POETRY — MAY / JUNE 2023

CALL FOR SUBMISSIONS: DEBUT POETRY AND SHORT STORY COLLECTIONS

Tin House

SUBMISSION PERIOD: May 6, 2023 (at 12:01 am PT) - May 7, 2023 (at 11:59 pm PT)

INFO: Three times per year, Tin House offers a two-day submission period for writers to submit their work. Eligible writers must not currently have an agent, and must not have previously published a book (chapbooks okay). Per our schedule below, we accept works of fiction, literary nonfiction, and poetry, both originally in English and in translation (please only submit translation projects which the translator has already been granted formal permission to translate), and ask that you do not send us a project unless you have a completed draft.

In particular, we are looking to engage with work by writers from historically underrepresented communities, including—but not limited to—those who are Black, Indigenous, POC, disabled, neurodivergent, trans and LGBTQIA+, debuting after 40, and without an MFA.

SUBMIT: From May 6th at 12:01 a.m. PT to May 7th at 11:59 p.m. PT, our Submittable link will be live for debut poetry and short story collection submissions. You can click below to submit then!

tinhouse.com/book-submissions/

_____

Open call for submissions of art & writing

Genre: Urban Arts

DEADLINE: May 7, 2023

INFO: Genre: Urban Arts is a group of creatives who utilize print and digital platforms to share their creativity.

Show us what you’ve been working on by submitting your original and unpublished art and writing to Genre: Urban Arts’ No. 12 Signature Print Publication.

Don’t miss your chance to be a part of this dynamic celebration of creativity and add to your publishing credits.

FIRST PUBLICATION RIGHTS REQUIREMENT: All submitted work must be ORIGINAL and UNPUBLISHED. Read more in additional considerations below. 

CATEGORIES:

Music Review

  • Include 2-3 images (file size no greater than 64MB).

  • Reviews should be 1000 words or fewer.

Nonfiction or Creative Nonfiction

  • Limit your submission to 1000 words or fewer.

Poetry

  • Submit 2-4 poems, each with 50 lines or fewer.

Fiction

  • Limit your submission to 1000 words or fewer.

Art (Visual Arts)

  • The "Art Envisioned" category welcomes submissions from visual artists. Please send photographs of your original artwork.

  • Include title, medium, and 1-3 images (file size no greater than 64MB).

  • Include a brief artist statement.

Photography

  • Include title, medium, and 5-7 images (file size no greater than 64MB).

  • Include a brief artist statement.

Fashion Editorials

  • Include 4-6 high-resolution images (file size no greater than 64MB).

  • Provide a brief description of the editorial theme or concept.

Additional Considerations:

  1. Formatting: Use a standard font and size (e.g., Times New Roman, 12 pt) and include your name, email address, and title on the first page of your submission.

  2. Multiple Submissions: Limit yourself to one submission per category.

  3. Simultaneous Submissions: We do not accept simultaneous submissions.

  4. File Types: Submit each item as an individual file. Acceptable file formats are PDF, DOC, DOCX, JPEG, and PNG.

  5. There is no monetary exchange for published submission.

  6. First Publication Rights Requirement:By submitting your work to Genre: Urban Arts, you agree to grant us the First Publication Rights upon acceptance of your submission. This means that if your work is selected for publication, we reserve the exclusive right to be the first platform to publish and showcase your work. After the initial publication in Genre: Urban Arts, the copyright reverts back to you, the author or creator, and you are free to republish your work elsewhere. However, we kindly request that you acknowledge Genre: Urban Arts as the original publisher in any subsequent publications. This requirement helps us maintain the freshness and uniqueness of our content, ensuring that our audience has access to original and previously unpublished works. By granting us the First Publication Rights, you contribute to our mission of promoting and celebrating urban arts and culture.

genreurbanarts.submittable.com/submit

_____

2023 CAVE CANEM POETRY PRIZE

Cave Canem

DEADLINE: May 10, 2023 by 11:59 pm EST

ENTRY FEE: $0

INFO: Submissions are now open for the 2023 Cave Canem Poetry Prize, an annual contest dedicated to the discovery of first books by Black poets!

AWARD: The winner receives $1,000, publication by University of Pittsburgh Press in fall 2024, 15 copies of the book, and a feature reading. Both the winner and runner-up will be invited to individual critique sessions with the final judge. Black poets who have not had a full-length book of poetry published by a professional press are encouraged to apply.

ELIGIBILITY: All unpublished, original collections of poems written in English by Black writers of African descent who have not had a full-length book of poetry published by a professional press. Authors of chapbooks and self-published books with a maximum print-run of 500 may apply. Simultaneous submission to other book awards should be noted: immediate notification upon winning such an award is required. Winner agrees to be present in the continental United States at her or his own expense shortly after the book is published in order to participate in promotional reading(s). 

EXCLUSIONS: Current or former students, colleagues, employees, family members and close friends of the judge; current or former employees and members of the Board of Cave Canem Foundation or University of Pittsburgh Press; and authors who have published a book or have a book under contract with University of Pittsburgh Press are ineligible.

If any of the selected authors fall under the above exclusions, they will be disqualified and a replacement will be chosen from among the submissions. As the poetry community is small and the contest is judged without knowledge of the submitter’s identity, acquaintance with the judge or participation in a workshop taught by the judge are not disqualifying criteria.

GUIDELINES:

  • Manuscripts must be submitted via Submittable. Hard copy submissions will not be considered.

  • One manuscript per poet.

  • Upload manuscript as a .docx or .pdf document. Include a title page with the title only and table of contents. Author's name should not appear on any pages within the uploaded document.

  • Include a cover letter in the Submittable text box—DO NOT include within the .docx or .pdf document of the manuscript. Cover letter should include author’s brief bio (200 words, maximum) and list of acknowledgments of previously published poems.

  • Manuscript must be paginated and 60 - 75 pages in length, inclusive of title page and table of contents. A poem may be multiple pages, but no more than one poem per page is permitted.

  • Manuscripts not adhering to submission guidelines will not be considered.

  • Post-submission revisions or corrections are not permitted.

JUDGE: Colleen J. McElroy

Colleen J. McElroy is the author of nine poetry collections, including Blood Memory; Sleeping with the Moon, winner of the PEN Oakland National Literary Award; Travelling Music; What Madness Brought Me Here: New and Selected Poems, 1968–1988; Queen of the Ebony Isles, winner of the American Book Award; and Winters without Snow. She is the recipient of fellowships from the National Endowment of the Arts, the Fulbright Program; and the Rockefeller Foundation. A DuPont Distinguished Scholar and former editor of The Seattle Review for more than a decade, McElroy is Professor Emerita at the University of Washington.

cavecanem.submittable.com/submit/250087/2023-cave-canem-poetry-prize

_____

Anne LaBastille Memorial Writers Residency

The Adirondack Center for Writing

DEADLINE: May 10, 2023

APPLICATION FEE: $30

INFO: The Adirondack Center for Writing offers a free, two-week residency annually in autumn to poets, fiction writers, and creative nonfiction writers at a lodge on Twitchell Lake in the heart of the Adirondack Mountains. Six residents will be chosen, three from the Adirondack region (aka “The North Country”… see FAQ below for specifics) and three from anywhere in the world. Quality of written submissions is the primary consideration when accepting applications.

This residency was generously provided by the estate of Anne LaBastille, who wrote books capturing challenges of the region, including Woodswoman and Beyond Black Bear Lake from her cabin on Twitchell Lake. During the residency, the writers will paddle to the site of her property, and explore the lake with locals. For more info on applying, see below.

Please note: The Lodge at Twitchell Lake provides an abundance of physical space, and each resident has their own bedroom and bathroom. There are dozens of writing spaces in and around the property. Internet access is available, but limited (email ; Zoom )

Requirements: Proof of vaccination is required for selected residents. Selected residents who are unable to be vaccinated for medical reasons will be required to provide proof of negative test upon arrival to the lodge and will contact ACW to ensure proper protocols are maintained and residents can enjoy the residency safely! Please reach out with any questions to info@adirondackcenterforwriting.org.

Fee: There is no cost to attend the residency, though there is a $30 application reading fee.

APPLICATION REQUIREMENTS:

  1. Cover Letter: Include a brief bio and a work plan for the residency. Copy and paste your text into the space provided in the application (do not attach a document for the cover letter)

  2. Writing Sample: Please send up to 10 manuscript pages of your best writing in the genre you will working in at the residency. Prose: 10 pages max. Poetry: 10 poems max. NOTE: Make sure your name is removed from manuscript file names or anywhere else on the material (except in cover letter). In order to remain unbiased, we will be forced to disregard any submissions that include your name.

  3. Application fee: $30. We enlist many readers (past residents, board members) to help us process applications, and that work has value. Your application fee ensures that the residency can remain free to selected applicants.

Quality of written submissions will be our primary consideration when accepting applications. Application period will be open April 10 – May 10 2023. We will not accept print applications. For questions, please contact info@adirondackcenterforwriting.org with the subject line “Residency.” Or, give us a call at (518) 354-1261.

adirondackcenterforwriting.org/residency/ 

_____

el retorno: writing hasta las raÍces WRITER'S RETREAT

Dominican Writers

DEADLINE: May 12, 2023 by 11:59 pm EST

APPLICATION FEE: $30

INFO: This international writing experience will fill your life with enchantment, wonder and empowerment. We encourage all BIPOC writers to participate in our writing workshops on fiction, creative nonfiction, and poetry with focus on the craft of writing and engaging in cross-cultural conversations around literature created by Dominicans of the diaspora and Quisqueya.

Join us in Puerto Plata, Dominican Republic as we create space for and with nuestra gente to lean into your writing voices and reconnect with our land. It offers you the possibility to concentrate on thinking, reading, and writing in a sustained way, to recharge your battery, and to gain new inspiration. For individuals and groups, with meals, room and board included in the subsidized tuition fee.

Cabarete/Sosua is a resort town on the Dominican Republic's northern coast. Along the coast you will find Encuentro Beach is known for its surf breaks, Cabarete Beach known for its water sports, and calm sky blue beaches like Sosua Beach. This town is also filled with restaurants, bars and a nightlife. This writer’s retreat is open to writers of all levels, and it operates on a non-competitive basis. To participate you will need to complete an application, pay a modest application fee, answer questions about writing goals, and submit a writing sample for admission.

Included in the writing retreat are daily workshops in English and Spanish, craft discussions, feedback on writing, and time to work on projects. Writers can also enjoy walks along the beach to the many restaurants and shops in town.

TUITION / FEES:

  • EARLY BIRD PRICE - $1200 (due by May 12th, 2023 (11:59 PM EST) - Early bird price is $1200 with a non-refundable tuition Deposit of $200 due upon acceptance. The deposit confirms your spot. The deposit counts towards the overall $1200 tuition payment. Balance of $1000 can be paid in one full payment, weekly or bi-weekly. Upon acceptance participants will receive payment plan options via email.

  • LATE TUITION - Workshop tuition will increase to $1700 for folks who apply after May 12th. Various payment plan options are available.

SCHOLARSHIPS: Scholarships will be considered based on financial needs. If you require assistance please email mariela@dominicanwriters.com and and the program committee will consider it.

Payment plans options are offered to those whose application are approved.

OTHER IMPORTANT DETAILS:

  • Participants are responsible for booking their flights as soon as possible for arrival to STI or POP Airports as they are the nearest to the lodging.

TUITION CANCELATION POLICY:

  • Deposits are non-refundable. A deposit is due immediately upon acceptance to confirm your seat.

  • Full refund if cancelled 60 days or more prior to the start of the retreat.

  • 50% refund if cancelled 30-59 days prior to the start of the retreat.

  • No refund if cancelled less than 30 days prior to the start of the retreat.

EXCEPTIONS:

  • In the event of a medical emergency, a full refund will be issued if a doctor's note is provided.

  • If the retreat is cancelled due to unforeseen circumstances, such as a natural disaster, all participants will be issued a full refund.

  • Please note: All cancellations must be made by email to mariela@dominicanwriters.com. Cancellations made by text or phone will not be accepted.

  • Refunds will be issued within 30 days of the cancellation date.

RETREAT ACTIVITIES:

Writers who will be attending retreat will receive the full agenda...

  • Daily writing workshops taught by faculty in English & Spanish

  • Transnational conversations on the state of publishing in Dominican Republic

  • Discussions on the past, present, and future of the interplay between arts and organizing

  • Presentations of participant work, including a public reading by faculty

  • Collaborative writing sessions

  • Free time and fun activities, including swimming, hiking, yoga, games, and karaoke.

dominicanwriters.com/dwa-retreat

_____

2023 EMERGING WRITER'S CONTEST 

Ploughshares

DEADLINE: May 15, 2023

ENTRY FEE: 

  • Subscribers: $0

  • Non-Subscribers: $24

INFO: The Emerging Writer's Contest is open to writers of fiction, nonfiction, and poetry who have yet to publish or self-publish a book. 

AWARD: We award publication, $2,000, review from Aevitas Creative Management, and a 1-year subscription for one winner in each of the three genres. Submit to the Emerging Writer's Contest through our submission manager. You must be logged in to access our submission manager.

JUDGES: The 2023 contest judges are Gish Jen (Fiction), Sandra Cisneros (Poetry), and Meghan O'Rourke (Nonfiction). 

PUBLICATION: The winning story, essay, and poems from the 2023 contest will be published in the Winter 2023-24 issue of Ploughshares. 

ELIGIBILITY:

You are eligible if you:

  • Have yet to publish a book (including eBooks, translations, books in other languages/countries, self-published works, and poetry chapbooks with a print run of more than 300).

  • Have no book forthcoming before April 15, 2024.

  • Are not affiliated with Emerson College or with Ploughshares as a contributing author, volunteer screener, intern, student, staff member, or faculty member.

  • Will not have a relationship with Emerson College before April 15, 2024 (example: if there is a chance you will attend the Emerson MFA program in the coming year or if your work has been accepted for publication for an upcoming issue).

SUBMITTING:

  • Fiction and Nonfiction: Under 6,000 words

  • Poetry: 3-5 pages

Submit one entry per year via our online submission manager. 

  • No entries via email or mail will be considered for the contest.

  • Submitted work must be original and previously unpublished in any form.

  • For poetry, we will be reading both for the strongest individual poem and the general level of work, and may choose to publish one, some, or all of the winner's submitted poems.

  • International submissions welcome.

  • We cannot accomodate revisions once a manuscript has been submitted. 

  • Cover letters are not necessary. Please remove all identifying information from your submission as they will be read anonymously. 

SIMULTANEOUS VS. MULTIPLE SUBMISSIONS:
We only consider one submission per author for the duration of the contest, regardless of genre. Simultaneous submissions to other journals are fine as long as we are notified immediately upon acceptance elsewhere via email (pshares@pshares.org) or our online contact form. 

pshares.org/submit/emerging-writers-contest/guidelines

_____

50TH ANNIVERSARY FELLOWSHIPS FOR ARTISTS OF COLOR

Virginia Center for the Creative Arts (VCCA)

DEADLINE: May 15, 2023

APPLICATION FEE: $30

INFO: Conceived during VCCA’s 50th anniversary year in 2021 and established in 2022, the 50th Anniversary Fund provides free first-time VCCA residencies for 50 artists of color a year. 

Each 50th Anniversary Fellow receives a free residency of up to two weeks at Mt. San Angelo, VCCA’s artist residency program in the foothills of Virginia’s Blue Ridge Mountains. All VCCA residencies include a private studio, a private bedroom with en-suite bath, three prepared meals each day, and access to a community of more than 20 other artists in residence.

APPLICATION DETAILS:

  • Eligibility: Artists of color (writers, visual artists, and composers) who have not previously been in residence at VCCA

  • Length of Fellowship: Up to two weeks with flexible scheduling

Next available for:

  • Winter 2024

  • Residencies Available: January 2 – April 30, 2024

  • Application Deadline: May 15, 2023

  • Notification by: August 31, 2023

To be considered as a 50th Anniversary Fellow, complete the “Application for Mt. San Angelo Residencies, VCCA in Virginia,” selecting your fellowship interest in Question 2.

* If the application fee presents a significant barrier to application, please write to vcca@vcca.com by May 10, 2023, to request an application fee waiver.

VCCA intends the term artist of color to broadly include those creating original work in a wide variety of literary, visual art, and/or musical/sound disciplines who self-identify as part of one or more of these U.S. census groups: American Indian or Alaskan Native; Asian; Black or African American; Hispanic or Latinx; Middle Eastern or North African; Native Hawaiian or Pacific Islander; Multi-Racial. If you have a question about whether VCCA’s studio spaces would be suitable to the nature of your creative work, please write to Artists Services at vcca@vcca.com in advance of the deadline.

Applicants must submit an online application by the deadline, complete with recent work samples, a project description, and a variety of biographical and logistical details. VCCA no longer requires letters of recommendation. Applicants will be considered for a VCCA residency and as many funding opportunities for which they are eligible.

vcca.com/apply/fully-funded-fellowships/50th-anniversary-fellowships-for-artists-of-color/

_____

2023 Jane Brinkley Summer Fellowship

The Poetry Society of New York

DEADLINE: May 15, 2023

INFO: The Poetry Society of New York is seeking a generous, creative, thoughtful, open-minded, and hardworking young artist for our 2023 Jane Brinkley Fellowship. This fellowship is named after and was founded in memory of our former intern who we tragically lost at the beginning of last year. Jane was and will be in perpetuity a dynamic, hilarious, crucial member of our community, with a propensity for typewriters, yellow flowers, and risky art. She was not only a vital component to the 2021 New York City Poetry Festival, without whom it would not have been possible; she was a performer, poet, songbird, and a dear friend. With this fellowship, we want to grant the opportunity for a college student like Jane to move to New York City for the summer and help produce the New York City Poetry Festival from July 29-30th.

This fellow will report to the Company’s Chief Executive Officer Stephanie Berger, the Company’s Chief Operating Officer Jackie Braje, the Programs Director Tova Greene, as well as other members of Staff as directed by the Company’s Chief Executive Officer. Among various other tasks, this fellow is to assist with:

  • The set-up and breakdown of events of the New York City Poetry Festival on Governors Island 

  • Communication between event casts, event staff, venues, sponsors, clients, and other professional contacts to streamline production processes

  • The development of new production ideas and see them through to their execution

  • On-site duties during events and rehearsals, including selling merchandise and taking video

  • Writing, editing, and designing production documents (runs of show, materials lists, et al)

This fellowship will last from June 1st to August 4th.

PRIZE: The awardee will receive $5000 for these two months.

To make our decision as equitable as possible, our fellow will be chosen on a completely blind basis; that being said, BIPOC, queer, and gender non-conforming folks are especially encouraged to apply. All applicants must be devoted to diversity, equity and inclusion, not take themselves too seriously, and have a profound love for weird and wonderful poetry. Applicants must be flexible, communicative, and collaborative.

poetrysocietyny.submittable.com/submit/227111/2023-jane-brinkley-summer-fellowship

_____

OUTWRITE 2023

DC Center for the LGBT Community

DEADLINE: May 15, 2023

INFO: OutWrite, Washington, D.C's annual free LGBTQ Literary Festival, is accepting event submissions for the 2023 festival, which will be August 11-13, 2023. We're seeking readings, panels, and workshops exploring and celebrating all aspects of the LGBTQIA+ identity and literary space!

PLEASE NOTE:

  • We encourage diverse panels and readings.

  • Submit your event with as full a lineup of readers or panelists as you can. We cannot feature readings with one individual author.

  • The event coordinator refers to the person who submits the event idea.

  • We are looking forward to bringing OutWrite 2023 back with in-person events as well as virtual offerings.

thedccenter.org/outwrite/

_____

2024 RESIDENCIES AND FELLOWSHIPS

Ragdale

DEADLINE: May 15, 2023 by 11:59pm CST

APPLICATION FEE: $25

INFO: Ragdale is a non-profit artists’ community located on architect Howard Van Doren Shaw’s country estate in Lake Forest, IL, 30 miles north of Chicago. In 1976, Shaw’s granddaughter, Alice Judson Hayes, transformed her family’s summer home into an artist's retreat to provide time and space for artists to create important new work.

Today, Ragdale annually hosts nearly 150 visual artists, writers, composers, and interdisciplinary artists at all stages of their careers for 18-day residencies, making it one of the largest interdisciplinary artist communities in the country. Ragdale offers a retreat setting where at any given time, a dozen creative individuals experience uninterrupted time for dedicated work, a supportive environment, family-style dinners, and dynamic artist exchanges within a backdrop of 50 acres of idyllic prairie.

Residency Awards, up to 150 awarded in 2024
18- day residency. Fees are income-based and calculated upon a sliding scale. Admitted residents are responsible for their own travel.

Fellowship Awards, up to 30 awarded in 2024
18- day fee- waived residency. Stipend of at least $1000 to participate in the Ragdale In Schools educational outreach program. Admitted fellows are responsible for their own travel.

ELIGIBILITY: Up to 150 residencies and fellowships are now offered annually. Ragdale encourages applications from artists representing the widest possible range of perspectives and demographics, and to that end, emerging as well as established artists are invited to apply. While there are no publication, exhibition or performance requirements for application, applicants should be working at the professional level in their fields. Ragdale encourages artists of all backgrounds to apply, and does not discriminate against anyone on the basis of age, disability, gender, origin, race, religion, or sexual orientation.

GUIDELINES:

All applicants submit electronic materials through the Submittable application portal.  Please note the following requirements to complete your application:

A completed online application form which includes:

  1. A one-page artist’s statement and work plan explaining your work and what you plan to do while in residence.

  2. A one-page CV or resumé that summarizes your professional background.

  3. Work samples that show previous work from the past 2-3 years. All media is acceptable. Most electronic file types and sizes are accepted. 

  4. Some fellowships require an eligibility statement of 500 words or less.

  5. Optional (Does not count towards the numerical score submitted by jury members): up to two current letters of reference or surveys completed by people who know you personally and can address your professional capacity and suitability for a residency in a working community with other artists.  Reference letters and survey responses are confidential and are  submitted electronically through Submittable when you submit your  application. Letters of reference/ Reference Surveys are due 11:59 PM  CST June 1, 2023. *A 10-15 minute survey option has been  added to residency applications. Instructions for completing the  survey or letter of recommendation will be automatically sent to your  references when you submit your application.

EVALUATION:

Applications are reviewed by Ragdale’s Curatorial Board and staff. Evaluations of work are based on the following criteria:

  1. Work Samples: Documented works are original, inventive, and exciting. Works are relevant in their contemporary field. 

  2. Presentation: Work samples are high-quality and technically proficient in execution, and is professionally presented and documented.

  3. Artist’s Experience: Artist statement reflects continued development of ideas, serious inquiry into subject matter, and exceptional aesthetic investigation in the chosen medium. Artist's resumé shows evidence of continued progress in the process.

  4. Work plan: Artist demonstrates they will maximize the benefits of a residency at Ragdale. What is the reason for seeking time and space in this particular residency program and is there a sense of urgency reflected in the goals described?

  5. *OPTIONAL: References are optional and do not count towards the juror's numerical scoring of the application. References reflect the artist’s ability to work well in an artist community.

NOTIFICATION: Applicants are notified of admission status via email three months after the application deadline, approximately mid-September.

COLLABORATIONS: Artists collaborating on a project must submit individual application forms and appropriate work samples, along with a joint description of the work they intend to do at Ragdale. Clearly specify your work and living space needs i.e. how many private studio and/or sleeping quarters are needed. You may also submit an example of a previous collaborative work (either completed or in progress). Any specific concerns can be directed to Regin Igloria, Artistic Director, before applying.

TIMELINE

  • May 15, 2023: Application Deadline

  • September 2023: Notification of Residency or Fellowship award.

ragdale.submittable.com/submit

_____

Call for submission: Issue 8

Tampered Press

DEADLINE: May 20, 2023

INFO: Tampered Press creates more platform and visibility for writers and visual artists in Ghana and Africa.

For our 8th issue, we are curating a selection of works that analyzes the relationship between African & Black people living on the continent, and Africans/Blacks living in the diaspora.

What are the nuances, complexities and epiphanies present in the existence of these relationships in the physical, virtual and emotional realms and how do they manifest?

Submissions should reflect on the diversity of black experiences, how they intersect and diverge, what challenges and or triumphs emerge, and what the future, present and past looks like. We encourage submissions that engage with historical and contemporary struggles for black liberation, and that reflects on the ongoing impact of colonialism, imperialism, and systemic racism on black communities worldwide.

GUIDELINES: Your work can appear in a variety of ways: nonfiction, fiction, essays, photo essays, illustrations, prose poems, free verse and newly invented forms; in unusual and splendid images and metaphor; through the use of place, structure, and language. We are open to broad interpretations.

We are open to all styles and themes and seek to publish voices from diverse perspectives. We are also open to hybrid work, uncategorized writing, artwork, illustrations and photography.

Work must be previously unpublished; this includes personal blogs/websites and social media. We encourage simultaneous submissions but request that this be noted in your cover letter. Your cover letter should include a brief bio of yourself.

Submit work in any of these categories:

  • Poetry: 2-4 poems. Submissions should include work in one file in .docx or pdf

  • Fiction: 4000 word limit. Submissions should include work in one file in .docx or pdf

  • Non-fiction: 4000 word limit. Submissions should include work in one file in .docx or pdf

  • Comics: 4 page submission limit.

  • Visual art: Send low resolution images, if accepted, higher resolution will be requested.

tamperedpress.com/submissions/

_____

Teaching Fellowship for Black Writers

GrubStreet

DEADLINE: May 30, 2023

INFO: GrubStreet’s Teaching Fellowship for Black Writers provides financial and professional development support to two self-identified Black writers interested in teaching classes, participating in events, and working with our instructors and staff to deepen our curriculum. The fellowship includes compensation of $25,000, artistic mentorship, a showcase of the Fellows’ work, and access to the GrubStreet community and the Muse and the Marketplace conference. In time, the program aims to offer sustainable support to Black Writers and create a cohort of fellows who have direct access to GrubStreet resources, classes, and events. We also hope the fellows can influence GrubStreet’s pedagogy and cultural vision based on their experience and feedback.

There are even more reasons to apply this year! Even if your application isn’t accepted, by applying you’ll be given free access to a session focused on the topic of applying to fellowships, conferences, writing programs, and residencies taking place this summer.

DETAILS:

The Teaching Fellowship for Black Writers will provide the following compensation:

  • $25,000 per fellow for the year.

  • Access to mentorship from GrubStreet’s Artistic Director, the Head of Faculty, and fellow instructors.

  • Free access to the Muse and the Marketplace during the fellowship year and the option to lead a paid session at the conference. 

  • Access to additional GrubStreet events.

  • Priority access to space at GrubStreet’s new home to work on personal writing projects.

  • 60 hours (or roughly 20 weeks) of free GrubStreet classes, which can be taken during or after the fellowship.

  • A two-year GrubStreet membership.

The teaching load and responsibilities for the fellowship year include:

  • Teaching one ten-week class.

  • Teaching one six-week class.

  • Teaching one week-long teen camp.

  • Teaching one three-hour seminar (plus, the option to teach more for additional payment).

  • Moderate or participate in a Boston Writers of Color’s event. 

  • Meet with the Head of Faculty and Education Director periodically to track progress.

  • A showcase and conversation on our Writer’s Stage to end the year (additional stipend paid to Fellows for this).

  • Meet with new fellows at the end of your own fellowship year.

The fellowship begins September 5th, 2023 and runs through the end of August 2024.

WHO SHOULD APPLY:

This fellowship is open to writers who self-identify as Black, are 18 or older, are able to work with both adult and teen audiences, and have a passion for expansive pedagogy, curriculum development, and professional growth. Ideal candidates will have some publication and teaching experience. Preference will be given to those working on their first book or a larger project. MFAs, a long publishing record, or extensive teaching experience are not requirements to apply, though feel free to tell us if you have any of these things.

HOW TO APPLY:

The Teaching Fellowship for Black Writers Application Form will require the following:

  • A personal statement (500 words max), which should include:

  • Your background as a writer and teacher.

  • Your personal philosophy or approach to creative writing workshops.

  • How this particular fellowship fits your interests and goals as a writer and educator.

  • Your CV or resume. 

  • A writing sample (20 pages limit for prose; 12 pages for poetry; 25 pages for scripts; and 20 pages for other or fused genres) that best exemplifies your current trajectory as a writer.

  • Two personal references (name, email, and phone number) who can speak to your experience and dedication to writing and teaching.

IMPORTANT DATES:

  • Final decisions will be announced at the end of June.

  • Program kicks off on September 5, 2023 and runs through the end of August 2024.

grubstreet.org/programs/teaching-fellowship-for-black-writers/

_____

Poetry Prize

Autumn House Press

DEADLINE: May 31, 2023

READING FEE: $30

INFO: For the 2023 contest, the Autumn House staff as well as select outsider readers serve as the preliminary readers, and the final judge is Toi Derricotte.

PRIZE: The winner receives publication of a full-length manuscript and $2,500 ($1,000 honorarium, and a $1,500 travel/publicity grant to promote their book). We will announce the finalists and the winner of the contest by October 15, 2023. 

 GUIDELINES:

  • All finalists will be considered for publication

  • Poetry submissions should be approximately 50-80 pages

  • Each new poem should start on a new page

  • Illustrations are strongly discouraged

  • The reading fee is $30; we’ve reached our cap for fee waivers for the 2023 Poetry Prize. We appreciate your understanding and apologize for any inconvenience. 

  • The book should be previously unpublished

  • Do not include your name anywhere on the actual manuscript; if your name appears within the body of the text, please omit it or black it out (first name is fine, but last name must be omitted)

  • You may include a brief bio in the “cover letter” section of Submittable

  • Do not include a bio or an acknowledgments page in the manuscript

  • Feel free to include a table of contents (This does not count a part of your final page count)

  • Simultaneous submissions permitted

  • Friends, family members, and former students of judges or Autumn House editors may not submit to the contest. Students do not include interactions at short-term residencies or fellowships.

  • Former employees of Autumn House, including interns, may not submit to the contest.

autumnhouse.org/submissions/poetry/

_____

Marble House Project artist residency

Marble House Project

DEADLINE: May 31, 2023

APPLICATION FEE: $35.00

INFO: Marble House Project is a multidisciplinary artist residency program (ie: Fiction, Non Fiction, Poetry, Playwriting/Screenwriting, Film and Video, etc.) that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. You must be at least 21 years old.   Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond. 

RESIDENCY DATES FOR 2024:

  • March 5th - 26th

  • April 2nd - April 23rd

  • April 30th - May 21st

  • May 28th - June 18

  • September 17th - October 8th

  • October 15th - November 4th

ABOUT THE RESIDENCY:

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. The residency is an opportunity to develop and carry out practices of mutual support, group conversation, and to cultivate adaptive relationships with the environment. This can take the form of discussions with guest multidisciplinary artists, thinkers, and activists and other individual and group activities that benefit our community of residents.

Residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. . Each session culminates with a short video interview and artists are invited to share their work with our community and each other. Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni and staff. Artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you. 

marblehouseproject.submittable.com/submit

JUNE

CALL FOR SUBMISSIONS: POETRY

The Margins (Asian American Writers’ Workshop)

DEADLINE: June 5, 2023

INFO: Every Tuesday, The Margins publishes the work of emerging and established Asian American and diasporic poets. We publish English-language poems and translations of poems. 

We pay contributors $50 to $90 (USD) for original and translated poetry; the fee varies based on the number and length of poems we publish. We may offer additional payment to the author of translated poems, depending on the work’s publication status. We do not pay for reprints.

Please allow four to six months for a response.

We are open to all styles, forms, and subjects. We’re drawn to poetry that:

  • Transforms the mundane into the magical with unexpected imagery

  • Reflects on personal and/or cultural history

  • Responds to or reshapes the view on current events and issues

  • Introduces or reimagines historical and literary figures

  • Illuminates through translation the work of an Asian author who is not known or read (widely) by a general Anglophone audience

  • Challenges, subverts, or expands formal, linguistic, and genre conventions

  • Explores humorous, abject, or profane languages and/or themes

GUIDELINES:

  • Submissions should be no longer than 6 pages total. Each poem must start on a new page. Though we do consider longer poems, we tend to select poems no longer than 3 pages.

  • If you are submitting translations, please acquire translation and publication permission from the author and/or press prior to submission.

  • Please use a standard serif (e.g., Garamond, Times New Roman) or sans-serif font (e.g. Arial, Calibri) in font size no smaller than 11, unless there is a specific formal and visual reason to do otherwise.

  • We allow simultaneous submissions. If a part of your submitted manuscript has been accepted elsewhere, please send a message with the unavailable title(s) on Submittable. If your entire manuscript becomes unavailable, please withdraw the submission.

  • Most of our submissions are individual works. However, collaborative work will be considered on a case-by-case basis.

  • We do not require any preliminary information in the cover letter, though you are welcome to include pertinent or necessary details about yourself or the submission. We will collect your updated bio upon acceptance. (Nice notes and hellos do not affect the decision, but we do appreciate them!)

  • We accept previously published poems, as long as they have not appeared digitally in other venues. Please note any previously published works in your submission.

aaww.submittable.com/submit

_____

Indigenous Poets Prize

Hayden’s Ferry Review

DEADLINE: June 10, 2023

APPLICATION FEE: $3

INFO: In collaboration with the Center for Imaginations in the Borderlands (CIB); RED INK: International Journal of Indigenous Literature, Art, & Humanities; the Thousand Languages Project; and the Virginia G. Piper Center for Creative Writing, Hayden's Ferry Review announces its first Indigenous Poets Prize. Natalie Diaz, Pulitzer-prize-winning poet and the director for the CIB, will serve as the judge. Diaz will select four recipients in youth and adult categories, Arizona-based and nationally-based.

Award recipients will be announced and published online in HFR’s The Dock in August 2023 as well as appear in the next HFR print issue (expected Fall/Winter 2023). Recipients will each receive $300 and participate in a virtual reading in August 2023 alongside the judge to celebrate their work. During the 2023-2024 academic year, these poems will also be translated by Thousand Languages interns and appear as a special folio on the database the following year.

ELIGIBILITY:

Writers with a commitment to Indigenous communities, who are 20-years-old or older and based outside of Arizona, are eligible to submit. We define ‘commitment’ as those who advocate for Indigenous communities, have personal experience with/within these communities, or contribute in some capacity to supporting Indigenous communities. 

  • We encourage submissions from individuals with Indigenous backgrounds. 

  • All individuals are able to submit without regard to sex, race, national origin, religion, age, disability or any other characteristic protected by law.

  • Close friends, family, or former and current students of the judge should refrain from submitting.

  • ASU staff, faculty, and students are eligible to submit unless they are close friends, colleagues, and former or current students of the judge.  Note: if you are an ASU student who is awarded a prize, the $300 will first be applied to any outstanding ASU balances.

  • We define a "former or current student" as someone who has done a semester-length course with the judge or who the judge has served as a thesis advisor. If you attended a one- or two-week-long workshop or similar with the judge, you are still eligible.

  • If you’re uncertain about your eligibility, contact us at haydensferryreview (at) gmail (dot) com.

SUBMISSION INFO:

  • Please submit 1 poem no longer than 3 pages. Each entrant can submit only once.

  • We welcome the opportunity to receive submissions in English and Indigenous languages so long as there is an English translation/version so our readers can access them.

  • Submitted work must be original work by the writer and unpublished.

  • Submissions are free and open from May 1 - June 10.

  • Submissions will be read anonymously. Please do not include your name or other identifying information in the submission file you upload.

hfr.submittable.com/submit

_____

ARTISTS & WRITERS RESIDENCY

Vermont Studio Center

DEADLINE: June 15, 2023

INFO: Each month, VSC welcomes over 50 artists and writers from across the country and around the world to our historic campus in northern Vermont.

All of our residencies include:

  • A private room in modest, shared housing

  • 24-hour access to a private studio space in one of our 6 medium-specific studio buildings

  • 3 communal meals per day (plus fresh fruit, coffee/tea/cold beverages, and cereal available around the clock)

Most residents stay with us for 1 month, so our sessions adhere to a 4-week calendar however, residencies can be scheduled in 2-week increments ranging from 2 to 12 weeks if a shorter or longer stay better suits your needs. Although we accept residents for stays for 2 weeks, we recommend a minimum stay of one month for the fullest experience.

Each 4-week session includes:

  • Opening Night Dinner & Reception

  • 7 Resident Presentation (“Res Pres”) Nights

  • 2 Open Studios Nights

  • Public Slide Talks / Public Readings from our Visiting Artists & Writers

  • Visiting Writer Craft Talks (open to writers only)

  • Opportunities for studio visits/manuscript critiques with Visiting Artists/Writers

Most months, numerous other spontaneous events take place--intimate readings, pop-up shows, group hikes or swims, performances, site-specific installations, movie screenings, dance parties, and bonfires, to name a few.

All events in our monthly program are optional. Our program is designed to enhance your studio practice by providing opportunities to engage with a supportive creative community; you are welcome to participate in as many or as few of these activities as you like. 

FELLOWSHIPS:

  • VSC Fellowship - Nine fellowships for exceptional writers based on the merit of their work. Available for a 2-, 3-, or 4-week residency as best meets the needs of the writer.

  • Voices Rising Fellowship - One fellowship for a Black American woman fiction writer with demonstrable financial need. Given in honor of women writers of color such as Maya Angelou, Toni Morrison, and Zora Neale Hurston, whose voices have inspired so many. Available for a 4-week residency in 2023 and includes a $2,000 stipend.

  • Brian P. Kennedy Fellowship - One two-week fellowship for a poet. This award is based on merit and is given in honor of VSC’s recent Interim Executive Director, Brian Kennedy, with gratitude for his dedication to VSC and its mission, and his commitment to supporting creative practice.

vermontstudiocenter.org/

_____

Narrative Prize

Narrative Mag

DEADLINE: June 15, 2023

INFO: The $5,000 Narrative Prize is awarded annually for the best short story, novel excerpt, poem, one-act play, graphic story, or work of literary nonfiction published by a new or emerging writer in Narrative.

The prize is announced each September and is given to the best work published each year in Narrative by a new or emerging writer, as judged by the magazine’s editors. In some years, the prize may be divided between winners, when more than one work merits the award. Entries selected for publication are eligible for the Narrative Prize, which is not a contest but an award.

narrativemagazine.com/great-stories/narrative-prize

_____

BLR Prizes

Bellevue Literary Review

DEADLINE: July 1, 2023

INFO: The BLR Prizes award outstanding writing related to themes of health, healing, illness, the mind, and the body. Winners are published in the spring issue of BLR. For each genre, first prize is $1000 and honorable mention is $300. 

Submissions to the 2024 BLR Prizes are open through July 1, 2023. Please see below for guidelines and the links to submit.

  • Goldenberg Prize for Fiction, judged by Marie Myung-Ok Lee

  • Felice Buckvar Prize for Nonfiction, judged by Edgar Gomez

  • John & Eileen Allman Prize for Poetry, judged by Melissa Lozada-Oliva

Fiction: We seek character-driven fiction with original voices and strong settings. We do not publish genre fiction (romance, sci-fi, horror). We have only occasionally published flash fiction. While we are always interested in creative explorations in style, we do lean toward classic short stories.

Nonfiction: We are looking for essays that reach beyond the standard ‘illness narrative’ to develop a topic in an engaging and original manner. Incorporate engaging and creative analysis that allows anecdotes to serve a larger purpose. (Please, no academic discourses or works with footnotes. )

Poetry: We encourage poems that are accessible to a wide audience. Characteristics we look for are vivid writing, strong narrative, and rendering the familiar new. We encourage you to peruse back issues in our archive to get a sense of our ethos. 

GUIDELINES:

  • We happily consider simultaneous submissions, but please inform us immediately if your work is accepted elsewhere.

  • Manuscripts can only be accepted electronically via Submittable.

  • Fiction/nonfiction word max is 5,000 words (though most of our published prose is in the range of 2,000-4,000 words.) Please submit no more than three poems. Each poem should be on a separate page within a single document.

  • Do not put your name or other identifying information on the manuscript document (or in the filename) so that the submissions can be read blindly. No cover letter needed.

  • Students/friends/colleagues/relations of a judge are not permitted to enter submissions to that judge’s genre.

  • There is a $20 fee per contest submission. Contest submission qualifies you for a 50% discount on a BLR subscription. (The fee helps BLR fund the contest and the journal, but if it’s a hardship for you, please contact us.)

  • Winners from each genre (poetry, fiction, nonfiction) receive $1000. Honorable mentions from each genre receive $300.

  • Winners will be published in BLR Issue 46 in Spring 2024.

  • All contest submissions are automatically considered for general publication as well.

  • All submissions must be of previously unpublished work.*  BLR acquires First North American rights, and the right to reprint in anthologies and online. After publication, all other rights revert to the author and the work may be reprinted as long as appropriate acknowledgement to BLR is made.

blreview.org/blr-prizes/

_____

The Sappho Prize for Women Poets

Palette Poetry

DEADLINE: June 15, 2023

READING FEE: $20

INFO: We are honored to create this space for women poets to step forward. Thanks to the past efforts of The VIDA Count and other initiatives to highlight gender disparity in literary publications, the poetry landscape has made progress toward equity in recent years. Still, more remains to be done to honor and uplift the work of women poets. Palette is yours as much as ours, and we are committed to making this journal an inclusive, welcoming space where women's voices are amplified and offered tangible support. During the opening week of the contest, we offer a free submission window to BIPOC (Black, Indigenous, People of Color) women poets, which will close after the first fifty entries.

This contest only accepts submissions from women poets. All women are welcome to submit (cis and trans). The winning poet will be awarded $3000, publication, and a brief interview in Palette Poetry. Second and third place will receive $300 and $200, respectively, as well as publication. The top ten finalists will be selected by Palette editors, and Guest Judge Evie Shockley will then select the winner and two runners-up from among the ten finalists.

Poet and literary scholar Evie Shockley thinks, creates, and writes with her eye on a Black feminist horizon. Her books of poetry include suddenly we, semiautomatic, and the new black.Her work has twice garnered the Hurston/Wright Legacy Award, has been named a finalist for the Pulitzer Prize, and has appeared internationally. Her honors include the 2023 Shelley Memorial Award, the Lannan Literary Award for Poetry, the Holmes National Poetry Prize, and the Stephen Henderson Award, and her joys include participating in poetry communities such as Cave Canem and collaborating with like-minded artists across media. Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University.

SUBMISSION GUIDELINES:

  • For this prize, we are only accepting unpublished work from women (cis and trans) poets.

  • Submissions are open internationally, to any woman poet writing in English—inclusion of other languages is welcome, as long as the poem is largely written in English.

  • Do not include your name or identifying information in the document.

  • We are only accepting unpublished work. If your poem has been published in a journal, on a blog or social media, or in any other medium, it is not eligible.

  • We accept simultaneous submissions, but please send us a message via Submittable if your work is accepted elsewhere.

  • There is no page requirement, but your submission must be no more than three poems. Please submit your poems in ONE document. Please begin each poem on a new page and include each poem's individual title. 

  • We do accept multiple submissions, but each submission of a new set of up to three poems requires its own $20 reading fee.

  • Please include a brief cover letter in the cover letter box with your publication history, if any. This is where to include your name and/or bio. If you select the editorial feedback option, please use this space to designate which poem you'd prefer to receive feedback on.

  • Review our FAQ page for frequently asked questions.

  • NOTE: If after submitting you notice an error in your submission, please message usrather than withdrawing and resubmitting your submission. We can open it to editing once so you can correct the error.

palettepoetry.com/current-contest/

_____

Monson Arts’ Residency Program

Monson Arts

DEADLINE: June 15, 2023

INFO: Monson Arts’ residency program supports emerging and established artists and writers by providing them time and space to devote to their creative practices. During each of our 2-week and 4-week programs throughout the year, a cohort of 5 artists and 5 writers are invited to immerse themselves in small town life at the edge of Maine’s North Woods and focus intensely on their work within a creative and inspiring environment. They receive a private studio, private bedroom in shared housing, all meals, and $1,000 stipend ($500 for 2-week programs). New for 2022, the Abbott Watts Residency for Photography offers access to the photography studio and darkroom of Todd Watts in nearby Blanchard, adjacent to the former home of Berenice Abbott. Click here to read more about this unique opportunity specifically for photographers.

Applications for a residency at Monson Arts are open to anyone at any stage of their career, working in visual arts, writing, and related fields (i.e. audio, video, photography). Open calls for residency applications currently take place 3 times throughout the year with deadlines on January 15, June 15, and September 15. Each application period corresponds to specific residency offerings 3-6 months out.

Residents’ studios are located in newly renovated Main Street buildings that have been designed specifically for visual artists and writers. All of our studio spaces are outfitted to be as flexible as possible so that we can accommodate a variety of creative practices. Our visual arts studios are spacious and light-filled with large work tables and sinks. Shelving and portable storage carts are available as needed. Access is available to woodshop and metal shop facilities in nearby buildings for any fabrication needs. Our writing studios are comfortably furnished with work tables, office chairs, bookshelves, and reading chairs.

Residents live in newly renovated historic homes throughout town, within walking distance to studios and everything that downtown Monson has to offer. These are mostly 3 bedroom structures that are fully furnished and comfortable all four seasons of the year. Houses all have shared kitchens, bathrooms, and common areas with laundry machines, telephone, and other amenities as well. Wifi is available in all of our buildings through high speed fiberoptic service.

Application Requirements include:

  • Up to 5 Images/Media OR 5 pages of writing examples

  • A letter of intent for your time at the residency

  • C.V. or Resume (limited to 6000 characters)

  • Two references

Our next application period will be open May 1st – June 15th for residency sessions taking place in the Fall of 2023.

monsonarts.org/residencies/overview/

_____

EMERGING WRITER AWARDS: Scotti Merrill Award for POETRY

Key West Literary Seminar

DEADLINE: June 30, 2023 by 11:59 pm EDT. Letters of recommendation must be received by the following week.

APPLICATION FEE: Due to an increased volume of applications and our thorough review process, we are implementing a $12 application fee to cover review costs.

INFO: Key West Literary Seminar is now accepting applications for the 2024 Emerging Writer Awards. These awards recognize and support writers who possess exceptional talent and demonstrate potential for lasting literary careers.

COVER LETTER: In approximately 350 words, please tell us about your background, your motivations as a writer, and your previous accomplishments. File name should adhere to the following model: “Lastname_Firstname_cover.doc” and your name should appear at the top-right-hand-corner of the page.

WRITING SAMPLE: Please submit 5 - 7 poems within one document. File name should adhere to the following model: “Title_of_First_Poem.doc” and your name should not appear on the manuscript.

LETTER OF RECOMMENDATION: One letter of recommendation is required. In the application form below, you will be asked to provide an email address for your recommender. Once you submit the application, they will receive an email from Submittable with a link to upload the recommendation letter. We suggest that you contact your recommender before you submit your application and alert them to expect this email. They may also send their recommendation directly to kschumann@kwls.org.

*Applications missing the letter of recommendation are incomplete and will not be considered. Application deadline is June 30, 2023 and your letter of recommendation must be received no later than a week later.

REFERENCES: Please provide the names, phone numbers, and email addresses of two additional persons who are familiar with you and your work.

ELIGIBILITY: Writers of any age who live in the United States and have not yet published a book with a major publisher are eligible to apply. If you are the author of a book that is self-published, published with an independent press, or had a print run of 500 or fewer copies, you may or may not be eligible. If you think your eligibility could be called into question, please provide relevant details about prior publications as part of your cover letter. We reserve the right to make all final decisions regarding eligibility.

Award winners will be notified by November 1.

kwls.submittable.com/submit/253001/2024-scholarship-ewa-scotti-merrill-award-for-poetry

_____

CALL FOR SUBMISSIONS: MEMORY - ENVISIONING OUR PAST AS FUTURE

Marías at Sampaguitas

DEADLINE: June 30, 2023

INFO: We're getting experimental with this one! We're examining memory, consciousness, manipulations of time & tense. We're reflecting on how we remember, why we remember, long goodbyes and forgetting.

We want to see:

  • collage, homage, collaboration

  • poems-as-monuments

  • stories of befores & afters

  • architecture of memory, cities on the moon

  • family photos, histories, dreams

  • things you'd caption "artist's rendition of"

  • your colorized pictures of outer space

  • the colorized pictures of your spaces

Most of all, make sure there is love. In all visions of our future, there must be love

Submission guidelines are on MariasAtSampaguitas.com, in the linktree in our bio. Please be sure to read and observe all General and Genre guidelines, to show care for our brave little all-volunteer editorial staff.

Accepted contributors will receive an honorarium of USD$5.

mariasatsampaguitas.com/submit/

POETRY — APRIL 2023

VOYAGE POETRY PRIZE

Voyage

DEADLINE: April 2, 2023

READING FEE: $20 (up to three poems per entry)

INFO: Big changes are at work for Voyage this year! We are moving all of our prize opportunities to two biannual anthologies dedicated to top-notch YA writing. We want to give our great contributors a chance to see their name in print! We will be publishing hardcover, paperback, and ebook editions. Winners of this Poetry Prize will be published in Fall 2023, alongside the winners of the Short Story, Novel Excerpt, and Creative Nonfiction Prizes. 

You can also submit your short stories right now! Just head to voyage.submittable.com/submit. Novel Excerpt and CNF Prizes will be open April - May.

The anthology will be edited by the Voyage editorial staff, and we will soon announce the contributing author who will share publication space with all of the emerging voices coming through our submissions.

Poetry in the YA market is increasing in popularity—and we at Voyage have become obsessed with reading poems with deep emotional roots. Submit your young adult poems to us for a chance to be selected for our upcoming anthology. 

COMPENSATION: For the anthology, we are flexible with the number of winners, but all poetry contributors will be compensated accordingly:

  • Poems: $150

We are thrilled to bring more YA anthologies into the world and excited to read your submissions!

GUIDELINES:

  • Submissions are open to all writers working in English.

  • International submissions are allowed.

  • Submissions must be poetry in the young adult category, and from the point of view of a young adult, meaning through the lens of a teen protagonist.

  • Submit up to three poems.

  • Tell us in a brief cover letter your publication history (if applicable, no worries if not), along with any relevant information about your writing career.

  • We’re open to any genre or style—just send us the best you’ve got.

  • Previously unpublished work only, please.

  • Simultaneous submissions are fine—just notify us and withdraw your entry if it’s picked up by someone else.

  • Multiple submissions are okay—please submit each as a separate submission.

  • Please: 1) double-space, 2) use Times New Roman 12, 3) have one-inch margins, and 4) put the page number in the top right-hand corner.

  • Tell us in a brief cover letter your publication history (if applicable, no worries if not).

voyage.submittable.com/submit/250714/poetry-prize-for-voyage-anthology-2

_____

CALL FOR SUBMISSIONS: poetry, short fiction, & non-fiction

Lampblack Magazine

DEADLINE: April 7, 2023

INFO: We are now accepting submissions for the next issue of Lampblack Magazine! We invite you to submit poetry, short fiction, and non-fiction essays on the subject of labor.

GUIDELINES: We ask that you submit no more than 10 pages of poetry or 20 double-spaced, paginated pages of prose in 12-point font to magazine@lampblacklit.com. You can submit individual poems, as long as they total 5 separate pages, sent in the same document. Please include your name, the title of your piece, and the genre you are submitting to in the subject line of your offering.

COMPENSATION: If your submission is selected, you will be awarded $350 and an invitation to read your work alongside other authors upon publication.

We encourage you to read our Founders’ and Diaspora issues to gain a sense of our aesthetic, which is available on our website and in local independent bookstores. If you cannot afford to purchase one of our earlier issues and would like to read it before submitting, please reach out to us at magazine@lampblacklit.com informing us of your situation and we will ensure you are provided with a digital copy of the magazine free of charge.

instagram.com/p/CqBCQLOuUDM/

_____

Pitch us: Abolition Week and Project Abolition

Scalawag

DEADLINE: April 9, 2023 by 11:59 pm EST

INFO: Scalawag is seeking submissions for our fourth-annual Abolition Week, during which we exclusively publish the work of currently incarcerated folks. This year, we are expanding our focus to include people affected by open-air prisons. 

What Scalawag is looking to publish during Abolition Week:

  • Essays, poetry, short fiction, audio or visual content from currently, formerly incarcerated people or folks living in open-air prisons in the South and worldwide, including folks living in or who have lived in Gaza.

  • Reported stories, interviews, or other news stories that explore the impact and conditions of open-air prisons (instances of apartheid, occupation, labor camps, refugee camps).

  • Essays that explore how prison impacts women, especially Black women, women of color, and trans women.

  • Personal Testimonies of 200-500 words from intimate partners, children, and loved ones of incarcerated people to the following prompts:

    • How did the arrest of your loved one(s) impact you?

    • Did/do prisons and police make you feel safer?

    • How do we truly protect women and children?

  • Academic and personal essays or reporting about the conditions, policies, and ideologies that proliferate in and around prisons and explore the following questions:

    • What counts as crime vs. what is law-breaking?

    • State-sponsored myths about safety and security.

    • What does abolition mean to you as someone who has experienced being incarcerated?

  • Context-setting analysis of the effects of recent prison reforms, expansion of surveillance, or the expansion of police budgets against the popular narrative around defunding police.

Writers submitting stories for Abolition Week need to be directly impacted by the issues they're covering. Specifically, we're seeking stories from currently or formerly incarcerated people, as well as folks living in open-air prisons, labor camps, or refugee camps—including those currently living in or who have lived in Gaza. (If you aren't directly impacted by these forces, you can still pitch us on these topics for publication outside of Abolition Week under Project Abolition—more on that below!)

RATES: Our base pay rates range from $800 to $1500 depending on the level of reporting involved. We will work with incarcerated writers to ensure that payments are made in the way that is most easily-accessible for them.

If you are directly affected by incarceration, please pitch us your story for Abolition Week using the form below. Currently incarcerated folks in particular, for whom this pitch process is clunky or impossible, may also send physical mail to our P.O. box: Scalawag, P.O. Box 129, Durham, NC, 27702; or reach out to our editors directly: da'shaun@scalawagmagazine.org, alysia@scalawagmagazine.org, lovey@scalawagmagazine.org 

If your pitch is accepted, our editors will work with you to develop your story throughout April and May. All abolition week stories will be published on our website the week of June 19th.

Outside of Abolition Week, Scalawag is also looking for stories to publish for the rest of the year as a part of Project Abolition. This especially applies to essays on figurative prisons and their connections to abolition, i.e.: Gender as a prison, the body as a prison, environmental hazards as a prison. We are also seeking stories about community responses to police reforms since 2020, including the ways movement has responded to urban policing as cities across the South generate new methods of carcerality. We want to know what's going on at the local level, big and small—from Cop City and the surrounding protests, to individual police departments training with Israeli security forces. If you are interested in publishing for Project Abolition outside of Abolition Week, please check the appropriate box on the pitch form.

scalawagmagazine.org/project-abolition/

_____

2023 My Time Fellowship

Writers’ Colony at Dairy Hollow

DEADLINE: April 10, 2023

APPLICATION FEE: $35

INFO: The Writers’ Colony at Dairy Hollow is pleased to announce the 2023 My Time fellowship funded by the Sustainable Arts Foundation. Writers who are also parents of dependent children under the age of 18 are invited to apply. Work may be any literary genre: poetry, fiction, plays, memoir, screenplays, or nonfiction.  The successful application will demonstrate literary merit and the likelihood of publication. Prior publication is not a requirement.

Two fellowship winners will receive a one-week residency to allow the recipient to focus completely on their work, at least one to be awarded to a Person of Color. A $500 stipend will be provided to cover childcare and/or travel costs. Each writer’s suite has a bedroom, private bathroom, separate writing space, and wireless internet. We provide uninterrupted writing time, a European-style gourmet dinner prepared five nights a week, and served in our community dining room, the camaraderie of other professional writers when you want it, and a community kitchen stocked with the basics for other meals.

Fellowship applications must be accompanied by a writing sample and a non-refundable $35 application fee. There is a limit of one submission per application. The submission period opens on Monday, January 30, 2023. The deadline is midnight CST on Monday, April 10, 2023. The winner will be announced no later than May 1, 2023. Residencies may be completed at any time during 2023. This may be extended up to twelve months for extenuating circumstances including COVID-19 concerns.

writerscolony.org/fellowships

_____

Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships

Poetry Foundation

DEADLINE: April 14, 2023 by 5:00pm CT

INFO: The Poetry Foundation awards five Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships annually. Among the largest awards offered to young poets in the US, the $27,000 prize is intended to support exceptional US poets between 21 and 31 years of age. 

The fellowships were established in 1989 by the Indianapolis philanthropist Ruth Lilly and expanded in 2013 with a gift from the Dorothy Sargent Rosenberg Memorial Fund.

PRIZE: In 2023, the prize amount was increased from $25,800 to $27,000 for each recipient.

Applications for the 2023 fellowships will be accepted March 2–April 14, 2023 via the Poetry Foundation’s Grants and Awards Online Portal. Please register for the online portal by April 10, 2023 if you intend to apply.

APPLICATION PROCESS + TIMELINE:

Requirements:

  • Applicants must be at least 21 years of age and no older than 31 years of age as of April 30, 2023.

  • Applicants should be able to demonstrate a commitment to poetry.

  • Applicants must be US citizens or currently reside in the US.

Important Dates:

  • April 3 - Deadline to request alternative application formats.

  • April 10 - Cutoff to register for the online portal.

    • Allow adequate time to complete your application.

  • April 14, 5PM (CT) - Applications due.

  • All applicants will be notified by mid-August 2023.

HOW TO APPLY:

Starting in 2023, all applicants will need to register and apply through the Poetry Foundation’s new Grants and Awards Online Portal. To access the portal, applicants must submit an initial registration form. Registrations will be approved within 3-5 business days.

After approval, applicants will be required to upload 10 pages of poetry as a single PDF and answer questions regarding their creative practices.

poetryfoundation.org/foundation/prizes-fellowship

_____

CALL FOR SUBMISSIONS: NIGHTBOAT EDITORIAL FELLOWSHIP ANTHOLOGY ‘PERMANENT RECORD’

Nightboat Books

DEADLINE: April 14,2023

INFO: Nightboat Books is excited to invite submissions for an anthology edited by Naima Yael Tokunow.

Permanent Record, an experimental collection of poetry and poetics, will hold work that engages with the a/Archive. We are thinking of the a/Archive in two forms: the Archive, as the commodification of shared cultural recording (i.e. The Canon, The State, the Written Record, forms of documentation, and other “Legitimate” ways of knowing), and the archive, as a counter-practice, the portals to the future, histories, and lineages that stem from our current moment. This anthology will be published by Nightboat Books in the Fall 2024/Winter 2025.

Currently, we are seeking poetry, poetics, and hybrid work that could fall into the following frameworks:  

  • Mothertongued: Explorations of Identity & Language
    Diasporic and 1st generation lived experiences, fluency, multilingual and mono-lingual explorations, language as the codes/keys of The Archive, etc.

  • File Not Found: Holes in The Archive
    How do we create our own records, borrow from others, and build narratives that are not fictional, but also not rooted in known “fact”? Where does our not-knowing lead us? Who or what is missing and where are the redactions and omissions?

  • The Map as Misdirection: The Archive as Colonial Project
    Responses to the ways the record upholds harm and provides incomplete understandings (e.g. suppression of Indigenous sovereignty in the US and internationally, slave schedules, political propaganda, redlining, etc.), and/or alternate ways of locating ourselves in place and space.

  • Future Continuous
    How and what are we leaving as records for our future(s)? What will we leave for our descendants to build their own epistemologies? What are our dreams, hopes, and fears about how we are ma(r)king the future, today?

WHO: We are particularly interested in work from Black, Indigenous, POC, queer, immigrant, disabled, and otherwise historically marginalized writers. We invite work by writers of color and writers outside the US and Canada. We welcome collaborative work and submissions in translation, with permission of the original writer. 

HOW: Submission guidelines: 

  • Up to 5 pieces (with a maximum total length of 8 pages) per submission (one submission/writer)

  • 12pt, Serif font

  • In the submission form, please note what framework(s) you could see your work falling into (select as many categories as apply)

  • We cannot accept previously published work.

Each contributor will receive a payment of $50, as well as a complimentary copy of the anthology. Contributors will retain the rights to their work.

nightboat.org/call-for-submissions-permanent-record/

_____

Willa Cather Residency

Willa Cather Center

DEADLINE: April 15, 2023

APPLICATION FEE: $25

INFO: The  was created in 2023 to commemorate the 150th year of Cather’s birth and to provide a unique opportunity for a small cohort of writers—and eventually artists of all media—to reside and create in Red Cloud, Nebraska for two weeks. A new initiative of the National Willa Cather Center, the program reflects the life-long reverence that world-renowned author Willa Cather had for art, storytelling, and her hometown—an inspirational setting amidst the Great Plains of Nebraska—from which she created the communities in half of her novels.

In a nod to the long road that Willa Cather traveled before she became free to focus on her own writing—a road that included freelancing, teaching, editing, and managing a national magazine—the Willa Cather Residency welcomes writers who are struggling to transition from a hectic career to a life in art. While open to all, our purpose is to assist such artists.

LOGISTICS: 

Our select cohort of writers will live and work in Red Cloud over a two-week period from October 15-29, 2023. Each resident will be provided a private furnished room in the Cather Second Home Guest House—with its comfortable communal kitchen, dining, and living spaces—and a separate place to work. Residents will also receive $400 for provisions while in Red Cloud.

While knowledge of Cather’s work and personal connection to Nebraska is not essential, it is important that applicants—and selected artists—embrace and appreciate the relative isolation of Red Cloud and seek a quiet place to do their work. In addition to a $25 application fee, residents are expected to provide their own transportation to and from Red Cloud. Airport pickups may be arranged.

TIMELINE: 

  • Late April 2023: Shortlist interviews

  • May 1, 2023: Announce inaugural cohort

  • October 15-29, 2023: Inaugural residency in Red Cloud

willacather.org/residency

_____

2023-2024 TLR FELLOWSHIP@MINERAL SCHOOL

Mineral School

DEADLINE: April 15, 2023 (by midnight, PST)

APPLICATION FEE: $25

INFO: The Tahoma Literary Review Fellowship (1) at Mineral School will offer one writer of poetry or prose who identifies as part of the BIPOC (Black, Indigenous, and/or People of Color) community support for a two-week residency. Applicants may request that their submission be read solely for residency or also considered for publication in Tahoma Literary Review. TLR is supporting this fellowship and publication opportunity to recognize and uplift BIPOC voices.

Residency attendees are provided 3 meals daily (allergies/food sensitivities/special diets accommodated), linens are provided, and there are two optional programming opportunities (a visiting presenter, a residents' presentation). The fellowship also includes travel assistance from points (airports, Amtrak, bus stops, your pal's house) between Portland, OR and Seattle, WA along the I-5 corridor, if needed.

  • October 1-October 15, 2023 (all genres)

  • November 5-November 19, 2023 (all genres)

  • December 3-December 17, 2023 (all genres

  • March 3-March 17, 2024 (all genres)

ACCEPTED GENRES:

  • FICTION

  • NON-FICTION

  • POETRY

mineralschool.submittable.com/submit

 

_____

2023-2024 SPANISH-LANGUAGE FELLOWSHIPS@MINERAL SCHOOL

Mineral School

DEADLINE: April 15, 2023 (by midnight, PST)

APPLICATION FEE: $25

INFO: Mineral School es una residencia de artistas ubicada en una antigua escuela primaria de 1947 cerca de Mt. Rainier, en Mineral, Washington. En el 2023 y la primera mitad de 2024, ofreceremos residencias a un total de 24 personas.  (Recibiremos por separado a ocho personas que reprogramaron las fechas de años anteriores o se unirán a nosotros en una residencia por invitación). Tendremos cuatro períodos de residencia de dos semanas, así como dos sesiones de residencias de una semana para escritores en español (una sesión para padres, y otra sin ese requisito), y una sesión especial de una semana para padres que escriben en inglés. Las solicitudes se abren el 2 de marzo de 2023 y se extienden hasta el 15 de abril de 2023.

Los artistas y escritores seleccionados gozarán de un espacio y tiempo para crear nuevas obras sin las interrupciones de la vida cotidiana, y de comidas saludables preparadas por personal de invitados culinarios que usarán mayoritariamente productos orgánicos locales. Cada residente se alojará en un antiguo salón de clases de 800 pies cuadrados con vistas panorámicas al lago Mineral Lake y al Mt. Rainier, que servirá  también de estudio de escritura, con escritorio, silla, iluminación, biblioteca y pizarras. El edificio de la escuela cuenta con baños y duchas compartidos. Se servirán tres comidas todos los días (además hay acceso las 24 horas, los 7 días de la semana a un refrigerador para refrigerios y una estación de café/té), los residentes tendrán la oportunidad de compartir sus obras con el público. Mineral cuenta con un lago con posibilidad para la pesca, alquiler de botes (o nuestros kayaks), algunas rutas de senderismo en la localidad, un bar, un B & B, una tienda, iglesias, una oficina de correos y gran cantidad de ciervos. Mineral está a 25 minutos en coche de la entrada de Ashford/Nisqually al Parque Nacional del Monte Rainier.

Autores y artistas visitantes: Durante cada residencia, contaremos con invitados especiales que harán una visita y presentarán sus trabajos. Por lo general, los presentadores son ex alumnos de la residencia y, quienes en algunos casos, vienen acompañados de  un artista o invitado especial con quien presentan en la residencia de Mineral.  Estos eventos son gratuitos y abiertos al público e incluyen postre.

Presentaciones de los residentes: si así lo desean, los residentes podrían compartir entre sí y con el público en cada sesión de "mostrar y comentar" ("show and tell") que se lleve a cabo durante la residencia. Estas presentaciones se llevan generalmente a cabo después de la cena en nuestra biblioteca/salón de usos múltiples y se trata de encuentros  informales con postres. 

