundraising strategy. Past 360 projects have secured distribution deals with PBS Digital and World.

DEADLINE: August 31, 2018

FILM -- JULY 2018

SCRIPTAPALOOZA FELLOWSHIP

INFO: The fellowship program was developed to honor dedicated writers and to help further their creative process and skills. Writing in itself is a journey and we would like to facilitate the process by giving the fellows the opportunity to be surrounded by like-minded professionals and individuals.

Fellowship recipient will receive: 

  • Fellowship recipient will be sent to a Robert McKee Story Seminar.
  • Airfare and Hotel to Los Angeles or New York.
  • 6 month mentorship with Scriptapalooza mentor.
  • Access to over 90 producers thru Scriptapalooza's network.
  • Attend an Aaron Sorkin MasterClass online class.

5 recipients will receive: 

  • 3 month mentorship with Scriptapalooza mentor.
  • Access to over 90 producers thru Scriptapalooza's network.
  • Attend an Aaron Sorkin MasterClass online class.
  • We will offer advice, guidance and direction on your script.

FELLOWSHIP FEES: 

  • Fellowship entry only $45
  • Fellowship entry with 4-5 pages of feedback $155

IMPORTANT DATES:

  • Deadline is July 9
  • Applicants get their feedback between July thru September
  • We announce the top 6 Fellows on September 3
  • We announce the Fellowship recipient on September 10
  • Fellowship recipient attends the McKee Story Seminar in 2018

www.scriptapalooza.com/fellowship/

 

2018 SLAMDANCE SCREENPLAY COMPETITION

INFO: The Slamdance Screenplay Competition is dedicated to discovering and supporting emerging writing talent. They welcome screenplays in every genre, on any topic, from anywhere in the world. A unique feature of the competition is providing constructive feedback for every entrant. In addition to this, they also offer a more intensive coverage service for a supplementary fee. Now in their 23rd year, they have a history of highlighting talented, independent screenwriters and introducing them to the entertainment industry.

The competition consists of four categories (Short, Original Teleplay, Feature, and Horror). Awards are given to the top three scripts in each category. In addition to that, Slamdance will present the Grand Prize for the best screenplay, regardless of category.

DEADLINE: July 23, 2018

SUBMISSION FEE: Please visit website for more information

showcase.slamdance.com/Screenplay-Competition

FILM -- JUNE 2018

URBANWORLD SCREENPLAY COMPETITION

Urban World Film Festival 

INFO: Urbanworld Foundation Inc., a nonprofit organization that seeks to redefine and advance the presence and impact of the multicultural community in cinema, is seeking feature film length screenplays (90-130 pages) for its five-day festival. The screenwriter must consider himself / herself of African American, Latino, East Asian, or South Asian descent. If the screenwriter is none of the above, the screenplay must feature African American, Africans, Latinos or Asians in prominent roles. 

SUBMISSION FEES: Please check the website for fee requirement.

DEADLINE: June 8, 2018

filmfreeway.com/festival/UrbanworldFilmFestival

 

FIRELIGHT DOCUMENTARY LAB OPEN CALL

INFO: The Firelight Media Documentary Lab is an 18-month fellowship program that supports filmmakers from racially and ethnically underrepresented communities working on their first or second feature length documentary film. The Lab provides filmmakers with customized mentorship from prominent leaders in the documentary world, funding, professional development workshops and networking opportunities.

We are looking for applicants who make artful and innovative documentary films that focus on underrepresented communities and provide new narratives about the most pressing issues of our time. Firelight Media will consider all types of long form documentary projects - historical, investigative, personal, verité, and experimental.

Firelight Media utilizes the Core Documentary Application. As part of your submission, you will need to share a work sample no longer than 15 minutes (for projects in production) or a rough cut at any length (for projects in post.)

You will receive notification of your status within 12-16 weeks of submission. If you are among a small group of finalists who advance through a series of peer reviews, you may be asked for additional information or project updates. Results will be shared September 2018. 

