TV / DIGITAL SERIES — MARCH 2022

2022 TV Series Lab

The Gotham

DEADLINE: March 4, 2022

INFO: The Gotham TV Series Lab annually selects 10 narrative series projects — all in development and written or created by first-time series creators — and provides the creative teams behind these projects with key support through the strategy, marketing, and exposure of their work. 

The TV-Series Lab participants will convene two times in the year. First during a week-long virtual lab in the spring (TV-Series Lab), then pitching their project at the Gotham Week Project Market in September. 

Gotham Week – September 2022 

As part of the participation in the TV-Series Lab, selected projects are pitching in the Project Market at Gotham Week, which takes place in Brooklyn each September. At Gotham Week, Lab Fellows can connect with key industry members — producers and EPs, production companies, management companies, platforms and more — to help move their projects forward. 

KEY DATES:

  • Application opens: February 4, 2022

  • Application Deadline: March 4, 2022 (11:59pm Hawaii-Aleutian Time Zone)

  • TV-Series Lab: May 9 – 13, 2022

  • Gotham Week: September 2022

All submissions will be notified of their status by mid-April 2022.

Questions? Please contact Gotham Senior Manager, Gabriele Capolino (gcapolino@thegotham.org

ELIGIBILITY CRITERIA:

The Gotham is looking for 10 outstanding debut or “breakthrough” series creators working independently on fiction episodic projects in development created for TV and digital platforms. The series project submitted to the Lab is not necessarily the Creator’s first work on a series, but displays a bold and innovative talent whose unique vision suggests significant future accomplishment. Series Creators who have won or been nominated for significant episodic awards (Primetime Emmys, Golden Globe, Gotham Awards, etc.) for other digital and/or television episodic works are ineligible. Series Creators who have created prominent web series will be judged on a case by case basis. Series Creators with prominent experience in the TV Industry looking for Industry connections and exposure of their project are invited to directly apply to Gotham Week.

After participating in the program, past Gotham TV-Series Lab alumni have gone on to, among other successful stories: find partners and executive producers; connect and sign deals with production companies; work in writer’s rooms; find 

thegotham.org/apply/labs/screen-forward-lab/

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NBCU LAUNCH: NBC TV WRITERS PROGRAM

NBCUniversal

DEADLINE: March 7, 2022, by 11:59 p.m. PST

INFO: The NBC TV Writers Program is our premier program for emerging diverse episodic television writers with the goal of creating the next generation of showrunners and content creators.

The program, which replaces the long-standing Writers on the Verge, develops diverse writers whose distinct points of view and lived experiences provide unique perspectives to the writers’ room.

During the eight-month program, writers develop an original pilot to which they retain all rights.  They are paired with NBCUniversal programming executives from the NBCU Television and Streaming portfolio and Universal Studio Group who mentor them, as they write their original pilot and polish samples for staffing consideration. 

Writers also attend weekly evening workshops to enhance their creative and professional skills, including branding, pitching, and interviewing, as well as expand on their knowledge of the ever-changing television landscape. Additionally, they have opportunities to learn from and build relationships with industry professionals, including network and studio executives, showrunners, agents, and managers.

At the conclusion of the program, participating writers will be considered for available staff writer positions on NBCU Television and Streaming as well as Universal Studio Group series. 

Applicants are encouraged to review the FAQs carefully as they are designed to guide you in creating a strong submission.

ELIGIBITY REQUIREMENTS:

  • Applicants must be authorized to work legally in the United States. Visa sponsorship is not offered to program participants.

  • Applicants must be at least 21 years of age as of September 1, 2022.

  • Entertainment industry experience is not required.

  • While in the program, applicants must reside in Los Angeles as weekly workshops are in-person.

  • Writers who have received a staff writer credit on more than one streaming, cable, or broadcast television scripted series are ineligible and cannot apply.

  • Writing teams can apply. Pilot samples submitted by writing teams must be co-written by both individuals applying to the program.

SUBMIISION REQUIREMENTS:

 Those applying must submit a complete application package, which includes the following items:

  1. APPLICATION must be completed in its entirety. Writing teams need to complete only one application, but must provide separate applicant information, essay responses, and release forms (as directed) for each team member. Incomplete applications will not be considered.

  2. 2 ORIGINAL PILOTS that capture the writer’s unique tone, style, and point of view. Applicants retain ownership of these 2 pre-existing pilots which will be used solely for review and evaluation purposes, as part of the application process.