FECHAS DE RESIDENCIA 2023-2024:

Las sesiones de residencia con vacantes se llevarán a cabo durante los siguientes períodos:

  • 16 de septiembre al 24 de septiembre de 2023 (sesión de escritores en español con Seattle Escribe para padres)

  • 30 de marzo al 7 de abril 2024 (sesión de escritores en español con Seattle Escribe)

BECAS DE RESIDENCIA:  

  • Seattle Escribe celebra la literatura en español y apoya a los poetas y escritores que producen literatura en español. En 2023 y 2024, Seattle Escribe y Mineral School se han asociado para ofrecer dos residencias de escritura en español a poetas y prosistas que actualmente viven en los Estados Unidos. La primera sesión, en septiembre de 2023, apoya a cuatro escritores que escriban en español y que también sean padres; la segunda, en marzo de 2024, está abierta a escritores radicados en Estados Unidos que escriban en español sean o no padres. La beca también incluye asistencia con el  traslado desde Portland (Oregón) Seattle (Washington) o sus alrededores.

ACCEPTED GENRES:

·        FICCION

·        NO FICCIÓN

·        POESÍA

mineralschool.submittable.com/submit

_____

Rhinebeck Residency

The Seventh Wave

DEADLINE: April 15, 2023

APPLICATION FEE: $0

INFO: Applications for The Seventh Wave’s 2023 Rhinebeck Residency are now open.

The residency, which is located in Rhinebeck, NY, is now a two-week artist residency open to four writers or artists. This is specifically for the artist or writer who is looking to work on a longer-length work, such as a chapbook, manuscript, film, or play. This is our longest-standing residency, and the property sits on 27 acres of wildness, providing an oasis of lush silence and creative space amid canopies of green and disappearing paths perfect for some natural inspiration. Known for, and as, The Crystal Cottage, our residents tend to congregate in the glass octagon attached to the side of the house, which offers incredible acoustics during rainstorms.

Held in the summer, the Rhinebeck Residency offers residents the opportunity to get a little lost. With 27 acres of disappearing paths, a wrap-around deck that faces west (think: sunsets), and a little glass greenhouse that provides for an acoustic environment that beckons the creative spirit, especially during rainfall. What used to be a three-day program designed to provide writers, artists, and creatives a physical interlude, is now a two-week artist residency catered toward the artist or writer working on a longer-length project, manuscript, or work.  

2023 RESIDENCY: This residency will take place July 9-23 in the blues and greens of upstate NY. There is no cost to apply and no cost to attend; you just have to get yourself there + pitch in on a meal or two.

If shared meals, summer storms, and late-night chats on a wooden deck overlooking rolling hills call to your sensibilities as an artist, we want to hear from you. Those with larger projects and manuscripts are especially encouraged to apply.

Any questions, please feel free to reach out to us at residency@seventhwavemag.com anytime.

theseventhwave.co/rhinebeck-residency/

_____

2023 GULF COAST PRIZE IN POETRY

Gulf Coast Journal

DEADLINE: April 16, 2023

ENTRY FEE: $26 (includes a one-year subscription to Gulf Coast)

INFO: Gulf Coast is now accepting entries for the 2023 Gulf Coast Prize in Poetry.

AWARD: The contest awards $1,500 and publication in Gulf Coast to the winner. Two honorable mentions will be awarded $250. All entries will be considered for publication.

JUDGE: The judge for this year's contest is Carmen Jiménez.

GUIDELINES:

  • Submit up to five poems (ten pages max) in a single .doc, .docx, .rtf, or .pdf file.

  • Only previously unpublished work will be considered.

  • The contest will be judged blindly, so please do not include your cover letter, your name, or any contact information in the uploaded document.

gulfcoastajournalofliteratureandfinearts.submittable.com/submit

_____

The Rising Poet Prize

Palette Poetry

DEADLINE: April 16, 2023

READING FEE: $20

INFO: Palette Poetry invites all new and emerging poets to submit to The Rising Poet Prize! We will only accept submissions from poets who have not yet published a full-length collection at the time of submission.

PRIZE: The winning poet will be awarded $3000, publication, and a brief interview in Palette Poetry. Second and third place will receive $300 & $200, respectively, as well as publication. The top ten finalists will be selected by Palette editors, and Guest Judge Maggie Smith will then select the winner and two runners-up from among the ten finalists.

ABOUT THE GUEST JUDGE: Maggie Smith is the author of the national bestsellers Goldenrod and Keep Moving: Notes on Loss, Creativity, and Change, as well as Good Bones, The Well Speaks of Its Own Poison, and Lamp of the Body. Smith’s poems and essays are widely published and anthologized, appearing in The Best American Poetry, The New York Times, The New Yorker, The Paris Review, Ploughshares,The Washington Post, The GuardianThe Nation, and elsewhere. In 2016 her poem “Good Bones” went viral internationally, and Public Radio International called it “the official poem of 2016.” Smith’s next book, a memoir, You Could Make This Place Beautiful, will be published by One Signal/Atria in April 2023.

SUBMISSION GUIDELINES:

  • For this prize, we are only accepting unpublished work from new and emerging poets: poets without a full-length collection published at the time of submission. Poets with no publication history are especially encouraged to submit. Poets with only chapbooks published are eligible. Poets with self-published full-length collections are ineligible.

  • Submissions are open internationally, to any poet writing in English—inclusion of other languages is welcome, as long as the poem is largely in English.

  • DO NOT INCLUDE your name or identifying information in the document OR submission title box. If your name is on the submission, in the file name, or in the title box, it will be automatically declined.

  • We are only accepting unpublished work. If your poem has been published on a blog or on social media, it is not eligible.

  • We accept simultaneous submissions—just please send us a note if your work is picked up elsewhere.

  • There is no page requirement, but your submission must be no more than three poems. Please submit all your poems in ONE document. Please begin each poem on a new page and include each poem's individual title.

  • Please include a brief cover letter in the cover letter box with your publication history, if any. This is where you can include your name and/or bio! If you select the editorial feedback option, this is also where you can name which poem you'd like feedback on.

  • Review our FAQ page for frequently asked questions.

  • NOTE: If after submitting you notice an error in your submission, please message usrather than withdrawing and resubmitting your submission. We can open it to editing once so you can correct the error.

palettepoetry.com/current-contest/

_____

2023 SEE DIGITAL RETREAT

The Southern Esusú Endeavor 

DEADLINE: April 30, 2023

INFO: The Southern Esusú Endeavor was founded in 2023 to help foster Black Diasporic poetry and hybrid CNF from the vantage point and place that many of us call home; the South. Our flagship event is our intimate, three day, digital conference where participants will both share and receive knowledge in workshops, presentations, a publishing panel, editor talks, networking, close reading, reading open mic, andmore! The Southern Esusú Endeavor Conference welcomes poetry and prose writing by members of the Black Diaspora, with our inaugural offering capped at twelve (12) seats in order to provide attention and care to each and every piece of writing, maintaining transparent communication, and making sure we are taking good care of our own digital mental health.

We are located in the South and are proud to espouse Southern aesthetics and homecoming for all Black writers from all walks of life, who have been incarcerated, come to writing late in life, who have or are applying for an MFA, have never gotten or plan to pursue an MFA, choose to drop out of school, etc. We are committed to fostering Afro diversity, and have reserved two (2) seats for Black Disabled writers and two (2) seats for Afro-Indigenous writers.

APPLICATION MATERIALS:

On Topics Proposals  

We believe that everyone has something to contribute to creating and fostering knowledge. To that end, all participants will give a 10-minute presentation on a topic they are passionate and educated on, whether that is formal academic learning, careful reading and personal study, or created exclusively for this conference.

We invite presentations in the following categories:

  • a Black Diaspora writer (famous, living, unsung, etc.)

  • a Black Diaspora form (Genesis, Gigan, Bop, Sweetelle, Mirror, Kwansaba, etc.)

  • Black writers working in genres of writing such as Ecopoetics/speculative/horror

  • Eras of writing such as Reconstruction, Harlem Renaissance, or

  • Geographic locations such as the Midwest, the Caribbean, Nuyorician, Affrilachian, etc.

  • Slam poetry, visual poetry, memorizing poems, stylistic similarities or inspiration to other forms of art such as music, painting, fashion, architecture, word evolution, methods of workshopping/revising, prison writing

Sample On Topics: Call and response forms

1. Censored in America: Maya Angelou

A 15-minute PP explains the story of how and why Maya Angelou's I Know Why the Caged Bird Still Sings was originally censored in Texas, controversy, and why being banned is a sign of honor.

Cites ALA, Maya Angelou's Oprah interview, and an article from newfricanmagazine.com, and provides the following writing prompts:

  • write a center aligned erasure poem of a topical article or a section of IKWCGS, and then write footnotes style comments for why the erased part was deemed too volatile.

  • write a poem about the first time you learned what censorship was

  • write a poem unearthing a time you felt you needed to censor yourself

  • write a poem on three levels or rows: what is taught in HS, what is known in Black families, and the true history of what happened in an event. This could be something small, like a micro aggression, something topical such as racism at sporting events or police interactions, family genealogy, or the history of a particular event or year like 1919, Philadelphia Bombing, or others.

2. Call and Response: Forms that Write How we Speak

If you understand the call and response spoken in your grandma's church, you can learn to write a Sweetelle poem! We'll study how and why Allison Josephs created the Sweetelle in order to spread awareness of contemporary forms by Black poets. I wrote a suite of Sweetelles last year, and I'm so excited to share how this form can be the perfect ode, or anti-ode! Cites: PoetryFoundation, Allison Josephs tweets. Prompts include:

  • writing a Sweetelle Ars Poetica

  • write a Sweetelle using a line from your favorite song

These presentations may make use of Power Point, short video clips, interviews, etc. We encourage creativity in your subject proposals!

On Topics should include a presentation title, brief explanation of which category is being explored, its personal relevance to you, why you can help educate others on this subject, and 2-3 prompts for other contributors to use in their own writing. We encourage creativity in topic subjects, as the Southern Esusú Endeavor  Conference's ideal schedule is a variety of subjects, not just the first or most well-known people/practices in Black literary history. Example, although we love Phyllis Wheatley, we do not want 12 On Topics about her. Please dig deep into the wealth and breadth of Black writers/writing to craft something that will get people curious and excited to learn this aspect of our literary history.

All accepted participants will be required to practice their presentations by themselves and at least once with a staff member/volunteer/director prior to the Conference as a tech rehearsal.

Creative Legacy Statement

The Creative Legacy Statement is part cover letter, part history of your connection to Black writing. We want to know, what Black Diaspora writers have you studied? Both well known and unknown, contemporary, historical, international? How have they contributed to your writing? Who have you studied outside the Black Diaspora and brought into your writing? Please answer these questions in 500 words or less.

Writing Sample

At the Southern Esusú Endeavor  Conference we will have small, intimate workshops to praise, ponder, and provide insight and suggestions for the next iteration of our piece. We ask that you submit 3 poems, in a range of needs a lot workshop, needs specific workshopping help, and needs only praise. Poems/CNF hybrid work may be single or double spaced, and on any topic, but must include Trigger Warnings/Content Warnings. Each poem must start on a new page, have page numbers, and be in Arial or Calibri size 12. Each individual poem may be of any length, with a maximum of three pages, and the total application sample must not exceed 9 pages of poems. Fiction writers may submit 5-10 pages of your best prose, in Arial, Calibri, or another easy to read font, size 12.

Please collect the On Topics proposals, Creative Legacy Statement, and Writing Sample in a single word document or PDF (preferred) and save it as LASTNAME_FIRSTNAME_SEE2023.

docs.google.com/document/d/1QFhcLGFekkF4_fAAogsqNrlMadsd1nRIr3nCNlNDXRw/mobilebasic

_____

Call for Submissions: Undocupoetics Anthology

Undocupoets / HarperCollins

DEADLINE: April 30, 2023

INFO: Undocupoets is issuing a two-part open call for submissions of poems by undocumented and formerly undocumented poets to be considered for an anthology forthcoming from HarperCollins/Harper Perennial.

In a broader effort to archive the significant contributions that undocumented writers have made to contemporary American poetry, this timely and distinctive anthology seeks to showcase the wide range of backgrounds, styles, formal experimentations, and aesthetics practiced by such contemporary poets according to and/or apart from their experiences and identities. 

The vision of this project involves challenging misconceptions of what it means to write as an undocumented person in 21st century America; to offer a vision of the boundless possibilities of our art.

Poets whose work is accepted will be invited to write an accompanying statement of poetics (500 words) that speaks to how their lived experiences inform the choices they make on the page. With the support of co-editors and Undocupoets co-organizers Marcelo Hernandez Castillo, Janine Joseph, and Esther Lin,  contributors will have an opportunity to critically define the various and unique ways their art and lived experiences interact. ​

This call is intended for writers who hold or have held undocumented status in the U.S. Undocupoets recognize and embrace the diversity in race, ethnicity, sexual orientation, gender identity, disability status, and country origin of writers among this group. We also recognize that as undocumented people, submitting and/or publishing may pose risks to the writer, their family, and/or their community. We offer privacy after acceptance and the option for a poet to publish anonymously. We trust in the accountability of writers to submit in good faith. 

COMPENSATION: All contributors will be paid an honorarium.

undocupoets.org/anthology

_____

REST RESIDENCY FOR SINGLE MOTHERS

The Old Knitting Factory

DEADLINE: April 30, 2023

INFO: The Old Knitting Factory exists to support single mothers and other twice-marginalized single parents. Here’s how you can apply for a retreat and support our work.

Applications are now open for a free one-week stay in the Old Knitting Factory’s residency space, including a cash stipend to apply to childcare costs. The residency is open to single mothers and other twice-marginalized single parents from anywhere in the world. Come enjoy the beauty and peace of Connemara, and take some time to rest and honor yourself and your children.

Inspired by the work of The Nap Ministry, adrienne maree brown’s Pleasure Activism, and The Mae House, I am offering it as a rest residency, meaning that you don’t have to be an artist to apply; you just have to be a single mom (or other twice-marginalized single parent) who could use some rest. And couldn’t we all?

RESIDENCY / STIPEND: You’ll have use of our residency space for any week of your choosing, and you are welcome to bring your children or not, as best suits your needs. The space features a double bed, fold-out single bed, futon, and pack-and-play crib. The resident will receive a €250 cash stipend toward childcare costs, to use at your discretion.

Please note: Travel costs are not included.

GUIDELINES: To apply, email us with a brief statement (up to 500 words, shorter is fine!) on why this residency would be useful to you and your children (whether they will come with you or stay with someone else while you rest).

oldknittingfactory.com/single-mother-retreats

_____

ARTIST-IN-RESIDENCY PROGRAM

Ma’s House & BIPOC Art Studio Inc.

DEADLINE: Rolling

FEE: $0

INFO: Ma’s House’s Artist-In-Residency program is open to US-based creatives of color working in any genre of visual art, creative writing, and performance arts. We encourage resident artists to pursue work that relates to Shinnecock’s history, the local landscape, community based work, and critical engagement in issues of diversity, race, and identity.

ELIGIBILITY: The Ma’s House Artist Residency is open to national and international BIPOC artists 21+ years of age. A variety of disciplines are accepted including, but not limited to: visual arts, media/new genre, performance, architecture, film/video, literature, interdisciplinary arts, and music composition. Solo artists or collaborative groups (up to three people) are welcome to apply. 

Applicants will be chosen based on project proposals, artistic merit, feasibility/logistics of the residency, and how the artist will benefit from working at Ma’s House and Shinnecock.

LOCATION: Ma’s House is located on the Shinnecock Indian Reservation in Southampton, NY (about two hours from NYC).

RESIDENCY LENGTH: Residencies will be scheduled by mutual agreement between accepted resident artists and Ma’s House year-round. Residencies can be a minimum of a weekend and a maximum of one month. Artists from federally recognized tribes may apply for up to six months.

RESIDENCY REQUIREMENTS: Residents will be required to participate in a minimum of one public program during their stay (open rehearsals, workshops, studio visits, lectures, or artist talks). Engaging with or researching Shinnecock artists, east-end artists, and local art institutions  is strongly recommended before arrival.

RESIDENCY COSTS:

  • There is no fee to apply or fee to attend. Residents will be responsible for their own groceries and meals.

  • Thanks to the Creatives Rebuild New York grant, we are grateful to offer $ 250.00 per week honorariums for visiting artists.

mashouse.studio/residency/

POETRY — MARCH 2023

2023 Emerging Writer's Contest 

Ploughshares

SUBMISSION PERIOD: March 1 - May 15, 2023

ENTRY FEE: 

  • Subscribers: $0

  • Non-Subscribers: $24

INFO: The Emerging Writer's Contest is open to writers of fiction, nonfiction, and poetry who have yet to publish or self-publish a book. 

AWARD: We award publication, $2,000, review from Aevitas Creative Management, and a 1-year subscription for one winner in each of the three genres. Submit to the Emerging Writer's Contest through our submission manager. You must be logged in to access our submission manager.

JUDGES: The 2023 contest judges are Gish Jen (Fiction), Sandra Cisneros (Poetry), and Meghan O'Rourke (Nonfiction). 

PUBLICATION: The winning story, essay, and poems from the 2023 contest will be published in the Winter 2023-24 issue of Ploughshares. 

ELIGIBILITY:

You are eligible if you:

  • Have yet to publish a book (including eBooks, translations, books in other languages/countries, self-published works, and poetry chapbooks with a print run of more than 300).

  • Have no book forthcoming before April 15, 2024.

  • Are not affiliated with Emerson College or with Ploughshares as a contributing author, volunteer screener, intern, student, staff member, or faculty member.

  • Will not have a relationship with Emerson College before April 15, 2024 (example: if there is a chance you will attend the Emerson MFA program in the coming year or if your work has been accepted for publication for an upcoming issue).

SUBMITTING:

  • Fiction and Nonfiction: Under 6,000 words

  • Poetry: 3-5 pages

Submit one entry per year via our online submission manager. 

  • No entries via email or mail will be considered for the contest.

  • Submitted work must be original and previously unpublished in any form.

  • For poetry, we will be reading both for the strongest individual poem and the general level of work, and may choose to publish one, some, or all of the winner's submitted poems.

  • International submissions welcome.

  • We cannot accomodate revisions once a manuscript has been submitted. 

  • Cover letters are not necessary. Please remove all identifying information from your submission as they will be read anonymously. 

SIMULTANEOUS VS. MULTIPLE SUBMISSIONS:
We only consider one submission per author for the duration of the contest, regardless of genre. Simultaneous submissions to other journals are fine as long as we are notified immediately upon acceptance elsewhere via email (pshares@pshares.org) or our online contact form. 

pshares.org/submit/emerging-writers-contest/guidelines

_____

2024 Writer in Residence (WiR) program

Hedgebrook

DEADLINE / FEES:

  • By March 7, 2023 (by midnight, PST) / $45

  • From March 8-14, 2023 (by midnight, PST) / $55

INFO: Hedgebrook’s Writer-in-Residence Program supports writers from all over the world for residencies of two to four weeks. The cottage, all meals, and the entire residency experience at Hedgebrook is free to selected writers. Travel is not included and is the responsibility of the writer to arrange and pay for. Up to 6 writers can be in residence at a time, each housed in their own handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women-identified writers, 18 and older, whose stories and ideas shape our culture now and for generations to come. Writers must be women, which is inclusive of transgender women and female-identified individuals. Because gender inequity still occurs in all spaces including literary ones, it is part of our explicit mission to support and promote women’s voices. This application is not for alumnae seeking a return stay.

These residencies will take place February to mid-June 2024.

ACCEPTED GENRES:

  • FICTION

  • NON-FICTION

  • PLAYWRITING

  • POETRY

  • SCREENWRITING/TV WRITING

  • SONGWRITING

hedgebrook.org/writers-in-residence

_____

CALL FOR SUBMISSIONS: ISSUE FIFteen

Parentheses Journal

DEADLINE: March 10, 2023

INFO: Parentheses Journal is an independent literary journal based in Ontario, Canada. We welcome submissions of poetry, prose and art from Canada, as well as international creatives.

Parentheses Journal welcomes diverse and interdisciplinary narratives. We seek work that straddles across varied paradigms, in form and content. Submissions are open for Issue Fifteen. We actively seek to publish and celebrate diverse voices.

Our founding editors are deeply committed to ensuring that the contributor community of Parentheses Journal are creators from multitude areas of life. We are especially interested in works by contributors that identify as women, non-binary, LGBTQ+, disabled, immigrant, working-class, trans, indigenous, and anyone else living and working in a fluid space of identity. We accept simultaneous submissions.

Please peruse our submission guidelines before you submit work.

GUIDELINES:

  • No identifying information in the submission document - We read and select your submissions without seeing the cover letter or bio to ensure fairness. Kindly DO NOT include any identifying information in your submission document. We will automatically reject pieces that do not follow this, so check your submission carefully before sending it to us.

  • Send a cover letter with your submission - Blank emails will not be entertained and will be deleted unread. Please include a brief cover letter and introduce yourself, the title of your pieces, and anything else you would like to share with us. This letter will be only viewed by our founding editors in the last phase of the consideration process to ensure a blind peer-review process.

Please send your submission in a new email that does not include an email thread with a response to your previous submission. This practice has caused several backlogs and we would not be responding to such submissions. If you need to withdraw any part of your submission, only then reply to us in the same email thread as your submission for that particular issue.

Please do not include a third person biography or a long list of prior publications. We will request a brief biography upon acceptance.

  • Response time is around 3 months - We will attempt to respond as quickly as possible but bear with us as we are a small journal run by volunteers.

Please allow up to 3 months for us to inform you if we’ve selected your work for publication.

  • We DO NOT accept previously published work - This includes content previously appeared in print or online (including on your personal blog or website).

Artwork and photography may appear online on the artist’s web portfolio/blog /social networks but must not be published by any literary journal, magazine, or self-publication.  In case you are unsure, please send us an inquiry via email or by using our contact form

  • We accept simultaneous submissions - However, we request you to let us know by email (email id) at the earliest if your work is accepted for publication elsewhere. We will celebrate your success.

parenthesesjournal.com/submit/

_____

CALL FOR POETS: POETS-IN-RESIDENCE PROGRAM

MoAD

DEADLINE: March 13, 2023

INFO: MoAD's Poets-in-Residence Program provides writers with opportunities to respond to contemporary art of the African Diaspora and extend the reach of the museum through programming and educational workshops with local high school students.

MoAD is currently accepting applications for two Poets-in-Residence to participate in a four-month writing residency from September 1—December 31, 2023.

Residents enjoy flexible, drop-in access to the Museum of the African Diaspora, located in San Francisco, California. For the term of the residency, every resident receives:

  • A monthly stipend of $1500 (for 4 months)

  • No-cost access to the museum exhibitions, on-site programs and events

  • Designated work space

  • A 10% discount on all Museum store purchases

  • Publicity for public programs on social media

  • Staff support for programming

  • Access to learning more about the work of the Museum of the African Diaspora from curatorial and education staff

The residency welcomes writers to pursue their own writing projects in addition to responding to the artistic collections. The residency does require that writers implement a school-based writing program in partnership with Ruth Asawa School of the Arts. Residencies last for one academic semester or 4 months. The workshops will include at least 6 site visits and one visit with students at the museum. There are also two culminating public programs that are required: a student reading and a poet-in- residence reading.

While the Museum does not retain ownership of any works created as part of the residency, we do require a printed compilation of that work to be preserved within the museum archives and, should work be published by the author in a book form, that the Museum is acknowledged for contributing to the author’s creative process.‍

Residency applications are reviewed by the Director of Programs, the Senior Manager of Public Programs, and the Spoken Arts Director at the partner school. Acceptance to the residency is determined through an evaluation of the written materials and the innovation within the education project.

Please note: The residency does not include accommodations or meals, so it may be best suited for Bay Area writers; writers from other communities are welcome to apply but are responsible for arranging their own accommodations. We strongly encourage writers from the African diaspora to apply.

Selected Poets-in-Residence will be expected to complete a TB test and Livescan background check (at a MoAD-partner vendor) by September 1 and meet with the partner teacher and poet-in-residence coordinator for community building and brainstorming once during the Spring (possibly online) and at least once at the start of the Fall semester.

Selected residents, along with all MoAD employees, volunteers, and/or agents providing in-person services at MoAD and partner school sites are required to be fully vaccinated against COVID-19; or if they cannot receive the COVID-19 vaccine due to disability or a sincerely held religious belief will instead show proof of a negative COVID-19 test administered within 72 hours of the first entrance at MoAD or school site and every week thereafter.

moadsf.org/projects/poets-in-residence-2022

_____

EMERGING WRITER FELLOWSHIP

GrubStreet

DEADLINE: March 13, 2023 at 11:59pm EST

INFO: The Emerging Writer Fellowship aims to develop new, exciting voices by providing three writers per year tuition-free access to GrubStreet’s classes and two Muse & the Marketplace summits. Over the course of one year, each Emerging Writer Fellow will attend a combination of seminars and multi-week courses of their choosing, along with a wide selection of Muse & The Marketplace programming, in order to enhance their understanding of craft and the publishing industry.

OVERVIEW:

The Emerging Writer Fellowship will be awarded to three writers who demonstrate a passion for writing, a commitment to developing their writing abilities, and financial need. Any person 18 and older who demonstrates ability and passion for writing is eligible.

The Emerging Writer Fellowship will provide access to each of the following:

  • 4 multi-week courses

  • 4 one-day (6hr) classes

  • 4 three-hour seminars

  • Access to a wide selection of 2023 and 2024 Muse & the Marketplace conference series programming

  • Access to GrubStreet's Education Director and/or other program staff members for quarterly (or as-needed) office hours for personalized mentorship. (Not Required)

The fellowship year begins in May, 2023.

WHO SHOULD APPLY:

This fellowship is open to anyone 18 and older with a passion for writing. The fellowship specifically aims to assist writers in need of financial assistance in reaching their writing goals. We particularly encourage writers of color, ethnic minorities, those who identify as LGBTQ+, people with disabilities, and other members of communities historically underrepresented by the literary community to apply.

HOW TO APPLY:

The Emerging Writer Fellowship Application Form will require the following:

  • A sample of your writing that demonstrates your artistic style and voice. 5-10 pages for prose, screenwriting, or playwriting. 3-7 pages for poetry.

  • A personal statement -- no more than 500 words please! -- which should include the following:

    • How you envision using the fellowship.

    • A description of your relationship to writing. By this we mean: what excites you about it? What does it mean to you personally?

    • How the fellowship will help you in your growth and success as a writer. 

    • Your writing and workshop history (Note: Prior workshop experience at GrubStreet is not required).

grubstreet.org/programs/emerging-writer-fellowship/

_____

CALL FOR SUBMISSIONS

Columbia Journal

DEADLINE: March 15, 2023

INFO: Columbia Journal seeks submissions of poetry, nonfiction, fiction, art, and translation, for both print and online. We welcome  you to submit with us. We’re in search of innovative, outward-looking voices, stories that break boundaries and language that lingers.

GUIDELINES:

  • Submissions should be sent through our Submittable. Please allow us up to six months to respond.

  • To get a sense of the work we have published recently, we recommend reading the Spring 2021 issue of the Journal, which you can order here.

  • Manuscripts should be typed and double-spaced, with numbered pages. Poetry may be single-spaced, but each poem should start on a new page.

  • Please submit up to 5 pages of poetry or up to 5,000 words of prose at a time.

  • We accept simultaneous submissions, but we ask that you please inform us as soon as your work is accepted somewhere else. You can withdraw a submission within the Submittable platform. If you only want to withdraw one piece (or poem) from your overall submission, please email info@columbiajournal.org with the details of your request.

  • Print and Online: Submissions in multiple genres are okay. 

ELIGIBILITY:

  • If you have studied at or taught in the Columbia University School of the Arts Writing Program at any time in the past five years, you are ineligible to submit your original work.

  • Previously published materials: For the website, we do not publish previously published work.

  • Please note that we require writers to submit letters of consent from the original author or their estate to our email, publisher.columbia@gmail.com, alongside submissions. We will be independently contacting writers if a translated piece is accepted by our staff.

  • You may re-publish your work that appears on the site after 60 days, and we ask that you credit us in future publications.

  • The best way to get a sense for what kind of work we are interested in is to read recent fiction, poetry and nonfiction on columbiajournal.org and to read the most recent print issues of Columbia Journal, copies of which you can order online.

columbiajournal.org/submit/

_____

2023 Fall Residencies

Tin House

DEADLINE: March 21, 2023

APPLICATION FEE: $30

INFO: Each residency will feature two writers simultaneously (in separate apartments). Selected residents may stay for any length of time within the dates of their awarded Residency.

If eligible, you may apply to all residencies using this single application.

Tin House Workshop recognizes that the ongoing pandemic makes traveling and timelines more difficult than ever. We’re committed to working with each resident to make their visit as comfortable and safe as possible. Should anyone cancel their residency (for any reason), we will honor the stipend.

APPLICATION REQUIREMENTS:

1. Fill out the questionnaire.

2. Attach a writing sample from the project you will be working on during the residency:

  • Fiction and Nonfiction: One unpublished writing sample of no more than 6,000 words. A short story/essay or a portion of a novel/NF project may be submitted. 

  • Poetry: Up to six poems, totaling no more than 20 pages.

  • Translation: Please follow the requirements for the genre in the original language and submit your translation and the original text.

  • Graphic Narrative: Project synopsis and up to 30 pages of the project.

  • No reference letters, please.

FIRST RESIDENCY: This residency is intended for writers who have not attended a juried residential program for any length of time, nor are scheduled to do so in 2023/2024 (at the time of applying). Applicants may apply with work that is under contract as long as it is not scheduled to be published until 2024.

Dates: September 2023
Stipend: $1200
Eligibility: 

  • Working on a full-length manuscript in any genre.

  • International writers may apply.

  • Former Workshop Faculty and Scholars may apply. Former Residents are not eligible. 

  • You must be 21 years of age or older by September 1st, 2023.

GENERAL RESIDENCY: This residency is intended for any writer working on a full-length manuscript.

Dates: October 2023
Stipend: $1200
Eligibility:

  • Working on a full-length manuscript in any genre.

  • International writers may apply.

  • Former Workshop Faculty and Scholars may apply. Former Residents are not eligible.

  • You must be 21 years of age or older by August 1st, 2023

tinhouseonline.submittable.com/submit/252672/tin-house-fall-residency

_____

POETRY PRIZE

Indiana Review

DEADLINE: March 31, 2023

ENTRY FEE: $20

INFO: Indiana Review is seeking submissions for it Poetry Prize.

PRIZE: The Winner of the Poetry Prize has the opportunity to receive $1000 AND Publication!

2023 JUDGE: We are excited to announce this year’s Poetry Prize judge, Tommye Blount! Blount is the author of the chapbook, What Are We Not For (Bull City Press), and his full-length debut, Fantasia for the Man in Blue (Four Way Books), which was a finalist for the National Book Award. He has received fellowships and grants from: Kresge Arts in Detroit, Cave Canem, Bread Loaf Writers’ Conference, and the Aninstantia Foundation. Born and raised in Detroit, Michigan, he now lives in the nearby city of Novi.

GUIDLINES:

  • Remember to send up to three poems in a single word document.

    Entrant’s name must not appear on the submission.

    A cover letter is not required.

    Each $20 fee gets you a year-long subscription of the journal. International addressees, please add $12 for postage ($7 for addresses in Canada). If the fee provides a hardship, please submit during the discounted rate period, which will be announced at a later time.

KEEP IN MIND:

  • IR does not accept emailed submissions.

  • All entries are considered anonymously.

  • Previously published works and works forthcoming elsewhere cannot be considered.

  • Multiple and simultaneous submissions are permitted; however, each submission requires a separate reading fee. Please withdraw your piece immediately if it is accepted elsewhere.

  • IR cannot consider work from anyone currently or recently affiliated with Indiana University or the prize judge. This includes people who have studied or taught at Indiana University in the past four years.

  • If you are unable to submit through our Submittable page for any reason, you may mail us your submission. Please include a self-addressed stamped envelope and a check with the applicable submission and shipping fee; checks must be made out to Indiana University.

indianareview.org/prizes/poetry-prize/

_____

KURT BROWN WC&C SCHOLARSHIPS:CREATIVE NONFICTION, FICTION, AND POETRY

AWP

DEADLINE: March 31, 2023

INFO: Every year, AWP awards three $500 scholarships to three first-place winners in the genres of creative nonfiction, fiction, and poetry. These scholarships must be used to attend a writers’ conference, center, retreat, festival, or residency at one of the AWP member programs in the Directory of Conferences & Centers. All winners and six finalists will also receive a one-year individual membership.

In 1990, Kurt Brown founded WC&C, a coalition of writers’ conferences and festivals, to help these groups support one another and thrive. Kurt was a friend and mentor to many writers, as well as a poet, editor, memoirist, essayist, teacher, and administrator. Today, the group he founded is an important part of AWP; we hope you will take the time to visit our directory and explore them all. There is an excellent chance you will find one that meets in your local area that can help you connect with a community of writers and friends.

ELIGIBILITY & GUIDELINES:

  • Previous recipients of Kurt Brown WC&C Scholarships and former or current students of the judges are not eligible to submit.

  • Writers’ names must not appear on the submissions or they will be disqualified.

  • For fiction and creative nonfiction, up to ten unpublished pages will be considered. Work must be double-spaced and presented in twelve-point font.

  • For poetry, five to ten unpublished poems will be considered. Each new poem must start on a new page.

  • You may enter in more than one genre, and you may also enter multiple manuscripts in one genre, provided that each submission is accompanied by its own $10 entry fee.

  • Winners have one year to use their prize, and funds are paid directly to the selected program; unused funds will not be issued to the writer.

  • Member conferences reserve the right to determine entry to their programs; winning does not guarantee admittance to any program.

2023 KURT BROWN JUDGES:

Kao Kalia Yang is a Hmong American writer. She is the author of the memoirs The Latehomecomer: A Hmong Family Memoir, The Song Poet, and Somewhere in the Unknown World. Yang wrote the children’s books A Map Into the World, The Shared Room, The Most Beautiful Thing, Yang Warriors, and From the Tops of the Trees. She co-edited the ground-breaking collection What God is Honored Here?: Writings on Miscarriage and Infant Loss by and for Native Women and Women of Color. Yang’s work has been recognized by the National Endowment for the Arts, the National Book Critics Circle Award, the Chautauqua Prize, the PEN America literary awards, the Dayton’s Literary Peace Prize, as Notable Books by the American Library Association, Kirkus Best Books of the Year, the Heartland Bookseller’s Award, Bank Street College of Education, the Midland Authors Award, and garnered four Minnesota Book Awards. Kao Kalia Yang is also a teacher and public speaker.

Sherwin Bitsui (Diné) is the author of Dissolve and Flood Song (Copper Canyon Press) and Shapeshift (University of Arizona Press). He is of the Bįį’tóó’nii’ Tódi’chii’nii clan and is born for the Tlizilłani’ clan. He is from White Cone, Arizona, on the Navajo Reservation. His honors include the 2011 Lannan Literary Fellowship, a Native Arts & Culture Foundation Fellowship for Literature, a PEN Open Book Award, an American Book Award, and a Whiting Writers Award. Bitsui teaches for the MFA in Creative Writing Program at Northern Arizona University.

Deesha Philyaw’s debut short story collection, The Secret Lives of Church Ladies, won the 2021 PEN/Faulkner Award for Fiction, the 2020/2021 Story Prize, and the 2020 LA Times Book Prize: The Art Seidenbaum Award for First Fiction, and was a finalist for the 2020 National Book Award for Fiction. The Secret Lives of Church Ladies focuses on Black women, sex, and the Black church, and is being adapted for television by HBO Max with Tessa Thompson executive producing. Philyaw is also a Kimbilio Fiction Fellow and the 2022-2023 John and Renée Grisham Writer-in-Residence at the University of Mississippi.

awpwriter.org/contests/kurt_brown_prizes_overview

_____

2023 LEVIS PRIZE IN POETRY

Four Way Books

DEADLINE: March 31, 2023

READING FEE: $30 (per submission)

INFO: Awarding publication of a book-length collection, a Four Way Books sponsored reading, and $1000.

JUDGE: Diane Seuss, winner of the Pulitzer Prize and the National Book Critics Cirlce Award

ELIGIBILITY:

  • Open to any poet writing in English regardless of publication history.

Submissions accepted online only.

GUIDELINES:

  • Submit a previously unpublished, full-length poetry manuscript, in English.

  • Material in your manuscript may have been published previously in a chapbook, magazines, journals or anthologies, but the work as a whole must be unpublished.

  • You may include a list of acknowledgments if you wish.

  • Please use a legible 12-point font.

  • Do not include artwork.

  • Translations and previously self-published books are not eligible.

  • There are no length requirements save that book-length collections of poetry usually run between 48 and 80 pages of text.

  • You may submit multiple manuscripts, but each must be treated as an individual submission, submitted separately, and each requires an entry fee of $30.00 per submission. Each must have complete contact info, etc.

  • If you pay the entry fee but fail to submit your manuscript by the deadline, your fee will not be returned.

  • Please let us know immediately if your manuscript is accepted elsewhere.

  • Your work will be disqualified if your name or contact info appears on the manuscript. Our online form via Submission Manager will capture your contact information.

In the event of a condition beyond our control (website down, internet down, power outage,  or other extreme circumstances), the deadline will be extended and notice will be given along with the reason for the extension.

NOTIFICATION:

The winner will be notified by email or phone no later than Labor Day. Submitters will be notified by email only. The result will also be posted on our website and on social media by Labor Day. 

We do not offer editorial feedback to submitters.

READING POLICY:

Each manuscript is delivered to our readers as a blind submission. That is, it is stripped of identifying material. Only the manuscript, inclusive of any text notes, is sent to the readers and if chosen as a finalist, to the judge. We do not give a list of submitters or titles to the judge.

Please do not submit to this contest if you are close enough to Diane Seuss that her integrity, your integrity, and the integrity of Four Way Books would be called into question should you be selected as the winner. You may query us if you have questions regarding this matter. Please query by email to editors@fourwaybooks.com.

Our preliminary readers for the contest are selected by the director of the press and are published poets, experienced editors, and/or poets who have received a graduate degree in creative writing or literature. Each manuscript is read by at least two readers. We rotate our readers seasonally so that those writers who wish to re-submit to Four Way Books can be assured that their manuscript(s) will receive fresh “reads.” We do not employ students to read manuscripts.

Our readers select approximately 50 manuscripts as finalist selections. They look for work that is beautifully crafted, manuscripts that feel whole and well-shaped. They do not try to second-guess a judge’s preference. Rather, they look to present a wide range of excellent work to the judge.

On occasion, a judge may ask to see more work but the judge is not allowed to ask for specific work by a specific writer but may ask to see a wider sampling of strong work. If that is the case, the press reviews the submissions again and more manuscripts are sent to the judge as finalists. Therefore, we do not inform the public of finalist selections since that list may grow after the first culling.

The judge is instructed to notify the press of any indiscretions. If a submitter contacts the judge regarding the contest, that person will be disqualified. If the judge does not select a winner, the press’s director, and senior editors will select a finalist’s manuscript to publish.

fourwaybooks.com/site/levis-prize/

_____

2023 Writing Fellowship

A Public Space

DEADLINE: March 31, 2023 at 11:59 pm EST

APPLICATION FEE: $0

INFO: We are pleased to announce that applications will open on March 1, 2023, for the 2023 A Public Space Writing Fellowships. The aim of these fellowships is to seek out and support writers who embrace risk in their work and their own singular vision. Writers who have not yet contracted to publish a book are invited to apply.

Submissions of fiction, nonfiction, and—this year, for this first time—poetry are welcome. Three fellowships will be awarded. 

During the six-month fellowship, fellows will receive:

  • editorial support from A Public Space editors to prepare a piece for publication in the magazine;

  • a $1,000 honorarium;

  • a one-year subscription to A Public Space;

  • a guest pass to attend Master Classes with A Public Space during the term of the fellowship;

  • the opportunity to participate in a public reading and conversation with A Public Space editors and contributors.

ELIGIBILITY: Only writers who have not yet published or been contracted to write a book-length work with a U.S. publisher are eligible. International applicants are encouraged to apply, but we are only able to consider submissions in English. Only one submission per person is allowed. Please do not submit a piece you have previously submitted to A Public Space, either through the Fellowship category, the General Submissions category, or an Open Call. A Public Space reserves the right to invite submissions.

TIMELINE: Successful applicants will be informed no later than May 15, 2023. The fellowship period will be June 1, 2023 – November 30, 2023.

Procedure: Only electronic submissions will be considered. Applications must be submitted through the Fellowship category in Submittable.  Please submit the following:

  • A CV

  • A cover letter containing a one-paragraph biographical statement; one paragraph that is a favorite of yours from a book you've read, be it recently or long ago; and a brief statement telling us why this particular passage is meaningful to you. 

  • One previously unpublished piece (for prose, one fiction or nonfiction piece with a limit of 8,000 words; for poetry, a sequence of poems, a long poem, or hybrid work, with a limit of 15 pages) If selected, the submitted manuscript is the piece that will be published in the magazine. 

Simultaneous submissions are allowed, but please note that if any part of the submitted work is accepted elsewhere, you will be required to withdraw your entire application; replacement submissions will not be accepted once the deadline has passed. 

Only PDF or Word files (.doc and .docx) are accepted. The cover letter and manuscript should be submitted as separate files. Incomplete applications will not be considered and will be returned unread.

apublicspace.org/news/detail/the-2023-a-public-space-writing-fellowships

_____

Voyage POETRY PRIZE

Voyage

DEADLINE: April 2, 2023

READING FEE: $20 (up to three poems per entry)

INFO: Big changes are at work for Voyage this year! We are moving all of our prize opportunities to two biannual anthologies dedicated to top-notch YA writing. We want to give our great contributors a chance to see their name in print! We will be publishing hardcover, paperback, and ebook editions. Winners of this Poetry Prize will be published in Fall 2023, alongside the winners of the Short Story, Novel Excerpt, and Creative Nonfiction Prizes. 

You can also submit your short stories right now! Just head to voyage.submittable.com/submit. Novel Excerpt and CNF Prizes will be open April - May.

The anthology will be edited by the Voyage editorial staff, and we will soon announce the contributing author who will share publication space with all of the emerging voices coming through our submissions.

Poetry in the YA market is increasing in popularity—and we at Voyage have become obsessed with reading poems with deep emotional roots. Submit your young adult poems to us for a chance to be selected for our upcoming anthology. 

COMPENSATION: For the anthology, we are flexible with the number of winners, but all poetry contributors will be compensated accordingly:

  • Poems: $150

We are thrilled to bring more YA anthologies into the world and excited to read your submissions!

GUIDELINES:

  • Submissions are open to all writers working in English.

  • International submissions are allowed.

  • Submissions must be poetry in the young adult category, and from the point of view of a young adult, meaning through the lens of a teen protagonist.

  • Submit up to three poems.

  • Tell us in a brief cover letter your publication history (if applicable, no worries if not), along with any relevant information about your writing career.

  • We’re open to any genre or style—just send us the best you’ve got.

  • Previously unpublished work only, please.

  • Simultaneous submissions are fine—just notify us and withdraw your entry if it’s picked up by someone else.

  • Multiple submissions are okay—please submit each as a separate submission.

  • Please: 1) double-space, 2) use Times New Roman 12, 3) have one-inch margins, and 4) put the page number in the top right-hand corner.

  • Tell us in a brief cover letter your publication history (if applicable, no worries if not).

voyage.submittable.com/submit/250714/poetry-prize-for-voyage-anthology-2

_____

ARTIST-IN-RESIDENCY PROGRAM

Ma’s House & BIPOC Art Studio Inc.

DEADLINE: Rolling

FEE: $0

INFO: Ma’s House’s Artist-In-Residency program is open to US-based creatives of color working in any genre of visual art, creative writing, and performance arts. We encourage resident artists to pursue work that relates to Shinnecock’s history, the local landscape, community based work, and critical engagement in issues of diversity, race, and identity.

ELIGIBILITY: The Ma’s House Artist Residency is open to national and international BIPOC artists 21+ years of age. A variety of disciplines are accepted including, but not limited to: visual arts, media/new genre, performance, architecture, film/video, literature, interdisciplinary arts, and music composition. Solo artists or collaborative groups (up to three people) are welcome to apply. 

Applicants will be chosen based on project proposals, artistic merit, feasibility/logistics of the residency, and how the artist will benefit from working at Ma’s House and Shinnecock.

LOCATION: Ma’s House is located on the Shinnecock Indian Reservation in Southampton, NY (about two hours from NYC).

RESIDENCY LENGTH: Residencies will be scheduled by mutual agreement between accepted resident artists and Ma’s House year-round. Residencies can be a minimum of a weekend and a maximum of one month. Artists from federally recognized tribes may apply for up to six months.

RESIDENCY REQUIREMENTS: Residents will be required to participate in a minimum of one public program during their stay (open rehearsals, workshops, studio visits, lectures, or artist talks). Engaging with or researching Shinnecock artists, east-end artists, and local art institutions  is strongly recommended before arrival.

RESIDENCY COSTS:

  • There is no fee to apply or fee to attend. Residents will be responsible for their own groceries and meals.

  • Thanks to the Creatives Rebuild New York grant, we are grateful to offer $ 250.00 per week honorariums for visiting artists.

mashouse.studio/residency/

POETRY — FEBRUARY 2023

GET THE WORD OUT: PUBLICITY INCUBATOR FOR DEBUT AUTHORS & POETS

Poets & Writers

DEADLINE: February 3, 2022

APPLICATION FEE: $0

INFO: Get the Word Out is a publicity incubator for debut authors and poets. Under the mentorship of an accomplished book publicist, authors will develop and execute a strategic publicity plan to maximize the exposure of their first poetry collection, reach readers, and create a platform to propel their literary careers.

Get the Word Out participants will:

  • Participate in a six-session online publicity workshop led by an experienced book publicist

  • Attend six online seminars with leading professionals in publicity, marketing, sales, and related professions

  • Devote considerable time outside of scheduled sessions to promoting their book

  • Contribute to a peer learning community by sharing what works and what doesn’t, helping each member of the cohort to amplify their impact

There is no application fee and no cost to those who are invited to participate.

ELIGIBILITY:

  • Authors under contract with a U.S.-based publisher for the publication of a debut poetry collection written in English and scheduled for release between April 1, 2023 and April 30, 2024.

  • Must be 18 years of age or older.

  • Must live in the U.S. during the program period (but do not need to be a U.S. citizen or hold permanent resident status).

  • Must be available to attend and participate in all of the incubator program’s virtual workshops and seminars between April 3 and June 23, 2023, and devote between 4 to 6 hours weekly for twelve weeks to the publicity planning of their book.

  • Those currently enrolled in degree-granting programs are not eligible.

  • Employees and Board Members of Poets & Writers, and their immediate families, are not eligible.

What qualifies as a “debut” poetry collection?

  • Your first full-length work of poetry, scheduled to be published by a U.S.-based publisher between April 1, 2023 and April 30, 2024.

  • Self-published or hybrid-published books, and e-book editions are not eligible.

  • The book must be written in English; works in translation are not eligible.

  • Applicants who have previously published a full-length work of literature in any other genre with a U.S.-based publisher are not eligible.

  • Applicants who have previously published a full-length work of literature with a non-U.S. publisher are eligible, so long as they have published no more than one full-length work.

  • Applicants who have previously published poetry chapbooks are eligible.

  • Finalists will be asked to submit verification of debut publication and residency. 

SELECTION CRITERIA:

Participants will be selected based on the strength of their writing sample and statement of purpose.

Get the Word Out is open to all eligible applicants. The program aims to support writers who might not otherwise have access to in-depth publicity support and to help develop strong literary voices nationwide. To that end, we encourage applications from writers who identify as BIPOC (Black, Indigenous, or person of color), writers with disabilities, LGBTQ+ writers, writers from outside of New York City, writers who do not have an MFA or equivalent degree, and writers whose books are slated to be published by independent presses. 

IMPORTANT DATES:

Poetry Cohort – Spring 2023

  • January 9 – Application opens

  • February 3 – Application deadline

  • March 7 – Poetry Cohort Announced

  • March 27 – Poetry Cohort Orientation

  • April 3 – Poetry Publicity Incubator Begins

  • June 23 – Poetry Publicity Incubator Ends

HOW TO APPLY:

Applications must include:

  • A completed application form and eligibility quiz

  • A statement of purpose (max: 1,000 words)

  • An excerpt from your debut poetry collection (max: ten pages, single or double-spaced, minimum of 7 pages)

  • An author bio (max: 250 words)

For questions and more information about Get the Word Out, please contact tkehou@pw.org.

pw.org/content/get_the_word_out

_____

SeaSalted Honey writing residency

SeaSalted Honey

DEADLINE: February 3, 2023

INFO: SeaSalted Honey is a writing residency that offers Afrikan Diasporic literary artists Sojourns of Return to Afrika while providing the circumstances + care necessary to create mind, body, heart, + spirit-aligned art.

SeaSalted Honey centers the wander, wellness + writing of Black literary artists. Our writing residencies offer literary artists of the Afrikan Diaspora Sojourns of Return to our ancestral, psychospiritual + artistic center: Afrika.

Our sacred Sojourns of Return are replete with artistic practice + ancestral technologies + community care + rest. Black literary artists find liberation from the litany of violences that routinely assail our creativity + creative processes when in our anti-Black homelands.

SeaSalted Honey offers Black writers of all genres opportunities for peace + purification + a deepened artistic practice. While in Mother Afrika, literary artists partake in ancestral + cultural traditions aimed at bringing us into our highest selves, resulting in the creation of our most liberated art.

LOCATIONS:

  • La Petite Côte, Senegal (April 25th - May 1st, 2023) - This 7 day + 6 night Sojourn of Return residency lands artists in Senegal’s La Petite Côte region. Artists breathe easy at the pristine beaches, beneath the full sun, + in the nature reserves.

    Stretching almost 62 miles from Dakar to the Sine-Saloum Delta, La Petite Côte is Senegal’s playground. Its land is lined with baobabs backdropped by the constant sun, the blue sea, its extraordinary waves, + golden sand beaches. Its pristine beaches, nature reserves + islands made of shells offer something for everyone.

  • Saint-Louis, Senegal (May 23rd - May 29th, 2023) - Happening during one of the largest annual international music events, the Saint Louis Jazz Festival, artists enjoy the city of Saint-Louis, Île de N’Dar, + the Langue de Barbarie Peninsula during this 7 day + 6 night Sojourn of Return residency.

    Saint-Louis (or Ndar as it’s called in Wolof) is located in the northwest area of Senegal, near the mouth of the Senegal River + 199 miles north of Senegal's capital city Dakar. Ndar enjoys a rich cultural background, visible through its architecture, art, + other characteristics. The city serves as a bridge between savanna + desert, ocean + river, tradition + modernity, Islam + Christianity.

  • Dakar + La Petite Côte, Senegal (January 11th - January 25, 2024) - This 14 day + 13 night Sojourn of Return residency lands artists in Dakar for 2 days + La Petite Côte for 12 days. Artists experience Dakar’s electric pulse + throbbing sounds such as reggae beats, djembe drums, + kora strums before heading to La Petite Côte’s tranquil ocean waters + quaint fishing villages for peace-inspired practice.

    Dakar is a city of extremes, where horse-cart drivers chug over swish highways + gleaming SUVs squeeze through tiny sand roads; where elegant ladies dig skinny heels into dusty walkways + suit-clad businessmen kneel down for prayer in the middle of the street. Stretching almost 62 miles from Dakar to the Sine-Saloum Delta, La Petite Côte is Senegal’s coastal playground. Its pristine sandy beaches, nature reserves + islands made of shells provide the perfect place for creativity.

seasaltedhoney.com

_____

LITERATURE GRANT

Café Royal Cultural Foundation NYC

DEADLINE: February 13, 2023 at 9:00 am ET (or as soon as we receive 40 applications).

INFO: Café Royal Cultural Foundation NYC will award a publishing grant to authors of fiction / creative non-fiction, poetry and playwriting. 

To ensure that each submission receives the attention it deserves we will be only accepting 40 application for each of our categories.

GRANTS: Up to $10,000

ELIGIBILITY: Authors in fiction / creative non-fiction, poetry and playwriting. The applicant must be the originator of the written material.
Grants awarded in this category may fund costs associated with continuing the composition of work submitted. Such as:

  • Course Reduction (if you're a Teacher/Professor)

  • Salary Replacement

  • Living Expenses

  • Research Expenses

Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying and plan to be a resident through the completion of their project.

Please make sure to submit your application with ample time before the start date of your project. 

Applicants can only apply with the same project twice.

REVIEW PROCEDURES: Funding decisions will be made by the Café Royal Cultural Foundation Selection and Executive Committees. The following criteria will be applied in evaluating grant proposals:

  • Creativity, originality, ideas and concepts, writing style

  • Importance of the Project/Cultural Relevance

  • Promise of future achievements in writing

APPLICATION REQUIREMENTS: 

  • Up to and no more than a 15 page PDF of the work, for the Café Royal Cultural Foundation executive committee to download and read.

  • A letter of intent from the publisher with a date of planned publication, if no publisher is assigned, Café Royal Cultural Foundation may work with writer to help find a publisher.

  • A short description of the project.

  • A short author biography of the person(s) involved.

  • List of costs that the grant money be used for - must not exceed the amount of $10,000

crcfapplication.org/project

_____

The Commuter Prose, Poetry, and Graphic Narrative Submissions

Electric Literature

SUBMISSION PERIOD: February 13, 2023 (12:00am PST) - February 19, 2023 (11:59pm PST)

INFO: The Commuter is our home for poetry, flash, graphic, and experimental narratives. It publishes weekly on Monday morning, and has showcased the likes of Caroline Hadilaksono, Aleksandar Hemon, Jonathan Lethem, Lindsay Hunter, Tahirah Alexander Green, and Julia Wertz.

GUIDELINES:

  • For Prose, submit one or more pieces, either standalone or connected, in a single document. The total word count should not exceed 1500 words. We encourage writers to push the boundaries of what is considered fiction.

  • For Poetry, submit 4–6 poems in a single document, and please limit the page count to 8. Keep in mind that due to our digital platform, not all poems may render exactly as they appear in a PDF.

  • For Graphic Narrative, we are interested in both traditional and non-traditional forms of visual storytelling. Submit up to 3 pieces of narrative illustration, comics, mixed media narrative, or genre-negative oddments. For comics, each piece should contain a minimum of 3 panels. The total page count of your submission should not exceed 20 pages.

  • Please submit all genres in .doc, .docx, or PDF. 

  • Please submit only once per category.

  • Please include your email address.

  • If your work is selected, we offer a total payment of $100.

  • Writers with a submission pending Recommended Reading may still submit to The Commuter

electricliterature.submittable.com/submit

_____

PIGEON PAGES POETRY CONTEST

Pigeon Pages

DEADLINE: February 15, 2023

ENTRY FEE: $15 (for one poem of 5 pages or less)

INFO: Pigeon Pages is accepting submissions for its poetry contest.

JUDGE: Sally Wen Mao

GUIDELINES:

  • Original, previously unpublished poems by a single author are eligible for this contest. 

  • Only one poem per contest submission, but we welcome writers to submit as many times as they would like. Any entries with more than one poem will not be eligible for contest consideration.

  • We do accept simultaneous submissions, but please let us know if the submitted piece is accepted elsewhere.

  • If submitting work entirely in a language other than English, please also include an English translation.

  • Please do not include personal information on your piece, as submissions will be read blind.

  • All submissions will be considered for publication in the general journal.

AWARD:

  • The winner will receive $250 and publication in Pigeon Pages.

  • Honorable mentions will receive $50 and publication.

pigeonpagesnyc.com/poetry-contest

_____

MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: February 15, 2023 at 11:59pm EST*

PROCESSING FEE: $30

INFO: MacDowell is a fellowship and residency program for writers, visual artists, composers, filmmakers, playwrights, interdisciplinary artists, and architects. About 300 artists are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence.

There are no residency fees. Need-based travel grants and stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply.

MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

MacDowell is currently accepting applications for the Fall / Winter 2023 residency season and has suspended a longstanding admissions requirement that applicants supply reference letters as part of the application process.

macdowell.org/apply/apply-for-fellowship

_____

2023 CAAPP BOOK PRIZE

Autumn House Press / Center for African American Poetry and Poetics

DEADLINE: February 15, 2023.

INFO: Founded in 2020, the CAAPP Book Prize is a publishing partnership between the University of Pittsburgh’s Center for African American Poetry and Poetics and Autumn House Press with the goal of publishing and promoting a writer of African descent.

The prize is awarded annually to a first or second book by a writer of African descent and is open to the full range of writers embodying African and African diasporic experiences. The book can be of any genre that is, or intersects with, poetry, including poetry, hybrid work, speculative prose, and/or translation.

GUIDELINES: Please submit a manuscript between 48-168 pages.

PRIZE: The winning manuscript will be published by Autumn House Press and its author will be awarded $3,000.

FINAL JUDGE: Nicole Sealey

autumnhouse.org/submissions/caapp-book-prize/

_____

Furious Flower Poetry Prizes

The Furious Flower Poetry Center at James Madison University

DEADLINE: February 15, 2023

INFO: The Furious Flower Poetry Center at James Madison University, the nation’s first academic center devoted to Black poetry, offers a $1,500 prize for a group of three poems through its annual prize.

The Furious Flower Poetry Center is committed to ensuring the visibility, inclusion, and critical consideration of Black poets in American letters, as well as in the whole range of educational curricula. The Center seeks to support and promote Black poets at all stages of their careers and to preserve the history of Black poets for future generations. Submissions that support this mission are welcome.

Poets with no more than one published book are invited to submit up to three poems for consideration.

AWARD:

  • Winner: $1,500

  • Honorable mention: $750

Both the winner and honorable mention will be invited to read as part of the Furious Flower Poetry Reading Series in April 2023. The winner, honorable mention, and select finalists will also be published in Obsidian.

2023 JUDGE: Evie Shockley

Shockley’s poetry books include suddenly we (forthcoming 2023), semiautomatic and the new black. Her international work has been named a finalist for the Pulitzer Prize and twice garnered the Hurston/Wright Legacy Award. Her honors include the Lannan Literary Award for Poetry and the Stephen Henderson Award, and her joys include being a member of the collective Poets at the End of the World. Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University.

SUBMISSION GUIDELINES:

  • Submit up to 3 poems that do NOT exceed 6 total pages. Please put all poems in a single PDF document.

  • Upload all work through our submission manager in a PDF file format only.

  • No previously published work will be accepted.

  • Simultaneous submissions are welcome. If your work is accepted elsewhere, please notify us immediately by e-mailing us at furiousflower@jmu.edu

  • Please do not put your name on the submission or in the file name. We read these submissions blind.

ELIGIBILITY RULES:

  • Authors with 2 or more published or self-published books are not eligible. This does NOT include chapbooks; this rule is only relevant to full-length collections.

  • You may only submit one submission entry up to three poems that do NOT exceed six total pages. Multiple submission entries will disqualify you.

  • Please note: Current JMU Employees and students are note eligible for this prize.

furiousflowerpoetry.submittable.com/submit/245381/furious-flower-poetry-prize-2023

_____

Bread Loaf Writers’ Conference

Bread Loaf Writers’ Conferences

DEADLINE: February 15, 2023

2023 CONFERENCE FEES:

  • Application Fee: $20

  • Contributors: $3,985 (includes tuition, $2,620; room, $475; board, $890)  

INFO: With a rich literary and intellectual tradition, the 98th annual Bread Loaf Writers’ Conference brings together emerging writers to work closely with a diverse and talented faculty. 

From Wednesday, August 16 to Saturday, August 26, you’ll experience the intensity—and challenge—of working under the guidance of notable writers, including MacArthur Fellows, U.S. poets laureate, and recipients of the Pulitzer Prize and National Book Award.

Our rural and scenic setting amid the Green Mountains on Middlebury’s Bread Loaf campus provides an ideal environment for discussing manuscripts, sharing insights, getting to know agents and editors, and becoming acquainted with the next generation of significant writers.

OVERVIEW:

Workshops are at the core of the conference. Each faculty member conducts a workshop in fiction, poetry, or nonfiction that meets for five two-hour sessions over the course of the 10 days.

  • Groups are limited to ten writers to facilitate discussion.

  • Participants meet individually with their faculty mentors.

  • Faculty offer lectures on literary writing and classes on specific aspects of the craft.

  • You can attend daily readings by the faculty, participants, and guests.

  • All participants meet with visiting editors, literary agents, and publishers.

FINANCIAL AID: Thanks to the generous support of Middlebury and to an endowment fund established by past Bread Loafers and other donors, financial aid is available for both published and unpublished writers. Financial need has no bearing on decisions, except as noted.

middlebury.edu/writers-conferences/writers-conference

_____

KATHRYN A. MORTON PRIZE IN POETRY

Sarabande Books

DEADLINE: February 15, 2023

SUBMISSION FEE: $29

INFO: The prize includes a $2,000 cash award, publication of a full-length collection of poetry, and a standard royalty contract. Kathryn A. Morton was a published author and devotee of fine literature, especially poetry. 

2023 JUDGE: Ilya Kaminsky

ELIGIBILITY: This contest is open to any poet writing in English. Employees and board members of Sarabande Books, Inc. are not eligible. Individual poems from the manuscript may have been published previously in magazines, chapbooks of less than 48 pages, or anthologies, but the collection as a whole must be unpublished. Translations and previously published collections are not eligible. To avoid conflict of interest, close friends of a judge or current students in a degree-granting program with a judge are not eligible.

MANUSCRIPT REQUIREMENTS:

  • Manuscript must be ANONYMOUS—the author’s name or address must not appear anywhere on the manuscript (title page should contain the title only)

  • Must be typed, standard font, 12 pt.

  • Minimum length 48 pages

  • Manuscript must be paginated consecutively with a table of contents and acknowledgements page (a list of publications in which poems in the manuscript have appeared)

  • Must be submitted electronically through Submittable

Multiple submissions are permitted if submitted separately, each with a submission fee. Once submitted, electronic manuscripts can only be edited within a week of submitting, but do note that any publications resulting from this contest will undergo a full editorial and copyedit. Simultaneous submissions to other publishers are permitted, but please withdraw the submission if accepted elsewhere. 

A winner will be selected in September, and all entrants will be notified of the winners and finalists shortly afterward. Sarabande Books considers all finalists for publication.

sarabandebooks.org/morton

_____

Nawat Fes RESIDENCY

Nawat Fes

DEADLINE: February 15, 2023

INFO: Nawat Fes offers funded residencies in the eighth-century medina of Fes, Morocco to U.S. and international creators in multiple disciplines.

The initiative engages art to cultivate understanding among multifaceted cultures through the exchange of ideas. Hosted by the American Language Center Fes / Arabic Language Institute in Fez, a member of the American Cultural Association, Nawat Fes is a new program that hosted its first residencies in May 2022.

Two Nawat Fes artist residents at one time live and work in the ancient medina of Fes, which is considered one of the most extensive and best conserved historic cities of the Arab-Muslim world.

Designated a UNESCO World Heritage Site, the Fes medina is one of the world’s largest pedestrian zones, containing narrow alleyways leading to ancient architectural treasures, traditional houses, artisan workshops and open-air markets.

Within this unique setting, Nawat Fes provides a supportive environment for research, reflection and artistic practice, allowing artists from around the world to experience and learn from Moroccan culture, and to contribute to the local cultural conversation.

DAR BENNIS: Two artists at one time reside and work on separate floors of Dar Bennis, a restored traditional Moroccan house in the old medina, tucked away not far from the main street. Each artist will have a bedroom, a private bath, and a basic studio in the house. The house has wifi, a shared kitchen, a laundry room and a roof terrace with a view of the medina.

As the rooms in Dar Bennis all open onto an interior courtyard, perfect quiet in the living and work spaces cannot be assured. There are several great cafes nearby that also make excellent off-site working environments.

ADDITIONAL EXPECTATIONS / OPPORTUNITIES: Nawat Fes artist residents will be expected to offer two opportunities for our community to engage with their work. These could be public programs such as a talk, performance, reading, lecture, workshop or concert, or an exhibition of their work during the residency.

These programs are intended for local students of English and/or international students of Arabic, as well as the local community. Artists should be prepared to engage with our community in English or Arabic.

RESDIENCY PERIODS: Nawat Fes offers several residency periods each year of roughly two months each. Artists are expected to arrive at the beginning of each residency period and to stay through the end of the residency period.

Residencies from Mid-May 2023 through Mid-May 2024 will be awarded to artists who apply at the February 15, 2023 application deadline. These residency periods will be:

  • SUMMER 2023 (Mid-May through Mid-July 2023)

  • FALL 2023 (Mid-October to Early December 2023)

  • WINTER 2024 (Mid-January to Mid-March 2024)

  • SPRING 2024 (Mid-March to Mid-May 2024)

Residencies after May 2024 will be scheduled in a future application process. If you are interested in applying at a future deadline, please add your name to the Nawat Fes email list and we will inform you when the next application cycle opens.

ARTIST STIPENDS: Residencies are supported by the American Language Center Fes, which provides housing at no cost to artist residents, along with a 200-dirham/day living allowance (depending on the exchange rate, this normally ranges from 16-20 USD/day), from which artists will provide their own food. Half of the stipend is provided on arrival, and half at the midpoint of the residency. We can recommend some excellent local cooks who can come to Dar Bennis to prepare a variety of meals, including vegetarian, vegan, and gluten free options, as well as traditional Moroccan dishes. Artists can use their stipend to pay for this service. The ALC will host occasional meals including other members of the Fes community.

ALC-ALIF staff and volunteers will be available on a limited basis to help artists engage with the local community. Artists will also be offered the option of a complimentary course in Moroccan Arabic, as well as optional translation services into Arabic for their descriptive and biographical material. Artists support the cost of their own travel, travel medical insurance, artist materials, any cost for mailing finished work out of Morocco, and all other costs.

SELECTION CRITERIA: Artists will be selected by a jury. We value diversity highly within our community of artist residents. Residencies are awarded based on the quality of work submitted, diversity of cohort, the proposal for intended new work, and the fit of the artist within Morocco and the Fes medina.

