POETRY -- JAN 2020

Put Into Words, My Love - Petite Pomme by Pomme Journal

INFO: Pomme Journal is pleased to announce a call for submissions for their inaugural Petite Pomme, a miniature sized journal at 4x6", entitled "Put Into Words, My Love"

We're looking forward to falling in love with your work! "Put Into Words, My Love" is an exploration of the feeling of love, and an attempt to put it into words. The final collection will be a long love story, small enough to fit in your pocket and suitable for recitation to your dearest loved one. 

Accepted work will feel 

  • genuine

  • gender neutral

  • reflective

  • uplifting 

Please note, submissions that do not meet the guidelines will not be accepted. 

All submissions must be 

  • no longer than 900 CHARACTERS (please note, spaces and punctuation count as a character). 

  • OR 20 lines (Take into consideration, a full return space between stanzas counts as a line).

  • Each line cannot exceed 45 characters

Accepted work will be displayed in 9pt font in a space approximately 2.5x5".

SUBMISSION FEE: $2

DEADLINE: January 2, 2020

https://pommejournal.submittable.com/submit/150326/put-into-words-my-love-petite-pomme-by-pomme-journal

LATINX POETS MENTORSHIP

INFO: Poet Eduardo C. Corral’s Latinx Poets Mentorship Program is open to:

  • Latinx poets working on their first full-length poetry manuscripts

  • Latinx poets living and working inside and outside the USA

  • MFA degree not required

Mentorship includes feedback on full-length manuscript (line edits, order) and advice on how to navigate book contests and publishing opportunities. He will also help fashion cover letters and project descriptions for fellowships / award opportunities. Additionally, he would be more than happy to discuss the highs and lows of post-MFA life and the importance of developing an active writing practice.

Please send the following materials, in a single PDF file, to latinxpoetrymentorship@gmail.com:

  • Five pages of work

  • Letter of introduction (no more than a page). Feel free to describe your work, the current state of your manuscript, and the writers you’ve worked with in the past. That said, the letter is your letter. Write what you wish.

He will select three Latinx poets by end of January.

DEADLINE: January 5, 2020

https://twitter.com/eduardoccorral/status/1205592953780981761

2020 UNDOCUPOETS FELLOWSHIP

Sibling Rivalry Press Foundation 

INFO: The Sibling Rivalry Press Foundation is proud to host the Undocupoets Fellowship, sponsored by Amazon Literary Partnership. The mission of Undocupoets is to promote the work of undocumented poets and raise consciousness about the structural barriers that they face in the literary community. We believe in supporting all poets, regardless of immigration status.

Overview: The Undocupoets Fellowship annually grants TWO $500 fellowships, with no strings attached, to poets who are currently or who were formerly undocumented in the United States to help defray the cost of poetry-related submission fees. 

Submission Process: Please submit up to 10 pages of poetry, with no more than one poem per page, per individual. In addition, please include a cover letter with a bio and brief description of your current work or manuscript-in-progress.

At least one of the two fellowships awarded will be given to LGBTQ undocumented or previously undocumented poets per an agreement with Sibling Rivalry Press. Please indicate on your bio if you identify as LGBTQ.

While no single fellowship recipient will receive more than $500 on any given year, fellowships can be awarded to the same individual for multiple years.

DEADLINE: January 15, 2020

siblingrivalrypress.com/undocupoets-fellowship

CALL FOR SUBMISSIONS

Please See Me

INFO: We seek previously unpublished, creative, and high-quality work in the form of poetry, creative nonfiction/essays, fiction/short stories/flash fiction, and digital media (photography, drawings, podcasts, and short films). Patients, students, family members, caregivers, nurses, physicians, healthcare consumers, artists, mental health providers, physical therapists, writers, clergy—all of us will be patients one day and all are welcome to submit work. We are especially looking for content that connects us, make us feel something, or helps us see illness, wellness, health, or the healthcare environment differently.

Theme Guidelines

The theme for our March 2020 issue is Hope. What, or who, gives you hope? A caregiver? A patient? A child? A colleague? What did you hope for and receive, or not receive? What are you hoping for as it relates to health and wellness–for yourself or for others? Have you lost hope? Have you found hope? Did a new treatment or wellness plan give you hope for a cure? A better way of life? Tell us about all of it. All submissions should directly or indirectly touch on this theme in some way. Be creative! It’s a new year and there is much to be hopeful about!

All Submissions can be made through Submittable.

Mental Health Awareness Writing Contest

In this issue we are also hosting a Writing Contest with a $250 award in all 3 written genres for stories and narratives that raise awareness on issues related to mental health, such as homelessness, missed or delayed diagnosis, or loss (of family, husband/wife, jobs), with extra credit given to those who can tie both into our theme of Hope. Contest Submission should be made through Submittable.

Genre Guidelines

Poetry

Please submit a maximum of three poems at a time.

Fiction

Please submit short stories up to 4,000 words in length. Flash fiction, up to 1,000 words, is welcome and encouraged.

We will look at excepts of longer works on a case-by-case basis; please query us with a description of your project before submitting.

Creative Nonfiction

Please submit nonfiction pieces up to 4,000 words in length.

We will look at excepts of longer works on a case-by-case basis; please query us with a description of your project before submitting.

Films

Please submit links to your short films for review, and up to five minutes in length.

Other Media

We welcome submissions of photography, podcasts, and other media. All digital media will should be hosted by the creator, and shared by a link. Photography and still images can be attached to submission.

For All Submissions

Get creative! Anything that touches on our theme is be considered fair game. If you are not sure your work fits, please query us through Submittable.

DEADLINE: January 15, 2020

http://pleaseseeme.com/submissions/

Summer 2020 LITERATURE FELLOWSHIP (June 1– September 30, 2020)

MacDowell Colony

INFO: About 300 artists in seven disciplines are awarded fellowships each year and the sole criterion for acceptance is artistic excellence. There are no residency fees. Travel grants as well as need-based stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply. MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts.

Writers of novels, short story, graphic writing, journalism, essays, biography, creative nonfiction, memoir, poetry, and translation into English are accepted.

SUBMISSION FEE: $30

DEADLINE: January 15, 2020

https://macdowell.slideroom.com/#/Login

ARTIST RESIDENCY

Helene Wurlitzer Foundation

INFO: The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven guest houses, or casitas, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.

The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.

Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.

Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.

SESSIONS:

  • Session 1: Jan - Apr

  • Session 2: June - Aug

  • Session 3: Sept - Dec

DEADLINE: January 18, 2020

https://wurlitzerfoundation.org/apply

NYSCA/NYFA ARTIST FELLOWSHIP

INFO: The NYSCA/NYFA Artist Fellowship is a $7,000 unrestricted cash grant available to artists living in New York State and/or one of the Indian Nations located therein. This grant is awarded in 15 different disciplines over a three-year period (five categories a year) and the application is free to complete. The NYSCA/NYFA Artist Fellowship is not a project grant, but is intended to fund an artist's vision or voice, at all levels of their artistic development.

APPLICANTS MUST MEET THE FOLLOWING ELIGIBILITY REQUIREMENTS

  • 25 years or older

  • Current residents of New York State and/or one of the Indian Nations located in New York State

  • Must have maintained New York State residency, and/or residency in one of the Indian Nations located therein, for at least the last two consecutive years (2018 & 2019)

  • Cannot be enrolled in a degree-seeking program of any kind

  • Are the originators of the work, i.e. choreographers or playwrights, not interpretive artists such as dancers or actors

  • Did not receive a NYSCA/NYFA Artist Fellowship in any discipline in the past five consecutive years: 2015, 2016, 2017, 2018, and 2019

  • Cannot submit any work samples that have been previously awarded a NYSCA/NYFA Artist Fellowship

  • While collaborating artists are eligible to apply, the total number of collaborators cannot exceed three

  • Are not a current NYFA employee or have been in the last 12 months, a member of the NYFA Board of Trustees or Artists’ Advisory Committee, immediate family member of any of the aforementioned, or an immediate family member of a 2019-2020 panelist

  • Artists that have been awarded five NYSCA/NYFA Artist Fellowships receive Emeritus status and are no longer eligible for the award

2020 NYSCA/NYFA Artist Fellowship Categories

  • Craft/Sculpture

  • Digital/Electronic Arts

  • Nonfiction Literature

  • Poetry

  • Printmaking/Drawing/Book Arts

DEADLINE: January 22, 2019

https://www.nyfa.org/Content/Show/Artists'-Fellowships?fbclid=IwAR2pXVjz3oBICDWe4kkOArpVjNyqAPT7V7kwDHwpwCXBe2MXJas5FjDsZlU

Summer Residency Program

University of Arizona Poetry Center

INFO: Founded in 1994, the University of Arizona Poetry Center’s Summer Residency Program offers poets the opportunity to focus on their writing during a two-week stay in Tucson, Arizona. Residents are housed in the Poetry Center’s studio apartment, located just steps away the Center’s renowned library of contemporary poetry. Residents also receive a $500 stipend and give a public reading in the Poetry Center’s Reading and Lecture Series, ongoing since 1962. The residency is offered annually between late June and August.

The 2020 Summer Residency Judge is sam sax. sam sax is a queer, Jewish, writer & educator. He is the author of Madness (Penguin, 2017) winner of The National Poetry Series selected by Terrance Hayes & Bury It (Wesleyan University Press, 2018) winner of the James Laughlin Award from the Academy of American Poets. sam has received fellowships from the National Endowment for the Arts, the Poetry Foundation, Lambda Literary, & the MacDowell Colony.

Eligibility

Open to poets at any stage of their career. Emerging writers welcome. Friends, students, or family members of the judge are not eligible. Current University of Arizona affiliates and/or Tucson residents may not apply. This award is currently only open to US Residents.

About the Residency Experience

Residents stay in a studio apartment located on the premises of the Poetry Center within the University of Arizona campus. Restaurants, a coffee shop, and stops for buses and the streetcar are all located nearby, and a bicycle is available for your use. Tucson’s streetcar provides convenient transportation to Fourth Avenue and downtown Tucson, where you can find restaurants, cafés, bars and music venues, and grocery stores.

The residency is offered late June through August. During this time, local temperatures average in the 100s. Some residents find the heat overwhelming at first. However, mornings are cool, and our monsoon season, which usually takes place from the end of June through July, can sometimes brings significantly lower temperatures along with the storms.

We host only one resident per summer and our residents have no duties or responsibilities, other than to give a public reading.

Our residency program is, in important ways, an experience of solitude. If collaboration, networking, and companionship are important elements of a residency experience for you, you may want to look into the many other excellent residency programs that can provide these opportunities.

What we can offer are the following essentials of our residency experience:

  • quiet, unstructured writing time

  • an apartment all to yourself

  • access to an amazing library collection of contemporary poetry in English

  • a $500 stipend and domestic roundtrip airfare. If traveling by car, you may be reimbursed in the amount equal to the cost of a domestic airfare ticket for the same time period. If you plan on driving instead of flying, please let us know in advance. 

The resident’s studio apartment cannot accommodate partners or pets, other than certified service animals. Smoking in the studio apartment is not permitted. Residents are responsible for providing their own transportation for the duration of their stay, cell phone (there is no landline in the studio apartment), computer (free wifi is available), exercise equipment, and other supplies. The Poetry Center will have prepared the apartment with one initial round of groceries, after which the resident is responsible for acquiring their own food. Residents are also responsible for doing their laundry at a nearby laundromat.

DEADLINE: January 31, 2020

https://poetry.arizona.edu/opportunities/residencies/summer-residency-program

CALL FOR SUBMISSIONS

Global City Review

INFO: Global City Review is a biannual online and print publication. Each issue is organized around a broad theme and includes stories, poems, memoirs, interviews, essays, and artwork. The designated theme for forthcoming Issue 24 is: Setting The Record Straight.

We publish:

  • short fiction and memoir (up to 15 pages)

  • poetry (up to 5 poems; please format and submit as a single document)

  • interviews and essays (up to 15 pages)

  • artwork in various mediums

  • We accept simultaneous submission. If your work is accepted elsewhere, we ask you inform us immediately.

  • No multiple submissions. Please only send one submission per reading period.

We publish original, previously unpublished work.

Format:

  • All manuscripts must be double spaced and numbered.

  • To be included on the first page of your submission:

  • your name;

  • contact information;

  • genre;

  • word count; and

  • one to three sentences about how the work speaks to the designated theme of the forthcoming issue.
    We accept .doc and .docx formats.

DEADLINE: January 31, 2020

https://globalcitypress.com/contact-subscribe-submit/

adda open call: CLIMATE CHANGE

INFO: adda is the online magazine of Commonwealth Writers. We are looking for new writing on the theme of climate change. We seek poetry, fiction and – in particular – non-fiction.

Non-fiction submissions can be sent either completed or in the form of a detailed proposed idea/pitch (maximum 500 words). For those sending in a pitch, Commonwealth Writers recommends submitting as far in advance of the deadline as possible.

No previously published work will be considered, whether in print or online, in whole or in part. We will, however, consider new translations into English of work already published in other languages. We will consider commissioning new non-fiction in other languages and arrange the translation ourselves. Please note, we can only accept submissions from citizens of Commonwealth countries.

We encourage you to familiarise yourself with the work already published on adda. We are looking to select a broad range of work. Entries by voices, or on topics, that may receive less attention from other publications are welcomed.

Please submit only once. You may enter work in one of the three categories: Poetry, Fiction, or Non-fiction. We accept simultaneous submissions on the understanding you will inform us immediately if the text is accepted for publication elsewhere.

To submit to this call, please complete the submissions form and upload:

  • A description of your writing history (300 words max)

And one of the following:

  • Up to two poems only (no word count, but a maximum five pages in total)

  • One piece of fiction writing (word count 2000-5000)

  • One non-fiction piece (word count 2000-5000)

  • One non-fiction proposal (word count 500 words maximum)

Submissions are read anonymously. Please do not include any contact or personal information in the files that you submit.

DEADLINE: January 31, 2020

https://www.addastories.org/open-call/

THE LUCY TERRY PRINCE PRIZE 

Mount Island

INFO: We joyfully announce the establishment of the Lucy Terry Prince Prize, a new poetry competition open to rural writers of color. The Lucy Terry Prince Prize honors the life of Lucy Terry Prince, a free, landowning Black woman in colonial Vermont who is considered the first known African-American poet in English literature. An introduction to Lucy Terry Prince’s story, as well as links to further material, are available on our website.

PRIZE: The winner of the Lucy Terry Prince Prize will receive a cash prize of $500, publication in our 2020 print anthology, and an invitation to read at and participate in a panel on race, art, and the rural in fall 2020.

We are thoroughly honored to also announce that Major Jackson will serve as the Prize’s inaugural judge.  

Major Jackson is the author of five books of poetry, including The Absurd Man (2020), Roll Deep (2015), Holding Company (2010), Hoops (2006) and Leaving Saturn (2002), which won the Cave Canem Poetry Prize for a first book of poems. His edited volumes include: Best American Poetry 2019, Renga for Obama, and Library of America’s Countee Cullen: Collected Poems. A recipient of fellowships from the Fine Arts Work Center in Provincetown, Guggenheim Foundation, National Endowment for the Arts, and the Radcliffe Institute for Advanced Study at Harvard University, Major Jackson has been awarded a Pushcart Prize, a Whiting Writers’ Award, and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has published poems and essays in American Poetry Review, Callaloo, The New Yorker, The New York Times Book Review, Paris Review, Ploughshares, Poetry, Tin House, and included in multiple volumes of Best American Poetry. Major Jackson lives in South Burlington, Vermont, where he is the Richard A. Dennis Professor of English and University Distinguished Professor at the University of Vermont. He serves as the Poetry Editor of The Harvard Review. 

DEADLINE: February 15, 2020

https://mountisland.com/call-for-submissions-the-winter-issue-2020-print-anthology-and-soon-our-first-poetry-prize/

POETRY -- DEC 2019

THE SILLERMAN FIRST BOOK PRIZE FOR AFRICAN POETS

INFO: The Sillerman First Book Prize for African Poetry is awarded annually to an African poet who has not yet published a collection of poetry. The winner receives USD $1000 and book publication through the University of Nebraska Press and Amalion Press in Senegal.

The African Poetry Book Fund Editorial Board, including Kwame Dawes, Chris Abani, Matthew Shenoda, John Keene, Gabeba Baderoon, Bernardine Evaristo, Phillippa Yaa de Villiers, and Aracelis Girmay will judge.

A winner will be announced in early January, with notifications sent shortly thereafter.

The Sillerman First Book Prize for African Poets will only accept “first book” submissions from African writers who have not published a book-length poetry collection. This includes self-published books if they were sold online, in stores, or at readings. Writers who have edited and published an anthology or a similar collection of other writers’ work remain eligible.

An “African writer” is taken to mean someone who was born in Africa, who is a national or resident of an African country, or whose parents are African.

Only poetry submissions in English can be considered. Work translated from another language to English is accepted, but a percentage of the prize will be awarded to the translator.

No past or present paid employees of the University of Nebraska Press or Amalion Press, or current faculty, students, or employees at the University of Nebraska, are eligible for the prizes.

DEADLINE: December 1, 2019

 http://africanpoetrybf.unl.edu/prizes/

  

2020 ARTIST IN RESIDENCE PROGRAM: POETRY

Marble House

INFO: Marble House Project is a multidisciplinary artist residency program that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. Residencies run from April through October, scheduled into six three-week residencies and one two-week family-friendly residency for artists with children. Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond.

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. All residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. A substantial amount of the food we provide comes from our organic garden, which also serves as a space for gathering and an educational tool. Residents are invited to help with planting, harvesting, and maintenance. While not required, our hope is that you will spend some time in the garden alongside your studio practice. Each session culminates with ART SEED, our public open house weekend event. Artists are invited to share their work with our community through artist talks, readings, performances, and open studios.

Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni, staff, and outside experts, and artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you. You may choose the family friendly residency only if you will be bringing your children. Family friendly applicants may select additional dates if willing to attend without your children.

Marble House Project does not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations. 

Selection Process  

Our jury is composed of Marble House Project alumni and professionals within their field. We do not post the names of our jury and jury members change annually. After artists are chosen, they are specifically curated into residency groups by staff, board and outside consultants. 

Collaborators:

Two artists maximum. 

If applying as a collaborative (two artists max), please complete a single application in the discipline most applicable for your shared project. Please include both artists’ resumes in your upload and an artist statement which relates to both collaborators. Work samples should reflect both artists’ work, and/or work from previous collaborations. Collaborators should be willing to share a studio and possibly a bedroom. 

Selection Process  

Our jury is composed of Marble House Project alumni and professionals within their field. We do not post the names of our jury and jury members change annually. After artists are chosen, they are specifically curated into residency groups by staff, board and outside consultants. 

Collaborators:

Two artists maximum. 

If applying as a collaborative (two artists max), please complete a single application in the discipline most applicable for your shared project. Please include both artists’ resumes in your upload and an artist statement which relates to both collaborators. Work samples should reflect both artists’ work, and/or work from previous collaborations. Collaborators should be willing to share a studio and possibly a bedroom. 

Questions? 

Please contact info@marblehouseproject.org if you have any questions relating to the application or residency or visit our FAQ page. 

APPLICATION REQUIREMENTS

Applicant Information and Contact

1. First Name 

2. Last Name

3. Email address  This information will not be shared with our jury

4. Phone Number This information will not be shared with our jury

5. Mailing Address This information will not be shared with our jury

6. Artists Statement

Word count should not exceed one page or 250 words.  

7. Resume or CV. 

Please upload a current resume and include education history; awards, grants and fellowships received, artists' residencies attended and a list of professional achievements in your field (exhibitions, publications, performances, recordings). Please delete your address and email from this document. We want to respect the privacy of each applicant.

8. Website 

If you do not have a website, do not input this information. 

9. Statement of intent/project description

What will your focus be or what do you plan to accomplish during your residency at Marble House Project? While we are aware that this may change, it is important in shaping how each residency group is curated.  300 word limit.

10. Work Samples.

You may upload up to 12 pages of writing samples. Pages must be double spaced. 

11. Studio Needs

Please tell us about any special requirements you might have for your studio space. Jurors will not see this information. 

12. How did you hear about Marble House and anything else we need to know.

This question refers to anything that may be relevant to your application that is not asked in other areas. Please tell us who referred you to our program or how you heard about it.. Our jury will not see this information.

13. Residency Dates

Each session hosts eight artists and is carefully curated to bring together a group of creative workers across various disciplines, who might collaborate and learn from one another. The more dates you are available, the more flexibility Marble House Project has in curating each group. Please choose carefully because if accepted, you will be placed in a residency session that has been curated with you in mind. and it is sometimes very difficult to move people around. If your dates change, please notify us prior to January 15th. If you are applying for the family friendly residency please check that box. If you are applying for family friendly but can also attend a residency without your child/children then check each time slot that you are available. You may not apply to the family friendly residency without a child. Children should be no younger than three in order to participate in our camp for artists children. If your child is younger than three, you will need to have a partner provide childcare. Jurors will not see which sessions you apply to. Residency dates for the 2020 Artist in Residency are as follows:

  • April 13th - May 5th

  • May 11th - June 2nd

  • June 8th - June 30th

  • August 3rd - August 25

  • August 31 - Sept 22

  • October 5 - 27th

  • July 13 - July 28  Family Friendly Residency

14. For Family Friendly Residency only.

Please answer all of the questions if you are applying to our family friendly residency session.. If you are not applying to this session, please leave the answers blank. This information remains internal and is not seen by our jurors. 