    Applicants must select and designate one pilot to prioritize for the first round of review and consideration.  Should an applicant proceed to the next round, their second submitted pilot will be reviewed.

    Submitted pilots should adhere to the following: 

    (1) Follow a four-act structure (for comedy) or a six-act structure (for drama);

    (2) Must be between 25-45 pages in length for 30-minute formats (typically comedy) or between 45-60 pages for 60-minute format (typically drama);

    (3) Have a clear beginning, middle and end. 

    The applicant must be the sole owner of all original material submitted, unless applying as a writing team and in that case, both applicants must be co-writers of the original material.  We can only accept material from writing teams if both writers are applying to the program as a two-person writing team. 

    All script reads are blind so only provide the title on the title page of the pilots.  The applicant’s name, email, address, phone number, or any other identifying information should not appear in the filename, on the title page, or any other page of the script.  

  3. RELEASE FORMS must be completed, signed, and dated, in order for submissions to be accepted. Incomplete release forms will result in disqualification. Digital signatures are accepted.

  4. RÉSUMÉ outlining chronological paid employment history (may include entertainment and non-entertainment positions) and any writing-related honors/awards. Positions must have been held within the past 15 years (two pages or less). Only list compensated positions with the exception of entertainment industry internships and full-time volunteer work at non-profits. If listing writing projects, only include projects that were produced and/or optioned. The applicant’s résumé will provide us an understanding of their work history and insight into their individual life experiences.

  5. PERSONAL ESSAYS articulate the applicant’s unique perspective and background as it relates to their storytelling. Applicant must answer both (2) essay questions, and each essay must not exceed 400 words.

(OPTIONAL) LETTERS OF RECOMMENDATION from entertainment industry professionals who have read the applicant’s material and can comment on the applicant’s writing ability.  Letters of recommendation are strongly encouraged, but not required.  Acceptable letters must be on business or personal letterhead, dated in the current calendar year and include the author’s title and/or industry affiliation.  No more than two letters per application will be accepted.  Letters must accompany the submission and may not be submitted separately via email or mail.  Any recommendation letters emailed or mailed to the Program separate from the writer’s application will not be accepted. Letter(s) from agents, managers, attorneys, etc. are considered a conflict of interest and will not be considered.

Any candidate who does not meet the aforementioned criteria will be disqualified.

NOTIFICATION: Due to the volume of submissions received, only those applicants who are selected to participate in the program will be notified.  Applicants who are not selected will not be notified.  Please check our social media pages for updates on the selection process.  Selections will be announced a few weeks before the Program commences. 

nbcuniversallaunch.com/tv-writers-program

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Sundance Episodic Program

Sundance Institute

DEADLINE: March 9, 2022

INFO: The Sundance Episodic Program is an entry point and sustaining force for emerging episodic writers and creators across all scripted platforms. Through a rigorous Lab experience and customized year-round support, the program provides artists with the tools, training, and industry access to move their projects and careers forward.

The Episodic Lab is an immersive six-day experience at the Sundance Mountain Resort that offers writers an opportunity to workshop an original pilot and develop their writing and pitching skills. Working with accomplished showrunners, producers, and executives, the Fellows participate in one-on-one story meetings, pitching sessions, craft workshops, and writers' rooms, which altogether provide creative and strategic tools to develop their pilots and navigate the industry.

RULES & TERMS: The Lab provides applicants with the opportunity to create and submit a television script (“Script”) to be part of the Institute’s upcoming Episodic Lab. Up to ten (10) projects per Lab will receive the opportunity to further develop their Script through virtual workshops leading up to the Lab at the Sundance Mountain Resort in Utah (or through an online platform, if necessary), as set forth more fully below.

By agreeing to the Terms And Conditions found on the Lab submission form located at https://filmfreeway.com/SundanceEpisodicLab2022, the person submitting the Script (hereafter called the “Applicant”) acknowledges and agrees that he/she/they has obtained consent from any and all co-writers or other individuals with rights in and to the Script (hereafter called the “Script Owners”) and has read and understood the submission rules and regulations set forth below:

ELIGIBILITY: The Lab is open to international and U.S. participants, subject to international travel guidelines. By submitting an application, Applicants agree to be bound by these Rules and the decisions of the Selection Advisory Committee, which are final and binding on all matters relating to this Lab. The Lab is subject to all applicable federal, state, and local laws.

Additional Eligibility Requirements:

  • Applicants must be 18 years of age or older at time of application.

  • The Project must be the Applicant’s original creation or adapted from optioned source material. The Project must be written in the English language.