A high value is placed on linguistic exchange between the artists and the Moroccan community in Fes, which participates in American Language Center Fes programs in English, so artist applicants must have good conversation skills in English. Arabic and French are helpful but not required.

alcfes.org/nawatfes/

_____

2023 Zoeglossia FellowsHIP FOR DISABLED POETS

Zoeglossia

DEADLINE: February 15, 2023 by 11:59pm EST

REGISTRATION FEE: $0

INFO: Zoeglossia Fellows are admitted for a five-year term and join a community of poets with disabilities at various career stages, with a range of styles and poetics. Virtual community-building opportunities are hosted year-round in addition to the flagship Annual Retreat, which Fellows can attend 3 times within their 5-year tenure. The Retreat is fully subsidized, so all Fellows can access workshops, food, and lodging in an accessible venue free of charge. Although travel is not included, partial travel stipends can often be provided.

Throughout the 5-year tenure, Fellows can access a broad slate of professional development opportunities, including workshops, roundtables, and a bimonthly “Second Sunday Salon” series. Dedicated reimbursement streams (up to $300/year) are allocated to each Fellow to offset submission fees, manuscript consultations, member dues, and other professional activities. Additionally, the Zoeglossia team routinely presents opportunities for additional honoraria including curatorial work, marketing/communications projects,as well as conference presentations and workshop facilitation.

THE RETREAT: Hosted by the College of Arts and Sciences at New Mexico State University, the 4-day Zoeglossia Retreat (Wednesday May 10th to Sunday May 14th) provides a range of professional development and community-building opportunities to poets with disabilities. As the COVID pandemic continues to disproportionately impact the disabled community, the Annual Retreat will be hosted online to ensure all our fellows from across the globe can participate safely.

Fellows will again have the opportunity to study with noted disability poets in intimate group settings. Past faculty include award-winning poets such as Raymond Antrobus, Meg Day, and Ilya Kaminsky. In 2023, we will welcome JJJJJerome Ellis and Kay Ulanday Barrett, among others, as Faculty. With a keynote by L. Lamar Wilson, the four-day event offers a variety of generative workshops, craft talks, professional panels, (live-streamed) evening readings, and meaningful mentoring opportunities. 

We are building off participants’ positive feedback and also paying specific attention to emerging best practices in:

1) creating accessible content for remote meetings (W3C International Community)

2) ensuring success of virtual events (National Endowment for the Arts)

3) solving case studies simulating Fellows’ access barriers, needs, and preferences (National Arts & Disability Center)


WHAT: A call for new Fellows to attend the annual Zoeglossia Retreat. Across 4 days (May 10th - 14th, 2023), Fellows will access a range of professional development and community-building opportunities. In particular, Fellows will deepen their practice by generating and workshopping new writing with peers and a rotating Faculty cohort. Additional core activities include daily craft talks, panels, and evening readings, open to the public.

WHO: Poets, age 21+, who identify as disabled are eligible to apply. Writers within the BIPOC and LGBTQIA+ communities are highly encouraged to apply.

WHEN: Fellows must be able to attend morning workshops (approx 9am - 11am CST) + afternoon panels/craft talks(approx 2pm - 4pm CST) + evening readings (approx 7pm-9pm CST) on May 8th, 9th, 10th, and 11th.

Acceptances will be offered in mid-March, with the official 2023 Fellows announcement will happen the first week of April 2023.

HOW: Prepare a 500 - 1,000 word statement about disability poetry and disability poetics. We are interested in why you write and how you think about your writing. We encourage you to review this sampling of recent essays, folios, and interviews as they provide potential entry points, framing possibilites, and context considerations for your statement. 

Assemble 8-10 pages of poems (published and/or unpublished) in a single file. PDF format is strongly preferred for the work sample file. (NOTE: On Windows and Mac OS, Word docs can be exported as PDFs or saved as PDFs).

In the application there is a field to list CW for each poem. Out of respect for our volunteer readers, we require you include a content warning if your work sample references or depicts personal or historical trauma (including violence, genocide, assault, abuse, etcetera).

For a primer on content warnings see An Introduction to Content and Trigger Warnings (Inclusive Teaching Sandbox, University of Michigan).

zoeglossia.org/2023-call-for-fellows

_____

ARTISTS & WRITERS RESIDENCY

Vermont Studio Center

DEADLINE: February 15, 2023

INFO: Each month, VSC welcomes over 50 artists and writers from across the country and around the world to our historic campus in northern Vermont.

All of our residencies include:

  • A private room in modest, shared housing

  • 24-hour access to a private studio space in one of our 6 medium-specific studio buildings

  • 3 communal meals per day (plus fresh fruit, coffee/tea/cold beverages, and cereal available around the clock)

Most residents stay with us for 1 month, so our sessions adhere to a 4-week calendar however, residencies can be scheduled in 2-week increments ranging from 2 to 12 weeks if a shorter or longer stay better suits your needs. Although we accept residents for stays for 2 weeks, we recommend a minimum stay of one month for the fullest experience.

Each 4-week session includes:

  • Opening Night Dinner & Reception

  • 7 Resident Presentation (“Res Pres”) Nights

  • 2 Open Studios Nights

  • Public Slide Talks / Public Readings from our Visiting Artists & Writers

  • Visiting Writer Craft Talks (open to writers only)

  • Opportunities for studio visits/manuscript critiques with Visiting Artists/Writers

Most months, numerous other spontaneous events take place--intimate readings, pop-up shows, group hikes or swims, performances, site-specific installations, movie screenings, dance parties, and bonfires, to name a few.

All events in our monthly program are optional. Our program is designed to enhance your studio practice by providing opportunities to engage with a supportive creative community; you are welcome to participate in as many or as few of these activities as you like. 

FELLOWSHIPS:

  • VSC Fellowship - Twelve fellowships for exceptional writers and artists based on the merit of the work. Available for a 2-, 3-, or 4-week residency as best meets the needs of the writer or artist.

  • VSC/Harpo Fellowship - Two fellowships, one for a Native American visual artist and one for a Native American writer, living and working in the US, with strong ability and a practice that engages a dialogue between the artist’s or writer’s world and the surrounding culture. Available for a 3-week residency for a visual artist and a 2-week residency for a writer and includes a $500 stipend. The application fee is waived for all eligible applicants.

  • Voices Rising Fellowship - One fellowship for a Black American woman fiction writer with demonstrable financial need. Given in honor of women writers of color such as Maya Angelou, Toni Morrison, and Zora Neale Hurston, whose voices have inspired so many. Available for a 4-week residency in 2023 and includes a $2,000 stipend.

vermontstudiocenter.org/

_____

Interdisciplinary Artist-in- Residence Programs

The Peter Bullough Foundation

DEADLINE: February 21, 2023

INFO: The Peter Bullough Foundation provides fall and spring residencies for emerging artists and scholars with diverse backgrounds and interests. We hope to create a community that elevates voices that are underserved, including those of the LGBTQIA2S+ community.  

The ideal applicant will be self-directed, motivated, able to work independently, and interested in engaging with the local community. Each awarded residency period is roughly four weeks long and is shared with one or two other artists in residence. Artistic collaborators in groups of two to three may apply in one application. While in residence, artists are required to host a community workshop, lecture, or event virtually or in-person.

The PBF accepts applications from artists working in the following disciplines: architecture, literature, film/video arts, interdisciplinary arts, music, music composition, playwriting, screenwriting, poetry, theatre, and the visual arts.

APPLICATION: Fall residencies begin in August, September, and October, and November and spring residencies start in late January, February, March, and April. Applications open in January for fall residencies and in August for spring residencies. Please sign up for our newsletter to be notified when applications open. 

​Applicants are not required to mail in hard copies of the application forms. If you need assistance with the online application process, or do not have access to a computer, please contact the PBF staff for guidance on applying.

When open, applications are available through the Call for Entry website by first making an artist account at Call for Entry and then by applying to the residency. 

Applications include the following requirements:

  • Application Form

  • Personal Statement/Proposal

  • Resume, CV, or Statement of Qualifications

  • Work Samples/Portfolio

  • Two Personal References

LOCATION: Winchester, Virginia is a quintessential American small town with a rising arts scene. The town is home to a large regional art museum, several house museums, a children's discovery museum, and many small, local shops that embrace the area's creative community. Downtown Winchester offers numerous dining options and four award-winning locally-owned breweries. Additionally, Winchester is home to Shenandoah University which regularly hosts   theater, dance, and music performances.

ACCOMMODATIONS & SUPPORT: The Peter Bullough Foundation is delighted to offer free accommodations for two to three artists at a time in Dr. Bullough’s former home, a renovated 1840’s house with private bedrooms and shared bathrooms and common spaces. Private studios and workspaces are located in an adjacent building that also houses the majority of Dr. Bullough’s book and art collections. Private gardens connect the properties and are also available as open-air workspaces.

A $550 stipend is provided to aid in covering supplies, necessities, and food for the month. If you have any questions about the residency program, please contact the PBF or check out our Frequently Asked Questions page.

SELECTION: Selection is a multi-step process involving the PBF staff, residency committee, residency alumni, and board. We may request an interview with you to learn more about you and your work. Selections will be announced 30-45 days after the application deadline. The PBF does not discriminate in its programs and activities on the basis of race, sex, sexual orientation, gender identity, gender expression, marital status, religion, creed, national origin, age, and/or disability.

peterbulloughfoundation.org/residencies

_____

Sustainable Arts Foundation 2023 Awards

Sustainable Arts Foundation

DEADLINE: February 24, 2023 at noon PT / 3pm ET

INFO: The Sustainable Arts Foundation is offering 20 awards of $5,000 each to artists and writers with children. At least half the awards will go to applicants of color. Additionally, we will name twenty finalists.

Our awards offer unrestricted cash, which recipients can use as they like.

Our selection process is focused almost entirely on the strength of the submitted portfolio.

ELIGIBILITY: To be eligible, the applicant must have at least one child under the age of 18. Parents of older children with a disability or special needs may also be eligible.

WHO SHOULD APPLY:

Artists and writers with at least one child under the age of 18 and a strong portfolio are welcome to apply.

We are inspired by anyone making creative work while raising a family. Given the intense demand for these awards (we typically receive 2,000-3,000 applications), and the fact that the awards are based on demonstrated excellence in your discipline, we don’t recommend that artists or writers just beginning their creative careers apply to this program.

While we don’t require that applicants have published or exhibited their work, the rigor and critique involved in that process can certainly benefit the portfolio. Portfolios of writing or artwork created in a more personal vein for sharing with friends and family are not suitable.

We invite you to view our list of previous awardees and follow the links to their work to get a feel for their level of craft.

RACIAL EQUITY: As of Fall 2016, we make at least half our awards to applicants of color. You can read more about this decision on our website.

DISCIPLINES:

Writers may apply in one of the following categories:

  • Creative Nonfiction

  • Early and Middle Grade Readers

  • Fiction

  • Graphic Novel/Graphic Memoir

  • Illustrated Children's Books

  • Illustrated Children's Books (Text Only)

  • Poetry

  • Young Adult Fiction

apply.sustainableartsfoundation.org/

_____

Individual Artist Residencies

Trillium Arts

DEADLINE: February 27, 2023 at 11:59pm EST

APPLICATION FEE: $0

INFO: Trillium Arts residencies offer secluded space for rejuvenation in a beautiful, remote setting in the Blue Ridge Mountains. Our location is ideal for an individual artist to complete an existing work, or develop and incubate new material. Our current facilities are best suited to the disciplines of literary arts, photography, visual arts and arts administration.

Individual artists who do not require a rehearsal studio (such as writers and photographers) are encouraged to apply for a one week residency. Performing artists (such as choreographers and theater artists) are also welcome to apply, with the understanding that studio space is not included. The Red Barn Studio may be available but for an additional fee starting at $35 per day. Learn more about the Red Barn Studio HERE.  

There is ample land and outdoor space available for ideation and research. We are currently unable to accommodate groups or collaboratives on the Trillium property. Individual artist residencies are on a solo adventure during their time here and your residency will not overlap with other awarded artists. If an artist would like to bring collaborators, there are a variety of AirBnB’s available for rent in the immediate area. A list of recommended AirBnB’s is available upon request.

2023 RESIDENCIES INCLUDE:

  • Private accommodations in a freshly renovated one-bedroom, ground floor suite. (Phil and Heather live upstairs but resident artists have a private entrance).

  • Welcome dinner

  • Use of the grounds, including firepit, gazebo, walking paths and waterfall area

  • NEW for 2023! Potential use of the Red Barn Studio for an additional fee (starting at $35 per day)

  • Basic kitchen supplies and all household goods (towels, linens, paper products, etc.)

  • Access to high speed fiber optic internet

  • Laundry facilities

  • Mentorship services (optional for an additional fee)

All 2023 residencies are modestly priced and one week in length. 

Artist arrival is on Sundays with a check-in at 3:00pm or after. Welcome dinners are hosted on Monday evening. The residency week ends with an optional Friday night work-share. Check out is on Saturday mornings by 11am.

A limited number of work exchange scholarships are available.

DATES: Applications are currently being accepted for residencies one week in length during May, June and July 2023. Specific date ranges are listed in the application form.

trilliumartsnc.org/artist-residencies

_____

CALL FOR submissions: ‘KINDLING’ ISSUE

Yellow Arrow Journal

DEADLINE: February 28, 2023

INFO: Yellow Arrow Publishing is excited to announce that submissions for our next issue of Yellow Arrow Journal, Vol. VIII, No. 1 (spring 2023) is open February 1–28 addressing the overarching concept of advocacy and community. Guest editor, Matilda Young, states,

The work of changemaking is the work of community and care, of recognizing how our lives and futures are inextricably linked. Our writing can reflect this vital work and be a part of how we bring change to life.

Maybe it is by sharing our full selves with the world or speaking clearly to the injustice of the past and present. Maybe it is sharing the story of how another person inspired us or helped us find healing or how we ourselves find healing and connection in the practice of community care. Like writing, changemaking is fundamentally an act of imagination: envisioning a world that does not yet exist but must.

This issue’s theme will be KINDLING

: easy combustible material for starting a fire

: something or someone that helps start (spark) a movement, an event,

changemaking, and/or advocacy

  1. What is your vision for advocacy? How can you kindle changemaking in yourself? In others? How do people broaden their vision and their actions?

  2. How have you (or how can you) create inspiration in yourself and in others?

  3. How do you get yourself or someone else to join a journey toward advocacy?

Yellow Arrow Journal is looking for creative nonfiction, poetry, and cover art submissions by writers/artists who identify as women, on the theme of KINDLING. Submissions can be in any language as long as an English translation accompanies it. For more information regarding journal submission guidelines, please visit yellowarrowpublishing.com/submissions. Please read our guidelines carefully before submitting. To learn more about our editorial views and how important your voice is in your story, read About the Journal. This issue will be released in May 2023.

KINDLING’s guest editor, Matilda Young (she/they), is a poet with an MFA in poetry from the University of Maryland. She has been published in several journals, including Anatolios MagazineAngel City Review, and Entropy Magazine’s Blackcackle. She enjoys Edgar Allan Poe jokes, not being in their apartment, and being obnoxious about the benefits of stovetop popcorn. Matilda’s poem “This Yes, This” was part of Yellow Arrow Journal FREEDOM, and Matilda was our .W.o.W. #7. Matilda was also one of our three fantastic Writers-in-Residence 2022 cohort. We are excited to work with Matilda over the next few months.

The journal is just one of many ways that Yellow Arrow Publishing works to support and inspire women through publication and access to the literary arts. Since its founding in 2016, Yellow Arrow has worked tirelessly to make an impact on the local and global community by advocating for writers who identify as women. Yellow Arrow proudly represents the voices of women from around the globe. Creating diversity in the literary world and providing a safe space is deeply important. Every writer has a story to tell, every story is worth telling.

yellowarrowpublishing.com/news/yaj-viii-01-submissions-open-kindling

_____

OPEN CALL for anthology: “Love Notes for Revolution”

NEKKID

DEADLINE: February 28, 2023

INFO: At this time on the planet where we are hurdling ourselves toward climate catastrophe, deeper social division, and violence, the importance of hope as a discipline is self-evident.

The anthology will be a collection of brilliant minds sharing their visions, critiques, and hopes in nurturing us on the journey of creating a new world characterized by cooperation, pleasure, and joy.

The anthology will include poems, essays, recipes, practices, and meditations from a multitude of disciplines on the dreams had, skills needed, and hardships faced on the journey to create a more aligned, sustainable, and liberated world.

Suggested topics include:

  • Abolition + Justice

  • Birth + Parenting

  • Land Stewardship + Earth Connection

  • Death + Grief

  • Love + Spirit

  • Movement + Nourishment

  • Sex + Pleasure

  • Rest + Undressing Capitalism

  • Psychedelics + Acension/Decension

SUBMISSION GUIDELINES:

  • Works Accepted: Poetry, Essays, Recipes, Prayers, Practices, Visual Art  (ESSAYS + RECIPES WILL BE PRIORITIZED)

  • Format of submission: .DOCX (Poetry + Pose) or .PNG (Visual Art)

Submissions by historically marginalized artists will be prioritized, however, everyone is welcome to submit. Send submission to Martissa at martissa@letsgetnekkid.com 

_____

Ucross Residency Program

Ucross

DEADLINE: March 1, 2023 by 11:59pm MST

INFO: Since its founding in 1981 and first residency period in 1983, Ucross has grown into a vital and relevant resource for artists of all backgrounds and disciplines, who come to Ucross from all over the United States and the world. The uninterrupted time and space we offer is increasingly rare, and the connections built within our community are of great importance to artists. We are honored that our artist residency program plays a dynamic, invaluable role in the creative life of our country. 
 
Ucross strives to provide a respectful, comfortable, and productive environment, freeing artists from the pressures and distractions of daily life. Each year, we provide residencies to approximately 100 individuals. Residencies range from two weeks to six weeks in length. At any one time, there are up to ten individuals in residence, typically four writers, four visual artists, and two composers.
 
Ucross provides each artist with living accommodations, meals, work space, and uninterrupted time so that the artists can focus on their creative process. Lunch and dinners are prepared Monday to Friday by a professional chef with ample provisions on hand for breakfasts and weekends. Lunches are delivered to individual studios; group dinners take place at 6 p.m. Towels and all linens are provided, as is weekly housekeeping for bedrooms. There is cell phone service and wireless internet throughout residency facilities. Residents are responsible for providing their own working materials and for their travel to Sheridan, Wyoming.  There is no charge for a residency. 

The residency program is open to visual artists, writers, composers, choreographers, interdisciplinary artists, performance artists, and collaborative teams. Applicants must exhibit professional standing in their field; both established and emerging artists are encouraged to apply.

ucrossfoundation.org/residency-program.html

_____

Artist-In-Residency Program

Ma’s House & BIPOC Art Studio Inc.

DEADLINE: Rolling

FEE: $0

INFO: Ma’s House’s Artist-In-Residency program is open to US-based creatives of color working in any genre of visual art, creative writing, and performance arts. We encourage resident artists to pursue work that relates to Shinnecock’s history, the local landscape, community based work, and critical engagement in issues of diversity, race, and identity.

ELIGIBILITY: The Ma’s House Artist Residency is open to national and international BIPOC artists 21+ years of age. A variety of disciplines are accepted including, but not limited to: visual arts, media/new genre, performance, architecture, film/video, literature, interdisciplinary arts, and music composition. Solo artists or collaborative groups (up to three people) are welcome to apply. 

Applicants will be chosen based on project proposals, artistic merit, feasibility/logistics of the residency, and how the artist will benefit from working at Ma’s House and Shinnecock.

LOCATION: Ma’s House is located on the Shinnecock Indian Reservation in Southampton, NY (about two hours from NYC).

RESIDENCY LENGTH: Residencies will be scheduled by mutual agreement between accepted resident artists and Ma’s House year-round. Residencies can be a minimum of a weekend and a maximum of one month. Artists from federally recognized tribes may apply for up to six months.

RESIDENCY REQUIREMENTS: Residents will be required to participate in a minimum of one public program during their stay (open rehearsals, workshops, studio visits, lectures, or artist talks). Engaging with or researching Shinnecock artists, east-end artists, and local art institutions  is strongly recommended before arrival.

RESIDENCY COSTS:

  • There is no fee to apply or fee to attend. Residents will be responsible for their own groceries and meals.

  • Thanks to the Creatives Rebuild New York grant, we are grateful to offer $ 250.00 per week honorariums for visiting artists.

mashouse.studio/residency/

POETRY — JANUARY 2023

YADDO RETREAT

Yaddo

DEADLINE: January 5, 2023

INFO: Yaddo has been a haven for artists for a century. We’re committed to fostering an inclusive environment for individual artists, giving you the time, space and silence to create your best work. Our mission is to nurture the creative process at our 400-acre retreat in upstate, New York, protecting the essential privacy of artists and offering an opportunity to work without interruption in a supportive environment.

We offer residencies to professional creative artists from all nations and backgrounds working in one or more of the following disciplines: choreography, film, literature, musical composition, painting, performance, photography, printmaking, sculpture, and video. You may apply individually or as members of collaborative teams of up to three artists. Peer review is the keystone of our selection process, with different panelists each season. Residencies last from two weeks to two months and include room, board and a studio. There is no fee to come to Yaddo, and we have access grants to help offset the costs of attending a residency.

All artists are encouraged to apply! Generally, those who qualify for Yaddo residencies are either working at the professional level in their fields or are emerging artists whose work shows great professional promise. An abiding principle at Yaddo is that applications for residency are judged solely on the quality of the work. There are no publication, exhibition or performance requirements if granted a residency.

ELIGIBILITY: Artists in all disciplines who are enrolled in graduate or undergraduate programs, or are engaged in completing work toward an academic degree at the time of application, are not eligible to apply to Yaddo.

Artists may apply once every other calendar year. For example, if you applied in 2021 (January or August deadline), you will be eligible to apply again in either January or August of 2023.

REAPPLICATION: All artists seeking residency at Yaddo must submit a complete application, including recent work samples. The criterion for repeat visit requests is the same as for first visits – the quality of the artist’s work. However, preference is normally given to artists who have not recently visited Yaddo.

FEES: Yaddo’s nonrefundable application fee is $30, to which is added a fee for media uploads ranging from $5 to $10, depending on the discipline. Application fees must be paid by credit card. Applicants who might experience difficulty in paying the application fee are encouraged to contact our Program Department. Artists are responsible for the means to travel to and from Yaddo. However, we have access grants available to offset the costs of accepting an invitation to Yaddo.

LENGTH OF STAY: Residencies vary in length – the average stay is five weeks. The minimum stay is two weeks; the maximum is eight weeks.

FINANCIAL AID: Funds exist to provide limited financial aid to artists, based on need. Only individuals who have already been invited for visits may apply for financial assistance. Specific instructions and an application form are included with each letter of invitation.

ADMISSIONS PANEL: Applications are considered by five independent admissions committees in the artistic disciplines represented at Yaddo: Literature, Visual Art, Music Composition, Performance, and Film & Video. Membership in these committees rotates frequently and the members are artists whose work is recognized and esteemed by their peers. Collaborative applications are considered by appropriate cross-disciplinary panelists.

ARTISTIC DISCIPLINES:

Five admissions panels consider applications to Yaddo in the following disciplines:

  1. Literature, including fiction, nonfiction, poetry, drama, translation, librettos, and graphic novels.

  2. Visual Art, including painting, drawing, sculpture, printmaking, photography, mixed media, and installation art

  3. Music Composition, including instrumental forms, vocal forms, electronic music, music for film, and sound art

  4. Performance, including choreography, performance art, multi-media and/or collaborative works incorporating live performance

  5. Film & Video, including narrative, documentary and experimental films, animation, and screenplays

Applicants should apply to the Admissions Panel that best represents the project they wish to undertake should they be invited for a residency. Applicants may apply to only one admissions panel, and in one genre, at a time. Artists working in new disciplines or on projects that do not fit easily into the above disciplinary categories are encouraged to contact the Program Director about which category is most appropriate for their project.

COLLABORATIONS: Small groups (2 to 3 individuals) of artists wishing to work collaboratively are encouraged to apply. Each member of the group will need to submit an individual application under “Collaborative Teams.” Work samples should give a clear and precise representation of the nature of the collaboration, preferably via previous work the applicants have undertaken together as a collaborative team. Support personnel or interpretative artists, such as computer programmers, instrumentalists, set and lighting designers, and dancers, cannot be included in a residency as part of a collaborative team.

Artists who do not have a collaborative history but who wish to be in residence at the same time should apply to the admissions panel most closely connected to their individual artistic discipline, rather than Collaborative Teams. Concurrent dates of residence may be requested.

Specific questions should be directed to the Program Director before submitting an application.

REFERENCES: Artists are required to have one current reference on file for each application. Rather than a standard letter of recommendation, applicants must provide the name of a colleague who can answer two brief questions regarding artistic work and character. Jurors evaluating your application give more consideration to references from peers in your field. Yaddo does not accept letters of reference on paper or from Interfolio or other reference services. All references must come through SlideRoom.

yaddo.org/about-applying/

_____

CHAPBOOK CONTEST

Garden Party Collective

SUBMISSION PERIOD: January 8 - January 14, 2023

ENTRY FEE: $0

ABOUT US: Garden Party Collective is made of writers who want to create a space that treats publishing as an invitation. Not only do we want to support the growth and development of authors, but we aim to honor the process with collaboration in each stage—from seedling to germination to full bloom—and everything in between.

We hope to grow the party by inviting authors to join the Collective after their publication so they can nurture the future cohort of authors. As the Collective grows, we know some things will change, but collaboration and generosity will always be at our core.

For our chapbook contest, our three judges—Laura Villareal, Stephen Furlong, and Lyd Havens—will each be picking a winner. We're excited to bring three collections into print!

GUIDELINES: All submission entries should be accompanied by a 2-4 sentence bio and any relevant links in the body of the email. Please attach your chapbook manuscript as a pdf / doc / docx to gardenpartycollectivelit@gmail.com. Submissions are ONLY ACCEPTED on the designated submission days. One manuscript per person, please. Any entry received after the selected dates will not be considered for publication. We read every manuscript, and will have our picks for finalists within two months of submissions!

-Submissions must be ~20 pages min/~30 pages max (including ToC, Acknowledgements, etc)
-Acknowledgments page required for all previously published pieces
-Please start each piece on a new page
-Individual pieces may be previously published, but large portions of the manuscript cannot be already published
-Prose, poetry, and hybrid combinations are all welcome (in traditional or experimental styles)
-Please double-space all fiction and essays
-We’re open to collaborations, translation, reviews, art, and anything you can think of–surprise us!
-Please include your pronouns in your bio/submission so we can properly refer to you.

WHAT WE OFFER OUR AUTHORS:
-20 author copies (plus free copies of the other winning chaps for the year!)
-An initial print run of 125 copies, with additional print runs as needed
-Beautiful cover art! We'll work with you if you have someone in mind, or we'll find somebody wonderful together
-Expert printing & binding
-Online release of our winning chaps as free ebooks later in the year
-An invitation to feature at our Garden Party online reading
-Reviews & blurbs for your book from within our network
-Invitation to join the Garden Party Collective—lend your voice for picking new winners in future contests
-Winners will have extensive involvement regarding their cover art, interior design, and general editing, with plenty of guidance from our entire collective—let's grow your writing with lots of different perspectives!

gardenpartycollective.com/

_____

James Merrill Writer-in-Residence

James Merrill House

DEADLINE: January 9, 2023

APPLICATION FEE: $30

INFO: James Merrill House invites writers of all genres to apply for their Fall '23-Summer '24 residencies.

We have six residencies for 2023-24: September 2023 (4 weeks), October (4 weeks) November (4 weeks) February-mid March 2024 (6 weeks) April-mid May (6 weeks) August (4 weeks)

STIPEND: The Writer-in-Residence program includes a stipend of $1,100 per month, prorated according to the length of stay.

SELECTION CRITERIA:

Applicants must be:

  • A writer or scholar with a specific project of literary or academic merit who is committed to full-time residence in Stonington during his or her stay. We regret that the residency is not intended for completion of one’s dissertation. Genres accepted: poetry, fiction, non-fiction, plays.

  • A person willing to contribute to the community. It is expected that this will include a reading or a workshop for the community.

  • A person of integrity and responsibility who can be entrusted with the Merrill Apartment and its contents.

  • We welcome suggestions from applicants about ways in which our fellows might reinforce the community’s links to writing, poetry, and James Merrill’s legacy.

APPLICATIONS: We accept applications for the 2023-2024 residencies between October 1, 2022 and January 9, 2023 11:59 pm Eastern Standard Time. Decisions will be made by mid-March.

GUIDELINES:

A complete application includes the following documents:

  • A resume of four or fewer pages

  • A writing or work sample of ten or fewer pages

  • A statement of your plan of work while in Stonington CT

  • Two letters of reference

  • If applicable, a brief biographical sketch of a spouse or partner who would be residing in the apartment with you. Please note that due to the age and nature of the building we cannot accept pets and it may be difficult for a child to reside there. If you have a child that would need to reside with you during the residency please let us know. Also, please note that the apartment is located on the third floor and is only accessible by stairs.

  • The James Merrill House follows the State of Connecticut guidelines on the COVID-19 pandemic. 

  • A $30 application fee. Unfortunately, we do not allow fee exemptions.

jamesmerrillhouse.submittable.com/submit

_____

Discovery Poetry Contest: The Joan Leiman Jacobson Poetry Prizes

92NY

DEADLINE: January 13, 2023 at 5 pm ET

SUBMISSION FEE: $15

INFO: For over 70 years 92Y’s Discovery Contest has launched the careers of major poets. Four winners receive a reading at 92NY, publication in The Paris Review Dailya two-day residency at the ACE Hotel, roundtrip travel as needed and $500 each. 

This year’s preliminary judges are Timothy Donnelly and Omotara JamesKaveh AkbarTracie Morris and Simone White are final judges. 

ELIGIBILITY:

  • The contest is open to poets who have not published a full-length poetry collection.

  • Poets who have published chapbooks of less than 42 pages and in prints of less than 500 are eligible.

  • Poets who have self-published, have a book contract or who are awarded a book contract after submission are not eligible if the book is scheduled for publication before fall 2023. If you receive a book contract following submission, please withdraw your manuscript over Submittable or email.

  • Manuscripts by more than one author are not eligible.

  • Translations of another poet’s work are not eligible. All poems must be original and primarily in English.

MANUSCRIPT GUIDELINES:

  • Submissions must be no longer than ten pages, typed.

  • At least two of the poems must be a page or shorter. (You cannot submit five two page poems, two five page poems, etc.)

  • Do not submit multiple poems per page.

  • Poems that have been or will be published in periodicals or anthologies may be submitted; however, at least two of the submitted poems must be unpublished as of May 2023.

  • Personal identification cannot appear in the manuscript document in any form. Personal information includes:
    a) Your name anywhere in the manuscript document, including the text, headers, footers, file name or submission name.
    b) Copyright attributions for published poems included anywhere in the manuscript document such as in footnotes, footers, headers, etc. For information on how to send us this information, please see “How to Submit” below.

  • No contestant may submit more than one entry.

  • We cannot accept corrections after submission.

92ny.org/poetry/discovery-contest/guidelines 

_____

KUNDIMAN RETREAT

Kundiman

DEADLINE: January 15, 2023

FEES: $375 (Tuition Fee) + $25 (Application Fee)

INFO: In order to mentor and build community among Asian American writers, Kundiman sponsors an annual Retreat in partnership with Fordham University. During each Retreat, six nationally renowned Asian American poets and fiction writers conduct craft classes and mentorship meetings. Readings, writing circles, and informal social gatherings are also scheduled. Through this Retreat, Kundiman hopes to provide a safe and instructive environment that identifies and addresses the unique challenges faced by emerging Asian American writers. This five-day Retreat takes place from Wednesday to Sunday.

CRAFT CLASSES & MENTORSHIP MEETINGS: A nationally renowned Asian American writer facilitates each craft class. Fellows are assigned a home group for the duration of the retreat, and each home group takes one craft class with each faculty member in their genre. Craft classes will not exceed six students. The Kundiman Retreat is generative in nature and so craft classes are focused on new work that is written at the Retreat. Craft classes include a craft talk, readings and prompts / exercises to generate this new work. Poetry and fiction Fellows will receive 30 minute mentorship meetings where they can speak with a faculty member about craft, career, and the writing life. Our hope is that Fellows are able to forge a deeper relationship to their artistic process and are able to encounter their work with renewed focus and energy.  

LOCATION: The Kundiman Retreat is held at Fordham University's beautiful Rose Hill Campus located in the Bronx, NYC. If you have any questions about accessibility or if you need any accommodations, please email info@kundiman.org.

ELIGIBILITY: Anyone who self-identifies as Asian American can apply to the Retreat. 

FEES: The non-refundable tuition fee is $375. Thanks to the Fordham College at Rose Hill, room and board are provided free to accepted Fellows. We thank our generous donors for making the reduced rate possible in order to nurture the next generation of Asian American writers. The full cost for a Fellow to attend a Retreat would otherwise be $2500.

The application fee is $25.

LOGISTICS: It is expected that Fellows and faculty are in residence at Fordham University for the duration of the Retreat. We will ask that you not invite in outside visitors, or make plans to meet with visitors during the retreat. If you would like to explore New York City separate from the Retreat, please make plans to arrive in New York a few days before or after the Retreat to make arrangements for this. If you know that you will not be able to be in residence for the entirety of the Retreat, it is recommended that you select another year to attend.

Everyone in attendance will be required to be vaccinated and boosted to attend the Retreat, and to take a COVID test before arrival. Masks are required to be worn at all mandatory indoor events except when drinking or eating. Further guidance on COVID protocol will be provided to admitted Fellows at a later date.

APPLICATION PROCESS: Between December 1st and January 15th, apply to the Kundiman Retreat by clicking on one of the below buttons. Submit a cover letter and brief writing sample 5–7 pages of poetry or 5 pages of prose (1250 words max). Notification on application status will be given by mid-March.  

SCHOLARSHIPS: Due to the generosity of individuals, social justice organizations, and community giving circles, Kundiman is able to offer needs-based tuition scholarships for our summer retreat. See below for more information about the scholarship eligibility requirements. Scholarships are awarded after Fellows have been selected and notified; there is not a separate application process. If you are interested in donating a tuition scholarship, please contact Kundiman’s Development Associate Shan Rao at shan@kundiman.org.

  • PAWA Manuel and Penelope Flores Prize - PAWA's Manuel and Penelope Flores Prize Fund continues to provide annual scholarships to three Filipino American Kundiman Fellows to attend the retreat. For more information about Manuel G. Flores click here.

  • Queer Scholarship Fund - In an effort to support LGBTQIA+ Asian American writers, Kundiman is able to provide two tuition scholarships for two Fellows to attend the Annual Summer Retreat.

  • General Scholarship Fund - General scholarships are given, based on need and the funds available to us.

kundiman.org/retreat

_____

Saltonstall Residency

DEADLINE: January 15, 2023

INFO: Saltonstall offers free residencies to artists and writers who are current residents of New York State and/or one of the Indian Nations located therein. Our residencies are designed for those looking for a quiet, supportive environment in which to focus on their craft.

In 2019, we piloted a new program: a free six-night residency specifically for artist/writer parents with at least one dependent child under the age of 18 at home. This new residency was a huge success, and is now in its fourth year. We are not able to accommodate children, spouses, partners, or collaborators. This residency is designed for the artist/writer parent alone.

Our categories include:

  • Poetry

  • Fiction & Creative Nonfiction

  • Photography (film or digital) & Filmmaking

  • Painting | Sculpture | Visual Arts

Each residency session includes the same combination of five artists and writers: one poet, one fiction or creative nonfiction writer, one photographer or filmmaker, and two visual artists. These residencies are designed for individual artists and writers; we cannot accommodate collaborations or partners working together.

All residencies (incl. the six-night residency for artist/writer parents, the two-week, and four-week) function exactly the same way. Each group of five arrives and leaves together, and the application process for all residencies is also exactly the same.

2023 RESIDENCY DATES:

We are offering two residencies specifically for artist/writer parents:

  • Thursday – Thursday, June 1 – 8

  • Thursday – Thursday, October 19 –  26

(Please note: this residency is strictly for artist/writer parents who have at least one dependent child at home. The residency is designed to be a period of solitude and focus; as such, we ask that children and other family members remain home.)

Our four-week residencies:

  • Monday – Monday, June 12 – July 10

  • Monday – Monday, July 17 – August 14

Our three-week residency (new in 2023!):

  • Monday – Monday, August 21 – September 11

Our two-week residencies:

  • Thursday – Thursday, September 14 – 28 

  • Monday – Monday, October 2 – 16

Our one-week residency (new in 2023!): 

  • Monday – Monday, October 30 – November 6

Note: for our two-, three-, and four-week sessions, artists and writers will be expected to participate in an open house at the end of the residency.

AWARD: There is no cost associated with the residency and no cost to apply. Artists and writers who are awarded a residency are provided the following:

  • $100 per-week stipend + additional stipend support based on financial need. This will be new in 2023. We expect the upper threshold to be approximately $1,000 with priority given to those living below the median household income for their NYS County.

  • writers: a spacious private apartment with ample desk space

  • visual artists: a private apartment with adjoining studio space on the same level

  • photographers or filmmakers: a private apartment with ample desk space and a fully functional wet darkroom

  • all apartments have private baths and a patio or balcony

  • hearty chef-prepared vegetarian dinners (we always accommodate for allergies but cannot always accommodate very specific dietary sensitivities.)

  • groceries and a 24-hour accessible kitchen

  • washer and dryer in each building

Saltonstall is located eight miles outside Ithaca, NY in the heart of the beautiful Finger Lakes region.

The residency competition is statewide and is open to residents of New York State and/or the Indian Nations located therein. Residency alumni are eligible to re-apply two years after being accepted for a residency. (Ex. artists/writers who were in residence in 2021 are eligible to re-apply in 2023.)

saltonstall.org/residencies/juried-residencies/

_____

2022 PRINT CONTEST: fiction, nonfiction, poetry, and translation

Columbia Journal

DEADLINE: Extended to January 15, 2022

ENTRY FEE: $15

INFO: The Columbia Journal is delighted to announce that the 2022 Print Contest will accept submissions in fiction, nonfiction, poetry, and translation. Our judges this year are Jonathan Escoffery (fiction), Qian Julie Wang (nonfiction), Diana Khoi Nguyen (poetry), and Valzhyna Mort (translation). 

PRIZE: The four first place winners of the Print Contest will be published in print in Columbia Journal’s 61st issue in the summer of 2023 and will receive a $400 cash prize each. At least two additional finalists will be selected and announced for each genre. 

FEES: Entry to the 2022 Print Contest will be accepted via Submittable and requires a $15 entry fee, which helps subsidize the contest and our magazine at large.  

COMPLETE GUIDELINES:

  • The four winning artists will receive $400 and have their work published in Columbia Journal’s 61st issue, to be released in the summer of 2023. Some finalists may also be published in the issue or online.

  • One story per submission. Multiple submissions welcome. Submissions with more than one story per document cannot be considered.

  • Fiction and nonfiction submissions must not exceed 5,000 words. Poetry submissions must not exceed 5 pages, and must not exceed three poems.

  • The contest entrant’s name should not appear anywhere on the submitted file. In addition, because we share files electronically, it is the entrant’s responsibility to ensure other identifying notations, including references in the document’s properties and title, are not present.

  • Contest finalists are blind judged to select prize winners.

  • All work must be submitted through Submittable. We will not accept mailed or emailed submissions.

  • All work must be original and previously unpublished in any form.

  • Simultaneous submissions are allowed, but please inform us immediately if your work is accepted elsewhere.

  • Submissions may not be modified after entry. The Columbia Journal, however, reserves the right to suggest edits to the winning story as well as to finalists’ and semi-finalists’ work that they are interested in publishing.

  • Contest entrants cannot have studied or taught at the Columbia University Writing Program at any time in the past three years.

  • If you have questions, please email us at publisher.columbia@gmail.com. 

ABOUT OUR JUDGES:

FICTION: Jonathan Escoffery

Jonathan Escoffery’s debut story collection, If I Survive You, which was long-listed for the National Book Award and the Andrew Carnegie Medal for Excellence, and is a finalist for the Southern Book Prize and a Golden Poppy Award. Jonathan also is the winner of The Paris Review’s 2020 Plimpton Prize for Fiction and is the recipient of a 2020 National Endowment for the Arts (Prose) Literature Fellowship. His stories have appeared in The Paris Review, Oprah Daily, Electric Literature, Zyzzyva, AGNI, Pleiades, American Short Fiction, Prairie Schooner, Passages North, and elsewhere. Jonathan has taught creative writing and seminars on the writer’s life at Stanford University, the University of Minnesota, the Center for Fiction, Tin House, The Work Room, The Porch, and at GrubStreet in Boston. He is a graduate of the University of Minnesota’s Creative Writing MFA Program (Fiction) and attends the University of Southern California’s Ph.D. in Creative Writing and Literature Program as a Provost Fellow. He is a 2021-2023 Wallace Stegner Fellow at Stanford University.

NONFICTION: Qian Julie Wang

Qian Julie Wang is The New York Times bestselling author of Beautiful Country and a civil rights litigator. A graduate of Yale Law School and Swarthmore College, Qian Julie is managing partner of Gottlieb & Wang LLP, a firm dedicated to advancing education, disability, and civil rights on behalf of marginalized communities. Her writing has been published in The New York Times, The Washington Post, Elle, Harper’s Bazaar, and The Cut, and she has appeared on the TODAY Show, MSNBC, and NPR. She lives in Brooklyn with her husband and their two rescue dogs, Salty and Peppers.

POETRY: Diana Khoi Nguyen 

A poet and multimedia artist, Diana Khoi Nguyen is the author of Ghost Of (2018) and recipient of a 2021 fellowship from the National Endowment for the Arts. In addition to winning the 92Y Discovery Poetry Contest, 2019 Kate Tufts Discovery Award, and Colorado Book Award, she was also a finalist for the National Book Award and Los Angeles Times Book Prize. A Kundiman fellow, she is core faculty in the Randolph College Low-Residency MFA and an assistant professor at the University of Pittsburgh. In the spring of 2022, she was an artist-in-residence at Brown University.

TRANSLATION: Valzhyna Mort

Valzhyna Mort is a poet and translator born in Minsk, Belarus. She is the author of three poetry collections, Factory of Tears (2008), Collected Body (2011) and, most recently, Music for the Dead and Resurrected (2020), named one of the best poetry book of 2020 by the New York Times and NPR, and the winner of the 2020 International Griffin Poetry Prize and the 2022 UNT Rilke Prize. Mort is a recipient of fellowships from the Guggenheim Foundation, the American Academy in Rome, the Lannan Foundation, and the Amy Clampitt Foundation. Her essays and poetry have appeared in The Best American Poetry, The New Yorker, The New York Times, The Financial Times, Poetry, Poetry Review, Granta, The White Review, The Baffler, and many more. Mort teaches at Cornell University and writes in English and Belarusian. She translates between English, Belarusian, Russian, Ukrainian, and Polish. She has received the Gulf Coast Prize in Translation and the National Endowment for the Arts grant in translation for her work on Polina Barskova’s book of selected poems, Air Raid (2021). Valzhyna Mort’s Belarusian books are Я тоненькая як твае вейкі (2005), Эпідэмія Ружаў (2017), and Песні Для Мёртвых і Ўваскрэслых (2022).

columbiajournal.org/2022-columbia-journal-print-contest/

_____

2023 Emerging Artist Residency - For MN & NYC Artists

Anderson Center at Tower View

DEADLINE: January 16, 2023

APPLICATION FEE: $0

INFO: The Anderson Center’s Emerging Artist Residency Program offers month-long residency-fellowships at Tower View to a cohort of early-career artists from Minnesota or one of the five boroughs of New York City for concentrated, uninterrupted creative time to advance their personal artistic goals and projects.

The Anderson Center’s Emerging Artist Residency is an ideal fit for early-career artists in need of focused time and dedicated space in an inspiring residency work environment that empowers them take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

Thanks to generous support from the Jerome Foundation, selected emerging artists receive a $625/week artist stipend, documentation support, art-making resources, lodging & studio space, a travel honorarium, groceries, and chef-prepared communal dinners.

The Anderson Center is an artist community founded in 1995 on the Tower View estate, a venerable research-and-development lab for the arts rooted in an expansive natural setting in rural Red Wing, MN (approximately 1-hour outside the Twin Cities metro).

The Anderson Center’s Emerging Artist Residency is geared toward generative art making, as well as exchange across an interdisciplinary cohort. The program is well suited for vocational early-career artists in pursuit of time, space, and resources to truly commit to a project and explore new creative territories. Critiques, studio visits, and formal professional development are not offered.

The Anderson Center seeks to support emerging writers and artists with an uncompromising drive to create new work at Tower View in August 2023 that demonstrates significant potential for cultural and community impact, is technically accomplished, and engages diverse communities. The organization also believes that the environment and resources of Tower View, along with an exchange of ideas between artists working across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work emerging artists create while in residence.

DEFINITION OF “EMERGING ARTIST”: While the Anderson Center’s general Artist Residency Program hosts artists with a wide range of talent and experience, its Emerging Artist Residency Program exclusively focuses on meeting the specific needs of artists who are in the early stages of their artistic development and career.
The Anderson Center’s goal is to support artists early in their careers who create work that is and/or has the potential to be:

  • Compelling—offering distinctive vision and authentic voice;

  • Deeply considered, imaginative, and executed with attention to craft and with technical proficiency, providing artistic experiences that communicate unique perspective/s, and invite viewers to question, discover, explore new ideas in new ways;

  • Innovative and risk-taking—engaging, questioning, challenging or re-imagining conventional artistic forms.

The Anderson Center defines an emerging artist as someone in the early stages of their creative development with 2-10 years of generative experience, and:

  • have a focused direction and goals, even while still developing their artistic “voice”

  • have yet to be substantially celebrated within their field, the media, funding circles or the public at large

  • are vocational (as opposed to avocational, academic, amateur or educational) artists

Artists who have been in the field for longer than 10 years (excluding any time in a degree-granting program; as a dancer in work created by others; remounting the work of other choreographers; or time away from working as an artist due to circumstances–e.g., having children, caring for family members, long-term illness, etc.) are generally not eligible, even if they feel under-recognized. Age is not a factor in determining emerging artist status.

ELIGIBILITY GUIDELINES:
The four primary eligibility guidelines for the Anderson Center’s Emerging Artist Residency are:

  1. Legal residency in the State of Minnesota or one of the five boroughs of New York City.

  2. Not enrolled in any degree-granting program from time of application through residency period.

  3. Self-identification as an “emerging artist” with 2-10 years of generative experience in the field

  4. An artistic practice centered in generating and creating entirely new work.

Minnesota or New York City artists - Artists must currently be legal residents of Minnesota or one of the five boroughs of New York City and have been residents for at least one year prior to the submission of an application. Artist did (or will) file US federal taxes as a resident of Minnesota or New York City. Account address in Submittable must be within MN or NYC. Selected artists will be required to provide proof of Minnesota or New York City residency before a residency is formally offered. Artists must have a US Social Security Number or US Tax ID.

No students - Students enrolled in any degree-granting program from the time of application through the residency period are not eligible to apply for an Emerging Artist Residency at the Anderson Center (this includes any and all K-12, technical school, college, graduate, postgraduate, ABD studies). There are no exceptions to this eligibility criterion. If an artist is pursuing a degree-granting program in some form, they are not eligible. Please do not contact Anderson Center staff regarding technical situations or special edge cases around student status. This program supports vocational artists, not students. No matter the specifics or details, if an artist can be considered a student of a degree-granting program in any way, they are simply not eligible.

“Emerging Artist” Status – Eligible artists self-identify as an “emerging artist” and are in the early stages of their creative development with 2-10 years of generative experience. The Anderson Center’s goal is to serve a spectrum of artists typically in their 2nd to 10th year of creative practice, post-student status (if applicable). This spectrum is framed by artists with some track record of creating and presenting full work (not beginning artists), and artists who are NOT at a point in their careers where they receive consistent development and production opportunities and significant recognition, awards, and acclaim (not mid-career or established artists).

Artists who have been in the field for longer than 10 years (excluding any time in a degree-granting program; as a dancer in work created by others; remounting the work of other choreographers; or time away from working as an artist due to circumstances–e.g., having children, caring for family members, long-term illness, etc.) are generally not eligible, even if they feel under-recognized.

Age is not a determining factor. Career stage is assessed by the cumulative number of years an artist has been generating their own work. Mid-career or established artists shifting from one artistic discipline to another will not be considered early career. For example, a composer with a substantial career in music who is now moving into film will not be considered early career.

The Anderson Center has defined the 2–10 year span recognizing that some artists may experience enormous success and move past early career status well before their 5th year or 10th year. The organization recognizes that the number of opportunities afforded to artists may differ significantly based on discipline, race/ethnicity, class, gender, physical ability, and geography among other factors. Consequently, some artists may be past their 10th year and still be on the spectrum of early career status due to taking time out of active artistic practice for school or other circumstances. The Anderson Center understands that the lack of an absolute or rigid definition leaves room for interpretation, but embraces this flexibility out of our value around diversity and in recognition of the many variables that impact artists’ careers.

New Work – Eligible artists are generating and creating entirely new work (rather than interpreting, translating, arranging, copying, remounting pre-existing work or the work of others). Generative artists are those who conceive and create new original work (e.g., choreographers, composers, playwrights and devisers, filmmakers, writers, visual artists, etc.). This program does not support artists who solely perform or develop/produce the work of others (e.g., dancers, musicians, actors, editors, journalists, etc.).

Collaboratives - Artists that are part of an artistic collective, partnership, or collaborative are welcome to apply, but collaborative residencies are also rare. The program is extremely competitive, and space is simply limited. Each artist must also complete their own application form. Obviously, each application will repeat things and have much overlap. That is OK. In the work plan for in each application, highlight that artist's contribution / skills, while making clear the collaborative nature of the project.

Notes - Artists of all disciplines are eligible and are encouraged to apply. Applications must be submitted through the Anderson Center’s online webform via Submittable.

Please direct any questions regarding emerging artist status and eligibility requirements to Adam Wiltgen, Anderson Center at Tower View Program Director at: adam@andersoncenter.org.

APPLICATION: A completed application form includes a brief artist statement, a work plan, an emerging artist statement, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your current and future work.

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.

The Work Plan is a one page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.

An Emerging Artist Statement addresses, in 250 words or less, your status as an emerging artist or early-career artist. How would participating in this program impact or advance your practice as an emerging artist? In what ways would this program meet your needs as an emerging artist? Why is this residency important to this stage of your career path? How do you identify as an emerging artist? 

Community Engagement Statement is a chance for you to address, in 200 words or less, any interests, goals, or connections that may help staff in developing your engagement activity with community members in Red Wing. What sort of mutually beneficial exchange would both advance your practice and be meaningful for local participants? We are not asking for any concrete plans here, just some general ideas for us to consider.

Work Samples should be of recent work and should include:

· For composers and musicians: 3 to 5 recordings
· For visual artists: At least 5 images of work (300 dpi or larger)
· For nonfiction and fiction writers: 10 pages of double-spaced prose
· For playwrights & screenwriters: 10-page excerpt (does not need to be from the beginning)
· For poets: 10 pages of poetry
· For translators: 10 pages of translation and original text
· For performance artists: 3 short videos excerpts of performances (no videos longer than 5 minutes)
· For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)
· For Scholars: 10 pages of work, including research abstracts and relevant diagrams

DURATION OF RESIDENCY
The Anderson Center’s Emerging Artist Residency Program is a 4-week residency-fellowship the month of August 2023. Selected artists must commit to arriving on August 1 and departing on August 30. August is the only month the program takes place.

PROGRAM DETAILS
Each artist-in-residence receives:
· $625/week artist stipend
· Travel honorarium ($550 for New Yorkers and $150 for Minnesotans)
· $450 documentation budget (services for photography, video, audio, etc.)
Evening dinners are prepared and presented by the Anderson Center chef Monday through Friday. The chef also shops for meal items for artist residents, and residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There are also housekeepers who clean and maintain the historic facilities.

ACCOMMODATIONS
Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists are provided a 15' x 26' studio and are responsible for supplying their own materials.  Other workspaces on site include a cone 10 gas kiln and electric kilns, an open-air metalsmith facility, a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.

COMMUNITY ENGAGEMENT
The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.

Within the last few years, Anderson Center residents have connected with 12 schools in five area communities (ranging from elementary through college), 5 senior centers, 2 correctional or detention facilities, 7 community organizations serving children and families, and 8 community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.

PROGRAM MISSION & VALUES
The mission of the Anderson Center is to, in the unique and historic setting of Tower View, offer residencies in the arts, sciences, and humanities; provide a dynamic environment for the exchange of ideas; encourage the pursuit of creative and scholarly endeavors; and serve as a forum for significant contributions to society.

The Anderson Center Residency Program was set-up by a working poet to support other artists and continues to function by those with hands-on experience in the creative process. The organization seeks out feedback from residents each month in order to implement necessary changes as it works toward continual improvement of the program. Most importantly, staff trust artists to know what they need most to advance their individual practices. The Center does not dictate specific outcomes or arrange regular structured activities. Instead, the expectation is that the gift of time and space will generate significant advancements in residents' work. The Anderson Center trusts the artists to best use their time to benefit their own work and reach their own goals.

Since 2014 the Anderson Center has offered such month-long residencies in alternating years to small groups of Deaf artists, including poets, fiction writers, and nonfiction writers, whose native or adoptive language is American Sign Language (ASL). Supported by the National Endowment for the Arts, the Anderson Center's Deaf Artists Residency is the only program in the country that is Deaf-centric. It was developed with the goal of contributing to the creation of a local and national network of Deaf culture-creators.

The Center also engages in artist exchange programs with the city of Salzburg, Austria, and with Red Wing's Sister City, Quzhou, China. The Center participates in annual scholarship programs with the MFA  programs at The University of Minnesota and Pacific Lutheran University in Washington.

As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.

VACCINATION POLICY
Prior to arrival, all artists are sent a revised Residency Handbook outline many items related to daily life for artists-in-residence, including the most current safety policies and protocols. The organization's goal is to balance standard pandemic policies and clear expectations while also highlighting areas where communication or flexibility within each cohort might be beneficial or needed. Again, the Anderson Center Residency Program trusts that artists know what they need most to advance their individual practices and how best to use their time to benefit their own work and reach their own goals. Likewise, artists are empowered to collectively make changes where appropriate and ultimately build the artist community they'd like to see.

At the same time, and as is outlined in the Residency Handbook, the Anderson Center is committed to supporting artists by creating a safe space for their residency experience. As such, for the 2023 season, the organization requires all participating artists to provide proof of up-to-date COVID-19 vaccination prior to arrival.

Of course even with all of these precautions, by simply participating in an artist residency program, there is an inherent risk of exposure, even for vaccinated persons, that is beyond the ability of the Anderson Center to control entirely. By applying to this program you are communicating that you are comfortable with that risk and that you are also up-to-date on your COVID vaccinations (or will be prior to arrival).

SELECTION TIMELINE
January 16, 2023 (12:00 p.m. Noon CST) – application deadline
February 3, 2023 – Jury has selected Round 2 applications. All artists are notified of the status of their application.
February 20, 2023 – Jury has determined finalists. Phone interviews with finalists begin.  
March 2, 2023 – Final notification to selected artists, wait-list and runners-up

SELECTION CRITERIA Selection criteria include (in order of importance):
1) Artistic excellence as demonstrated by work samples, resume and artist statement
2) Potential benefit and impact on career as demonstrated by work plan and emerging artist statement
3) Balance of artistic disciplines, identity, geography, etc within selected cohort

EQUAL OPPORTUNITY
The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.

theandersoncenter.submittable.com/submit/237467/2023-emerging-artist-residency-for-mn-nyc-artists

_____

2023 Anderson Center Residency

Anderson Center at Tower View

DEADLINE: January 16, 2023

APPLICATION FEE: $20

INFO: The Anderson Center, founded in 1995 on the Tower View estate in rural Red Wing, Minn., has renovated and restored historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden.

The Anderson Center at Tower View's flagship artist residency program enables artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment to create, advance, or complete work. In addition to community engagement activities through the artist residency program, the organization has a strong history of helping integrate the arts into community life through local partnerships, hosting annual arts events and participating in other community-based initiatives.

ELIGIBILITY: The Residency Program is open to emerging, mid-career, and established visual artists, writers, composers, choreographers, multidisciplinary artists, musicians, performance artists, scholars, and translators from across the globe. The program is interdisciplinary and the organization welcomes applications from a wide range of creative and intellectual genres, including those that don't fit neatly into the above list.

To be considered, artists must submit an application through the Anderson Center’s online form via Submittable. Complete program details are below. Please contact Adam Wiltgen at 651-388-2009 x4 or adam@andersoncenter.org for any questions.

DURATION OF RESIDENCY: For the 2023 season, the Anderson Center is offering month-long residencies in July, September, and October with rare exceptions made for two-week stays. Additionally, a 2-week session is also taking place the first half of November 2023. In general, there is a 48-hour turnover between residencies to allow time for housekeeping. Specific start and end dates are listed in the application form. Please plan your requested residency dates carefully and provide as much detail as possible regarding your availability.

The Anderson Center is not offering residencies in May or June of 2023 as restoration work and improvements are being completed on the Historic Tower View Residence. August 2023 residencies are reserved for the organization’s Emerging Artist Residency-Fellowship Program.

2023 SCHEDULING & AVAILABILITY: With construction work happening on the residency house in May and June, the 2023 season is running from July through the first half of November. This truncated schedule, coupled with other fellowships, exchanges, and deferrals, has resulted in less availability than would be offered during organization’s regular full May – October season.

Available spots in 2023 for artists submitting materials for this General Residency program opportunity (as of 9/2022):

  • July 2023 - Three 4-week spots; space for 3 – 5 artists depending on duration

  • September 2023 - Three 4-week spots; space for 3 – 5 artists depending on duration

  • October 2023 - Two 4-week spots; space for 2 artists each staying the entire month

  • November 2023 – Four 2-week spots; space for four artists each staying two weeks

Please keep in mind the organization gives preference to 4-week residencies. While flexibility is possible, in general, no more than two spots (4 artists) would be scheduled for 2-week residencies in a given month. Again, ideally all residencies outside of November 2023 would be 4-weeks in duration. In practical terms across the season, there is space available for eight 4-week residencies (and the four 2-week residencies in November) or at least four 4-week residencies and up to twelve 2-week residencies.

Due to the competitiveness of the program, the organization's goal is to be upfront and transparent about the availability for the General Residency program in 2023 in an effort to help you make a decision about whether this year is the best time to submit an application. Please contact us if you have any questions or need further clarification here.

LOCATION: The Anderson Center campus is located on the 350-acre historic Tower View Estate, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing.

The Center is approximately 45 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.
The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River.

The town is settled on the ancestral homelands of the Mdewakanton & Wahpakute bands of the Dakota people. The City of Red Wing is named after Tatanka Mani (Walking Buffalo), a leader of the Mdewakanton Dakota in the upper Mississippi Valley who wore a ceremonial swan’s wing dyed in brilliant red. In 1815, Tatanka Mani and his people moved their village south to a place they called Khemnichan (Hill, Wood, & Water) in present-day downtown Red Wing. Euro-American immigrants who met him as they advanced into the region in the early nineteenth century came to know him and his village as “Red Wing.”

Since its settlement and eventual incorporation in 1857, Red Wing established itself as a center for agriculture, industry, tourism, medical care, technology, and the arts. The Red Wing Shoe Company and its iconic brands, in particular, continue to have a significant impact on the community’s economic, business, and community development climates. Natural resources abound with Red Wing's riverfront, winding paths through the majestic bluffs, bike trails, and 35 city parks. The Prairie Island Indian Community is located northwest of the city. Frontenac State Park is to the southeast on Lake Pepin. Minnesota State College Southeast Technical’s Red Wing campus is known for its string and brass instrument repair programs. The MN Dept. of Corrections also operates a large juvenile residential facility in Red Wing.

Other amenities include a destination bakery, a chocolate shop, coffee shops, restaurants, the flagship Red Wing Shoe Company store, Goodhue County Historical Society Museum, the Red Wing Stoneware & Pottery store, the Pottery Museum of Red Wing, a Duluth Trading store, the Red Wing Marine Museum, a Target, several pharmacies, a plant nursery & garden center, a Mayo Health System Hospital, a small independent bookstore, and a public library.

Other key community stakeholders include the historic Sheldon Theatre, the Red Wing Arts Association, Red Wing YMCA, Red Wing Youth Outreach, Hispanic Outreach of Goodhue County, Red Wing Area Friends of Immigrants, Red Wing Area Women’s Network, Live Healthy Red Wing, Artreach, Red Wing Artisan Collective, the Artist Sanctuary, Pier 55 Red Wing Area Seniors, Big Turn Music Festival, Red Wing AAUW, Red Wing Environmental Learning Center, Red Wing Girl Scouts, Red Wing Public Schools, Tower View Alternative School, and Universal Music Center, as well as several City boards, commissions, and departments.

APPLICATION: A completed application form includes a brief artist statement, a work plan, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your current and future work.

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.

The Work Plan is a one-page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.

Community Engagement Statement is a chance for you to address, in 200 words or less, any interests, goals, or connections that may help staff in developing your engagement activity with community members in Red Wing. What sort of mutually beneficial exchange would both advance your practice and be meaningful for local participants? We are not asking for any concrete plans here, just some general ideas for us to consider.

Work Samples should be of recent work and should include:

  • For composers and musicians: 3 to 5 recordings

  • For visual artists: At least 5 images of work (300 dpi or larger)

  • For nonfiction and fiction writers: 10 pages of double-spaced prose

  • For playwrights & screenwriters: 10-page excerpt (does not need to be from the beginning)

  • For poets: 10 pages of poetry

  • For translators: 10 pages of translation and original text

  • For performance artists: 3 short videos excerpts of performances (no videos longer than 5 minutes)

  • For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)

  • For Scholars: 10 pages of work, including research abstracts and relevant diagrams

ACCOMMODATIONS: Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists will be provided a 15' x 26' studio and are responsible for supplying their own materials. Other workspaces on-site include a cone 10 gas kiln and electric kilns, an open-air metalsmith facility, a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano. 

Dinners are prepared and presented by the Anderson Center chef Monday through Friday. This chef also shops for groceries for artists-in-residence. Residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There are also housekeepers who clean and maintain the historic facilities.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.

COMMUNITY ENGAGEMENT: The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities. 

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place. 

Within the last few years, Anderson Center residents have connected with 12 schools in five area communities (ranging from elementary through college), 5 senior centers, 2 correctional or detention facilities, 7 community organizations serving children and families, and 8 community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.

theandersoncenter.submittable.com/submit/237200/2023-anderson-center-residency

_____

2023 WRITER'S RETREAT FOR EMERGING LGBTQ VOICES

Lambda Literary

DEADLINE: January 18, 2022

APPLICATION FEE: $25

INFO: Applications to attend the 2023 Writer's Retreat for Emerging LGBTQ Voices open on November 30, 2022 and close at 11:59 pm EST on Wednesday, January 18, 2022. You may apply to more than one workshop, however, each application must be submitted separately and requires an additional fee.

The application fee for each application is $25.00. We are offering a number of application fee waivers for the QTBIPOC** (Queer and Trans folks who are Black, Indigenous, and Persons of Color) members of our community applying for a fellowship (excluding Writers in Residence). Please email retreat@lambdaliterary.org with your eligibility to request an application fee waiver.

WRITERS IN RESIDENCE: Writers in Residence is a program within The Retreat specifically for Retreat Alumni. There are seven spots open for Writers in Residence in 2023 to study within the seven genres we offer. Please only apply to be a Writers in Residence if you are a former Retreat Attendee.

Writers in Residences will be able to attend daily workshops within one of our seven genre-specific cohorts, but will not have their manuscript workshopped within the cohort. Writers in Residence, will, however, be given a one-on-one with the faculty member leading the genre you apply to.

For example, the Writer in Residence for the Nonfiction cohort with Meredith Talusan will be able to attend 5 days of nonfiction workshops, and will have a one-on-one with Meredith to workshop and critique their piece of writing.

There will be one Writer in Residence chosen per in-person genre for a total of seven spots available for Writer's in Residence in 2023 in-person.

We are also giving Writers in Residence the option to be a part of a panel during the retreat, Life After Lambda, to share with current fellows their experiences as an alumni of The Retreat.

In-Person Retreat Dates and Location

The 2023 Writer's Retreat will be held from July 30-August 5, 2023, at Chestnut Hill College in Philadelphia, Pennsylvania.

Virtual Retreat Option

Lambda Literary is excited to announce its all-new Multi-Genre Virtual Cohort, a completely virtual option to attend The Retreat for Emerging LGBTQ Voices. Like our in-person workshops, this cross-genre cohort will serve twelve writers. The group will be led by a talented multidisciplinary faculty member with experience in a multitude of different forms, genres, and approaches. This cohort’s daily workshops will take place fully online all week, with the opportunity to virtually attend all other panels, craft talks, and nightly readings held during the week of The Retreat.

As we work to confirm our Multi-Genre Virtual Cohort faculty member, we will adhere to the same high standards we always have when inviting an instructor to lead at The Retreat, We will be releasing the application with the option to choose “Virtual Cohort”, and we will notify our community once we have the faculty member on board. This will be a wonderful opportunity for writers looking to work in multiple genres. Writers of all genres represented at The Retreat are encouraged to apply to the Virtual Cohort.

Tuition & Scholarships

Writer's Retreat tuition is $1,875. Lambda Literary has a host of full and partial scholarships that are available for accepted applicants. Ability to pay is in no way part of the decision-making process. The $25.00 application fee is processed through Submittable's online portal. If you wish to pay by cash or check please contact retreat@lambdaliterary.org.

Application Status Notifications

Writer's Retreat Faculty make the final determinations regarding accepted and waitlisted applicants. All applicants will be notified of their application status in March 2023.

Refund Policy

The $25.00 Writer's Retreat application fee is nonrefundable.

Covid-19 Policy

Lambda Literary will monitor infection rates, health care system capacity, variants, and state and local regulations. If any changes, spikes, or other information deems necessary to switch back to all-virtual programming, we will make the call to do so. Find our full Covid-19 safety policy on our website.