15. Outreach and Statistical purposes

The questions below are for outreach and statistical purposes, and will remain confidential. Marble House Project is working hard to reach creative people in many different communities.. Although optional, we strongly encourage you to answer the questions below. Our demographic questions will help us achieve this goal in the coming years and we need your help.  

Marble House Project does not and shall not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations.  

  • Date of Birth

  • Country of Birth

  • How do you self-identify - This question refers to pronouns and anything else you choose to tell us about yourself.

  • Ethnicity Please respond in the way that most appropriately describes how you identify yourself.

  • Education What is the highest degree of education you have completed?

SUBMISSION FEE: $35

DEADLINE: December 9, 2019

https://marblehouseproject.submittable.com/submit

 

The Ada Limon Autumn Poetry Prize

New Limestone Review 

INFO: Ada Limón is the author of five books of poetry, including The Carrying, which won the National Book Critics Circle Award for Poetry and was named one of the top 5 poetry books of the year by the Washington Post. Her fourth book Bright Dead Things was named a finalist for the National Book Award, a finalist for the Kingsley Tufts Poetry Award, and a finalist for the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the online and summer programs for the Provincetown Fine Arts Work Center. She also works as a freelance writer in Lexington, Kentucky. 

PRIZES:

  • First place winner receives $500 & publication in New Limestone Review

  • Second place winner receives $250 & publication in New Limestone Review

  • Third place winner receives publication in New Limestone Review

JUDGE:

Poems will be judged by Julia Johnson. Julia was born in New Orleans in 1971. She earned a BA from Hollins College and an MFA in creative writing from the University of Virginia, where she was a Henry Hoyns Fellow and studied under Rita Dove, Gregory Orr, and Charles Wright. She is the author of the poetry collections Subsidence (Groundhog Poetry Press, 2016), The Falling Horse (Factory Hollow Press, 2012), and Naming the Afternoon, (LSU Press, 2002), which won the Fellowship of Southern Writers George Garrett New Writing Award. Her poems have appeared or are forthcoming in Tin House, Cincinnati Review, Poetry InternationalThe Southern Poetry Anthology, Sentence: A Journal of Prose Poetics, Washington Square, and numerous other journals and anthologies. 

DEADLINE: December 15, 2019

https://thenewlimestonereview.submittable.com/submit

2020 Cave Canem Retreat


DATES: Arrive June 7, depart June 13

NOTIFICATION: Applicants will be notified of submission status by April 3, 2020

Modifications to the retreat’s previous schedule and fee structure have been made to bring expenses into line with finite financial and human resources, and to ensure the program’s sustainability. These changes have the added benefit of reducing exhaustion for staff, fellows and faculty, and allowing staff more time to respond to fellows’ needs and ideas.

If accepted, please refer to this table and use the financial information form to calculate your fee. Please note that yellow-highlighted fields on the financial information form automatically compute dollar amounts based on the data you enter.

FACULTY: Major Jackson, Robin Coste Lewis, Evie Shockley and Frank X Walker

VISITING POET: francine j. harris

NUMBER OF PARTICIPATING FELLOWS: 40 — ten per workshop group

APPLICATION FEE: $20

ADDITIONAL FEES. Tuition is $1,050 and Room-and-Board is $590. Fellows pay $90 to $1,640 based on their household income, number of dependents, and other factors.

DEADLINE: December 20, 2019

https://cavecanem.submittable.com/submit/148931/2020-cave-canem-retreat-new-applicants

CALL FOR SUBMISSIONS  

Spoken Black Girl

INFO: Resilience. The force that comes from deep within us even at our darkest hour to pick up the pieces again and again, collect our lessons and grow in wisdom. Resilience is the theme for the second issue of Spoken Black Girl Magazine. We will be sharing stories of women who beat the odds and those who are learning how to create the kind of life they want starting with themselves. The submission period is now open. Share your story of resilience. We are accepting essays, fiction, poetry, photography and other visual art elements. Send a pitch with your story of resilience and you just might end up in our upcoming issue!

HERE'S WHAT WE'RE LOOKING FOR:

MENTAL HEALTH

SBG seeks stories that illuminate pathways toward better mental health. Mental health personal essays, features on individuals and organizations involving women of color in the mental health field, mental health perspectives on pop culture and current events as well as tips for inspired living are welcome.

REFLECTIONS

The Reflections Section seeks personal, transparent essays about identity, life experiences, growth, healing, self-love, reclaiming life, and finding inspiration.

POETRY

SBG Poetry seeks works that express the breadth of being a woman of color in this world. Topics can include mental health, self-care, body awareness, hair, beauty, race, gender, sexuality, family, spirituality, health & healing, inspiring stories and tributes, unusual experiences, etc. Poems can be narrative, experimental, prose poetry, video poems, and visual poetry as well. Surprise us with your insight, your creative vision, your skill with language. Also, we are willing to work with emerging writers to polish their pieces and get it ready for publishing. 

https://www.spokenblackgirl.com/submit

 

CALL FOR SUBMISSIONS

CALYX, A Journal of Art and Literature by Women 

INFO: CALYX, A Journal of Art and Literature by Women, accepts submissions of poetry, short fiction, visual art, essays, reviews, and interviews annually. We are always open for submissions of art and book reviews.

In order to remain independent CALYX Journal has made the difficult decision to charge a submission/reading fee beginning in the fall of 2012. This fee is necessary to offset our costs and to allow us to maintain the exceptional quality of work that CALYX Journal is known for. 

The writer/artist guidelines are as follows:

  • Prose (includes essays, flash fiction, short stories, etc.) should be double-spaced and not exceed 5,000 words. On the first page of your manuscript, please include your name, word count and whether your piece is fiction or non-fiction.

  • Poetry submissions are limited to 6 poems. When submitting through our online submission manager, please put all poems into the same document (.doc, .docx, .txt, .pdf).

  • Interviews should be double-spaced and limited to 2,500 words. Please send query to editor@calyxpress.org before submitting.

  • Book Reviews: Please see our full book review guidelines here.

  • Visual Art: Please see our full art review guidelines here. 

SUBMISSION FEE: $5.00 general and $3.00 student/low income per submission. Our online submission manager will automatically direct you to our PayPal account; if you are submitting via mail please include the fee with your submission. Submissions without payment will not be considered.

DEADLINE: December 31, 2019

https://www.calyxpress.org/general-submissions/

 

STORYKNIFE WRITERS RETREAT

INFO: Women’s stories are vital and important. Currently, those stories whether expressed in poems, plays, novels, essays, or memoirs are not published, reviewed, or promoted as often as the work of men. Storyknife provides female-identified writers with the time and space to explore their craft without distraction. Every aspect of a residency at Storyknife is steeped in a profound generosity of spirit so that each writer knows she and her work are valuable. Storyknife residents carry away both this affirmation and a living community of women writers to assist their valuable work wherever they go.

Residencies at Storyknife in Homer, Alaska, are either for two or four weeks,  based on preference of the applicant. Resident’s food and lodging is covered during the period of their residency, but travel to and from Homer, Alaska, is the responsibility of the resident. Residents stay in individual cabins & dine at the main house. An on-staff chef is responsible for food preparation.

Residencies are offered in two week and four week periods. Four week residencies begin on the 1st of each month and end on the 28th. Two week residencies begin on the 1st of each month and end on the 15th. Residencies are available April through October.

Applicants must:

  • Be woman-identified

  • Be 21 years of age or older

  • Apply as an individual artist, not a collaborative group or team

You will provide a work sample and answer three questions (each answer 300 words or fewer).

  • How have you sought to educate yourself as a writer? (Formal education not a prerequisite, but evidence of curiosity and learning in your applicable genre is.)

  • What is your experience with publishing your work? (Publishing is not a prerequisite but is considered a goal for writers who attend Storyknife.)

  • What project will you pursue while in residency? (Please note that you will be free to work on whatever writing you wish during residency. We simply are interested in what you think you’ll be pursuing.)

Work Sample Requirements:

  • Work samples should reflect work completed within the last two years. All work samples must be uploaded through CaFE. Written work samples will be uploaded directly within the application. You do not need to upload images for this application.

  • Applicants can submit published or unpublished work samples.

  • All work samples must be combined into one PDF file.

  • A writing sample not to exceed 10 pages (prose: double-spaced 12 point font, poetry: single-spaced 12 point font acceptable).

  • Any writing samples with identifying material will be disqualified. This is a blind jurying process.

Diversity

Storyknife is committed to diversity and elevating marginalized voices. We value all aspects of diversity and seek to make each resident’s time at Storyknife as productive and pleasant as possible.

Please contact executive director, Erin Hollowell, at ehollowell@storyknife.org to ask about accommodation or to speak further about your needs. Storyknife is welcoming to all and will work with you to meet your needs.

DEADLINE: December 31, 2019  

https://storyknife.org/how-to-apply/

LA MAISON BALDWIN WRITER-IN-RESIDENCE PROGRAM FOR 2020-2021

INFO: Shortly before James Baldwin passed away, he told close friends in Saint-Paul de Vence that he dreamed of seeing his beloved house made into a writers' colony. This medieval village, with its uncommon light, its majestic mountaintop placement and surrounding countryside, has for centuries attracted artists, architects, alchemists and thinkers, great minds intent on changing the world. Here is where Baldwin wrote some of his most enduring books, including If Beale Street Could TalkJust Above my Head, and his sole book of poetry, Jimmy's Blues.

Writers in residence are offered a room in the village center to pursue their current creative project. While in residence, they will contribute to the literary culture of Saint Paul de Vence by offering a community event or creative public program.

They are hosted at La Maison Baldwin Residence for Writers, a house in the historic center of St. Paul de Vence located directly across the street from the village church. The home features a 3rd-floor bedroom suite with a sunny terrace overlooking the tiled roofs of the village and the valley beyond. 

Residents also stay in a charming artist cottage made available to the program through a partnership with the city of St. Paul de Vence.

Lunch every day is offered to the resident writers through partnerships with local restaurants and host families. The fellowship includes a $700 travel stipend.

Eligibility and How to Apply

This fellowship is open to emerging writers working in the spirit of James Baldwin. Eligible to apply are poets, playwrights, essayists and fiction writers with no more than one published book or staged production.

The review committee will select ten fellows for residencies of 2 to 4 weeks in fall 2020 (Sept 15 to Oct. 31) or spring 2021 (April 1 to May 15).

DEADLINE: December 31, 2019

https://www.lamaisonbaldwin.fr/st-paul-de-vence-writer-in-residenc

2020 UNDOCUPOETS FELLOWSHIP

Sibling Rivalry Press Foundation 

INFO: The Sibling Rivalry Press Foundation is proud to host the Undocupoets Fellowship, sponsored by Amazon Literary Partnership. The mission of Undocupoets is to promote the work of undocumented poets and raise consciousness about the structural barriers that they face in the literary community. We believe in supporting all poets, regardless of immigration status.

Overview: The Undocupoets Fellowship annually grants TWO $500 fellowships, with no strings attached, to poets who are currently or who were formerly undocumented in the United States to help defray the cost of poetry-related submission fees. 

Submission Process: Please submit up to 10 pages of poetry, with no more than one poem per page, per individual. In addition, please include a cover letter with a bio and brief description of your current work or manuscript-in-progress.

At least one of the two fellowships awarded will be given to LGBTQ undocumented or previously undocumented poets per an agreement with Sibling Rivalry Press. Please indicate on your bio if you identify as LGBTQ.

While no single fellowship recipient will receive more than $500 on any given year, fellowships can be awarded to the same individual for multiple years.

DEADLINE: January 15, 2020

siblingrivalrypress.com/undocupoets-fellowship

The Lucy Terry Prince Prize 

Mount Island

INFO: We joyfully announce the establishment of the Lucy Terry Prince Prize, a new poetry competition open to rural writers of color. The Lucy Terry Prince Prize honors the life of Lucy Terry Prince, a free, landowning Black woman in colonial Vermont who is considered the first known African-American poet in English literature. An introduction to Lucy Terry Prince’s story, as well as links to further material, are available on our website.

PRIZE: The winner of the Lucy Terry Prince Prize will receive a cash prize of $500, publication in our 2020 print anthology, and an invitation to read at and participate in a panel on race, art, and the rural in fall 2020.

We are thoroughly honored to also announce that Major Jackson will serve as the Prize’s inaugural judge.  

Major Jackson is the author of five books of poetry, including The Absurd Man (2020), Roll Deep (2015), Holding Company (2010), Hoops (2006) and Leaving Saturn (2002), which won the Cave Canem Poetry Prize for a first book of poems. His edited volumes include: Best American Poetry 2019, Renga for Obama, and Library of America’s Countee Cullen: Collected Poems. A recipient of fellowships from the Fine Arts Work Center in Provincetown, Guggenheim Foundation, National Endowment for the Arts, and the Radcliffe Institute for Advanced Study at Harvard University, Major Jackson has been awarded a Pushcart Prize, a Whiting Writers’ Award, and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has published poems and essays in American Poetry Review, Callaloo, The New Yorker, The New York Times Book Review, Paris Review, Ploughshares, Poetry, Tin House, and included in multiple volumes of Best American Poetry. Major Jackson lives in South Burlington, Vermont, where he is the Richard A. Dennis Professor of English and University Distinguished Professor at the University of Vermont. He serves as the Poetry Editor of The Harvard Review. 

SUBMISSION PERIOD: December 1, 2019 – February 15, 2020

https://mountisland.com/call-for-submissions-the-winter-issue-2020-print-anthology-and-soon-our-first-poetry-prize/

POETRY -- NOV 2019

CALL FOR SUBMISSIONS: POETRY

Asian American Writers’ Workshop

INFO: Every Tuesday, the Margins publishes the work of emerging and established Asian American poets. We accept submissions for our Poetry Tuesday feature. Please allow at least five weeks for a response.

We’re looking for: 

  • Poetry that challenges/subverts convention (in both poetry and society)

  • Poetry that is not afraid to be humorous, dirty, and obscene

  • Poetry that explores history

  • Poetry that responds to current events and issues

  • Translations of poetry (given the submitter explains that he/she/they has/have acquired the rights to publish them, along with the originals) 

DEADLINE: Ongoing

https://aaww.submittable.com/submit/44797/poetry

CALL FOR SUBMISSIONS: LUCILLE CLIFTON TRIBUTE

Mentor & Muse

INFO: In celebration of Lucille Clifton, Mentor & Muse: Essays from Poets to Poets wishes to compile an issue of craft-centric essays that honor Clifton’s work. We seek essays that explore Clifton’s poetic choices—her voice, diction, figurative language, allusions, music, subject, aesthetic, risks, and so on—and explore how her poetry has influenced your own poems and/or subsequent generations’ poems.

We envision—and are open to!—different approaches to the Clifton tribute. For example, one approach is to consider how one of her poems helped you better understand a specific poetic principle. Another approach is to interview someone who apprenticed with Clifton’s poetry, whose own poetic knowledge and inspiration arose from studying Clifton’s language and lines. Another approach is to consider what you learned from workshopping with Clifton, or how you introduce Clifton’s work to your own students. (Surprise us. We are excited to love—and learn from—Clifton further!)

Furthermore, we encourage potential contributors to begin where they are most compelled, with the Clifton poems that act as touchstones, poems that contributors return to again and again for inspiration, solace, and guidance. Please note that while we do not have a formal structure in mind, we seek essays that are more personal and creative than academic; essays that reveal the insights that we, as poets, gain from reading and studying Lucille Clifton; and essays that are geared toward poets who already possess an understanding of basic poetic elements, poets who wish to further their poetic knowledge.

And, because we believe that writers not only learn by reading and enjoying the work of other writers, but also through the application of what we learn, we encourage essayists to include a writing prompt that relates to their Clifton-inspired discussions and considerations.

For a better understanding of the Mentor & Muse project, please browse our featured and archived essays and interviews. Our first five issues contain essays from Jericho Brown, Patricia Clark, Laurie Clements Lambeth, Jennifer Franklin, A. Van Jordan, Claire Kageyama-Ramakrishnan, David Keplinger, Alexandra Lytton Regalado, Sandy Solomon, Adrienne Su, and others, as well as interviews with Sean Hill, Matthew Olzmann, Shara McCallum, and Sarah Rose Nordgren.

To submit to the Clifton tribute, please email the editors. As we cannot cover reprinting costs, please select poems that are within the public domain or poems that can already be accessed online. While we occasionally print longer work, we suggest essays range from 750 to 2,500 words. Please query us with your questions about subject, style, or mode (mentorandmuse.poets@gmail.com).

DEADLINE:  November 1, 2019

https://mentorandmuse.net/lucille-clifton-tribute/?fbclid=IwAR0JMXYvw2SvtWIwYs9JHvRwgEMQDqo1L1zYqVDhX_Voo393DMUVlhWVsTQ

WALT WHITMAN AWARD

Academy of American Poets

INFO: The Walt Whitman Award is a $5,000 first-book publication prize. The winning manuscript, chosen by an acclaimed poet, is published by Graywolf Press, a leading independent publisher committed to the discovery and energetic publication of contemporary American and international literature. The winner also receives an all-expenses-paid six-week residency at the Civitella Ranieri Center in the Umbrian region of Italy, and distribution of the winning book to thousands of Academy of American Poets members.

The award was established in 1975 to encourage the work of emerging poets and to enable the publication of a poet’s first book. It is made possible by financial support from the members of the Academy of American Poets.

DEADLINE: November 1, 2019

poets.org/academy-american-poets/prizes/walt-whitman-award

2020 Sonia Sanchez-Langston Hughes Poetry Contest

Split This Rock

Themes: Submissions should be in the spirit of Split This Rock's work: socially engaged poems, poems that reach beyond the self to connect with the larger community or world; poems of provocation and witness. This theme can be interpreted broadly and may include but is not limited to work addressing politics, economics, government, war, leadership, issues of identity (gender, sexuality, race, indigeneity, ethnicity, disability, socioeconomic class, body image, immigration, heritage, etc.), community, civic engagement, education, activism, and poems about history or cultural icons. 

We welcome poetry on a wide range of social justice themes and in a wide range of poetic styles. 

Ethics: Split This Rock subscribes to the Council of Literary Magazines and Presses Contest Code of Ethics. Read it online at our website.

SUBMISSION FEE: $20, all proceeds support Split This Rock Poetry Festival 2020.

PRIZES: First place $500; 2nd and 3rd place, $250 each. Winning poems will be published at Split This Rock's website within The Quarry: A Social Justice Poetry Database. All prize winners will receive free registration to Split This Rock Poetry Festival 2020 and are eligible to apply for need-based travel scholarships. The 1st place recipient will be invited to read the winning poem on the main stage at the festival. All submitted poems may also receive consideration for Split This Rock’s Poem of the Week Series.   

DEADLINE: November 1, 2019 

https://splitthisrock.submittable.com/submit/8c2bcddd-a306-4b69-bdb7-75c25fd85d22/2020-sonia-sanchez-langston-hughes-poetry-contest-judged-by-richard-blanco

THE 2020 ALICE JAMES AWARD

Alice James Books

INFO: Alice James Books will be accepting submissions of poetry manuscripts to the Alice James Award (formerly the Beatrice Hawley Award) postmarked through November 1, 2019. The Alice James Award welcomes submissions from emerging as well as established poets. Entrants must reside in the United States.

The winner receives $2000, book publication, promotion, and distribution through Consortium. In addition to the winning manuscript, one or more additional manuscripts may be chosen for publication as the Editor’s Choice.

Guidelines for Manuscript Submission:

  • Screening for the Alice James Award is blind. Because of this, no contact information is allowed within your manuscript, including within the filename, if electronically submitted. Electronic submissions will have contact information collected via Submittable, which is hidden from our screeners. Hardcopy submissions must include a separate title page, which lists the title of your manuscript and contact information (name, address, e-mail address, and phone number).

  • Do not include any preambles, bios, or acknowledgements within your submitted manuscript.

  • Manuscripts must have a table of contents.

  • No illustrations, photographs or images should be included.

  • Manuscripts must be typed in a no less than 12 point font, paginated, and 50 – 100 pages in length (single spaced). We accept double sided manuscripts.

  • Individual poems from the manuscript may have been previously published in magazines, anthologies, or chapbooks of less than 25 pages, but the collection, as a whole, must be unpublished.

  • Translations and self-published books are not eligible.

  • No multi-authored collections, please.

  • MANUSCRIPTS CANNOT BE RETURNED. Please do not send us your only copy.

  • If hardcopy: send one copy of your manuscript submission with two copies of the title page (one title page that includes just the title of your manuscript, the second which includes the title and your contact information [your name, address, phone number, e-mail address, and an optional biographical note]). Use only binder clips. No staples, folders, or printer-bound copies.

  • For notification of winners, include a business-sized SASE.

  • If you wish acknowledgment of the receipt of your manuscript, include a stamped addressed postcard. Winners will be announced in February 2020.

  • Entry fee for the Alice James Award is $30 for online and hardcopy submissions. Checks or money orders for hardcopy submissions should be made payable to Alice James Books.