  • The Project must be new: not previously submitted to any Sundance Institute labs, competitions, grants, or programs, not already produced, not already sold to a third party, and not distributed online or otherwise.

  • Applicants cannot have sold an episodic project (pilot or pitch) that has been shot, to a studio or network in the past.

  • The Project shall not infringe the copyright or any other proprietary right of another individual or entity. The Applicant is responsible for all rights pertaining to the project.

filmfreeway.com/SundanceEpisodicLab2022?fbclid=IwAR0T_49vNoPeWx5fHtJ6GWmSECMgeihfTMe45vJun4nfRmhUNQ4UpcX5oCA

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BRIClab: Film + TV

BRIC

DEADLINE: March 10, 2022

INFO: BRIClab is a multi-disciplinary residency program created to advance opportunities for visual artists, performers, and media makers and offers emerging and mid-career artists essential resources, mentorships, and opportunities to share their work. The residency aims to build a stronger and more diverse artistic community in Brooklyn, New York by supporting long term growth and fostering relationships across disciplines.

The BRIClab: Film + TV residency track incubates innovative and ambitious documentary filmmakers working on short form, episodic, or feature length non-fiction films. Three residencies will be awarded to create opportunities for emerging and mid-career filmmakers.

RESIDENCY BENEFITS:

  • A stipend of $2500

  • Up to $6000 towards production cost (expenses must be pre-approved and
    documented via invoices and receipts)

  • Access to courses through BRIC's Media Education program at no fee

  • Access to BRIC production studios and post-production resources

  • A mentor with industry experience relevant to your project

  • A collaborative cohort community with group critiques and access to BRIC networking events

  • A public presentation of your work upon completion of the program

  • Access to industry gatekeepers through professional development workshops and collaboration opportunities

WHO SHOULD APPLY

You must be: 

  • A New York City based creative, 18 years of age or older.

  • A documentary filmmaker with a proven degree of competence in production.

  • An individual artist and/or a creative team of two.

  • Either not employed by BRIC full-time, or a non-salaried BRIC staffer who works fewer than 500 hours/year.

We are interested in:

  • Documentary projects of all lengths (short/feature/series).

  • Thoroughly-researched, original concepts.

  • A detailed breakdown of budget and the various ways that the project will
    maximize the use of BRIC facilities and resources.

  • A specific production timeline leading up to project completion by spring 2023.

  • Films can be in any language; if not in English, work must be subtitled.

bricartsmedia.org/briclab-film-tv

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WRITERS IN RESIDENCE

Hedgebrook

DEADLINE: March 14, 2022

INFO: Hedgebrook is on Whidbey Island, about thirty-five miles northwest of Seattle. Situated on 48-acres of forest and meadow facing Puget Sound, with a view of Mount Rainier, the retreat hosts writers from all over the world for fully-funded residencies of two to four weeks (travel is not included and is the responsibility of the writer to arrange and pay for). This residency is open to women-identified writers 18 and older.

Central to what we do, our Writer-in-Residence Program supports fully-funded residencies for selected women-identified writers at the retreat each year. Up to 6 writers can be in residence at a time, each housed in a handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women writers whose stories and ideas shape our culture now and for generations to come. Residents must be willing to adhere to a specific set of health and safety protocols we have implemented to keep writers, staff, and surrounding communities safer. We will be following CDC and local government guidelines and recommendations for travel and in-person gathering restrictions.

Residencies for this application cycle, Cycle 1, will take place February - June 2023.

2023 WiR Genres for Cycle One:

  • Fiction

  • Non-Fiction

  • Playwriting

  • Poetry

  • Screenwriting/TV Writing

  • Songwriting

hedgebrook.org/writers-in-residence

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The Thousand Miles Project

Coverfly

DEADLINE: March 31, 2022

ENTRY FEE: $0

INFO: The Thousand Miles Project is open to writers who are passionate about telling Asian and Pacific Islander stories. They’re accepting Features, TV Pilots, Shorts, Web Series, Short Stories, Book/Manuscripts, Stage Plays, Graphic Novels, and Articles

We at The Thousand Miles Project are committed to h elping emerging writers tell their stories and jumpstart lasting writing careers in the entertainment industry. In partnership with Universal Content Productions (UCP) and writer/producer Soo Hugh (The Terror, Pachinko), the program will provide up to 20 writers/writing teams the opportunity to learn about television writing and the industry through panels and lectures with writers, development execs, managers, and agents in a two-day intensive virtual workshop.