Accessibility Strategy for In-Person Retreat

Chestnut Hill is a very small campus, find their map here. The workshops, readings, and panels will take place in building 1, Fornier hall, which is the bulk of where fellows will be spending their days. Fellows will be staying overnight in building 4, Fitzsimmons hall, where all dorm rooms are air conditioned. The map doesn’t have distance on it, but Fitzsimmons hall is about .1 mile to Fornier hall.

The school has a variety of physical accessibility supports built in such as elevators in the dorm, ramps and lifts throughout for wheelchair users, and hand railings on all other steps. Outside of the dorms, our meeting rooms are all situated on the first floor, but there is elevator access throughout Fornier hall as well. All of the classrooms, larger meeting spaces, and dining hall are in close proximity inside Fonier hall. Bathrooms in the dorms and Fournier Hall are accessible for those with wheelchairs as well.

lambdaliteraryawards.submittable.com/submit/28c61fbc-eadc-43b5-97d2-6afbd2511ddb/2023-writers-retreat-for-emerging-lgbtq-voices-application

_____

WURLITZER FOUNDATION RESIDENCY

Helene Wurlitzer Foundation

DEADLINE: January 18, 2023

APPLICATION FEE: $30

INFO: The Helene Wurlitzer Foundation of New Mexico (HWF) is a private, 501(c)(3) non-profit, educational and charitable organization committed to supporting the arts. Founded in 1954, the HWF manages one of the oldest artist residency programs in the USA and is located on fifteen acres in the heart of Taos, New Mexico, a multicultural community renowned for its popularity with artists.

The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven artist casitas, or guest houses, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.

The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.

Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.

Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.

GUIDELINES:

  • Literary artists may upload writing samples in .pdf format using the application form above. Alternatively, literary artists may choose to mail hard-copies. Include a cover sheet containing your contact info and table of contents, but please omit names and contact info on the writing samples themselves.

  • Writers: samples should not exceed 35 double-spaced pages

  • Poets: a maximum of six poems.

  • Playwrights: include one complete play.

  • Screenwriters: include one complete screenplay.

Digital work samples are accepted and encouraged for applications from visual artists and composers. Applicants should prepare to submit five work sample files when filling out the online application form. Acceptable file types for images include jpg, gif and png. Accepted types for audio files are mp3 and m4a.

Filmmakers must mail a DVD or USB-drive containing up to 30 minutes of video which represents no more than five different samples of your work.

wurlitzerfoundation.org/apply

_____

ANTHOLOGY OPEN CALL

Nekkid

DEADLINE: January 20, 2023

INFO: Nekkid, an online platform providing programming and resources for creating a radically free world through self-transformation, has announced an open call for an anthology titled and themed “Love Notes for Revolution.”

At this time on the planet where we are hurdling ourselves toward climate catastrophe, deeper social division, and violence, the importance of hope as a discipline is self-evident.

The anthology will be a collection of brilliant minds sharing their visions, critiques, and hopes in nurturing us on the journey of creating a new world characterized by cooperation, pleasure, and joy.

The anthology will include poems, essays, recipes, practices, and meditations from a multitude of disciplines on the dreams had, skills needed, and hardships faced on the journey to create a more aligned, sustainable, and liberated world.

SUGGESTED TOPICS INCLUDE:

  • Abolition + Justice

  • Birth + Parenting

  • Land Stewardship + Earth Connection

  • Death + Grief

  • Love + Spirit

  • Movement + Nourishment

  • Sex + Pleasure

  • Rest + Undressing Capitalism

  • Psychedelics + Acension/Decension

GUIDELINES:

  • Works Accepted: Poetry, Essays, Recipes, Prayers, Practices, Visual Art

  • Format of submission: .DOCX (Poetry + Pose) or .PNG (Visual Art)

Submissions by historically marginalized artist will be prioritized, however, everyone is welcome to submit. Send submission to Martissa at martissa@letsgetnekkid.com by January 20, 2023.

letsgetnekkid.com

_____

2023 LEGACY AWARD

Hurston/Wright Foundation 

DEADLINE: January 21, 2023

INFO: Submissions must be in PDF form. Do not mail hard copies of books to the Hurston/Wright Foundation.

ELIGIBILITY:

  • The Hurston/Wright Legacy Awards are open to Black writers in America and across the globe.

  • Full-length books of fiction, nonfiction, and poetry for adult audiences. We have added a distinct category for speculative fiction which can include young adult novels.

  • Books must be published in the United States.

  • Books can be self-published by the author, published by a publishing house or small press.

  • Books considered for the 2023 Legacy Awards must have been published in 2022. No exceptions.

  • U.S. editions of foreign books published for the first time in the United States are acceptable.

  • An English translation of a book originally written in another language is acceptable. The translator need not be a Black author.

  • Submissions must be in PDF form. We are not accepting hard copies of books for this award year.

  • Previous Legacy Award winners and nominees and college writing awardees may submit for consideration.

INELIGIBLE SUBMISSIONS:

  • Books written by more than one author.

  • Poetry books with fewer than 50 pages.

  • Retrospectives or collections of previously published work.

  • E-books

  • Reprints of books published in a previous year.

  • Books by board members and staff of the Hurston/Wright Foundation and their family members.

  • Books by a judge for that year’s competition or a family member of the judge.

  • Photography books, cookbooks and travel books, genre fiction other than speculative fiction (such as commercial, romance and mystery works) and children’s books.

JUDGING:

A panel of previous Legacy Award honorees will judge submissions in each genre. ​ The categories are as follows:

  • Fiction: Novel, Novella, or Short-Story Collection

  • Speculative Fiction: Novel, Novella, or Short-Story Collection

  • Nonfiction: Autobiography, Memoir, Biography, History, Social Issues, Literary Criticism

  • Poetry: Books In Verse, Prose Poetry, Formal Verse, Experimental Verse.

More than 100 books are submitted for the competition, but the number of entries vary from year to year. Hurston/Wright staff review incoming submissions to ensure they meet the qualifications as outlined. Books that do not meet the criteria are not sent to the judges. Staff reserves the right to adjust the category of a submission as necessary. Submitters will be notified of any change in submission category.

REQUIREMENTS:

  • Include with each application a $50 nonrefundable submission fee. One application and fee per title. All payments must be made through Submittable at the time of submitting the book in PDF form.

  • The Hurston/Wright Foundation reserves the right to inquire about potential submissions, but does so to ensure that Black authors who receive major reviews or appear on best-seller lists are included. No inquiries will be made after the submission deadline closes.

  • The submission period opens October 28, 2022 and closes on January 21, 2023.

  • Nominations are announced in August.  Winners & finalists are announced at the annual Hurston/Wright Legacy Award Ceremony in October.

  • The author of a Legacy nominated book or a representative is expected to attend the awards ceremony.

hurstonwright.org/book-submissions/

_____

NYSCA/NYFA Artist Fellowship

DEADLINE: January 25, 2023 at 5pm EST

INFO: The NYSCA/NYFA Artist Fellowship is a $8,000 unrestricted cash grant available to artists living in New York State and/or one of the Indian Nations located therein.

This grant is awarded in fifteen different disciplines over a three-year period (five categories a year) and the application is free to complete. The NYSCA/NYFA Artist Fellowship is not a project grant, but is intended to fund an artist’s vision or voice, at all levels of their artistic development.

2023 AWARD CYCLE:

Applications for the 2022-23 award cycle will open on Tuesday, October 25. The following categories will be reviewed:

  • Craft/Sculpture

  • Digital/Electronic Arts

  • Nonfiction Literature

  • Poetry

  • Printmaking/Drawing/Book Arts

ELIGIBILITY:

  • 25 years or older by the application deadline date

  • Current residents of New York State and/or one of the Indian Nations located in New York State

  • Must have maintained New York State residency, and/or residency in one of the Indian Nations located therein, for at least the last two consecutive years (2021 & 2022)

  • Not enrolled in a degree-seeking program of any kind

  • Are the originators of the work, i.e. choreographers or playwrights, not interpretive artists such as dancers or actors

  • Did not receive a NYSCA/NYFA Artist Fellowship in any discipline in the past five consecutive years: 2018, 2019, 2020, 2021, and 2022

  • Cannot submit any work samples that have been previously awarded a NYSCA/NYFA Artist Fellowship

  • While collaborating artists are eligible to apply, the total number of collaborators cannot exceed three

  • Applicants can apply in a maximum of 2 categories each cycle

  • Are not a current NYFA employee or have been in the last 12 months, a member of the NYFA Board of Trustees or Artists’ Advisory Committee, immediate family member of any of the aforementioned, or an immediate family member of a 2022-2023 panelist

  • Artists that have been awarded five NYSCA/NYFA Artist Fellowships receive Emeritus status and are no longer eligible for the award

nyfa.org/awards-grants/artist-fellowships/?mc_cid=bfb2cea470&mc_eid=b2828bf2ea

_____

CAAPP Creative Writing Fellow (2023-2025)

The Center for African American Poetry and Poetics at the University of Pittsburgh

DEADLINE: January 31, 2023

INFO: The Center for African American Poetry and Poetics at the University of Pittsburgh is seeking applicants for a two-year fellowship in creative writing running from September 1, 2023 through August 31, 2025 in a “creative think tank” for African American and African diasporic poetry and poetics, housed in a lively English/ creative writing program. Salary of $48,000 plus benefits.

FELLOWSHIP DUTIES: The fellow will teach one community workshop each year; spend ten hours per week on the Cave Canem Oral History Project; lead one seminar discussion in the course Studio in African American Poetry and Poetics; participate in Co-Lab, the interactive public forum in which visiting writers and artists present their work in progress; and give one public reading with a Q&A. The fellow’s primary attention will be focused on their own poetry and creative work. Poets who have completed an MFA or PhD with creative writing experience are eligible to apply, provided they do not yet have more than one full-length book of poetry or other creative writing published or under contract by the application deadline. Because this is a residential fellowship, we expect fellows to live in the Pittsburgh area, to hold no other substantial teaching, graduate study or fellowship obligations, and to be active participants in the Pittsburgh literary community during the fellowship period.

 REQUIREMENTS:

  • An MFA or PhD with creative writing experience by August 2023;

  • knowledge of African American and/or African diasporic poetry and poetics;

  • experience, or interest in, oral histories and/or library science;

  • creative writing teaching experience.

Desirable: a: record of publication; a book underway; interest in a secondary genre or art form and/or in hybrid or cross-genre exploration.

Apply with a cover letter, C.V. writing sample of up to 15 pages, and the names, titles and email addresses of three recommenders by January 31, 2023.

cfopitt.taleo.net/careersection/pitt_faculty_external_pd/jobdetail.ftl?job=22009263&tz=GMT-05:00&tzname=America/New_York 

_____

2023-24 Philip Roth Residence in Creative Writing 

Stadler Center for Poetry & Literary Arts at Bucknell University

DEADLINE: February 1, 2023

INFO: Named for Bucknell's renowned literary alumnus ('54) and initiated in fall 1993, the Philip Roth Residence in Creative Writing offers up to four months of unfettered writing time for a writer working on a first or second book. 

In the current application season, The Roth Residence is open to writers in any creative genre in the literary arts, including fiction, creative nonfiction, poetry, graphic novel, etc. 

The residency provides an apartment in Bucknell's Writers' Cottage and a stipend of $5,000.

bucknell.edu/academics/beyond-classroom/academic-centers-institutes/stadler-center-poetry-literary-arts/programs-residencies/philip-roth-residence-creative-writing

_____

Woodberry Poetry Room Creative Fellowship 2023-2024

Harvard University

DEADLINE: February 1, 2023

APPLICATION FEE: $0

INFO: The Creative Fellowship program invites poets, writers, translators, visual artists, composers, and scholars to propose creative projects that would benefit from an immersive encounter with the Woodberry Poetry Room and its collections.

The fellowship includes: a stipend of $5,000, access to the Woodberry Poetry Room (and several other Harvard special collections), and research support from the Poetry Room curatorial staff. Thanks to the generosity of the T. S. Eliot Foundation, the fellowship recipient will also receive a one-week residency to work on their project at the T. S. Eliot House in Gloucester, Massachusetts. The Eliot House residency may be scheduled between May-October of the fellowship year, but does not have to coincide with the fellow's research visit to Harvard. 

The fellowship recipient will receive a Harvard Library special access card that is active for one year, allowing for a great deal of flexibility in terms of scheduling. It is hoped that the $5,000 stipend (which is the comprehensive honorarium for individual and collaborative recipients) will help to offset travel and lodging costs.

GUIDELINES:

Applicants will be asked to provide the following information and materials:

  • a project description

  • a curriculum vitae

  • a work sample

  • no letter of reference is required

  • no application fee is required

houghtonlibrary.submittable.com/submit/243266/woodberry-poetry-room-creative-fellowship-2023-2024 

_____

2023 Starshine and Clay Fellowship

Cave Canem

DEADLINE: February 2, 2023 at 11:59 pm ET

APPLICATION FEE: $0

INFO: Submissions are now open for the 2023 Starshine and Clay Fellowship. This year's judge is Roger Reeves

Since 2020, Cave Canem has collaborated with EcoTheo Collective to provide financial and artistic support to emerging Black poets.

Two recipients will each receive $500 for a featured reading at the 2023 Wonder Festival in Jackson, Wyoming. Fellowship recipients will also receive a one-on-one consultation with Roger Reeves. Additionally, the fellows’ work will be published in the summer 2023 issue of EcoTheo Review.

cavecanem.submittable.com/submit

_____

CALL FOR SUBMISSIONS

Stellium

DEADLINE: Rolling

INFO: Stellium centers Black queer and trans creatives. We still accept work from other Black and QTPOC creatives. We seek those emerging and established (with an emphasis on emerging).

What type of work do you accept?

  • Fiction - We welcome long- or short-form fiction. If you submit flash fiction (up to 2k words), you can submit up to three pieces of similar length. The sweet spot is around 2k to 5k words but we'll consider all lengths.

  • Nonfiction - We're seeking creative nonfiction submissions. Please note the following before submitting. We welcome personal essay, memoir, biography, autobiography, the Audre Lorde-invented “biomythography," new journalism or literary journalism, diary entries, and more. No academic papers. The sweet spot is around 1k to 4k words but we'll consider all lengths.

    • “The stories that only you can tell. Stories about your most closely-held revelations or your brightest lightbulb moments, whether about your own life or about the world at large or both. Those 2000-word-long musings scribbled in your Notes app between shifts? Those clever tweet threads that make you go “dang, Twitter should pay me for this”? Those are great places to start.” - former CNF editor Kim Wong-Shing

    • See work from Akwaeke Emezi in The Cut and from Brandon Taylor in them.

  • Prose poetry - We do not accept traditional poetry. Please note the following before submitting. Prose poetry is "not broken into verse lines, [but] demonstrates other traits such as symbols, metaphors, and other figures of speech common to poetry." Write in paragraphs and with a poetic flow, and we'll want to see it. Please submit a maximum of five poems.

    • “Think poetry without line breaks. Think a really poetic tweet without character limits. Think an expressive, detailed letter or e-mail to the homie. Think run-on sentences, runaway thoughts. Think IDGAF about punctuation all like that but I care about the feels & the mood & the setting & maybe i’mma slide in a slant rhyme or 2 or as many as necessary.” - former prose poetry editor Nefertiti Asanti

    • See [Kills bugs dead.] and Elliptical by Harryette Mullen.

  • Art - We accept high-quality scans of any original, visual art.

So how do I submit?

Please use the following format when submitting, otherwise, your entry may be discarded.

  • Craft an e-mail to submissions (at) stelliumlit.com

  • In the subject line, clarify your submission as genre: title, your name

    • example: “Fiction: Fifteen Little Birds, Janelle Doe”

  • In the body, please share:

    • your bio (any length) including your name, pronouns, and creative background

    • social media links or an alternative way to contact you outside of e-mail (to confirm you’re not a plagiarist)

    • submission summary (at least a sentence, even for art submissions)

    • answer: has this work been submitted elsewhere?

    • your submission as a DOCX or PDF attachment, or as a JPG or PNG for art submissions

      • within the e-mail body is fine but an attachment is preferred

      • no other file formats are accepted at this time

Do y’all pay?

We do! In the past, we’ve offered $50 for each accepted submission, even for art and poetry. However, we’re still in the running for grants and hope to offer more than that in the future. For now, you can expect our standard minimum payment and, if we’re able to offer more, we will announce it and update the text here. If you’d like to support us, feel free to make a contribution today via our fiscal sponsor, Fractured Atlas.

stelliumlit.com/submit

POETRY — DECEMBER 2022

CALL FOR SUBMISSIONS: ISSUE 5

Honey Literary

DEADLINE: December 15, 2022

INFO: Honey Literary is currently reading submissions for Issue 5, out February 2023! We publish two issues each year, one in winter, and one in summer.

To share your work, please email the respective genre editor and upload your .docx or image files (please direct any file format questions to Editor in chief, Dorothy Chan @ editor@honeyliterary.com and she would be happy to help). Include a brief bio with a few sentences about why your work is a good fit for us with our mission statement in mind. If you’re submitting the same packet to multiple categories, please let us know as well.

Please send us your work only once per submission period. Honey Literary accepts and encourages simultaneous submissions, but please let us know immediately if a piece is accepted elsewhere.

We only accept unpublished work. Honey Literary retains first publication rights, and upon publication, rights revert back to the author. Please credit Honey Literary as the first publisher if the piece appears elsewhere after publication, which includes, but isn’t limited to other journals, anthologies, chapbooks, and full-length books.   

IMPORTANT NOTE Honey is 100% accessible. If your piece is image-based and has been accepted, you will be asked to provide your own alt-text, prior to the release of the issue. Here is more information on how to write effective alt-text.

GENRES:

  • Poetry:

  • Sex, Kink, and the Erotic:

  • Essays:

  • Hybrid:

  • Animals:

  • Interviews:

  • Rants & Raves:

  • Valentines:

honeyliterary.com/submit

_____

POETRY CONTEST

Third Coast

DEADLINE: December 15, 2022

ENTRY FEE: $15

INFO: Third Coast is now accepting submissions for its Poetry Contest.

GUIDELINES: Submit up to three (3) previously unpublished poems at a time in ONE file. Please include entry title and page numbers on all manuscript pages. Since the judging is blind, the author’s name and identifying information (including address, email, phone number, and bio) should only appear in the "cover letter" box; identifying information must NOT appear anywhere on the manuscript itself. Manuscripts with names left on them may be disqualified.

Simultaneous submissions are permitted; if accepted elsewhere, we ask that the work be withdrawn from the contest immediately. If a piece is chosen as a finalist, Third Coast asks that it be withdrawn from any other publication considerations until our judge selects a winner.

Multiple entries are permitted, but each entry must be submitted separately.

JUDGE: This year's judge is Tomás Q. Morín.  Writers associated with the judge, WMU, or Third Coast are not eligible to submit work to the contest.

PRIZE: Winners receive $1,000 and publication in Third Coast. All contest entries will be considered for publication.

The $15 entry fee (payable online, or by check for postal entries) entitles the submitter to a one-year subscription or gift subscription to Third Coast. No money will be refunded.

 Winners will be announced in mid-Spring 2023.

https://thirdcoastmagazine.submittable.com/submit

_____

Fine Arts Work Center Fellowship

Fine Arts Work Center

DEADLINE: December 15, 2022

INFO: Since its creation 50 years ago, the Fine Arts Work Center Fellowship has become one of the leading residency programs in the world.

Each year, the Work Center offers 20 seven-month residencies to a juried group of emerging visual artists, fiction writers, and poets, each of whom receive an apartment, a studio (for visual artists), and a monthly stipend of $1,000 plus an exit stipend. Residencies run from October 1 through April 30. During this time, Fellows have the opportunity to pursue their work independently in a diverse and supportive community of peers. 

The Fine Arts Work Center has hosted more than 1,000 Fellows since 1968, nurturing an accomplished and far-reaching alumni network. The impact of the experience is best illustrated by the extensive list of awards Fellows have gone on to win, including the Guggenheim Fellowship, MacArthur Fellowship, Prix de Rome, Pulitzer Prize, and the Nobel Prize in Literature. 

THE RESIDENCY:

During the course of the Fellowship, each Writing Fellow is invited to give a public reading and each Visual Art Fellow is given a solo exhibition opportunity. Readings and openings are attended by current and past Fellows, local residents, visitors to Provincetown, leadership of the town’s numerous cultural institutions, and the many illustrious artists and writers who make their homes in Provincetown. Events take place in the beautifully renovated public spaces of the Work Center: the Stanley Kunitz Common Room and Hudson D. Walker Gallery.

VISITING ARTISTS & WRITERS:

While in residence, Fellows also help select a series of visiting artists and writers. These visiting artists and writers meet with the Fellows for studio visits and manuscript reviews and give public readings and artist talks that draw thousands from Provincetown and beyond. Visiting guests have included presidential inaugural poet Elizabeth Alexander; Pulitzer Prize-winning playwright Paula Vogel; winner of the National Book Award for Poetry Mark Doty; Poet Laureate Consultant in Poetry to the Library of Congress Robert Pinsky; artist and MacArthur Fellowship recipient Judy Pfaff; and Katherine Porter, whose work is in the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, and Museum of Fine Arts in Boston. 

The Work Center’s founders believed that seven months was the minimum amount of time needed for artists and writers in the crucial early stages of their career to learn to structure their lives around their creative practice. Each generation of Fellows ideally moves on from the Work Center with a firm belief in their ability to pursue a life as a practicing artist or writer.

Generous support from The Rona Jaffe Foundation has established the Rona Jaffe Foundation Fellowship at the Fine Arts Work Center. This fellowship will be awarded each year, beginning in 2022-23, to an emerging woman writer of exceptional promise. The fellowship fully funds the 7-month residency and includes a $2,500 prize to help defray the cost of travel and living expenses.

RJF fellows must be permanent residents of the U.S. and may not have published a first book in standard edition. All eligible candidates will be automatically considered for this fellowship by the Fine Arts Work Center.

https://fawc.org/the-fellowship/

_____

2023 CAAPP Book Prize

Autumn House Press / Center for African American Poetry and Poetics

SUBMISSION PERIOD: December 15, 2022 - February 15, 2023.

INFO: Founded in 2020, the CAAPP Book Prize is a publishing partnership between the University of Pittsburgh’s Center for African American Poetry and Poetics and Autumn House Press with the goal of publishing and promoting a writer of African descent.

The prize is awarded annually to a first or second book by a writer of African descent and is open to the full range of writers embodying African and African diasporic experiences. The book can be of any genre that is, or intersects with, poetry, including poetry, hybrid work, speculative prose, and/or translation.

GUIDELINES: Please submit a manuscript between 48-168 pages.

PRIZE: The winning manuscript will be published by Autumn House Press and its author will be awarded $3,000.

FINAL JUDGE: Nicole Sealey

autumnhouse.org/submissions/caapp-book-prize/

_____

CALL FOR SUBMISSIONS: MIZNA 24.1 ISSUE

Mizna

DEADLINE: December 15, 2022 at 11:59 pm

INFO: Submissions are now open for Mizna 24.1, our summer 2023 issue. This issue is not themed and is open to essays, poetry, short fiction, flash fiction, nonfiction, short comix, and creative writing of all kinds.

GUIDELINES: Contributors do not need to identify as of Arab/SWANA descent, provided their work is of relevance to or in dialogue with the social realities of the SWANA/Arab region or community. Contributors may also decide to expand this reality altogether.

Please limit poetry submissions to four poems per submission, poetry submissions should be limited to six pages maximum. Verses exceeding our page width will be treated with a runover indent. Prose should be double-spaced and limited to 2500 words. 

Comics should be limited to eight pages. Comics submissions should be in black and white. Files should be 5.5 in x 8.5 inches, with ¼ inch of bleed. Resolution of at least 300 DPI, in TIFF format.

Proofs will be made available for author approval before publication. Simultaneous submissions are allowable, but we ask that you contact us as soon as your work has been accepted elsewhere.

Attach your submission(s), a short biography (maximum fifty words), and complete all required fields in our online submission form.The attachment(s) must be editable and in standard word-processing program files (.doc, .docx, .pages). PDFs may accompany submitted work but must not be sent alone.

Writers whose work is published in Mizna will receive complimentary copies of the issue in which their work appears, a one-year subscription to the journal, and a $200 honorarium.

Due to the volume of submissions received, those not conforming to the above guidelines, as well as material previously published in any other English-language forum will not be considered.

mizna.org/journal/submissions/

_____

GREGORY DJANIKIAN SCHOLARS IN POETRY

Androit Journal

DEADLINE: December 28, 2022

SUBMISSION FEE: $15

INFO: Gregory Djanikian was born in Alexandria, Egypt, and came to the United States when he was eight years old. He has published seven poetry collections, the latest of which is Sojourners of the In-Between (CMU Press). His work appears in American Poetry ReviewBest American PoetryBoulevardPoetrySouthern Review, and TriQuarterly, among others. Until retiring, he was the longstanding Director of Creative Writing at the University of Pennsylvania, where he greatly enriched both the Adroit Journal as well as its staff of emerging writers.

We recognize and encourage the gift of such support by offering it ourselves; in honor of Greg’s contribution to emerging student and non-student writers at Penn and around the world, we recognize six emerging poets as Gregory Djanikian Scholars in Poetry each year.

ELIGIBILITY: All emerging writers who have not published full-length collections are eligible (regardless of age, geographic location, or educational status), and are encouraged to submit. Writers with forthcoming debut full-length collections are eligible so long as collections won’t appear earlier than April 2023.

AWARD: Gregory Djanikian Scholars receive $100 and publication of their portfolios of poems in a future issue of the Adroit Journal. Finalists will be awarded copies of Greg’s latest collection, Sojourners of the In-Between, and a list of semifinalists determined by the editors will be released with results.

SUBMISSION GUIDELINES: Submissions may include up to six poems (max of ten single-spaced pages). Simultaneous submissions, previously published submissions, and submissions recognized by outside organizations are accepted, provided that a) a full catalogue of publication history for enclosed poems is included in the submission and b) at least one poem in the submission remains unpublished. Submitters should promptly add a note to their entry on Submittable if work disclosed as unpublished is accepted elsewhere.

theadroitjournal.org/djanikian-scholars/

_____

2023 ELIZABETH ALEXANDER CREATIVE WRITING AWARD

Meridians Journal: feminism, race, transnationalism

DEADLINE: December 31, 2022

INFO: Meridians Journal: feminism, race, transnationalism is accepting submissions for its Elizabeth Alexander Creative Writing Award.

Open to poetry, fiction, and non-fiction.

PRIZE: $500, Reading & Retreat at Smith University, and publication in Meridians Journal.

sites.smith.edu/meridians/awards/elizabeth-alexander-creative-writing-award/

_____

PSA Chapbook Fellowships

Poetry Society of America

DEADLINE: December 31, 2022

ENTRY FEE: $14

INFO: Submissions are open for the Poetry Society of America Chapbook Fellowships.

Open to any U.S. citizen or anyone currently living within the U. S. who has not published a full-length poetry collection.     

PRIZE: $1,000 prize and publication.

JUDGES: Jennifer Chang and Ishion Hutchinson.

GUIDELINES:

  • Manuscript page length: between 20-30 pages of poetry. This page count includes: title page, table of contents, and poems.

  • Poems must be typed.

  • No illustrations may be included.

  • Multiple submissions are not accepted.

  • Manuscripts with more than one author will not be accepted.

  • Translations are not eligible. All poems must be original and primarily in English.

  • We cannot accept corrections after submission.

  • Submissions from Poetry Society employees, officers, or advisory board committee members are ineligible.

SUBMITTING INFORMATION:

You can upload two documents:

1) Acknowledgments, if any of the poems have been previously published. 

2) Your manuscript of poems which should include title page, table of contents, and poems.

  • Personal identification cannot appear anywhere in the manuscript document

poetrysociety.org/awards/chapbook-fellowships/chapbook-fellowship-2023

_____

Undocupoets Fellowship

Undocupoets

DEADLINE: December 31, 2022 at 11:59 pm PST

INFO: The Undocupoets Fellowship annually grants $500 fellowships, with no strings attached, to poets who are currently or who were formerly undocumented in the United States to help defray the cost of poetry-related submission fees.

For the 2022 cycle, three $500 Undocupoets Fellowships will be awarded. Through our continued partnership with Catapult, each Fellow will also receive a scholarship for a six-week workshop (or its equivalent value toward other Catapult classes) of their choosing.​

Honoring our foundational, five-year partnership with the Sibling Rivalry Press Foundation, Undocupoets remains committed to reserving at least one of the fellowships to LGBTQ poets who are currently or who were formerly undocumented in the United States. 

While no single fellowship recipient will receive more than $500 in any given year, Fellowships can be awarded to the same individual for multiple years.

undocupoets.org/fellowship

_____

BLACK JOY UNBOUND: AN ANTHOLOGY

BLF Press

DEADLINE: December 31, 2022

INFO: Inspired by a deep longing for writing that embodies the vivacity of Blackness and Black life, BLF Press will produce a multi-genre collection that encompasses a broad spectrum of literary writing on Black joy. Provocation: What might our writing look like if it were imbued with characters and themes centered on joy and delight?

While we are looking for expressions of Black joy and pleasure, we are not interested in erotica. However, we are keenly interested in expressions of the erotic as articulated by Audre Lorde, pleasure as articulated by Adrienne Marie Brown, and delight as expressed by Ross Gay. We are especially interested in writing from Black queer writers across all gender identities and orientations. We welcome submissions from emerging and experienced writers.

We seek writing that:

  • crosses and cleaves a range of literary genres (creative non-fiction, short fiction, and poetry)

  • merges the themes of joy and pleasure; affirms the interconnectedness of race, gender, and sexual orientation

  • affirms our gifts as Black diasporic writers and artists

  • centers and celebrates Blackness and Black diasporic peoples in all our iterations

SUBMISSIONS: We will only accept previously unpublished work (print or digital). Prose should range from 2,000 to 5,000 words. Two poems may be submitted as one entry. Two submissions per person are welcome, although only one may be selected for publication. Submit Microsoft Word or rich text files (.rtf) with one-inch margins and 12-point Times New Roman font. Each submission should be a single document. Name the document as your first and last name and title of your story (e.g., “Janesha Doe Title” or “Janesha_Doe_Title”). Your bio is required (100 word maximum). Your work must be submitted through Submittable.

COMPENSATION & RIGHTS: Authors will receive one payment of $75.00 USD upon publication and one print copy of the anthology. Authors may purchase print copies of the anthology at cost.

The publisher (BLF Press) requests First English language print and electronic/digital rights for one year from publication. After one year, contributors retain all rights to the publication of their work. Contributors are asked to sign a one-page publishing agreement.

DEADLINES & ACCEPTANCE: Submissions are due by December 31, 2022. The editors will acknowledge the receipt of all submissions. Contributors whose work is selected for publication will be notified by March 31, 2023. The anthology will be published and available on September 5, 2023. Contributors will receive updates about the progress of the publication. Payments will be disbursed by September 30, 2023.

THE EDITORS:

Stephanie Andrea Allen, Ph.D., is an interdisciplinary humanities scholar, creative writer, small press publisher, and Assistant Professor of Gender Studies at Indiana University. Her research centers Black lesbian cultural histories and Black feminisms through various expressions, including literature, film, and other print and visual media. Dr. Allen is also Publisher and Editor-in-Chief at BLF Press, and co-editor of Serendipity Literary Magazine. Her creative work can be found in various online and print publications, including The Black Femme Collective, Mom Egg Review, Star*Line, Inkwell Black, Big Echo: Critical Science Fiction Magazine, Sinister Wisdom, and in her two short story collections, A Failure to Communicate and How to Dispatch a Human: Stories and Suggestions. Connect with her on Twitter @S_Andrea_Allen and on Instagram @ stephanie.andrea.allen.

Lauren Cherelle is the Managing Editor and Creative Director of BLF Press. She’s a fiction editor, graphic designer and digital marketer with an MBA from the University of Tennessee and writing certifications from the University of Louisville. Her creative work reflects the lives of Southern Black girls and women. Her most recent writing was published in Sinister Wisdom 122: Writing Communities and Black from the Future: A Collection of Black Speculative Writing. Join Lauren on Twitter and Instagram: @laurencre8s.

blfpress.com/submissions

_____

CALL FOR SUBMISSIONS: ‘CARRYING: REFLECTION, RECOGNITION AND REPAIR’

The Caribbean Writer 

DEADLINE: December 31, 2022

INFO: The Caribbean Writer (TCW) has issued a call for submissions for Volume 37 under the 2022 theme: Carrying: Reflection,Recognition and Repair. Through the lens of life defining experiences we gain critical insights. We are their agents, so we dutifully, gratefully or unwillingly carry them. Submissions exploring this theme in its widest permutations are invited.

Contributors may submit works of fiction, nonfiction, poetry, essays or one act plays which explore the ideas resonating within the region and its diaspora. The Caribbean should be central to the work, or the work should reflect a Caribbean heritage, experience or perspective. Prospective authors should submit all creative works: drama, fiction and poetry manuscripts, through the online portal ONLY at www.thecaribbeanwriter.org/online-submission. Submit Word files only (no PDFs) . Note that TCW no longer accepts hardcopy submissions.

SUBMISSION GUIDELINES: Individuals may submit poems (3 maximum), short stories (2 maximum) and personal essays (2 maximum) on general topics as well as on the theme. The maximum length (for short stories and personal essays) is 3500 words. Only previously unpublished work will be considered. The term “previously published” covers print and electronic publication —including on social media platforms, and self-published items. The Caribbean Writer does not accept simultaneous submissions (items being considered for publication elsewhere). The prospective author should provide contact information including mailing address, phone number, any professional affiliations, brief biographical information (no more than 100 words and such as appears under the “Contributors” section of the journal). In the event that the author’s contact information changes, all updates should be made by the author by logging into the online account.

Before submitting, submitter should carefully edit and proofread the manuscript, adhering to publication-ready details, as well as standards of proofreading such as spelling, grammar, punctuation, formatting and consistent language, along with the elimination of typographical errors, and with focus on the overall quality of the work.

 The Caribbean Writer is a refereed journal. There are no fees payable to submit or publish in this journal. All submissions undergo an initial blind review by the editor. Creative works, such as fiction, poetry and drama, after editorial review, are advanced by the editor to the double-blind peer review process. In this process, both the reviewers’ and authors’ identities are concealed from the reviewers and vice versa throughout the review process.

Artists interested in having their artwork considered for use by TCW should submit electronic files in vertical format as PNG or JPEG files with a resolution of 300 dpi or greater. The journal also accepts black and white art (line drawings, sketches, block prints, etc.). The journal does not accept graphic poetry or narratives.

thecaribbeanwriter.org/online-submission


_____

2022 Anna Rabinowitz Award

Poetry Society

DEADLINE: December 31, 2022

ENTRY FEE: $10

INFO: The Anna Rabinowitz Prize is awarded to poets and their collaborators for venturesome, interdisciplinary work made in the previous year and combining poetry and any other art or discipline.

Work that qualifies includes but is not limited to books that blend visual art and poetry, original performances of dance and poetry (or dance based on poetry ) and of music and poetry (including libretti based on poetry) as well as more eclectic collaborations involving poetry and technology, the sciences or math.

Candidates are required to provide material documenting their projects. These will be key to the judging process. Panels, discussions, and programs focused on dialogue between disciplines rather than the creation of a new work are not eligible.

The finished work should have been produced or published in 2021 but can involve or be based in part on work from any era. And all are welcome to apply singly if the work involving more than one discipline has been accomplished alone.

HONORARIUM: $1,000 to be divided equally between or among the principals if not awarded to a single artist.

The prize is established by the children of Anna Rabinowitz to honor her boundless curiosity, creativity, and artistic accomplishments.

THIS YEAR'S JUDGE: Mónica de la Torre works with and between languages. Her latest books include Repetition Nineteen published by Nightboat Books and The Happy End/All Welcome, published by Ugly Duckling Pressewhich also put out her translation of Defense of the Idol by Chilean modernist Omar Cáceres in 2018. Born and raised in Mexico City, she is a contributing editor to BOMB Magazine. Recent writing appears in ArtforumA Public Space, and The Literary Review. She has taught at Columbia and Brown University and now teaches poetry at Brooklyn College.

SUBMISSION DETAILS & INSTRUCTIONS:

If you are submitting a book or chapbook or printed materials please include:

  • Each entry should have one cover sheet with the following: Name, Address, Email, Phone, and Name of the Award.

  • An Artist Statement describing the aims of the work submitted (up to 500 words)

  • A Biographical Note (up to 500 words)

  • Two copies of the work submitted.


If you are submitting documentation of a performance or artwork please include a thumb drive with:

  • Documentation of your work in the following formats: jpeg, pdf, mp3, or mpeg (as applicable).

  • A PDF cover sheet which includes: Name, Address, Email, Phone, and Name of the Award.

  • A PDF of your Artist Statement describing the aims of the work submitted (up to 500 words)

  • A PDF of your Biographical Note (up to 500 words)

  • Place ALL files in a folder named: YOUR FIRST AND LAST NAME_Anna Rabinowitz Prize

Submissions from PSA employees, officers, or advisory board committee members are ineligible.

NOTIFICATION:

For an acknowledgment of receipt of submissions, please include a self-addressed, stamped postcard. Unfortunately we cannot acknowledge receipt over the phone or email.

The winners will be announced on our website by early April.

No entries will be returned.

Due to the volume of submissions we receive, we cannot inform entrants of incorrectly submitted or disqualified material, nor can we accept any corrections or revisions to submissions.

You may withdraw submissions by emailing brett@poetrysociety.org.

https://poetrysociety.org/awards/annual-awards/2022-anna-rabinowitz-award#:~:text=The%20Anna%20Rabinowitz%20Prize%20is,any%20other%20art%20or%20discipline.

_____

2022-2023 Kay Murphy Prize for Poetry

Bayou Magazine

DEADLINE: January 1, 2023

READING FEE: $20

INFO: Bayou Magazine, a biannual literary magazine, is seeking submissions to its Kay Murphy Prize for poetry.

PRIZE: Winner will receive $1,000 and a year's subscription. Finalists will be named on our website.
All entries will be considered for publication.

GUIDELINES:

  • Submissions must be original, previously unpublished poetry.

  • Reading fee: $20, which includes a contest issue.

  • You may enter up to three poems per entry.

  • Contest Entries accepted via Submittable only.

  • Please enter your name, address, phone number, email address, and the title of your submission on our online form ONLY.

  • DO NOT include your name or any other personal information on the pages of your entry. Any poem with identifying material will be disqualified.

  • We are unable to provide refunds, so please review your submission carefully before uploading.

JUDGE: Writer and author Derrick Harriel

https://bayoumagazine.submittable.com/submit

_____

CALL FOR SUBMISSIONS

Stellium

DEADLINE: Rolling

INFO: Stellium centers Black queer and trans creatives. We still accept work from other Black and QTPOC creatives. We seek those emerging and established (with an emphasis on emerging).

What type of work do you accept?

  • Fiction - We welcome long- or short-form fiction. If you submit flash fiction (up to 2k words), you can submit up to three pieces of similar length. The sweet spot is around 2k to 5k words but we'll consider all lengths.

  • Nonfiction - We're seeking creative nonfiction submissions. Please note the following before submitting. We welcome personal essay, memoir, biography, autobiography, the Audre Lorde-invented “biomythography," new journalism or literary journalism, diary entries, and more. No academic papers. The sweet spot is around 1k to 4k words but we'll consider all lengths.

    • “The stories that only you can tell. Stories about your most closely-held revelations or your brightest lightbulb moments, whether about your own life or about the world at large or both. Those 2000-word-long musings scribbled in your Notes app between shifts? Those clever tweet threads that make you go “dang, Twitter should pay me for this”? Those are great places to start.” - former CNF editor Kim Wong-Shing

    • See work from Akwaeke Emezi in The Cut and from Brandon Taylor in them.

  • Prose poetry - We do not accept traditional poetry. Please note the following before submitting. Prose poetry is "not broken into verse lines, [but] demonstrates other traits such as symbols, metaphors, and other figures of speech common to poetry." Write in paragraphs and with a poetic flow, and we'll want to see it. Please submit a maximum of five poems.

    • “Think poetry without line breaks. Think a really poetic tweet without character limits. Think an expressive, detailed letter or e-mail to the homie. Think run-on sentences, runaway thoughts. Think IDGAF about punctuation all like that but I care about the feels & the mood & the setting & maybe i’mma slide in a slant rhyme or 2 or as many as necessary.” - former prose poetry editor Nefertiti Asanti

    • See [Kills bugs dead.] and Elliptical by Harryette Mullen.

  • Art - We accept high-quality scans of any original, visual art.

So how do I submit?

Please use the following format when submitting, otherwise, your entry may be discarded.

  • Craft an e-mail to submissions (at) stelliumlit.com

  • In the subject line, clarify your submission as genre: title, your name

    • example: “Fiction: Fifteen Little Birds, Janelle Doe”

  • In the body, please share:

    • your bio (any length) including your name, pronouns, and creative background

    • social media links or an alternative way to contact you outside of e-mail (to confirm you’re not a plagiarist)

    • submission summary (at least a sentence, even for art submissions)

    • answer: has this work been submitted elsewhere?

    • your submission as a DOCX or PDF attachment, or as a JPG or PNG for art submissions

      • within the e-mail body is fine but an attachment is preferred

      • no other file formats are accepted at this time

Do y’all pay?

We do! In the past, we’ve offered $50 for each accepted submission, even for art and poetry. However, we’re still in the running for grants and hope to offer more than that in the future. For now, you can expect our standard minimum payment and, if we’re able to offer more, we will announce it and update the text here. If you’d like to support us, feel free to make a contribution today via our fiscal sponsor, Fractured Atlas.

stelliumlit.com/submit

POETRY — NOVEMBER 2022

2023-2025 Creative Writing Fellowship in Poetry

Emory College of Arts + Sciences

DEADLINE: November 11, 2022 by 11:59pm

INFO: Emory University Creative Writing Fellowship. Two-year fellowship in poetry in lively undergraduate English/Creative Writing Program, beginning Fall 2023. Load 1-2, all workshops; $45,000 salary, and health benefits. Fellow will give a public reading and have access to the Raymond Danowski Poetry Library, a 75,000-volume rare and modern poetry library housed at Emory.

REQUIRED: MFA or PhD in the last five years, with undergraduate Creative Writing teaching experience. Desirable: record of periodical publications but no first book yet in print, and secondary interests such as creative nonfiction and working in archives. 

GUIDELINES: Submit electronic dossier, including cover letter discussing teaching experience and philosophy, CV, two references who will be contacted later in the process, and a writing sample of no more than 15 pages of poetry to http://apply.interfolio.com/113402

creativewriting.emory.edu/people/fellowship-positions.html

_____

WORKSPACE Residency FOR LGBTQ+ WRITERS

Velvet Park

DEADLINE: November 11, 2022 at 11:59pm

APPLICATION FEE: $25

INFO: Velvet Park invites writers to apply for a six-month workspace residency (January – June 2023). Please keep in mind that the studio space is 114 sq ft. – 14’ x 8’, with 12’ ceilings, large 6’ x 6’ window). The studio is located in Crown Heights in Brooklyn.

CHECKLIST:

  • Poets, submit up to 15 – 20 pages of poetry 

  • Prose, 25 – 30 pages of prose 

  • Screenplay/play script, provide 1 – 2 completed works

  • additional works accepted via url, to online portfolio or published works

CV/Resume
should reflect your artistic/creative accomplishments

2 references

  • 1 professional reference, who can speak about your work and 

  • 1 personal reference, who can speak about you personally, your work ethic, values, and any other pertinent information about you.

  • provide names and contact; phone/email of these individuals (letters not required).

  • finalists’ references will be contacted by selection committee to speak about you.

velvetparkmedia.com/writers-residency-2023/

_____

2022 Toi Derricotte & Cornelius Eady Chapbook Prize

Cave Canem

DEADLINE: November 14, 2022

SUBMISSION FEE: $0

INFO: Submissions are now open for the 2022 Toi Derricotte And Cornelius Eady Chapbook Prize. This year's judge is Herman Beavers.

Since 2015, Cave Canem has collaborated with O, Miami to spotlight exceptional chapbook-length manuscripts by Black poets.

PRIZE: The winner of the prize receives a $1000 award, publication of their manuscript by O, Miami Books, 10 copies of the chapbook, a residency in The Writer’s Room at The Betsy Hotel in Miami, and a featured reading at the O, Miami Poetry Festival in April.

Previous judges were: Robin Coste Lewis; Dawn Lundy Martin; Ross Gay; Major Jackson; Danez Smith; Mahogany L. Browne; and Lillian-Yvonne Bertram.

ABOUT THE JUDGE: Herman Beavers is the Julie Beren Platt and Marc E. Platt President’s Distinguished Professor of English and Africana Studies at the University of Pennsylvania. He teaches in the Creative Writing Program and offers an arts-based, community service course that brings students together with Philadelphia residents. Beavers’ poems have appeared in The Langston Hughes Colloquy, MELUS, Versadelphia, Cleaver Magazine, The American Arts Quarterly, and Supplement. His fiction has appeared in the Best Philadelphia Stories. His poems have been anthologized in Obsession: Sestinas for the Twenty-First Century, Remembering Gwen, Who Will Speak for America and Show Us Your Papers.  Beavers is the author of Obsidian Blues (a chapbook), Geography and the Political Imaginary in the Novels of Toni Morrison, and The Vernell Poems. He is collaborating with saxophonists, Odean Pope and Immanuel Wilkins to develop a series of jazz compositions based on his sonnet cycle, “Progressions,” in a project titled, “Re-Sounding Progressions”. He lives in New Jersey with his wife, Lisa.

cavecanem.submittable.com/submit/532a1d4c-1695-414d-b6d5-842033758bc5/2022-toi-derricotte-cornelius-eady-chapbook-prize

_____

CALL FOR SUBMISSIONS

The Hellebore

DEADLINE: November 15, 2022

SUBMISSION FEE: $0

INFO: The Hellebore is currently seeking submissions. Micro poetry, prose poetry, narrative poetry, flash fiction (under 1500 words), and flash nonfiction (under 1500 words) is welcome.

While we offer quick response times, all of our issues are scheduled in advance. Depending on when writers and artists may submit, work may not be published until months later. If the goal is to be published sooner, submit towards the end of the reading period. Keep in mind, space is limited, which makes the process more selective. To have the best possible chance of publication, follow the guidelines and refer to the tips.

Due to the volume of submissions we received this last round, expect a response between 1-3 months. Notifying folks about the status of their work within a reasonable time frame is important to us so inquire through email if you do not hear from us within the reading period for the issue you submitted to: thehelleborepress [@]gmail [dot] com

PROCESS: Denise Nichole & Rachel Andrews work together to review submissions. After work is selected, contributors may be asked to undergo a brief revision process with Editor in Chief, Denise Nichole to ensure that work is ready for publication. The revision process incorporates reflective questions, feedback, and edits. We offer this service to support our contributors but recognize that this is not standard practice. Rest assured, that is why we do it. It is our hope to offer resources that support writers and poets throughout each stage of their career. Part of that includes developmental editing and mentorship.

Angel Camarena assists with the editing and formatting of each issue. They collaborate with Denise to prepare issues for publication by proofing and organizing individual pieces of writing.

Underrepresented communities are highly encouraged to submit. The Hellebore Press invites perspectives and narratives from: women, BIPOC, neurodiverse, disabled, non-binary, immigrant, international, and LGBTQIA+ identities.

thehellebore.com/submit/

_____

CALL FOR SUBMISSIONS: “1619 SPEAKS” ANTHOLOGY

Sims Library of Poetry

DEADLINE: Extended to November 15, 2022

INFO: The Sims Library of Poetry has an open submission call for its "1619 Speaks" anthology.

RELEASE DATE: April 2023

GUIDELINES:

  • Your work must be an homage to an African-American poet of the past

  • You must identify as African-American

  • works accepted (1-3 pieces per category):
    - poetry
    - prose (750 max words),
    - visual art

  • format of submission: .docx (poetry + prose) or .png (visual art)

Please submit to 1619speaks@gmail.com

COMPENSATION: $50 honorarium for all accepted artists

instagram.com/p/Cisy2JGvTDo/

_____

Firecracker Awards

Community of Literary Magazines and Presses (CLMP)

DEADLINE: November 15, 2022

ENTRY FEE: $65 ($55 for CLMP Members) for the first book and $30 ($25 for CLMP Members) for each additional entry.

INFO: The CLMP Firecracker Awards for Independently Published Literature are given annually to celebrate books and magazines that make a significant contribution to our literary culture and the publishers that strive to introduce important voices to readers far and wide. Prizes are awarded in the categories of Fiction, Creative Nonfiction, Poetry, Magazine/General Excellence, and Magazine/Best Debut. Each year, CLMP also awards the Lord Nose Award, given to a publisher or editor in recognition of a lifetime of work in literary publishing.

PRIZE: Each winner in the books category will receive $2,000–$1,000 for the press and $1,000 for the author or translator–and each winner in the magazine categories will receive $1,000. In addition, a national publicity campaign spotlights and promotes our winning titles each year. In partnership with the American Booksellers Association, promotional materials—including a press release and shelf talkers featuring the winning titles—are distributed to over 750 independent booksellers across the country. Winners are also promoted in CLMP’s newsletters, on our website, and through a dedicated social media campaign. The publishers of winning titles receive a free one-year membership to CLMP, and magazine winners receive a one-year CLMP Member subscription to Submittable. To read press coverage about the 2022 Firecracker Award winners, visit our Press Center.

Finalists will be announced in spring 2023; the winners will be announced in June 2023.

SUBMISSION GUIDELINES:

  • Books must be published by an independent publisher during the 2022 calendar year.

  • Anthologies and self-published titles are not eligible but works in translation and graphic novels are welcome.

  • English-language submissions from international publishers are eligible.

  • Both print and digital magazines are eligible.

  • Magazines submitting in the General Excellence category must have published regularly for at least the past two years.

  • Magazines submitting in the Best Debut category must have launched during the 2020, 2021, or 2022 calendar years.

  • There is no limit to the number of entries publishers may submit.

2023 FIRECRACKER AWARD JUDGES:

Fiction:

Creative Nonfiction:

Poetry:

Magazine:

clmp.org/about/what-we-believe/

_____

Nightboat Poetry Prize

Nightboat Books

DEADLINE: November 15, 2022 at 11:59pm ET

ENTRY FEE: $28. [In the event that the judges do not find an entry suitable for publication, reading fees will be returned to all entrants.]

INFO: The 2022 Nightboat Poetry Prize is now open. Nightboat editors will select up to four manuscripts for publication.

ELIGIBILITY: Any poet writing in English. Previous book publication is not a consideration for eligibility. Poems published in print or on-line periodicals, anthologies, or chapbooks may be included, but the manuscript itself must be unpublished. Original work only; translations are ineligible.

FORMAT: 48 to 90 pages (suggested length, manuscripts may be longer or shorter), paginated, no more than one poem per page. Please include one title page with title only, tables of contents, and acknowledgments page.

SIMULTANEOUS SUBMISSIONS: Simultaneous submissions are acceptable. Please notify Nightboat Books immediately if your manuscript is accepted elsewhere.

MULTIPLE SUBMISSIONS: Submission of more than one manuscript is acceptable. Each manuscript must be submitted separately, each with a separate entry fee.

INTERNATIONAL SUBMISSIONS: We accept International Submissions.

REVISIONS: The winner will have the opportunity to revise the manuscript before publication. No revisions will be considered during the reading period.

Winner(s) will be announced by April 2023. Winning collection(s) to be published Spring 2024.

nightboat.org/poetry-prize/?mc_cid=6acf1a9ae7&mc_eid=4f847afa0d

_____

The Bird in Your Hands Prize

Thin Air Magazine

DEADLINE: November 20, 2022

SUBMISSION FEE: $0

INFO: We are excited to announce the Third annual The Bird in Your Hands Prize: a contest that centers and celebrates BIPOC voices. This is a no-fee contest accepting poetry, fiction, and nonfiction in any form under 500 words.

PRIZE: The winner of the contest will be awarded $500, published in Thin Air Magazine, and interviewed for Thin Air Online. The winner will also be invited to read the winning entry, at the Northern Arizona Book Festival held in April 2023. First and second runners up will also be awarded an honorarium.

This contest is open to new, upcoming, and established BIPOC writers alike. Simultaneous submissions are allowed, and we carry no expectations for the content or tone of submissions. All submitted works must be previously unpublished.

JUDGE: The judge for this year's contest is Samir Talib. Samir Talib got his BA in English in 2002 and his MA in 2005 in the field of English Literature/Renaissance Drama. In 2010, he joined the University of Exeter/UK for a PhD in the field of Renaissance studies. He has been teaching courses in Drama, Poetry and Literary criticism at the University of Basrah since 2005. He is interested in the field of the philosophy of literature, as well as contemporary literary and cultural theory, especially in the field of cultural studies and popular culture.

FORMATTING SPECIFICATIONS:

  • Please use Times New Roman, 12pt., double-spaced, 1 inch margins for all submissions except poetry, which should remain single-spaced.

  • Please include page numbers and a word count at the top of your manuscript.

  • Please do not put your name in your manuscript.

  • If unique formatting is critical to the submission, you may upload it as is (but please note that we may have to collaborate to translate your formatting onto the physical restraints of our pages).

thinair.submittable.com/submit

_____

2023 Cave Canem Fellowship Application

Cave Canem

DEADLINE: November 28, 2022

SUBMISSION FEE: $0

INFO: Since 1996, Cave Canem has awarded Fellowships to more than 500 Black poets. Cave Canem Fellows are among the most distinguished poets in the field, not only as recipients of the highest literary honors and critical acclaim, but also for their service in communities across the country.

Each year a cohort of 10–20 new Fellows is selected based solely on the quality of their poems. Cohorts encompass a range of different aesthetics and poetic practices (spoken word, formalism, multimedia performance, text-based composition, etc.) to ensure an equity of voices in our gathering—all are united by a common purpose to improve craft.

Fellows receive an unparalleled opportunity to study with a world-class faculty and join a community of peers at the Retreat, a week-long series of intensive poetry workshops, thought-provoking presentations, both public & private readings, and creative discourse.

The Cave Canem Fellowship includes:

  • Invitation to the Retreat

  • A subscription to MasterClass

  • Access to Fellows and Faculty fund

  • Access to scholarships for select writing residences

  • Archival training

  • Inclusion in public programming (readings, panels, multigenre collaborations, etc.)

  • Subscription to Digest, a bimonthly Cave Canem resource containing community news and exclusive offers

ELIGIBILITY: Black poets, ages 21 and over, are eligible to apply.

cavecanem.submittable.com/submit/238515/2023-cave-canem-fellowship-application

_____

CALL FOR POETRY SUBMISSIONS

Shenandoah

DEADLINE: Until they reach 500 submissions

INFO: Shenandoah is currently open for submissions of poetry to be reviewed by our Spring 2023 Editorial Fellow in Poetry, Siew David Hii.

All folks are welcome to submit all kinds of poetry. Please send those inevitable ones, your urgents, your precious quiets. Please send poems filled with fruits and vegetables. Or robots, love, and death. This is a general call to submit your favorite poems. Any subject matter, any form. Authors who are BIPOC, queer, immigrants, or otherwise historically marginalized are especially encouraged to submit. All means all.

shenandoahliterary.org/submissions/

_____

Scholars-in-Residence Program Fellowship 2023-24

The Schomburg Center for Research in Black Culture

DEADLINE: December 1, 2022

INFO: The Scholars-in-Residence Program offers both long-term and short-term fellowships designed to support and encourage top-quality research and writing on the history, politics, literature, and culture of the peoples of Africa and the African diaspora, as well as to promote and facilitate interdisciplinary exchange among scholars and writers in residence at the Schomburg Center.

Long-term fellowships provide a $35,000 stipend to support postdoctoral scholars and independent researchers who work in residence at the Center for a continuous period of six months. The Scholars-in-Residence Program provides funding for six fellows each year, three of whom are supported by funding from the National Endowment for the Humanities. Selected fellows can choose to begin their term either in September or in January. Fellows are provided with individual office space and a computer, research assistance, and full access to the unparalleled resources of the Schomburg Center. In addition to pursuing their own research projects, fellows also engage in an ongoing interdisciplinary exchange of ideas, sharing their research with one another in a weekly work-in-progress seminar. While in residence, they are also exposed to the vibrant intellectual life of the Schomburg through its public exhibitions, panels, screenings, and events.

Short-term fellowships are open to postdoctoral scholars, independent researchers, and creative writers (novelists, playwrights, poets) who work in residence at the Center for a continuous period of one to three months. Short-term fellows receive a stipend of $3000 per month. (These short-term fellowships are a recent addition to the Scholars-in-Residence Program, having been offered for the first time in the 2017-18 application cycle; they are funded by an endowment provided by the Ford Foundation and the Newhouse Foundation.)

Both long-term and short-term fellowships are awarded for continuous periods in residence at the Schomburg Center. Fellows are expected to devote their full time to their research and writing. They are expected to work regularly at the Schomburg Center and to participate in the intellectual life of the Scholars-in-Residence Program. Fellows may not be employed during the period in residence, except on sabbaticals from their home institutions. Those selected as Scholars-in-Residence are encouraged to supplement their stipends with funding support from their home institutions or other non-residential fellowships or grants if the requisite approval is received from the Schomburg Center.

ELIGIBILITY: The Scholars-in-Residence Program is intended for scholars and writers requiring extensive, on-site research with collections at the Schomburg Center, the pre-eminent repository for documentation on the history and cultures of peoples of African descent around the globe. Fellows are expected to be in full-time residency at the Center during the award period and to participate in scheduled seminars and colloquia. The Program is intended to support research in African diasporic studies undertaken from a humanistic perspective; projects in the social sciences, science and technology, psychology, education, and religion are eligible if they utilize a humanistic approach and contribute to humanistic knowledge.

Candidates who need to work primarily in the New York Public Library's other research libraries – the Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street, the Library for the Performing Arts at Lincoln Center, and the Science, Industry and Business Library – are not eligible for this fellowship, nor are people seeking funding for research leading directly to a degree. (Applications are accepted from current doctoral students, as long as they will defend their dissertation and graduate before starting the fellowship tenure.) Only U.S. citizens, permanent residents and foreign nationals who have been resident in the United States for the three years immediately preceding the application deadline may apply.

APLICATION INSTRUCTIONS:

A complete application must include:

  • The Schomburg Center Scholars-in-Residence Application.

  • A 1500-word description of the proposed study.

  • Curriculum vitae (limit to 3 pages).

  • Names of references (long-term fellows must submit three recommendation letters; short-term fellows must submit a minimum of two letters). References will receive an e-mail instructing them how to upload their recommendations.

Fill out an application here.

DESCRIPTION OF STUDY:

In no more than 1500 words the applicant should provide a detailed description of the proposed study, including but by no means restricted to the following elements:

  • A statement of the topic under consideration with specific reference to the major questions, problems, and theses being investigated.

  • An outline of the plan for carrying out the study or project.

  • Discussion of the sources in the Schomburg Center and other research units of The New York Public Library that the applicant plans to use for the study and plans for examining them.

  • Description of research methods.

  • Applicant's competence in the use of any foreign languages needed to complete the study.

  • The place of the study in the applicant's overall research and writing program.

  • The significance of the study for the applicant's field and for the humanities in general.

  • The final objective and expected outcomes of the project. Plans for publications, lectures, exhibitions, teaching, and other vehicles of dissemination should be detailed. Fellows will be expected to share and discuss their research and writing with other scholars-in-residence in the weekly work-in-progress seminar during their residency.

SELECTION CRITERIA:

Applications for the Scholars-in-Residence Program will be reviewed by a Selection Committee consisting of five external reviewers, a rotating panel of accomplished scholars and writers with expertise across the fields of study covered by the fellowship. The Selection Committee is convened and chaired by the Director of the Scholars-in-Residence Program.

Fellows will be selected on the basis of the following criteria:

  • Relationship of the project to the resources of the Schomburg Center.

  • Qualifications of the applicant.

  • Quality and feasibility of the project plan.

  • Importance of the proposed project to the applicant's field and to the humanities.

  • Relationship of the project to the humanities.

  • Likelihood that the project will be completed successfully.

  • The provisions for making the results of the project available to scholars and to the public at large.

Applicants selected for the Program will be notified in late March.

https://www.nypl.org/help/about-nypl/fellowships-institutes/schomburg-center-scholars-in-residency/application?utm_campaign=schomburgsocialmedia&utm_source=twitter&utm_medium=social

_____

CALL FOR SUBMISSIONS

Stellium

DEADLINE: Rolling

INFO: Stellium centers Black queer and trans creatives. We still accept work from other Black and QTPOC creatives. We seek those emerging and established (with an emphasis on emerging).

What type of work do you accept?

  • Fiction - We welcome long- or short-form fiction. If you submit flash fiction (up to 2k words), you can submit up to three pieces of similar length. The sweet spot is around 2k to 5k words but we'll consider all lengths.

  • Nonfiction - We're seeking creative nonfiction submissions. Please note the following before submitting. We welcome personal essay, memoir, biography, autobiography, the Audre Lorde-invented “biomythography," new journalism or literary journalism, diary entries, and more. No academic papers. The sweet spot is around 1k to 4k words but we'll consider all lengths.

    • “The stories that only you can tell. Stories about your most closely-held revelations or your brightest lightbulb moments, whether about your own life or about the world at large or both. Those 2000-word-long musings scribbled in your Notes app between shifts? Those clever tweet threads that make you go “dang, Twitter should pay me for this”? Those are great places to start.” - former CNF editor Kim Wong-Shing

    • See work from Akwaeke Emezi in The Cut and from Brandon Taylor in them.

  • Prose poetry - We do not accept traditional poetry. Please note the following before submitting. Prose poetry is "not broken into verse lines, [but] demonstrates other traits such as symbols, metaphors, and other figures of speech common to poetry." Write in paragraphs and with a poetic flow, and we'll want to see it. Please submit a maximum of five poems.

    • “Think poetry without line breaks. Think a really poetic tweet without character limits. Think an expressive, detailed letter or e-mail to the homie. Think run-on sentences, runaway thoughts. Think IDGAF about punctuation all like that but I care about the feels & the mood & the setting & maybe i’mma slide in a slant rhyme or 2 or as many as necessary.” - former prose poetry editor Nefertiti Asanti

    • See [Kills bugs dead.] and Elliptical by Harryette Mullen.

  • Art - We accept high-quality scans of any original, visual art.

So how do I submit?

Please use the following format when submitting, otherwise, your entry may be discarded.

  • Craft an e-mail to submissions (at) stelliumlit.com

  • In the subject line, clarify your submission as genre: title, your name

    • example: “Fiction: Fifteen Little Birds, Janelle Doe”

  • In the body, please share:

    • your bio (any length) including your name, pronouns, and creative background

    • social media links or an alternative way to contact you outside of e-mail (to confirm you’re not a plagiarist)

    • submission summary (at least a sentence, even for art submissions)

    • answer: has this work been submitted elsewhere?

    • your submission as a DOCX or PDF attachment, or as a JPG or PNG for art submissions

      • within the e-mail body is fine but an attachment is preferred

      • no other file formats are accepted at this time

Do y’all pay?

We do! In the past, we’ve offered $50 for each accepted submission, even for art and poetry. However, we’re still in the running for grants and hope to offer more than that in the future. For now, you can expect our standard minimum payment and, if we’re able to offer more, we will announce it and update the text here. If you’d like to support us, feel free to make a contribution today via our fiscal sponsor, Fractured Atlas.

stelliumlit.com/submit

POETRY — OCTOBER 2022

Charles B. Wheeler Poetry Prize

The Journal

DEADLINE: October 10, 2022

INFO: Each year, manuscripts by emerging and established poets are screened, in accordance with CLMP guidelines, by volunteer readers associated with The Journal and The Ohio State University English Department. Marcus Jackson will select one full-length manuscript for publication by Mad Creek Books, the trade imprint of The Ohio State University Press. In addition to publication under a standard book contract, the winning author receives the Charles B. Wheeler prize of $2,500.

GUIDELINES:

  • Entries of at least 48 typed pages of original poetry must be submitted electronically during the month of September. The submitter’s name or other identifying information should appear only on a separate cover page and not within the document. All manuscripts will be read and judged anonymously.

  • Manuscripts must be previously unpublished. Some or all of the poems in the collection may have appeared in periodicals, chapbooks, or anthologies, but these must be identified in an acknowledgments page.

  • A nonrefundable handling fee of $23.00 or $11.50 for BIPOC poets will be charged for each entry. All entrants receive a one-year subscription to The Journal.

    • If it is a hardship to meet the submission fee, please contact our editor to discuss options for a fee waiver at prize@thejournalmag.org

2022 JUDGE:

Marcus Jackson is a poet and photographer who studied in NYU’s graduate creative writing program and as a Cave Canem fellow. His poems and photographs have appeared in such publications as The American Poetry Review, The New Yorker, and The New York Times Magazine. His second book of poems, entitled Pardon My Heart (Northwestern University Press/TriQuarterly Books), was released in 2018. Of Pardon My Heart, Jeff Gordinier for The New York Times writes, “Jackson’s collection confirms the arrival of a thrilling new voice in American poetry, one whose writing, on page after page, has the fullness and glow of a jubilee.” Jackson lives with his wife and child in Columbus, Ohio, and he teaches in the MFA program in creative writing at Ohio State.

thejournalmag.org/book-prizes/wheeler-prize

_____

CALL FOR SUBMISSIONS AND PITCHES: BLACK AND ASIAN FEMINIST SOLIDARITIES

AAWW’s The Margins / Black and Asian Feminist Solidarities

DEADLINE: October 15, 2022

INFO: A collaboration between Black Women Radicals and the Asian American Feminist Collective, Black and Asian Feminist Solidarities is a monthly series published in AAWW’s The Margins that launched in July 2020. This ongoing project looks to Black and Asian American feminist histories, practices, and frameworks on care, community, and survival for the tools and strategies to continue to build towards collective liberation.

With two years under our belt, the editors of Black and Asian Feminist Solidarities are looking for pitches and submissions to shape the next phase in this series.