  • Manuscripts may be submitted online or by regular mail. Mail hard copy entries to: Alice James Books, Alice James Award, 114 Prescott Street, Farmington, ME 04938.

SUBMISSION FEE: $30

DEADLINE: November 4, 2019

https://alicejames.submittable.com/submit/138667/the-2020-alice-james-award

FAMILY RESIDENCY

SPACE on Ryder Farm

INFO: Now in its sixth year, SPACE on Ryder Farm’s Family Residency, founded in association with The Lilly Awards Foundation (spearheaded by Julia Jordan, Marsha Norman and Pia Scala-Zankel), provides a weeklong residency on the farm for working parents and their children.

The Family Residency offers an artist-parent with structured time to create, while their child(ren) participate in nature-focused arts programming under the guidance and expertise of professional theatre educators. All family residents (parents and children) enjoy three communal farm-fresh meals daily. The residency culminates in short, informal sharings of the work accomplished by both parents and children while in residence at SPACE. 

SPACE welcomes applications from artist-parents with children who will be 3 to 12 years old at the time of the residency.

If both adults in a two parent/guardian household want to apply for a residency--regardless of whether they are working on the same or distinct projects--both parents/guardians must submit separate applications. Please know that while SPACE has hosted two-parent/guardian households previously, it is possible that only one adult will be accepted. Please refrain from applying if this is a deterrent.

The Family Residency is offered during these two weeks:

  • July 20th-25th, 2020 (for children 6-12 years old)

  • August 10th-15th, 2020 (for children 3-5 years old)

If your availability and your child’s age does not correspond to the designated week, we ask that you check back for our 2021 application, which will be posted in Fall 2020. If you would like for more than one child to join you at SPACE but the children fall into two different age categories, please contact residencies@spaceonryderfarm.org to discuss your options.

Family Residencies are fully-subsidized. Residents may need to cover their travel to and from the farm. If you are traveling from New York City, a round-trip off-peak Metro North ticket from Grand Central Terminal to Brewster Terminal is $30.00. Transportation between the Brewster Terminal and farm is provided by the SPACE team. As of 2018, those selected for the Family Residency are able to apply to a travel fund to help offset their travel costs. The allocation of funds is based on a resident’s geographical location and financial circumstances.

Before applying, please review the guidelines below as well as the FAQ page. If you have questions about applying to SPACE, please contact us at residencies@spaceonryderfarm.org.

Semi-finalists will be notified by late December 2019. Finalists will be interviewed in February and March 2020. Final decisions will be made by early April 2020. 

DEADLINE: November 6, 2019

https://www.spaceonryderfarm.org/family-residency

Open Call for the "I've Got Love on My Mind: Black Women on Love" Online Issue

Barrelhouse

INFO: We've all heard the saying, "Trust Black women." But for Barrelhouse's special online issue, guest-edited by Tyrese Coleman, we are saying instead "Love Black women." We are saying, "Black women love." We are saying, "Read Black women!"

The theme is "I've Got Love on My Mind." We are looking for poetry, fiction and nonfiction that interprets this theme in any way that speaks to a Black woman's experience or interpretation of love—love for others, the spectrum of how and who we love and why, self-love, romantic love, familial love, a void of love, loving what others do not, loving your culture, your country, not feeling the love. We want work that isn't afraid to be avant-garde, irreverent, snarky, experimental, profane, moving, against expectations, or
all of the above.

SUBMISSION SPECIFICATIONS:

All submissions should be from Black women.

As race and gender are social constructs, the definition of a "Black Woman" for this issue is defined as someone who identifies as a woman and/or has a femme point of view, and who is a descendant of the African diaspora, has spent most of their life within a country that is or has been colonized, and, due to the power structure of white supremacy, self-identifies and is seen by others as Black or of African descent.

Basically, you know who you are.

Also, basically, don't try to Rachel Dolezal us. We will look you up.

WHAT WE'RE NOT LOOKING FOR:

This is an issue about love, not sex. Sex can be a part of your pieces but we are not interested in erotica. The sex should be important to the narrative or poem. We are also not interested in pieces focused heavily on motherhood: being a mother or having a mother. We all love our mamas but Black women are more than mothers.

Length:

  • Prose between 500 and 3,000 words. This can be 1 piece or 3 flash pieces that add up to no more than 3,000 words together.

  • Poetry: up to 5 poems

  • Comics: send us some stuff we'll figure it out. We definitely want to see it!

Simultaneous submissions: are welcome.

Current Barrelhouse submissions in other categories: Since Barrelhouse is currently open for several categories, if you have current work under evaluation, you are still eligible to submit different work to this special online issue.

PAYMENT: We are offering $50 for each contributor.

DEADLINE: November 8, 2019

https://barrelhouse.submittable.com/submit/151643/open-call-for-the-ive-got-love-on-my-mind-black-women-on-love-online-issue

THE TEST SITE POETRY PRIZE

Interim: Poetry and Poetics

INFO: Interim: Poetry and Poetics is delighted to announce its second consecutive poetry book prize. The winning manuscript will be published by The University of Nevada Press as part of the Test Site Series. 

Interim editor and poet Claudia Keelan will serve as the series editor. The winning book will be chosen by the series editor and advisory board, which includes poets Sherwin Bitsui, Donald Revell, Sasha Steensen and Ronaldo Wilson.  

We're looking for manuscripts that engage the perilous conditions of life in the 21st century, as they pertain to issues of social justice and the earth. The winning book will demonstrate an ethos that considers the human condition in inclusive love and sympathy, while offering the same in consideration of the earth. Because we believe the truth is always experimental, we'll especially appreciate books with innovative approaches.  

Along with Witness and The Believer, Interim is affiliated with Black Mountain Institute and housed in the Department of English at the University of Nevada, Las Vegas. Established by the late Wilber Stevens in 1944, Interim is one of the longest running "little" literary magazines in the country.

SUBMISSION FEE: $25  

DEADLINE: November 15, 2019 

https://www.interimpoetics.org/test-site-poetry-series

 

Airlie Single Poem Prize

Arlie Press

INFO: Do you have a poem about social responsibility? “Social responsibility” encompasses ethics, morals, and values held by an individual that drives them to act for the benefit of our shared world. For the inaugural themed single poem prize, Airlie Press wants to see up to four of your original poems addressing your interpretation of social responsibility in today’s world.

SUBMISSION FEE: $20

PRIZE:

·      First place prize for a single poem: $500 and publication on the Airlie Press website

·      Second and third place poems: Publication on the Airlie Press website

DEADLINE: November 15, 2019

airliepress.submittable.com/submit/148108/airlie-single-poem-prize?utm_content=101621685&utm_medium=social&utm_source=twitter&hss_channel=tw-50286440

30 Below Contest—2019

Narrative Magazine

INFO: NARRATIVE invites all writers, poets, visual artists, photographers, performers, and filmmakers between eighteen and thirty years old to send us their best work. We’re looking for the traditional and the innovative, the true and the imaginary. We’re looking to encourage and promote the best young authors and artists working today.

Awards:

  • First Prize is $1,500

  • Second Prize is $750, Third Prize is $300

  • Ten finalists will receive $100 each

We accept submissions in the following media:

Written: Works of prose and of poetry, including short stories, all poetic forms, novel excerpts, essays, memoirs, and excerpts from book-length nonfiction. Prose submissions must not exceed 15,000 words. Each poetry submission may contain up to five poems. The poems should all be contained in a single file. All submissions should be double-spaced (excluding poetry, which should be single-spaced), with 12-point type, at least one-inch margins, and sequentially numbered pages. Please provide your name, address, telephone number, and email address at the top of the first page. Submit your document as a .doc, .docx, .pdf, or .rtf file. You may enter as many times as you wish, but we encourage you to be selective and to send your best work. All entries will be considered for publication.

Drawn: Graphic-novel excerpts and comics of no more than thirty pages, in .pdf format. Please include your full name in the file name.

Photographed: Photo essays of between five and twenty images, previously unpublished (including on sites like Flickr, your personal website, stock photography sites, etc.). Images should be submitted in a low-resolution .pdf or .jpg format; however, upon acceptance, images will need to be provided that have a resolution of at least 300 dpi, in a .tif, .jpg, or raw format that can be reproduced at 2,048 pixels wide. Captions or text should be included, either with the file containing the images or as a separate document in a .doc or .pdf format, with numbered captions corresponding to the similarly numbered photographs. Please provide your name, address, telephone number, and email address on the first page of the essay.

Spoken: Original works of fiction, nonfiction, and poetry in audio theater, including performance, radio journalism, and stories and poems read aloud. Submissions may run up to ten minutes, in .mp3 format, with a bit rate of at least 128 kbit/s. Please include your full name in the file name.

Filmed: Short films and documentaries of up to fifteen minutes. Submissions must be in .mp4 or .mov format. Please include your full name in the file name.

Judging: The contest will be judged by the editors of the magazine. Winners and finalists will be announced to the public by January 10, 2020. All writers who enter will be notified by email of the judges’ decisions, which will be final. The judges reserve the option to declare ties and to designate and award only as many winners and/or finalists as are appropriate to the quality of contest entries and of work represented in the magazine.

Entries must be previously unpublished, though we do accept works that have appeared in college publications. Entries cannot have been the winner, finalist, or honorable mention in another contest. We accept online entries only. We do accept simultaneous submissions, but if your entry is accepted elsewhere, please let us know as soon as possible (and accept our congratulations!).

ENTRY FEE: There is a $25 fee for each entry. And with your entry, you’ll receive three months of complimentary access to Narrative Backstage.

DEADLINE: November 17, 2019, at midnight, PST

https://www.narrativemagazine.com/30-below-2019?uid=103566&m=34eb326fe648a6ce963421cf4514453b&d=1569975699

Magazine Submissions

Latino Book Review 

INFO: Latino Book Review is proud to announce the call for submissions for our print magazine 2020 issue. Our latest issue is set to be published in January 2020 and will include some of the best work by Latino writers and artists in the U.S. and around the world. This issue will include an interview with the world-renowned author Isabel Allende

We are currently seeking to publish original work by authors and artists in the following areas: 

  • Poetry (3 poems)

  • Fiction (Around 2000 words)

  • Nonfiction (Around 2000 words)

  • Visual arts (6 piece portfolio)

  • Essays (Related to culture, literature or arts - Around 2000 words)

  • Research (Related to culture, literature or arts - 2000-3000 words)

Works can be submitted to info@latinobookreview.com with an email titled "magazine submission". Written works should be attached in a Word document along with a 100 word bio and a high resolution image of the author or visual artist. Visual works of art can be attached in a high resolution PDF or JPEG format.

There is no monetary compensation for publications nor submission fees.

DEADLINE: November 30, 2019

latinobookreview.com/latino-book-review-magazine-8203call-for-submissions--latino-book-review.html 

 

Brunel International African Poetry Prize

INFO: The Brunel International African Poetry Prize is open to African poets, (defined as those who were born in Africa, or who are nationals of an African country, or whose parents are African) who have not yet had a full-length poetry book published. Self-published poetry books, chapbooks and pamphlets are exempt from this stipulation.

Only poems written in English are accepted. Poems translated into English are also accepted with a percentage of the prize going to the translator.

Each entrant must submit 10 poems to be eligible, no more and no less. There is no stipulation as to the content of submitted poems but no poem should exceed 30 lines in length. The poems may have been previously published or won previous awards.

DEADLINE: November 30, 2019 

http://www.africanpoetryprize.org/rules

 

2020 UNDOCUPOETS FELLOWSHIP

Sibling Rivalry Press Foundation 

INFO: The Sibling Rivalry Press Foundation is proud to host the Undocupoets Fellowship, sponsored by Amazon Literary Partnership. The mission of Undocupoets is to promote the work of undocumented poets and raise consciousness about the structural barriers that they face in the literary community. We believe in supporting all poets, regardless of immigration status.​

Overview: The Undocupoets Fellowship annually grants TWO $500 fellowships, with no strings attached, to poets who are currently or who were formerly undocumented in the United States to help defray the cost of poetry-related submission fees. 

Submission Process: Please submit up to 10 pages of poetry, with no more than one poem per page, per individual. In addition, please include a cover letter with a bio and brief description of your current work or manuscript-in-progress.​

At least one of the two fellowships awarded will be given to LGBTQ undocumented or previously undocumented poets per an agreement with Sibling Rivalry Press. Please indicate on your bio if you identify as LGBTQ.

While no single fellowship recipient will receive more than $500 on any given year, fellowships can be awarded to the same individual for multiple years.

DEADLINE: January 15, 2020

siblingrivalrypress.com/undocupoets-fellowship

POETRY -- OCT 2019

9TH ANNUAL JEFFREY E. SMITH EDITORS’ PRIZE

The Missouri Review

INFO: Submit one piece of fiction or nonfiction up to 8,500 words or any number of poems up to 10 pages. Please double-space fiction and nonfiction entries.

Multiple submissions and simultaneous submissions are welcome, but you must pay a separate fee for each entry and withdraw the piece immediately if accepted elsewhere.

Entries must be previously unpublished.

SUBMISSION FEE: $25 – $30.  

AWARDS: $5,000 Fiction | $5,000 Nonfiction | $5,000 Poetry  

Winners receive publication, invitation to a reception and reading in their honor, and a cash prize.

DEADLINE: October 1, 2019

missourireview.com/contests/jeffrey-e-smith-editors-prize/

 

WRITERS RESIDENCY

Millay Colony for the Arts 

INFO: Each year Millay Colony for the Arts invites up to 62 individuals (including writers, poets, playwrights, screenwriters and visual artists) for residencies through the colony's application process.  

Residency sessions are held each month from April through November, usually lasting around 3 1/2 weeks, with 2 twelve-day sessions also available in June & September. In each discipline, decisions are made by juries of artists, critics and academics.

Your work is presented anonymously to the jury and is considered solely on the merit of your artist statement and work sample. Please keep these factors in mind as you prepare your application. It is very important that you do not include your name anywhere on your artist statement or work samples as you may be disqualified if they are within the body of work shown to the jurors.  Your application will instead be assigned a number by the administration.

DEADLINE: October 1, 2019 (Midnight, EST). This deadline is for the following year of April, May, June & July residency sessions.  

https://millaycolony.submittable.com/submit

CALL FOR SUBMISSIONS

Gumbo Magazine

INFO: Gumbo Magazine is a one-of-a-kind product and movement of Gumbo Media, a Chicago-based media company and storytelling platform that for over two years has curated content, experiences, and economic opportunities to expand the narrative of Black life, creating space for hundreds of Black creatives, professionals, and community leaders.

Gumbo Magazine is a bi-annual print publication and will be disseminated all over the world. It is the physical embodiment of our vision – a tactile exploration and archive of the expansiveness of Black life.

The theme for Issue 001 will be announced in November 2019.

WHAT WE’RE LOOKING FOR

Black and Brown communities are filled with talent. But opportunities can be hard to come by, especially when steady media narratives are driven by monoliths or entertainment and celebrity. Much in our communities remains unseen, and we’re calling on all emerging artists to help us bring it to light. In the spirit of shining a spotlight, we open our call for submissions to any and all Black creatives—of all identities, expressions, backgrounds, abilities, personalities, and communities (including global)—to submit.

Through October 15th, Gumbo will be accepting pitches, drafts, and completed content under the following sub-themes. All content must be original and previously unpublished to be considered. To maintain balance, please submit no more than 3 total pieces—if we wish to see more, we will request it.

Gumbo Media reserves the right to publicly share any and all submitted responses. Work will only be shared if selected. Creators of selected work will be notified, credited, and compensated for their contributions.

All selected works will be PAID.

** TWO NEW PROMPTS have been added, seen below following asterisks.

ESSAYS/NONFICTION

  • “Blackness” | An essay on the expansiveness of Black life around the world and the many (changing) definitions of “Blackness.” Answering the question, “what does it mean to be Black?” (750-1000 words max)

  • Black Baggage | A thoughtful essay on Black baggage. Musings on the generational weight we carry, and why we must learn to let go so that we might make room for ourselves. (750-1000 words max)

  • Anthology: Unspoken Communication | Assembling a series of short essays about unspoken communication from diverse perspectives. From the head nod to handshakes and dances, each micro-essay should select one form of unspoken communication and speak to its value in the Black community. Can take the form of a (true) story, a reflection, or both. (250 words max per topic)

  • Q&A: Colorism | Taking submissions in the form of written answers to questions around colorism. We will compile and publish our favorite answers. To submit, please fill out this form.

  • Anthology: Regional Black Influences on US | Fashion, food, music, business, etc.—we’ve influenced it all. Share what your region of the US is best known for, and give us its history in Black roots. (100 words max per topic)

  • Q&A: An Ode to Hip Hop | Are you a hip-hop head? We’re taking submissions in the form of written answers to questions on Hip Hop, its influence, and its personal impact. We will compile and publish our favorite answers. To submit, please fill out this form.

  • Op-Eds | We’re also accepting op-eds with musings on anything. No specific prompt. If it’s thoughtful and well-crafted, we’ll consider it. Does not have to explicitly relate to race or Black life. Just make it evergreen; avoid writing about a specific news story or passing phase. We want this content to feel relevant to readers whether they’re reading it today or in 5 years. (700-800 words max)

FICTION

  • **Short Story | No guidelines here. If you’re sitting on any really strong short fiction and wish to submit it, we’ll review it. We’re particularly seeking stories that engage with one or more of the themes discussed across this call for submissions, but all unpublished short stories written by Black writers are welcomed.

  • Black Faith | Faith traditions are changing. Particularly for Black Millennials and Gen Zers. We’re currently accepting short fiction pieces depicting compelling characters in spiritual and/or religious transition. The story can intersect with any other issues and interests you want, as long as it anchors faith. (4,000 words max)

POETRY

  • Anthology: Blackness As Genesis | The color “black” has been associated with all forms of darkness and evil. But we see it differently. From the depths of the oceans, the earth, the cosmos, the womb, etc., most life emerges from blackness. We would argue Black culture is also a genesis for global culture. We’re currently accepting poems that run freely with the thought of blackness as a beginning. Will compile the series of poems we feel are the strongest and work the best together. Short to mid-length poems encouraged. (1-page poem max)

  • Anthology: Lessons to carry forward vs. lessons to leave behind | Some traditions are sacred, others are toxic. We’re accepting poems around the lessons of Black coming of age. Which do we carry forward? Which do we leave behind? You don’t have to take a definitive stance, we’re more interested in the reflection. Each poem should center a specific thought or two. Consider this poem, by Natasha Tretheway, as a narrative example. Short to mid-length poems encouraged. (1-page poem max)

  • “Black People Time” | We’re seeking a poem exploring time as a social construct, and “Black people time” as something cultural and generational, deeper than a stereotype. The focus can come from any global perspective. (2-page poem max)

DEADLINE: October 15, 2019

https://gumbomedia.com/callforsubmissions

2019 WINTER WORkshops

Tin House

INFO: These weekend workshops combine the rugged beauty of the Oregon Coast with a weekend immersed in all things literary. The program consists of morning workshops with no more than six writers per class, one-on-one meetings with faculty, afternoon craft discussions, and/or generative exercises. Evenings are reserved for conversations by the fire and coastal revelry.

Hotel

The Winter Workshops are held at the Sylvia Beach Hotel. Located in the Nye Beach district of Newport, OR, the property sits on a 45-foot bluff overlooking the Pacific, with coastal panoramas that include the famed Yaquina Head Lighthouse. A true hotel for book lovers, the Sylvia Beach Hotel offers 21 literary-themed rooms.  Once registered for the workshop, your room will be assigned through a lottery.

Accessibility

There is one hotel room (Jules Verne) that meets ADA requirements. The dining room is located on the bottom floor of the hotel and can be accessed with the use of an outside ramp (there are no elevators in the hotel). Workshop classrooms can be adjusted so that no stairs are required for access. Our summer workshop is able to offer more assistance and accommodation options for participants. For further questions, please contact our Assistant Workshop Director, India Downes-Le Guin (india@tinhouse.com).

Meals

Daily breakfast and one lunch and dinner are included in the program. Breakfast will be served Saturday, Sunday, and Monday, from 8:00-9:00. Dinner, a five-course meal with a menu being prepared specifically for our workshop, will take place the first evening of the workshop. Lunch will be provided on the last day of the workshop.  Participants will be responsible for lunch (Saturday/Sunday) and dinner (Saturday/Sunday). Beverages, including beer and wine, will be provided throughout the weekend.

Transportation

Located two and a half hours southwest of Portland, the city of Newport is best reached by car.

Tin House will be providing a shuttle (at no extra charge) to and from the workshop. Those who sign up will need to arrange to be at our office by 12:00 pm on the Friday of their workshop. The scheduled return time will be 5:00 pm on the following Monday.

Mentorships

Once accepted and registered into the program, Workshop participants who have a completed manuscript are invited to apply for a mentorship with select faculty (for an additional fee). To be considered for this program, please fill out the mentorship application included in your acceptance packet. Tin House will then submit a query to your choice of faculty. If the mentor is available, the student is required to submit their book-length manuscript before the Workshop begins.

Applying

For short fiction/novel/nonfiction, we ask for one unpublished writing sample of 5,000 words or less.

For poetry, we ask for four unpublished poems, totaling no more than ten pages.