After the workshop, participants will be invited to apply for a 24-week development lab by submitting a series idea for further development. Television project proposals in any genre are welcome. We are interested in narratives told through the lenses of any Asian and Pacific Islander community (all Asian or Pacific Islander countries or cultures). From those proposals, up to 3 writers/writing teams will be selected to join the development lab with Soo Hugh, her team and UCP to write a pilot script and potentially develop their project further with UCP. The lab writers will meet on a bi-weekly basis, with additional monthly meetings with Soo and her team.

BENEFITS:

Workshop Participants - Up to 20 writers/writing teams will be invited to free virtual workshops to learn about television development and career strategies from writers, showrunners, managers, agents, and studio execs. 

Virtual Workshop dates will be June 11, 2022 and June 18, 2022. 

Development Lab Writers - Workshop participants will be invited to apply for the development lab by submitting additional materials by August 1, 2022, which are currently contemplated to include:

  • Short answers to a series of questions regarding their series concept

  • An artistic statement of intent about themselves (750 words or less)

Up to 3 writers/writing teams who participated in the workshops and submitted series development ideas will be selected to participate in a 24-week paid development lab. With guidance from Soo and her team, plus peer-to-peer feedback, writers will write a pilot. Selected writers are expected to fully participate by giving support and feedback to each other in the lab.

Writers/writing teams from the lab may be invited to further develop their project with UCP after the development lab is completed.

If UCP chooses not to further develop a project from the lab, UCP will give the rights to the applicable script back to the writer/writing team (and UCP will no longer continue to own it). Further details, and an agreement, will be provided to writers/writing teams selected to participate in the lab.

ELIGIBILITY:

  • Applicants must be at least 18 years old at the time of their application.

  • Applicants can be from any country or background.

  • Applicants must have a strong proficiency in English.

  • Applicant’s participation in the 2-day workshop (and lab, if applicable) must not violate any other obligations applicant may have at law, pursuant to contract, or otherwise.

  • To participate in the development lab, applicants must be legally authorized to live, work and participate in the lab in the United States.

  • Applicants must be available to participate in the 2-day workshop and lab (if applicable): Workshop is currently scheduled for June 11, 2022 and June 18, 2022, for approximately 8 hours each day with hours based on the Pacific Time Zone. Confirmed dates and time will be provided.

  • If selected for the development lab, applicant must execute a standard writer agreement, and other required documentation, in order to participate.

  • Writing teams can be no more than 2 writers. Each writer must submit a separate application.

writers.coverfly.com/competitions/view/thousandmilesproject?fbclid=IwAR1Q-gSJSv5NkLrLB-61oXPVPF8-_ZcRUKUiicayFpdg6CjcrQf21MGYES0

TV / DIGITAL SERIES — FEBRUARY 2022

2021/2022 INDIGENOUS LIST

The Black List / IllumiNative / Sundance Institute

DEADLINE: February 4, 2022

INFO: For the second year in a row, The Black List has partnered with IllumiNative and Sundance Institute for the Indigenous List. The Indigenous List will feature film and television scripts authored by Native American, Native Hawaiian, and Alaskan Native Film artists working in the U.S. 

Filmmakers and content creators are invited to submit a script for consideration by uploading it to The Black List website during the winter of 2021/2022. Feature film, one-hour, and half-hour original pilot submissions will be considered for this opportunity (no webseries or documentaries, please.) Scripts from any genre are eligible for this partnership. 

blcklst.com/help/article/634

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Hillman Grad Mentorship Lab

Hillman Grad Productions

DEADLINE: February 11, 2022 at 11:59pm PST

INFO: The Hillman Grad Mentorship Lab provides opportunities for marginalized storytellers to connect, grow, and accelerate their career in television.

Committed to infusing new narratives and perspectives in front of and behind the camera, the Hillman Grad Mentorship Lab provides a robust slate of workshops, educational resources, and professional development and networking opportunities for a cohort of diverse writers, actors, and aspiring creative executives.

The tuition-free, 8-month program grants fellows the unique opportunity to enhance their creative skillset through personalized instruction from industry professionals, creating additional pathways to bring more people from diverse backgrounds into the entertainment industry.

CURRICULUM: The Hillman Grad Mentorship Lab consists of three separate tracks: television writing, screen acting, and executive development.

The writing track will help prepare mentees to be ready for their first staff position in a writer’s room. Writing mentees will engage in a comprehensive writing experience, developing an original pilot from concept ideation to a fully polished and packaged script. Mentees will learn how to plan and write a pilot, participate in a simulated writers room–undergoing a series of rewrites from notes by the instructor, peers, and creative executives–capped off by a table read featuring professional actors. Mentees will be instructed and mentored by Michael Svoboda.