Since we started this project, people in Black and Asian communities have been reckoning with grief, loss, heartbreak, and death at different scales. We are witnessing in real time the stripping of reproductive rights; the ways state-based responses to violence pit Black and Asian communities against each other; and attempts to legislate queer and trans people out of existence.

In reflecting on solidarity, we often are left with more questions than answers.

What does it mean to create and nurture solidarity at this juncture? We’re currently seeking new pitches and finished pieces that interrogate past, present, and future issues within the realm of Black and Asian feminist solidarities, and that imagine possibilities between our communities through various written forms.

Topics and approaches of specific interest include:

  • Environmental justice and water protection; land, water, and place as solidarity; islands and oceans as connective sites; ancestral foodways and ecologies; and growing and caring for land and nature

  • Storytelling centering queer intimacies, friendships, kinships, and relationships across race

  • Reproductive justice, care work, and labor

  • Speculative fiction exploring fantasy, myth, magic, histories, futures, and more

  • Histories, genealogies, and inheritances of movements and migration

  • Transnational approaches to abolition politics, including political imprisonment, war, and demilitarization

  • Ending caste apartheid, politics of colorism, interrogations of racial categories and hierarchies of racialization

  • Navigating conflicts, tensions, difficulties, contradictions, and controversies within and across communities

  • Joy, love, and pleasure as solidarity including gatherings, sex and romance, and humor

  • Engagements with feminist literatures and critique and writing as craft

We invite submissions and pitches on feminist solidarities from creative writers, poets, community organizers, workers, artists, journalists, and scholars.

We are seeking FINISHED SUBMISSIONS in the following genres and forms:

  • Short creative stories across genres including speculative fiction, young adult, and romance

  • Illustrations, graphics, and comics

  • Creative nonfiction including personal essays and historical narratives

  • Poetry, letters, journal entries, songs, and spells

We are also open to PITCHES for:

  • Interviews and conversations

  • Researched or reported works

  • Political and cultural criticism and commentary

  • Collaborative works, hybrid genres, and/or exploratory formats

We are currently not seeking submissions for commentary and reported works that require timely or urgent publication.

GUIDELINES:

Email your finished submission or pitch as a .doc/x, or Google doc to bafs@aaww.org.

Please format the title of your submission as follows: “LAST NAME – Black and Asian Feminist Solidarities – TITLE OF PIECE or PITCH .”

Include your preferred name for publishing and a short biography (maximum 100 words).

For finished pieces, we welcome:

  • essays up to a maximum of 3,000 words

  • short fiction up to 3,500 words

  • poetry, illustrations, and hybrid work up to 10 pages or panels for consideration

Please include any image attachments as .jpgs or .pngs.

If you are sending a pitch, please indicate your plan and timeline for completion.

Please also include a short cover letter (max 300 words) about how you connect to this call as an author and how your submitted work relates to this call. Feel free to respond in a way that aligns with the aims of your work.

If our editors decide to move forward with a pitch or submission, writers can expect a reply within six weeks to three months. Although we cannot guarantee a response to all pitches and pieces, our editors will do their best to get back to all writers. We appreciate your patience.

We will pay for published pieces. The Margins‘ 2022 rate sheet is here.

About Black and Asian Feminist Solidarities

This ongoing project looks to Black and Asian American feminist histories, practices, and frameworks on care, community, and survival for the tools and strategies to continue to build towards collective liberation. Solidarity at its core is about relationships. Solidarity means we understand and commit to taking responsibility for one another—and that is the radical feminist future we believe in. So far we have featured nonfiction essays, creative writing and poetry, reading lists, archival materials, and interviews and conversations. The project offers political analysis and ruminations on a variety of topics such as reproductive justice, sex worker organizing, transnational feminisms, war and militarism, care work, and intergenerational movements. Black and Asian Feminist Solidarities is edited by Salonee Bhaman, Julie Ae Kim, Rachel Kuo, Senti Sojwal, Jaimee A. Swift, and Tiffany Diane Tso.

https://aaww.org/submissions-black-asian-feminist-solidarities/

_____

CALL FOR SUBMISSIONS

Third Coast

DEADLINE: October 15, 2022

INFO: For all submissions, please remember to include the title of the work, your name, and contact info on the first page of your manuscript.

All submissions should be sent via Submittable, through the portals of their respective genres. All attachments sent to our email address will be deleted, and any submissions sent via postal mail or social media will not be read.

We accept simultaneous submissions, but not multiple submissions; please submit no more than one manuscript at a time. We do not accept previously published works.

You can view the status (Received, In Progress, Declined, or Accepted) of your submission to Third Coast and to any other journal that uses Submittable by logging into your Submittable account. We might be taking longer than we’d like to review your work, but we haven’t lost, or lost track of, your submission. If your Submittable status reads “In Progress,” then it’s as simple as that—consideration of your manuscript is in progress.  Please do not query until it has been at least a year.

Authors receive a contributor copy in gratitude of their work. We do not pay for publications at this time.

SUBMISSION GUIDELINES:

  • FICTION - Submit manuscripts of up to 7,500 words (or up to 25 pages). Authors wishing to submit longer manuscripts should query the editors at editors@thirdcoastmagazine.com. We accept up to five pieces of flash fiction, or “short shorts,” at a time. (Please submit short shorts in one electronic document—see withdraw instructions under POETRY below.)

  • NONFICTION - Submit manuscripts of up to 7,000 words.

  • POETRY - Submit manuscripts of no more than five poems at a time (with a maximum of fifteen pages). Poetry should be typed and single-spaced. Submit all poems as one electronic document. (If you need to withdraw a single poem from a submission, leaving others for consideration, please leave a message on the submission to that effect rather than use Submittable’s “Withdraw” function.)

  • DRAMA - Third Coast encourages the submission of 10-minute plays and one-act plays of no more than 20 pages (not including title page). Plays that have had a staged reading or production are acceptable; plays that have received publication are not. Please submit in standard play format.

  • BOOK REVIEWS - Third Coast welcomes submissions of reviews of 500-2,000 words on new or forthcoming books of poetry, fiction, nonfiction, and essays, as well as reviews of full-length plays. For submissions of book reviews, Third Coast strongly prefers reviews of first or second books, or books from smaller presses (we’ll probably pass on that review of Alice Munro’s newest). Third Coast does not accept queries/requests for book reviews of specific books or authors.

  • INTERVIEWS - Third Coast welcomes submissions of both interviews (a conversation between two or more people) and Q&As (an “interview” where a writer responds to a series of prewritten questions). Interviews should run between 2,000 and 6,000 words; Q&A submissions can run shorter.

thirdcoastmagazine.com/submissions/

_____

THE Jake Adam York Prize

Copper Nickel / Milkweed Editions

DEADLINE: October 15, 2022

READING FEE: $25

INFO: The Jake Adam York Prize for a first or second poetry collection is a collaboration between Copper Nickel and Milkweed Editions.

AWARD: The prize-winning poet receives $2,000 and publication by Milkweed Editions.

Initial screening for the prize will be facilitated by the poetry editors of Copper Nickel. (All screeners for the prize will have published at least one book of poetry.) The winner is announced in early March.

Our goal in instituting the Jake Adam York Prize is to honor Jake’s name and legacy with a top-tier, ethical book prize that will offer not just publication but also high-quality design, marketing, and strong national distribution­. Milkweed Editions—which has an excellent marketing team and national distribution through Publishers Group West(PGW)—can offer these things. We at Copper Nickel are grateful and excited for their partnership.

GUIDELINES:

For the 2022–3 prize we will begin accepting online submissions of book-length (i.e., more than 48 pages) poetry manuscripts on July 1, 2022. The final due date for submission will be October 15, 2022. The prize winner will be announced in early March, 2023.

Our judge for 2022–3 is AMAUD JAMAUL JOHNSON. Raised in Compton, California, Johnson is the author of three poetry collections: Imperial Liquor (Pitt Poetry, 2020), which was a finalist for the National Book Critics Circle Award and the Rilke Prize; Darktown Follies (Tupelo, 2013), which won the Hurston/Wright Legacy Award; and Red Summer (2006), which won the Dorset Prize. A former Wallace Stegner Fellow, Johnson has published work in American Poetry Review, Kenyon ReviewThe New York Times Magazine, The Southern ReviewThe Best American Poetry, and elsewhere.

To be eligible for the prize, poets cannot have published—or have under contract—more than one full-length book of poetry in English. (Chapbooks of less than 48 pages and individual poems in magazines are OK.)

Self-published books count as previous book publications if they are at least 48 pages and saw any real distribution whatsoever. (I.e., if your self-published book has an ISBN, and/or has been distributed through Amazon, and/or has had a web presence—even a very limited one—that counts as a previously published book.)

Separate books published in English abroad also count toward eligibility, but not books reprinted abroad or published in another language. (I.e., if you published one book in the US and a different book in the UK, you would be ineligible to submit, but if you published a book in the US and that book was reprinted in the UK, you would still be eligible. If you published one book in the US in English and another book in, say, Poland in Polish you would still be eligible to submit to our prize as long as the book you were submitting to our prize was a not a translation of the book you published in Poland in Polish.)

Previously self-published books are ineligible for submission for the prize, as are translations and co-authored books.

Poets must be US Citizens (living abroad is fine) or must live in the US and be writing in English.

Poets who are family, current colleagues, close friends, or recent students (within the past three years) of the judge are not eligible to enter. Former student editors and interns of Copper Nickel and Milkweed Editions are also ineligible.

Entrants to the Jake Adam York Prize are welcome to submit to other book prizes, including the other Milkweed Editions prizes (the Ballard Spahr Prize, the Max Ritvo Prize, and the National Poetry Series). If your manuscript wins another prize, pleasenotify us and withdraw your manuscript from the Jake Adam York Prize.

Manuscripts can—but don’t have to—include work previously published in literary periodicals and/or chapbooks. If your manuscript includes previously published work, please include an acknowledgments page.

Final judging for the prize is anonymous. For this reason, please do not include your name or other identifying marks on the manuscript itself. (We will be able to obtain that information from Submittable, and the information will not be forwarded to the final judge.)

All entrants will receive a one-year subscription to Copper Nickel (worth $20) in exchange for a $25 reading fee, and all money raised beyond production costs for the prize will go toward paying Copper Nickel contributors.

Please note that when you submit your work to the Jake Adam York Prize you’re adding yourself to our contact list and, thus, consenting to receiving perhaps 1–2 emails per year about our book prize, subscriptions drives, etc.

copper-nickel.org/bookprize/

_____

2023 ART OMI: WRITERS RESIDENCY

Art Omi

DEADLINE: October 15, 2022 by 11:59pm ET

INFO: Art Omi: Writers hosts authors and translators from around the world for residencies throughout the spring and fall. The program’s strong international emphasis provides exposure for global literary voices and reflects the spirit of cultural exchange that is essential to Art Omi’s mission.

Guests may select a residency of one week to two months; about ten writers at a time gather to live and work in a rural setting overlooking the Catskill Mountains. Daytime is reserved for writing and quiet activities, while evenings are more communal. A program of weekly visits bring guests from the New York publishing community. Noted editors, agents and book scouts are invited to share dinner and conversation on both creative and practical subjects, offering insight into the workings of the publishing industry, and introductions to some of its key professionals. Readings throughout the year invite the public to experience finished and in-process work by writers and translators in residence.

Art Omi: Writers welcomes published writers and translators of every type of literature. All text-based projects -- fiction, nonfiction, theater, film, poetry, etc.—are eligible. International, cultural and creative exchange is a foundation of our mission, and a wide distribution of national background is an important part of our selection process.

All residencies are fully funded with accommodations, food, local transport and public programming provided. However, please note that Art Omi: Writers does not provide travel funds. Selected residents are responsible for funding their own travel or securing travel funds from a third party.

2023 RESIDENCY DATES:

  • Spring: March 24 - Friday, May 26, 2023

  • Fall: Friday, September 1 - Friday, November 3, 2023

GUIDELINES:

Each applicant is required to provide 4 (four) separate items in total:

  1. A cover letter, which provides the following details: country of birth, country of residency, the language in which you write, your preferred residency dates. Please note we have two sessions per year: Spring (March 20 - June 5) and Fall (September 4 - November 6). Additionally, please let us know how you heard about Art Omi: Writers, why you want to come to Art Omi: Writers and what you expect to get from the experience. Important Note: If you are eligible for our sponsored residency for a previous Whiting Award winner please indicate so in your cover letter.

  2. A brief (2 pages, maximum) statement about your work history, referencing publications, performances and writing credits. This can be submitted in CV format.

  3. A writing sample, no more than 50 pages. Please be sure to indicate if the writing is published or unpublished; if it is published please provide details.

  4. A one page description of the work to be undertaken while at Art Omi: Writers.

Your writing sample does NOT have to be an English translation; please submit your writing sample in your mother tongue. All other documentation must be submitted in English.

Your cover letter should be provided in the designated Cover Letter field. Items 2-4 should each be provided as separately uploaded files.

Alumni of the program are eligible to reapply.

artomi.submittable.com/submit/232906/art-omiwriters-2023-application

_____

2023 ALICE JAMES AWARD

Alice James Books

DEADLINE: October 16, 2022

ENTRY FEE: $30

INFO: The Alice James Award welcomes submissions of full-length, previously unpublished poetry manuscripts from emerging as well as established poets. Entrants must reside in the United States.

In celebration of our 50th anniversary in 2023, the winner of the 2023 Alice James Award will receive $5000, book publication, and distribution through Consortium. In addition to the winning manuscript, one or more additional manuscripts may be chosen for publication as the Editor’s Choice.

For details on submission guidelines and how to send a hardcopy submission during the open season, review our guidelines below:

GUIDELINES FOR MANUSCRIPT SUBMISSION:

 • Screening for the Alice James Award is blind. Because of this, no contact information is allowed within your manuscript, including within the filename, if electronically submitted. Electronic submissions will have contact information collected via Submittable, which is hidden from our screeners. Hardcopy submissions must include a separate title page, which lists the title of your manuscript and contact information (name, address, e-mail address, and phone number).

• Do not include any preambles, bios, or acknowledgments within your submitted manuscript.

• Manuscripts must have a numbered table of contents.

• No illustrations, photographs, or images should be included.

• Manuscripts must be typed in a no less than 12 point font, paginated, and 48 – 100 pages in length (single-spaced). For hardcopy submissions, we accept double-sided manuscripts.

• Individual poems from the manuscript may have been previously published in magazines, anthologies, or chapbooks of less than 25 pages, but the collection, as a whole, must be unpublished.

• Translations and self-published books are not eligible.

• No multi-authored collections, please.

• Entry fee for the Alice James Award is $30 for online and hardcopy submissions. Checks or money orders for hardcopy submissions should be made payable to Alice James Books.

Manuscripts may be submitted online or by regular mail.
 

Mail hard copy entries to: 

Alice James Books, Alice James Award
Auburn Hall, 60 Pineland Drive
Suite 206
New Gloucester, ME 04260

For online submissions (open March 8, 2022-October 16, 2022), click here.

ABOUT AJB’S SCREENING PROCESS:

Manuscripts submitted to the AJA are screened anonymously. During the screening process, every manuscript is read by a minimum of two people, at least one of whom is a board member (the other is either an outside screener or another board member). With the assistance of screeners, submissions are winnowed to a group of finalists from which the editorial board chooses a winner. Manuscripts in the finalist group are not read anonymously. Our screeners, with very few exceptions, are published poets and/or MFA students.

OUR WINNER SELECTION PROCESS:

Finalist manuscripts are read over a period of weeks by the Editorial Board in preparation for the finalist meeting where the winner is chosen.

alicejamesbooks.org/submit

_____

2022 Love & Eros Prize

Palette Poetry

DEADLINE: October 16, 2022

INFO: Palette Poetry is delighted to bring back the Love & Eros Prize for 2022, awarding $3000 and publication. Love engulfs us, desire rules us. We encourage love poems beyond the confines of what’s traditionally “romantic.” Rather, we’re seeking unflinching examinations of our sharpest human sensations—those of desire, longing, devotion, and intimacy. All iterations of love are welcome—send us your bitter and your sweet, your queer, platonic, reverent, and devotional.

Palette's editors will choose the ten finalists and any honorable mentions that warrant extra attention. The winner and runners-up will be selected by our guest judge, Carl Phillips, author of Then the War (Farrar, Straus, and Giroux, 2022). Second and third place will receive $300 and $200, respectively.

ABOUT OUR JUDGE:

Carl Phillips is the author of several books of poetry, most recently Then the War (FSG, 2022). Other books include The Tether, winner of the Kingsley Tufts Poetry Award, and Double Shadow, winner of the Los Angeles Times Book Prize.  His prose books are The Art of Daring: Risk, Restlessness, Imagination (2014) and Coin of the Realm: Essays on the Life and Art of Poetry (2004), and he has translated Sophocles’s Philoctetes (2004).  A finalist for both the National Book Award and the National Book Critics Circle Award, his other honors include the Lambda Literary Award, an Award in Literature from the American Academy of Arts and Letters, the Theodore Roethke Memorial Foundation Poetry Award, the Thom Gunn Award for Gay Male Poetry, and fellowships from the Guggenheim Foundation, the Library of Congress, and the Academy of American Poets, for which he served as Chancellor from 2006-2012. In addition to contemporary poetry and its writing, his academic interests include classical philology, translation, and the history of prosody in English.

SUBMISSION GUIDELINES:

Please read carefully to ensure your submission will be considered!

  • Submissions are open internationally, to any poet writing in English—inclusion of other languages is welcome, as long as the meat of the poem is in English.

  • DO NOT INCLUDE your name or identifying information in the document OR submission title. If your name is on the submission or in the title, it will be declined unread.

  • We are only accepting unpublished work. If your poem has been published on a blog or on social media, it is not eligible.

  • We accept simultaneous submissions—just please send us a note if your work is picked up elsewhere (we want to say congrats!)

  • There is no page requirement, but submission must be no more than 3 poems. Please submit all your poems in ONE document.

  • We do accept multiple submissions, but each submission will include the $20 reading fee.

  • Please include a brief cover letter with your publication history, if any. This is where you can include your name and/or bio! If you select the editorial feedback option, this is also where you can name which poem you'd like feedback on.

  • Review our FAQ page for frequently asked questions for anything not addressed here.

palettepoetry.com/current-contest/

_____

ANAPHORA WRITING RESIDENCY

Anaphora Arts

DEADLINE: October 20, 2022

INFO: Anaphora Writing Residency is a ten-day program designed exclusively for writers of color. The residency offers workshops, readings, craft talks, and discussions with professionals from the literary and publishing industry. The goal of the program is to nurture emerging and established writers of color, to create opportunities for publication, and establish a wide network of support for writers of different backgrounds.

DATES + FEES: The upcoming residency will run on February 16 - 25, 2023, and will be held virtually. The program costs $2,400, and several partial fellowships are available every year, depending on funding availability. Applications must be submitted by the priority deadline to be eligible for fellowships. Anaphora Fellows and returning alumnx, will have the opportunity to attend the program at a discounted rate.

The priority deadline is October 20, 2022 (with the final application deadline on October 31, 2022). Applications are reviewed by an anonymous admission board of peers, which rotates every year. Notifications will be sent out starting November 7, 2022 (including notifications of fellowships). A non-refundable security deposit of $150 is required within two weeks of notification; program fees must be paid entirely prior to the beginning of the residency.

If you have any questions, please check out the residency’s FAQ page, or contact us.

WHAT TO EXPECT: The program will provide workshops in poetry and prose, craft talks, daily readings (by guests and program participants), masterclasses, generative sessions, and discussions with professionals from the industry, including literary agents, editors, and publishers.

SPEAKERS:

  • Nana Kwame Adjei-Brenyah is the author of the bestselling short story collection Friday Black and the novel Chain-Gang All-Stars. His work has appeared or is forthcoming in numerous publications, including Guernica, Compose: A Journal of Simply Good Writing, Printer’s Row, Gravel, and The Breakwater Review, where he was selected by ZZ Packer as the winner of the 2nd Annual Breakwater Review Fiction Contest. He is from Spring Valley, New York. He graduated from SUNY Albany and went on to receive his MFA from Syracuse University.

  • Mahogany L. Browne, selected as Kennedy Center’s Next 50 and Weseleyan’s 2022-23 Distinguished Writer-in-Residence,  the Executive Director of JustMedia, Artistic Director of Urban Word, a writer, playwright, organizer, & educator. Browne has received fellowships from Arts for Justice, Air Serenbe, Cave Canem, Poets House, Mellon Research & Rauschenberg. She is the author of recent works: Vinyl Moon, Chlorine Sky, Woke: A Young Poets Call to Justice, Woke Baby, & Black Girl Magic. Founder of the diverse lit initiative Woke Baby Book Fair, Browne’s latest poetry collection Chrome Valley is a promissory note to survival and available from Norton Spring 2023. As she readies for her stage debut of Chlorine Sky at Steppenwolf Theater in Chicago, Illinois, she drinks coffee while living in Brooklyn, NY. She is the first ever poet-in-residence at Lincoln Center.

  • Camille T. Dungy is the author of four collections of poetry, most recently Trophic Cascade (Wesleyan UP, 2017), winner of the Colorado Book Award, and the essay collection Guidebook to Relative Strangers: Journeys into Race, Motherhood and History (W.W. Norton, 2017), a finalist for the National Book Critics Circle Award. Dungy has also edited anthologies including Black Nature: Four Centuries of African American Nature Poetry and From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great. A 2019 Guggenheim Fellow, her honors include NEA Fellowships in poetry (2003) and prose (2018), an American Book Award, two NAACP Image Award nominations, and two Hurston/Wright Legacy Award nominations. Dungy’s poems have been published in Best American Poetry, The 100 Best African American Poems, the Pushcart Anthology, Best American Travel Writing, and over thirty other anthologies. She is University Distinguished Professor at Colorado State University.

  • Tarfia Faizullah is the author of two award-winning poetry collections, Registers of Illuminated Villages (Graywolf, 2018) and Seam (SIU, 2014). Her writing has appeared widely in periodicals and magazines in the US and abroad and has been displayed at the Smithsonian, the Rubin Museum of Art, and elsewhere. Tarfia’s writing is translated into Spanish, Bengali, Persian, Chinese, Tamil, and other languages. Born in Brooklyn, NY to Bangladeshi immigrants and raised in Texas, Faizullah currently lives in Dallas.

  • Loan Le is an editor at Atria Books, a Simon & Schuster adult imprint, and she acquires dark, atmospheric upmarket and “literary plus” fiction, or literary fiction with genre elements like horror, mystery, suspense/thriller, and/or folklore. Her authors include Sarah Langan, Louise Candlish, Carolyn Huynh, Meredith Westgate, Kevin Chong, Luke Dumas, Shea Ernshaw, and Jennifer Fawcett. She is also the author of A Phở Love Story, a YA rom-com that earned praise from NPR, POPSUGAR, Bustle, and Buzzfeed. She holds an MFA degree in fiction from Fairfield University, where she also earned her bachelor’s degree. A Pushcart Prize-nominated writer, Loan has had her short stories appear in CRAFT Literary, Mud Season Review, and more. When she’s not writing young adult novels, she’s writing ghostly, dark adult fiction, watching slow-burn K-Dramas, and listening to BTS. Visit her website at writerloanle.com and find her on Twitter @loanloan and Instagram @loanloanle.

anaphoraarts.com

_____

GET THE WORD OUT: PUBLICITY INCUBATOR FOR DEBUT AUTHORS

Poets & Writers

DEADLINE: October 21, 2022

INFO: Get the Word Out is a publicity incubator for debut authors. This unique professional development program will provide expert advice and peer support to authors who might not otherwise have access to these resources.

We will select a cohort of debut fiction writers in fall 2022 and a cohort of debut poets in early 2023. In each cycle, authors planning for the publication of their debut book will develop and execute a strategic publicity plan under the mentorship of an accomplished book publicist.

The program's goal is to help debut writers maximize the exposure of their first book, reach readers, and create a platform to propel their literary careers.

Get the Word Out participants will:

  • Participate in a six-session online publicity workshop led by an experienced book publicist

  • Attend six online seminars with leading professionals in publicity, marketing, sales, and related professions

  • Devote considerable time outside of scheduled sessions to promoting their book

  • Contribute to a peer learning community by sharing what works and what doesn’t, helping each member of the cohort to amplify their impact

There is no application fee and no cost to those who are invited to participate.

MEET THE 2022 FICTION PUBLICITY MENTOR:

Get the Word Out will launch in November 2022 with the program’s inaugural cohort of debut fiction authors. The Publicity Mentor for this group will be Lauren Cerand.

Cerand has twenty years of experience running her own thriving global communications consultancy, driven by an intensive personal focus on each client’s needs and desires, a vast network of relationships, and unparalleled expertise and ingenuity. She helps creative professionals to connect with audiences and inspire community, often through the lens of media. Cerand has advised writers, artists, publishers, and media and cultural organizations that are household names throughout her career and guided many more that are still finding their path. After two decades in New York and a year in Florence, Italy, she now lives in Baltimore and continues to work internationally. For more information, visit LaurenCerand.com.

IMPORTANT DATES:

Fiction Cohort – Fall/Winter 2022

  • Fiction Cohort Announced - November 15

  • Fiction Cohort Orientation - November 17

  • Fiction Publicity Incubator Begins - November 21

  • Fiction Publicity Incubator Ends - February 24

Poetry Cohort – Spring 2023

  • Application opens - January 9

  • Application deadline - February 3

  • Poetry Cohort Announced - March 7

  • Poetry Cohort Orientation - March 8

  • Poetry Publicity Incubator Begins - April 3

  • Poetry Publicity Incubator Ends - June 23

ELIGIBILITY:

Who is eligible?

  • Authors under contract with a U.S.-based publisher for the publication of a debut novel or short story collection written in English and scheduled for release between December 1, 2022, and December 31, 2023.

  • Must be 18 years of age or older.

  • Must live in the U.S. during the program period (but do not need to be a U.S. citizen or hold permanent resident status).

  • Must be available to attend and participate in all of the incubator program’s virtual workshops and seminars between November 17, 2022, and February 24, 2023, and devote between 4 to 6 hours weekly for twelve weeks to the publicity planning of their book.

  • Those currently enrolled in degree-granting programs are not eligible.

  • Employees and Board Members of Poets & Writers, and their immediate families, are not eligible.

What qualifies as a “debut” novel or short story collection?

  • Your first full-length work of fiction, scheduled to be published by a U.S.-based publisher between December 1, 2022, and December 31, 2023.

  • Applicants who have previously published a full-length work of literature in any other genre are not eligible.

  • Applicants who have previously published a full-length work of literature in another country are eligible, if they have published no more than one book of fiction with a non-U.S. publisher.

  • Applicants who have previously published fiction chapbooks are eligible.

  • Self-published or hybrid-published books, e-book editions, and graphic novels, are not eligible.

  • The book must be written in English; works in translation are not eligible.

  • Finalists will be asked to submit verification of debut publication and residency.

SELECTION CRITERIA:

Participants will be selected based on the strength of their writing sample and statement of purpose.

Get the Word Out is open to all eligible applicants. The program aims to support writers who might not otherwise have access to in-depth publicity support and to help develop strong literary voices nationwide. To that end, we encourage applications from writers who identify as BIPOC (Black, Indigenous, or person of color), writers with disabilities, LGBTQ+ writers, writers from outside of New York City, writers who do not have an MFA or equivalent degree, and writers whose books are slated to be published by independent presses.

Applications must include:

  • A completed application form and eligibility quiz

  • A statement of purpose (max: 1,000 words)

  • A double-spaced excerpt (max: 10 pages in 12 pt. font) from your debut novel or short story collection

  • An author bio (max: 250 words).

See details on the application form. For more information, please contact tkehou@pw.org.

pw.org/content/get_the_word_out

_____

2023 Periplus Fellowship

Periplus Collective

DEADLINE: October 24, 2022 at 11:59 pm ET

INFO: Periplus is a mentorship collective serving U.S. writers of color. We’re happy you’ve found us. We’re looking for mentees—Periplus Fellows—who are people of color, are located in the United States, and are at least 18 years old, and whose writing shows great promise. We are seeking to mentor writers who are relatively early in their careers and would especially like to award fellowships to those with limited past access to writing resources and supportive communities. We aim to equalize access so that writers can achieve their goals regardless of their background and affiliations.

In assessing your application, we’ll be most focused on the promise we see in your writing sample. We will also consider how helpful a Periplus Fellowship could be for your craft and career.

ELIGIBILITY: You are NOT ELIGIBLE for a Periplus Fellowship if you are currently enrolled in a graduate program in creative writing or journalism. You are also NOT ELIGIBLE if you have published a book or have one under contract with a major U.S. press.

docs.google.com/forms/d/e/1FAIpQLSejPZbuWHw1e5huulgUJcaNGVIs_eyV8tRwgl8glYuIIypScA/viewform

_____

2023 PROGRAM FELLOWSHIP

Kweli Journal

DEADLINE: October 24, 2022 at 11:59pm ET

INFO: Building on Kweli's successful history of mentoring emerging authors, we will provide three (or more) early-stage writers with 11-month writing fellowships.  

ELIGIBILITY: Eligible candidates are early career vocational writers living in New York City, who are not enrolled in degree-granting programs and self-identify as Black, Native/First Nations, POC, and/or Arab American.  

Writers who have not yet contracted to publish a book are invited to apply.  

Successful applicants will be informed no later than December 15, 2022. The fellowship period will be January 3, 2023 – December 3, 2023.  

GUIDELINES:

Please submit the following:

  • A cover letter containing a one-paragraph biographical statement; one paragraph that is a favorite of yours from a book you've read recently; and a brief statement telling us why this particular passage is meaningful to you. Please also note in your cover letter if you are a resident of one of New York City's five boroughs.

  • A CV or résumé  

  • A letter of recommendation to editors@kwelijournal.org  

  • A brief statement of your career goals and what you expect to accomplish as a Kweli Fellow.  

  • A 10 page writing sample. There is no word-count requirement. Eligible genres are fiction, poetry, literary nonfiction, and cross-genre writing, whether written for adults, young adults, or children.

kwelijournal.org/kweli-fellowship-program

_____

Capacity-Building Grant Program

Academy of American Poets

DEADLINE: October 28, 2022 at 5pm ET

INFO: Recognizing that literary nonprofit organizations need to address sustainability, the Academy of American Poets is pleased to offer a new opportunity to apply for two-year grants between $5,000 and $25,000 per year. This Capacity-Building Grants Program is made possible by a special gift from the Hawthornden Fund, established by the Drue Heinz estate.

Nonprofit literary organizations that present or serve poets, or incorporate poetry, as some part of its programming are welcome to apply for grants ranging from $5,000 to $25,000 to support projects that build organizational capacity and help ensure greater sustainability.

“Capacity building” as defined by the National Council of Nonprofits, is “Whatever is needed to bring a nonprofit to the next level of operational, programmatic, financial, or organizational maturity, so it may more effectively and efficiently advance its mission into the future.

Examples of requests for support include new or existing projects such as fundraising, finance, or marketing staff or consultants; skill-building opportunities for staff or Board members; strategic planning consultants; diversity and equity initiatives; leadership development and management training; and succession planning.

ELIGIBILITY + REQUIREMENTS:

  • Applicants must be literary nonprofit organizations based in the United States or U.S. Territories.

  • Applicants must be a 501(c)3 organization or have a fiscal sponsor.

  • Grantees are required to submit a report to the Academy of American Poets at the conclusion of the first year of grant period to obtain the second year of funding, as well as at the conclusion of the grant period.

REVIEW PROCESS:

Applications will be reviewed by an independent panel based on the following criteria:

  • Completeness of application and clarity of proposal

  • Feasibility of capacity-building project as described

  • Potential impact on organizational capacity and/or sustainability

  • Submitted work samples

TIMELINE:

  • October 28, 2022: Application portal closes

  • January 2023: Applicants notified of acceptance/rejection and funds disbursed

  • January-December 2023: Grantees conduct projects

  • December 2023: Grantees return project report

poets.submittable.com/submit/233772/academy-of-american-poets-capacity-building-grant-program/eligibility?mc_cid=c5650acc7d&mc_eid=e73843675a&mc_cid=795cd80616&mc_eid=e73843675a

_____

Light Bill Incubator Microgrant

Sundress Publications

DEADLINE: October 31, 2022

INFO: Sundress Publications is now open to submissions for grant applications from Black and/or Indigenous identifying writers with a chapbook in progress. All eligible authors are welcome to submit during our application period from August 1st to October 31st, 2022.

AWARD: The Light Bill Incubator Microgrant will award $500, a slot in Sundress’s reading series, a residency at the Sundress Academy for the Arts in Knoxville, TN, and the potential for digital publication. This award will go to one Black and/or Indigenous writer with a chapbook in progress, to support the completion of said project. 

All applications will be read by members of our editorial board. One writer will be selected, who will then work with Sundress’s reading series coordinator, residency team and editorial board. 

Applicants may apply with any genre; however, the proposed project must be chapbook-length, meaning the planned final version should be no more than 48 pages. 

TO APPLY: Please send a sample of the chapbook in progress along with a brief (no more than 500 words) artist/personal statement. These items should be sent to our editorial board as DOCX or PDF files at sundresspublications@gmail.com. Please include the phrase “Light Bill Incubator Microgrant Application” in the subject line. There is no fee to apply.

sundressblog.com/2022/08/02/sundress-publications-open-for-microgrant-applications-for-black-and-or-indigenous-writers/

_____

CALL FOR SUBMISSIONS: ‘AWAKE’ PRINT ZINE

Lucky Jefferson

DEADLINE: October 31, 2022

INFO: Awake is a digital zine and collection of work by Black authors that explores the power we each hold. For the very first time, Awake will be in print!

Use the prompt below to complete your submission: 

The West is under attack! Protect your frontier and deliver your ‘isms [alive] to collect your bounty!

While the frontier is often typecast through an old western lens, your frontier can be whatever setting or undiscovered territory you want to explore. This can be a place near to you or a place not yet imagined.

Your frontier is boundless, without boundaries or borders that limit where or how far your writing can go. Think modern westerns (Greg Neri’s adaption Concrete Cowboy), cross-genre (Jordan Peele’s Nope), or even traditional/revisionist western (Jeymes Samuel’s The Harder They Fall). Leave no ‘ism’ unturned or territory underexplored. Whether through the region, era, or genre, there are no restrictions defining what, when, or where your frontier exists. Just show us, How the West Was (or still is) Black.

HOW TO COLLECT YOUR BOUNTY:

  • Choose your bounty (see below)

  • Document your western encounter with an ‘ism (racism, homophobia, etc.)

  • Turn in your bounty via Submittable

BOUNTIES (MONEY YOU EARN):

$15 — Haiku, Short Poems (<14 lines), Micro Fiction (under 100-300 words)

SUBMIT UP TO 3 PIECES PER UPLOAD

$25 — Prose, Short Story, Flash fiction, Creative-Nonfiction (under 1000 words)

SUBMIT NO MORE THAN 1 PIECE PER UPLOAD

$50 — Hybrid, Experimental, Essays, Long-form pieces. (under 2000 words)

SUBMIT NO MORE THAN 1 PIECE PER UPLOAD

$50 — All Artwork (includes comics, paintings, etc.)

SUBMIT UP TO 3 PIECES PER UPLOAD


Poems, essays, flash fiction, creative nonfiction, and art should illustrate which bounty you wish to collect.  
Upon acceptance, submissions will be included on our website, in print, and will be eligible to be publicized on social media.

Accepted authors will receive a payout of $15, $25, or $50, each accepted submission, depending on which bounties are collected.

luckyjefferson.submittable.com/submit/233700/awake-submission-a-print-zine-for-black-authors-artists?utm_source=LJ+Website&utm_medium=landing+page&utm_campaign=Awake+Issue+5

_____

PRUFER POETRY PRIZE

Pleiades

DEADLINE: October 31, 2022 at 11:59pm CT

ENTRY FEE: $20 (Fee waived for all BIPOC writers)

INFO: Pleiades is accepting submissions for the Prufer Poetry Prize during the month of October. The winner will receive $1,000 and publication in an upcoming issue of Pleiades: Literature in Context.

JUDGE: Joy Priest is the author of Horsepower (Pitt Poetry Series 2020), winner of the Donald Hall Prize for Poetry, and the editor of Once a City Said: A Louisville Poets’ Anthology, forthcoming from Sarabande Books, Spring 2023. She is the recipient of fellowships from the National Endowment for the Arts and the Fine Arts Work Center, and the winner of the Stanley Kunitz Memorial Prize from the American Poetry Review. Her work has appeared in the Academy of American Poets Poem-a-Day series, and The Atlantic, among others, as well as in commissions for the Museum of Fine Arts, Houston (MFAH) and the Los Angeles County Museum of Arts (LACMA). She is currently an MD Anderson Foundation Fellow in Literature & Creative Writing at the University of Houston.

TO PAY for your submission: Please visit this link to pay the $20 entry fee. Make note of your order number, which you will include in your submission. 

TO SUBMIT: Poets may submit 1-3 poems for a $20 entry fee between October 1-31. 1-3 poems should not exceed 10 pages. Please visit pleiadessubmissions.com to submit. ***Please select “Prufer Poetry Prize”  under “genre” or your submission will not be read. Please include your order number in the comments section of your submission (BIPOC writers need not include an order number). Please do not include any identifying information on the submission document or PDF. 

pleiadesmag.com/submit/

_____

CALL FOR SUBMISSIONS: LGBTQ+ WRITERS

Foglifter

DEADLINE: November 1, 2022

INFO: Foglifter is a biannual compendium of the most dynamic, urgent queer and trans writing today. It’s a space where LGBTQ+ writers celebrate, mourn, rage, and embrace.

Foglifter welcomes daring and thoughtful work by queer and trans writers in all forms, and we are especially interested in cross-genre, intersectional, marginal, and transgressive work. We want the pieces that challenged you as a writer, what you poured yourself into and risked the most to make. But we also want your tenderest, gentlest work, what you hold closest to your heart. Whatever you're working on now that's keeping you alive and writing, Foglifter wants to read it.

What does that look like? Check out some writing we love from our recent issues:

EDITORIAL STATEMENT:

We provide a path to representation for a broad selection of LGBTQ+ voices, centering queer and trans literary artists of color, youth, elders, and those beyond traditional LGBTQ+ cultural centers so that our readers and audiences can see their own experiences authentically represented through queer and trans literary arts.

We believe that queer and trans people must curate our own artistic discourses and we curate with a commitment to not perpetuate harm in our communities and recognize our responsibilities as editors to uplift the voices of queer and trans people while not punching down on those of us who live at the intersection of multiple oppressed identities.

GUIDELINES:

Title your submission with the title of the work(s) you are submitting (separated by commas).

Include a 50-word or less bio (with pronouns after your name, please!) in your cover letter. (If accepted, we will request an author photo; JPG or PNG files are best.)

We accept the following unpublished unsolicited submissions:

  • 3 to 5 poems (max 5 pages)

  • up to 7500 words of fiction or nonfiction (up to three flash fiction pieces)

  • up to 20 pages of cross-genre work, text-image hybrids, or drama

All submissions must be uploaded as one DOC or DOCX file using the following titling convention: First_Last_Foglifter (i.e., Audre_Lorde_Foglifter)

  • We accept simultaneous submissions; however, please withdraw your piece immediately if it is accepted elsewhere (or, if you only need to withdraw part of a submission, send us a message in Submittable).

  • Only one submission per genre is permitted each reading period.

  • We do not accept previously published material.

  • If we've recently accepted your work, please wait two reading periods (1 year) to submit again.

  • Contributors receive two copies of the issue in which they appear and a $50 honorarium (via PayPal).

foglifter.submittable.com/submit

_____

NYSCA/NYFA Artists with Disabilities Grant

DEADLINE: November 1, 2022

INFO: The NYSCA/NYFA Artists with Disabilities Grant program will distribute one-time cash grants of $1,000 to artists with a disability who have experienced financial hardship due to the COVID-19 crisis to cover art related expenses. The grant will be open to visual, media, music, performing, literary, and multidisciplinary artists who live in New York State outside of the five boroughs of NYC. 

Applicants will need to be practicing artists and be able to demonstrate an ongoing commitment to their arts practice and career. Applicants should be able to demonstrate that they have participated, created, or maintained their artistic practice and provide documentation from any time over the past 4 years (2018 to date). Applicants are encouraged to share a past public engagement such as an exhibition, show, community-based program, performance, or other public presentation of the artist’s work within their application. Only those who are current New York State residents outside the five boroughs of NYC and have maintained residency for a minimum of twelve months will be considered. 

Grant recipients will not be made public, and personal information will never be disclosed or publicized without prior consent.

This program is made possible through New York State Council on the Arts with the support of the Governor’s Office and the New York State Legislature.

nyfa.org/awards-grants/nysca-nyfa-artists-with-disabilities-grant/?mc_cid=3bde7211da&mc_eid=b2828bf2ea

_____

SHEARING FELLOWSHIP

Black Mountain Institute

DEADLINE: November 1, 2022 at 11:59pm PT

INFO: The Beverly Rogers, Carol C. Harter Black Mountain Institute hosts residential fellowships every academic year. Visiting fellows join a community of writers and scholars in a thriving literary scene in Las Vegas and on the campus of UNLV; they are supported by individuals and groups that share the commitment to bringing writers and the literary imagination into the heart of public life.

For emerging and distinguished writers who have published at least one book with a trade or literary press, this fellowship includes: 

  • compensation of $20,000 paid over a four-month period;

  • a semester-long letter of appointment;

  • eligibility for optional health coverage;

  • office space in the BMI offices on the campus of UNLV;

  • housing (fellows cover some utilities) in a unique and vibrant arts complex in the bustling district of downtown Las Vegas—home to The Writer’s Block, our city’s beloved independent bookstore; and

  • recognition at BMI as a “Shearing Fellow.”

While there are no formal teaching requirements, this is a “working fellowship” located in Las Vegas. BMI’s visiting fellows will maintain an in-office presence of 10 hours a week, along with 10 hours of service to the community. In addition to the primary goal of furthering one’s own writing during their term in Las Vegas, visiting fellows are expected to engage in a substantial way with BMI’s community, in ways that connect to their interests and skills. Upon acceptance into the program, each fellow will craft a plan in partnership with BMI. Here are some examples of activities a visiting fellow might pursue:

  • Offer readings, craft talks, and other public presentations to the readers and writers of UNLV and Southern Nevada.

  • Curate an event or program.

  • Contribute original work (i.e. a work of fiction, nonfiction, or poetry) to one of BMI’s publications.

  • Provide support to one of BMI’s publications(e.g. judge contests or consult on editorial processes).

APPLICATION DETAILS:

Please submit:

  1. A one- to three-page personal statement, which includes 1) your interest in being part of the Las Vegas literary community, 2) a practical description of how you envision fulfilling your service hours and engaging the Las Vegas community, and 3) the writing project(s) you will work on while in residency.

  2. A writing sample (10 pages maximum, double-spaced, 12 pt.).

  3. A résumé or CV.

Finalists will be asked to send copies of their books. (Applicants must have at least one book published by a trade press.) Candidates are selected by a committee comprised of staff and community members at BMI.

blackmountaininstitute.org/fellowships/apply/

POETRY — SEPTEMBER 2022

MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: September 10, 2022 at 11:59pm EST*

PROCESSING FEE: $30

INFO: MacDowell is a fellowship and residency program for writers, visual artists, composers, filmmakers, playwrights, interdisciplinary artists, and architects. About 300 artists are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence.

There are no residency fees. Need-based travel grants and stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply.

MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

MacDowell is currently accepting applications for the Spring Summer 2023 residency season (March - August 2023) and has suspended a longstanding admissions requirement that applicants supply reference letters as part of the application process.

macdowell.org/apply/apply-for-fellowship

_____

WRITER-IN-RESIDENCE PROGRAM

Hedgebrook

DEADLINE: September 12, 2022

APPLICATION FEE: $35

INFO: Hedgebrook’s Writer-in-Residence Program supports writers from all over the world for fully-funded residencies of two to four weeks (travel is not included and is the responsibility of the writer to arrange and pay for). Up to 6 writers can be in residence at a time, each housed in their own handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women-identified writers, 18 and older, whose stories and ideas shape our culture now and for generations to come. Writers must be women, which is inclusive of transgender women and female-identified individuals. Because gender inequity still occurs in all spaces including literary ones, it is part of our explicit mission to support and promote women’s voices. This application is not for alumnae seeking a return stay.

2023 RESIDENCY DATES: July-Oct 2023

hedgebrook.org/writers-in-residence

_____

Hodder Fellowship

Princeton University

DEADLINE: September 13, 2022 at 11:59 p.m. ET.

INFO: The Hodder Fellowship will be given to artists and writers of exceptional promise to pursue independent projects at Princeton University during the academic year. Potential Hodder Fellows are composers, choreographers, performance artists, visual artists, writers, translators, or other kinds of artists or humanists who have “much more than ordinary intellectual and literary gifts”; they are selected more “for promise than for performance.” Given the strength of the applicant pool, most successful Fellows have published a first book or have similar achievements in their own fields; the Hodder is designed to provide Fellows with the “studious leisure” to undertake significant new work.

Hodder Fellows spend an academic year at Princeton, but no formal teaching is involved. An $88,000 stipend is provided for this 10-month appointment as a Visiting Fellow. Fellowships are not intended to fund work leading to an advanced degree. One need not be a U.S. citizen to apply.

GUIDELINES:

Please submit the online application and supporting documentation through AHIRE. Supporting documentation includes:

  1. A resume

  2. 500-word project proposal in which you describe your artistic project and what you plan to do during the fellowship’s 10-month appointment
    Please submit your project proposal in the “Cover Letter” field in the online application.

  3. Work samples accompanied by a 150-word statement on how they relate to your proposal

    Creative Writing: Prose samples are limited to 3000 words. If you are a poet, submit up to 20 pages of poetry.

arts.princeton.edu/fellowships/hodder-fellowship/

_____

Princeton Arts Fellowship

Princeton University

DEADLINE: September 13, 2022 at 11:59 p.m. ET.

INFO: Princeton Arts Fellowships, funded in part by The Andrew W. Mellon Foundation, David E. Kelley Society of Fellows in the Arts, and the Maurice R. Greenberg Scholarship Fund, will be awarded to artists whose achievements have been recognized as demonstrating extraordinary promise in any area of artistic practice and teaching. Applicants should be early career composers, conductors, musicians, choreographers, visual artists, filmmakers, poets, novelists, playwrights, designers, directors and performance artists–this list is not meant to be exhaustive–who would find it beneficial to spend two years teaching and working in an artistically vibrant university community.

Princeton Arts Fellows spend two consecutive academic years (September 1-July 1) at Princeton University and formal teaching is expected. The normal work assignment will be to teach one course each semester subject to approval by the Dean of the Faculty, but fellows may be asked to take on an artistic assignment in lieu of a class, such as directing a play or creating a dance with students. Although the teaching load is light, our expectation is that Fellows will be full and active members of our community, committed to frequent and engaged interactions with students during the academic year.

STIPEND: An $88,000 a year stipend is provided. Fellowships are not intended to fund work leading to an advanced degree. One need not be a U.S. citizen to apply. Holders of Ph.D. degrees from Princeton are not eligible to apply.

GUIDELINES: To apply, please submit a curriculum vitae, contact information for three references (should the search committee choose to contact references, please do not request letters or have letters sent in advance of a request from the search committee), and work samples (i.e., a writing sample, images of your work, video links to performances, etc.). Please also submit a 750-word proposal that includes how you would hope to use the two years of the fellowship to develop your work, how you would contribute to Princeton’s arts community through teaching and/or production, and how you have encouraged diversity and inclusion in your artistic practice, teaching, and/or research.

arts.princeton.edu/fellowships/princeton-arts-fellowship/

_____

CANADIAN WOMEN ARTISTS’ AWARD

New York Foundation for the Arts / Canadian Women’s Club

DEADLINE: Extended to September 13, 2022

INFO: The Canadian Women Artists’ Award is a $5,000 cash grant open to Canadian women artists ages 25-40 in New York State. The CWAA is an unrestricted cash grant and can be used in any manner the recipient deems necessary to further their artistic goals. 

In 2022, CWC and NYFA will be awarding three (3) $5,000 awards, one in each of the following categories:

  1. Visual Arts: Painting, Photography, Craft/Sculpture, Printmaking/Drawing, or Interdisciplinary Work

  2. Media and Design: Video/Film, Experimental Sound, or Design

  3. Literary Arts: Poetry, Nonfiction, Fiction, or Playwriting/Screenwriting

ELIGIBILITY:

The Canadian Women Artists’ Award is open to Canadian women artists living in New York State who meet the following requirements:

  • Must be a Canadian citizen, and able to provide proof of citizenship with legal documentation upon receipt of the award.

  • Must be between the ages of 25 and 40 before the application deadline.

  • Must be a current resident of New York State.

  • Must apply in only one of the eligible discipline categories.

  • Must be the originators of the work.

  • Must not be a previous recipient of the Canadian Women Artists’ Award.

  • Must not be a NYFA employee, member of the NYFA Board of Trustees or Artists’ Advisory Committee, and/or an immediate family member of any of the previous.

Students in bachelor’s or master’s degree programs are eligible to apply.

ACCESSIBILITY STATEMENT:

NYFA is committed to supporting artists from every background, and at all stages in their creative careers. We strongly encourage artists of color, LGBTQ+ artists, artists with disabilities, and artists living outside of the metropolitan area to apply.

To request an accommodation or assistance in applying, please email CWAA@nyfa.org. We ask that requests for accommodation be made as soon as possible, or by Tuesday, August 9, 2022, to allow adequate time for staff to support you in submitting an application before the deadline.

https://www.nyfa.org/awards-grants/canadian-women-artists-award/

_____

POWERHOUSE RESIDENCY

DEADLINE: September 14, 2022

FEES: Application Fee ($25) + Refundable Deposit ($250)

INFO: POWERHOUSE exists as a residency, a retreat space, a refuge for New York City based Black, Brown, Queer, Trans, & other Othered Folx.

POWERHOUSE is a homeplace / safe space for artists, activists, creatives, free-thinkers, fugitives, makers, resters, resisters, weirdos & writers. we are committed to supporting Folx who need time & space outside New York City to create, commune with nature, read, relax, reflect, restore, ruminate & rejuvenate. we believe that Folx are most powerful when they are unbothered & unencumbered by day-to-day stressors, chaotic environments, & oppressive systems. our mission is to provide a place to revive & reconnect with the creative power within.

IMPACT: In the United States, there are less than 15 retreat/ residency spaces that cater specifically to Black/ POC/ Indigenous/ LQBTIA+ Folx. in New York State, there are only three. POWERHOUSE intends to fill a void as the ONLY multi-genre creative residency providing artists with a NO COST space to escape, dream, plan, plot & rest. one week residencies will be awarded every month during spring, summer & fall for a total of 9 residencies per year.

OVERVIEW:

  • potential residents will go through an application process(unless nominated by a collaborating sponsor). applicants will be chosen based on merit & need.

  • residents need not be tethered to a specific work-related outcome or creation of new work. post residency, residents will be asked to write an impact statement (500 words or less)

  • residencies will take place from Saturday to Saturday. transport to and from POWERHOUSE can be provided if necessary.

  • while the residency is FREE, there is a $25 application fee & a required deposit ($250) that is fully refundable (2-3 days post residency).

powerhouseresidency.org

_____

The Anzaldúa Poetry Prize

Newfound

DEADLINE: September 15, 2022

READING FEE: $15

INFO: The Gloria E. Anzaldúa Poetry Prize is awarded annually, in conjunction with the Anzaldúa Literary Trust, to a poet whose work explores how place shapes identity, imagination, and understanding. Special attention is given to poems that exhibit multiple vectors of thinking: artistic, theoretical, and social, which is to say, political.

AWARDS: First place is publication, $1,500 prize, 25 contributor copies, and royalties contract option. Three finalists will be announced.

GUEST JUDGE: Donika Kelly is the author The Renunciations and Bestiary. Bestiary is the winner of the 2015 Cave Canem Poetry Prize, a Hurston/Wright Legacy Award for Poetry, and the Kate Tufts Discovery Award. A Cave Canem graduate fellow and member of the collective Poets at the End of the World, Donika has also received a Lannan Residency Fellowship, and a summer workshop fellowship from the Fine Arts Work Center. She earned an MFA from the University of Texas at Austin and a PhD in English from Vanderbilt University. Her poems have been published in The New Yorker, The Atlantic, The Paris Review, and Foglifter. She currently lives in Iowa City and is an assistant professor in the English Department at the University of Iowa, where she teaches creative writing.

The annual poetry prize proudly honors poet, writer, and cultural theorist, Gloria E. Anzaldúa. Anzaldúa’s work highlights how one’s place in the world is at once geographical, geopolitical, psychological, mythological, spiritual, and linguistic. She is well known for her book of prose and poetry, “Borderlands/La Frontera: The New Mestiza,” which draws on her experience as a Chicana/Tejana/lesbian/feminist activist—a revolutionary and inspirational work that continues to be so.

newfound.org/poetry-prize/

_____

Troubadour International Poetry Prize 2022

Coffee-House Poetry

DEADLINE: September 26, 2022

RULES:

  • Poems: Poems may be submitted from any country & must be in English, must each be no longer than 45 lines, must show title & poem only, must not show poet’s name, must be the original work of the entrant (no translations) & must not have been previously published; no text alterations accepted after submission; no limit on number of poems or number of subsequent submissions.

  • Submission: Email only, no postal entries: email your poems as attachments (.doc, .docx, .pdf, .rtf only) to poems@coffeehousepoetry.org; include in email: Poet’s Name & Address, Phone Number, List of Titles, Number of Poems, Total Fees, & PayPal Receipt Number.

  • Fees: £5/€6/$7 per poem (Sterling/Euro/US-Dollars only); pay online (see below, PayPal account not required).

  • Timeline: Submit by midnight (your local time) on Mon 26 Sep 2022; prize-winners will be contacted in week commencing Mon 21 Nov 2022.

  • Acknowledgement/Results: Submissions acknowledged within 14 days of receipt; results posted on website after our Mon 5 Dec 2022 prize-night event; judges’ decision is final; no correspondence entered into.

  • Email Address: By including email address you agree to receiving emails regarding annual Troubadour International Poetry Prize.

PRIZES:

  • first prize £2,000

  • second prize £1,000

  • third prize £500

  • plus 20 commendeds

  • plus – winners read with judges at 2022 prize-night celebration on mon 5 dec

JUDGES:

  • Victoria Kennefick lives in County Kerry, studied at University College Cork, then at Emory University, & Georgia College & State University as part of a Fulbright Scholarship, co-hosts the Unlaunched Books Podcast & is a Listowel Writers Week committee-member. Her 2021 collection Eat or We Both Starve (Carcanet) was a ‘best poetry book of the year’ in both Telegraph & Irish Times, in addition to being shortlisted for the 2021 TS Eliot Prize.

  • Joshua Bennett has read at the White House at the invitation of President Barack Obama, is Professor of English & Creative Writing at Dartmouth College in New Hampshire, & author of Being Property Once Myself: Blackness and the End of Man (Harvard, 2020) & Spoken Word: A Cultural History (forthcoming from Knopf). His poetry collections are The Sobbing School (2016, a National Poetry Series Selection & NAACP Image Award finalist), Owed (2020) & The Study of Human Life (publ. Sep 2022), all from Penguin.

Judges read all submitted poems.

coffeehousepoetry.org/prizes

_____

CALL FOR SUBMISSIONS: Vol. VII, No. 2 ISSUE ‘PEREGRINE’

Yellow Arrow Journal

DEADLINE: September 30, 2022

INFO: Yellow Arrow Journal, a biannual publication of creative nonfiction, poetry, and cover art by writers/artists that identify as women, is excited to announce submissions are now OPEN for the fall 2022 (Vol. VII, No. 2) issue on PEREGRINE.

Accepted submissions include creative nonfiction, poetry, and cover art by authors/artists that identify as women. Submissions must relate to the theme of PEREGRINE as interpreted by the author.

SUBMISSIONS GUIDELINES:

  • Accepted submissions include creative nonfiction and poetry by authors that identify as women (cover art guidelines follow below).

  • Submissions must relate to the theme of PEREGRINE as interpreted by the author, using the following provided guiding questions (these will change for each theme):

    • What are the constituent parts of the words/language you love? Where did those parts come from? What do the sounds of those parts mean/evoke?

    • What words don’t exist in your language? What silences does that create? How does that effect how you connect with others? How does those words exist in other languages?

    • What does your language look like when it is untethered? When you allow it to wander? To dance with abandon on the page?

    • How does language illuminate our feelings? Our thoughts? Our beliefs? Is it possible to share these through different languages?

  • Creative nonfiction (1 submission per author per issue) must be between 500 and 5,000 words. Poetry (up to 2 poems per author per issue, grouped into a single document) may be any length.

  • Submissions do not need to be in English but must include an English translation.

  • No previously published work will be accepted at this time—this includes all printed and online material; simultaneous submissions are okay but please let us know when you send in your submission(s) and if a submission is published elsewhere in the interim, email submissions@yellowarrowpublishing.com immediately.

PAYMENT: If selected, you will receive $10.00USD and a PDF of the journal issue. Note that payments are through PayPal; while we try to accommodate those that do not have a PayPal account, this is not always possible, especially for people outside of the U.S. Thank you for understanding.

yellowarrowpublishing.com/submissions

_____

Storyknife Writers Retreat

DEADLINE: September 30, 2022

APPLICATION FEE: $40

INFO: Storyknife provides women with the time and space to explore their craft without distraction. Every aspect of a residency at Storyknife is steeped in a profound generosity of spirit so that each writer knows she and her work are valuable. Storyknife residents carry away both this affirmation and a living community of women writers to assist their valuable work wherever they go.

Residencies at Storyknife in Homer, Alaska, are either for two or four weeks. Resident’s food and lodging is covered during the period of their residency, but travel to and from Homer, Alaska, is the responsibility of the resident. Residents stay in individual cabins & dine at the main house. An on-staff chef is responsible for food preparation.

Four week residencies begin on the 1st of each month and end on the 28th. Two week residencies begin on the 1st of each month and end on the 15th OR begin on the 15th and end on the 28th. Residencies are available April through October.

ELIGIBILITY:

Applicants must:

  • Be woman-identified

  • Be 21 years of age or older

  • Apply as an individual artist, not a collaborative group or team

You will provide a work sample and answer four questions (each answer 300 words or fewer).

  • How have you sought to educate yourself as a writer? (Formal education not a prerequisite, but evidence of curiosity and learning in your applicable genre is.)

  • What is your experience with publishing your work? (Publishing is not a prerequisite but is considered a goal for writers who attend Storyknife.)

  • What project will you pursue while in residency? (Please note that you will be free to work on whatever writing you wish during residency. We simply are interested in what you think you’ll be pursuing.)

  • Why would a writing residency benefit you at this time especially?

Work Sample Requirements:

  • Work samples should reflect work completed within the last two years. All work samples must be uploaded through Submittable. Written work samples will be uploaded directly within the application. 

  • Applicants can submit published or unpublished work samples. 

  • All work samples must be combined into one PDF file.

  • A writing sample not to exceed 10 pages (prose: double-spaced 12 point font, poetry: single-spaced 12 point font acceptable). Prose includes screenplays and stage plays which also must conform to the 10 page limit. 

  • Any writing samples with identifying material will be disqualified. Identifying material is your name, address, or publication credits. This only refers to the writing sample, not the answers to the questions. This is an anonymous jurying process.

Diversity

Storyknife is committed to diversity and elevating voices of historically excluded communities. We value all aspects of diversity and seek to make each resident’s time at Storyknife as productive and pleasant as possible.

Please contact executive director, Erin Hollowell, at ehollowell@storyknife.org to ask about accommodation or to speak further about your needs. Storyknife is welcoming to all and will work with you to meet your needs.

storyknife.org/how-to-apply/

_____

Tom Howard/Margaret Reid Poetry Contest

Winning Writers

DEADLINE: September 30, 2022

ENTRY FEE: $20 for each submission of 1-3 poems.

INFO: Submit poems on any theme, up to 250 lines each. You may submit published or unpublished work. Each submission may contain up to three poems. You may make multiple submissions. Please omit your name from your entries. We prefer 12-point type or larger. Please avoid fancy, hard-to-read fonts. No restriction on age of author. All countries eligible except Syria, Iran, North Korea, Crimea, Russia, and Belarus (due to US government restrictions).

PRIZES: We will award the Tom Howard Prize of $3,000 for a poem in any style or genre, and the Margaret Reid Prize of $3,000 for a poem that rhymes or has a traditional style. Ten Honorable Mentions will receive $200 each (any style). The top 12 entries will be published online.

FINAL JUDGE: Soma Mei Sheng Frazier. This contest is proudly co-sponsored by Duotrope, which will award two-year gift certificates to the top two winners, a $100 value.

For the purpose of the Margaret Reid Prize, a poem in a traditional style employs regular meter and/or rhyme, or is written in a recognized poetic form. This includes traditional Western forms such as ballads, sonnets, and blank verse, Asian forms such as tanka and haiku, and other traditional forms.

First time entering? We prepared this brief video to guide you. See also our short entry checklist.

winningwriters.com/our-contests/tom-howard-margaret-reid-poetry-contest

_____

The Dorothy and Lewis B. Cullman Center for Scholars and Writers

New York Public Library

DEADLINE: September 30, 2022 at 5:00 pm ET

INFO: The Dorothy and Lewis B. Cullman Center for Scholars and Writers is an international fellowship program open to people whose work will benefit directly from access to the collections at the Stephen A. Schwarzman Building—including academics, independent scholars, and creative writers (novelists, playwrights, poets). Visual artists at work on a book project are also welcome to apply.

The Center appoints 15 Fellows a year for a nine-month term at the Library, from September through May. In addition to working on their own projects, the Fellows engage in an ongoing exchange of ideas within the Center and in public forums throughout the Library.

CRITERIA & TERMS: The Cullman Center’s Selection Committee awards fifteen Fellowships a year to outstanding scholars and writers—academics, independent scholars, journalists, creative writers (novelists, playwrights, poets), translators, and visual artists. Foreign nationals conversant in English are welcome to apply. Candidates for the Fellowship will need to work primarily at the Stephen A. Schwarzman Building rather than at other divisions of the Library. People seeking funding for research leading directly to a degree are not eligible. 

The Cullman Center looks for top-quality writing. It aims to promote dynamic communication about literature and scholarship at the very highest level—within the Center, in public forums throughout the Library, and in the Fellows’ published work.

A Cullman Center Fellow receives a stipend of up to $75,000, the use of an office with a computer, and full access to the Library’s physical and electronic resources. Fellows work at the Center for the duration of the Fellowship term, which runs from September through May. Each Fellow gives a talk over lunch on his or her current work-in-progress to the other Fellows and to a wide range of invited guests, and may be asked to take part in other programs at The New York Public Library.

nypl.org/help/about-nypl/fellowships-institutes/center-for-scholars-and-writers

_____

John Lewis Writing Grants

Georgia Writers

DEADLINE: October 1, 2022

INFO: Georgia Writers’ John Lewis Writing Grants are inspired by the late civil rights icon and his more than three decades of service as Georgia’s 5th District representative. The John Lewis Writing Grants will be awarded annually in the categories of fiction, non-fiction, and poetry. The purpose of the grants is to elevate, encourage, and inspire the voices of Black writers in Georgia.

THE GRANTS:

Winners in each genre will receive:

  • A grant of $500 to present a workshop or reading at a selected Georgia venue

  • A scholarship to the next annual Red Clay Writers Conference

GUIDELINES:

Applicants must be 18 years of age and emerging writers who are Black or African-American residents of Georgia for at least one year, or full-time students at a Georgia college or university at the time of application and on the date of the award, and have published no more than one traditionally published book. Writers who are eligible may apply annually but may only win a grant once. There is no submission fee to enter. Applications will be reviewed anonymously. Applicants are ineligible if they are of relations to any of the Georgia Writers staff or board of directors.

Writers may apply in only one genre and must submit the following:

  • A completed grant application

  • An essay of at least 500 words as a concise description of your work and goals as a writer. Please tell us what inspires or challenges your writing career.

  • No more than a ten-page writing sample of a published or unpublished piece in the genre in which you are applying--fiction, non-fiction, or poetry.
    If submitting poetry, one poem per page please.

georgiawriters.org/john-lewis-writing-award

_____

CALL FOR SUBMISSIONS

Nimrod International Journal

DEADLINE: October 1, 2022

SUBMISSION FEE: $3

INFO: Nimrod International Journal welcomes submissions of poetry, short fiction, and creative nonfiction. We publish two issues annually. Our spring issue is thematic, with the theme announced the preceding fall. Previous themes have included Writers of Age; Range of Light: The Americas; Australia; Who We Are; Islands of the Sea and of the Mind; The Arabic Nations; Mexico/USA; andCrossing Borders. The fall issue features the winners and finalists of our annual Literary Awards. In most cases, both issues also contain work accepted as general submissions throughout the year.

Each issue is approximately 200 pages, perfect bound with a four-color cover. 

GENERAL SUBMISSIONS:

Accepted from January 1st to October 1st each year. Nimrod is closed to general submissions in November and December. Turn-around time for general submissions is one to five months. Online general submissions have a $3 fee associated with them. 

Prose: Work must be previously unpublished. 7,500 words maximum. Double-spaced. We seek vigorous writing with characters that are well developed and dialogue that is realistic without being banal. 

Poetry: Work must be previously unpublished. 3-7 pages. One poem per page. Poetry is open to all styles and subjects. We seek poems that go beyond one word or image, honor the impulse to reveal a truth about, or persuasive version of, the inner and outer worlds. 

We recommend reading a sample issue before submitting a manuscript.

nimrodjournal.submittable.com/submit

_____

ARTISTS & WRITERS RESIDENCY

Vermont Studio Center

DEADLINE: October 1, 2022

INFO: Each month, VSC welcomes over 50 artists and writers from across the country and around the world to our historic campus in northern Vermont.

All of our residencies include:

  • A private room in modest, shared housing

  • 24-hour access to a private studio space in one of our 6 medium-specific studio buildings

  • 3 communal meals per day (plus fresh fruit, coffee/tea/cold beverages, and cereal available around the clock)

Most residents stay with us for 1 month, so our sessions adhere to a 4-week calendar however, residencies can be scheduled in 2-week increments ranging from 2 to 12 weeks if a shorter or longer stay better suits your needs. Although we accept residents for stays for 2 weeks, we recommend a minimum stay of one month for the fullest experience.