If you have previously been accepted into a Tin House workshop, please do not apply with the same material (different chapters/excerpts taken from a previously accepted project are fine).

If accepted, you will have the opportunity to switch your manuscript.

DEADLINE: October 16, 2019

https://tinhouse.com/winter-workshops/

Call for Submissions: Lucille Clifton Tribute

Mentor & Muse

INFO: In celebration of Lucille Clifton, Mentor & Muse: Essays from Poets to Poets wishes to compile an issue of craft-centric essays that honor Clifton’s work. We seek essays that explore Clifton’s poetic choices—her voice, diction, figurative language, allusions, music, subject, aesthetic, risks, and so on—and explore how her poetry has influenced your own poems and/or subsequent generations’ poems.

We envision—and are open to!—different approaches to the Clifton tribute. For example, one approach is to consider how one of her poems helped you better understand a specific poetic principle. Another approach is to interview someone who apprenticed with Clifton’s poetry, whose own poetic knowledge and inspiration arose from studying Clifton’s language and lines. Another approach is to consider what you learned from workshopping with Clifton, or how you introduce Clifton’s work to your own students. (Surprise us. We are excited to love—and learn from—Clifton further!)

Furthermore, we encourage potential contributors to begin where they are most compelled, with the Clifton poems that act as touchstones, poems that contributors return to again and again for inspiration, solace, and guidance. Please note that while we do not have a formal structure in mind, we seek essays that are more personal and creative than academic; essays that reveal the insights that we, as poets, gain from reading and studying Lucille Clifton; and essays that are geared toward poets who already possess an understanding of basic poetic elements, poets who wish to further their poetic knowledge.

And, because we believe that writers not only learn by reading and enjoying the work of other writers, but also through the application of what we learn, we encourage essayists to include a writing prompt that relates to their Clifton-inspired discussions and considerations.

For a better understanding of the Mentor & Muse project, please browse our featured and archived essays and interviews. Our first five issues contain essays from Jericho Brown, Patricia Clark, Laurie Clements Lambeth, Jennifer Franklin, A. Van Jordan, Claire Kageyama-Ramakrishnan, David Keplinger, Alexandra Lytton Regalado, Sandy Solomon, Adrienne Su, and others, as well as interviews with Sean Hill, Matthew Olzmann, Shara McCallum, and Sarah Rose Nordgren.

To submit to the Clifton tribute, please email the editors. As we cannot cover reprinting costs, please select poems that are within the public domain or poems that can already be accessed online. While we occasionally print longer work, we suggest essays range from 750 to 2,500 words. Please query us with your questions about subject, style, or mode (mentorandmuse.poets@gmail.com).

DEADLINE:  November 1, 2019

https://mentorandmuse.net/lucille-clifton-tribute/?fbclid=IwAR0JMXYvw2SvtWIwYs9JHvRwgEMQDqo1L1zYqVDhX_Voo393DMUVlhWVsTQ

WALT WHITMAN AWARD

Academy of American Poets

INFO: The Walt Whitman Award is a $5,000 first-book publication prize. The winning manuscript, chosen by an acclaimed poet, is published by Graywolf Press, a leading independent publisher committed to the discovery and energetic publication of contemporary American and international literature. The winner also receives an all-expenses-paid six-week residency at the Civitella Ranieri Center in the Umbrian region of Italy, and distribution of the winning book to thousands of Academy of American Poets members.

The award was established in 1975 to encourage the work of emerging poets and to enable the publication of a poet’s first book. It is made possible by financial support from the members of the Academy of American Poets.

DEADLINE: November 1, 2019

poets.org/academy-american-poets/prizes/walt-whitman-award

The 2020 Alice James Award

Alice James Books

INFO: Alice James Books will be accepting submissions of poetry manuscripts to the Alice James Award (formerly the Beatrice Hawley Award) postmarked through November 1, 2019. The Alice James Award welcomes submissions from emerging as well as established poets. Entrants must reside in the United States.

The winner receives $2000, book publication, promotion, and distribution through Consortium. In addition to the winning manuscript, one or more additional manuscripts may be chosen for publication as the Editor’s Choice.

Guidelines for Manuscript Submission:

  • Screening for the Alice James Award is blind. Because of this, no contact information is allowed within your manuscript, including within the filename, if electronically submitted. Electronic submissions will have contact information collected via Submittable, which is hidden from our screeners. Hardcopy submissions must include a separate title page, which lists the title of your manuscript and contact information (name, address, e-mail address, and phone number).

  • Do not include any preambles, bios, or acknowledgements within your submitted manuscript.

  • Manuscripts must have a table of contents.

  • No illustrations, photographs or images should be included.

  • Manuscripts must be typed in a no less than 12 point font, paginated, and 50 – 100 pages in length (single spaced). We accept double sided manuscripts.

  • Individual poems from the manuscript may have been previously published in magazines, anthologies, or chapbooks of less than 25 pages, but the collection, as a whole, must be unpublished.

  • Translations and self-published books are not eligible.

  • No multi-authored collections, please.

  • MANUSCRIPTS CANNOT BE RETURNED. Please do not send us your only copy.

  • If hardcopy: send one copy of your manuscript submission with two copies of the title page (one title page that includes just the title of your manuscript, the second which includes the title and your contact information [your name, address, phone number, e-mail address, and an optional biographical note]). Use only binder clips. No staples, folders, or printer-bound copies.

  • For notification of winners, include a business-sized SASE.

  • If you wish acknowledgment of the receipt of your manuscript, include a stamped addressed postcard. Winners will be announced in February 2020.

  • Entry fee for the Alice James Award is $30 for online and hardcopy submissions. Checks or money orders for hardcopy submissions should be made payable to Alice James Books.

  • Manuscripts may be submitted online or by regular mail. Mail hard copy entries to: Alice James Books, Alice James Award, 114 Prescott Street, Farmington, ME 04938. Online submissions are open until 11:59 PM EST on 11/1.

SUBMISSION FEE: $30

DEADLINE: November 1, 2019

https://alicejames.submittable.com/submit/138667/the-2020-alice-james-award

FAMILY RESIDENCY

SPACE on Ryder Farm

INFO: Now in its sixth year, SPACE on Ryder Farm’s Family Residency, founded in association with The Lilly Awards Foundation (spearheaded by Julia Jordan, Marsha Norman and Pia Scala-Zankel), provides a weeklong residency on the farm for working parents and their children.

The Family Residency offers an artist-parent with structured time to create, while their child(ren) participate in nature-focused arts programming under the guidance and expertise of professional theatre educators. All family residents (parents and children) enjoy three communal farm-fresh meals daily. The residency culminates in short, informal sharings of the work accomplished by both parents and children while in residence at SPACE. 

SPACE welcomes applications from artist-parents with children who will be 3 to 12 years old at the time of the residency.

If both adults in a two parent/guardian household want to apply for a residency--regardless of whether they are working on the same or distinct projects--both parents/guardians must submit separate applications. Please know that while SPACE has hosted two-parent/guardian households previously, it is possible that only one adult will be accepted. Please refrain from applying if this is a deterrent.

The Family Residency is offered during these two weeks:

  • July 20th-25th, 2020 (for children 6-12 years old)

  • August 10th-15th, 2020 (for children 3-5 years old)

If your availability and your child’s age does not correspond to the designated week, we ask that you check back for our 2021 application, which will be posted in Fall 2020. If you would like for more than one child to join you at SPACE but the children fall into two different age categories, please contact residencies@spaceonryderfarm.org to discuss your options.

Family Residencies are fully-subsidized. Residents may need to cover their travel to and from the farm. If you are traveling from New York City, a round-trip off-peak Metro North ticket from Grand Central Terminal to Brewster Terminal is $30.00. Transportation between the Brewster Terminal and farm is provided by the SPACE team. As of 2018, those selected for the Family Residency are able to apply to a travel fund to help offset their travel costs. The allocation of funds is based on a resident’s geographical location and financial circumstances.

Before applying, please review the guidelines below as well as the FAQ page. If you have questions about applying to SPACE, please contact us at residencies@spaceonryderfarm.org.

Semi-finalists will be notified by late December 2019. Finalists will be interviewed in February and March 2020. Final decisions will be made by early April 2020. 

DEADLINE: November 6, 2019

https://www.spaceonryderfarm.org/family-residency

POETRY -- SEPTEMBER 2019

WRITERS & POETS, 2020, 1ST SESSION

Kimmel Harding Nelson Center for the Arts

INFO: KHN awards approximately 35 residencies PER SESSION. Of these, approximately 10-15 spots are awarded to writers working in a variety of genre. Residency awards include living and studio space plus a weekly stipend of $100 for the duration of the residency. Private writers studios are located in two of the apartments, though sometimes writers work in the composer's studio or one of the visual art studios. Wi-fi access is available throughout the grounds. 

For residency awards scheduled from January 6 - June 19, 2020.

Kimmel Harding Nelson Center for the Arts is a program of the Richard P. Kimmel and Laurine Kimmel Charitable Foundation, Inc.

DEADLINE: September 1, 2019 

https://khncenterforthearts.slideroom.com/#/login/program/47127

Walt Whitman Award

Academy of American Poets

INFO: The Walt Whitman Award is a $5,000 first-book publication prize. The winning manuscript, chosen by an acclaimed poet, is published by Graywolf Press, a leading independent publisher committed to the discovery and energetic publication of contemporary American and international literature. The winner also receives an all-expenses-paid six-week residency at the Civitella Ranieri Center in the Umbrian region of Italy, and distribution of the winning book to thousands of Academy of American Poets members.

The award was established in 1975 to encourage the work of emerging poets and to enable the publication of a poet’s first book. It is made possible by financial support from the members of the Academy of American Poets.

SUBMISSION PERIOD: September 1 – November 1, 2019

poets.org/academy-american-poets/prizes/walt-whitman-award

CALL FOR SUBMISSIONS (NYC AREA POETS)

Emotive Fruition

INFO: Emotive Fruition, a downtown performance series where poets and actors collaborate to bring poetry to life on stage, is seeking poetry submissions for its show at Caveat (wheelchair accessible) in NYC on Monday, November 18 2019. Poets JP Howard and Lynn Melnick will serve as guest curators for this exciting live poetry event. Tony Award winner, Nikki M. James will direct. 

For this themed performance, we are looking for published and unpublished poems written by women poets that explore experiences and notions of being in a woman’s body, where the voice elevates authentic narratives that broadcasts loudly and unapologetically the truth only a woman’s body can speak.  We especially encourage women of all ages, women of color, trans women, women-identified, LGBTQ+ women, and disabled women to submit their work. 

We are seeking personal poems, perhaps written in the first person (but other POVs welcome), that can function as a story, a reflection, a confession, a revelation, an elegy, a reckoning, a moment of desire, etc. We are interested in how a poem on the page can come to life on stage, honoring the voice of the poet through the voice of the actor. 

After poems are selected and poets notified, we will hold a rehearsal in Manhattan (wheelchair accessible) with both poets and actors on Monday, October 28, 2019 at 6:30 PM. Because of the nature of the collaboration, you must be a poet in the NYC area and able to travel to rehearsal on October 28 and the performance on November 18. Please follow the guidelines below and we look forward to reading your work! 

DEADLINE: September 5, 2019

emotivefruition.org/connect/

2020 MARGINS FELLOWSHIP

Asian American Writers’ Workshop

INFO: The Asian American Writers’ Workshop is now accepting applications for the 2020 Margins Fellowship. Four emerging Asian American, Muslim, and Arab writers of fiction, poetry, or creative nonfiction based in New York City aged 30 and under will receive $5,000, residency time at the Millay Colony for the Arts, mentorship, access to the AAWW writing space, and publication opportunities in our online magazine, The Margins. We see this as a chance to support writers from Asian diasporic, Arab, West Asian, and North and East African communities and Muslim writers of color more broadly. If you are a writer of color who identifies with these communities, please discuss this in your application.

The Margins is an online magazine of arts and ideas featuring new fiction and poetry, literary and cultural criticism, and interviews with writers and artists. We are the recipient of a Whiting Literary Magazine award and our stories have been linked to by the Wall Street Journal, The New Inquiry, Literary Hub, and the New York Times. Our contributors include Chang-rae Lee, Jessica Hagedorn, Vijay Iyer, Bhanu Kapil, Katie Kitamura, Hua Hsu, Amitava Kumar, and Yoko Ogawa.

The Margins fellowship is open to emerging Asian American, Muslim, and Arab creative writers who are age 30 or under and reside in New York City. Fellowship applicants may not be enrolled in any academic, conservatory, college, or degree granting training program during the fellowship term. To be considered you must apply through this Submittable form. If you have additional questions, please feel free to contact us at aawwmagazine [at] gmail [dot] com.

DEADLINE: September 9, 2019

https://aaww.submittable.com/submit/144854/apply-the-margins-fellowship-2020

Emerge - Surface - Be Fellowship 

The Poetry Project

INFO: Emerge – Surface – Be is a natural extension of The Poetry Project’s program offerings. It formalizes the distinct yet unspoken pedagogical aspect of The Poetry Project’s programs while providing a unique opportunity to support, develop and present emerging NYC­ based poets of promise.

Poet Mentors hattie gossett, Fred Moten, and Trace Peterson will each select an emerging poet to work with. Over the course of nine months, Fellows will be given the opportunity to work one-on-one with their Mentor to develop their craft; explore publication and performance opportunities; and reflect on the professional and community-based dimensions of a writing life. Ideal Fellows will have a project they are working on or want to embark upon, and feel that they would benefit from guidance and support. Each Fellow will receive an award of $3,000. In adherence with US tax requirements, ESB Fellows will be issued an IRS 1099 Form.

In addition to working with their Mentors, Fellows will have access to all Poetry Project events (free workshops, free readings, free publications) and be included in the Annual New Year’s Day Marathon Reading. Fellows will also read within The Poetry Project’s Monday or Friday Night Reading Series as a culminating event with introductions made by their Mentors. Fellows will be invited to attend gatherings with Poetry Project staff and other 2019-20 Fellows and Mentors. Poetry Project staff and Mentors will also work with each Fellow to find other unique opportunities for deepening, sharing, and connecting their poetry to specific goals the Fellows might have.

The most important criteria will be the demonstration of potential, as well as unique vision and voice, in the applicant’s work sample. While applicants who have achieved some measure of local, regional, or national professional recognition will have these merits taken into account, we equally welcome — and encourage — applications from individuals who may have not yet had highly visible or public opportunities to share their work.

Our definition of “emerging” ranges from writers who are just beginning to share their work publicly; to writers who have local and perhaps regional recognition; and up to writers who are approaching national exposure, though not yet national recognition. As a top limit, an emerging writer has published no more than one full-length perfect bound book and no more than three chapbooks (not including self-published work in chapbook form).

The Poetry Project embraces diversity in the broadest sense of the word. This principle is reflected in the choice of mentor poets and will be reflected in the selection of Fellows.

DEADLINE: September 11, 2019

https://www.poetryproject.org/call-for-applications-the-poetry-projects-fellowship-2019-2020-program/

2020-2021 CULLMAN CENTER FELLOWSHIP

INFO: The Dorothy and Lewis B. Cullman Center for Scholars and Writers is an international fellowship program open to people whose work will benefit directly from access to the collections at the Stephen A. Schwarzman Building—including academics, independent scholars, and creative writers (novelists, playwrights, poets). Visual artists at work on a book project are also welcome to apply. 

The Center appoints 15 Fellows a year for a nine-month term at the Library, from September through May. In addition to working on their own projects, the Fellows engage in an ongoing exchange of ideas within the Center and in public forums throughout the Library.

DEADLINE: September 27, 2019

nypl.org/help/about-nypl/fellowships-institutes/center-for-scholars-and-writers

 

THE 2019 TOI DERRICOTTE & CORNELIUS EADY CHAPBOOK PRIZE

Cave Canem 

INFO: The Toi Derricotte and Cornelius Eady Chapbook PrizeLaunched in 2015, the Toi Derricotte and Cornelius Eady Chapbook Prize is dedicated to the discovery of exceptional chapbook-length manuscripts by Black poets.

AWARD: Winner receives $500, publication by Jai-Alai Books in 2020, 10 copies of the chapbook, a residency in early April at The Writer’s Room at The Betsy Hotel in Miami and a feature reading at the O, Miami Poetry Festival.

SUBMISSION FEE: $12. Entry fees are non-refundable.  

FINAL JUDGE: Danez Smith. (Judge reserves the right not to select a winner or honorable mentions.)  

FIRST READERS:  Brionne Janae and Nick Makoha. Cave Canem uses a blind judging system to arrive at the contest winner and honorable mention(s).

DEADLINE: September 30, 2019

cavecanem.submittable.com/submit/144751/the-2019-toi-derricotte-cornelius-eady-chapbook-prize

 

CALL FOR SUBMISSIONS

Sinister Wisdom 

INFO: Sinister Wisdom invites and welcomes poetry, fiction, nonfiction, art, and genre-bending works from all Asian Lesbians: American-born Asians, South Asians, Southeast Asians, East Asians, etc. We welcome work from Asians Lesbians in the States and all over the world written predominately in English.  

If you are lesbian and Chinese, Japanese, Vietnamese, Indian, Pakistani, Bangledeshi, Sri Lankan, Nepalese, Afghan, Mongolian, Taiwanese, Korean, Hong Kongese, Macanese, Cambodian, Thai, Laotian, Singaporean, Malaysian, Pilipino, Indonesian, Burmese, Timorese, etc, please submit to us.  

If your Sapphic work deals with Asian desire, fetishism, straightness camouflaging, homophobia, genocide, fasting, seclusion, negation, invisibility, confusion, arranged marriages, bisexuality, Daoism, Christianity, Taoism, Islam, Buddhism, Confucianism, agnosticism, atheism, negative stereotypes such as apathetic, outsourcing, “Geisha Girl,” or “perpetual foreigners”, please submit to us.

If your work is Asian, Sapphic, healthy and happy, please submit to us.

If your work is Asian, Sapphic, erotic, scholarly, secular, graphic, phantastical, haiku-ic, asexual, sassy, nuptial, eye-opening, monochromatic, please submit to us.

If your work deals with Asian Sapphic suicide, public flogging for having lesbian sex in a car, mung bean cakes, compassion, defecation and rape, nail salons, criminalized Asian lesbianism, avocado sushi rolls, dry-cleaning, cancer, impotence, astrology, lentil, naan, and chickpeas, and everything else please submit your work to us. 

If you (mis) identify yourself as bamboo ceiling lesbians, not-a-model-minority due to your excessive or non-excessive lesbianism, facial whitening, please submit to us. 

If you think you are not submissive or obedient, but you are Sapphic and Asian, please submit your work to us. If you think you are blissfully complacent and shy, please submit your work to us anyway.

 If you work addresses Asian culture, music, food, travel, and Sapphic mail-in brides, please submit to us.  

If you know someone who is Asian & lesbian, please encourage them to submit their work to us. 

If you are Asian & lesbian, and your work does not deal with any of the above topics, desires, foie gras, martial arts, please submit to us regardless. 

If you are Asian & lesbian, please submit poetry, visual art, comics, photographs, anime and films (screenshots only), interviews, academic anecdotes or notes, fiction, non-fiction, and genre-bending works to Sinister Wisdomthrough Submittable.

Images should .jpg or .tif files only, and be of print resolution, sized at least 300 ppi (pixels per inch).  

Guest Editor: Vi Khi Nao. Born in Long Khanh, Vietnam, Vi is the author of Sheep Machine (Black Sun Lit, 2018) and Umbilical Hospital (Press 1913, 2017), and of the short stories collection, A Brief Alphabet of Torture, which won FC2’s Ronald Sukenick Innovative Fiction Prize in 2016, the novel, Fish in Exile (Coffee House Press, 2016), and the poetry collection, The Old Philosopher, which won the Nightboat Books Prize for Poetry in 2014 and is a finalist for a 2017 Lambda Literary Award.  Her work includes poetry, fiction, film and cross-genre collaboration. Her stories, poems, and drawings have appeared in NOONPloughsharesBlack Warrior Review and BOMB, among others. She holds an MFA in fiction from Brown University.

DEADLINE: September 30, 2019

 sinisterwisdom.submittable.com/submit 

 

9th Annual Jeffrey E. Smith Editors’ Prize

The Missouri Review

INFO: Submit one piece of fiction or nonfiction up to 8,500 words or any number of poems up to 10 pages. Please double-space fiction and nonfiction entries.

Multiple submissions and simultaneous submissions are welcome, but you must pay a separate fee for each entry and withdraw the piece immediately if accepted elsewhere.

Entries must be previously unpublished.

SUBMISSION FEE: $25 – $30.  

AWARDS: $5,000 Fiction | $5,000 Nonfiction | $5,000 Poetry  

Winners receive publication, invitation to a reception and reading in their honor, and a cash prize.

DEADLINE: October 1, 2019

missourireview.com/contests/jeffrey-e-smith-editors-prize/

 

WRITERS RESIDENCY

Millay Colony for the Arts 

INFO: Each year Millay Colony for the Arts invites up to 62 individuals (including writers, poets, playwrights, screenwriters and visual artists) for residencies through the colony's application process.  

