Loghaven Artist Residency
DEADLINE: July 15, 2022
INFO: Loghaven Artist Residency’s mission is to serve artists by providing them with a transformative residency experience and continued post-residency support. The residency is located on ninety acres of woodland in Knoxville, Tennessee. Artists live in five historic log cabins that have been both rehabilitated and modernized to create an ideal setting for reflection and work, and they have access to new, purpose-built studio space. All Loghaven Fellows are awarded stipends to support the creation of new work during the residency.
ELIGIBILITY: Practicing artists of all backgrounds and at any stage of their career are eligible to apply for a Loghaven residency. International artists and artists currently enrolled in a degree-seeking program are not eligible. Artists must be at least twenty-one years old and live more than 120 miles away from Knoxville. This distance requirement is designed to ensure that artists are able to be fully immersed in their residency experience and can take advantage of the retreat-style environment. Please note that all eligibility requirements must be met at the time of application.
We invite applicants in the creation stage of their specified project or work cycle to apply in the following disciplines:
Writing (poetry, fiction, nonfiction, screenwriting, and journalism)
Visual Arts
Dance
Theater
Music Composition
Architecture
Interdisciplinary Work
DIVERSITY STATEMENT: Loghaven actively seeks to assemble diverse cohorts. Loghaven does not discriminate on the basis of race, age, religion, gender expression, sexual orientation, national origin, citizenship status, marital status, veteran status, medical conditions including HIV, or sensory, physical, or mental disability.
RESIDENCY SESSIONS:
February 6 – March 3, 2023 (4 weeks)
April 10 – May 5, 2023 (4 weeks)
May 22 – June 16, 2023 (4 weeks)
July 17 – 31, 2023 (2 weeks for teaching artists and faculty artists at the university level)
September 25 – November 3, 2023 (6 weeks)
January 8 – 22, 2024 (2 weeks, preference given to alumni/ae)
APPLICATION TIMELINE & QUALIFICATIONS:
Applications will be accepted starting Wednesday, June 1, 2022, until Friday, July 15, 2022, at midnight Eastern Time. Late applications will not be accepted. The application panel will meet in September, and applicants will be contacted by November 1, 2022.
A national selection committee composed of artist peers and other arts professionals selects artists. Applicants are judged by the same criteria across disciplines. Panelists are looking for artistic excellence, defined by a depth of conceptual content, sustained impact, and boldness of vision. The panel seeks those with sophisticated technical knowledge, whether the applicant displays a high level of traditional skill or, conversely, subverts that knowledge in new or challenging ways. The panel values potential in emerging artists and evidence of commitment and evolution in more established or mid-career applicants.
REFERENCES:
All applicants are required to submit two professional references. Please provide the name, contact information, and a very brief description of the nature of your professional relationship for each reference. Loghaven contacts references only if the application advances. References would be contacted in the fall by either email or phone and would not submit a formal letter.
WORK SAMPLES:
Determine which discipline best fits your work and follow the instructions below to upload the required work samples.
Name all of your submissions using the following naming structure: last name, first name # (Smith, Jane 1).
If the attached work sample is longer than the limits laid out for your discipline, please indicate the section of video or audio you would like the panel to review. If you do not indicate a section, the panelist will review from the start until the time limit is reached.
Note if any submitted work sample is more than four years old.
Provide all submissions in English or accompanied by a translation.
VISUAL ART - Submit eight JPEG images that best represent your work. They can be no more than three MB per image. Each image should contain only one artwork. Two additional optional submissions: Installation documentation (either images or video) or detail shots. If your work is based in video, please submit up to two or three works totaling no more than fifteen minutes of video. Video can be submitted in MP4 or MOV format or by Vimeo or YouTube link.
MUSIC COMPOSITION - Submit two or three audio samples of representative work. Each should be no more than 30MB each and should be in MP3 format or in MP4 or MOV format or by Vimeo or YouTube link. The work samples should total no more than fifteen minutes of video or audio. If available, please include a score submitted as a PDF.
DANCE - Submit two or three works totaling no more than fifteen minutes of video. Each work sample should be submitted in MP4 or MOV format or by Vimeo or YouTube link.
THEATER - Submit either two or three videos or PDFs. If you submit via video, they should total no more than fifteen minutes together in MP4 or MOV format or by Vimeo or YouTube link. If you submit via PDF, they should total no more than 250MB or two or three PDFs of scripts or librettos, totaling no more than twenty pages.
POETRY - Submit eight to ten short poems or excerpts of poems. The total should not exceed 15 pages and should be in PDF format.
FICTION, NONFICTION, & SCREENWRITING - Submit two to three work samples in the genre that you wish to work in during your residency. The total should not exceed 20 pages, be double-spaced, and be in PDF format.