Each 4-week session includes:

  • Opening Night Dinner & Reception

  • 7 Resident Presentation (“Res Pres”) Nights

  • 2 Open Studios Nights

  • Public Slide Talks / Public Readings from our Visiting Artists & Writers

  • Visiting Writer Craft Talks (open to writers only)

  • Opportunities for studio visits/manuscript critiques with Visiting Artists/Writers

Most months, numerous other spontaneous events take place--intimate readings, pop-up shows, group hikes or swims, performances, site-specific installations, movie screenings, dance parties, and bonfires, to name a few.

All events in our monthly program are optional. Our program is designed to enhance your studio practice by providing opportunities to engage with a supportive creative community; you are welcome to participate in as many or as few of these activities as you like. 

https://vermontstudiocenter.org/

_____

CALL FOR SUBMISSIONS AND PITCHES: BLACK AND ASIAN FEMINIST SOLIDARITIES

AAWW’s The Margins / Black and Asian Feminist Solidarities

DEADLINE: Rolling

INFO: A collaboration between Black Women Radicals and the Asian American Feminist Collective, Black and Asian Feminist Solidarities is a monthly series published in AAWW’s The Margins that launched in July 2020. This ongoing project looks to Black and Asian American feminist histories, practices, and frameworks on care, community, and survival for the tools and strategies to continue to build towards collective liberation.

With two years under our belt, the editors of Black and Asian Feminist Solidarities are looking for pitches and submissions to shape the next phase in this series.

Since we started this project, people in Black and Asian communities have been reckoning with grief, loss, heartbreak, and death at different scales. We are witnessing in real time the stripping of reproductive rights; the ways state-based responses to violence pit Black and Asian communities against each other; and attempts to legislate queer and trans people out of existence.

In reflecting on solidarity, we often are left with more questions than answers.

What does it mean to create and nurture solidarity at this juncture? We’re currently seeking new pitches and finished pieces that interrogate past, present, and future issues within the realm of Black and Asian feminist solidarities, and that imagine possibilities between our communities through various written forms.

Topics and approaches of specific interest include:

  • Environmental justice and water protection; land, water, and place as solidarity; islands and oceans as connective sites; ancestral foodways and ecologies; and growing and caring for land and nature

  • Storytelling centering queer intimacies, friendships, kinships, and relationships across race

  • Reproductive justice, care work, and labor

  • Speculative fiction exploring fantasy, myth, magic, histories, futures, and more

  • Histories, genealogies, and inheritances of movements and migration

  • Transnational approaches to abolition politics, including political imprisonment, war, and demilitarization

  • Ending caste apartheid, politics of colorism, interrogations of racial categories and hierarchies of racialization

  • Navigating conflicts, tensions, difficulties, contradictions, and controversies within and across communities

  • Joy, love, and pleasure as solidarity including gatherings, sex and romance, and humor

  • Engagements with feminist literatures and critique and writing as craft

We invite submissions and pitches on feminist solidarities from creative writers, poets, community organizers, workers, artists, journalists, and scholars.

We are seeking FINISHED SUBMISSIONS in the following genres and forms:

  • Short creative stories across genres including speculative fiction, young adult, and romance

  • Illustrations, graphics, and comics

  • Creative nonfiction including personal essays and historical narratives

  • Poetry, letters, journal entries, songs, and spells

We are also open to PITCHES for:

  • Interviews and conversations

  • Researched or reported works

  • Political and cultural criticism and commentary

  • Collaborative works, hybrid genres, and/or exploratory formats

We are currently not seeking submissions for commentary and reported works that require timely or urgent publication.

GUIDELINES:

Email your finished submission or pitch as a .doc/x, or Google doc to bafs@aaww.org.

Please format the title of your submission as follows: “LAST NAME – Black and Asian Feminist Solidarities – TITLE OF PIECE or PITCH .”

Include your preferred name for publishing and a short biography (maximum 100 words).

For finished pieces, we welcome:

  • essays up to a maximum of 3,000 words

  • short fiction up to 3,500 words

  • poetry, illustrations, and hybrid work up to 10 pages or panels for consideration

Please include any image attachments as .jpgs or .pngs.

If you are sending a pitch, please indicate your plan and timeline for completion.

Please also include a short cover letter (max 300 words) about how you connect to this call as an author and how your submitted work relates to this call. Feel free to respond in a way that aligns with the aims of your work.

If our editors decide to move forward with a pitch or submission, writers can expect a reply within six weeks to three months. Although we cannot guarantee a response to all pitches and pieces, our editors will do their best to get back to all writers. We appreciate your patience.

We will pay for published pieces. The Margins‘ 2022 rate sheet is here.

About Black and Asian Feminist Solidarities

This ongoing project looks to Black and Asian American feminist histories, practices, and frameworks on care, community, and survival for the tools and strategies to continue to build towards collective liberation. Solidarity at its core is about relationships. Solidarity means we understand and commit to taking responsibility for one another—and that is the radical feminist future we believe in. So far we have featured nonfiction essays, creative writing and poetry, reading lists, archival materials, and interviews and conversations. The project offers political analysis and ruminations on a variety of topics such as reproductive justice, sex worker organizing, transnational feminisms, war and militarism, care work, and intergenerational movements. Black and Asian Feminist Solidarities is edited by Salonee Bhaman, Julie Ae Kim, Rachel Kuo, Senti Sojwal, Jaimee A. Swift, and Tiffany Diane Tso.

https://aaww.org/submissions-black-asian-feminist-solidarities/

POETRY — AUGUST 2022

CALL FOR SUBMISSIONS AND PITCHES: BLACK AND ASIAN FEMINIST SOLIDARITIES

AAWW’s The Margins / Black and Asian Feminist Solidarities

DEADLINE: Rolling

INFO: A collaboration between Black Women Radicals and the Asian American Feminist Collective, Black and Asian Feminist Solidarities is a monthly series published in AAWW’s The Margins that launched in July 2020. This ongoing project looks to Black and Asian American feminist histories, practices, and frameworks on care, community, and survival for the tools and strategies to continue to build towards collective liberation.

With two years under our belt, the editors of Black and Asian Feminist Solidarities are looking for pitches and submissions to shape the next phase in this series.

Since we started this project, people in Black and Asian communities have been reckoning with grief, loss, heartbreak, and death at different scales. We are witnessing in real time the stripping of reproductive rights; the ways state-based responses to violence pit Black and Asian communities against each other; and attempts to legislate queer and trans people out of existence.

In reflecting on solidarity, we often are left with more questions than answers.

What does it mean to create and nurture solidarity at this juncture? We’re currently seeking new pitches and finished pieces that interrogate past, present, and future issues within the realm of Black and Asian feminist solidarities, and that imagine possibilities between our communities through various written forms.

Topics and approaches of specific interest include:

  • Environmental justice and water protection; land, water, and place as solidarity; islands and oceans as connective sites; ancestral foodways and ecologies; and growing and caring for land and nature

  • Storytelling centering queer intimacies, friendships, kinships, and relationships across race

  • Reproductive justice, care work, and labor

  • Speculative fiction exploring fantasy, myth, magic, histories, futures, and more

  • Histories, genealogies, and inheritances of movements and migration

  • Transnational approaches to abolition politics, including political imprisonment, war, and demilitarization

  • Ending caste apartheid, politics of colorism, interrogations of racial categories and hierarchies of racialization

  • Navigating conflicts, tensions, difficulties, contradictions, and controversies within and across communities

  • Joy, love, and pleasure as solidarity including gatherings, sex and romance, and humor

  • Engagements with feminist literatures and critique and writing as craft

We invite submissions and pitches on feminist solidarities from creative writers, poets, community organizers, workers, artists, journalists, and scholars.

We are seeking FINISHED SUBMISSIONS in the following genres and forms:

  • Short creative stories across genres including speculative fiction, young adult, and romance

  • Illustrations, graphics, and comics

  • Creative nonfiction including personal essays and historical narratives

  • Poetry, letters, journal entries, songs, and spells

We are also open to PITCHES for:

  • Interviews and conversations

  • Researched or reported works

  • Political and cultural criticism and commentary

  • Collaborative works, hybrid genres, and/or exploratory formats

We are currently not seeking submissions for commentary and reported works that require timely or urgent publication.

GUIDELINES:

Email your finished submission or pitch as a .doc/x, or Google doc to bafs@aaww.org.

Please format the title of your submission as follows: “LAST NAME – Black and Asian Feminist Solidarities – TITLE OF PIECE or PITCH .”

Include your preferred name for publishing and a short biography (maximum 100 words).

For finished pieces, we welcome:

  • essays up to a maximum of 3,000 words

  • short fiction up to 3,500 words

  • poetry, illustrations, and hybrid work up to 10 pages or panels for consideration

Please include any image attachments as .jpgs or .pngs.

If you are sending a pitch, please indicate your plan and timeline for completion.

Please also include a short cover letter (max 300 words) about how you connect to this call as an author and how your submitted work relates to this call. Feel free to respond in a way that aligns with the aims of your work.

If our editors decide to move forward with a pitch or submission, writers can expect a reply within six weeks to three months. Although we cannot guarantee a response to all pitches and pieces, our editors will do their best to get back to all writers. We appreciate your patience.

We will pay for published pieces. The Margins‘ 2022 rate sheet is here.

About Black and Asian Feminist Solidarities

This ongoing project looks to Black and Asian American feminist histories, practices, and frameworks on care, community, and survival for the tools and strategies to continue to build towards collective liberation. Solidarity at its core is about relationships. Solidarity means we understand and commit to taking responsibility for one another—and that is the radical feminist future we believe in. So far we have featured nonfiction essays, creative writing and poetry, reading lists, archival materials, and interviews and conversations. The project offers political analysis and ruminations on a variety of topics such as reproductive justice, sex worker organizing, transnational feminisms, war and militarism, care work, and intergenerational movements. Black and Asian Feminist Solidarities is edited by Salonee Bhaman, Julie Ae Kim, Rachel Kuo, Senti Sojwal, Jaimee A. Swift, and Tiffany Diane Tso.

https://aaww.org/submissions-black-asian-feminist-solidarities/

_____

GRANUM FOUNDATION PRIZES

Granum Foundation

DEADLINE: August 2, 2022 at 11:59 pm Pacific Time

INFO: The Granum Foundation Prize will be awarded annually to help U.S.-based writers complete substantive literary works—such as poetry books, essay or short story collections, novels, and memoirs—or to help launch these works.

Additionally, the Granum Foundation Translation Prize will be awarded to support the completion of a work translated by a U.S.-based writer.

Funding from both prizes can be used to provide a writer with the tools, time, and freedom to help ensure their success. For example, resources may be used to cover fees for a writing residency, mentorship, or editing services. They also may be used for necessities such as books or writing equipment.

Competitive applicants will be able to present a compelling project with a reasonable timeline for completion. They also should be able to demonstrate a record of commitment to the literary arts.

The Granum Foundation is committed to diversity, equity, and inclusion. We welcome applicants from all backgrounds.

PRIZES:

  • Granum Foundation Prize: One winner will be awarded $5,000. Up to three finalists will be awarded $500 or more.

  • Granum Foundation Translation Prize: One winner will receive $500 or more.

ELIGIBILITY: Winners and finalists who received cash prizes from the 2021 competition are not eligible.

granumfoundation.org/granum-prize

_____

CALL FOR SUBMISSIONS: POETRY CHAPBOOKS

Yellow Arrow Publishing

DEADLINE: August 4, 2022

INFO: Yellow Arrow Publishing is currently accepting submissions of poetry chapbooks by authors that identify as women from around the world. We only accept digital submissions. At this time, we prefer working with authors without agents.

Please note that as a small press we produce a limited number of publications each year. We pour our hearts and souls into each submission and each Yellow Arrow publication and thank everyone for their interest and inquiries.

SUBMISSIONS GUIDELINES:

  • Chapbooks should be between 20 and 50 poems (no more than 50 pages total) with a clear, overarching theme and headers added (as needed).

  • Submissions must be (predominantly) in English and must be complete (do not send partials or summaries).

  • When ready, send your chapbook as an attachment (as a .doc/.docx, .rtf, or .pdf) to submissions@yellowarrowpublishing.com—submit your text 12 pt font with 1-inch margins and consecutively numbered pages. Poetry should be single-spaced unless spacing is part of the original formatting. Include a table of contents but do not include any identifiers on any page.

  • Use as the subject of your email: Yellow Arrow Publishing, chapbook submission.

  • Include in the body of the email a brief (150 words or less) synopsis of your work, estimated word and page counts, and a bio or short introduction to yourself.

  • We will consider previously published poems as long as the author currently holds all rights—if previously published, please list where and when as an acknowledgments page within your chapbook.

  • At this time, we do not require exclusive submission but let us know if you will be submitting to more than one publisher and contact us as soon as possible if you choose to go with someone else before a publishing agreement is signed.

  • We only want one chapbook submission per author at this time.

By sending your submission you agree to the following statements:

  • You are a writer that identifies as a woman

  • You have read and submitted within the guidelines

Note that the guidelines can change at any time—check this page before submitting. We are unable to respond to those who do not submit within the guidelines. Ready to submit or have any questions? Send them to submissions@yellowarrowpublishing.com.

yellowarrowpublishing.com/cbsubmissions

_____

2023 WINTER WRITERS’ RETREAT

Roots. Wounds. Words.

DEADLINE: Extended to August 7, 2022

APPLICATION FEE: $25

INFO: The Roots. Wounds. Words. Annual Writers’ Retreat for Storytellers of Color is a sacred space wherein BIPOC stories are celebrated, and BIPOC storytellers immersed in liberation. At the Writers’ Retreat, Storytellers receive literary arts instruction offered by award-winning BIPOC writers in the fields of nonfiction, fiction, poetry, speculative fiction, and young adult fiction.

In January 2023, Roots. Wounds. Words. Fellows will journey to a virtual sacred space where they will workshop their literary art, perform their work, participate in BIPOC-centered healing and liberation modalities, as well as receive literary arts pedagogy from renowned BIPOC storytellers.

To attend this offering, submit an application through our online system. Prior writing experience is insignificant. Whether you’ve attended a writing workshop before or not holds no weight. All applicants are judged on the merits of their full application, which includes an artistic statement, bio and writing sample.

The Roots. Wounds. Words. Writers’ Retreat is for Us.

Our annual Retreat provides BIPOC storytellers with a transformative opportunity to push your pen, strengthen your craft, access literary art professionals, rest and restore, and build the tribe you need to support your writing goals.

RETREAT DATES:

January 8 - January 14, 2023

RETREAT LOCATION:

Virtual

ELIGIBILITY:

The Retreat is open to storytellers of color.

Storytellers of all levels are welcome to apply.

Storytellers must be at least 21 years old.

Storytellers currently enrolled in graduate or undergraduate programs are also welcome to apply.

APPLICATION PROCESS:

Applicants are required to select a category into which your submission fits. The categories are:

(1) Fiction

(2) Nonfiction

(3) Poetry

(4) Speculative Fiction

(5) Young Adult Fiction

Your writing sample must match the category you apply for. For example, if you are applying for the fiction workshop, you must submit a fiction writing sample. You are allowed only one submission per category. You may apply to more than one category. However, each submission is separate. You must complete separate applications and pay the submission fee for each category you submit to. 

MANUSCRIPT WORK SAMPLE:

We require a standard format for all fiction, nonfiction, speculative fiction, and young adult fiction submissions. The format is:

  • The manuscript may not exceed 10 pages.

  • 1-inch page margins.

  • Double spaced.

  • Text must be in a 12-point serif font (preferably Times New Roman).

  • Electronic file names must consist of the writer’s last name followed by the manuscript title. For example, Smith__A Day in the Park. Poets and those with a longer manuscript title can simply use something like Smith__manuscript for RootsWoundsWords

  • The manuscript must be submitted as a Word document or PDF

  • The applicant’s name and page number must appear on each sheet of the manuscript; for example, Smith, p.1

  • If you are submitting prose, you must include a brief note regarding whether the piece stands on its own as a short story or essay, or is an excerpt from a longer project.

  • Manuscripts excerpted from a longer project should include a one-page synopsis of the larger project placed at the back of the work sample (the synopsis can be single-spaced and does not count toward the 10-page limit).

We require a standard format for all poetry submissions. The format is:

  • The manuscript may not exceed 10 pages.

  • May include one or more poems as long as the total number of pages is within the 10-page limit.

  • Electronic file names must consist of the writer’s last name followed by the manuscript title. For example, Smith__A Day in the Park. Poets and those with a longer manuscript title can simply use something like Smith__manuscript for RootsWoundsWords

  • The manuscript must be submitted as a Word document or PDF

  • The applicant’s name and page number must appear on each sheet of the manuscript; for example, Smith, p.1

BRIEF BIO:

Each applicant must submit a bio of no more than 250 words.

ARTIST STATEMENT:

Each applicant must submit a statement describing their literary art and how it pushes liberation for BIPOC forward. Resources: How to Write a Poetry Cover Letter from The Watering Hole, “Ready, Set, Residency” by Brevity Nonfiction Blog, and Artist Statement Guidelines by Getting Your Sh*t Together Ink.

WHY RWW:

Each applicant must describe what they intend to gain from and contribute while at the Writers’ Retreat.

ACCEPTANCES:

RWW will work with our Faculty to notify all accepted Storytellers of their acceptance to the Writers’ Retreat by Aug 28, 2022.

TUITION:

  • The Writers' Retreat is virtual and tuition will be $875.

  • When the Writers’ Retreat is in-person, the tuition is $1,875.

  • Payment plans as well as limited partial and full scholarships will be available.

DEPOSIT:

  • The Writers’ Retreat is virtual and, as a result, a $300 deposit will be due no later than September 23, 2022.

  • When the Retreat is In-Person, a $500 deposit is due.

  • Receipt of deposit confirms your attendance.

CANCELLATION POLICY:

Full deposit refunds will be issued for Storytellers who cancel their participation in the Writers' Retreat no later than October 14, 2022.

Refunds will not be issued to Storytellers who seek to cancel participation in the Writers' Retreat after October 14, 2022.

PRIVACY:

All application materials and work samples are confidential and retained for use of the RWW Writers’ Retreat programming only.

rootswoundswords.org

_____

CALL FOR SUBMISSIONS

Raspa Magazine

DEADLINE: August 15, 2022

INFO: Raspa Magazine publishes creative written work and visual art that narrates the queer Latinx experience. We do not focus on genre or form, but on artistic merit, innovativeness, and potential cultural impact. Raspa Magazine serves as a sustainable space for queer Latinx artist to share work without the fear of being tokenized, with liberty to experiment, and create work with the knowledge that it will be treated with dignity and respect. Our intent is to cultivate an environment that empowers art makers to push boundaries in their process, redefine the literary canon, and reshape art to be more representative and inclusive.

Raspa Magazine accepts submission from February 15 through August 15. We are looking for short fiction, poetry, dramatic works, visual art, creative non-fiction, or creative written work created by self identifying queer Latinxs. We do not accept works written by non self-identifying queer Latinx artists.

Poetry should be submitted in a single word document with each poem beginning on a new page. We usually select more than one piece per contributor so please submit a minimum of 3 pieces and no more that 8 pieces.

Short stories and creative non-fiction should reach a minimum of 1,500 words and a maximum of 3,000 words.

We welcome all submission in either English or Spanish. Spanish language work will be translated into English. Works by self-identifying Latinxs who write in any language other than English or Spanish will need to submit a translation to appear with the original piece.

Visual art should consist of a minimum 5 high resolution JPEG, Photoshop, or TIFF files that are at least 2 megabytes and reach 300 DPI. When possible a link to an artist portfolio is preferred.

Raspa Magazine holds all first serial publishing rights, after publication all rights return to the artist. Reprinted work must have a footnote indicating what issue and year it first appeared in Raspa Magazine.

Raspa Magazine provides monetary compensation for all contributors. Compensation amount will depend the amount of funding accessible for the particular issue and will be discussed with the contributor if the work should be selected for print.

Please submit all submissions via email to hola@raspamagazine.com with your last name and the word “submission” on the subject line. On the first page of your submission document please include your full name, a valid email address, and a brief bio. Submissions without the requested information will not be read.

raspamagazine.com/submissions/

_____

Writer-in-Residence Program

Hedgebrook

APPLICATION CYCLE: August 16 - September 12, 2022

APPLICATION FEE: $35

INFO: Hedgebrook’s Writer-in-Residence Program supports writers from all over the world for fully-funded residencies of two to four weeks (travel is not included and is the responsibility of the writer to arrange and pay for). Up to 6 writers can be in residence at a time, each housed in their own handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women-identified writers, 18 and older, whose stories and ideas shape our culture now and for generations to come. Writers must be women, which is inclusive of transgender women and female-identified individuals. Because gender inequity still occurs in all spaces including literary ones, it is part of our explicit mission to support and promote women’s voices. This application is not for alumnae seeking a return stay.

2023 RESIDENCY DATES: July-Oct 2023

hedgebrook.org/writers-in-residence

_____

CANADIAN WOMEN ARTISTS’ AWARD

New York Foundation for the Arts / Canadian Women’s Club

DEADLINE: August 30, 2022

INFO: The Canadian Women Artists’ Award is a $5,000 cash grant open to Canadian women artists ages 25-40 in New York State. The CWAA is an unrestricted cash grant and can be used in any manner the recipient deems necessary to further their artistic goals. 

In 2022, CWC and NYFA will be awarding three (3) $5,000 awards, one in each of the following categories:

  1. Visual Arts: Painting, Photography, Craft/Sculpture, Printmaking/Drawing, or Interdisciplinary Work

  2. Media and Design: Video/Film, Experimental Sound, or Design

  3. Literary Arts: Poetry, Nonfiction, Fiction, or Playwriting/Screenwriting

ELIGIBILITY:

The Canadian Women Artists’ Award is open to Canadian women artists living in New York State who meet the following requirements:

  • Must be a Canadian citizen, and able to provide proof of citizenship with legal documentation upon receipt of the award.

  • Must be between the ages of 25 and 40 before the application deadline.

  • Must be a current resident of New York State.

  • Must apply in only one of the eligible discipline categories.

  • Must be the originators of the work.

  • Must not be a previous recipient of the Canadian Women Artists’ Award.

  • Must not be a NYFA employee, member of the NYFA Board of Trustees or Artists’ Advisory Committee, and/or an immediate family member of any of the previous.

Students in bachelor’s or master’s degree programs are eligible to apply.

ACCESSIBILITY STATEMENT:

NYFA is committed to supporting artists from every background, and at all stages in their creative careers. We strongly encourage artists of color, LGBTQ+ artists, artists with disabilities, and artists living outside of the metropolitan area to apply.

To request an accommodation or assistance in applying, please email CWAA@nyfa.org. We ask that requests for accommodation be made as soon as possible, or by Tuesday, August 9, 2022, to allow adequate time for staff to support you in submitting an application before the deadline.

https://www.nyfa.org/awards-grants/canadian-women-artists-award/

_____

Aesthetica Creative Writing Award 2022: Poetry

Aesthetica

DEADLINE: August 31, 2022

ENTRY FEE: £12

INFO: The Aesthetica Creative Writing Award is a celebration of innovative new writing from across the globe. Each year, the competition invites submissions of poetry that redefine the parameters of form, concept and technique.

JURY: Our jury comprises some of the UK's best editors and publishers, and has included representatives from the Guardian, the Independent, Wasafiri, Hodder & Stoughton, Litro, The Rialto, The Poetry Exchange and Jacaranda Books. Our authors and poets who have won, or been longlisted for, the Desmond Elliott Prize, the Not the Booker Prize and the Northern Writers' Awards, amongst others. Representatives have also appeared on BBC Radio 3's The Verb, and been featured in the Observer, VICE and HQ.

WINNERS: Each year, we select two winners – one for poetry and one for fiction – who are each awarded £2,500 prize money as well as publication with the Aesthetica Creative Writing Anthology. We offer further prizes with esteemed partner organisations, including consultations, subscriptions and courses with The Poetry School, The Poetry Society, Redhammer Management, Granta, VINTAGE and more. We offer continued support throughout the year, including further exposure through our channels, as well as opportunities for talent development, such as tailored offers to courses, residencies, subscriptions and more.

POETRY PRIZES:

  • £2,500 Prize Money

  • The winner and finalists will be published in the Aesthetica Creative Writing Anthology

  • One year print subscription to Granta

  • Full membership to The Poetry Society

  • A free 10-week Online Course from the Poetry School

ELIGIBILITY:

  • Poetry entries should be no more than 40 lines.

  • Works published or entered elsewhere are accepted.

  • We accept works on any theme.

  • You may enter the Award as many times as you wish, although each work requires a fee and new submission form.

  • For more information, read our FAQs or for our refund policy.

https://aestheticamagazine.submit.com/show/1

_____

Academy of American Poets First Book Award

DEADLINE: September 1, 2022 by 11:59 p.m. EDT

INFO: The Academy of American Poets First Book Award is a $5,000 first-book publication prize. The winning manuscript, chosen by an acclaimed poet, is published by Graywolf Press, an award-winning independent publisher committed to the discovery and energetic publication of contemporary American and international literature.

The winner also receives an all-expenses-paid, six-week residency at the Civitella Ranieri Center, a 15th-century castle in the Umbrian region of Italy, where they will become part of a cohort of accomplished international artists, writers, and composers; distribution of their winning book to thousands of Academy of American Poets members, making it one of the most widely-distributed poetry books that year; inclusion and promotion in American Poets magazine, the Academy’s newsletter, and Poets.org, among other opportunities. 

JUDGE: The judge for the 2023 Academy of American Poets First Book Award is Eduardo C. Corral.

poets.org/academy-american-poets/prizes/first-book-award

_____

FALL 2022 CALL FOR SUBMISSIONS

A Gathering Together Literary Journal

DEADLINE: September 1, 2022

INFO: A Gathering Together is a journal that resists the easy and often unsophisticated attempt to say profound things in the moment, without deep contemplation, or in the heat of discursive battle.

We primarily select works that speak to Mekhet--the Kemetic (Ancient Egyptian) term for resonating across time and space. This term is reserved for works that simultaneously transcend and address the moment they speak from, works that will last beyond the creator's last breath and still be relevant, or works that put the writer and reader in conversation with the intellectual thought of Ancestors of all kinds.

Our writers are primarily descendants of Africa and her Diaspora. All writers whose works resonate with the human experience, and thus the Diasporic African experience, are considered. Our back issues are all available online and serve as a good model for the variety of writers and works we've featured.

The short version: works by and about people of the African Diaspora are privileged here, but if your work resonates across time, space, culture, and ethnicity, we will go for it. (Emphasis on resonating across time and space.)

We welcome submissions of previously unpublished essays, short stories, poetry, reviews, visual art, and film for our Fall 2022 issue. Our current cutoff for fall 2022 submissions is September 1. In the case of extensions, we will post to social media!

Artists who want to be featured in our upcoming issues are invited to send us a letter of interest, a brief bio, and a sample portfolio. Writers who want to conduct artist interviews are welcome to send us pitches letting us know how the interview and artist would be a good fit for our journal. Features are generally published January-March or July-September.

A Gathering Together is unable to compensate writers at this time.

For more information about our journal and submission formatting guidelines go to:
agatheringtogether.com/how-to-submit/

We are especially keen to have more reviews (any format), essays, and short stories. If you have questions, contact us at
submissions@agatheringtogether.com

_____

MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: September 10, 2022 at 11:59pm EST*

PROCESSING FEE: $30

INFO: MacDowell is a fellowship and residency program for writers, visual artists, composers, filmmakers, playwrights, interdisciplinary artists, and architects. About 300 artists are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence.

There are no residency fees. Need-based travel grants and stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply.

MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

MacDowell is currently accepting applications for the Spring Summer 2023 residency season (March - August 2023) and has suspended a longstanding admissions requirement that applicants supply reference letters as part of the application process.

macdowell.org/apply/apply-for-fellowship

POETRY — JULY 2022

2022–2023 POETRY COALITION FELLOWSHIPS

Academy of American Poets

DEADLINE: July 3, 2022

INFO: 2022–2023 Poetry Coalition Fellowships, which are paid fellowship positions for five individuals who will each assist a different Poetry Coalition organization for twenty hours per week over the course of a forty-week period. The fellows will also receive professional development opportunities.

The five organizations hosting Poetry Coalition Fellows this year are Letras Latinas (Notre Dame, IN), Mass Poetry (Boston, MA), Urban Word (New York, NY), Woodland Pattern (Milwaukee, WI), and Youth Speaks (San Francisco, CA). 

Applications for the 2022 Poetry Coalition Fellowship program are being accepted from May 3, 2022 through July 3, 2022. The positions will begin on September 5, 2022 and end on June 30, 2023. Interested individuals that are 21 or older are encouraged to apply, including those who are enrolled in or have recently graduated from an MFA program in creative writing. 

To learn more or to apply for a Poetry Coalition Fellowship at any of the 2022 host organizations, visit their websites at the links below: 

poets.org/poetry-coalition-2022-fell-hosts

_____

The Adrift Chapbook Contest

Driftwood

DEADLINE: July 15, 2022

SUBMISSION FEE: $12

INFO: We are excited to announce our fifth annual Adrift Chapbook Contest. We are consistently in awe of the fabulous manuscripts submitted to this contest, and we are looking forward to receiving your amazing poems!

We are also ecstatic to share that this year's guest judge is one of America's most prolific and  beloved poets, Carl Phillips! His work is an inspiration to so many readers and writers, and we could not be more honored to have him as this year's judge.

TIMELINE:

  • Finalists and winner will be announced by Driftwood editors in October 2022.

  • The winning chapbook(s) will be published in 2023.

​​GUIDELINES:

  • Poetry only. Prose poetry, experimental poetry, and poetry with a visual component (color images accepted) are all welcome.

  • 15-40 pages of poetry (this does not include title, section break, or acknowledgement pages). We won't turn you away if you are a few pages over or under, but please stay close to that limit.

  • A standard, 12-point font is preferred. 

  • Poems may have been published individually, but not as a collection.

  • Simultaneous submissions are accepted, but please let us know immediately if the collection has been accepted elsewhere.

  • Submit works written in English only, no translations.

  • Please submit your manuscript in a .doc, .docx, or PDF format.

  • We read submissions blindly, so please do not include your name, email, or any identifying characteristics on the manuscript itself.

  • Base submission cost is $12. Additionally, we are offering a $20 dollar submission option that will include a print copy of the winning chapbook (US shipping only). We will ship once the winning submission is published.

 AWARDS:

  • The winner will receive $1000 dollars and 20 copies of their chapbook.

  • A print run of the winning chapbook will be sold on our website, through affiliate bookstores, and will be nationally and internationally distributed by IngramSpark. 

  • The winner will also have the opportunity to be interviewed about their work; the interview will be published in the chapbook following the poems.

  • The managing poetry editor may offer a runner-up full publication. If a runner-up is chosen, they will be awarded $400, 20 contributor copies, and the same level of marketing and distribution. 

GUEST JUDGE: Carl Phillips is the author of 16 books of poetry, most recently Then the War: And Selected Poems 2007-2020 (Farrar, Straus & Giroux, 2022). His honors include the 2021 Jackson Prize, the Aiken Taylor Award for Modern American Poetry, the Kingsley Tufts Award, a Lambda Literary Award, the PEN/USA Award for Poetry, and fellowships from the Guggenheim Foundation, the Library of Congress, the American Academy of Arts and Letters, and the Academy of American Poets. Phillips has also written three prose books, most recently My Trade Is Mystery: Seven Meditations from a Life in Writing (Yale University Press, 2022); and he has translated the Philoctetes of Sophocles (Oxford University Press, 2004). He teaches at Washington University in St. Louis.

driftwoodpress.com

_____

Loghaven Artist Residency

DEADLINE: July 15, 2022

INFO: Loghaven Artist Residency’s mission is to serve artists by providing them with a transformative residency experience and continued post-residency support. The residency is located on ninety acres of woodland in Knoxville, Tennessee. Artists live in five historic log cabins that have been both rehabilitated and modernized to create an ideal setting for reflection and work, and they have access to new, purpose-built studio space. All Loghaven Fellows are awarded stipends to support the creation of new work during the residency.

ELIGIBILITY: Practicing artists of all backgrounds and at any stage of their career are eligible to apply for a Loghaven residency. International artists and artists currently enrolled in a degree-seeking program are not eligible. Artists must be at least twenty-one years old and live more than 120 miles away from Knoxville. This distance requirement is designed to ensure that artists are able to be fully immersed in their residency experience and can take advantage of the retreat-style environment. Please note that all eligibility requirements must be met at the time of application.

We invite applicants in the creation stage of their specified project or work cycle to apply in the following disciplines:

  • Writing (poetry, fiction, nonfiction, screenwriting, and journalism)

  • Visual Arts

  • Dance

  • Theater

  • Music Composition

  • Architecture

  • Interdisciplinary Work

DIVERSITY STATEMENT: Loghaven actively seeks to assemble diverse cohorts. Loghaven does not discriminate on the basis of race, age, religion, gender expression, sexual orientation, national origin, citizenship status, marital status, veteran status, medical conditions including HIV, or sensory, physical, or mental disability.

RESIDENCY SESSIONS:

  • February 6 – March 3, 2023 (4 weeks)

  • April 10 – May 5, 2023 (4 weeks)

  • May 22 – June 16, 2023 (4 weeks)

  • July 17 – 31, 2023 (2 weeks for teaching artists and faculty artists at the university level)

  • September 25 – November 3, 2023 (6 weeks)

  • January 8 – 22, 2024 (2 weeks, preference given to alumni/ae)

APPLICATION TIMELINE & QUALIFICATIONS:

Applications will be accepted starting Wednesday, June 1, 2022, until Friday, July 15, 2022, at midnight Eastern Time. Late applications will not be accepted. The application panel will meet in September, and applicants will be contacted by November 1, 2022.

A national selection committee composed of artist peers and other arts professionals selects artists. Applicants are judged by the same criteria across disciplines. Panelists are looking for artistic excellence, defined by a depth of conceptual content, sustained impact, and boldness of vision. The panel seeks those with sophisticated technical knowledge, whether the applicant displays a high level of traditional skill or, conversely, subverts that knowledge in new or challenging ways. The panel values potential in emerging artists and evidence of commitment and evolution in more established or mid-career applicants.

REFERENCES:

All applicants are required to submit two professional references. Please provide the name, contact information, and a very brief description of the nature of your professional relationship for each reference. Loghaven contacts references only if the application advances. References would be contacted in the fall by either email or phone and would not submit a formal letter.

WORK SAMPLES:

Determine which discipline best fits your work and follow the instructions below to upload the required work samples.
Name all of your submissions using the following naming structure: last name, first name # (Smith, Jane 1).
If the attached work sample is longer than the limits laid out for your discipline, please indicate the section of video or audio you would like the panel to review. If you do not indicate a section, the panelist will review from the start until the time limit is reached.
Note if any submitted work sample is more than four years old.
Provide all submissions in English or accompanied by a translation.

  • VISUAL ART - Submit eight JPEG images that best represent your work. They can be no more than three MB per image. Each image should contain only one artwork. Two additional optional submissions: Installation documentation (either images or video) or detail shots. If your work is based in video, please submit up to two or three works totaling no more than fifteen minutes of video. Video can be submitted in MP4 or MOV format or by Vimeo or YouTube link.

  • MUSIC COMPOSITION - Submit two or three audio samples of representative work. Each should be no more than 30MB each and should be in MP3 format or in MP4 or MOV format or by Vimeo or YouTube link. The work samples should total no more than fifteen minutes of video or audio. If available, please include a score submitted as a PDF.

  • DANCE - Submit two or three works totaling no more than fifteen minutes of video. Each work sample should be submitted in MP4 or MOV format or by Vimeo or YouTube link.

  • THEATER - Submit either two or three videos or PDFs. If you submit via video, they should total no more than fifteen minutes together in MP4 or MOV format or by Vimeo or YouTube link. If you submit via PDF, they should total no more than 250MB or two or three PDFs of scripts or librettos, totaling no more than twenty pages.

  • POETRY - Submit eight to ten short poems or excerpts of poems. The total should not exceed 15 pages and should be in PDF format.

  • FICTION, NONFICTION, & SCREENWRITING - Submit two to three work samples in the genre that you wish to work in during your residency. The total should not exceed 20 pages, be double-spaced, and be in PDF format.

  • ARCHITECTURE - Submit two to three examples of previous design-based architecture projects in the form of PDFs, video, or a combination of the two. The applicant may submit work samples including but not limited to models, drawings, and images of completed work. The applicant may submit multiple pages for each project, but the total number of pages submitted should not exceed ten and should be in PDF format. If submitting video, work samples can be in MP4 or MOV format or by Vimeo or YouTube link. The total length should not exceed ten minutes. The applicant should include a brief, 250-word description of each project with the other submitted materials. In this description, please include whether this project was ever constructed. Please review the FAQs before applying in the discipline of Architecture for additional application guidelines.

  • INTERDISCIPLINARY WORK - Submit three to five work samples. The work samples can be in one type of media or a mixture of media including images (jpegs should be no more than three MB each), PDFs, video (MP4/MOV should be no more than 250 MB), Vimeo link, YouTube link, or audio (MP3 should be no more 30MB each).

loghaven.org/residencies/apply/

_____

CALL FOR SUBMISSIONS

Hayden’s Ferry Review

DEADLINE: July 15, 2022

INFO: Hayden’s Ferry Review is a semi-annual, international literary journal edited by the MFA students at Arizona State University. It is open for translation and art year-round. General submissions in all other genres are currently open from June 15-July 15, 2022.

we are waiving our submission fee for black and indigenous writers: Art submissions are always free, but during months when we are open for any other genre submissions, we will have additional Submittable forms where Black and Indigenous writers and artists can submit for free.

poetry guidelines:

Submit up to 6 poems. Please include your entire submission in one file and be sure your name and contact information are included on the first page of the file. All work should be uploaded through our submissions manager. Acceptable file formats include .doc, .docx, and .pdf. Please send one submission at a time and wait for a response before you submit additional work. We do not consider book-length works. Submitters are strongly encouraged to read the journal before submitting. Sample work from current and past issues is available on our website.

prose guidelines:

We accept both fiction and non-fiction. Prose should be double-spaced. We do not have a strict word count, though we favor pieces under 17 pages, and rarely accept work that is over 20. Please include your entire submission in one file and be sure your name and contact information are included on the first page of the file. We accept one story, essay, novel excerpt, or memoir excerpt per author at any given time. All work should be uploaded through our submissions manager.

translation guidelines:

Translations submissions should be works translated into English from any other non-English language, and must include the original text along with the translated text. Translators should secure rights to translate the work they are submitting. Submit up to 6 poems/micro-fictions, or one essay/story. Upon acceptance, we will request a translator's note on your translation process (similar to an artist statement).

art guidelines:

We are looking for visual art in all categories. Please submit 5-8 pieces at a time. We may ask for additional art based on this submission. We do not accept work that has been previously published elsewhere.

Upon acceptance, we will request high res files, an author's bio, and an artist's statement. We publish art in full color, often selecting between 2 and 4 artists for each issue. One of these will receive cover credit and bookmark credit. 

general notes on submission:

  • Please send one submission per genre at a time, and wait for a response before you submit additional work.

  • Simultaneous submissions are welcome. If your work is accepted elsewhere, please notify the editors immediately by adding a message to your submission in Submittable.

  • Withdraw your submission using Submittable. If you are only withdrawing a section of your work (for example: 2/5 poems), add a message to your submission. 

  • Contributors receive one copy of the issue in which they appear. Additional copies may be purchased for $6 each up to 5 copies.

  • We do not accept previously published material. 

  • We do not consider book-length works. 

  • Submitters are strongly encouraged to read the journal before submitting: to subscribe, visit http://haydensferryreview.com/store.

a note on accessibility:

It has come to our attention that Submittable may not be accessible to visually impaired writers. HFR is committed to accessibility and wants to receive submissions from all writers equally. If you are a visually impaired writer who is currently unable to submit via Submittable due to accessibility issues, you may email your submission as an attachment in .pdf format to haydensferryreview AT gmail.com. Note that submissions received via email which are outside the current submission period, or do not suit the current call(s) or guidelines, will not receive a response. If you have questions concerning this policy, please email us at the above address.  

book reviews & interviews:

We accept books for review submission during the months of September to April. If you would like us to consider your book or collection for a featured book review or interview on our blog, especially if you are a former contributor, please email (haydensferryreview @ gmail dot com) with the subject line “Book for Review/Interview Consideration.” In the email, include the title of your work, a brief summary, and anything else you’d like us to know. If you have a digital copy of your work, feel free to include this. If we are interested in reviewing your work, we will send you our mailing address where you can send a physical review copy. We receive many wonderful works but, unfortunately, are unable to review all of them. If you haven’t received a response from us within two months, we are currently at capacity and won't be able to take on your book. This doesn't mean we aren't thrilled to see your work out in the world! But because we operate with a mostly volunteer staff, our bandwidth is limited.

haydensferryreview.com/submit

_____

Crosstown Arts RESIDENCIES

DEADLINE: July 15, 2022

INFO: Crosstown Arts offers multidisciplinary residencies in Memphis, TN, to visiting and Memphis-based artists and curators working in any creative discipline including visual and performing arts, music, film, and writing in all genres.

All residencies include a private studio workspace. Studios have varying configurations and amenities. In addition to a private practice space, musician residencies include other amenities through Crosstown Arts Musician & Artist Services department.  

Crosstown Arts provides food for residents five days per week.

Live/work residencies also include a private bedroom/bathroom next to a common living area and kitchen. A family housing option is available as well as accessible housing for differently abled residents. All residencies are offered at no cost to participants, who are responsible for covering their own studio materials and travel expenses to and from Memphis.

All residents are asked to participate in a limited number of public engagement activities (such as informal artist talks and open studio events) while in residence.

Three-month residency sessions are offered each year in the spring (February 1-April 30) and in the fall (September 15-December 15). Three-week sessions are available in the summer (June 3-24 and July 8-29) and can be attended consecutively. One visual arts, studio-only, 10-month residency is available per year and prioritized for locals. Crosstown Arts offers select specialized residencies each year as part of the application process. 

Specialized residencies include dedicated equipment and software that is particular to certain disciplines. Applicants are encouraged to read about specialized residencies in detail during each application period, as these residencies may vary.

Anyone who will be 21 years of age or older at the time of their residency is welcome to apply. There are no specific project requirements for accepted residents who are encouraged to experiment and explore new ideas or further develop current work already in process.

Residents are given a membership, for the duration of their residency, to Crosstown Arts’ on-site shared art-making workspace. This facility includes a range of analog and digital fabrication and production resources, including a wood shop, multiple CNC/laser cutters, a Mac-based computer lab, a large-format digital printing service, a silkscreen/print shop, a small recording studio, and individual editing bays for video/audio production.

Founded in 2010, Crosstown Arts (501c3) completed the renovation of Crosstown Concourse in 2017, a one-million-square-foot former Sears & Roebuck distribution warehouse. The Concourse building is now home to Crosstown Arts’ contemporary art center, which includes the artist residency program, multiple galleries, large-scale exhibition/installation spaces, screening rooms, and a space dedicated to live music performance. Crosstown Arts also operates a 419-seat black box performing arts theater and a craft cocktail bar. 

Crosstown Concourse is also home to a major health and wellness initiative, including a walk-in clinic for the uninsured and a fitness facility, both available to participants in Crosstown Arts’ residency program. A variety of restaurants are located in the Concourse building, as well as a small grocery store, coffee shop, juice bar, pharmacy, and other commercial, retail, and residential tenants.

crosstownarts.org/residency/about/

_____

Fourteenth Annual Poetry Contest

Narrative Magazine

DEADLINE: July 15, 2022 at midnight PT

SUBMISSION FEE: $25 fee for each entry. With your entry, you’ll receive three months of complimentary access to Narrative Backstage.

INFO: NARRATIVE’S FOURTEENTH Annual Poetry Contest runs from May 9 until July 15. In a continuing effort to encourage and support talented poets, we’re offering prizes and widespread publicity to all winners and finalists. Narrative is always looking for new voices, so all entries will be considered for publication in the magazine.

The contest is open to all poets. Entries must be unpublished and must not have been previously chosen as winners, finalists, or honorable mentions in other contests. Each entry may contain up to five poems. The poems should all be contained in a single file. You may enter as many times as you wish, but we encourage you to be selective and to send your best work.

Awards:

  • First Prize is $1,500

  • Second Prize is $750

  • Third Prize is $300

  • Up to ten finalists will receive $75 each. 

  • All entries will be considered for publication.

All contest entries are eligible for the $4,000 Narrative Prize and for acceptance as a Poem of the Week.

Judging: The contest will be judged by the editors of the magazine. Winners and finalists will be announced to the public by September 30, 2022. All writers who enter will be notified by email of the judges’ decisions. The judges reserve the option to declare ties and to designate and award only as many winners and/or finalists as are appropriate to the quality of contest entries and of work represented in the magazine. 

Submission Guidelines: Submissions may contain up to five poems. Your submission should give a strong sense of your style and range. We accept submissions of all poetic forms and genres but do not accept translations. Please read our Submission Guidelines for manuscript formatting and other information.

Other Submission Categories: In addition to our poetry contest, please review other Submission Categories that may interest you.

narrativemagazine.com/fourteenth-annual-poetry-contest?uid=103566&m=addc91f86e3cc015019aa363740209ab&d=1653592964

_____

CALL FOR SUBMISSIONS: ISSUE #3

Liminal Review

DEADLINE: July 20, 2022

INFO: Thank you for considering The Liminal Review as a potential home for your work. 

Please only submit to one category (Poetry or Fiction or Nonfiction) per submission period to liminal review [at] gmail. com

The Liminal Review is currently run without any outside funding so we can only offer a small fee towards accepted pieces. Featured writers will also receive a contributor copy.

Please read the following submission guidelines carefully. Submissions that fail to adhere to the guidelines will not be considered for publication.
If you have any further questions please feel free to reach out via the contact form, email or our social media channels.

The Liminal Review’s stated goal is to give special consideration to emerging authors/artists regardless of their previous publishing history.
POC and LGBTQIA+ artists and writers, as well as those living with disabilities, are strongly encouraged to submit.

SUBMISSION GUIDELINES:

  • Poetry: Please send 1-5 poems.

  • Fiction: Please send one piece of a maximum of 5 000 words.

  • Nonfiction: Please send one piece of a maximum of 5 000 words.

  • Art: Please send us samples of your work. (Illustration, photography, marginalia, etc.)

  • For Fiction & Nonfiction, please include the word count of your piece in the body of your submission email.

  • Please include a short (max. 50 words) third-person bio in the body of your email with every submission.

FORMATTING:

12 pt, classic serif font (Times, Garamond, etc.), double spaced for fiction and nonfiction.

Please send your poetry, fiction or nonfiction submission as one .doc or .docx attachment.

All work should be previously unpublished (this includes self-publishing, personal blogs, social media, etc.)

We ask you to include content warnings where relevant. Content warnings will not impact our consideration for your piece, they just allow us to anticipate what to expect when engaging with your work.

We do accept simultaneous submissions but would ask you to let us know immediately if your piece is accepted elsewhere. Please let us know if your submission is under consideration somewhere else in your submission email.

We are committed to a fair editorial process which includes a reasonable response time to your submission. Please be aware that as a very small team, we are unable to offer any critical feedback towards unsuccessful submissions.

Make sure to use the following subject line format when emailing us your submission:

“[Category] Title of your Work/Medium” 

Example: 

  • [Fiction] Dance in America

  • [Art] Illustration

  • [Poetry]  Three Poems

liminalreview.com/home/submit

_____

KWLS POETRY WORKSHOPS / FELLOWSHIP AWARDS

Key West Literary Seminar

DEADLINE: July 30, 2022

INFO: We are now accepting applications for our poetry workshops, which run January 10-14, 2023 and will be taught by Cave Canem Cofounder Cornelius Eady and Pulitzer Prize winner Tyehimba Jess. You may also apply for one of our Workshop Fellowship Awards.

For the first time, the Writers' Workshop Program and Key West Literary Seminar will partially overlap. Once you are accepted into a workshop, you will have the option of attending some of the Seminar at a reduced rate. 

PROGRAM OVERVIEW:

The Writers' Workshop Program begins Tuesday, January 10, 2023, with an orientation dinner for students and faculty at the Harry S. Truman Little White House. Classes start the following day and meet for three hours a day (generally 10 am – 1 pm) until Saturday, January 14.

For the daily workshop sessions, you will be in a classroom with your instructor and eleven fellow students. On Friday night we will host a farewell cocktail party for students and faculty (your final class takes place the next day). Because of partial overlap in programming, students will have the opportunity to attend some of the Seminar, Singing America: A Celebration of Black Literature, at a discounted rate.

We accept applications on a rolling basis until the class is full. To increase your chances of acceptance, you may apply for two workshops simultaneously. Separate applications are required for each workshop, and you will be asked to indicate a first and second choice. Early applicants will generally receive an answer within four to six weeks. A waitlist will be established for each workshop once it is full. Most workshops will require some advance reading and/or a manuscript submission.

TUITION: All workshops are priced at $675. Upon being accepted into a workshop, you will be asked to pay a deposit of $300 within seven days in order to secure your spot. The remaining $375 is due on September 1st. At that time we will also offer you the option of attending some of the Seminar for an additional $300 (bringing the combined, discounted rate to $975).

WORKSHOP FELLOWSHIP AWARDS:

Workshop Fellowship Awards provide financial assistance to writers who wish to participate in our Writers’ Workshop Program. We aim to support the development of diverse new voices in American literature and provide opportunities to those who may not otherwise be able to attend. We encourage you to apply!

Fellows receive full fee waivers ($675) to attend a workshop, as well as financial assistance to offset lodging costs, as needed. Award recipients are responsible for their travel costs and most meals. Priority will be given to those who have not previously received KWLS support.

We are now accepting award applications. Priority deadline is July 30, 2022 (applying before the deadline increases your chances significantly).

kwls.org/workshops-overview/

_____

2023 Winter Writers’ Retreat

Roots. Wounds. Words.

DEADLINE: July 31, 2022

APPLICATION FEE: $25

INFO: The Roots. Wounds. Words. Annual Writers’ Retreat for Storytellers of Color is a sacred space wherein BIPOC stories are celebrated, and BIPOC storytellers immersed in liberation. At the Writers’ Retreat, Storytellers receive literary arts instruction offered by award-winning BIPOC writers in the fields of nonfiction, fiction, poetry, speculative fiction, and young adult fiction.

In January 2023, Roots. Wounds. Words. Fellows will journey to a virtual sacred space where they will workshop their literary art, perform their work, participate in BIPOC-centered healing and liberation modalities, as well as receive literary arts pedagogy from renowned BIPOC storytellers.

To attend this offering, submit an application through our online system. Prior writing experience is insignificant. Whether you’ve attended a writing workshop before or not holds no weight. All applicants are judged on the merits of their full application, which includes an artistic statement, bio and writing sample.

The Roots. Wounds. Words. Writers’ Retreat is for Us.

Our annual Retreat provides BIPOC storytellers with a transformative opportunity to push your pen, strengthen your craft, access literary art professionals, rest and restore, and build the tribe you need to support your writing goals.

RETREAT DATES:

January 8 - January 14, 2023

RETREAT LOCATION:

Virtual

ELIGIBILITY:

The Retreat is open to storytellers of color.

Storytellers of all levels are welcome to apply.

Storytellers must be at least 21 years old.

Storytellers currently enrolled in graduate or undergraduate programs are also welcome to apply.

APPLICATION PROCESS:

Applicants are required to select a category into which your submission fits. The categories are:

(1) Fiction

(2) Nonfiction

(3) Poetry

(4) Speculative Fiction

(5) Young Adult Fiction

Your writing sample must match the category you apply for. For example, if you are applying for the fiction workshop, you must submit a fiction writing sample. You are allowed only one submission per category. You may apply to more than one category. However, each submission is separate. You must complete separate applications and pay the submission fee for each category you submit to. 

MANUSCRIPT WORK SAMPLE:

We require a standard format for all fiction, nonfiction, speculative fiction, and young adult fiction submissions. The format is:

  • The manuscript may not exceed 10 pages.

  • 1-inch page margins.

  • Double spaced.

  • Text must be in a 12-point serif font (preferably Times New Roman).

  • Electronic file names must consist of the writer’s last name followed by the manuscript title. For example, Smith__A Day in the Park. Poets and those with a longer manuscript title can simply use something like Smith__manuscript for RootsWoundsWords

  • The manuscript must be submitted as a Word document or PDF

  • The applicant’s name and page number must appear on each sheet of the manuscript; for example, Smith, p.1

  • If you are submitting prose, you must include a brief note regarding whether the piece stands on its own as a short story or essay, or is an excerpt from a longer project.

  • Manuscripts excerpted from a longer project should include a one-page synopsis of the larger project placed at the back of the work sample (the synopsis can be single-spaced and does not count toward the 10-page limit).

We require a standard format for all poetry submissions. The format is:

  • The manuscript may not exceed 10 pages.

  • May include one or more poems as long as the total number of pages is within the 10-page limit.

  • Electronic file names must consist of the writer’s last name followed by the manuscript title. For example, Smith__A Day in the Park. Poets and those with a longer manuscript title can simply use something like Smith__manuscript for RootsWoundsWords

  • The manuscript must be submitted as a Word document or PDF

  • The applicant’s name and page number must appear on each sheet of the manuscript; for example, Smith, p.1

BRIEF BIO:

Each applicant must submit a bio of no more than 250 words.

ARTIST STATEMENT:

Each applicant must submit a statement describing their literary art and how it pushes liberation for BIPOC forward. Resources: How to Write a Poetry Cover Letter from The Watering Hole, “Ready, Set, Residency” by Brevity Nonfiction Blog, and Artist Statement Guidelines by Getting Your Sh*t Together Ink.

WHY RWW:

Each applicant must describe what they intend to gain from and contribute while at the Writers’ Retreat.

ACCEPTANCES:

RWW will work with our Faculty to notify all accepted Storytellers of their acceptance to the Writers’ Retreat by Aug 28, 2022.

TUITION:

  • The Writers' Retreat is virtual and tuition will be $875.

  • When the Writers’ Retreat is in-person, the tuition is $1,875.

  • Payment plans as well as limited partial and full scholarships will be available.

DEPOSIT:

  • The Writers’ Retreat is virtual and, as a result, a $300 deposit will be due no later than September 23, 2022.

  • When the Retreat is In-Person, a $500 deposit is due.

  • Receipt of deposit confirms your attendance.

CANCELLATION POLICY:

Full deposit refunds will be issued for Storytellers who cancel their participation in the Writers' Retreat no later than October 14, 2022.

Refunds will not be issued to Storytellers who seek to cancel participation in the Writers' Retreat after October 14, 2022.

PRIVACY:

All application materials and work samples are confidential and retained for use of the RWW Writers’ Retreat programming only.

rootswoundswords.org

_____

CALL FOR SUBMISSIONS: ISSUE 003: GROWTH

Soul In Space

DEADLINE: July 31, 2022 - (BIPOCs (all) and Allies)

INFO: Soul In Space Mag is seeking submissions in the topic of “Growth.”

You can submit, creative non-fiction, essays, poetry, fiction, etc… There is also the option for other forms of art like music, videography, digital art, and other methods of visual art.

Send your submissions to submission@soulin.space

soulin.space/submissions

_____

CALL FOR SUBMISSIONS: Issue 10: "Sonder"

Lucky Jefferson

DEADLINE: July 31, 2022

INFO: Curious about other people's loves, losses, or even grocery lists? Into Humans of New York, we're not really strangers, or Stories from a stranger? For Issue 10, Sonder, we invite you to share glimpses of others' lives — glimpses reminding us that everyone is the main character of their own story — and reminding us how important it is to recognize these hidden moments.

In the Dictionary of Obscure Sorrows, the word sonder means acknowledging that other people are "living a life as vivid and complex as your own." Poems, flash fiction, creative nonfiction, hybrid forms, and visual art that explore these themes are all welcome.

Examples of what we're looking for: Three Addresses by Terence Winch / Retired Ballerinas, Central Park West by Lawrence Ferlinghetti / Venice, Unaccompanied by Monica Youn


When submitting:
- Send no more than 3 poems in a submission. Separate poems by page break.
- No more than 1000 words for flash fiction.     
- Keep it short and sweet. Share your name, email address, mailing address, and bio (third-person, 50 words max).      
- No work that has been previously published in print or online.

*We will not tolerate any work that promotes harmful stereotypes and perspectives including: racism, bigotry, misogyny, homophobia, transphobia, islamophobia, xenophobia, antisemitism, ableism.

luckyjefferson.submittable.com/submit/85f1c235-d063-4596-a4f4-0652b530d34c/issue-10-sonder-early-bird-submission

_____

The Acentos Book Prize

Nomadic Press

DEADLINE: July 31, 2022

INFO: We publish chapbook-length and full length manuscripts between 35 and 80 pages.  We are genre-inclusive, interested in poetry, fiction, creative nonfiction and especially welcome experimental, hybrid, and even collaborative works. We ask that the artist center community in some aspect of their work and/or consider how they might connect their work with the Latinx/e community. 

We welcome work in English, Spanish, and Spanglish. Unless needed for your particular aesthetic, we ask that you not italicize words in Spanish. We trust our readers to do the work of understanding the multiplicities of language present within the work. Should another language than those listed be important to your work for which we as editors do not have access, we would ask that you direct us to a language resource by which we can access the meanings you have encoded on the page. We will do the work to read your manuscript with attention. Translation to English is not needed; that said, you are also welcome to submit a fully bilingual, side-by-side manuscript for consideration.

INVITATION GUIDELINES:

  • Send us your work between July 1–July 31

  • Page count: 35–80 pages

  • One book selected per year

  • Reading fee: $10 fee (if this is unfeasible for you, please reach out to us to let us know at info@nomadicpress.org, subject line: Acentos Book Prize)

  • Please leave any identifying information off of the entire manuscript (name, email address, website, etc.)

  • If you have a previous relationship with any of the judges please let us know (workshops, classes, friends, etc.). If so, we will ensure that a judge you do not know is assigned your work

  • Announcement of winner will go out to author by September and to the public by October. Book will be published in 2023.

2022 JUDGES:

  • Peggy Robles-Alvarado is a Dominican and Puerto Rican Jerome Hill Foundation Fellow in Literature, a two-time Pushcart Prize nominee, and a 2020 Atticus Review Poetry Contest winner. She is also a BRIO award winner with fellowships from CantoMundo, Desert Nights Rising Stars, The Frost Place, Nalac Leadership Institute, Communitas America, and VONA. With advanced degrees in education and an MFA in Performance Studies, this initiated priestess in Lukumi and Palo celebrates womanhood and honors cultural rituals. She’s a three-time International Latino Book Award winner who authored Conversations With My Skin (2011), and Homage To The Warrior Women (2012). Through Robleswrites Productions, she created Lalibreta.online (2021), The Abuela Stories Project (2016), and Mujeres, The Magic, The Movement, and The Muse (2017). Her work has been featured on HBO Habla Women, Lincoln Center, Smithsonian Institute- Museum of the American Indian, Pen America World Voices Festival, Pregones Theater, and her poetry appears online in Poets.org, Tribes.org, The Quarry at Split This Rock, The Common, 92Y.org, Centro Voices Letras Literary Journal, and NACLA.org. Peggy’s poetry has also been published in several anthologies including The Breakbeat Poets Vol. 4: LatiNext (2020), and What Saves Us: Poems of Empathy and Outrage in the Age of Trump (2019). For more, please visit Robleswrites.com.

  • Alan Pelaez Lopez is a poet, installation, and adornment artist from Oaxaca, México, whose work centers on migration, Black aliveness, and the radical trans*imagination. Alan is the author of Intergalactic Travels: poems from a fugitive alien (The Operating System, 2020), a finalist for the International Latino Book Award, and to love and mourn in the age of displacement (Nomadic Press, 2020). They earned a Ph.D. from UC Berkeley and is an incoming assistant professor of trans* ethnic studies and race and resistance studies at San Francisco State University.

  • Raquel Salas Rivera (Mayagüez, 1985) Poeta, traductor, y editor. Sus reconocimientos incluyen el nombramiento como Poeta Laureado de la ciudad de Filadelfia, el Premio Nuevas Voces, el Premio Literario Lambda, el inaugural Premio Ambroggio, la beca de Poeta Laureado y una beca del National Endowment for the Arts para la traducción de la poesía de su abuelo, Sotero Rivera Avilés. Es el autor de seis poemarios que han sido semifinalistas y finalistas para el National Book Award, el Pen America Open Book Award y el CLMP Firecracker Award. Fue el coeditor de dos antologías de poesía puertorriqueña, Puerto Rico en mi corazón (Anomalous Press, 2019) y La piel del arrecife (La Impresora, 2022), múltiples folios y la revista literaria The Wanderer. En 2016, junto a varixs integrantes fundó el Yerbamala Collective, un grupo dedicado a la creación de hechizos poéticos antifascistas. En el 2022, participará en el Whitney Museum of American Art en no existe mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria, la primera exposición académica enfocada en el arte puertorriqueño organizada por un museo grande de los Estados Unidos en casi medio siglo, cuyo título proviene de un verso del poemario while they sleep (under the bed is another country) (Birds, LLC, 2019). Obtuvo un Doctorado en Literatura Comparada y Teoría Literaria de la Universidad de Pensilvania y vive, enseña y escribe en Puerto Rico. Con una beca de tres años de la Fundación Mellon, trabaja como investigador y supervisor del equipo de traducción para El proyecto de la literatura puertorriqueña/ The Puerto Rican Literature Project (PRLP), un portal digital bilingüe y de libre acceso que usuarios pueden utilizar para conocer y enseñar la poesía puertorriqueña.

nomadicpress.org/acentosbookprize

_____

CALL FOR SUBMISSIONS: Fall/Winter 2022 issue

Marías at Sampaguitas

DEADLINE: July 31, 2022

INFO: Marías at Sampaguitas, a lit mag for BIPOC, LGBTQIA+, and marginalized artists with Pilipino/a/x/Filipinxao community roots, is open for submissions for its issue under the theme “RITUALS”; inspired by the Kruger quote, "You construct intricate rituals which allow you to touch the skin of other men."

Send us poetry, prose, essays, photography, and art exploring your intricate rituals: we want to see your duplexes & prose that circles back into itself; ghost stories; illustrations that blend this realm & the next; essays on why vibes are real; after pieces that answer a question the original piece asked…

More vibes & ideas:
- emphasis on the senses
- what does moonlight feel like?
- poems “after” a deceased poet
- what does a ghost’s touch feel like?
- positive hauntings
- how do the departed reach you?
- the little things you do for people
- what tethers you, is tied to you?
- missed connections
- what ties knots in your stomach?
- tugging at the fabric of reality
- what happens when you drink moonwater?

Send your submissions to: MariasAtSampaguitas@gmail.com

instagram.com/p/CeR3vihuGcx/

_____

Poet Laureate of Jamaica Prizes for Poetry 2022

The National Library of Jamaica

DEADLINE: July 31, 2022

INFO: The National Library of Jamaica is proud to announce the 2022 cycle of the Poet Laureate of Jamaica Young Writer’s Prize for Poetry. Inspired by the slogan “I See my Land…”, the prize specifically focuses on the use of eco-poetics or writing poetry about the environment.

The winner of the prize will receive $1,000 US dollars, as well as an invitation to participate in an award ceremony to be held in Kingston in March 2023. The Poet Laureate of Jamaica Young Writer’s Prize for Poetry affords shortlisted applicants the opportunity to have their work critically reviewed by Ms. Olive Senior, Poet Laureate of Jamaica

The Poet Laureate of Jamaica program is administered by the National Library of Jamaica.

ELIGIBILITY:

  • The prize is open to Jamaican nationals between the ages of 17-25.

  • The submitted poems must be the original work of the applicant.

  • Poems should possess a thematic focus on any aspect of the Jamaican or Caribbean natural environment.

  • Poems submitted for this prize should not have been previously published.

SUBMISSION REQUIREMENTS:

Each applicant is required to submit:

  1. a portfolio of three (3) to six (6) original poems (poems should be typed on plain paper and pages should be numbered)

    1. a completed application form

    2. a signed legal release form

    3. a copy of a government-issued photo identification indicating AGE and ADDRESS (eg. Passport, driver’s license)

JUDGING & SELECTION:

  • Judging will be conducted by a panel at the National Library of Jamaica.

  • Shortlisted submissions will be critically reviewed and annotated by Ms. Olive Senior, Poet Laureate of Jamaica.

  • Review notes will be submitted to a final judging panel for scoring.

  • The decision of the judges is final and unanimous

  • The winners will be announced in late October 2022

nlj.gov.jm/poetryprize/

_____

CALL FOR SUBMISSIONS: “1619 SPEAKS” ANTHOLOGY

Sims Library of Poetry

DEADLINE: August 1, 2022

INFO: The Sims Library of Poetry has an open submission call for its "1619 Speaks" anthology.

GUIDELINES:

  • Your work must be an homage to an African-American poet of the past

  • You must identify as African-American

  • works accepted (1-3 pieces per category):
    - poetry
    - prose (750 max words),
    - visual art

  • format of submission: .docx (poetry + prose) or .png (visual art)

Please submit to 1619speaks@gmail.com

COMPENSATION: $50 honorarium for all accepted artists

instagram.com/p/CfE776GvEms/

_____

SEA ISLAND WRITERS RETREAT

DEADLINE: August 1, 2022

INFO: Join a small group of committed “writers” for four full days of uninterrupted “writer’s heaven” discussing, editing, revamping, and workshopping your work-in-progress with some of the most notable and brilliant “writers” of our time.

Each workshop leader teaches her particular genre/writing, talks craft, and joins in camaraderie in the idyllic setting on one of the historic Georgia Sea Islands. This writing community is curated for established and emerging women of color. The retreat provides participants with an opportunity to meet other writers, workshop their writing among peers, and engage with published writers about concerns and issues related to the industry. Participants will study with professionals in the genres of playwriting, historical fiction, poetry, YA, editing, and memoir.