Residency sessions are held each month from April through November, usually lasting around 3 1/2 weeks, with 2 twelve-day sessions also available in June & September. In each discipline, decisions are made by juries of artists, critics and academics.  

Your work is presented anonymously to the jury and is considered solely on the merit of your artist statement and work sample. Please keep these factors in mind as you prepare your application. It is very important that you do not include your name anywhere on your artist statement or work samples as you may be disqualified if they are within the body of work shown to the jurors.  Your application will instead be assigned a number by the administration.

DEADLINE: October 1, 2019 (Midnight, EST). This deadline is for the following year of April, May, June & July residency sessions.  

https://millaycolony.submittable.com/submit

 

POETRY -- AUGUST 2019

CALL FOR SUBMISSIONS: POETRY

Asian American Writers’ Workshop

INFO: Every Tuesday, the Margins publishes the work of emerging and established Asian American poets. We accept submissions for our Poetry Tuesday feature. Please allow at least five weeks for a response.

We’re looking for:

  • Poetry that challenges/subverts convention (in both poetry and society)

  • Poetry that is not afraid to be humorous, dirty, and obscene

  • Poetry that explores history

  • Poetry that responds to current events and issues

  • Translations of poetry (given the submitter explains that he/she/they has/have acquired the rights to publish them, along with the originals) 

https://aaww.submittable.com/submit/44797/poetry

  

The Annual Stonewall Chapbook Competition

INFO: The Stonewall Chapbook Competition is dedicated toward highlighting the voices of the LGBTQIA+ community.  The competition offers authors a chance to have a chapbook published by BrickHouse Books’ Stonewall imprint.  This is a wonderful opportunity for LGBTQIA+ authors to have their shorter works of poetry or short fiction published (BHB’s normal submissions guidelines prefer a minimum of 50 pages; Stonewall is 20-30 pages). 

DEADLINE: August 15, 2019

brickhousebooks.wordpress.com/submissions/stonewall/

 

Writers & Poets, 2020, 1st Session

Kimmel Harding Nelson Center for the Arts

INFO: KHN awards approximately 35 residencies PER SESSION. Of these, approximately 10-15 spots are awarded to writers working in a variety of genre. Residency awards include living and studio space plus a weekly stipend of $100 for the duration of the residency. Private writers studios are located in two of the apartments, though sometimes writers work in the composer's studio or one of the visual art studios. Wi-fi access is available throughout the grounds. 

For residency awards scheduled from January 6 - June 19, 2020.

Kimmel Harding Nelson Center for the Arts is a program of the Richard P. Kimmel and Laurine Kimmel Charitable Foundation, Inc.

DEADLINE: September 1, 2019 

https://khncenterforthearts.slideroom.com/#/login/program/47127

 

2020 Margins Fellowship

Asian American Writers’ Workshop

INFO: The Asian American Writers’ Workshop is now accepting applications for the 2020 Margins Fellowship. Four emerging Asian American, Muslim, and Arab writers of fiction, poetry, or creative nonfiction based in New York City aged 30 and under will receive $5,000, residency time at the Millay Colony for the Arts, mentorship, access to the AAWW writing space, and publication opportunities in our online magazine, The Margins. We see this as a chance to support writers from Asian diasporic, Arab, West Asian, and North and East African communities and Muslim writers of color more broadly. If you are a writer of color who identifies with these communities, please discuss this in your application.

The Margins is an online magazine of arts and ideas featuring new fiction and poetry, literary and cultural criticism, and interviews with writers and artists. We are the recipient of a Whiting Literary Magazine award and our stories have been linked to by the Wall Street Journal, The New Inquiry, Literary Hub, and the New York Times. Our contributors include Chang-rae Lee, Jessica Hagedorn, Vijay Iyer, Bhanu Kapil, Katie Kitamura, Hua Hsu, Amitava Kumar, and Yoko Ogawa.

The Margins fellowship is open to emerging Asian American, Muslim, and Arab creative writers who are age 30 or under and reside in New York City. Fellowship applicants may not be enrolled in any academic, conservatory, college, or degree granting training program during the fellowship term. To be considered you must apply through this Submittable form. If you have additional questions, please feel free to contact us at aawwmagazine [at] gmail [dot] com.

DEADLINE: September 9, 2019

https://aaww.submittable.com/submit/144854/apply-the-margins-fellowship-2020

 

The 2019 Toi Derricotte & Cornelius Eady Chapbook Prize

Cave Canem 

INFO: The Toi Derricotte and Cornelius Eady Chapbook PrizeLaunched in 2015, the Toi Derricotte and Cornelius Eady Chapbook Prize is dedicated to the discovery of exceptional chapbook-length manuscripts by Black poets.

AWARD: Winner receives $500, publication by Jai-Alai Books in 2020, 10 copies of the chapbook, a residency in early April at The Writer’s Room at The Betsy Hotel in Miami and a feature reading at the O, Miami Poetry Festival.

DEADLINE: September 30, 2019

cavecanem.submittable.com/submit/144751/the-2019-toi-derricotte-cornelius-eady-chapbook-prize

 

POETRY -- JULY 2019

WINTER WRITING RETREAT

The Watering Hole 

INFO: The Watering Hole is now accepting applications to its Winter Retreat for poets of color. The retreat features living room style daily classes/workshops, daily craft talks, two readings, one performance workshop, a keynote speech, group writing challenges, and a genuine community. Our mission is to build Tribe through genuine relationships and help poets reach their best work. 

SUBMISSION FEE: $25

IMPORTANT DATES:

  • Deadline: July 1, 2019

  • Notification: August 2019

  • Retreat Dates: Dec. 26 – 30, 2019

https://twhpoetry.org/retreats/

ELEVENTH ANNUAL POETRY CONTEST

Narrative

INFO: In a continuing effort to encourage and support talented poets, we’re offering prizes and widespread publicity to all winners and finalists. Narrative is always looking for new voices, so all entries will be considered for publication in the magazine.

The contest is open to all poets. Entries must be unpublished and must not have been previously chosen as winners, finalists, or honorable mentions in other contests. Each entry may contain up to five poems. The poems should all be contained in a single file. You may enter as many times as you wish, but we encourage you to be selective and to send your best work.

AWARDS:

  • First Prize is $1,500

  • Second Prize is $750

  • Third Prize is $300,

  • Up to ten finalists will receive $75 each.

  • All entries will be considered for publication.

SUBMISSION FEE: $25. With your entry, you’ll receive three months of complimentary access to Narrative Backstage.

DEADLINE: July 14, 2019

https://www.narrativemagazine.com/eleventh-annual-poetry-contest

CALL FOR SUBMISSIONS: Issue # 12: Chains

Fiyah Magazine

INFO: FIYAH is a quarterly speculative fiction magazine that features stories by and about Black people of the African Diaspora. This definition is globally inclusive (Black anywhere in the world) and also applies to mixed/biracial and Afro-appended people regardless of gender identity or orientation.

The idea of chains carries a heavy context for black folks across the globe. The most visceral imagery of chains bears the weight of the Middle Passage, colonialism, antebellum slavery and modern day mass incarceration. But it runs deeper than that and in so many ways our global community carries chains unseen.

There have been studies conducted showing that the stress of racism is shortening the lifespan of African Americans and that generational trauma is transferred in our DNA. What is that if not a chain? Too many of us live in oppressive governments that restrict our movement, criminalize our bodies and trap us in spiraling cycles of labor that are to everyone’s benefit but our own. And despite what your resident #AllLivesMatter supporter will tell you, being a millionaire in the NFL is its own kind of chain too.

So these are the stories we’re looking for. Ones that explore the ways systems entrap us, but also the ways we circumvent them and rise up against them. For when they forced Christianity on us, we simply changed the names of our gods to fit theirs. When we grew tired of their brutality, we rose up and took an island as ours. Perhaps one day we’ll take a planet. Maybe there are worlds where we’ve lived free existences because we shed ourselves of chains long ago. Or there could be just one of us finding a way to slide out of a personal chain. Because all of our trauma allows us to imprison ourselves too.

However you decide to delve into it, understand that writing is an exercise in freedom. Writing is a breaking of chains.

POETRY SUBMISSION GUIDELINES: What we want in speculative poetry is verse that struggles, reveals, instructs, comforts, and fights back. We are looking for weird, complex, honest and challenging work with a clear speculative element from black authors. You can check out this post from our Poetry Editor for more on what we’d like to see in your poetry.

DEADLINE: July 31, 2019

http://www.fiyahlitmag.com/submissions/

CALL FOR SUBMISSION: THE MARGINS

Asian American Writers’ Workshop

INFO: Every Tuesday, the Margins publishes the work of emerging and established Asian American poets. We accept submissions for our Poetry Tuesday feature. Please allow at least five weeks for a response.

We’re looking for:

  • Poetry that challenges/subverts convention (in both poetry and society)

  • Poetry that is not afraid to be humorous, dirty, and obscene

  • Poetry that explores history

  • Poetry that responds to current events and issues

  • Translations of poetry (given the submitter explains that he/she/they has/have acquired the rights to publish them, along with the originals)

Guidelines:

  • Poems need not be a specific length/form/style (e.g. long, short, formal, free verse, erasure)

  • Submissions should be no longer than six pages total. Multiple poems may be submitted in the same document.

DEADLINE: Ongoing

https://aaww.submittable.com/submit/44797/poetry

POETRY -- JUNE 2019

CALL FOR SUBMISSIONS

The Green Inn

INFO: We are seeking short stories, essays, poetry, and plays to be compiled in a bound book focused on the idea that rest and leisure is revolutionary.

We are looking for a wide range of voices from the black community. All proceeds will support the inaugural cohort of The Green Inn & Artist Residency, opening in 2021.

https://www.thegreeninn.org/submissions?fbclid=IwAR2QQ6MxfGElLwx_3VezjTONltdTzwp9WllLYcBBlrgnB5nKfR2fX5SrSaM

Narrative Prize

Narrative

INFO: The Narrative Prize is awarded annually for the best short story, novel excerpt, poem, one-act play, graphic story, or work of literary nonfiction published by a new or emerging writer in Narrative.

The winner is announced each September, and the prize is awarded in October. The award, citing the winner’s name and the title and genre of the winning piece, is widely publicized, and each winner is cited in an ongoing listing in Narrative. The prize will be given to the best work published each year in Narrative by a new or emerging writer, as judged by the magazine’s editors. In some years, the prize may be divided between winners, when more than one work merits the award.

AWARD: $4,000

DEADLINE: June 15, 2019

https://www.narrativemagazine.com/node/421?uid=103566&m=1e32f865664fcc3ea1affc353d055dc6&d=1559323196

2019 LAR LITERARY AWARDS

INFO: Using the online submission system, submit up to three poems of no more than 50 lines each, a short story or essay of up to 2,500 words, or a piece of flash fiction of up to 500 words.

 Matty Layne Glasgow will judge in poetry, Tammy Lynne Stoner will judge in fiction, Brittany Ackerman will judge in flash fiction, and Adrianne Kalfopoulou will judge in nonfiction.

PRIZE: $1000 honorarium and publication via LAR Online and in the best-of annual print edition of the Los Angeles Review, issue no. 24, set to be released in 2020.

SUBMISSION FEE: $20  

DEADLINE:  June 30, 2019

http://losangelesreview.org/awards/?fbclid=IwAR3S336iKIKNAdYnWk5IKKtUkt3sjLCrTlh6K30IJIECis5EqegkaSBQlAM

POETRY -- MAY 2019

EMERGING WRITER’s contest

Ploughshares

INFO: The Emerging Writer’s Contest is now open! Submit your fiction, nonfiction, and poetry.The Emerging Writer’s Contest recognizes work by an emerging writer in each of three genres: fiction, nonfiction, and poetry. We consider you “emerging” if you haven’t published a book. Current subscribers submit for free; other subscribers receive a one-year subscription to Ploughshares with their submission.

This year’s judges are Ottessa Moshfegh in fiction, Leslie Jamison in nonfiction, and Fatimah Asghar in poetry. One winner in each genre will receive $2,000, publication in Ploughshares, and a conversation with literary agency Aevitas Creative Management. 

Over the years, Ploughshares has helped launch the careers of great writers like Edward P. Jones, Rebecca Makkai, R.O. Kwon, Tim O’Brien, and others. We were thrilled to publish last year’s winners in our Winter 2018-19 issue:

DEADLINE: May 15, 2019 

https://mailchi.mp/f8ee8fd17b6b/the-emerging-writers-contest-is-now-open?e=df1177e2e9

  

CALL FOR SUBMISSIONS: ENOUGH SERIES

Rumpus

INFO: ENOUGH is a Rumpus series devoted to creating a dedicated space for work by women and non-binary people that engages with rape culture, sexual assault, and domestic violence. We believe that while this subject matter is especially timely now, it also timeless. We want to make sure that this conversation doesn’t stop—not until our laws and societal norms reflect real change.

ENOUGH is open to women and non-binary people. Women of color and non-binary people of color are especially welcome to submit.  

We will consider personal essays, critical essays, poetry, comics, and hybrid work. We are especially interested in work that considers who has access to healthcare and to therapy, who has been taught to speak up and who has been taught to be silent, and the ways in which these inequalities make vulnerable populations even more vulnerable. While we support the #MeToo and #TimesUp movements, ENOUGH is its own series and we ask that you avoid using these hashtags in your titles and essays unless you are writing a piece that centers around or investigates the campaigns themselves. 

Essays should be between 1000–2500 words. You can share three poems or five pages of poetry in a submission. We can only consider work that has not been previously published (this includes personal blogs and social media). All work should have a title.

If you haven't received a response within three months, you may query marisa@therumpus.net to check on the status of your submission. 

DEADLINE: May 31, 2019

https://therumpus.submittable.com/submit/111183/enough?fbclid=IwAR1hEw99XWlF9tH9UunKzQ6uYv6CPu4iomz4XSQRBT5ozPXRMfCX3jsBoQI

POETRY -- APRIL 2019

2019 LATINX SCHOLARSHIP

The Frost Place

INFO: This scholarship is designed to encourage the LatinX voice in poetry and the literary arts, both at The Frost Place and in the broader literary community. The winner will receive a full fellowship to attend the Conference on Poetry at The Frost Place, July 6 - 12, 2019, including tuition, room, board, and travel.

The LatinX Scholarship at The Frost Place will be selected by a small panel of readers who are committed to furthering the LatinX voice in poetry.  The winning recipient will be selected solely based on the merit of his/her work, and responses to the application questions.  The candidate’s selection will not be determined based on gender, immigration status, or any other biases. 

The ideal applicant would self-identify as LatinX, would have a strong commitment to the Latin@ community, and be a minimum of 21 years of age.

Applications consist of a completed form, the contact information of two references, and a sample of 3 - 5 poems. 

DEADLINE: April 15, 2019

thefrostplace.submittable.com/submit

2019 GREGORY PARDLO SCHOLARSHIP

The Frost Place

INFO: The Frost Place, a nonprofit center for poetry and the arts at Robert Frost’s old homestead in Franconia, NH, invites submissions to the first annual Gregory Pardlo Scholarship for Emerging African American Poets. This scholarship, which is funded by an anonymous donor, was named to honor Gregory Pardlo, Pulitzer Prize winning poet and faculty at The Frost Place 2015 Poetry Seminar.

The winner will receive a full scholarship to attend the Poetry Seminar (August 4- 10 2019) at The Frost Place, including room and board (valued at approximately $1,550), and will give a featured reading at the Seminar. 

ELIGIBILITY: The Gregory Pardlo Scholarship for Emerging African American Poets is open to African American poets writing in English who have published up to one book of poetry.

SUBMITTING YOUR MANUSCRIPT

  • All entries must be submitted to our online submissions manager. Entries submitted by e-mail, fax, or US mail are not permitted and will be disqualified.

  • Please include your contact information (email, mailing address, phone number, and website if you have one) on the title page of your submission.

  • Submissions should have a page count (poems only, not including title page, table of contents, acknowledgements, or other items) of 10 pages. 

  • Manuscripts should be submitted in rich text (.rtf) or Microsoft Word (.doc & .docx) format only. Manuscripts submitted in another file format are not permitted and will be disqualified.

  • Manuscript revisions are not permitted during the competition. 

OUR READING PROCESS

Each manuscript is delivered to two preliminary readers. Our readers look for beautifully crafted work, but it is not necessary that the poems in the submission cohere in a unified way (as in a chapbook manuscript): please try to show the readers your range as a poet in the 10-page submission. The readers look to present a wide range of excellent work to the final judge.

Final notification of the competition winner and competition finalists will be provided by e-mail to all competition entrants in June 2019.

SUBMISSION FEE: $0

DEADLINE: April 15, 2019

thefrostplace.submittable.com/submit

THE BELLAGIO CENTER ARTS & LITERARY ARTS RESIDENCY

INFO: The Bellagio Arts & Literary Arts residency is for composers, fiction and non-fiction writers, playwrights, poets, video/filmmakers, dancers, musicians, and visual artists who share in the Foundation’s mission of promoting the well-being of humankind and whose work is inspired by or relates to global or social issues. The residency is for artists seeking time for disciplined work, reflection, and collegial engagement with a diverse community of academics, practitioners, and artists.

The Center has a strong interest in proposals that align with The Rockefeller Foundation’s efforts to promote the well-being of humanity, particularly through issues that have a direct impact on the lives of poor and vulnerable populations around the world. These issues include but are not limited to health, economic opportunity, urban resilience, as well as food and agriculture.

To most effectively integrate the important voice of the arts throughout residency cohorts at the Bellagio Center, we are now holding one annual open call for residencies. The program will continue to welcome the same volume of high caliber artists to Bellagio, reinforcing the Foundation’s commitment to the arts and demonstrating its perspective that the arts are integral to the discourse around complex global challenges and critical to the well-being of humanity.

To further strengthen the reach of the program and ensure high geographic and disciplinary diversity among residents, we are also working with a range of new arts organizations to surface promising candidates. We have established outreach collaborations with four organizations: Khoj International Artists’ Association in Delhi, Fundacion Jumex in Mexico City, Africa Centre in Cape Town, and United States Artists in Chicago. These collaborations will extend our networks to attract a greater number of geographically diverse, highly distinguished artists working in Asia, Latin America, Africa and the United States. 

DEADLINE: May 1, 2019 

rockefellerfoundation.org/our-work/bellagio-center/residency-program/arts-literary-arts-residency/

POETRY - MARCH 2019

WINTER TANGERINE WORKSHOPS 

INFO: Throughout the year, Winter Tangerine hosts four-day workshop intensives in New York City that aim to kickstart your creative practice. We center black, indigenous & other writers of color, queer, femme & trans writers in all our workshops. We center close-knit, empathic community, and offer tools to help you approach the page with vigor & play.

We design our workshops for writers who want to challenge themselves and their work. We won't teach you how to write: instead, we want to collectively build new lenses meant to create dynamic readings and writings. As a student, you'll engage in daily writing activities, lesson-based writing prompts, & group discussions led by a team of enthusiastic advisors. Together, we will discuss identity & craft, and study a variety of writers, visual artists, and other creators. We favor playfulness over perfection, and we’ll encourage you to experiment with form and style: we want you to find what makes you electric.

 Throughout the workshop, you'll have the opportunity to peruse the Poets House’s 70,000 volumes of poetry, have lunch at the edge of the Hudson River, and work with an intimate group of writers committed to their craft. You'll write every day & you will give and receive thoughtful feedback every day. The workshop will close out with a reading at Poets House, open to the public, with celebratory cake — and you will have the opportunity to read from the body of work you'll have created during the workshop. 

The workshop will also feature Guest Seminars which include a lecture based off a guided syllabus written and curated by the speaker, a group-wide discussion, and a Q&A. Guest Seminars for our NYC Workshops have included Angel Nafis, Sam Sax, Safia Elhillo, Hanif Abdurraqib, Airea D. Matthews, Shira Erlichman, and Chen Chen. 

Our workshops run from 10:30AM-5:30PM each day -- we know that this means daytime-working writers will find it difficult to join this year, so we hope & plan to offer evening workshops soon. Tuition is $400; we have a limited financial aid fund for those with need. There is no application fee. There is no age minimum or maximum, and no experience is necessary. What are you waiting for? 

Join us & catalyze your self-revolution.

IMPORTANT DATES & DEADLINES:
SPRING
Application deadline: March 1, 2019

Session Three: April 3 - April 6, 2019

SUMMER
Application deadline: March 1st
Session One: July 10 - July 13
Session Two: July 17- July 20
Session Three: August 14 - August 17
Session Four: August 21 - August 24 

wintertangerine.com/w-nyc-mi

Poetry or Fiction Fellowship

The University of Wisconsin-Madison

INFO: Applications are now open for the WICW Poetry and Fiction Fellowships, awarding stipends of at least $38,000 and generous health benefits. All applications must be received by March 1. Please read our instructions and eligibility requirements, below, before clicking here to upload your application.