DEADLINE: June 12, 2018

firelightmedia.tv/doc-lab-open-call/

FILM -- MAY 2018

ACADEMY NICHOLL FELLOWSHIP IN SCREENWRITING

The Academy of Motion Picture Arts and Sciences   

INFO: Each year, the Academy Nicholl screenwriting competition awards up to five fellowships to amateur screenwriters. Fellowship winners are invited to participate in awards week ceremonies and seminars in November and expected to complete at least one original feature film screenplay during the Fellowship year.

AWARD: $35,000 Fellowship

DEADLINE & SUBMISSION FEES:

  • Late Submission – May 1, 2018 by 11:59pm PST ($85 entry fee)

oscars.org/nicholl/about

 

BLACK LIVES MATTER SCREENWRITING COMPETITION

INFO: The mission of the ‘Black Lives Matter Screenwriting Competition’ is to bridge the gap between emerging black screenwriters and producers who want to make films that represent the black experience. By shining a light on the culture and historical perspective that has shaped – and continues to shape – the lives of the black population in both the United States and abroad, we hope that the scripts and films generated will bring about a greater representation of black talent and a greater assimilation of black stories into the film industry.

We are a team of artists, writers, directors, and producers who are dedicated to the success of the next generation of filmmakers and screenwriters from around the world. We look for storytellers who are passionate about creating narratives about our communities in the U.S. and abroad – from inner city Atlanta, LA, New York, Oakland, Detroit, Chicago, and Milwaukee to Wall Street and the NBA; and from Africa, Brazil, and the Caribbean to the streets of London.

Because we believe that these stories are part of the incredible tapestry of our world culture, we welcome submissions from artists from around the world of any sex, sexual orientation, or ethnicity, white, black, Latin, Asian, and everything in between in order to create diversity in the film industry. We are passionate about discovering promising artists and we love all kinds of stories from studio blockbusters to art house fare; from silly comedies to gritty dramas. No two paths are the same and no two stories are alike. As long as your script is about the black community or issues affecting the black community, where ever that black community might be, be it in the U.S., Africa, or outer space. We just want to see more stories about our communities.

We specifically hope that our ‘Black Lives Matter Screenwriting Competition’ will inspire more talented black authors to submit their work so that we will have the opportunity to introduce more films about the black experience to the industry.  Our goal is to inspire more black authors to write, to see more black stories to go into production, and to connect production companies that tell our stories to the exceptionally talented storytellers who are writing them. We want to inspire generations of filmmakers to tell great stories that will inspire future generations to tell great stories.

1ST PLACE GRAND PRIZE

$250 in cash and prizes, recognition as the winner of the Black Screenplays Matter Screenwriting Competition, and your logline and script will be distributed to our database of agents and producers on both coasts who are looking for clients and material to produce. Winners will also receive an InkTip Script Listing of your script on InkTip so that even more producers and reps can find you.

2nd PLACE GRAND PRIZE

You will be honored as a finalist and your logline and script will be distributed to our database of agents and producers on both coasts who are looking for clients and material to produce. Winners will also receive an InkTip Script Listing of your script on InkTip so that even more producers and reps can find you.

3rd PLACE GRAND PRIZE

Your logline and script will be distributed to our database of agents and producers on both coasts who are looking for clients and material to produce. One Winner will also receive an InkTip Script Listing of your script on InkTip so that even more producers and reps can find you.

blackscreenplaysmatter.com/

 

URBANWORLD SCREENPLAY COMPETITION

Urban World Film Festival 

INFO: Urbanworld Foundation Inc., a nonprofit organization that seeks to redefine and advance the presence and impact of the multicultural community in cinema, is seeking feature film length screenplays (90-130 pages) for its five-day festival. The screenwriter must consider himself / herself of African American, Latino, East Asian, or South Asian descent. If the screenwriter is none of the above, the screenplay must feature African American, Africans, Latinos or Asians in prominent roles. 

SUBMISSION FEES: Please check the website for fee requirement.

DEADLINES:

  • Late – May 25, 2018
  • Extended – June 8, 2018

filmfreeway.com/festival/UrbanworldFilmFestival