ARCHITECTURE - Submit two to three examples of previous design-based architecture projects in the form of PDFs, video, or a combination of the two. The applicant may submit work samples including but not limited to models, drawings, and images of completed work. The applicant may submit multiple pages for each project, but the total number of pages submitted should not exceed ten and should be in PDF format. If submitting video, work samples can be in MP4 or MOV format or by Vimeo or YouTube link. The total length should not exceed ten minutes. The applicant should include a brief, 250-word description of each project with the other submitted materials. In this description, please include whether this project was ever constructed. Please review the FAQs before applying in the discipline of Architecture for additional application guidelines.
INTERDISCIPLINARY WORK - Submit three to five work samples. The work samples can be in one type of media or a mixture of media including images (jpegs should be no more than three MB each), PDFs, video (MP4/MOV should be no more than 250 MB), Vimeo link, YouTube link, or audio (MP3 should be no more 30MB each).
loghaven.org/residencies/apply/
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TV RETREAT & FELLOWSHIP
CineStory Foundation
DEADLINES & SUBMISSION FEES:
Regular Deadline – July 27, 2022 ($69)
Late Deadline – September 5, 2022 ($81)
Extended Late Deadline – October 10, 2022 ($88)
INFO: The CineStory Foundation believes in helping writers find their voice. We’re entering a world in which the ways to tell stories are limitless. Those stories always begin with a blank page. Our goal with the Television Retreat is to educate writers about the unique world of TV storytelling, from the collaborative nature of writing for networks or streaming channels to the independent realm of creating and shooting series for the web.
Structured like the CineStory Feature Retreat, the CineStory Television Retreat takes place over three days in the beautiful mountains of Idyllwild, California. Attendees receive three one-on-one, one and a half hour sessions with CineStory mentors. During these sessions, mentors will give attendees feedback on improving the craft of the script(s) they submitted in advance and will also discuss with writers various aspects of the business of TV writing to help writers better understand TV writers’ various roles in the entertainment industry.
TV writers also will experience what it’s like to sit in a professional writers room run by an experienced mentor. In addition, mentors and writers will gather for meals, drinks, screenings, and other special events.
RETREAT DATES:
April 29 – May 2, 2023
ANNOUNCEMENTS:
Quarterfinalists – Early January
Semifinalists – Mid February
Finalists – Early March
Division Winners – Early April
Fellowship Winner – Mid April
TV DIVISIONS:
Original Drama – 1 hour series
Original Comedy – 30 minute series
Original Sci Fi/Fantasy – 1 hour series
Original Children/Family – 30 min series
Pilots only. For division details, please visit our TV Submissions page.
cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/
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2022 TV PILOT CONTEST
Shore Script
DEADLINES / FEES:
Regular: July 31, 2022 (1 HR $55 / 1/2 HR $50)
Final: Aug 31, 2022 (1 HR $65 / 1/2 HR $60)
INFO: WE HAVE HELPED LAUNCH THE CAREERS OF NUMEROUS WRITERS THROUGH OUR TV PILOT CONTEST. THIS INCLUDES DEALS WITH SONY, YOUTUBE, CBS, & HULU.
OUR TV PILOT CONTEST IS SPLIT INTO 1/2 & 1HR CATEGORIES.
WE ACCEPT ALL GENRES. IT DOESN’T MATTER IF YOU HAVE A BIG BUDGET EPIC OR CONTAINED DRAMA, EACH TV PILOT IS JUDGED EQUALLY. WE, AND OUR ROSTER OF OVER 150 OF THE MOST RESPECTED FILMMAKERS IN THE INDUSTRY, ARE LOOKING FOR WRITERS WITH ORIGINAL VOICES.
https://www.shorescripts.com/tv/
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TV Pilot Competition
ScreenCraft
DEADLINES:
Early - July 31, 2022
Regular - August 31, 2022
Final - September 30, 2022
INFO: Our TV Competition has a history of getting writers signed, staffed, and have helped them land development deals for their own projects. It's one of our most successful competitions, period. Winners and finalists have signed with 3Arts, Management 360, CAA, Verve, Zero Gravity, and more.
MENTORS: This year’s mentors are three incredible showrunners: one comedy, one broadcast drama, and one premium cable drama. They have created and served as EP on shows like PEN15 and THE HANDMAID’S TALE, have overall deals with major studios like Universal, and have written for NBC, Netflix, and countless other streamers, networks, and series. Each of these mentors will select one Grand Prize writer to mentor. They will help their chosen writers develop their craft and guide them toward career success in their writing journey.
GRAND PRIZE WINNER:
3 Grand Prize winners will be selected for this year's competition. One by Anna Konkle (Pen15), one by Katherine Collins (Lost in Space, Handmaid's Tale), and one by Lisa Zwerling (The Rook, When We Rise, Betrayal). Each Grand Prize winner will receive from their respective mentor: a personalized round of notes, virtual meeting, and project development insight.