To be eligible, applicants must have completed or be scheduled to complete an MFA or PhD in Creative Writing by August 15 of the fellowship year. Eligible applicants may have published or signed a contract for no more than one full-length collection or book of poetry, fiction, or creative nonfiction as of the March 1 deadline. Individuals who have never published a full-length collection or book remain eligible, of course. Successful applicants must commit to reside in the Madison area for the full duration of the Fellowship from mid-August to mid-May (holiday travel, weekend trips, and attendance of the AWP and/or MLA conferences are of course permitted within reason); to teach one section of undergraduate mixed-genre or single-genre creative writing each semester; to hold no other teaching, graduate study or fellowship obligations; to assist in the selection of the Brittingham and Felix Pollak Prizes in Poetry, the University of Wisconsin’s undergraduate writing prizes, and the following year’s Wisconsin Institute for Creative Writing Fellowships; and in general to participate fully in the life of the Madison writing community during the fellowship period. For more details regarding the responsibilities and privileges of our fellows, please see the main fellowships page.

Applicants should prepare the following materials before applying:

  • A $50.00 Application Fee, paid online by credit card.

  • A resume or curriculum vitae, concluding with the names, phone numbers, and email addresses of two recommenders.

  • A writing sample consisting of either 10 pages of poetry (single-spaced and uploaded as a pdf) or up to 30 pages of fiction (double-spaced and uploaded as a pdf). Fiction applications must consist of either one short story or a novel excerpt. Your name must not appear anywhere on your manuscript, and while previously published work may be submitted, your manuscript must in no way indicate that your work has been published.

Do not include more than one genre in a single submission. You may apply in more than one of our fellowship genres, but you must upload a separate application for each, with separate application fees. If you are submitting short fiction, please do not send more than one short story. The limit is one story no matter how short that story may be. If you send more than one story, we will only read the first. If you are sending a novel excerpt you may (but need not) include a brief synopsis (one or two paragraphs) of the novel, as page one of the manuscript.

One of our three poetry fellowships, the First Wave Poetry Fellowship, is reserved for writers with a background teaching social justice and/or performance poetry (e.g. slam or spoken word), or writers with a strong personal background in slam poetry, spoken word poetry, or arts-based social justice activism. As part of the application, poetry candidates will be asked if they meet these qualifications. Applicants who do not meet these qualifications shouldn't worry: you are still very much eligible for the Ron Wallace Poetry Fellowship, and the Jay C. and Ruth Halls Fellowship. 

The poetry and fiction fellows will be chosen by May 1 each year, and announced on the fellows page. If you have questions concerning these fellowships that are not answered in the FAQ below, please contact Sean Bishop, Coordinator of the Wisconsin Institute for Creative Writing, at institutemail@english. 

DEADLINE: March 1, 2019

creativewriting.wisc.edu/fellowsapply.html

A POETRY EMPHASIS RESIDENCY 

National Parks at Gettysburg National Military Park / POETRY FOUNDATION.

INFO: Artists will be expected to have a continuous public and visitor presence throughout their residency. Further, the artist will present, at minimum, one 1-hour public program, workshop, concert or lecture during their residency at Gettysburg National Military Park during their stay.

This can be presented either the park or another venue as deemed by NPAF and NPS. Poet/Artists must provide their own transportation, supplies and equipment for these presentations. We also encourage poet/artists to give more public presentations at the park and in their own community  about their residency experience in Gettysburg National Military Park,  to further broaden the reach of the program’s purpose and the goals of  perpetuating poetry and it's importance. 

Other presentations or activities will may be scheduled by arrangement with NPS. The artist will usually present at least one workshop, lecture or concert and the possibility of an arts donation for  the NPS National Museum Collection. This can be presented either the  park or another venue as deemed appropriate by NPAF and NPS. ALL EVENTS ARE SUBJECT TO CHANGE AND/OR CANCELLATION.

AiRs run consecutively, starting the 15th of each month, (or after a weekend or federal holiday closest to the 15th) and end on the 12th of the next month (or before a weekend or federal holiday closest to the 12th).

STIPEND: $1,000

IMPORTANT DATES:

  • Deadline: March 2, 2019

  • Notification: June 15, 2019

  • Residency: September 15 – October 16, 2019

nationalparksartsfoundation.submittable.com/submit/fd0b938a-d647-4efa-9d67-af317d7064a7/2019-poets-in-parks-npaf-poetry-foundation-september-october-residency-1000-s

THE KEROUAC PROJECT

INFO: The Kerouac Project provides four residencies a year to writers of any stripe or age, living anywhere in the world. In the past we have accepted writers with no formal writing education alongside those with MFA’s and impressive résumés. You will be judged on the quality of the writing sample you submit. Each residency consists of approximately a three month stay in the cottage where Jack Kerouac wrote his novel Dharma Bums. Utilities and a food stipend of $1,000 are included. As writer-in-residence, all you are required to do is live in the Kerouac House during your residency, work on your writing project, and participate in two events—a Welcome Potluck dinner for you, and a Final Reading of your work at the Kerouac House at the end of your residency. Should you desire them, the Kerouac Project can also offer opportunities for you to participate in other readings, lead workshops, and interact in other ways with the vibrant Central Florida literary community.

Residency Slots

Fall 2019: September 1 through November 21, 2019
Winter 2019–2020: December 1, 2019, through February 20, 2020
Spring 2020: March 1 through May 22, 2020
Summer 2020: June 1 through August 21, 2020

At the time you submit your application you will be asked which residency time slot(s) you prefer or are available for. Or you can just indicate ‘any’ if you have no specific time slot preference. 

The Application Process:

You will be required to select a category into which your submission fits. The categories are: Poetry, Play, Screenplay, Fiction/Short Story, and Nonfiction. Your writing sample must match the category. So, for example, if you are applying in the fiction category, your writing sample must only be a fiction sample. You cannot include some fiction and some poems you may have written. You are allowed one submission per category. This means you can submit to more than one category if you wish to do so. However, each submission is separate and you must complete the whole application process again for each submission.

We require a standard format for all prose submissions, fiction and nonfiction. The format is:

·       10 pages in length.

·       1-inch page margins.

·       1.5 line spacing.

·       Text must be in a 12-point serif font, (preferably Times New Roman as its compact structure allows you the maximum number of words per page).

Those submitting poetry, a play, or screenplay, may continue to follow the genre conventions in their submissions, though your writing sample must also be limited to 10-pages in length. 

APPLICATION FEE: $35  

DEADLINE: March 10, 2019

kerouacproject.org/submissions/

  

CALL FOR SUBMISSIONS: POETRY

Anomaly

INFO: Anomaly is currently seeking impact poetry. We are seeking poems that challenge the history and currents of the English language, poems that unsettle cultural norms, poems that utilize language to contest and remake the world. We seek poems that confront gender formations, white supremacy, class, body, possibility. We are seeking for poetry rooted in the radical imagination. We hope to find you.

Please be aware that we get over 500 submissions per reading period and read each carefully, so if you're work has not been accepted or rejected it's not from oversight-we promise we're working on it!

Attach up to five poems in a single document. Please include a short bio in the "Cover Letter" field.

Translations that foreground the work of the original author are welcome in this category. For translations that foreground the creativity of the translator, please see our Translation section. 

APPLICATION FEE: $3

DEADLINE: March 15, 2019

anmly.submittable.com/submit

CALL FOR APPLICATIONS

Sewanee Writers’ Conference 

INFO: We are now accepting applications to the 2019 Sewanee Writers’ Conference! The Conference dates are July 16-28. Faculty will give readings and provide instruction and criticism through workshops and craft lectures, as well as meet individually with participants to discuss their manuscripts. The Conference will offer five fiction workshops, four poetry workshops, a playwriting workshop, and a supplemental poetry translation workshop. An admirable lineup of visiting editors, publishers, and agents will also attend.

This year’s faculty includes fiction writers Jeffery Renard Allen, Tony Earley, Adrianne Harun, Randall Kenan, Michael Knight, Bobbie Ann Mason, Jill McCorkle, Tim O’Brien, Christine Schutt, and Steve Yarbrough; and poets B.H. Fairchild, Robert Hass, Mark Jarman, Maurice Manning, Marilyn Nelson, Mary Jo Salter, A.E. Stallings, and Sidney Wade. Naomi Iizuka and Dan O’Brien will lead the playwriting workshop. Charles Martin, A.E. Stallings, and N.S. Thompson will offer a supplemental poetry translation workshop, and Charles Martin, Alice McDermott, and Wyatt Prunty will read from their work.

The Conference is held on the campus of the University of the South in Sewanee, Tennessee. Thanks to the generosity of the Walter E. Dakin Memorial Fund, supported by the estate of Tennessee Williams, contributors receive assistance covering two-thirds of the actual cost to attend. Additional funding is awarded to fellows and scholars.

APPLICATION FEE: $0

DEADLINE: March 20, 2019

sewaneewritersconference.submittable.com/submit

2019 Cave Canem Poetry Prize

Award: Winner receives $1,000, publication by University of Georgia Press in fall 2020, 15 copies of the book and a feature reading.

Final Judge: Evie Shockley (Judge reserves the right not to select a winner and/or honorable mentions.) 

First Readers: Marwa Helal and Tyree Daye

Manuscripts are read without the reviewers and judge’s knowledge of contestants’ identities. 

Eligibility: All unpublished, original collections of poems written in English by Black writers of African descent who have not had a full-length book of poetry published by a professional press. Authors of chapbooks and self-published books with a maximum print run of 500 may apply. Simultaneous submission to other book awards should be noted: immediate notice upon winning such an award is required. Winner agrees to be present in the continental United States at her or his own expense shortly after the book is published in order to participate in promotional reading(s).  

Exclusions: Current or former students, colleagues, employees, family members and close friends of the judge; current or former employees and members of the board of Cave Canem Foundation or the University of Pittsburgh Press; and authors who have published a book or have a book under contract with University of Pittsburgh Press are ineligible.

If any of the selected authors fall under the above exclusions, they will be disqualified and a replacement chosen from among the finalists. As the poetry community is small and the contest is judged without knowledge of the submitter’s identity, acquaintance with the judge or participation in a workshop taught by the judge are not disqualifying criteria.

 SUBMISSION FEE: $20

DEADLINE: March 31, 2019

cavecanem.submittable.com/submit/130494/2019-cave-canem-poetry-prize

JACK JONES LITERARY ARTS RETREAT 2019

 INFO: Jack Jones Literary Arts is hosting its third annual writing retreat at Immaculate Heart of Mary Retreat Center, Santa Fe, New Mexico. This two-week retreat will be held October 26-November 8, 2019, and is open exclusively to women of color writers and nonbinary writers of color. Dr. Eve L. Ewing joins us as our 2019 Writer-in-Residence.

As part of the retreat experience, Jack Jones is featuring daily Skype master classes with agents, editors and acclaimed women and nonbinary people in publishing to promote networking, learning and engagement. These sessions are mandatory for retreat participants.

Housing includes individual writing suites with private bedroom, private baths, writing areas, wifi, and all meals are provided.

Professional and emerging women writers of color and nonbinary writers of color at work on book projects are eligible for residencies. Women and nonbinary people with and without MFAs are eligible, and graduate students who are currently enrolled in a degree program are eligible to apply for a fellowship.  

APPLICATION FEE: $40

DEADLINE: March 31, 2019 

jackjonesliteraryarts.com/the-retreat?fbclid=IwAR26xVBImdMpEytXdXDy7cloMDf7pX0Vvk1JhumUs4-09-HUbkTqFeypRQE

POETRY -- FEBRUARY 2019

LITERARY AND PHOTOGRAPHIC CONTEST

Hispanic Culture Review

INFO: Part of the human condition is the guarantee that at some point of our lives we will be confronted by obstacles. These can occur because of innumerable circumstances produced by internal or external factors like literal or metaphorical borders, personal or social catastrophes, challenges created by identity differences, and more. However, the drive to overcome is inherent in people and tenacity is part of the character that makes us human. The processes with which we face obstacles and victory is declared over them hold an individual seal. This year we are looking to publish stories that demonstrate the overcoming of obstacles that have left a personal mark in the life of those who have prevailed over the difficulties they have faced.

Three works will be awarded in the following categories: photography and visual arts, poetry, narrative, and essay and academic investigation. 

The selected works will be published in our magazine, and the winners will receive a monetary prize of $100 dollars and a certificate of recognition, and will be notified through email as well as on our Facebook page (Hispanic Culture Review GMU). Prizes will be issued in the Spring of 2019. 

GUIDELINES: For a work to be considered, the following specifications must be followed; if the specifications are not followed, the work will be eliminated: 

  • The maximum number of works per author is 2, which must be sent as separate files. Those submitting photography and visual arts works are allowed to send up to 6 works.

  • Written works must be written in Arial 12pt font.

  • Academic works and essays must follow the current MLA or APA formatting style.

  • Maximum length allowed for the texts:

  •           Academic essays and investigations: 3000 words (including footnotes).

  •           Narrative: 2500 words.

  •           Poetry: 50 lines maximum.

  • Visual Arts: photographs must be in JPEG format and 300 PPI. 

  • Only unedited work will be accepted, which means works that have not been published before or are pending revision in other media. This includes printed and electronic work, as well as those included in literary blogs.

  • Works written in both English and Spanish will be accepted.

  • There are no age or nationality restrictions to participate, except in the case that the person has his/her fiscal residence in any of the countries subject to the sanctions of the United States government, since it would be impossible to send the monetary prize to the winner. https://www.treasury.gov/resource-center/sanctions/Programs/Pages/Programs.aspx

Selected works will be published in both the print and electronic versions of the HCR magazine. HCR reserves the right to publish the works exclusively in its digital version. 

Contact us with questions at hcr@gmu.edu

DEADLINE: Friday, February 1, 2019 

hispanicculturereview.submittable.com/submit

 

CREATIVE WRITING FELLOWSHIP

Luminarts Cultural Foundation

INFO: The Creative Writing Fellowship awards two $7,500 Luminarts Fellowships for excellence in creative writing in the categories of prose and poetry, in fiction and nonfiction.  

Applicants submit a two-page written piece (either a stand-alone piece or an excerpt of a larger piece such as a novel or short story). Entries are submitted and reviewed by an initial panel of jurors. Once reviewed, all top entries go to the final juror panel and the winners are selected. Jurors are comprised of professional authors, novelists, and poets, literary contributors, publishers, editors, journalists and media contributors.  Click below for complete guidelines and to apply. 

GUIDELINES: In order to be eligible to apply for the Luminarts Fellowship applicants must be between the ages of 18 and 30, live within 150 miles of the Chicago Loop, and be enrolled in, or graduated from, a degree program, conservatory, or other professional artist development program.  

DEADLINE: Friday, February 8, 2019

https://luminarts.org/creative-writing-opportunities/

  

FURIOUS FLOWER POETRY PRIZE

Furious Flower Poetry Center

INFO: The Furious Flower Poetry Center is accepting submissions for its annual Prize for Emerging Poets. 

PRIZES:

  • Winning Poet: $1,000

  • Honorable Mention: $500 

SUBMISSION FEE: $15 

DEADLINE: February 10, 2019

jmu.edu/furiousflower/index.shtml?fbclid=IwAR3hBqgla-chFoGLLh9fbKuMoTJOTiMGXGnrpSjysVXFx1xokIdyNeybZ5o

 

CALL FOR SUBMISSIONS -- POETRY

Digging Press  

INFO: Send up to three poems in a single upload. Your submission should not exceed three pages. Please do not email your submission.  

This is a blind submission process. Do not include your name or any identifying information within the attachment. Please do not insert a header or footer containing your name, and do not include your name and contact information at the top of the document. Doing so will disqualify your submission.

Because this is a blind submission process, previously published work is not accepted. This includes work published on personal blogs. Sorry. 

Simultaneous submissions are accepted as long as they are indicated as such and the submission is withdrawn from Submittable immediately upon acceptance elsewhere. We ask that you do not make multiple submissions: please wait for a response to your submission before sending new work.

We shall do our best to respond within three months, but in some cases, this period may be longer. If you have not received a response from us within 120 days, please send an email inquiry to editor@diggingthroughthefat.com. Please do not contact our editors directly regarding the status of your submission.

All rights revert to the author upon publication. If your original work is later reprinted elsewhere, we ask that you please note its first publication here. 

Note from the Editor: We like experiments and even failures. We relish in the avant-garde. We want to encourage risks and redefine narrative. We are not afraid to publish the cruel, the harsh, and the ugly. We love to laugh and bask in the unexpected joy of reading a well-developed, complex piece of literature. That said, don’t try to Wow us. Show us your awesomeness. 

DEADLINE: February 28, 2019

diggingthroughthefat.submittable.com/submit

THE 2019-2020 U.S.-JAPAN CREATIVE ARTISTS FELLOWSHIP PROGRAM

Japan-United States Friendship Commission

INFO: The Japan U.S. Friendship Commission offers leading contemporary and traditional artists from the United States the opportunity to spend three to five months in Japan through the U.S.-Japan Creative Artists Program.  Artists go as seekers, as cultural visionaries, and as living liaisons to the traditional and contemporary cultural life of Japan.  They also go as connectors who share knowledge and bring back knowledge. Their interaction with the Japanese public and the outlook they bring home provide exceptional opportunities to promote cultural understanding between the United States and Japan.

JUSFC and NEA will support and select up to five collaborative projects of U.S.-Japan artists representative of diverse genres and regions of both countries.  The 2019-20 program is only for collaborative pairs, and not for individual artists. Alumni of the U.S.-Japan Creative Artists Program are encouraged to apply. Please refer to How to Apply for detailed instructions. This is a special, modified program in 2019-2020.

GRANT AWARD:

  • Each collaborative team will receive a $25,000 fellowship award and up to $2,500 for one round trip airline ticket between the United States and Japan.

  • The collaborative team will have one year (July 1, 2019-July 1, 2020) to complete their project. The award may be used for any expenses directly related to the project, including, but not limited to living expenses in Japan, cost of project materials etc.

  • The artists must complete a collaborative work incorporating the vision of the Olympic and Paralympic games to present in Tokyo during the Games in 2020.

  • The Japan-U.S. Friendship Commission will collaborate with public and private sector organizations in and around Tokyo to host performances and presentations of the artists’ works.

  • Exhibition sites will be selected depending on the specific project.

REVIEW CRITERIA & SELECTION PROCESS:

The U.S.-Japan Creative Artists Program is extremely competitive; only up to five artists will be  selected for travel to Japan.  In 2019-2020 applicants should anticipate a highly rigorous review of their artistry and should have compelling reasons for wanting to create a captivating piece of art, in collaboration with a Japanese colleague, for the Olympic and Paralympic games. Their work must exemplify the best in U.S. and Japanese arts. Generally, this means that only those artists who have demonstrated expertise and established professional recognition (e.g. awards, featured shows, publications, etc.) in their field either regionally or nationally or who have shown truly exceptional promise at the local level are likely to be competitive. Proficiency in the Japanese language is not required.

Applications will be judged on the following criteria:

  • Clear representation of themes including, diversity and inclusion – “Unity in Diversity”, sustainability, building a better tomorrow, peace and prosperity, and highlighting the unique relationship between Japan and the United States.

  • The artistic excellence of the applicant’s work and artistic merit of the proposed collaboration;

  • The extent to which working in Japan is consistent with the applicant’s artistic vision and would contribute to his or her artistry;

  • The applicant’s potential to contribute to increased cultural understanding and dialogue with Japanese artists and/or the Japanese public;

  • The availability of resources in Japan that are necessary to the artist’s proposed collaboration;

  • Ability to live and work in unfamiliar settings under different conditions

With the assistance of the National Endowment for the Arts, the Japan U.S. Friendship Commission will convene a panel to review applications. The panel will include previous recipients of the U.S.- Japan Creative Artists Program award, as well as other arts professionals with expertise in working with the Olympics and Japanese culture.

ELIGIBILITY:

  • The applicant must be a citizen or permanent resident of the United States and live and work professionally in the United States.

  • All proposals must be collaborations between a U.S. artist (or group of artists) and a Japanese artist who is a citizen or permanent resident of Japan and living and working professionally in Japan.

  • The applicant and their Japanese collaborator must be a professional creative artists (contemporary or traditional) working as but not limited to: architects, choreographers, musicians, composers, creative writers, designers, media artists, playwrights, librettists, visual artists and  theater artists who work with original material (including puppeteers, and performance artists).

  • The proposed collaborative artistic project must be a new artistic venture, or something that the collaborative team is in the process of developing, and must have a completion date of July 1, 2020.

  • The proposed collaborative artistic project must touch on one or more of themes including, but not limited to, diversity and inclusion – “Unity in Diversity”, sustainability, building a better tomorrow, peace and prosperity.

  • There are additional eligibility requirements for librettists, playwrights, and creative writers (fiction, non-fiction, and poetry) outlined below.

    • Librettists and playwrights must have had a full-length work professionally produced and/or published in the United States at least once in the last five years.

  • Creative writer applicants must meet specific publishing requirements. Self- published work will not satisfy this eligibility requirement. In the last 10 years writers must have published at least one of the following:

    • Twenty poems in five or more literary journals

    • Five different short stories or essays (of creative non-fiction) in two or more literary journals, anthologies, or publications

    • A book of poems of more than 48 pages

    • A novel or a novella

    • A book of creative non-fiction

    • Creative writer applicants may use online publications to establish up to fifty percent of their eligibility, provided that such publications have competitive selection processes and stated editorial policies.