The acting track will prepare mentees for jump starting their careers as recurring actors and guest stars. Acting mentees will focus on mastering craft, a full and complete understanding of the business side of the industry, and be exposed to guests who are leaders in their field from all parts of the industry both in front of and behind the camera. Mentees will critically explore a wide array of genres, expanding their creative capacity to successfully deliver powerful performances, slay their audition, and stay booked. Mentees will be co-instructed and mentored by Behzad Dabu and Carolyn Michelle Smith.

The executive development track will prepare mentees for transitioning from working as an assistant to becoming a creative executive. Mentees will network and learn from a variety of industry executives by exploring how to track IP and analyze material, practice pitching, and work closely with writing mentees to develop their in-program pilot script. 

SUBMISSION REQUIREMENTS:

The Program is subject to the following requirements: 

  • You must submit a complete and accurate application through the Hillman Grad website prior to the application deadline, which application will include:

  • Short Answers to a series of questions;

  • A resume;

For Television Writing applicants: a writing sample, written solely by the applicant (no writing teams), which must be either an original feature screenplay or television pilot (preferable);

For Screen Acting applicants: two (2) 60-second monologues with contrasting tones. Monologues should be sourced from a film, television program, or play.

You must also agree to (1) these Submission Requirements, (2) all terms relating to the Program posted on Hillman Grad’s website, which you should review and read in full, and (3) the Submission Agreement, which governs the submission of your materials to Hillman Grad. The Submission Agreement includes important, legally binding terms and conditions, including arbitration of any disputes, which you must read in full before accepting.

You must be at least 18 years of age and not a minor in the state or country of your residence at time of submission.

You must be the sole owner of all rights in and to the materials submitted to Hillman Grad (“Submission Materials”). The Submission Materials must not in any way infringe upon the copyright of any person or entity or, to the best of your knowledge in the exercise of reasonable prudence, constitute libel, defamation or invasion of privacy or any other rights of any third party.

PROGRAM EXPECTATIONS: This program requires an expected commitment of 10 hours/week. All mentees agree to commit to: virtual attendance at all classes via Zoom; meet all program deadlines; in-person attendance at kick-off weekend (March 2022), retreat weekend (July 2022), and showcase week (October 2022); participate in the program in a professional manner. Failure to deliver on any of the above may result in termination from the program. Applicants currently enrolled in an undergraduate or graduate program are discouraged from applying.

By committing to the Hillman Grad Mentorship Lab, mentees must attend:

  • For Acting and Writing mentees: weekly classes via Zoom; Saturdays 10AM - 1 PM PT

  • For Creative Executive mentees: monthly classes via Zoom; 1st Saturday of the month, 10 AM - 1 PM PT

  • Kick-Off Weekend: March 18-20 (in-person, Los Angeles)

  • Retreat Weekend: July 8-10 (in-person, Los Angeles)

  • Capstone Week: October 19-23 (in person, Los Angeles)

hillmangrad.com/mentorship-labs

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2022 Stowe Story Labs & RETREAT

DEADLINE: February 15, 2022

INFO: Stowe Story Labs is a nonprofit dedicated to helping emerging screenwriters, filmmakers, and creative producers get work made and seen. We look for people demonstrating talent and a good story worth developing, whether or not they have experience in film or television. This application is for our 2022 labs and retreats. Details about our programs, schedule of program, and template agendas can be found here under the programs tab for "narrative labs" and "writers' retreats." Although we do charge for our programming, we work to keep the cost of programming as low as possible. If our program changes during application season, we will write to you to tell you about the changes. If there are new labs or retreats, we will include your application in review for those programs.

Please take a minute and review this note before filling out your application.

APPLICATION PROCESS: We have one application for our labs and retreats. On the application, you may rank the programs you are most interested in, but we will review your application for all slots and, if you are admitted, we will discuss with you which program might be best. You can choose "no preference" when applying. As we review material, we may reach out to ask follow up questions.

FELLOWSHIPS & SCHOLARSHIPS: Although we rely on fees to operate, we do offer as much support to our participants as possible. We offer several fellowships. Each fellowship has its own criteria and goals. At a minimum, the fellowships cover the fees for one participant to attend a program, as well as other benefits. Please check the website for information about each fellowship. We also offer dozens of partial scholarships to help ensure deserving applicants can attend our programs. There is not a separate application process for these opportunities. If interested in financial support, you will be steered to questions about these programs.