The Grand Prize Winners will also be welcomed to the ScreenCraft Writer Development Program and receive personal introductions and calls with one or more top Hollywood literary manager(s) who are looking for talented emerging TV writers.
ScreenCraft has a proven track record for getting writers signed with managers, agents, and staffed.
Personal Introduction to top literary managers, executives, or producers
Accepted into the ScreenCraft Development Program
$500 cash
An exclusive invitation to a Finalist only workshop to position yourself and your writing to the industry
RUNNER-UP PRIZES:
Written Feedback from a jury member
Accepted into ScreenCraft Development Program
An exclusive invitation to a Finalist only workshop to position yourself and your writing to the industry
screencraft.org/pilot/?fbclid=IwAR2-HH2ctD08NYwY1PhNdCDFtmc_3BeBQmRJYTncTcaLvHYiToJP8pNqUMY
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NICKELODEON WRITING PROGRAM
Nickelodeon
DEADLINE: August 1, 2022 at 11:59pm PT
INFO: Founded in the year 2000, the Nickelodeon Writing Program is a full-time, paid, yearlong development Program for television comedy writers with unique voices and from underrepresented communities. Join us at the studio in Burbank for classes and workshops to sharpen your skills, executive mentorship and networking to build your professional relationships, and the opportunity to work in the iconic live-action and animation writers’ rooms at Nick. This is a once-in-a-lifetime opportunity to dedicate yourself to the craft of writing and build your career from the ground up.
The Nick Writing Program is not a writing contest – It’s a launching pad for diverse and emerging creatives. If you bring the unique voice and innovative ideas for kids’ and family content, we’ll help you launch a career with all the tools you’ll need to succeed in the industry for years to come.
STEP 1: PICK A FOCUS:
When you pick a focus, it helps us curate your experience in the Program to better help you reach your goals as a television writer. Picking a focus does not mean your time in the Program will be spent exclusively working on content for this audience, but simply helps us gauge your interests and set you on a course for success. Your spec and pilot submissions do not need to adhere to these audience age groups in any way.
Kids’ Content (Audience Age 6-11) - This age group is Nickelodeon’s bread and butter. Most of Nickelodeon’s most iconic live-action and animated shows are developed for this demographic including SpongeBob SquarePants, Danger Force, and The Loud House.
Preschool Content (Audience Age 2-6) - The Preschool age group (including “bridge” content for tots moving into early elementary school age) loves to laugh and play along with their content. They’re smart, engaged, and always ready for new shows to watch like Paw Patrol, Ryan’s Mystery Playdate, and Baby Shark’s Big Show.
Preteen/Young Adult (Audience Age 11-17) - Nickelodeon shares its home in the ViacomCBS Kids & Family Group with our partners at Awesomeness who cater to a tween and teen audience. We’ll partner with ATV and the creators of Nick’s shows for a slightly older audience like Side Hustle, Drama Club, and iCarly to make this experience the right one for you.
STEP 2: SCRIPT PREPARATION:
All applicants must submit a SPEC SCRIPT and ORIGINAL COMEDY PILOT that adhere to the following guidelines:
Must be based on a television series from the Accepted Shows List (spec only).
Typed in standard Final Draft (or equivalent) script format.
In black type, 12pt courier style font.
Do not upload a cover page with your script.
The following information should be included in the header/footer of your spec script on the first or all pages:
Name of the show (center of the header).
Title of the episode (center of the footer).
Filename should include only the name of your show and episode (Do not include your name or your submission will not be considered).
Do not put your name anywhere on the script, file, or file name.
THE FOLLOWING MATERIALS WILL NOT BE CONSIDERED:
Feature-length screenplays, reality-based comedies or dramas, treatments, outlines, plays, short stories, books, graphics, magazine/newspaper articles, poems, headshots, audio/videotapes, or other digital media. If it’s not on the Accepted Shows list or your comedy pilot, please do not submit it!
STEP 3: ACCEPTED SHOWS (2022)
Abbott Elementary
Awkwafina is Nora From Queens
B Positive
Big Mouth
Bob Hearts Abishola
Bob’s Burgers
Call Me Kat
Chad
Close Enough
Dollface
Duncanville
Ghosts
Girls5eva
Grown-ish
Harley Quinn
Home Economics
How I Met Your Father
Inside Job
Kenan
Mr. Mayor
Mythic Quest
Never Have I Ever
Our Flag Means Death
Raven’s Home
Rick and Morty
Rutherford Falls
Saved by the Bell (2020)
Sex Lives of College Girls
Solar Opposites
Star Trek: Lower Decks
Tacoma FD
The Conners
The Great North
The Last O.G.
The Neighborhood
The Other Two
The Wonder Years (2021)
We Are Lady Parts
What We Do in the Shadows
Woke
Young Rock
Young Sheldon
STEP 4: APPLY ONLINE