    • The following may not be used to establish eligibility:

      • Pre-publication material, such as galleys, proofs, and advance reader’s

      • Work that has appeared in a publication for which you are the editor, publisher, or staff

      • Collaborative work

      • Scholarly writing including Instructional writing, Book reviews, Editorials/letters to the editor, Student publications and publications that primarily print work by persons who are affiliated with a particular academic institution, any publication by presses that: require individual writers to pay for part or all of the production costs; require writers to buy or sell copies of the publication; publish work without competitive selection or a stated editorial policy; or publish work without professional editing. 

DEADLINE: March 1, 2019

jusfc.gov/creative-artists-programs/

A POETRY EMPHASIS RESIDENCY 

National Parks at Gettysburg National Military Park / POETRY FOUNDATION.

INFO: Artists will be expected to have a continuous public and visitor presence throughout their residency. Further, the artist will present, at minimum, one 1-hour public program, workshop, concert or lecture during their residency at Gettysburg National Military Park during their stay.

This can be presented either the park or another venue as deemed by NPAF and NPS. Poet/Artists must provide their own transportation, supplies and equipment for these presentations. We also encourage poet/artists to give more public presentations at the park and in their own community  about their residency experience in Gettysburg National Military Park,  to further broaden the reach of the program’s purpose and the goals of  perpetuating poetry and it's importance. 

Other presentations or activities will may be scheduled by arrangement with NPS. The artist will usually present at least one workshop, lecture or concert and the possibility of an arts donation for  the NPS National Museum Collection. This can be presented either the  park or another venue as deemed appropriate by NPAF and NPS. ALL EVENTS ARE SUBJECT TO CHANGE AND/OR CANCELLATION.

AiRs run consecutively, starting the 15th of each month, (or after a weekend or federal holiday closest to the 15th) and end on the 12th of the next month (or before a weekend or federal holiday closest to the 12th).

STIPEND: $1,000

IMPORTANT DATES:

  • Deadline: March 2, 2019

  • Notification: June 15, 2019

  • Residency: September 15 – October 16, 2019

nationalparksartsfoundation.submittable.com/submit/fd0b938a-d647-4efa-9d67-af317d7064a7/2019-poets-in-parks-npaf-poetry-foundation-september-october-residency-1000-s

POETRY -- JANUARY 2019

CALL FOR SUBMISSION: LATIN POETRY ANTHOLOGY 

INFO: Latinx poets and MCs, submit your work to The Breakbeat Poets Volume 4, an anthology that celebrates artists across the diaspora. We accept submission in English, Spanish, Indigenous languages, or una mezcla.

Submit up to 5 poems, lyrics, and/or translations in one Word document. Include your name, contact info, and a 50-word bio to breakbeatpoetslatinx@gmail.com

DEADLINE: January 15, 2019

 

CALL FOR SUBMISSIONS: POETRY

The Acentos Review 

INFO: The Acentos Review, a journal committed to publishing the work of Latinx artists and writers, seeks work for its Pop! Culture issue.

 Submit 3-5 Poems with a cover letter. All styles, themes and forms are accepted. 

Include a brief bio (100 words) in your cover letter. 

In addition, please write a one line response to the following prompt: To me, being Latinx means ... Responses can be up to 100 words.

acentosreview.submittable.com/submit/1774/poetry

POETRY -- NOVEMBER 2018

30 Below Contest—2018

INFO: Narrative invites all writers, poets, visual artists, photographers, performers, and filmmakers between eighteen and thirty years old to send us their best work. We’re looking for the traditional and the innovative, the true and the imaginary. We’re looking to encourage and promote the best young authors and artists working today.

Works of prose and of poetry, including short stories, all poetic forms, novel excerpts, essays, memoirs, and excerpts from book-length nonfiction. Prose submissions must not exceed 15,000 words. Each poetry submission may contain up to five poems. The poems should all be contained in a single file. All submissions should be double-spaced, with 12-point type, at least one-inch margins, and sequentially numbered pages. Please provide your name, address, telephone number, and email address at the top of the first page. Submit your document as a .doc, .docx, .pdf, or .rtf file. You may enter as many times as you wish, but we encourage you to be selective and to send your best work. All entries will be considered for publication.

 AWARDS:

  • First Prize is $1,500

  • Second Prize is $750

  • Third Prize is $300

  • Ten finalists will receive $100 each. 

ENTRY FEE: $25 fee for each entry. And with your entry, you’ll receive three months of complimentary access to Narrative Backstage.

DEADLINE:  November 18, 2018, at midnight PT

narrativemagazine.com/30-below-2018?uid=103566&m=cca98b44ab7084d998e5589a076bc9e2&d=1539185023


TOFTE LAKE RESIDENCY: EMERGING ARTISTS PROGRAM

Tofte Lake Center

INFO: TLC is sponsoring its 10th annual Emerging Artists Program which enables both individual creative artists and a group of artists to focus on their current work. This program subsidizes one 2-week residency for 7 emerging artists and/or 2 person creative teams from the Minnesota and the 5 boroughs of New York, and one week-long residency for a group project that would have exclusive use of the facilities. Please note that applicants must live in either MN or one of the 5 NYC boroughs to be eligible to apply. 

The residencies at TLC are intentionally interdisciplinary in nature. Artists from many disciplines can apply. Disciplines may include: playwriting, poetry, prose writing, painting, music composition, and dance. We would be happy to accept applicants who sculpt, produce films, are photographers, work with crafts; we are, however, more limited in terms of the materials we can provide. The underlying philosophy is to provide space and means of support for individual artists wishing to further their creative endeavors in the visual, literary and performing arts. The dramaturgical assistance of TLC director Liz Engelman is available if desired.

Individual/Creative Residency: Each artist from MN will receive an honorarium, meal, and travel stipend of $1,600, and each artist from NYC will receive $2,000.

Group Residency: Each artist will receive and honorarium, meal, and travel stipend of $1,000.

IMPORTANT DATES:

  • Deadline: November 30, 2018

  • Individual Artist/Creative Team Residency: July 15-28, 2019.

  • Group Project Week: August 12-18, 2019.

https://toftelake.org/emerging-artists

 

CALL FOR SUBMISSIONS

The Bare Life Review

INFO: The Bare Life Review is pleased to accept unsolicited manuscripts in fiction, non-fiction, and poetry. Your cover letter should list the type of submission, a rough word count (or line count, in the case of poetry), and include a short bio.

The Bare Life Review does not consider proposals or queries. Please submit completed work only.

​Please note that our rates have changed: We now offer $750 for accepted full-length prose pieces, and $300 for accepted poems or shorter prose. This small reduction will allow us to publish more authors, and to expand our online presence.

ELIGIBILITY:

  • We are committed to publishing work exclusively by immigrant and refugee authors, and to showcasing the immense—indeed, infinite—value and diversity of this literature. To this end, we accept work only from:

  • ·    Foreign-born writers living in the United States

  • ·    Writers living abroad who currently hold refugee and/or asylum-seeker status

While we enjoy and value the work of native-born writers—including the children of immigrants—we do not publish it, and ask that you respect the journal's guidelines in this respect. We cannot, and do not wish to subject our writers to an interrogation as to their origins; we depend upon the good faith of those submitting work to maintain and further the journal's mission.

The Bare Life Review welcomes work in translation. Any writers not working in English, who have not yet secured translation of their work, may contact TBLR via email. In some cases we may be able to help find a translator. 

American-born translators may submit work by eligible writers, but in such cases payment must be issued to the author.​

Submissions will be judged solely on artistic grounds. Your work may, but need not, deal explicitly with issues of immigration, exile, or refuge.

DEADLINE: November 31, 2018 

barelifereview.org/submit 


CALL FOR SUBMISSIONS
VOICES OF THE MIDDLE EAST AND NORTH AFRICA

Nimrod International Journal


INFO: For our Spring/Summer 2019 issue, Voices of the Middle East and North Africa, Nimrod International Journal invites poems, short stories, creative nonfiction pieces, and translations from writers from the Middle East and North Africa, including writers currently living in this region, writers from the region currently living abroad, and writers of Middle Eastern and North African heritage.

With this issue, we seek to celebrate writers and writing from this region, to highlight the diverse cultures and people within it, and to enrich and add complexity to the representation and understanding of the Middle East and North Africa. It is often spoken of as if it were one homogeneous swath of the globe, and indeed, less than 1% of Arabic and Persian literature is translated into English, further adding to this perceived sameness. But it is in fact a collection of countries straddling three continents, all with diverse cultures and histories, with similarities and distinct differences—and it is this richness and diversity of thought and culture that we wish to call attention to in this issue. We hope to include work by writers in as many of the groups within the region as possible: work by writers who identify as Arab, Israeli, Turkish, Kurdish, Persian, and more; work translated from Arabic, Hebrew, Turkish, Berber, and more; and work from writers of the many faiths practiced in the region, as well as those who follow no particular faith.

We invite poems, short stories, creative nonfiction pieces, and translations from writers from the Middle East and North Africa (sometimes known as MENA or WANA for short), including writers currently living in this region, writers from the region currently living abroad, and writers of Middle Eastern and North African heritage (Middle Eastern-Americans, North African-Canadians, etc.). 

Work may be about any subject and, while we certainly welcome work about, for example, the idea of the Middle East and/or North Africa as a region; the individual countries and groups within the region; what it means to say “the Middle East”; issues of colonialism in the region; writers’ personal heritage; the work submitted for the issue is not limited to these subjects. We hope to receive a large variety of material for this issue, and we welcome writers of marginalized orientations and gender identities, writers of varying socio-economic status, and writers with physical or mental differences. Most of all, we hope to be surprised.

We are excited about this issue, so please send your work and/or share this announcement with writing groups, students, and friends. We eagerly anticipate your response. 

PAYMENT: $10 per page with a $200 maximum

DEADLINE: December 5th, 2018 

nimrodjournal.submittable.com/submit

 

POETRY -- OCTOBER 2018

ARTIST RESIDENCY PROGRAM

The Millay Colony

INFO: The Millay Colony is an artists residency program in Upstate New York. We welcome 6-7 visual artists, writers, poets, playwrights, screenwriters, and composers each month between April and November. We offer a number of flexible residency formats. all including a private bedroom and studio as well as all meals. We welcome artists of all ages, from all cultures and communities, and in all stages of their career. We offer ample time to work in a gorgeous atmosphere, organizing everything an artist needs for maximum productivity.

Our seven-acre Upstate New York campus, with its lovely meadows and forest, is adjacent to the former home and gardens of poet Edna St. Vincent Millay and the exquisite Harvey Mountain State Forest. Our residents and guests have access to trails for hiking and bicycles, as well as meadows for picnics (with wild blueberry, wild thyme and a delicious mix of plants and flowers), and creeks and streams for cooling off. In the Winter, residents may choose to go cross-country skiing. We are near the towns of Chatham, NY and Great Barrington, MA.

Our chef cooks healthy delicious dinners and also provides food for residents to cook their own day-time meals. We are happy to respond to food allergies and special diets. We have a barbecue for outdoor grilling and a fire pit for smores.

The Steepletop Barn has four bedrooms and four studios with meadow and mountain views. The Main Building was featured in the July ’98 issue of Architectural Record for its sleek look and commitment to universal access. This building contains two residency suites and studios as well as common areas open to all residents, including the kitchen, dining and living areas, and a laundry room. All are fully accessible. The Main House also has a darkroom, a Yamaha U1 upright piano, a large collection of art books, two lounges, a public telephone, and WiFi. In our adjacent offices, we have a fax machine, copier, computer and printer for residents’s use. 

APPLICATION FEE: $37 

DEADLINE: October 4, 2018 

millaycolony.org/programs/residencies-artists-millay-colony-arts/apply/

FAMILY RESIDENCY

SPACE on Ryder Farm 

INFO: Now in its fifth year, SPACE on Ryder Farm’s Family Residency, founded in association with The Lilly Awards Foundation (spearheaded by Julia Jordan, Marsha Norman and Pia Scala-Zankel), provides a weeklong residency on the farm for working parents and their children. 

The Family Residency offers an artist-parent with structured time to create, while their child(ren) participate in nature-focused arts programming under the guidance and expertise of professional theatre educators. All family residents (parents and children) enjoy three communal farm-fresh meals daily. The residency culminates in short, informal sharings of the work accomplished by both parents and children while in residence at SPACE. 

 As of 2018, SPACE welcomes artist-parents with children who are 3 to 12 years of age to apply.

If you are a two-parent/guardian household and both parents wish to participate in the residency, both parents must demonstrate in separate applications that they have a need for time and space to work.

The Family Residency is offered during these two weeks:

  • July 29th-August 3rd (for children 6-12 years old)

  • August 19th-August 24th (for children 3-5 years old)

If your availability and your child’s age does not correspond to the designated week, we ask that you check back for our 2020 application, which will be posted toward the middle of 2019. If you would like for more than one child to join you at SPACE but the children fall into two different age categories, please contact residencies@spaceonryderfarm.org to discuss your options.

All Family Residencies are fully-subsidized. Residents may need to cover their travel to and from the farm. If you are traveling from New York City, a round-trip off-peak Metro North ticket from Grand Central Terminal to Brewster Terminal is $29.00. Transportation between the Brewster Terminal and farm is provided by the SPACE team. As of the 2018 season, accepted Family Residents are able to apply to a travel fund to help offset their travel costs. The allocation of funds is based on a resident’s geographical location and financial circumstances.

IMPORTANT DATES:

  • Deadline: October 8, 2018

  • Semi-finalists notified: February 2019

  • Finalists interviews: March 2019

  • Final decisions: Early April 2019

spaceonryderfarm.org/the-working-farm

 

Call for Submissions - New Moons: Contemporary Writing by North American Muslims

Red Hen Press

INFO: Red Hen Press is seeking submissions on any subject in all genres of creative writing, including fiction, poetry, creative nonfiction and cross-genre work, by North American Muslims for publication in an anthology. They seek to represent the full diverse range of voices in the North American Muslim community.

For prose (including fiction and nonfiction) or cross genre work, please send no more than 3,000 words. 

For poetry, please include 5-10 poems.

DEADLINE: October 15, 2018 

redhenpress.submittable.com/submit/109692/call-for-submissions-new-moons-contemporary-writing-by-north-american-muslims

 

CALL FOR SUBMISSIONS: Poetry From Previously Incarcerated Native American women

INFO: Red: Caged Birds Sing is a poetry anthology edited by Jessica Mehta, a citizen of the Cherokee Nation.

Every selected poem is paid at a rate of $20. To qualify, writers must:

  • identify as Native American (tribal enrollment is not required)

  • identify as a woman/female

  • previously been incarcerated

  • agree to work virtually with an editor (if applicable)

Previously published poems qualify. Please submit no more than five poems and include your tribal affiliation in the cover letter. 

jessicamehta.submittable.com/submit

2018 National Poetry Competition

INFO: The Poetry Society’s annual National Poetry Competition is one of the most prestigious prizes in the world for previously unpublished single poems and has a first prize of £5,000.

The 2018 National Poetry Competition is now open for entries! Judged by Kei Miller, Kim Moore and Mark Waldron. 

DEADLINE: October 31, 2018

poetrysociety.org.uk/competitions/national-poetry-competition/

 

The 2019 San Miguel Writer's Conference Writing Contest 

San Miguel Writers’ Conference & Literary Festival

INFO: Submit your poetry, creative nonfiction, fiction, and Spanish short story for a chance to attend the 14th annual San Miguel Writers’ Conference free of charge. Four writers will be awarded the entire five day “Full Conference Package” (Feb 13–17th 2019) as well as have their housing provided during the conference, and a chance to pitch to a literary agent.

The contest is open to anyone writing in English who has not yet published or self-published a book that has sold over 1,000 copies in the genre of application. Faculty and administrators of the San Miguel Writers’ Conference are not eligible to submit to the writing contest. Previous winners of the writing contest cannot submit and win a second time. Note: For the new category of “International Short Story (Spanish)” submissions should be written predominantly in Spanish.

Work submitted must be unpublished. Work may be simultaneously submitted elsewhere, but if it is published or accepted prior to the judging, it will be disqualified from the competition.

AWARD: “Full Conference Package” fee waivers, including housing, and one agent pitch session will be granted to one writer in each of the following genres: poetry, fiction, creative nonfiction, and international Spanish short story. Transportation to San Miguel de Allende is not provided. The award is valid only for the specific year of the contest and may not be transferred or exchanged. 

SUBMISSION FEE: An entry fee of $30 must be paid for each submission. Note: For the new category of “International Short Story (Spanish)” the fee for this year has been set at $20 USD. 

DEADLINE: November 1, 2018

sanmiguelwritersconference.org/writing-contest/

POETRY -- SEPTEMBER 2018

SPECIAL ISSUE: Poetry in the age of mass incarceration

Poetry Magazine

INFO: Poetry magazine seeks submissions for special issue on poetry in the age of mass incarceration, to feature work by incarcerated writers.

Please submit your own work or the work of incarcerated poets you work with, with their permission. Written submissions that are not selected for publication will be returned. Poets and artists selected for publication will be paid directly. Please feel free to distribute this sheet to your colleagues, especially teaching artists working with incarcerated writers. 

The best poetry written by incarcerated poets, as well as work by family, friends, and others affected by mass incarceration.

DEADLINE: September 3, 2018

https://poetry.submittable.com/submit/e7a2c91d-59f7-4871-bb6a-345b22b8e97d/special-issue-poetry-in-the-age-of-mass-incarceration

 

The Margins Fellowship 2019

Asian American Writers’ Workshop 

INFO: The Asian American Writers’ Workshop is now accepting applications for the 2019 Margins Fellowship. 

Four emerging Asian American writers of fiction, poetry, or creative nonfiction based in New York City aged 30 and under will receive $5,000, residency time at the Millay Colony for the Arts, mentorship, access to the AAWW writing space, and publication opportunities in our online magazine, The Margins. We see this as a chance to support writers from Asian diasporic, West Asian, Arab, and North and East African communities as well as Muslim writers of color more broadly. If you are a writer of color who identifies with these communities, please discuss this in your application.

The Margins is the Asian American Writers’ Workshop’s online magazine of arts and ideas featuring new fiction and poetry, literary and cultural criticism, and interviews with writers and artists. Our stories have been linked to by the Wall Street Journal, The New Inquiry, Literary Hub, and the New York Times. Our contributors include Chang-rae Lee, Jessica Hagedorn, Vijay Iyer, Bhanu Kapil, Katie Kitamura, Hua Hsu, Amitava Kumar, and Yoko Ogawa.

All applicants should read our FAQ before applying to determine whether or not they are eligible. The Margins fellowship is open to emerging Asian American, Muslim, and Arab creative writers who are age 30 or under and reside in New York City. Fellowship applicants may not be enrolled in any academic, conservatory, college, or degree granting training program during the fellowship term. 
 
Deadline: September 12, 2018 

aaww.org/apply-the-margins-fellowship-2019/

 

RADCLIFFE INSTITUTE FELLOWSHIPS

Harvard University

INFO: The Radcliffe Institute Fellowship Program is a scholarly community where individuals pursue advanced work across a wide range of academic disciplines, professions, and creative arts (including Fiction, Poetry, Nonfiction/Biography/ Autobiography/Memoir, Nonfiction/Current Issues, Playwriting or Screenwriting, and other topics). 

To be considered for a fellowship in fiction or nonfiction, applicants must have any of the following: one or more published books, contract for the publication of a book-length manuscript, or at least three shorter works (longer than newspaper articles) published. Evidence of publication in print format within the last five years is highly desirable; Web site publications are not acceptable as the only form of previously published work. Applicants should note that reviewers take into account evidence of a distinctive, original voice, richness or dimensionality of text, and coherence in the project plan. Professionals interested in writing about their work experiences should apply in the category of nonfiction. Recommendations from editors and/or agents are not acceptable.

AWARD: Radcliffe Institute fellows are in residence for a period of nine months between September 1, 2019 and May 31, 2020 and receive a stipend of $77,500 plus an additional $5,000 to cover project expenses. Applicants may apply for either one or two semesters. Single-semester Radcliffe fellows receive a $38,750 stipend plus an additional $2,500 to cover project expenses.

This is a residential fellowship; therefore, fellows are expected to reside in the Boston area for the duration of their time as Radcliffe fellows. Fellows are expected to be free of their regular commitments so they may devote themselves full time to the work outlined in their proposal. The Institute will provide office or studio space and access to libraries and other resources at Harvard University during the fellowship year. Radcliffe fellows may also be eligible to receive relocation, housing, and childcare funds to aid them in making a smooth transition to Radcliffe. Health care options are made available as needed.

DEADLINE: September 13, 2018

radcliffe.harvard.edu/fellowship-program/how-apply

 

2019-2020 Cullman Center Fellowship

INFO: The Dorothy and Lewis B. Cullman Center for Scholars and Writers is an international fellowship program open to people whose work will benefit directly from access to the collections at the Stephen A. Schwarzman Building—including academics, independent scholars, and creative writers (novelists, playwrights, poets). Visual artists at work on a book project are also welcome to apply. 

The Center appoints 15 Fellows a year for a nine-month term at the Library, from September through May. In addition to working on their own projects, the Fellows engage in an ongoing exchange of ideas within the Center and in public forums throughout the Library.