Accommodations and workshops will be held in a luscious spot in a sprawling island house with six bedrooms, four bathrooms, several porches, and common areas for lectures and writing. Enjoy casual breakfast and chef-prepared meals each day, along with complimentary beverages and snacks throughout the day.

siwr2022.org

_____

TWH Winter Retreat 2022 Writing Workshop Fellowship

The Watering Hole

DEADLINE: August 1, 2022

SUBMISSION FEE: $25

INFO: The Watering Hole Retreat (December 26-30, 2022) features living room style daily classes/workshops, daily craft talks, two readings, one performance workshop, a keynote speech, group writing challenges, and a genuine community. Our mission is to build Tribe through genuine relationships and help poets reach their best work. (This is not the application for the Manuscript Coaching Fellowship.)

Location: Hickory Knob State Park, McCormick, S.C.
Writing Facilitators: TBA
Writing & Performance Facilitator:  TBA
Keynote:  TBA

What's the Application Process?

  1. A Cover Letter (with aesthetics statement) and

  2. A writing sample of 3 poems

ELIGIBILITY: You must be 21 years of age by December 25th.

Additional Help:
The poems may be written or audio. We accept a variety of file types. The poems must have been written within the last two years). Do not include your name on these materials. Judging will be blind.

The cover letter must be written (not audio). If you need help with the basic cover letter format, check out our blog post of Cover Letter Advice.

The type of aesthetics statement that we ask for is a paragraph or two that details...

  1. who influences your writing,

  2. what challenges have you faced on your creative journey,

  3. what you seek to accomplish in your poems,

  4. and what The Watering Hole means to you as a writer of color.

This will contextualize the poems in your submission and help us get to know you as an artist. You may also optionally include how your writing or aesthetic informs what you do, where you work, or any work you do in the arts community or vice versa.

Make certain your submission is your final version. Corrections and new versions will not be accepted.

Notes:
***We ask for a sample of your recent poetry, because we don't want to see "hits from the '80s." We want to get to know you through your current artistic voice.
***We ask for an aesthetics statement, because once you have one written, you can use it to apply for lots of writing opportunities across the industry. Not just for TWH. It just a great tool to have in your toolbox.

What's the Review Process?
New applications are reviewed and accepted by The Watering Hole graduate fellows. They have a vested interest in continuing to build TWH Tribe with a wide variety of talents, backgrounds, and aesthetics.

While under review, preference is given to...

What if my Application is Accepted?
You can find some basic information at twhpoetry.org, but we are in the process of updating our website. When the time comes, The Watering Hole will send out information about online payment options and the welcome packet upon acceptance.

Additional Information

  • The Watering Hole sponsors between 50% and 75% (depending on the year) of every fellow's fees. Your portion of this year's registration price comes to $699.

  • Acceptance letters will be e-mailed by September 1. Deposits of 50% must be made by November 30 and the registration fee must be paid in full by November 15.

  • The first 10 fellows to pay for the retreat in full will receive a one-on-one meeting with the facilitator of their choice.

  • December 26-30: Fellows meet for the Retreat.

twhpoetry.submittable.com/submit

_____

TWH Winter Retreat 2022 Manuscript Coaching Fellowship

The Watering Hole

DEADLINE: August 1, 2022

SUBMISSION FEE: $40

INFO: The purpose of The Watering Hole Manuscript Coaching Fellowship (December 26-30, 2022) is to give up to six unpublished poets of color guidance with their manuscript-in-progress. The poets will spend time in community with each other and under the guidance of one of our former TWH Retreat facilitators. (This is not the application for the Writing Workshop track.)  

Location: Hickory Knob State Park, McCormick, S.C.
Manuscript Coach:  TBA


This program includes 

  • Daily virtual classes focused on advanced aspects of manuscript preparation.

  • Peer Review feedback on a full-length manuscript

  • An individual coaching session with the Manuscript Coach

  • Access to all Winter Retreat events (including craft talks, readings, keynote, etc.). Fellows may also opt to spend this time revising their manuscript.

If you apply for this fellowship and do not get in, you will automatically be considered for The Watering Hole Writing Workshop.

What's the Applications Process? Submission Components:  

  1. A Query Letter and

  2. A Manuscript of 10 pages of poetry here on Submittable.

If you need help with the basic query letter format, click here for sample outline. Do not include your name on this document. Judging will be blind. A Manuscript consists of Title Page + Table of Contents + Acknowledgement Page (for previously published poems) + Sample Manuscript (10 pages). A poem may be multiple pages, but no more than one poem per page is permitted.     

Notes:
***We ask for a query letter, because once you have one written, you can use it to apply for lots of manuscript publishing opportunities across the industry. Not just for TWH. It just a great tool to have in your toolbox.

Eligibility:

  • Applicants must be 21 years of age by December 25th.

  • Applicants cannot have a full-length collection either published or under contract for publication.

  • Poetry must be original, not translations.

 
What's the Review Process? Applications are reviewed and accepted by The Watering Hole graduate fellows who have published at least one book. They have a vested interest in continuing to build TWH Tribe with a wide variety of talents, backgrounds, and aesthetics.  

While under review, preference is given to...  


What if my Application is Accepted?

  • Acceptance letters will be e-mailed by September 1.

  • Turn in your full manuscript of 35 to 45 pages by October 1, along with a deposits of 50%.

  • The registration fee must be paid in full by November 15.

  • Each fellow reviews five of their peer's manuscripts from October 1 to December 1.

  • December 26-30: Fellows meet for the Retreat and turn in their peer reviews.

You can find some basic information at twhpoetry.org, but we are in the process of updating our website for 2020 and 2021 . When the time comes, The Watering Hole will send out information about online payment options and the welcome packet upon acceptance.

Additional Information  

  • The Watering Hole sponsors between 50% and 75% (depending on the year) of every fellow's fees. Your portion of this year's registration price comes to $699, unless you upgrade to a private room or double.

twhpoetry.submittable.com/submit

_____

Granum Foundation Prizes

Granum Foundation

DEADLINE: August 2, 2022 at 11:59 pm Pacific Time

INFO: The Granum Foundation Prize will be awarded annually to help U.S.-based writers complete substantive literary works—such as poetry books, essay or short story collections, novels, and memoirs—or to help launch these works.

Additionally, the Granum Foundation Translation Prize will be awarded to support the completion of a work translated by a U.S.-based writer.

Funding from both prizes can be used to provide a writer with the tools, time, and freedom to help ensure their success. For example, resources may be used to cover fees for a writing residency, mentorship, or editing services. They also may be used for necessities such as books or writing equipment.

Competitive applicants will be able to present a compelling project with a reasonable timeline for completion. They also should be able to demonstrate a record of commitment to the literary arts.

The Granum Foundation is committed to diversity, equity, and inclusion. We welcome applicants from all backgrounds.

PRIZES:

  • Granum Foundation Prize: One winner will be awarded $5,000. Up to three finalists will be awarded $500 or more.

  • Granum Foundation Translation Prize: One winner will receive $500 or more.

ELIGIBILITY: Winners and finalists who received cash prizes from the 2021 competition are not eligible.

granumfoundation.org/granum-prize

_____

CALL FOR SUBMISSIONS: POETRY CHAPBOOKS

Yellow Arrow Publishing

DEADLINE: August 4, 2022

INFO: Yellow Arrow Publishing is currently accepting submissions of poetry chapbooks by authors that identify as women from around the world. We only accept digital submissions. At this time, we prefer working with authors without agents.

Please note that as a small press we produce a limited number of publications each year. We pour our hearts and souls into each submission and each Yellow Arrow publication and thank everyone for their interest and inquiries.

SUBMISSIONS GUIDELINES:

  • Chapbooks should be between 20 and 50 poems (no more than 50 pages total) with a clear, overarching theme and headers added (as needed).

  • Submissions must be (predominantly) in English and must be complete (do not send partials or summaries).

  • When ready, send your chapbook as an attachment (as a .doc/.docx, .rtf, or .pdf) to submissions@yellowarrowpublishing.com—submit your text 12 pt font with 1-inch margins and consecutively numbered pages. Poetry should be single-spaced unless spacing is part of the original formatting. Include a table of contents but do not include any identifiers on any page.

  • Use as the subject of your email: Yellow Arrow Publishing, chapbook submission.

  • Include in the body of the email a brief (150 words or less) synopsis of your work, estimated word and page counts, and a bio or short introduction to yourself.

  • We will consider previously published poems as long as the author currently holds all rights—if previously published, please list where and when as an acknowledgments page within your chapbook.

  • At this time, we do not require exclusive submission but let us know if you will be submitting to more than one publisher and contact us as soon as possible if you choose to go with someone else before a publishing agreement is signed.

  • We only want one chapbook submission per author at this time.

By sending your submission you agree to the following statements:

  • You are a writer that identifies as a woman

  • You have read and submitted within the guidelines

Note that the guidelines can change at any time—check this page before submitting. We are unable to respond to those who do not submit within the guidelines. Ready to submit or have any questions? Send them to submissions@yellowarrowpublishing.com.

yellowarrowpublishing.com/cbsubmissions

POETRY — JUNE 2022

Brooklyn Poets Fellowships: Summer 2022 Workshops

Brooklyn Poets

DEADLINE: June 5, 2022 by 11:59pm ET

INFO: Brooklyn Poets award fellowships to promising students in need to enroll in one of our workshops for free. We also offer partial fellowship awards to finalists and semifinalists. Applicants must not be enrolled in a degree program with access to creative writing instruction or have had a book of poems published or accepted for publication by a United States press. Additionally, applicants who hold a graduate degree in creative writing (MA/MFA/PhD) will be considered separately for a limited number of fellowship awards per season. Applicants are limited to one workshop fellowship lifetime and eligible for only one Brooklyn Poets fellowship per twelve-month period (i.e. recent Retreat Fellows are ineligible).

GUIDELINES: To apply for a summer 2022 workshop fellowship, submit 4–5 poems, published or unpublished, eight pages max. Make sure to include a cover letter (250–350 words) detailing your writing background, why you're interested in a particular workshop/teacher, and why you need financial aid—let us know whether you need full aid or if partial aid will suffice.

Fellowship decisions will be announced via newsletter and social media on June 19. We strongly encourage writers from historically underserved and marginalized communities to apply, including (but not limited to) writers of color, LGBTQ+ writers, writers with disabilities and women writers.

brooklynpoets.submittable.com/submit/225783/brooklyn-poets-fellowships-summer-2022-workshops

_____

WRITING INTENSIVE: WORDS OF RESISTANCE & RESTORATION 

Roots. Wounds. Words.

DEADLINE: June 12, 2022 at 11:59pm ET

INFO: Words of Resistance & Restoration is a 12-week writing intensive where RWW’s faculty of acclaimed BIPOC literary artists will engage justice-involved and -impacted individuals in the art of fiction, nonfiction, and poetry, as well as the art of performanceWords of Resistance and Restoration will attempt to cultivate joy, resilience, and community for storytellers who have had direct and/or indirect experience with the carceral state. The primary beneficiaries are Black, Latina/e/x, Indigenous, Asian, Southeast Asian, People of Color (BIPOC)-identified storytellers who have been arrested, incarcerated, held under state control and monitoring, or who have been impacted by the incarceration of a loved one.

Words of Resistance & Restoration is a virtual literary arts intensive. 

Those taking part will be truly supported through the experience by justice-involved and -impacted faculty such as Nawaaz Ahmed (Radiant Fugitives), Patrice Gaines(Laughing in the Dark and Moments of Grace), Roya Marsh (dayliGht), and Louise Waakaa'igan (This is Where). 

DATES & LOCATION: Words of Resistance & Restoration will be held weekly from Saturday, August 6th - Thursday October 20, 2022 virtually via Zoom.

TUITION & SCHOLARSHIPS: $0.00. This offering is completely tuitionless. Application and participation in Words of Resistance and Restoration is completely free. In fact, the storytellers will receive an honorarium for the culminating performance and for their work to be published in an RWW anthology.

This offering is available to beginner, moderate and advanced storytellers.

rootswoundswords.org

_____

The Letras Boricuas 2022 Fellowship

The Mellon Foundation / The Flamboyan Foundation’s Arts Fund

DEADLINE: June 13, 2022 at 4:00pm ET

INFO: The Letras Boricuas Fellowship is an opportunity sponsored by The Mellon Foundation and The Flamboyan Foundation’s Arts Fund, which will provide forty writers (of poetry, fiction, creative nonfiction, and children’s literature) —twenty selected in 2021 and twenty selected in 2022 — $25,000 each. Recipients will also participate in a gathering of all forty Fellows to be hosted in Puerto Rico, tentatively scheduled for April 2023.

While fellowship award funds are unrestricted, the hope is to help writers in Puerto Rico and across the diaspora, pursue their writing, amplify their work to a broader audience, and create work that celebrates Puerto Rican life and culture. It is also the aim that each Fellowship cohort will include writers of different genres and writers who live in Puerto Rico, as well Puerto Ricans who may live in the United States. Applications will be accepted in Spanish and/or English.

The Letras Boricuas Fellowship will have two cohorts. The first was announced in November 2021 with the fellowship running from January to December 2022. The second cohort will be announced in fall 2022 with the fellowship running from January to December 2023.

flamboyanfoundation.org/letras-boricuas/

_____

VSC FELLOWSHIPS

Vermont Studio Center

DEADLINE: June 15, 2022 by midnight

INFO: VSC’s residency program welcomes artists and writers working across all mediums and genres for two, three, and four week sessions. Residents enjoy well-lit, private studios within a short walk to residency housing, dining hall, and local amenities. Studio spaces range from 170 - 300 square feet. Accommodations include a private room and shared common areas. The campus features include a print shop, digital lab, and metal, wood, ceramic facility. Studios are open 24 hours a day.

A VSC residency provides artists and writers the time and space to focus on their creative practice in an inclusive, international community within a small Vermont village. Residents can explore swimming holes, hiking and biking trails, as well as the rural charm of neighboring towns, while expanding their creative potential and building a solid network of friends and mentors.

VSC will award 17 fellowships between October 2022 and May 2023. Fellowships offer full funding and will be awarded to artists and writers with exceptional work.

vsc.slideroom.com/#/Login

_____

NARRATIVE PRIZE

Narrative Magazine

DEADLINE: June 15, 2022

INFO: THE $4,000 NARRATIVE PRIZE is awarded annually for the best short story, novel excerpt, poem, one-act play, graphic story, or work of literary nonfiction published by a new or emerging writer in Narrative.

narrativemagazine.com

_____

Jane Brinkley Summer Fellowship

Poetry Society of New York

DEADLINE: June 16, 2022

INFO: The Poetry Society of New York is seeking a generous, creative, thoughtful, open-minded, and hardworking young artist for our 2022 Jane Brinkley Fellowship. This fellowship is named after and was founded in memory of our former intern who we tragically lost at the beginning of this year. Jane was and will be in perpetuity a dynamic, hilarious, crucial member of our community, with a propensity for typewriters, yellow flowers, and risky art. She was not only a vital component to the 2021 New York City Poetry Festival, without whom it would not have been possible; she was a performer, poet, songbird, and a dear friend. With this fellowship, we want to grant the opportunity for a college student like Jane to move to New York City for the summer and help produce the New York City Poetry Festival from September 10th-11th.

This fellow will report to the Company’s Chief Executive Officer Stephanie Berger, the Company’s Chief Operating Officer Jackie Braje, as well as other members of Staff as directed by the Company’s Chief Executive Officer. Among various other tasks, this fellow is to assist with:

  • The set-up and breakdown of events, namely the New York City Poetry Festival on Governors Island and the Catskills Poetry Campout (and all advertising-related activities)

  • Tasks provided by the Social Media Manager, Lisette Boer, and the Programs Coordinator, Tova Greene, as needed

  • Communication between event casts, event staff, venues, sponsors, clients, and other professional contacts to streamline production processes

  • The development of new production ideas and see them through to their execution

  • On-site duties during events and rehearsals, including selling merchandise and taking video

  • Writing, editing, and designing production documents (runs of show, materials lists, et al)

This fellowship will last from July 1st to September 15th. The awardee will receive $5000 for these three months, as well as support from the Poetry Society of New York re: finding housing and acclimating to the New York area. To make our decision as equitable as possible, our fellow will be chosen on a completely blind basis; that being said, BIPOC, queer, and gender non-conforming folks are especially encouraged to apply. All applicants must be devoted to diversity, equity and inclusion, not take themselves too seriously, and have a profound love for weird and wonderful poetry. Applicants must be flexible, communicative, and collaborative.

We're very much looking forward to reviewing your application!

poetrysocietyny.submittable.com/submit/227111/jane-brinkley-summer-fellowship

_____

Sappho Prize for Women Poets

Palette Poetry

DEADLINE: June 19, 2022

READING FEE: $20

INFO: This contest only accepts submissions from women poets. ALL women are welcome to submit (cis and trans).

AWARD: The winning poet will be awarded $3000 and publication on Palette Poetry. Second and third place will win $300 & $200 respectively, as well as publication.

The top ten finalists will be selected by the editors, and guest judge Jos Charles will then select the winner and two runners-up.

ABOUT OUR JUDGE: Jos Charles is the author of the poetry collections a Year & other poems (Milkweed Editions, 2022), feeld, a Pulitzer-finalist and winner of the 2017 National Poetry Series selected by Fady Joudah (Milkweed Editions, 2018), and Safe Space (Ahsahta Press, 2016). She currently teaches as a part of Randolph College's low-residency MFA program. Charles has an MFA from the University of Arizona and is currently a PhD student at UC Irvine. She resides in Long Beach, CA.

SUBMISSION GUIDELINES:

Please read carefully to ensure your submission will be considered!

  • for this prize, we are only accepting submissions from women (cis and trans) poets.

  • submissions are open internationally, to any poet writing in English—inclusion of other languages is more than welcome, as long as the meat of the poem is in English.

  • DO NOT INCLUDE your name or identifying information in the document OR submission title. If your name is on the submission, it will be declined unread.

  • we are only accepting unpublished work. If your poem has been published on a blog or on social media, it is not eligible.

  • we accept simultaneous submissions—just please send us a note if your work is picked up elsewhere. (We want to say congrats!)

  • there is no page requirement, but submission must be no more than 3 poems. Please submit all your poems in ONE document.

  • we do accept multiple submissions, but each submission will include the $20 reading fee.

  • please include a brief cover letter with your publication history, if any.

palettepoetry.com/current-contest/

_____

Call for Work: Atlas: Skin/Bone/Blood Bodymaps in Brown and Black, A Disabled Latinx Folio

Apogee Literary / Letras Latinas

DEADLINE: June 30, 2022

INFO: Our bodies tell stories, carry historical memory, bear the intergenerational traumas and forms of resilience we’ve inherited from our ancestors. Our bodies share ways of knowing and being, with and as a part of the planet’s vibrant human and more-than-human ecologies. The memory of land and what our bodies carry are deeply intertwined. In the ongoingness of settler colonial violence, our bodies, selves, land, communities, and life itself, are variously entangled with, subjected to, and complicit in its persistence through extractivism, exploitation of land and labor, and racial-carceral systems that both debilitate us and produce ideas about which bodies matter.

This collection seeks to address these themes at the intersections of latinidad and disability, to put forth a poetics of black and brown racial and disability justice. What storms shake your body and occupy the worlds of you, the worlds you are, and the worlds you live in and move through? What are the relations between geography and corporeal experience that illuminate what is vital and necessary about solidarities between the work of racial justice and disability justice? What stories do you need to tell, about how your body carries the land and how the land has carried your body? What maps to history and to liberatory futures are found in the atlas of your skin, bone, and blood?

Call for Work: Seeking poems on the themes addressed above from disabled Latinx/Latine/Latina/Latino writers.

We welcome submissions in English; and encourage submissions in Spanish, Portuguese, and indigenous languages, accompanied by English-language translations.

Please submit 3-5 unpublished poems totaling no more than ten pages to apogeejournal.org/submit.

In your cover letter, please include a bio of 100-150 words.

*There will be a $100 honorarium for poets included in the folio. Supported by the Mellon Foundation, this folio is an extension of the March 29th, 2022 event by the same title, hosted by the Writer’s Center, and commissioned by Letras Latinas, the literary initiative at University of Notre Dame’s Institute for Latino Studies, as part of the 2022 Poetry Coalition initiative themed on, “The future lives in our bodies: Poetry & Disability Justice.”

apogeejournal.org/2022/05/23/skin-bone-blood-bodymaps/

_____

The Queen Mary Wasafiri New Writing Prize

Wasafiri

DEADLINE: June 30, 2022

ENTRY FEE: £10 for one entry, £16 for double entry

INFO: The 2022 Queen Mary Wasafiri New Writing Prize is open for submissions. Exceptionally international in scope, the prize supports writers who have not yet published a book-length work, with no limits on age, gender, nationality, or background. The winners of each category will receive a £1,000 cash prize and publication, and will be published in Wasafiri’s print magazine. Shortlisted writers will have their work published on Wasafiri’s website.

All fifteen shortlistees and winners will also be offered the Chapter and Verse or Free Reads mentoring scheme in partnership with The Literary Consultancy (dependent on eligibility), and a conversation with Nikesh Shukla of The Good Literary Agency to discuss their career progression.

Before entering the prize, please read the Terms and Conditions carefully. You may enter two manuscripts to the prize (£10 for one entry, £16 for double entry), either in the same or different categories. You may complete the form more than once if you wish to submit more than two entries. Subsidised entry is available for those who would otherwise be unable to enter the prize; details of this are below.  

ELIGIBILITY:

1: The competition is open to anyone who has not published or signed a contract to publish a book-length work of fiction, life writing, or poetry, except for self-published works or poetry chapbooks.

2: Entries must not have been previously published in any form (excluding live performances or shares on personal blogs or social media channels).

3: If entries are published, or accepted for publication, elsewhere between submission and shortlisting, they will no longer be eligible. You must inform us immediately if work submitted to the prize is then accepted for publication elsewhere by emailing wasafirinewwritingprize@qmul.ac.uk.

4: The competition is not open to members of the Wasafiri Board or Wasafiri staff, or any individual involved in the administration of the prize, or their families.

5: Entries must be completed through the submissions form no later than 5pm BST on Thursday 30 June 2022.

6: Failure to meet the conditions of entry will mean that a submission is automatically disqualified from the competition. Entry fee will not be refunded.

FORMAT OF ENTRIES

7:  No entry may exceed 3,000 words.

8: All prizes are for short works, not for novel/memoir extracts. While extracts from longer works are eligible, they must stand alone as complete works in their own right.

9: A single poetry entry can include up to three poems, which together total no more than 3,000 words. Each poem must each be submitted as a separate document.

10: Do not write your name or provide any other form of identification on your manuscript or in the document title. All submissions will be considered anonymously.

11: Work must be typed, in a legible font, font size 12, double-spaced, A4, and submitted as a .doc file or similar (no PDFs).  

12: Manuscripts cannot be altered after submission.

FEES:

13: Entries are considered accepted through our website once the fee is paid. All successful submissions will receive an acknowledgement. If you do not receive an acknowledgement, there may have been a problem with your entry; in this case, check your email spam folder, and then contact wasafirinewwritingprize@qmul.ac.uk to confirm successful receipt.

14: Fee is per entry: £10 for a single entry, £16 for a double entry. You may make multiple entries if you would like to do so by completing the entry form multiple times.

15: We offer a limited number of subsidised entries at a rate of £6 per entry, which must be accompanied by a brief explanation of the entrant’s need for subsidised entry. No documentation is necessary. There is capacity for 25 subsidised entries per month during the months that the prize is open (January-June inclusive).

PRIZE GIVING & PUBLICATION

16: No more than one piece by any writer will be shortlisted for the prize in a single category in a single year, and no person may win in more than one category in a single year.

17: Shortlisted entrants will be notified by email in early September 2022 and must confirm eligibility of their work before the shortlist is confirmed.

18: Acceptance of a place on the shortlist will indicate the author’s agreement to their work being published in Wasafiri in print or online, and included in a possible anthology. 

19: The judges’ decision is final. No discussion concerning the judges’ decision will be entered into.

20: The entry fee is non-refundable.

wasafiri.org/enter-the-queen-mary-wasafiri-prize/

_____

CALL FOR SUBMISSIONS: ISSUE 18: SEXY

Feels Zine

DEADLINE: June 30, 2022

INFO: Feels is a feminist, sex-positive, 2SLGBTQ*, anti-racist, anti-colonial publication about feelings. For Issue 18, we will explore how we get to a place of seeing ourselves as worthy and desirable, how sexiness can empower us, how we celebrate it, and how we express ourselves as the sensual, gorgeous creatures we are.

We accept all forms of written and visual artistic expression, as long as we can print it. Please read our Community Guidelines at feelszine.com for more info about our publication, and our Submissions page for formatting your work. This issue will be risograph printed so please be aware that we may ask for edits to your visual art pieces! We are completely self-funded so all pieces are currently submitted on a volunteer basis.

Issue 18 will be released September 2022.⁠ ⁠

feelszine.com/pages/submissions

_____

CALL FOR SUBMISSIONS: ISSUE 003: GROWTH

Soul In Space

DEADLINES:

  • June 1 - 30 (Black + Native Creatives)

  • July 1 - 31 (BIPOCs (all) and Allies)

INFO: Soul In Space Mag is seeking submissions in the topic of “Growth.”

You can submit, creative non-fiction, essays, poetry, fiction, etc… There is also the option for other forms of art like music, videography, digital art, and other methods of visual art.

Send your submissions to submission@soulin.space

soulin.space/submissions


_____

CALL FOR SUBMISSIONS: SUMMER ISSUE

Voicemail Poems

DEADLINE: July 1, 2022

INFO: We are currently accepting submissions for our Summer Issue!

HOW TO SUBMIT:

Submitting a voicemail poem is easy, here’s how:

First, send us the text of your poem through our online form here:

(https://voicemailpoems.submittable.com/submit)

>> We only consider one poem per poet at a time. If you submit more than one poem we will reject all of them.

>> If you’ve been published by us before, please wait 6 months or so before submitting again. We want to get as many new people involved as possible!

>>
We don’t mind if the poem has been previously published by another magazine. Life is too short.

>> Please submit only original poetry of your own creation.

>> CONSENT: Do you say the name of someone you know personally in your poem? Do you quote or paraphrase or reference something they did or said? This should go without saying, but you should be asking people for their permission if you can.

>> Please be okay with having your poem come up in Google searches with your name next to it.

2. Then, call 910-703-POEM(7636) – introduce your piece and start reading!

>> Calling from OUTSIDE the USA? Try dialing 001-910-703-7636
** Some countries’ phone providers will have “exit codes” in order to dial out internationally. Here’s a list of exit codes. If you are still having trouble placing the call, we also have a WhatsApp account (connected to the same number) & we will accept submissions via the voice memo feature there.

>>
If you are still unable to reach us, please send us an email at voicemailpoems@gmail.com, and we will do our absolute best to resolve the issue.

>> Poems MUST be 3 minutes or less. You’ll get cut off if your poem is longer than 3 minutes. Feel free to call back and try again if you run long the first time but do not split the piece up into two calls we will not accept it like that.

>> The poem must be read by you. Using your voice. Text to speech programs are only allowed if you actually require it to communicate verbally.

3. Finally, we’ll read and listen to your poem and let you know if/when it’ll be posted! (Please be patient, this can take several months.)

voicemailpoems.org/submit/

_____

John & Eileen Allman Prize for Poetry

Bellevue Literary Review

DEADLINE: July 1, 2022

INFO: The BLR Prizes award outstanding writing related to themes of health, healing, illness, the mind, and the body.

This year’s John & Eileen Allman Prize for Poetry will be judged by Phillip B. Williams

Phillip B. Williams is from Chicago, IL, and is the author of the books Mutiny and Thief in the Interior. A recipient of the Kate Tufts Discovery Award, Lambda Literary Award, and Whiting Award, he has also received fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. He currently teaches at Bennington College and the Randolph College low-residency MFA. www.phillipbwilliams.com

GUIDELINES:

  • First prize is $1,000 (in each genre) and publication in the Spring 2023 issue of BLR. Honorable mention winners will receive $250 and publication in the Spring 2023 issue of BLR.

  • Poetry: We encourage poems that are accessible to a wide audience. Characteristics we look for are vivid writing, strong narrative, and rendering the familiar new. We encourage you to peruse back issues in our archive to get a sense of our ethos. You may submit up to 3 poems per submission (please include all 3 in one file).

  • Do not put your name or other identifying information on the manuscript document (or in the filename). Manuscripts are read blindly by reviewers, editors, and judges.

  • Work previously published in print or electronically will not be considered. For BLR, “published work” means published in print in North America, or published on the Internet in electronic journals, e-zines, academic websites, and other “public” or “official” websites. Works posted on personal blogs or websites will be considered on a case-by-case basis. We ask that authors be honest about web postings. (If a work is discovered to have been posted or published elsewhere—and not openly acknowledged by the author in advance—we will remove it from consideration.)

  • Simultaneous submissions are permitted, but we ask that you notify us immediately if your work is accepted elsewhere. We regret that there can be no refunds or substitutions for withdrawn work.

  • All contest entries will also be considered for regular publication.

  • Students/friends/colleagues/relations of a judge are not permitted to enter submissions to that judge's genre.

  • BLR acquires first-time North American rights, and the right to reprint in anthologies. After publication, all other rights revert to the author and the work may be reprinted as long as appropriate acknowledgement to BLR is made.

bellevueliteraryreview.submittable.com/submit/54924/contest-submission-poetry

_____

2022–2023 Poetry Coalition Fellowships

Academy of American Poets

DEADLINE: July 3, 2022

INFO: 2022–2023 Poetry Coalition Fellowships, which are paid fellowship positions for five individuals who will each assist a different Poetry Coalition organization for twenty hours per week over the course of a forty-week period. The fellows will also receive professional development opportunities.

The five organizations hosting Poetry Coalition Fellows this year are Letras Latinas (Notre Dame, IN), Mass Poetry (Boston, MA), Urban Word (New York, NY), Woodland Pattern (Milwaukee, WI), and Youth Speaks (San Francisco, CA). 

Applications for the 2022 Poetry Coalition Fellowship program are being accepted from May 3, 2022 through July 3, 2022. The positions will begin on September 5, 2022 and end on June 30, 2023. Interested individuals that are 21 or older are encouraged to apply, including those who are enrolled in or have recently graduated from an MFA program in creative writing. 

To learn more or to apply for a Poetry Coalition Fellowship at any of the 2022 host organizations, visit their websites at the links below: 

poets.org/poetry-coalition-2022-fell-hosts

POETRY — MAY 2022

2023 JEROME HILL ARTIST FELLOWSHIP 

The Jerome Foundation

DEADLINE: May 4, 2022 at 4pm CT / 5pm ET

INFO: The Jerome Foundation is excited to announce the 2023 Jerome Hill Artist Fellowship application open call. These two-year Fellowships support Minnesota and New York City-based artists across 8 artistic fields who are at an early point in their careers, generally in their 2nd–10th year as a generative artist.

Jerome Hill Artist Fellowships support Minnesota and New York City-based artists across 8 artistic fields who generate new work that takes creative risks in expanding, questioning, experimenting with or re-imagining conventional artistic forms. This Fellowship supports artists who embrace their roles as part of a larger community of artists and citizens, and consciously work with a sense of service, whether aesthetic, social or both. Support is directed to artists who are at an early point in their careers in creating such work, generally in their 2nd–10th year as a generative artist.

AWARD: Fellows receive $50,000 over two consecutive years ($25,000 each year) to support their time and expenses for the creation of new work, artistic development and/or professional artistic career development.

jeromefdn.org/2023-jerome-hill-artist-fellowship-application-now-open 

_____

CALL FOR BOOK SUBMISSIONS: POETRY COLLECTION, ESSAY COLLECTION, AND SHORT STORY COLLECTION

Tin House

SUBMISSION PERIOD: May 7, 2022 at 12:01 a.m. PT to May 8, 2022 at 11:59 p.m. PT

INFO: Three times per year, Tin House offers a two-day submission period for writers to submit their work. Eligible writers must not currently have an agent, and must not have previously published a book (chapbooks okay). Per our schedule below, we accept works of fiction, literary nonfiction, and poetry, both originally in English and in translation (please only submit translation projects which the translator has already been granted formal permission to translate), and ask that you do not send us a project unless you have a completed draft.

In particular, we are looking to engage with work by writers from historically underrepresented communities, including—but not limited to—those who are Black, Indigenous, POC, disabled, neurodivergent, trans and LGBTQIA+, debuting after 40, and without an MFA.

GUIDELINES:

For May’s submission period, we will be accepting debut poetry collections, debut essay collections, and debut short story collections; they can be originally in English and in translation (please only submit translation projects which the translator has already been granted formal permission to translate). As mentioned above, we ask that you do not send us a project unless you have a completed draft of the full manuscript available upon request.

Note that writers may submit only once during each submissions period, and that a schedule for other submissions periods is available above. Eligible writers must not currently have an agent, and must not have previously published a book (chapbooks okay).

For Poetry Collections:

  • Please upload the first 20 pages of the poetry collection in a PDF or Word document. No more than one poem per page. We kindly request that you do not send any additional material beyond the first 20 pages, and we will contact you if we are interested in seeing more. You will also be asked in the submission form to provide a short bio and a one-paragraph project overview that describes your manuscript. 

For Essay Collections and Short Story Collections:

  • Please upload the first essay or short story of your collection in a PDF or Word document. If you are including graphic work, please upload as a PDF in 150 dpi. We kindly request that you do not send any additional material beyond a first essay or short story, and we will contact you if we are interested in seeing more. You will also be asked to provide a short bio and a one-paragraph project overview that describes your manuscript in the submission form.

tinhouse.com/book-submissions/?fbclid=IwAR37AXNrjgQA1HDwnsNmA15P81AyZ_IBPz1k8nTXOmKYwlDDPJOXP0QNDlI

_____

CALL FOR SUBMISSIONS: ISSUE 6 ‘Space’

Cicada Creative Magazine

DEADLINE: May 9, 2022

INFO: When we pitched this theme to the public, we did so with the knowledge that space is a nebulous concept. Space is as interdisciplinary as it gets–an intersection of philosophy, mathematics, psychology, geography. It can take many forms, and mean many things.

Cosmic space, psychological space, locational space. Space as philosophy, as poetry, as activism, as an assertion of power. We invite you to tell us what space means to you in a claustrophobic world that feels more and more hostile with each passing day, all sharp edges and teeth. We watch as the environment rapidly deteriorates and natural spaces vanish. We are pushed out of political spaces that are theoretically meant to serve us. Trans people are gatekept from gender affirming healthcare, disabled people are forced to navigate a world that was not made for them, and we live in a world that remains staunchly hostile to racial minorities–it seems that there will never be peace for the most vulnerable among us. There are very few pockets of space in which we can seek empathy and understanding from one another. Even fewer in the context of global collapse. Perhaps this has always been the case, an inevitability, but we’d like to imagine a future where that isn’t true.

The fatigue of negotiating space, of calculating every physical interaction, of constant catastrophe demanding our mental space, is not something we are equipped to endure. We shouldn't have to. But in a world that demands we persevere, all we can do is our best.

For Issue 06, Cicada Creative Magazine calls on undergraduates to meditate on what space means to you. However it manifests itself–inner, outer, psychological, physical–we would like to document what this looks like in 2022. In a world that is constantly rattling with tension, we’d like to carve out a space for you to express your thoughts and feelings. And given that this theme won, we are inclined to believe this is something you want, too. So, we will provide.

Here are a few ideas of what you can engage with. It’s a starting point, not a prompt; please express yourself in any way you wish.

  • Place attachment is described as the relationship between identity and specific locations. The emotional bond that exists between you and space. A childhood home, an old haunt, a landscape that moves you, a cultural landmark that grounds you in your identity–an intersection of memory and “now.” What is your space?

  • How much control over our space do we truly have? If isolation and crowdedness are equally involuntary, what does that mean for our autonomy? How can we define the boundaries of our space? How can we assert those boundaries?

  • Feel free to take this all the way to outer space. In the field of physical cosmology, many theorists have tried to grasp the observable universe. Where did space come from? How did our universe come to be?

  • Demanding space can be revolutionary. For minorities that are expected to shrink, refusing to do so is an inherently subversive action. What does that look like for you? What has it looked like for activists of the past? In the context of social science, this concept has been folded into several fields, disciplines, and theories, including, but not limited to: feminism, postcolonialism, Black empowerment, Marxism, and urban theory. What does this make you think, feel, and consider?

  • Many fears and phobias are centered around the concept of space. Are there elements of space that frighten you? The open sea, crowds, outer space, any place outside your home?


SUBMISSION GUIDELINES:

Cicada Creative Magazine publishes two issues per year. Submission guidelines are short and sweet; we're all about being open to any work of any type. When submitting to us, please keep the following in mind:

  • Our only eligibility requirement is that you are an undergraduate student. If you are a recent graduate, you may submit within one year of your graduation, and you may only submit work that you completed during your undergraduate degree.

  • Submit a maximum of 3 works per issue.

  • Works must be previously unpublished. You may simultaneously submit, but please let us know immediately if your work is accepted elsewhere.

cicadacreativemag.com/submit.html

_____

2022 Gaudy Boy Poetry Book Prize

Singapore Unbound

DEADLINE: May 15, 2022

INFO: The Gaudy Boy Poetry Book Prize is awarded annually to an unpublished manuscript of original Anglophone poetry by an author of Asian heritage residing anywhere in the world. The winner receives book publication and USD1,500.00.

Past winners were The Experiment of The Tropics by Lawrence Lacambra Ypil and Autobiography of Horse by Jenifer Sang Eun Park, selected by Wong May; Play for Time by Paula Mendoza, selected by Vijay Seshadri; and Object Permanence by Nica Bengzon, selected by Cyril Wong,; and Time Regime by Jhani Randhawa, selected by Dorothy Wang.

This year we’re honored to have Yeow Kai Chai as our prize judge. Yeow is a poet, fiction writer, and editor. He has three poetry collections, One to the Dark Tower Comes (2020), Pretend I’m Not Here (2006), and Secret Manta (2001). He has worked in the media, including as entertainment editor and music reviewer, in various publications such as The Straits Times, 8 Days and My Paper. He co-wrote The Adopted: Stories from Angkor (2015) and Lost Bodies: Poems Between Portugal and Home (2016), with three other authors. A co-editor of Quarterly Literary Review Singapore, he served as Festival Director of the Singapore Writers Festival from 2015 to 2018.

Five finalists will be announced in August 2022, and they will be invited to read their work at a finalists’ reading in September 2022, at which the prizewinner will be announced. The winning manuscript will be published in Spring 2023 by Gaudy Boy, an imprint of the NYC-based literary nonprofit Singapore Unbound.

Established in 2017, Gaudy Boy publishes poetry, fiction, and literary nonfiction of extraordinary merit by Asian voices. Our name is taken from the poem “Gaudy Turnout” by Singaporean poet Arthur Yap about his time abroad in 1970s Leeds, UK. From the Latin “gaudium,” meaning joy, Gaudy Boy seeks to delight our readers with the various powers of art.

Guidelines

1.     The contest is open to emerging and established poets.

2.     No proof of Asian heritage is required. As writers ourselves, we go by honor between writers.

3.     Submit a 70–120-page unpublished manuscript of original poetry in English. Please number the pages of your manuscript. Include a title page, table of contents, and an acknowledgments page for any previously published poems.

4.     Email Jee Leong Koh at jkoh@singaporeunbound.org with a brief cover letter in the body of your email and the poetry manuscript attached in PDF or MSWord format.

5.     Your name, mailing address, and email address should not appear anywhere in the manuscript. Instead, they should be given in your cover letter in the body of your email.

6.     Submit your entry fee USD10.00 at PayPal to Jee Leong Koh (jkoh@singaporeunbound.org). We cannot consider your manuscript until we receive your entry fee. Your entry fee helps us defray some, but not all, of the editorial costs. We have set the entry fee low so that it will not be too much of a barrier for most people. If the fee is a barrier, please write to Jee at jkoh@singaporeunbound.org for a waiver. Entry fees are nonrefundable.

7.     You may submit more than one manuscript, but a separate entry fee must accompany each manuscript.

8.     You may submit the manuscript elsewhere simultaneously, but you must notify Gaudy Boy immediately if your manuscript is accepted by another publisher.

singaporeunbound.org/opportunities

_____

2022 Anne LaBastille Memorial Writers Residency

The Adirondack Center for Writing

DEADLINE: May 15, 2022

APPLICATION FEE: $30

INFO: A free, two-week writing residency. Indoor and outdoor writing spaces, meals served family-style, and fireside conversations at a lakeside lodge in the Adirondack mountains of upstate New York. 

IMPORTANT DATES:

  • Applications open: April 15 - May 15

  • Decision Announcement: July

  • Residency: Sunday, September 25 - Sunday, October 9

APPLICATION REQUIREMENTS:

  1. Cover Letter: Include a brief bio and a work plan for the residency. Copy and paste the text into the space provided (do not attach).

  2. Writing Sample: Please send up to 10 manuscript pages of your best writing in the genre you will be writing in at the residency. Prose: 10 pages max. Poetry: 10 poems max. NOTE: Make sure your name is removed from manuscript file names or anywhere else on the material (except cover letter and references, if included). In order to remain unbiased, we will be forced to disregard any submissions that include your name.

PLEASE NOTE: The Lodge at Twitchell Lake provides an abundance of physical space, and each resident has their own bedroom and bathroom. There are dozens of writing spaces around in and around the property. Internet access is available, but limited (email, OK; streaming, NO) 

REQUIREMENTS: Proof of vaccination is required for selected residents. Selected residents who are unable to be vaccinated for medical reasons will be required to provide proof of negative test upon arrival to the lodge and will contact ACW to ensure proper protocols are maintained and residents can enjoy the residency safely! Please reach out with any questions to info@adirondackcenterforwriting.org.

adirondackcenterforwriting.submittable.com/submit

_____

Emerging Writer's Contest

Ploughshares

DEADLINE: May 15, 2022 at noon EST

INFO: The Emerging Writer's Contest is open to writers of fiction, nonfiction, and poetry who have yet to publish or self-publish a book.

AWARD: We award publication, $2,000, review from Aevitas Creative Management, and a 1-year subscription for one winner in each of the three genres. Submit to the Emerging Writer's Contest through our submission manager. You must be logged in to access our submission manager.

JUDGES: The 2022 contest judges are Amelia Gray (Fiction), Chen Chen (Poetry), and Danielle Geller (Nonfiction). 

PUBLICATION:The winning story, essay, and poems from the 2022 contest will be published in the Winter 2022-23 issue of Ploughshares. 

ELIGIBILITY:

  • Have yet to publish a book (including eBooks, translations, books in other languages/countries, self-published works, and poetry chapbooks with a print run of more than 300).

  • Have no book forthcoming before April 15, 2023.

  • Are not affiliated with Emerson College or with Ploughshares as a contributing author, volunteer screener, intern, student, staff member, or faculty member.

  • Will not have a relationship with Emerson College before April 15, 2023 (example: if there is a chance you will attend the Emerson MFA program in the coming year or if your work has been accepted for publication for an upcoming issue).

SUBMITTING:

The contest opens March 1, 2022 at noon EST and closes on May 15, 2022 at noon EST. We will announce the winners in mid-September of 2022. 

  • Fiction and Nonfiction: Under 6,000 words

  • Poetry: 3-5 pages

Submit one entry per year via our online submission manager. 

  • No entries via email or mail will be considered for the contest.

  • Submitted work must be original and previously unpublished in any form.

  • For poetry, we will be reading both for the strongest individual poem and the general level of work, and may choose to publish one, some, or all of the winner's submitted poems.

  • International submissions welcome.

  • We cannot accomodate revisions once a manuscript has been submitted.

  • Cover letters are not necessary. Please remove all identifying information from your submission as they will be read anonymously.

SIMULTANEOUS VS. MULTIPLE SUBMISSIONS: We only consider one submission per author for the duration of the contest, regardless of genre. Simultaneous submissions to other journals are fine as long as we are notified immediately upon acceptance elsewhere via email (pshares@pshares.org) or our online contact form. 

ENTRY FEE:

  • If you are a current subscriber through our Winter 2022-2023 issue, your contest entry is free of charge. You will still be prompted to "checkout" but you will not be required to enter payment information and will not be charged. If you're not sure when your subscription expires, feel free to email us at pshares@pshares.org.

  • If you are not a subscriber, or your subscription expires before our Winter 2022-2023 issue, the submission manager will prompt you to pay the $24 fee at checkout. The fee includes a 1-year subscription to Ploughshares (beginning with the Spring 2022 issue and ending with the Winter 2022-2023 issue) and free submissions to the 2022 regular reading period. 

  • If you are an international submitter, please be in touch via email for more information about this process. 

pshares.org/submit/emerging-writers-contest/guidelines

_____

OutWrite LGBTQ Literary Festival: “Pandemic as Portal” Issue

OutWrite DC

DEADLINE: May 15, 2022

ENTRY FEE: $0

INFO: OutWrite LGBTQ Literary Festival is pleased to announce submissions are now open for our annual literary journal. The “Pandemic as Portal” Issue seeks to explore the tumultuous interconnectedness of injustices that the COVID-19 pandemic exacerbated. We want this journal to serve as a space to document and process pain, the cognitive dissonance of just being told to continue on as normal, as well as the inherent resilience, its manifestations through queer joy, love, and other emotions you’d like to share with us.

The journal will be distributed ahead of the OutWrite 2022 literary festival and celebrated with a reading from contributors during the festival.

Rasha Abdulhadi is this year’s journal editor and Dorilyn Toledo, our OutWrite intern, is the assistant editor.

Please follow these guidelines in preparing your submission:

  • Submissions are open from April 15 to May 15, 2022. The submission window closes at 11:59 p.m. PST on May 15.

  • We’re seeking unpublished fiction, nonfiction, and poetry. We will accept submissions in English.

  • We are seeking original and reprint work; unpublished work is prioritized. We will be accepting simultaneously submitted work. Individual poems/stories/essays may be previously published (as long as relevant rights have reverted to you).

  • Your submission should be in a standard size 12 font. Single-space poetry and double-space prose/nonfiction. Prose submissions should be no more than 1,500 words. We will prioritize work that is 1,000 words and under. Poetry submissions can include up to 3 poems and no more than 6 pages total.

  • OutWrite is a celebration of LGBTQ literature; entries that explore aspects of LGBTQ culture or identity are encouraged. Submissions must explore this year’s theme of “Pandemic as Portal”.

  • We will not consider work with sexist, racist, homophobic, transphobic, xenophobic, or ableist themes.

  • We are providing a $150 honorarium via PayPal for accepted contributors. Please include your PayPal information when submitting, and indicate on the form if PayPal payment does NOT work for you.

  • If your work is accepted, we may extend an invitation for you to join a virtual reading at the OutWrite 2022 festival, taking place on August 5-7, 2022.

Submit all entries via our Google Form. If the Google Form is inaccessible to you for any reason, please email your submission to outwritedc@gmail.com with all of the information requested by the form.

EDITOR BIOS:

  • Rasha Abdulhadi is a queer Palestinian Southerner and the author of WHO IS OWED SPRINGTIME (Neon Hemlock, 2021) and Shell Houses (The Head & The Hand Press, 2017).

  • Dorilyn Toledo is a Guatemalan-Filipina editor and educator from California. She is a graduating senior at UC Irvine where she studies Political Science and Social Ecology, focusing on law/race and social behavior. They can be found on Her Campus Media and on Twitter @dorilyntoledo.

thedccenter.org/submissions-open-for-outwrite-2022-journal/

_____

2023 ARTIST RESIDENCY

Marble House Project

DEADLINE: May 15, 2022

INFO: Marble House Project is a multidisciplinary artist residency program that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. You must be at least 21 years old.   Residencies run from the end of February  through November, scheduled into six three-week residencies and one two-week family-friendly residency for artists with children. Please note that if you apply to the family friendly residency, it is a specific date within the artist in residency application. Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond. 

RESIDENCY DATES FOR 2023

  • February 28th - March 21

  • March 28th  -  April 18th

  • April 25th  -  May 16th

  • June 6th  -  June 27th

  • July 11th - July 25th   FAMILY FRIENDLY RESIDENCY WITH CHILDREN ONLY

  • October 2 - October 23rd

  • October 30th  -  November 20th

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. All residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. A substantial amount of the food we provide comes from our organic garden, which also serves as a space for gathering and an educational tool. Residents are invited to help with planting, harvesting, and maintenance. While not required, our hope is that you will spend some time in the garden alongside your studio practice. Each session culminates with ARTSEED, our public open house Saturday event. Artists are invited to share their work with our community through artist talks, readings, performances, and open studios.  

Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni, staff, and outside experts, and artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you. You may choose the family friendly residency only if you will be bringing your children. Family friendly applicants may select additional dates if willing to attend without your children.

Marble House Project does not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations. For exact dates, more information or questions about the residency, visit our FAQ page.  If you still have questions you may   contact info@marblehouseproject.org

Personal information is not shared with our jury and will remain confidential. This includes email, home address, phone number and any information regarding your family, anything else you would need to tell us and how you heard about Marble House Project.  Please make sure to remove this information from your resume.  All of our outreach questions also remain confidential and blind to our jury.  

We look forward to viewing your application.

marblehouseproject.submittable.com/submit

_____

WILD SEEDS WRITERS RETREAT FOR WRITERS OF COLOR

Center for Black Literature

DEADLINE: May 16, 2022 by 11:59pm ET

APPLICATION FEE: $25

TUITION: $500

INFO: The Wild Seeds Writers Retreat for Writers of Color (formerly the North Country Institute & Retreat for Writers of Color), is a collaboration with the Center for Black Literature, the English Department at SUNY, Plattsburgh, and the Paden Institute and Retreat for Writers. It provides a writing community where established and emerging writers of color can focus on the craft of writing and create cross-cultural conversations around the literature created by writers of the African diaspora.

Writing fellows have an opportunity to draw upon their experiences as writers in a racialized society; to become knowledgeable about the issues facing other writers of color; and to study with a professional in the genres of fiction, memoir, and poetry.

Recognizing that the Writers Retreat should not be limited to a specific geographical region, the Center renamed the Retreat in honor of Octavia E. Butler, a speculative fiction writer known globally for blending science fiction with African American spiritualism. Butler's writing crossed many boundaries and represented varying diverse voices.

THE GOAL: The Retreat strives to provide writers of color with an opportunity to meet other writers; to workshop their writing among peers; and to engage with published writers about concerns and issues related to writing and publishing. Through its writing workshops leaders, the Retreat provides the public with an opportunity to become knowledgeable about the range and diversity of the work produced by writers of color.

A LOOK BACK: The first Writers' Retreat, held in 2004, was highly successful and featured the internationally acclaimed poet Sonia Sanchez, author Tony Medina, and writer Indira Ganesan. Subsequent faculty workshop leaders have been nonfiction writer Patrice Gaines; poets Martin EspadaE. Ethelbert MillerAracelis Girmay, and Patricia Spears Jones; and writers Jeffery Renard AllenMarita GoldenVictor LaValle, and Bernice McFadden, among many others.

Typically, the Retreat alternates between the Valcour Educational and Conference Center in Plattsburgh, New York, and the campus of Medgar Evers College in Brooklyn, New York. Venues are subject to change.

2022: DATES and NEW LOCATION:

The dates for the Retreat this year are from Monday, July 18 to Friday, July 22, 2022. The new location for the Retreat will be determined soon. It will be a scenic location upstate New York as in previous years. NOTE: The summer retreat will no longer be held at The State University of New York, New Paltz as previously announced.

Best-selling fiction writer DONNA HILL and DR. DAMARIS B. HILL, a 2020 NAACP Image Award nominee for Outstanding Literary Work in Poetry, are the Wild Seeds Writers Retreat Workshop Leaders (Summer 2022).

PLEASE NOTE:

  • Retreat dates are Monday, July 18 - Friday, July 22, 2022.

  • Applications are available now. The deadline to apply is Monday, May 16, 2022 by 11:59 pm ET.

  • The cost of the Retreat is $500 (new!) and there is a one-time non-refundable $25 application fee. Scholarships are made available only when sponsorship gifts permit and are not necessarily applicable for each Retreat.

  • Please direct inquiries to Director of Literary Programs Clarence V. Reynolds at reynolds@centerforblackliterature.org

centerforblackliterature.org/wild-seeds-writers-retreat/

_____

Call for Submissions: The Black SWANA Issue

Mizna

DEADLINE: Extended to May 24, 2022

INFO: For our winter 2022 issue, guest-edited by Safia Elhillo, we are seeking works that demonstrate the infinitely varied and kaleidoscopic nature of the Black SWANA experience. The work itself does not have to be about the Black SWANA experience— rather, through the range of themes, forms, genres, and voices, we hope to assemble an issue that serves as a platform for critical exchange between authors and as a record of the current moment as it pertains to the Black SWANA experience.

In this issue, we are interested in focusing specifically on work by people from Black SWANA communities and their diasporas, to create a gathering space for our voices and ideas. Given the distinctive histories, languages, realities, and cultural legacies that exist within the Black SWANA community, this issue asks what political, aesthetic, and cultural futures are possible when we gather together? What traditions does our work follow, and what traditions can we create together? How do we find our way to each other and build there? What gentler world can we imagine for ourselves? What language(s) can we conjure together from the particulars of our intersections? What language(s) can we break open to make room for our names?

Literary works of poetry, visual poetry, fiction, flash fiction, nonfiction, creative nonfiction, comics, collage, invented forms, and any forms of mixed print or hybrid work will all be considered.

Those submitting work should identify as Black, as we seek work that is not simply of relevance to or in dialogue with the social realities of the Black SWANA community but coming from within it. Submitters may also decide to expand these social realities.

Selected contributors receive a $200 honorarium, a one year subscription to Mizna, and five copies of the issue.

mizna.org/event/call-for-submissions-the-black-swana-issue/

_____

Autumn House Poetry Contest

Autumn House

DEADLINE: May 31, 2022

INFO: For the 2022 contest, the Autumn House staff as well as select outsider readers serve as the preliminary readers, and the final judge is Carl Phillips. The winner receives publication of a full-length manuscript and $2,500. We will announce the finalists and the winner of the contest by October 1, 2022. 

  • The winner will receive book publication, a $1,000 honorarium, and a $1,500 travel/publicity grant to promote their book

  • All finalists will be considered for publication

  • Poetry submissions should be approximately 50-80 pages

  • Each new poem should start on a new page

  • Illustrations are strongly discouraged

  • The reading fee is $30 (We will waive the submission fee for those undergoing financial hardship or living with limited means. Before you reach out to request a waived fee, please read our full statement and instructions here. If the guidelines are not followed, we will not be able to offer a waived fee.)

  • Submission should be previously unpublished

  • Do not include your name anywhere on the actual manuscript; if your name appears within the body of the text, please omit it or black it out (first name is fine, but last name must be omitted)

  • You may include a brief bio in the “cover letter” section of Submittable

  • Do not include a bio or an acknowledgments page in the manuscript

  • Feel free to include a table of contents (This does not count a part of your final page count)

  • Simultaneous submissions permitted

  • Friends, family members, and former students of judges or Autumn House editors may not submit to the contest. Students do not include interactions at short-term residencies or fellowships.

  • Former employees of Autumn House, including interns, may not submit to the contest.

autumnhouse.org/submissions/poetry/

_____

BLACK LAWRENCE IMMIGRANT WRITING SERIES

Black Lawrence Press

DEADLINE: May 31, 2022

ENTRY FEE: $0

INFO: The Black Lawrence Immigrant Writing Series aims to provide a clear and consistent home for new Immigrant Writings in the U.S. Book selections will be made by a four-member editorial board composed of writers in the U.S. who are either immigrants or whose works focus on the immigrant experience. Selections will be based on merit with the goal of publishing the best works by immigrants.

Poets and authors, at any stage of their careers, who identify as immigrants are welcome to submit a book manuscript of poetry or prose or a hybrid text for consideration. Submissions are accepted year-round. However, selections are made in June and November for a total of two books per year.

In addition to publication, marketing, and a standard royalties contract from Black Lawrence Press, authors chosen for the Black Lawrence Immigrant Writing Series will receive a travel stipend of $500, which can be used for book tours or in any manner chosen by the authors.

RULES & ELIGIBILITY:

1. Works by immigrants will be considered for the Black Lawrence Immigrant Writing Series.

2. Submission is open to any individual living in the U.S. who identifies as an immigrant and who either (i) was born in another country, (ii) has at least one parent who was born in another country (iii) is a refugee, or (iv) lives in the United States under Asylum or a Protection Program, such as TPS or DACA .

3. No more than two book manuscripts can be submitted per year per author.

4. A third book manuscript submitted in a given year by an author will not be considered for the Writing Series.

5. All manuscripts received after May 31st will be considered for the November Reading Period.

6. All manuscripts received after October 31st will be considered for the June Reading Period.

7. Only books of poetry, prose (fiction or nonfiction), and hybrid texts of poetry and prose will be considered for the Writing Series.

8. An author whose book manuscript has previously been selected for the Writing Series and published through Black Lawrence Press will not be considered a second time for the Series. However, the author in question is welcome to send new book manuscripts to Black Lawrence Press (BLP) for consideration during BLP’s June and November Open Reading Periods.

9. Only authors who have not previously published with Black Lawrence Press will be considered for the Black Lawrence Immigrant Writing Series.

10. Aside from Rules 1 through 9, there are no conditions for submitting manuscripts.

11. There are no entry fees.

12. Submissions are accepted year-round.

*13. Only one book manuscript will be selected for the June Reading Period, and only one book manuscript will be selected for the November Reading Period, for a total of two books per year. (* If no book manuscript is chosen for a June Reading Period, the Series Editors reserve the right to choose two book manuscripts (instead of one) in the November Reading Period immediately following the June Reading Period in question)

14. The Series Editors reserve the right to choose no book manuscript for the Writing Series during any given year or any Reading Period.

Editorial Board:
Sun Yung Shin
Rigoberto Gonzalez
Ewa Chrusciel
Abayomi Animashaun

Advisory Board:
Barbara Jane Reyes
Ilya Kaminsky
Omofolabo Ajayi-Soyinka
Virgil Suarez

blacklawrencepress.com/submissions-and-contests/immigrant-writing-series/

_____

SUMMER 2022 SUBMISSION: POETRY

Epiphany

DEADLINE: June 1, 2022 at 12am EST

INFO: Submissions are currently OPEN for the Summer 2022 issue of Epiphany.

GUIDELINES FOR GENERAL SUBMISSIONS (POETRY):

  • Submit up to 5 poems at a time.

  • Format in 12-pt font, single-spaced (where appropriate).

  • Tell us if you're submitting simultaneously to other publications (and withdraw promptly through Submittable should your work be accepted elsewhere).

  • We only consider previously unpublished work (online or in print).

  • Please include your name and title on the first page of the submitted file.

  • Translations are welcome with rights permission from the original writer.

  • Include a short bio with your cover letter.

  • Poetry contributors will receive a payment of $50 per poem and two copies of the journal.**

**Discounted 1-year subscriptions ($23) are available upon submission, as an add-on item at the payment stage.

During this submissions period, we are offering everyone who sends us work a free digital subscription to Epiphany. If you submit work to us, the code for a free digital subscription will be included in our initial response letter.

We aim to respond to submissions within three to four months. Please be patient: we give thoughtful and thorough consideration to each  submission. We look forward to receiving your work.

epiphanymagazine.submittable.com/submit

_____

CALL FOR SUBMISSIONS: SUMMER ISSUES

Hennepin Review

DEADLINE: N/A

INFO: Hennepin Review is open to submissions (fiction, flash, CNF, poetry) for its summer issues. They only publish work by women/nonbinary artists of color, with priority given to Black creatives.

Payment is $70 per published piece.

Kindly email editor Hilal Isler at hennepinreview@gmail.com with questions/info about specifics.

hennepinreview.com

POETRY — APRIL 2022

BODY IMAGE & WAIST BEADS STORIES

Spoken Black Girl x Fitbeads

DEADLINE: April 8, 2022

INFO: Spoken Black Girl and Fitbeads are coming together to amplify stories about body image and the use of waist beads across the Diaspora. We are looking for all different forms from essays to poetry and short stories.

Submissions can respond to either of these 2 prompts (if it can answer both we're especially excited to hear from you):

1) Tell us about your body image journey. How has your relationship with your body changed over time? How has your body changed? We are seeking stories of transition and growth (ex. after childbirth, puberty, menopause or other major shifts). We are looking for stories that capture your truth, and there's no one way to express that truth, so be creative!

2) What do waist beads represent in your culture? What are the names people call them and the ways people use them? Does your family have any traditions around waist beads and how were you first introduced to them? What purpose have they served on your journey? We are creating a space for cross-cultural understanding across the Diaspora. Through telling our waist bead and body stories, we can connect over what brings us together.

COMPENSATION:

  • $100 + Publication for the best story

  • Publication to 2 runner-ups

Spoken Black Girl Publishing strives for equality and representation within the publishing and mental health and wellness industries by publishing the voices of Black women and women of color writers and providing affordable workshops, educational events, services, and empowering media with the purpose of breaking the mental health stigma in communities of color while leveling the playing field in publishing. It is our belief that all voices deserve to be heard, and our team is dedicated to bringing quality and value to our audience. Through sharing stories that heal and creating an outlet for marginalized voices to be heard, we hope to change the discourse on mental health in communities of color.

Fitbeads is a self-love platform centered around waist beads and their ability to uplift, enrich, and encourage self-care. We cultivate conversations about culture, history, and meaning, while also creating spaces for personal connection and self-discovery. We go beyond just providing waist beads and into the actual meaning behind the practice. Rather than exoticize or tokenize African culture, we want to bridge the gap between those aware and unaware of its traditions while also making space for new conversations about the body.

docs.google.com/forms/d/e/1FAIpQLSeNI4NNJP34a86QttqTHBT73Yq-w65vB-URal25MfjN_KUSlw/viewform

_____

MINERAL SCHOOL RESIDENCY

Mineral School

DEADLINE: April 15, 2022

INFO: Mineral School is an artists residency located in a former 1947 elementary school near Mt. Rainier, in Mineral, Washington. During 2022, we’ll offer residency to a total of 24 creative people, including seven folks rescheduling from 2020’s canceled sessions. Among the 17 residents we can accept in 2022, we expect up to 14 writers and up to three visual artists. We’ll host three two-week residency periods and two special one-week residency sessions for Spanish-language writers in September and for parent artists in October.

We provide accepted applicants with space and time to create new work without the interruptions of normal life and with the bonus of healthy meals prepared by culinary volunteers using locally-grown organic produce and eggs where possible. Each resident will live in an 800-square foot former classroom that offers peekaboo views of Mineral Lake and Mt. Rainier, and that will double as their writing studio, with desk and chair, lighting, bookcase, and lots of chalkboards. The school building has shared bathrooms with showers. Residents are served all meals daily (plus 24/7 access to a snack fridge and coffee/tea station), and will have the opportunity to share work with the public. Mineral features a fishing lake, boat rentals (or our kayaks), some in-town hiking trails, a bar, a B&B, a general store, churches, a post office, and many deer. It's a 25-minute drive to the Ashford/Nisqually entrance to Mt. Rainier National Park.

Visiting authors and artists: During each residency, special guests will visit and present work. Typically, alumni presenters visit and in some cases bring with them a special guest artist they've chosen to introduce to Mineral. Due to continued precautions related to COVID-19. we may host these activities online.

2022 RESIDENCY DATES:

Residency sessions with openings will be held during the following two-week time periods:

  • July 31-August 14, 2022 (all genres)

  • August 28-September 11, 2022 (all genres)

  • September 17-September 25 (Spanish-language writers session with Seattle Escribe)

  • October 1-October 9, 2022 (parent writers/artists in all genres)

  • October 23-November 7, 2022 (all genres)

RESIDENCY FELLOWSHIPS:

During 2022, we are able to offer 12 fellowships so writers and artists may attend residency at no cost. Otherwise, two-week residency costs $425 (mixed-genre residencies) and one-week sessions (for parent artists) cost $250.

  • Seattle Escribe celebrates Spanish literature and supports poets and writers who produce literature in Spanish. This year Seattle Escribe and Mineral School are partnering to offer a Spanish-specific writing residency to support four writers from within the United States so that they may attend a one-week all-Spanish residency during the third week of September 2022, during the heart of Hispanic Heritage Month. Poetry or prose writers who write, think, and speak fluent Spanish may apply. The fellowships also include travel assistance from points between Portland, OR and Seattle, WA along the I-5 corridor, if needed.

  • June Dodge Fellowships are open to poets or writers from the Northwest (Alaska, Idaho, Montana, Oregon, Washington) or the provinces of western Canada (British Columbia, Alberta, Yukon) and whose work is inspired by adventure, travel, the outdoors, and a feisty won't-give-up spirit. Though named for a woman, applicants of any gender may apply! These fellowships fund a two-week residency and include transit to Mineral from Portland, Seattle, or points between on I-5.

  • The Tahoma Literary Review Fellowship will offer one writer of poetry or prose who identifies as part of the BIPOC (Black, Indigenous, and/or People of Color) community support for a two-week residency. The awarded recipient's work will also be published in the Tahoma Literary Review, which is supporting this fellowship and publication to recognize and uplift BIPOC voices. The fellowship also includes travel assistance from points between Portland, OR and Seattle, WA along the I-5 corridor, if needed.

  • The Mona Lisa Roberts Visual Artist Fellowship supports a two-week residency for one visual artist who self-identifies as LGBTQ+ and lives in the Pacific Northwest (Alaska, Idaho, Montana, Oregon, Washington) or the provinces of western Canada (British Columbia, Alberta, Yukon). This fellowship funds a two-week residency any month and transit from Seattle, Portland, or points between. Depending on the medium and artist preference, the artist can work in the studio room where they sleep, spread out in the gym, or make the most of the outdoors.