FEES & OTHER NOTES: The fee to attend an in-person four-day Narrative Lab in 2022 will be $2,500. The fee to attend an in-person five-day writers' retreat will be $2,750. Fees include all content and most meals. Travel and lodging are separate, and lodging is offered through our lodging partners, who offer deep and meaningful discounts to participants (and most include breakfast ....).

Given the uncertainty about the novel coronavirus, all programs could end up running remotely. An online Lab will cost $1,750. An online retreat will cost $1,950.

Please note we do not provide feedback on projects through our submission process.

Please familiarize yourself with our programs and fellowships before applying. You can of course reach out to us at info@stowestorylabs.org.

As noted above, we look for talented people - regardless of experience or background - bringing us interesting stories, and we look especially for underrepresented voices. Our mission includes breaking down barriers to this complicated industry. 

stowestorylabs.submittable.com/submit/204218/stowe-story-labs-2022-labs-retreats-and-financial-support-application

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Interdisciplinary Artist Residency Program

Peter Bullough Foundation

DEADLINE: February 22, 2022

INFO: The Peter Bullough Foundation in downtown historic Winchester, Virginia provides residencies to emerging artists and scholars, including those elevating voices and topics relevant to the LGBTQIA2S+ community. Applications are now being accepted for fall 2022 residencies to work in the private studios and enjoy the garden and former homes of Dr. Peter Bullough. The ideal applicant will be self-directed and able to work independently. Each awarded residency period is roughly four weeks and is shared with one to two other artists in residence. Artistic collaborators in groups of two to three may apply in one application. Hosting a community workshop virtually or in-person during the residency is encouraged, but not required.

Disciplines Accepted:
Architecture, literature, film/video arts, interdisciplinary arts, music, music composition, playwriting, screenwriting, poetry, scholars, theatre, and the visual arts.

Fall 2022 Residency Dates:

August 18 - September 13
September 15 - October 11
October 13 - November 8
November 10 - December 6

Selection:
Selection is a multi-step process involving the PBF staff, residency committee, residency alumni, and board. We may request an interview with you to learn more about you and your work. Selections will be announced 30-45 days after the application deadline. The PBF does not discriminate in its programs and activities on the basis of race, sex, sexual orientation, gender identity, gender expression, marital status, religion, creed, national origin, age, and/or disability.

Accommodations & Support:
The Peter Bullough Foundation is delighted to offer free accommodations for two to three artists at a time in Dr. Bullough’s former home, a renovated 1840’s house with private bedrooms and bathrooms and shared common spaces. Private studios and workspaces are located in an adjacent building that also houses the majority of the late Dr. Bullough’s book and art collections. Private gardens connect the properties and are also available as open-air workspaces.

A $550 stipend is provided to aid in covering supplies, necessities, and food for the month. 

Accessibility:
The PBF is not ADA accessible at this time. For more information on accessibility, please check out our FAQ's

Location: 
Winchester, Virginia is a quintessential American small town, with four locally-owned breweries, many small shops, 10 different historic house museums, a kids science museum, and a large regional art museum. 

Application Requirements:

  • Application Form

  • Resume, CV, or Statement of Qualifications

  • Two Personal References

  • Personal Statement and Proposal

  • Portfolio

peterbulloughfoundation.org/residency?fbclid=IwAR1MRyNsx3HGw1Vimr66ld9RkMwoyFRYvIA6qHHNlUaE8hw2rarYFoUF2wE

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The 2021/2022 Muslim List

The Black List / Muslim Public Affairs Council

DEADLINE: February 28, 2022

INFO: The Black List has partnered with the Muslim Public Affairs Council (MPAC) and Pillars Fund to create The Muslim List, highlighting the very best unproduced scripts written by at least one Muslim writer.

Filmmakers and content creators are invited to submit a script for consideration by uploading it to The Black List website. Feature film, one-hour, and half-hour original pilot submissions will be considered for this opportunity (no web series or documentaries, please.) Scripts from any genre are eligible for this partnership. 

Writers of selected scripts will be notified in Spring 2022 with a public announcement to follow.

REQUIREMENTS:

  • Writers should identify as Muslim. While writers can be from any country of origin, they must currently reside in the U.S.

  • Writing teams are eligible as long as one member of the team identifies as Muslim.

  • Scripts can be multilingual as long as they are written primarily in English.

  • Feature films and original television pilots will be accepted, no web series or documentaries please.

mpachollywoodbureau.org/screenwriters