DEADLINE: September 28, 2018

nypl.org/help/about-nypl/fellowships-institutes/center-for-scholars-and-writers

 

2018 Toi Derricotte & Cornelius Eady Chapbook Prize

Cave Canem

INFO: Launched in 2015, the Toi Derricotte and Cornelius Eady Chapbook Prize is dedicated to the discovery of exceptional chapbook-length manuscripts by Black poets.

Final Judge: Dawn Lundy Martin. Judge reserves the right not to select a winner or honorable mentions.
First Readers: Camonghne Felix and Alan King. Cave Canem uses a blind judging system to arrive at the contest winner and honorable mention(s).

AWARD: $500, publication by Jai-Alai Books in 2019, 10 copies of the chapbook, a residency in April 2019 at The Writer’s Room at The Betsy Hotel in Miami and a feature reading at the O, Miami Poetry Festival.

SUBMISSION FEE: $12
DEADLINE: September 30, 2018 at 11:59 pm EST

cavecanem.submittable.com/submit/122031/the-2018-toi-derricotte-cornelius-eady-chapbook-prize

 

2019 WT Fellowship

Winter Tangerine’

INFO:  We aim to create a program for emerging writers & editors to actively engage in a literary atmosphere as they navigate their daily lives outside of their craft. The program is structured to offer a well-rounded literary experience -- WT fellows will grow their administrative & editorial skills, create & develop new creative work, & add to our collaborative ecosystem. The fellowship hopes to address the intellectual & curatorial labor process in a way that is mutually sustainable.

Alongside their creative writing work, the 2018 Fellows have conducted interviews, pitched and crafted WT columns and features, advised for our online workshops, and curated WT submissions.

The Program

The 12-month long fellowship includes:

  • Writing and editing a chapbook to be published through Honeysuckle Press
  • Editorial internship in one or more WT or Honeysuckle Press departments
  • Writing mentorship & private Guest Seminars (past WT seminars have included Danez Smith, Fatimah Asghar, Kaveh Akbar, Safia Elhillo, Hanif Willis-Abdurraqib, and Richard Siken)
  • A monetary honorarium

The Application Process

The application includes questions about personal identity, writing experience, editorial interests & a creative writing prompt. After review the first round of applications, the Fellowship Advisors will conduct interviews with the finalists. After the interview 5-7 Fellows will be chosen and notified through email. 

The Boring, but Necessary Stuff

  • The fellowship will begin in January of 2019.
  • There is no application or tuition fee.
  • Writers 18+ may apply.
  • Applicants must not be an alumni of or currently enrolled in any MFA Writing program or PHD program. Writers in non-literary Masters programs may apply. The fellowship is open to both poets and prose writers.
  • The fellowship is open to writers who have not published a full-length manuscript in any genre. Self-publications are exempt.
  • The fellowship is open internationally.
  • There will be opportunities for in-person dialogue and collaboration but the vast majority of the fellowship will be online.
  • Fellows must commit to the 12 month responsibility.

DEADLINE: October 3, 2018

wintertangerine.com/fellowship-mi

 

IPOEM

Narrative

INFO: An iPoem is a short poem that will fit within no more than two screens on the iPhone. An iPoem may be up to 150 words long. However, they favor iPoems that can be read in a single screen, which would be a poem of about forty words, allowing space for title and byline.

Just as the advent of the typewriter both limited and enhanced the form of poetry, the new media are making an impact on the form and how readers experience it. So, without establishing specific formal criteria for the iPoem, other than length, they are nonetheless interested in seeing works that indicate the poet’s awareness of how the new media affect, for instance, the line in poetry. They favor works that demonstrate an awareness of and interest in prosody.

AWARD: $50 for each iPoem accepted for publication.

SUBMISSION FEE: There is a $20 fee for each submission. A submission may include up to four iPoems. With your submission, you’ll receive three months of complimentary access to Narrative Backstage.

narrativemagazine.com/iPoem

POETRY -- AUGUST 2018

INDIVIDUAL AWARDS

Sustainable Arts Foundation

INFO: Sustainable Arts Foundation – a non-profit foundation supporting artists and writers with families – is committed to offering half of its awards to applicants of color.

Writers may apply in one of the following categories:

  • Creative Nonfiction
  • Early and Middle Grade Fiction
  • Fiction
  • Graphic Novels
  • Long Form Journalism
  • Picture Books
  • Playwriting
  • Poetry
  • Young Adult Fiction

AWARD: $5,000

DEADLINE: August 31, 2018

apply.sustainableartsfoundation.org/

 

CALL FOR SUBMISSIONS:  LINEAGE OF MIRRORS

Winter Tangerine

INFO: Lineage of Mirrors seeks to profile poets of color and their influences. Twice a month, they will publish a suite of poems from a writer of color, alongside a statement from the writer on a poem by a poet of color that has influenced their craft. They strive to create a space for poets of color to discuss, analyze, and celebrate the work that changed everything for them. They’re invested in documenting the lines of influence that run through poetry from writers of color. This column will serve as an online archive of contemporary poetry that centers discussions of lineage, craft and the necessary resilience of POC poetic traditions.

AWARD: There is an honorarium for each profiled poet.

DEADLINE: Submissions will be open throughout the year.

https://wintertangerine.submittable.com/submit/71684/lineage-of-mirrors

POETRY -- JULY 2018

CAMP: A SPECIAL ISSUE OF THE MARGINS

Asian American Writers’ Workshop 

INFO: The first summer camps in the US were founded in the late 19th century out of rising anxieties over the waning masculinity of young white boys in the midst of urban expansion—if they spend all their time inside, how would they become men who can survive in the wild? Summer camp has always been a culturally nationalist project, firmly rooted in the founding mythos of white American masculinity and held on the indigenous land stolen under settler colonialism. 

How do Asian American experiences of camp square with its settler colonial history? What does camp mean for Asian Americans? For those who don’t assimilate to the forceful conformity of camp, it can be a site of alienation. For some, immigrant cultural camps and language classes are ways to stay connected to the homeland, and often imagine it in deeply conservative terms.  Kumon and SAT prep can be staging grounds for the model minority narrative.     

What homes are made when you go to camp? For this special issue of The Margins, we’re looking for essays, fiction, poetry, creative nonfiction, graphic work, and hybrid genre work by Asian American writers that trouble, expand, and re-define camp—and in the process might destabilize a relationship to the model minority narrative, to organized religion, and to homeland.

DEADLINE: July 2, 2018

aaww.submittable.com/submit/80ef3b9a-352d-4b10-845e-bb923876a475/camp-a-special-issue-of-the-margins

 

THE PROVERSE POETRY PRIZE

Proverse Hong Kong

INFO: Open to all who are at least eighteen years old, whatever their residence, nationality or citizenship. New, emerging and experienced writers are all welcome. You are invited to enter in English ONE OR MORE poems written by yourself, previously unpublished in English, in which you own the copyright. 

THE AWARDS AND AWARD EVENTS

  • 1st prize: USD100.00
  • 2nd prize: USD45.00
  • 3rd prizes (up to four winners): USD20.00

ENTRY FEES: A $15 entry fee needs to be paid for each poem. An entry fee once paid may not be repaid and you may not withdraw a poem from the competition once you have entered it.

It is regretted that no correspondence can be entered into in relation to individual entries. 

DEADLINE: July 6, 2018

proversehongkong.submittable.com/submit/118440/the-proverse-poetry-prize-single-poems-2018-late-entries

 

THE PROVERSE PRIZE FOR UNPUBLISHED NONFICTION, FICTION OR POETRY

Proverse Hong Kong 

INFO: This annual international prize, established in 2008, is open to all who are at least eighteen years old, whatever their residence, nationality or citizenship, including new, emerging and established writers.

ENTRY FEE: $50 

DEADLINE: July 6, 2018

proversehongkong.submittable.com/submit/119382/the-proverse-prize-for-unpublished-non-fiction-fiction-or-poetry-2018-book-leng

 

GENERAL SUBMISSIONS: POETRY

Epiphany Magazine

INFO: General submissions for Epiphany's Fall 2018 issue are now open. We are considering fiction, nonfiction, poetry, and graphic literature. 

COMPENSENATION: $50 per poem

SUBMISSION FEE: $3

DEADLINE: July 7, 2018

epiphanymagazine.submittable.com/submit/116976/fall-2018-submission-poetry

 

TENTH ANNUAL POETRY CONTEST

Narrative

INFO: In a continuing effort to encourage and support talented poets, we’re offering prizes and widespread publicity to all winners and finalists. Narrative is always looking for new voices, so all entries will be considered for publication in the magazine.

The contest is open to all poets. Entries must be unpublished and must not have been previously chosen as winners, finalists, or honorable mentions in other contests. Each entry may contain up to five poems. The poems should all be contained in a single file. You may enter as many times as you wish, but we encourage you to be selective and to send your best work.

AWARDS:

  • First Prize is $1,500
  • Second Prize is $750
  • Third Prize is $300,
  • Up to ten finalists will receive $75 each. 
  • All entries will be considered for publication.

SUBMISSION FEE: $26. With your entry, you’ll receive three months of complimentary access to Narrative Backstage.

DEADLINE: July 15, 2018

narrativemagazine.com/Tenth-Annual-Poetry-Contest

 

CALL FOR SUBMISSIONS

Fiyah Magazine

INFO: What we want in speculative poetry is verse that struggles, reveals, instructs, comforts, and fights back. We are looking for weird, complex, honest and challenging work with a clear speculative element from black authors. You can check out this post from our Poetry Editor for more on what we’d like to see in your poetry.

DEADLINE: July 31, 2018

http://www.fiyahlitmag.com/submissions/

 

CALL FOR SUBMISSIONS: POETRY

Apogee

INFO: Apogee is a journal of literature and art that engages with identity politics, including but not limited to: race, gender, sexuality, class, ability, and intersectional identities. We are a biannual print publication featuring fiction, nonfiction, poetry, and visual art. Our goals are twofold: to publish fresh work that interrogates the status quo, and to provide a platform for underrepresented voices, prioritizing artists and writers of color.

Please send up to 5 poems for consideration. We ask that you compile your submission into one document. Send your submissions in either .doc or .docx format. We ask that you submit only once per open call. 

DEADLINE: July 31, 2018

https://apogeejournal.submittable.com/submit

POETRY -- JUNE 2018

JUNIPER SUMMER WRITING INSTITUTE APPLICATION 2018

INFO: The Juniper Summer Writing Institute is an inclusive literary space that welcomes adult writers from different genres at all stages of their  careers. Acceptance to the Institute is based upon the strength and promise of the writing sample. We operate on a rolling admissions basis, and we do our best to make admission decisions within 2-6 weeks of  receiving applications

Once accepted, enrollment in the Institute is guaranteed on a first-come, first-served basis. You will need to put down a non-refundable deposit of $200 to secure your space.

Application materials include: 

Application Fee
A non-refundable application fee of $40 (U.S.) is required with each application. Applicants pay the fee by debit or credit card through a secure site.

Writing Sample
The strength and promise of your writing sample is the most important component of your application. Send your best work; it needn’t be published, though published work is acceptable, and it does not have to be  the same sample you wish to present in workshop. Writing samples are comprised of:

  • 5-7 pages of poetry (one poem per page) or
  • 7-9 pages of fiction or creative nonfiction/memoir (double-spaced)
  • Visual art (drawings, graphics, or pictures, etc.) are optional for applicants to the "words + pictures" workshop

Writing samples should be saved in one document (doc, docx,  pdf, rtf, or txt). Please include your name & email address as a header or footer in the writing sample. Visual art samples may be jpg, gif, png, mp4, avi, or mov. 

Note: Guidelines for applying to the special topics workshops (words + pictures, and literary arts + action) are the same as applying for fiction, poetry, creative non-fiction. You may submit any genre, according to that genre's page limits. 

Workshop Preference
You will have the opportunity in your application form to indicate your preferences for workshop leader. Every effort will be made to accommodate your preference. 

Please note: *If your second choice is in a different genre than your first choice, you may be contacted by email to submit additional materials.

Personal Statement
A personal statement of no more than 300 words describing your interest in the Juniper Summer Writing Institute. Please explain why this would be a meaningful opportunity, any relevant experience of writing community, and what you think you can contribute to the Institute. If you are applying for funding, please also address how receiving a scholarship would affect your ability to attend.

SUBMISSION FEE: $40

DEADLINE: June 1, 2018

junipersummerwritinginstitute.submittable.com/submit

 

THE TRANSPACIFIC LITERARY PROJECT

Asian American Writers’ Workshop

INFO: The Transpacific Literary Project is an ambitious online editorial initiative of the Asian American Writers’ Workshop (AAWW) that is poised to foster literary connections between East and Southeast Asia, the Pacific Islands, the Asian diaspora, and a broader American reading public. The project has taken the shape of a series of portfolios published on AAWW’s online magazine The Margins. These portfolios comprise poetry and prose written by East and Southeast Asian writers, with an emphasis on works in translation, curated around broad themes, and seek to traverse geographic and other boundaries. 

For this next folio in the Transpacific Literary Project, they’re looking for fiction, graphic fiction, essays, poetry, and creative nonfiction on these themes by writers from East and Southeast Asia*. Work in translation is especially welcome. If the submission is by the translator, please indicate if English-language rights are available. We also welcome submissions of images, photo essays, and works of art that speak to the framework described above.

Submissions should be titled “Plastic_Lastname_Firstname”

AAWW will hold exclusive print and online rights to your piece for 90 days, and your story will be archived online. All other rights remain with the writer and translator. All contributors of original work (including translators) will be paid. We are also happy to look at ARCs of forthcoming books with a view to publishing extracts.  

DEADLINE: Friday, June 1, 2018

aaww.submittable.com/submit

 

2018 SUMMER WRITERS WEEK

The Hurston / Wright Foundation 

INFO: The mission of the Hurston/Wright Foundation is to discover, mentor, and honor Black writers. Named for literary geniuses Zora Neale Hurston and Richard Wright, the foundation preserves this legacy and works to ensure the future of Black writers and the literature they produce.

For more than 20 years, the Hurston/Wright Summer Writers Workshop has offered a safe space for writers in intensive workshop sessions and master classes. Workshops are led by award-winning writers who are influencing today’s literature. The program features critiques, craft talks, writing time and public readings.

Hurston/Wright workshops serve emerging and experienced writers who are starting projects, developing projects or seeking to polish projects. More than a thousand writers have participated in workshops since the first session in 1996.

Hurston/Wright is a community that supports you and your writing life.

Fiction Workshop led by Mitchell S. Jackson

Nonfiction Workshop led by Pamela Newkirk

Poetry Workshop will be led by Tiphanie Yanique

IMPORTANT DATES:

  • Deadline: June 1, 2018
  • Writers Week: Saturday, August 4 – Friday, August 10, 2018

hurstonwright.org/2018-writers-week/

 

TENTH ANNUAL POETRY CONTEST

Narrative Magazine

INFO: Narrative presents its Tenth Annual Poetry Contest. In a continuing effort to encourage and support talented poets, they’re offering prizes and widespread publicity to all winners and finalists. Narrative is always looking for new voices, so all entries will be considered for publication in the magazine.

The contest is open to all poets. Entries must be unpublished and must not have been previously chosen as winners, finalists, or honorable mentions in other contests. Each entry may contain up to five poems. The poems should all be contained in a single file. You may enter as many times as you wish, but they encourage you to be selective and to send your best work.

AWARDS:

  • First Prize is $1,500
  • Second Prize is $750
  • Third Prize is $300
  • Up to ten finalists will receive $75 each

SUBMISSION FEE: $26. With your entry, you’ll receive three months of complimentary access to Narrative Backstage.

DEADLINE: June 15, 2018

narrativemagazine.com/tenth-annual-poetry-contest

 

WRITERS-IN-RESIDENCE

Rhode Island Writers Colony

INFO: The Colony’s purpose is to provide momentum; to be an impetus, for men and women fitting the criteria to focus, complete, and polish work; to develop work strong enough to stand on its own. These passionate emerging writers come from a multitude of combination of walks; single, African-American, Caribbean, Mediterranean, Hispanic, Latino, East Asian, Native American, African, married, gay, lesbian, or straight. 

FEES: There is a one-time fee of $550 for attendance

IMPORTANT DATES:

  • Deadline: June 29, 2018
  • Residency: July 21-August 5, 2018

rhodeislandwriterscolony.com/

POETRY -- MAY 2018

2018 NOEMI PRESS BOOK AWARD FOR POETRY AND PROSE

INFO: Two prizes of $1,000 each and publication by Noemi Press are given annually for one book-length poetry collection and one book-length work of prose. The editors will judge. 

POETRY: Poets at any stage in their career may submit a manuscript of no more than 90 pages with a $25 entry fee by May 1. 
PROSE: Prose writers at any stage in their career may submit a manuscript (no page limit) with a $25 entry fee by May 1. 


All manuscripts are read anonymouslyStrip your manuscript of all identifying material including dedications and acknowledgements; otherwise, the manuscript will not be considered. 

SUBMISSION FEE: $25.00

DEADLINE:  May 1, 2018

noemipress.submittable.com/submit/103542/2018-noemi-press-book-award-for-prose

 

ARTIST FELLOWSHIP PROGRAM       

The Jerome Foundation

INFO: The Jerome Foundation is pleased to announce the first round of a new Artist Fellowship program that offers flexible, two-year grants to support the creative development of early-career generative artists in the state of Minnesota and the five boroughs of New York City. Artists may apply individually or together with other members of ongoing collectives or ensembles.

The Jerome Foundation makes a distinction between generative artists (those artists responsible for artistic control in generating entirely new work, including writers, choreographers, film directors, visual artists, composers, playwrights, etc.) and interpretive artists (those who interpret or execute the work created by others, including actors, editors, dramaturgs, singers, dancers, musicians, designers, etc.). The Foundation recognizes that some artists do both generative and interpretive work. Nevertheless, the Fellowship program supports only those artists with a significant history of generative work.

All eligible applicants must have a history of making and presenting new work to the public beyond student work (if the applicant has pursued formal training). While an applicant’s past projects are reviewed as part of the selection process, the program’s primary focus is supporting an artist’s future potential through the creation of new work or activities that support professional development and/or career advancement.

The Foundation will make 10 grants in each of six categories:

  • Dance
  • Literature (fiction, creative non-fiction and poetry)
  • ·Media—including Film, Video and Digital Production (documentary, narrative, animation, or experimental) and New Media (artistic work that is computational and distributed digitally, in the form of websites, mobile apps, virtual worlds, computer games, human-computer interface or interactive computer installations)
  • Music
  • Theater, Performance and Spoken Word
  • Visual arts

Artists whose work spans multiple disciplines may request to be reviewed in two different disciplines. The Foundation reserves the right, however, to direct such applications to a single panel.

AWARD: Each fellow will receive $20,000 per year for two consecutive years, making the total cash award $40,000 over the two-year period. Individual artists may petition the Foundation to reduce the award amount but must present specific, compelling reasons to do so. Artists applying as part of a collective or ensemble will share one $20,000 per year award.

IMPORTANT DATES:

  • Application Period:  Now through May 8, 2018 at 4pm Central / 5pm Eastern Time
  • Notification of grant awards: By April 15, 2019
  • Earliest Date to Receive Funds: May 8, 2019

jeromefdn.org/apply/artist-fellowship

 

JUNIPER SUMMER WRITING INSTITUTE APPLICATION 2018

INFO: The Juniper Summer Writing Institute is an inclusive literary space that welcomes adult writers from different genres at all stages of their  careers. Acceptance to the Institute is based upon the strength and promise of the writing sample. We operate on a rolling admissions basis, and we do our best to make admission decisions within 2-6 weeks of  receiving applications

Once accepted, enrollment in the Institute is guaranteed on a first-come, first-served basis. You will need to put down a non-refundable deposit of $200 to secure your space.

Application materials include: 

Application Fee
A non-refundable application fee of $40 (U.S.) is required with each application. Applicants pay the fee by debit or credit card through a secure site.

Writing Sample
The strength and promise of your writing sample is the most important component of your application. Send your best work; it needn’t be published, though published work is acceptable, and it does not have to be  the same sample you wish to present in workshop. Writing samples are comprised of:

  • 5-7 pages of poetry (one poem per page) or
  • 7-9 pages of fiction or creative nonfiction/memoir (double-spaced)
  • Visual art (drawings, graphics, or pictures, etc.) are optional for applicants to the "words + pictures" workshop

Writing samples should be saved in one document (doc, docx,  pdf, rtf, or txt). Please include your name & email address as a header or footer in the writing sample. Visual art samples may be jpg, gif, png, mp4, avi, or mov. 

Note: Guidelines for applying to the special topics workshops (words + pictures, and literary arts + action) are the same as applying for fiction, poetry, creative non-fiction. You may submit any genre, according to that genre's page limits. 

Workshop Preference
You will have the opportunity in your application form to indicate your preferences for workshop leader. Every effort will be made to accommodate your preference. 

Please note: *If your second choice is in a different genre than your first choice, you may be contacted by email to submit additional materials.

Personal Statement
A personal statement of no more than 300 words describing your interest in the Juniper Summer Writing Institute. Please explain why this would be a meaningful opportunity, any relevant experience of writing community, and what you think you can contribute to the Institute. If you are applying for funding, please also address how receiving a scholarship would affect your ability to attend.

SUBMISSION FEE: $40

DEADLINE: June 1, 2018

junipersummerwritinginstitute.submittable.com/submit