  • The Erin Donovan Writing Fellowship supports one woman writer at midlife. A fan of small town culture, travel, dive bars, nature, wordplay, and late-night talks about the meaning of life, Erin Donovan lived with abandon. Her friends and family co-created a fellowship in her memory open to applicants from the states where Erin lived. This residency is open to a woman-identifying writer of poetry or prose living in Massachusetts, New York, Washington, or Oregon, who is at least 40, and whose writing expresses wit and compassion. This fellowship funds the two-week residency fee and offers travel reimbursement upon proof of travel purchase or mileage, up to $175 (OR/WA) or $400 (NY/MA).

mineralschool.submittable.com/submit

_____

Emerging Poet Prize

Palette Poetry

DEADLINE: April 17, 2022

INFO: This individual poem prize is specifically for emerging poets, and will only accept submissions from poets with fewer than two full-length collections out at the time of submission—though poets with no books published are especially encouraged to submit.

AWARD:

  • The winning poet will be awarded $3000, publication, and a brief interview in Palette Poetry.

  • Second and third place will receive $300 & $200 respectively, as well as publication.

The top ten finalists will be selected by Palette editors, and guest judge Safia Elhillo will then select the winner and two runner-ups from among the ten finalists. Pre-order Elhillo's forthcoming collection GIRLS THAT NEVER DIE here!

Safia Elhillo is the author of The January Children (University of Nebraska Press, 2017), which received the Sillerman First Book Prize for African Poets and an Arab American Book Award, Girls That Never Die (One World/Random House, 2022), and the novel in verse Home Is Not A Country (Make Me A World/Random House, 2021), which was longlisted for the National Book Award and received a Coretta Scott King Book Award Author Honor.

palettepoetry.com/current-contest/

_____

CALL FOR SUBMISSIONS: POETRY

MudRoom Mag

DEADLINE: April 30, 2022

SUBMISSION FEE: $0

EXPEDITED SUBMISSIONS: $3

INFO: MudRoom Mag is accepting submissions in poetry and prose until April 30th.

COMPENSATION: We pay $15 per accepted piece.

POETRY GUIDELINES:

MudRoom publishes poetry of all types. You can email poetry submissions to mud.room.submissions@gmail.com.

To submit, please send 3-5 original, previously unpublished poems in a single .DOC/.DOCX .ODT or PDF file with one poem per page (eight pages maximum).

Indicate POETRY SUBMISSION in your subject line. Submissions without "Poetry Submission" in the subject line will be deleted. You may also include a brief cover letter/third-person bio in the body of your email.

mudroommag.com/submissions-1

_____

2022 Poetry Contest

BOMB Magazine

DEADLINE: May 1, 2022

READING FEE: $25. Includes a year-long subscription to BOMB (a $48 value) for all US entrants. Existing BOMB subscribers will receive an email with a discounted entry form.

INFO: BOMB Magazine’s 2022 Poetry Contest is open for submissions from March 1 to May 1, and we’re honored to have Solmaz Sharif joining us as this year’s guest judge. Sharif will select one winner to receive a $1,000 prize and publication in BOMB’s quarterly magazine.

GUIDELINES:

  • Manuscripts may contain no more than 5 poems and no more than 10 pages.

  • Submission period: March 1–May 1, 2022 (at 11:59 pm ET).

  • All entries will be considered anonymously. Do not include author name on manuscript pages. Non-anonymous manuscripts will be disqualified.

  • Work must be previously unpublished.

  • Submissions must be uploaded via Submittable.

  • Simultaneous submissions are permitted as long as you notify us if your piece is accepted elsewhere, but the fee is non-refundable.

The winner will be announced in July 2022. Email firstproof@bombsite.com with any questions.

ABOUT SOLMAZ SHARIF: Solmaz Sharif is the author of Customs and Look, which was a finalist for the National Book Award and a New York Times Notable Book. She has received a Rona Jaffe Foundation Writers’ award, a Lannan Literary Fellowship, and fellowships from the National Endowment for the Arts and the Poetry Foundation. Her poetry has appeared in Granta, the New Republic, and Poetry. She teaches at Arizona State University.

bombmagazine.org/articles/submit-to-bombs-2022-poetry-contest

_____

Voyage Anthology Contest

Voyage YA

DEADLINE: May 1, 2022

READING FEE: $20

INFO: We’re incredibly excited to offer writers a chance to have their young adult writing published in our inaugural Anthology! Short Fiction, Creative Non-Fiction, and Poetry anthologies in the young adult market are taking off in popularity—and we at Voyage are obsessed with reading them. Submit your young adult writing to us for a chance to be selected for our own inaugural Anthology. This is a chance to see your name in print! We will be publishing hardcover, paperback, and ebook editions!

The anthology will be edited by the Voyage editorial staff: Racquel Henry, Editor-in-Chief; Kip Wilson, Associate Editor; Marquita Hockaday, Associate Editor.

The editors will select 8 pieces of fiction, poetry, and creative nonfiction to include in the collection.

Selected writers will be compensated accordingly:

  • Prose: $500

  • Poems/Flash fiction: $250

  • 15 Author copies

Bonus: Every entrant will receive access to a pre-recorded mini workshop!

GUIDELINES:

Submissions are open to all writers working in English

  • International submissions are allowed

  • Submissions must be either fiction, poetry, or creative nonfiction in the Young Adult category, and from the point-of-view of a young adult, meaning through the lens of a teen protagonist

  • 5,000-word count maximum

  • We’re open to any genre or style—just send us the best you’ve got

  • Previously unpublished work only, please

  • Simultaneous submissions are fine—just notify and withdraw your entry if it’s picked up by someone else

  • Multiple submissions are okay—please submit each as a separate submission

  • Every entry will be considered for our regular publications as well

  • Please: 1) double space; 2) use Times New Roman 12 pt font; 3) have 1-inch margins, and 4) put the page number in the top right-hand corner

  • Tell us in a brief cover letter your publication history (if applicable, no worries if not)

thevoyagejournal.com/contests/

_____

2023 Jerome Hill Artist Fellowship 

The Jerome Foundation

DEADLINE: May 4, 2022 at 4pm CT / 5pm ET

INFO: The Jerome Foundation is excited to announce the 2023 Jerome Hill Artist Fellowship application open call. These two-year Fellowships support Minnesota and New York City-based artists across 8 artistic fields who are at an early point in their careers, generally in their 2nd–10th year as a generative artist.

Jerome Hill Artist Fellowships support Minnesota and New York City-based artists across 8 artistic fields who generate new work that takes creative risks in expanding, questioning, experimenting with or re-imagining conventional artistic forms. This Fellowship supports artists who embrace their roles as part of a larger community of artists and citizens, and consciously work with a sense of service, whether aesthetic, social or both. Support is directed to artists who are at an early point in their careers in creating such work, generally in their 2nd–10th year as a generative artist.

AWARD: Fellows receive $50,000 over two consecutive years ($25,000 each year) to support their time and expenses for the creation of new work, artistic development and/or professional artistic career development.

jeromefdn.org/2023-jerome-hill-artist-fellowship-application-now-open 

POETRY — MARCH 2022

Summer 2022 The VONA Experience

VONA

DEADLINE: March 4, 2022, by 11:59pm PST

ENTRY FEE: $35

INFO: The VONA Experience is a spectacular week of writing workshops, professional development, panels, and community building designed for writers of color (June 27, 2022 - July 3, 2022).

TUITION:

  • Workshop: $1,000

  • Residency: $1,200

WORKSHOPS INCLUDE:

  • Poetry Residency with Adrian Castro - This workshop will be conducted focusing on writing about place. We will examine poems both from workshop participants and other poets that exemplify the use of place. We will also ask where is that place? Where is that physical place, that geographical place, and also where is that mental place? Is that place existent, nostalgic, dreamt, etc.? Participants will bring to the workshop poems with these themes. Feedback will be given based on the Liz Lerhman method, which focuses feedback beginning from the artist place of inspiration and creative space, then from the reader’s/listener’s perspective—i.e. what the reader thought, felt, assimilated while reading the poem. Lastly poets will be encouraged to appropriately render their poems out aloud—from their voice, their perspective, their place.

    Adrian Castro is a poet, performer, and interdisciplinary artist. Born in Miami from Caribbean heritage which has provided fertile ground for the rhythmic Afro-Caribbean style in which he writes and performs. He is the author of Cantos to Blood and Honey, Wise Fish, Handling Destiny (all Coffee House Press). He has been published in many literary anthologies. He is the recipient of many awards and fellowships including from the Academy of American Poets and USA Knight Fellowship for Writing. He is also a Doctor of Acupuncture and Oriental Medicine practicing in Miami.

  • Prose Residency with Reyna Grande - The prose residency mainly consists of individual conferences with the instructor. The conferences are designed for the instructor to give intense individual attention to the student’s work (this is not a workshop where students critique each other’s work). The topics of the noontime daily classes will include material on the writing process, on race and creative writing, and on narrative structures and other techniques in fiction and memoir. Students will be asked to do readings and some writing before the residency begins.

    Reyna Grande is the author of the bestselling memoir, The Distance Between Us, (2012) and the sequel, A Dream Called Home (2018). Reyna has received an American Book award, the El Premio Aztlán Literary Award, and the International Latino Book Award. She was a finalist for the National Book Critics Circle Awards and honored with a Luis Leal Award for Distinction in Chicano/Latino Literature. Reyna has two forthcoming books in 2022: A Ballad of Love and Glory (March 15), her first historical fiction set during the Mexican-American War, and Somewhere We Are Human: Authentic Voices on Migration, Survival, and New Beginnings (June 7), an anthology of essays, poems, and artwork by and about undocumented Americans.

  • Narrative Journalism/Memoir with Roberto Lovato - This workshop is designed to explore the form and techniques of a genre whose fluid, malleable boundaries, its dynamism, and, especially, its focus on truth conditions and identity make it an ideal instrument for exploration in times of such astonishing uncertainty and confusion: narrative journalism. The filter through which we’ll study the choices made by narrative journalists are some of the defining elements of creative nonfiction, including bodily writing; scene and summary, voice, structure, and character. We will pay close attention to the choices made by writers engaged in the struggle to tell truthful stories in an age of epic, technologically-enabled lying.

    Roberto Lovato is the author of Unforgetting (Harper Collins), a “groundbreaking” memoir the New York Times picked as an “Editor’s Choice” Newsweek listed Lovato’s memoir as a “must-read” 2020 book and the Los Angeles Times listed it as one of its 20 Best Books of 2020. Lovato is also an educator, journalist, and writer based at The Writers Grotto in San Francisco, California. A recipient of a reporting grant from the Pulitzer Center, Lovato has reported on numerous issues—violence, terrorism, the drug war, and the refugee crisis—from Mexico, Venezuela, El Salvador, Dominican Republic, Haiti, France, and the United States, among other countries.

  • Fiction with Mathangi Subramanian - What are the stories you want to tell that are unlike anything that has been told before? What are your fears about creating and sharing original work with our capitalist, white supremacy culture? How does your inner editor work with existing power structures to stifle your voice? In this workshop, we will explore our choices about perspective, tense, character, and setting, while also developing self-care-based revision techniques that allow us to bring our whole selves to the page. Students will receive feedback from the instructor as well as small critique groups within the class.

    Mathangi Subramanian is an award winning South Asian American author, educator, mother, and musician. Her novel A People's History of Heaven was a finalist for the Lambda Literary Awards and was longlisted for the PEN/Faulkner and the Center for Fiction First Novel Prize. Her middle grades book Dear Mrs. Naidu won the South Asia Book Award and was a finalist for The Hindu-Goodbooks Award. Her essays and op-eds have appeared in The Washington Post, Harper's Bazaar, The San Francisco Chronicle, Ms., and Al Jazeer America, among others. A former public school teacher, Assistant Vice President at Sesame Workshop, and senior policy analyst for the New York City Council, she holds a doctorate in education from Columbia University Teachers College.

  • Poetry with Cynthia Dewi Oka - This workshop engages with how displacement as a tactic of conquest alienates the displaced across time, place, language, and modes of identity. What does it mean to recover and to speak to/from/as our Othered selves? In this workshop, we will study, generate, and workshop poems through the lens of exile and errantry (in contrast/opposition to empire), as conceptualized by the poet and philosopher Edouard Glissant. Participants will be provided with and required to read Glissant's essay, “Errantry, Exile” from his book Poetics of Relation in preparation.

    Cynthia Dewi Oka is the author of Fire Is Not a Country (2021) and Salvage (2017) from Northwestern University Press, and Nomad of Salt and Hard Water (2016) from Thread Makes Blanket Press. A recipient of the Amy Clampitt Residency, Tupelo Quarterly Poetry Prize, and the Leeway Transformation Award, her writing has appeared in The Atlantic, POETRY, Academy of American Poets, Poetry Society of America, Hyperallergic, Guernica, The Rumpus, ESPNW, and elsewhere. An alumnus of the Warren Wilson MFA Program for Writers, she has taught creative writing at Bryn Mawr College and New Mexico State University, and with arts organizations such as Blue Stoop, Asian Arts Initiative, The Speakeasy Project, Kundiman, and the Ubud Writers and Readers Festival. 

  • Comedy Writing with Zahra Noorbakhsh - Whether it’s in storytelling, stand-up, or essay, dialogue, prose, or a performance, we’re all funny some of the time. But, how do we make it happen on purpose, and often? How do we walk the line between comedy and drama? When do we take criticism and when do we tell critics to shove it? What are the tools and techniques that deliver laughs and how do we innovate in the genre? All attendees will leave with the fundamentals and guidance to master humor. Get ready to play and ready to work!

    Zahra Noorbakhsh is a comedian, writer, and performer. Her award-winning podcast, #GoodMuslimBadMuslim was deemed a must-listen by O, the Oprah Magazine, and invited to the Obama Whitehouse to record an episode. She’s a Senior Fellow on Comedy for Social Change with the Pop Culture Collaborative and an Innovations Fellow with The Opportunity Agenda. Her one-woman show, “All Atheists are Muslim” originally directed by W. Kamau Bell, was dubbed a highlight of the International New York City Fringe Theater Festival by the New Yorker. Her comedy special, “On Behalf of All Muslims” debuts this year. Visit ZahraComedy.com.

  • Playwriting with Lisa Marie Rollins - This workshop’s focus is centered on supporting the development of your new play in progress. Part generative, part workshop, we will spend time with focused exercises to explore and articulate the imagined realm of your play, and time will be spent reading and attending to the worlds created inside your individual scripts. We’ll ask questions about worldmaking for the stage, and spend time discussing place, conflict, character, endings and explore the uses of a non-linear /nontraditional structures to support the needs of your play.

    Lisa Marie Rollins is a freelance director, writer and new play developer. She is currently developing her new play LOVE IS ANOTHER COUNTRY. She is a Sundance Institute Theatre Lab Fellow (Directing), a Directors Lab Westmember and an Associate Member of Stage Directors and Choreographers. Lisa Marie recently received the WallaceGerbode Special Award in the Arts commission in which she will be working with Crowded Fire Theater to write and develop a new play to world premiere in Fall 2023. She was an Artistic Associate for Intiman Theater in Seattle (20-21) and is currently a Resident Artist with Crowded Fire Theater.

  • Political Content in Journalism with Teresa Wiltz - This workshop will focus on exploring race and culture as political content in Journalism. You will spend time revising and refining articles infused that elevate racial and cultural issues. Participants will receive faculty and peer feedback as they prepare a piece to pitch major market outlets like The Guardian, Mother Jones, and Essence.

    Teresa Wiltz, is the author of The Real America: The Tangled Roots of Race and Identity. A Senior Editor at POLITICO magazine, Teresa launched The Recast last year, a biweekly newsletter unpacking how race and identity are shaking up politics. As a staff writer on the Chicago Tribune’s metro news desk, she was part of a reporting team that won the Grand Prize, Robert Kennedy Journalism Award for a series on murdered children in Chicago; the team also was a finalist for the Pulitzer Prize for Public Service. During a decade at the Post, Teresa wrote for the paper’s acclaimed Style section, with a focus on cultural criticism.

vonavoices.org/summer-2022-workshops-open

_____

CREATIVE WRITING FELLOWSHIPS: POETRY

National Endowment for the Arts

DEADLINE: March 10, 2022

INFO: The National Endowment for the Arts Literature Fellowships program offers $25,000 grants in prose (fiction and creative nonfiction) and poetry to published creative writers that enable the recipients to set aside time for writing, research, travel, and general career advancement. 

This program operates on a two-year cycle with fellowships in prose and poetry available in alternating years. In 2022 we are accepting applications in poetry. 

Before submitting an application to the NEA, you must register or renew your registration with Grants.gov. Registration with Grants.gov is a one-time process, which can take several days to complete. To allow time to resolve any issues that may arise, be sure not to wait until the day of the application deadline to register. You will not be able to submit your application if you don’t successfully register with Grants.gov or update/maintain your existing registration.

https://go.usa.gov/xe64W

_____

CALL FOR SUBMISSIONS: ‘DIASPORA’ ISSUE

Lampblack Lit

DEADLINE: March 14, 2022

INFO: Lampblack, an organization created by Black writers to support all Black writers, is accepting submissions of previously unpublished poetry, prose, and criticism for their DIASPORA issue.

Submit no more than 5 pages of poetry or 10 pages of prose via email to magazine@lampblacklit.com

lampblacklit.com/submissions

_____

MoAD Poets-in-Residence 2022

Museum of the African Diaspora

DEADLINE: March 14, 2022

INFO: The Museum of the African Diaspora Poets-in-Residence program was founded in 2018. This program provides writers with opportunities to respond to contemporary art of the African Diaspora and extend the reach of the museum through programming and educational workshops with local high school students.

We host two concurrent writing residencies per year. This year, the four-month residency runs from September 1, 2022 - December 31, 2022.

Residents enjoy flexible, drop-in access to the Museum of the African Diaspora, located in San Francisco, California. For the term of the residency, every resident receives:

  • A monthly stipend of $1500 (for 4 months)

  • No-cost access to the museum exhibitions, on-site programs and events

  • Designated work space

  • A 10% discount on all Museum store purchases

  • Wi-Fi access

  • Publicity for public programs on social media

  • Staff support for programming

  • Access to learning more about the work of the Museum of the African Diaspora from curatorial and education staff

The residency welcomes writers to pursue their own writing projects in addition to responding to the artistic collections. The residency does require that writers implement a school-based writing program in partnership with Ruth Asawa School of the Arts. Residencies last for one academic semester or 4 months. The workshops will include at least 6 site visits and one visit with students at the museum. There are also two culminating public programs that are required: a student reading and a poet-in- residence reading.‍

While the Museum does not retain ownership of any works created as part of the residency, we do require a printed compilation of that work to be preserved within the museum archives and, should work be published by the author in a book form, that the Museum is acknowledged for contributing to the author’s creative process.‍

Residency applications are reviewed by the Director of Programs, the Manager of Public Programs, and the Spoken Arts Director at the partner school. Acceptance to the residency is determined through an evaluation of the written materials and the innovation within the education project.

‍PLEASE NOTE: The residency does not include accommodations or meals, so it may be best suited for Bay Area writers; writers from other communities are welcome to apply but are responsible for arranging their own accommodations. We strongly encourage writers from the African diaspora to apply.

TIMELINE:

  • Notifications will be sent by April 4th

  • Residency Runs from September 1st-December 31st 2022

Selected Poets-in-Residence will be expected to complete a TB test and Livescan background check (at a MoAD-partner vendor) by September 1 and meet with the partner teacher and poet-in-residence coordinator for community building and brainstorming once during the Spring (possibly online) and at least once at the start of the Fall semester.‍

Selected residents, along with all MoAD employees, volunteers, and/or agents providing in-person services at MoAD and partner school sites are required to be fully vaccinated against COVID-19; or if they cannot receive the COVID-19 vaccine due to disability or a sincerely held religious belief will instead show proof of a negative COVID-19 test administered within 72 hours of the first entrance at MoAD or school site and every week thereafter.

moadsf.org/post/moad-poets-in-residence?fbclid=IwAR2ySB6T21hQu5D--el7QpKMqntM8EKsEBpZUPBPmJMAYIv2GsklH1YEeNg

_____

WRITERS IN RESIDENCE

Hedgebrook

DEADLINE: March 14, 2022

INFO: Hedgebrook is on Whidbey Island, about thirty-five miles northwest of Seattle. Situated on 48-acres of forest and meadow facing Puget Sound, with a view of Mount Rainier, the retreat hosts writers from all over the world for fully-funded residencies of two to four weeks (travel is not included and is the responsibility of the writer to arrange and pay for). This residency is open to women-identified writers 18 and older.

Central to what we do, our Writer-in-Residence Program supports fully-funded residencies for selected women-identified writers at the retreat each year. Up to 6 writers can be in residence at a time, each housed in a handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women writers whose stories and ideas shape our culture now and for generations to come. Residents must be willing to adhere to a specific set of health and safety protocols we have implemented to keep writers, staff, and surrounding communities safer. We will be following CDC and local government guidelines and recommendations for travel and in-person gathering restrictions.

Residencies for this application cycle, Cycle 1, will take place February - June 2023.

2023 WiR Genres for Cycle One:

  • Fiction

  • Non-Fiction

  • Playwriting

  • Poetry

  • Screenwriting/TV Writing

  • Songwriting

hedgebrook.org/writers-in-residence

_____

CALL FOR SUBMISSIONS: ‘VOZ’ ISSUE

Alebrijes Review

DEADLINE: March 15, 2022

INFO: Alebrijes Review's third issue, VOZ, will be published both online and in print! We're seeking original poetry, flash fiction, creative nonfiction, visual art, photography, and hybrid work created by Latino artists. 

The theme of VOZ primarily serves to emphasize that we are seeking work showcasing unique, impactful, or personal voices. We accept submissions of work on any subject, however please do not submit graphic sexual or violent material, and know that we do not tolerate plagiarism.

We accept pieces in English, Spanish, and Ingléspañol/Spanglish. (If you would like to submit a piece in a different language, please email your submission as an attachment to alebrijesmag@gmail.com.)

We aim to publish the issue April 2022. If accepted, we ask that you credit us as the original publisher if your piece appears elsewhere, but you will retain all rights to your work.

Please reach out to us as alebrijesmag@gmail.com if you have any questions!

alebrijesreview.com/submissions

_____

Raz-Shumaker Book Prize: SHORT FICTION & POETRY

Prairie Schooner

DEADLINE: March 15, 2022

ENTRY FEE: A $25 processing fee must accompany each submission, payable to Prairie Schooner.

INFO: The Prairie Schooner Raz-Shumaker Book Prize Series welcomes manuscripts from all living writers, including non-US citizens, writing in English. Both unpublished and published writers are welcome to submit manuscripts. However, we will not consider manuscripts that have previously been published, which includes self-publication. Writers may enter both contests (poetry and fiction).

Simultaneous submissions are accepted, but we ask that you notify us immediately if your manuscript is accepted for publication somewhere else. No past or present paid employee of Prairie Schooner or the University of Nebraska Press or current faculty or student at the University of Nebraska will be eligible for the prizes.

PRIZES: Winners will receive $3000 and publication through the University of Nebraska Press.

MANUSCRIPT: We prefer that fiction manuscripts be at least 150 pages long and poetry manuscripts at least 50 pages long. Novels are not considered; we will consider manuscripts comprised either entirely of short stories or one novella along with short stories (please do not send a single novella or a collection of novellas). Manuscripts may contain stories or poems that have been published in journals or in chapbook form; however, if the full-length manuscript includes work from a previously published chapbook, the majority of the manuscript must be additional work not appearing in the chapbook. Prairie Schooner accepts electronic submissions as well as hard copy submissions. Please see below for further formatting guidelines and the link to submit electronically.

HARD COPY SUBMISSIONS: The author’s name should not appear on the manuscript. All entries will be read anonymously. Please include two cover pages: one listing only the title of the manuscript, and the other listing the author’s name, address, telephone number, and email address. An acknowledgements page listing the publication history of individual stories or poems may be included, if desired. No application forms are necessary.

For hard copy submissions, photocopies are acceptable. Please do not bind manuscripts with anything other than a binder clip or rubber band. Please include a self-addressed postage-paid postcard for confirmation of manuscript receipt. Please use a standard postcard—small index cards will not be accepted by the U.S. Postal Service. A stamped, self-addressed business size envelope must accompany the submission for notification of results. No manuscripts will be returned. All manuscripts that do not win will be recycled.

ELECTRONIC SUBMISSIONS: The author’s name should not appear anywhere on the manuscript. All entries will be read anonymously. An acknowledgements page listing the publication history of individual stories or poems may be included, if desired. No application forms are necessary.

NOTIFICATION: Winners will be announced on this website on or before July 15, 2022. Results will be emailed or mailed shortly thereafter.

prairieschooner.unl.edu/book-prize

_____

CALL FOR SUBMISSIONS: POETRY & PROSE

Hayden’s Ferry Review

DEADLINE: March 15, 2022

READING FEE: $3 (The fee is waived for Black writers).

INFO: Hayden's Ferry Review is the international literary journal out of Arizona State University.

GUIDELINES:

  • Please send one submission per genre at a time, and wait for a response before you submit additional work.

  • Withdraw your submission using Submittable. if you are only withdrawing a section of your work (for example: 2/5 poems), add a note to your submission.

  • Please limit your prose submissions to under 20 pages, and your poetry submissions to 6 or less poems.

  • All prose should be double-spaced.

  • Contributors receive one copy of the issue in which they appear. Additional copies may be purchased for $6 each up to 5 copies.

  • Simultaneous submissions are welcome. If your work is accepted elsewhere, please notify the editors immediately.

  • We do not accept previously published material.

  • We do not consider book-length works.

  • Submitters are strongly encouraged to read the journal before submitting: to subscribe, visit http://hfr.clas.asu.edu/store.

  • We are always open to submissions of visual art.

hfr.submittable.com/submit

_____

CALL FOR SUBMISSIONS: Issue 4 “Freedom”!

Spoken Black Girl Magazine

DEADLINE: March 25, 2022

INFO: In Spoken Black Girl Issue 4 “Freedom” we are looking for new poetry, essays, articles, short stories, novel excerpts, hybrid forms, interviews, art, illustrations, and photography around the topic of “Freedom”. 

Submissions are open to Black women, women of color, femme-identifying folks, nonbinary folks LGBTQIA+, and queer writers of color. We are looking for real-life stories, and images that speak for themselves and show a unique perspective on freedom. What do we do when we’re free? How do you express your freedom? Some suggested topics are; reproductive justice, freedom of religion/spirituality, freedom to break barriers, economic freedom, interviews about domestic violence, Black and brown infant mortality rates, freedom from stereotypes and constructs, freedom to express sexuality, sensuality & erotic freedom, sexual orientation, and gender identity. How is our freedom limited? How can we seek true freedom?

All accepted submissions will receive $75 in compensation.

spokenblackgirl.com/submit

_____

CALL FOR SUBMISSIONS: BIPOC-ONLY ISSUE

Salt Hill Journal

DEADLINE: March 28, 2022

INFO: For their upcoming edition, Salt Hill Journal is accepting fiction, nonfiction, and poetry only from BIPOC writers.

GUIDELINES:

  • Fiction/Nonfiction: Please do not submit works of more than 30 pages, double-spaced. We accept multiple flash pieces, so long as their combined length does not exceed 30 pages

  • Poetry: Please submit no more than five poems at a time.

https://salthill.submittable.com/submit

_____

CALL FOR SUBMISSIONS: ‘UPSPRING’ ISSUE

Yellow Arrow Journal

DEADLINE: March 31, 2022

INFO: Yellow Arrow Journal, a biannual publication of creative nonfiction, poetry, and cover art by writers/artists that identify as women, is excited to announce submissions are now OPEN for the spring 2022 (Vol. VII, No. 1) issue on UpSpring.

Accepted submissions include creative nonfiction, poetry, and cover art by authors/artists that identify as women. Submissions must relate to the theme of UpSpring as interpreted by the author. Find the guidelines at .

COMPENSATION: If selected, you will receive $10.00 USD and a PDF of the journal issue. Note that payments are through PayPal; while we try to accommodate those that do not have a PayPal account, this is not always possible, especially for people outside of the U.S. Thank you for understanding.

yellowarrowpublishing.com/submissions

_____

CALL FOR SUBMISSIONS:BIRTH/MARK: TRANSRACIAL ADOPTEES’ ISSUE

Raising Mothers

DEADLINE: March 31, 2022

INFO: Raising Mothers publishes work that centers parenthood from either a parent, or child-centered perspective from BIPOC people exclusively; women, femmes, disabled, nonbinary and LGBTQIA+ parents.

For their next issue, Raising Mothers is seeking work writers who are also Transracial Adoptees. Share your experience of being a child of color growing up and moving away from the gaze of whiteness. How has it shaped you? How has it informed your parenting? Have you decided against parenting because of it? Have you searched for your birth family?

They invite all forms--essays, poems, interviews, comics, etc.--from diasporic transracial adoptees (Black, Asian, Latine(x), Indigenous, and other persons of color) to add nuance to the collective narrative. Being a parent is not a requirement.

Select featured works will receive honoraria.

raisingmothers.com/submissions/#tab-92941

_____

The 2022 Pinch Literary Awards in PoetrY

The Pinch

DEADLINE: March 31, 2022

ENTRY FEE: $20

INFO: The 2022 Pinch Literary Awards in poetry is now open. All entries are considered for publication. First, second, and third place winners will be selected from each category. The first place winners will be published in the Spring issue following announcement. Second and third place winners will be given high-priority consideration for publication, but because of space, cannot be guaranteed. Due to the high volume of submissions, any prize winners will be ineligible for contest participation for three years.

PRIZE: $2,000

JUDGE: Phillip B. Williams is the author of Mutiny (Penguin Random House, 2021), and Thief in the Interior (Alice James Books, 2016), winner of the 2017 Kate Tufts Discovery Award and a 2017 Lambda Literary award. He is also the author of the chapbooks Bruised Gospels (Arts in Bloom Inc., 2011) and Burn (YesYes Books, 2013). Williams’s work has appeared or is forthcoming in Boston Review, Callaloo, Kenyon Review, The New Republic, The New Yorker, and others. He is the recipient of a 2020 creative writing grant from the National Endowment for the Arts, a 2017 Whiting Award, and a 2013 Ruth Lilly Fellowship. He serves as a faculty member at Bennington College and Randolph College low-res MFA.

CONTEST RULES: Only unpublished work will be considered. Entries must range from 1-3 poems.  Simultaneous submissions are welcome, but notify us immediately if work is accepted elsewhere. No refunds will be issued. Manuscripts will not be returned. You may submit entries online via the link below or via mail. Emailed entries will not be considered.

INELIGIBLE:

  • No translations will be considered.

  • Current students and faculty of The University of Memphis, as well as volunteer staff members for The Pinch, are not eligible.

ENCLOSE THE FOLLOWING WITH EACH ENTRY: 

1. $20 submission fee for each entry.

2. The following information entered into the cover letter box: name, address, phone number, and email address. The AUTHOR'S CONTACT INFORMATION SHOULD NOT APPEAR ON THE MANUSCRIPT itself. Entries that do not adhere to this policy will be DISCARDED UNREAD. Please notify us if your address or email changes.

3. Please do not title your entries "Poems," "Contest Entry," "Poems for Pinch Contest," or "Pinch Contest". This makes it really hard to go back and find the poem that we absolutely loved and want to sent off as a finalist! Title the entry with either the title of your first poem entry or as all three titles of your poems separated by commas.

pinchjournal.com/2021-pinch-literary-awards

_____

The Orison Prizes in Poetry & Fiction 

Orison Books

DEADLINE: April 1, 2022

ENTRY FEE: $25

INFO: Each year Orison Books accept submissions of full-length poetry (50-100 pp.) and fiction (30,000 word minimum) manuscripts for The Orison Prizes in Poetry and Fiction, judged by different prominent writers each year in an anonymous judging process.

PRIZE: The winning entry in each genre will be awarded publication and a $1,500 cash prize, in addition to a standard royalties contract. Finalists will be selected by the editorial staff at Orison Books, and the winners will be selected from among the finalist manuscripts by the judges.

In the event that a judge in either genre does not select a winner from among the finalists, the Editor will select a winner. The editors also reserve the right to select no finalists, in which case all entry fees will be refunded to the entrants. All finalist manuscripts will be considered for publication under a standard royalties contract. Contest results will be announced by September 15, 2022. Winners will receive payment by October 15, 2022.

JUDGES:

  • Poetry: Rajiv Mohabir

  • Fiction: Tania James

GUIDELINES:

  • Original English work only; no translations.

  • Do not include your name anywhere in your manuscript file or file name, but only in your Duosuma cover letter.

  • Individual poems and stories or excerpts may have been previously published in periodicals and/or chapbooks, but the manuscript as a whole must not have been published in book form, whether digital or in print. Self-published manuscripts are considered previously published and are not eligible.

  • Please include any publication acknowledgments in your cover letter, listing any periodicals where individual pieces from your manuscript first appeared. Acknowledgments should not appear in the manuscript file.

  • Poetry manuscripts must be 50-100 pages of poems (each poem beginning on a new page). Fiction manuscripts must have a minimum word count of 30,000.

  • Fiction manuscripts may consist of short stories, a novel, a novella, flash/micro fiction, or any combination of forms, as long as the manuscript meets the 30,000 word minimum.

  • Existing Orison Books authors are not eligible for The Orison Prizes.

  • Simultaneous submissions are accepted; please notify us immediately should a manuscript be accepted for publication elsewhere.

  • Multiple manuscripts may be submitted; each manuscript must be accompanied by a separate entry fee.

  • Orison Books is committed to running ethical and transparent contests. Current or former students of the judge or the lead genre editor(s), or anyone with a close personal relationship with that judge or lead editor(s), are not eligible to submit in the category in question. Judges also never see author names until after they have made their selections.

  • Orison Books undertakes never to extend contest deadlines, except in the case of technical problems or other events that would prevent submitters from entering the contest by the original deadline.

  • We only accept electronic submissions, which must be sent through our Duosuma page.

duotrope.com/duosuma/submit/orison-prizes-poetry-fiction-eyhfu

POETRY — FEBRUARY 2022

SEVENTH ANNUAL NARRATIVE HIGH SCHOOL WRITING CONTEST

Narrative

DEADLINE: February 4, 2022 by 5pm PST

INFO: Narrative is inviting poetry submissions from all US and international high school students, grades 9–12, to participate in our Seventh Annual Narrative High School Writing Contest! We are eager to hear from as many voices as possible. We’re eager to hear from YOU!

Contributing students in last year’s Sixth Annual Narrative High School Writing Contest covered the globe: indeed, we received submissions from nineteen countries, including South Africa, India, China, Serbia, Poland, Taiwan. Within the United States, we heard from young poets in 39 states and 174 cities—an amazing outpouring of poetry. This year, we urge new students to add their voices to the chorus.

Poetry has been called “the voice that is great within us,” yet there is no one way to write a poem. Particularly during these times of upheaval and reflection, we’re seeking emerging writers who will offer new perspectives that invite each of us to see the world anew.

CONTEST RULES & GUIDELINES:

Who can enter?

Students from the US and internationally, grades 9–12, are eligible to submit to the contest. Winners and finalists will be asked to provide proof of age.

How do I send my work?

Writers will submit work through their English teacher, who will upload the work through the contest Submission Portal. Each teacher may submit the work of no more than ten students (one poem per student, please). Schools may submit a maximum of thirty submissions in total. The contest is free to enter. Teachers may submit their students’ work via our Submission Portal.

When’s the deadline?

The contest opens January 4, 2022, and the submission deadline is February 4, 2022, at 5:00 p.m. Pacific Standard Time. All submissions must be previously unpublished, either in print or online (including on social media and blogs). The contest results, including winners and finalists, will be announced in April.

What is this year’s prompt?

When you hear the phrase “Blind Spots” it conjures the notion of seeing. In our world today, there is much we are asked to see, as humans, that we can’t quite capture. Can you point to a blind spot in your life or in the lives around you? Those obscured places just beyond one’s vision, in the past, present, or future. Blind spots come in all shapes and sizes—and in your poem we look forward to reading how your unique experience and identity sculpt those edges.

Perhaps there’s a memory forgotten or a question left unanswered, a miscommunication with someone you love, a conversation lost in translation. Or, zoom out a bit: what blind spots might you share with your family, your friends, your city, your country, the world?

Can you capture in a poem a moment or story when you or the world around you was blind to something important? What happened that made things a bit more clear? You could turn toward the metaphorical or the literal, the small or the large, the individual or the systemic. Lean into that space of self-questioning and ask others to join you. We each have something to learn, and something to teach. Shine some light on the corners we’ve left in the dark, and tell us what we’re missing.

We invite you to write a poem, 10 to 50 lines long, in response to the prompt: BLIND SPOTS.

How will the winners be chosen, and when will they be announced?

For fairness, all judging of submitted poems will be done with names, grades, and school affiliations removed, and, further, entries will be sorted randomly by Narrative’s team—led by Narrative cofounder/editor and New York Times–bestselling author Carol Edgarian and Narrativepoetry editor and executive editor of Copper Canyon Press Michael Wiegers. Guest judge Pulitzer Prize–winning poet Jericho Brownwill select the ultimate winners and finalists. A first-, second-, and third-place winner, along with several finalists, will be announced in April. Narrativeeditors will mentor winners prior to publication in the magazine. Cash prizes totaling more than $1,000 will be awarded.

What awards will the winners receive?

The winning author will be presented with a $500 award. The second-place winner will receive $200, and the third-place winner will receive $100. Each finalist will receive $50. The schools of winners will also receive special recognition and prizes. The winning works will be published in Narrative, alongside many of today’s great writers. The winners will also have an opportunity to perform their work for our popular Narrative Outloud podcast.

Need help getting inspired?

Check out our Poetry Tutorial Video with Narrative cofounder/editor and bestselling author Carol Edgarian and last year’s guest judge, Salvadoran poet and Narrative Prize winner Javier Zamora. Also be sure to explore our Poetry Guide, made just for you!

narrativemagazine.com/narrative-in-the-schools-program/seventh-annual-contest

_____

CALL FOR SUBMISSIONS: ISSUE 9 - ‘GIBBERISH’

Lucky Jefferson

DEADLINE: February 13, 2022

INFO: Did you grow up with a name others found difficult to pronounce? Speak a foreign language? Know a word or a phrase that doesn’t translate well to English?

Celebrate your culture and language! We want to hear about those “gibberish” experiences and words we’ve never seen or heard before. 

Poems, essays, flash fiction, hybrid forms, and art are all welcome. Send us anything that relates to uncommon or foreign words and languages that hold significance to you.

GUIDELINES:

  • Send no more than 3 poems in a submission. Separate poems by page break.

  • No more than 1000 words for flash fiction.     

  • Include a short and sweet cover page highlighting: your name, email address, mailing address, and bio (third-person, 50 words max).      

  • No work that has been previously published in print or online.

*If translation is necessary, please email submissions@luckyjefferson.com.

*We will not tolerate any work that promotes harmful stereotypes and perspectives including: racism, bigotry, misogyny, homophobia, transphobia, islamophobia, xenophobia, antisemitism, ableism.

luckyjefferson.submittable.com/submit


_____

LITERATURE GRANT

Café Royal Cultural Foundation

DEADLINE: February 14, 2022 at 9:00am EST

INFO: Café Royal Cultural Foundation NYC will award a publishing grant to authors of fiction / creative non-fiction, poetry and playwriting. 

GRANT: Up to $10,000.00  

ELIGIBILITY: Authors in fiction / creative non-fiction, poetry and playwriting. The applicant must be the originator of the written material.
Grants awarded in this category may fund costs associated with continuing the composition of work submitted. Such as:

  • Course Reduction (if you're a Teacher/Professor)

  • Salary Replacement

  • Living Expenses

  • Research Expenses

Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying.

Please make sure to submit your application with ample time before the start date of your project. 

Applicants can only apply with the same project twice.

REVIEW PROCEDURES: Funding decisions will be made by the Café Royal Cultural Foundation Selection and Executive Committees. The following criteria will be applied in evaluating grant proposals:

  • Creativity, originality, ideas and concepts, writing style

  • Importance of the Project/Cultural Relevance

  • Promise of future achievements in writing

APPLICATION REQUIREMENTS: 

  • Up to and no more than a 15 page PDF of the work, for the Café Royal Cultural Foundation executive committee to download and read.

  • A letter of intent from the publisher with a date of planned publication, if no publisher is assigned, Café Royal Cultural Foundation may work with writer to help find a publisher.

  • A short description of the project.

  • A short author biography of the person(s) involved.

  • List of costs that the grant money be used for - must not exceed the amount of $10,000.00

caferoyalculturalfoundation.org/literature-page

_____

2022 NEW AMERICAN POETRY PRIZE

New American Press

DEADLINE: February 14, 2022

ENTRY FEE: $20

INFO: Submissions are now open for the 2022 New American Poetry Prize.

The winning manuscript will be published and its author will receive $1,500 and 25 copies. Manuscripts should be at least 48  pages, but there is no maximum length. All forms and styles of poetry are welcome.

We read manuscripts blind, so please exclude identifying information  from the manuscript itself. All necessary contact information is included in your Submittable record.

JUDGE: Final judge this year is EDUARDO C. CORRAL, whose debut poetry collection, Slow Lightning (2012), won the Yale Younger Poets Prize, making him the first Latino recipient of the award. His second collection, Guillotine (2020), was praised for his seamless blending of English and Spanish, tender treatment of  history, and careful exploration of sexuality, Corral has received  numerous honors and awards, including the Discovery/The Nation Award,  the J. Howard and Barbara M.J. Wood Prize, a Whiting Writers’ Award,  and a fellowship from the National Endowment for the Arts. A CantoMundo Fellow, he has held the Olive B. O’Connor Fellowship in Creative Writing at Colgate University and was the Philip Roth Resident in Creative Writing at Bucknell University. In 2016, he won the Holmes National Poetry Prize from Princeton University. Corral teaches in the  MFA program at North Carolina State University in Raleigh and is  currently a Hodder Fellow at Princeton University.

https://newamericanpress.submittable.com/submit

_____

KATHRYN A. MORTON PRIZE IN POETRY

Sarabande Book’s

DEADLINE: February 15, 2022

INFO: The Kathryn A. Morton Prize in Poetry includes a $2,000 cash award, publication of a full-length collection of poetry, and a standard royalty contract. Kathryn A. Morton was a published author and devotee of fine literature, especially poetry. 

The judge for the 2022 Kathryn A. Morton Prize in Poetry is Terrance Hayes!

ELIGIBILITY:

This contest is open to any poet writing in English. Employees and board members of Sarabande Books, Inc. are not eligible. Individual poems from the manuscript may have been published previously in magazines, chapbooks of less than 48 pages, or anthologies, but the collection as a whole must be unpublished. Translations and previously published collections are not eligible. To avoid conflict of interest, close friends of a judge or current students in a degree-granting program with a judge are not eligible.

MANUSCRIPT REQUIREMENTS:

  • Manuscript must be ANONYMOUS—the author’s name or address must not appear anywhere on the manuscript (title page should contain the title only)

  • Must be typed, standard font, 12 pt.

  • Minimum length 48 pages

  • Manuscript must be paginated consecutively with a table of contents and acknowledgements page (a list of publications in which poems in the manuscript have appeared)

  • Must be accompanied by a $29 submission fee

  • Must be submitted electronically through Submittable

Multiple submissions are permitted if submitted separately, each with a submission fee. Once submitted, manuscripts cannot be altered. Winner will be given the opportunity to make changes before publication. Simultaneous submissions to other publishers are permitted, but please withdraw the submission if accepted elsewhere. 

A winner will be selected in September, and all entrants will be notified of the winners and finalists shortly afterward. Sarabande Books considers all finalists for publication.

sarabandebooks.org/morton

_____

2022 CAAPP Book Prize

Center for African American Poetry and Poetics

DEADLINE: February 15, 2022

INFO: The CAAPP Book Prize is a publishing partnership between the University of Pittsburgh’s Center for African American Poetry and Poetics and Autumn House Press with the goal of publishing and promoting a writer of African descent. The prize is awarded annually to a first or second book by a writer of African descent and is open to the full range of writers embodying African and African diasporic experiences. The book can be of any genre that is, or intersects with, poetry, including poetry, hybrid work, speculative prose, and/or translation.

Please submit a manuscript between 48 and 168 pages.

AWARD: The winning manuscript will be published by Autumn House Press and its author will be awarded $3,000.

FINAL JUDGE: Evie Shockley

Evie Shockley is a poet and scholar. Her most recent poetry collections, the new black (Wesleyan, 2011) and semiautomatic (Wesleyan, 2017), both won the Hurston/Wright Legacy Award; the latter was also a finalist for the Pulitzer Prize and the LA Times Book Prize. Her poetry has appeared internationally in print and audio formats, in English and in translation. She has received the Lannan Literary Award for Poetry, the Stephen Henderson Award, the Holmes National Poetry Prize, and fellowships from the Radcliffe Institute for Advanced Study and Cave Canem, among others. Shockley is Professor of English at Rutgers University.

caapp.pitt.edu/opportunities/2020-caapp-book-prize

_____

PIGEON PAGES POETRY CONTEST

Pigeon Pages

DEADLINE: February 15, 2022

ENTRY FEE: $7

INFO: The Pigeon Pages Poetry Contest will be judged by Melissa Lozada-Oliva, author of Dreaming of You.

AWARD:

  • The winner will receive $250 and publication in Pigeon Pages.

  • Honorable mentions will receive $50 and publication.

SUBMISSION GUIDELINES:

  • Original, previously unpublished poems by a single author are eligible for this contest. 

  • $7 entry fee for one poem of 5 pages or less

  • Only one poem per contest submission, but we welcome writers to submit as many times as they would like. Any entries with more than one poem will not be eligible for contest consideration.

  • We do accept simultaneous submissions, but please let us know if the submitted piece is accepted elsewhere.

  • If submitting work entirely in a language other than English, please also include an English translation.

  • Please do not include personal information on your piece, as submissions will be read blind.

  • All submissions will be considered for publication in the general journal.

pigeonpagesnyc.com/poetry-contest

_____

2022 J. Michael Samuel Prize

Lambda Literary

DEADLINE: February 15, 2022

INFO: The J. Michael Samuel Prize honors emerging LGBTQ writers over the age of 50. To be eligible, the winner of the prize must be unpublished and meet our minimum age requirement. The award includes a cash prize of $5,000.

ELIGIBILITY:

In order to be considered for the award, the applicant must:

  • be 50 years of age or older as of January 1st of the award year;

  • be unpublished and have no books under contract or forthcoming from a publisher (up to one (1) self-published title is permitted). Writers with bylines for short stories, poetry, and essays are still eligible.;

  • be of demonstrated ability and show promise for continued growth; and

  • show meaningful engagement with LGBTQ literary communities.

lambdaliteraryawards.submittable.com/submit/212919/2022-j-michael-samuel-prize

_____

2022 Furious Flower Poetry Prize

James Madison University

DEADLINE: February 15, 2022

SUBMISSION FEE: $15

INFO: The Furious Flower Poetry Prize for emerging writers is open for submissions. Poets with no more than one published book are invited to submit up to three poems (no more than a total of 6 pages) for consideration.

PRIZE: The winner and honorable mention receive $1000 and $500 respectively, and will be invited to read (virtually or in-person) as a part of the Furious Flower Reading Series. The winner, honorable mention, and select finalists will also be published in Obsidian. Winners are announced in late March/early April. 

HOW TO SUBMIT:

Visit the submission page and carefully follow all instructions. You will need to:

  • Pay your $15 non-refundable submission fee

  • Register your submission

  • Email an anonymized version of your manuscript to furiousflowerpoetry@gmail.com with contact information in only the body of the message

jmu.edu/furiousflower/poetryprize/index.shtml

_____

Interdisciplinary Artist Residency Program

Peter Bullough Foundation

DEADLINE: February 22, 2022

INFO: The Peter Bullough Foundation in downtown historic Winchester, Virginia provides residencies to emerging artists and scholars, including those elevating voices and topics relevant to the LGBTQIA2S+ community. Applications are now being accepted for fall 2022 residencies to work in the private studios and enjoy the garden and former homes of Dr. Peter Bullough. The ideal applicant will be self-directed and able to work independently. Each awarded residency period is roughly four weeks and is shared with one to two other artists in residence. Artistic collaborators in groups of two to three may apply in one application. Hosting a community workshop virtually or in-person during the residency is encouraged, but not required.

Disciplines Accepted:
Architecture, literature, film/video arts, interdisciplinary arts, music, music composition, playwriting, screenwriting, poetry, scholars, theatre, and the visual arts.

Fall 2022 Residency Dates:

August 18 - September 13
September 15 - October 11
October 13 - November 8
November 10 - December 6

Selection:
Selection is a multi-step process involving the PBF staff, residency committee, residency alumni, and board. We may request an interview with you to learn more about you and your work. Selections will be announced 30-45 days after the application deadline. The PBF does not discriminate in its programs and activities on the basis of race, sex, sexual orientation, gender identity, gender expression, marital status, religion, creed, national origin, age, and/or disability.

Accommodations & Support:
The Peter Bullough Foundation is delighted to offer free accommodations for two to three artists at a time in Dr. Bullough’s former home, a renovated 1840’s house with private bedrooms and bathrooms and shared common spaces. Private studios and workspaces are located in an adjacent building that also houses the majority of the late Dr. Bullough’s book and art collections. Private gardens connect the properties and are also available as open-air workspaces.

A $550 stipend is provided to aid in covering supplies, necessities, and food for the month. 

Accessibility:
The PBF is not ADA accessible at this time. For more information on accessibility, please check out our FAQ's

Location: 
Winchester, Virginia is a quintessential American small town, with four locally-owned breweries, many small shops, 10 different historic house museums, a kids science museum, and a large regional art museum. 

Application Requirements:

  • Application Form

  • Resume, CV, or Statement of Qualifications

  • Two Personal References

  • Personal Statement and Proposal

  • Portfolio

peterbulloughfoundation.org/residency?fbclid=IwAR1MRyNsx3HGw1Vimr66ld9RkMwoyFRYvIA6qHHNlUaE8hw2rarYFoUF2wE

_____

GRANTS FOR ARTISTS & WRITERS WITH CHILDREN

Sustainable Arts Foundation

DEADLINE: February 25, 2022 at 5pm ET

INFO: This year, The Sustainable Arts Foundation will make awards of $5,000 each to twenty artists and writers with children. Additionally, we will name twenty finalists.

Our awards offer unrestricted cash, which recipients can use as they see fit. 

Our selection process is focused almost entirely on the strength of the submitted portfolio. 

ELIGIBILITY:

To be eligible, the applicant must have at least one child under the age of 18. Parents of older children with a disability or special needsmay also be eligible.

WHO SHOULD APPLY:

Artists and writers with at least one child under the age of 18 and a strong portfolio are welcome to apply.

We are inspired by anyone making creative work while raising a family. Given the intense demand for these awards (we typically receive 2,000-3,000 applications), and the fact that the awards are based on demonstrated excellence in your discipline, we don’t recommend that artists or writers just beginning their creative careers apply to this program. 

While we don’t require that applicants have published or exhibited their work, the rigor and critique involved in that process can certainly benefit the portfolio. Portfolios of writing or artwork created in a more personal vein for sharing with friends and family are not suitable.

We invite you to view our list of previous awardees and follow the links to their work to get a feel for their level of craft. 

RACIAL EQUITY:

As of Fall 2016, we make at least half our awards to applicants of color. You can read more about this decision on ourwebsite.

DISCIPLINES:

Writers may apply in one of the following categories:

  • Creative Nonfiction

  • Early and Middle Grade Readers

  • Fiction

  • Graphic Novel/Graphic Memoir

  • Illustrated Children's Books

  • Illustrated Children's Books (Text Only)

  • Poetry

  • Young Adult Fiction

Visual artists may apply in one of the following categories:

  • Book Arts

  • Ceramics

  • Drawing

  • Fiber Arts and Textiles

  • Illustration

  • Installation

  • Jewelry

  • Mixed Media

  • Painting

  • Photography

  • Printmaking

  • Sculpture

  • Wearable Textiles

CRITERIA:

We are looking for excellent work. The portfolio is the primary factor we consider in evaluating each application.

apply.sustainableartsfoundation.org

_____

2022 Starshine and Clay Fellowship

Cave Canem / EcoTheo Collective

DEADLINE: February 28, 2022 by 11:59pm EST

ENTRY FEE: $0

INFO: Cave Canem and EcoTheo Collective are pleased to announce the 2022 Starshine and Clay Fellowship, an initiative providing financial and development support to emerging Black poets, and fundraising opportunities for Cave Canem. Named in honor of Cave Canem elder Lucille Clifton (“won’t you celebrate with me”), the Starshine and Clay Fellowship was developed to speak to the mentorship Clifton offered Cave Canem fellows during her tenure as faculty at the Cave Canem Retreat.

AWARD: Four recipients will each receive $500, $500 for a LOGOS reading, a $500 travel stipend and free lodging to attend the Wonder in Wyoming conference, a one-on-one consultation with the final judge, and master classes and other opportunities provided by Cave Canem. Poets will also have their work published in the Summer 2022 issue of EcoTheo Review, with proceeds of the sale going to Cave Canem.

JUDGE: Airea D. Matthews

ELIGIBILITY: All adult Black writers who have not had a full-length book published by or currently under contract with a professional press. Authors of chapbooks and self-published books with a maximum print run of 500 may apply.

EXCLUSIONS: Current or former students, colleagues, employees, family members and close friends of the judge; current or former employees and members of the board of Cave Canem Foundation, EcoTheo, or LOGOS Poetry Collective. If any of the selected poets fall under the above exclusions, they will be disqualified and a replacement will be chosen from among the finalists. As the poetry community is small and the contest is judged without knowledge of the submitter’s identity, acquaintance with the judge or participation in a workshop taught by the judge are not disqualifying criteria.

GUIDELINES:

  • 8-12 pages of unpublished poems. A poem may be multiple pages, but no more than one poem per page is permitted.

  • The fellowship welcomes poets writing from a variety of themes and perspectives, and poets writing on ecological, spiritual, and/or theological concerns are particularly encouraged to apply.

  • Submit manuscripts online via Submittable. Hard copy submissions will not be considered. One manuscript per poet allowed.

  • Author’s name should not appear on any pages within the uploaded document.

  • Upload manuscript as a .doc or .pdf document.

  • Manuscripts not adhering to submission guidelines will not be considered.

  • Post-submission revisions or corrections are not permitted.

cavecanem.submittable.com/submit/4bee3c44-9f24-4d08-9976-a86a0d9a34cb/2022-starshine-and-clay-fellowship

_____

Call For Submissions

DVAN/Texas Tech University Press

DEADLINE: February 28, 2022

INFO: DVAN and Texas Tech University Press’ book series is open for submissions from early career and emerging poets. For this reading cycle, we will be reviewing poetry in English, from the Vietnamese-American and broader Southeast Asian community. Manuscripts will be given full consideration by TTUP and writers and academics from the DVAN network.

REQUIREMENTS:

  • Full book length manuscript (60-90 poems)

  • Manuscript must not yet be published

  • Please include an author bio with your submission

We are looking for any and all kinds of stories and modes of expression. There is no singular story from the Diaspora and Asian-American community. We are looking for originality of voice, acuity of subject, emotional resonance, as well as themes and perspectives that have not often been centered in contemporary literature. As a nonprofit University Press, TTUP is unburdened by the commercial concerns of major publishers.

Please submit your manuscript to wearedvan@gmail.com.

dvan.org/2021/12/dvan-texas-tech-university-press-call-for-submissions/

_____

MY TIME: A FELLOWSHIP FOR PARENT WRITERS

The Writers’ Colony at Dairy Hollow

DEADLINE: February 28, 2022

APPLICATION FEE: $35

INFO: The Writers’ Colony at Dairy Hollow is pleased to announce the 2022 My Time fellowship funded by the Sustainable Arts Foundation. Writers who are also parents of dependent children under the age of 18 are invited to apply. Work may be any literary genre: fiction or nonfiction, poetry or prose, script or screenplay.  The successful application will demonstrate literary merit and the likelihood of publication. Prior publication is not a requirement.

Two fellowship winners will receive a one-week residency to allow the recipient to focus completely on their work. A $400 stipend will be provided to cover childcare and/or travel costs. Each writer’s suite has a bedroom, private bathroom, separate writing space, and wireless internet. We provide uninterrupted writing time, a European-style gourmet dinner prepared five nights a week, and served in our community dining room, the camaraderie of other professional writers when you want it, and a community kitchen stocked with the basics for other meals.

The winner will be announced no later than March 21, 2022. Residencies may be completed at any time during 2022. This may be extended up to twelve months for extenuating circumstances including COVID-19 concerns.

writerscolony.org/fellowships

_____

CALL FOR POETRY

Digging Through the Fat

DEADLINE: February 28, 2022

SUBMISSION FEE: $3.50

INFO: Digging Press LLC is an independent publisher. We publish the literary and arts journal, Digging Through The Fat, and a chapbook series. We also produce a podcast and host a reading series. As an organization for cultural omnivores, we aim to nurture experimentation in the arts and encourage broad-mindedness and cultural inclusion.

GUIDELINES:

Send up to three poems in a single upload. Multiple submissions are discouraged.

Do not include your name or any identifying information within the attachment. Please do not insert a header or footer containing your name, and do not include your name and contact information at the top of the document. Doing so will disqualify your submission.

Because this is a blind submission process, previously published works are not accepted. This includes work self-published on personal blogs. Simultaneous submissions are accepted as long as they are indicated as such and the submission is withdrawn from Submittable immediately upon acceptance elsewhere.

diggingpress.com/submissions/

_____

CALL FOR INVITATIONS

Nomadic Press

DEADLINE: February 28, 2022

INVITATION FEE: $10

INFO: For years, we have used the “industry”-standard language—submissions. Any way you cut it, the word “submit” grates against who we are and what we stand for. It feels inauthentic to continue to use this word. We want to instead offer that this is a process of sending us an invitation—an invitation into relationship, an invitation to work together, an invitation to experience your art with you, an invitation into a space most sacred.

This year, we are accepting invitations in the following categories: chapbooks, full-length collections (poetry, fiction, non-fiction), and children's books. Please review category-specific guidelines below. 

Accepted works will be published in 2023–2024. 

Prior to sending us an invitation, please ensure that you are familiar with our organization's vision, mission, and safe space statement/process. We are more than just a publishing house. If you have not gotten a chance to read one of our books, please take a moment to do so. You can also see a list of previously published Nomadic Press authors at this link. 

GENERAL INVITATION GUIDELINES:

We love simple:  

  • attach two file versions of your work: a .pdf and a .doc(x)

  • for fiction, non-fiction, and children's books: double-space your invitations

  • 12 pt. serif font (Garamond, Times New Roman)

WORD-COUNT LIMITS:

  • Chapbook (poetry, fiction, non-fiction): maximum of 70 pages or 21,000 words (@ roughly 300 words per page)

  • Full-length (poetry, fiction, non-fiction): anything above 70 pages or 21,000 words (@ roughly 300 words per page)

  • Children's books: we are interested in BIPOC/LGBTQIA+ children's books that earnestly push boundaries and engage kids in explorations of social and environmental justice issues. No word limit. Please include sample illustrations in your invitation or pictures from illustrators you are considering. We do have illustrators that we work with and we would like to see what type of illustration aesthetic you are leaning toward.

  • Note: photographs and illustrations are welcome in place of (or in addition to) written material, though it will be our final decision as to whether or not to include them should we decide to take on the project.

HOW DO WE READ YOUR INVITATIONS?

We have a team of 3 first-round readers, all of whom are previously published Nomadic Press authors. Our readers change every year. These readers will rate each invitation and we will compile a short list of finalists, out of which final publications will be chosen by our editorial team.

As an independent, small press, we take our reading period very seriously and enlist the help of trusted, highly talented authors who understand who Nomadic Press is and what we stand for. We feel it is important to pay them for their time, which your submission fee of $10 helps to cover. We look forward to reading your work, and thank you again for your interest in our press, and our values.

nomadicpress.submittable.com/submit

_____

CALL FOR SUBMISSIONS: POETRY

Anomaly

DEADLINE: March 1, 2022

ENTRY FEE: $3 (Fees will be waived for all Black and Indigenous writers to support those most targeted by state violence. Email editor [at] anomalouspress [dot] org to request a fee waiver.)

INFO: Anomaly is currently seeking impact poetry. We are seeking poems that challenge the history and currents of the English language, poems that unsettle cultural norms, poems that utilize language to contest and remake the world. We seek poems that confront gender formations, white supremacy, class, body, possibility. We are seeking for poetry rooted in the radical imagination. We hope to find you.

Please be aware that we get over 500 submissions per reading period and read each carefully, so if you're work has not been accepted or rejected it's not from oversight-we promise we're working on it!

Attach up to five poems in a single document. Please include a short bio in the "Cover Letter" field.

Translations that foreground the work of the original author are welcome in this category. For translations that foreground the creativity of the translator, please see our Translation section.

anmly.submittable.com/submit

_____

Spring 2022 Call for Submissions

A Gathering Together Literary Journal

DEADLINE: March 1, 2022

INFO: A Gathering Together is a journal that resists the easy and often unsophisticated attempt to say profound things in the moment, without deep contemplation, or in the heat of discursive battle.

We welcome submissions of previously unpublished essays, short stories, poetry, reviews, visual art, and film for our Spring 2022 issue.

We primarily select works that speak to Mekhet--the Kemetic (Ancient Egyptian) term for resonating across time and space. This term is reserved for works that simultaneously transcend and address the moment they speak from, works that will last beyond the creator's last breath and still be relevant, or works that put the writer and reader in conversation with the intellectual thought of Ancestors of all kinds.

Our writers are primarily descendants of Africa and her Diaspora. All writers whose works resonate with the human experience, and thus the Diasporic African experience, are considered. Our back issues are all available online and serve as a good model for the variety of writers and works we've featured.

Artists who want to be featured in our upcoming issues are invited to send us a letter of interest, a brief bio, and a sample portfolio. Writers who want to conduct artist interviews are welcome to send us pitches letting us know how the interview and artist would be a good fit for our journal. Features are generally published January-March or July-September.

A Gathering Together is unable to compensate writers at this time.

agatheringtogether.com/how-to-submit/

POETRY — JANUARY 2022

Blessing the Boats Selections

BOA Editions

DEADLINE: January 5, 2022

INFO: Blessing the Boats Selections spotlights poetry collections by women of color. As the 2021-2023 Blessing the Boats Selections Editor-at-Large, Aracelis Girmay will read submissions and select the final manuscript for publication. Blessing the Boats Selections is named after Lucille Clifton’s National Book Award-winning collection, Blessing the Boats: New and Selected Poems (BOA, 2000), in honor and celebration of her enduring legacy. Lucille Clifton's writings of Black life and Black female life have shaped a sense of what is possible for so many. In the poem that begins "won't you celebrate with me," she writes: "born in babylon / both nonwhite and woman / what did i see to be except myself?" Blessing the Boats Selections titles walk behind and grow out of the poetry of those lines. Submissions are thus open to all women poets of color in the U.S., including poets who identify as cis, trans, and non-binary people who are comfortable in a space that centers on women’s experiences, regardless of citizenship and publication history. Our hope is that the Blessing the Boats Selections will further facilitate encounters between readers and writers of some of the most extraordinary texts of our time. 

Only paper submissions will be accepted. Please see the guidelines below for details.

SUBMISSION GUIDELINES:

WE DO NOT ACCEPT ELECTRONIC SUBMISSIONS FOR BLESSING THE BOATS SELECTIONS AT ANY TIME.

  • Submit only one book-length, complete manuscript at a time. If two manuscripts are sent, both will be recycled.

  • Manuscript should be a minimum of 48 pages, maximum of 100 pages of poetry.

  • Manuscript text should be at least 12 pt. font. Manuscript pages should be one-sided.

  • Include a self-addressed, stamped envelope (SASE) with sufficient return postage.

  • Send the manuscript ATTN: BLESSING THE BOATS SELECTIONS.

  • Include a cover letter. Do not include a résumé or vitae.

  • Please include your phone number and/or email address on the cover letter.

  • Simultaneous submissions are okay. Note simultaneous submissions in your cover letter and notify BOA immediately should your submission be accepted elsewhere.

  • Include title, publisher, and publication year of previous full-length poetry collections you have published, if any. Feel free to include an acknowledgments page for any previously published poems in your manuscript.

  • Please note that manuscripts will be recycled, not returned.

  • There is no submission fee associated with this reading period.

  • Family members, or any students who have studied poetry or fiction or literature with Aracelis Girmay in the past four years, whether that be through a university, a community setting or a tutorial are prohibited from consideration.

Manuscript submissions may be mailed to:

BOA Editions, Ltd.
ATTN: Blessing the Boats Selections
250 North Goodman Street, Suite 306
Rochester, NY 14607

boaeditions.org/pages/blessing-the-boats-selections

_____

Discovery Poetry Contest: The Joan Leiman Jacobson Poetry Prizes

92Y

DEADLINE: January 11, 2022

ENTRY FEE: $15

INFO: The contest is open to poets who have not published a full-length poetry collection.

  • Poets who have published chapbooks of less than 42 pages and in prints of less than 500 are eligible.

  • Poets who have self-published, have a book contract or who are awarded a book contract after submission are not eligible if the book is scheduled for publication before fall 2022. If you receive a book contract following submission, please withdraw your manuscript over Submittable or email.

  • Manuscripts by more than one author are not eligible.

  • Translations of another poet’s work are not eligible. All poems must be original and primarily in English.

MANUSCRIPT GUIDELINES:

  1. Submissions must be no longer than ten pages, typed.
    a) At least two of the poems must be a page or shorter. (You cannot submit five two page poems, two five page poems, etc.)
    b) Do not submit multiple poems per page.

  2. Poems that have been or will be published in periodicals or anthologies may be submitted; however, at least two of the submitted poems must be unpublished as of May 2022.

  3. Personal identification cannot appear in the manuscript document in any form.
    Personal information includes:
    a) Your name anywhere in the manuscript document, including the text, headers, footers, file name or submission name.
    b) Copyright attributions for published poems included anywhere in the manuscript document such as in footnotes, footers, headers, etc. For information on how to send us this information, please see “How to Submit” below.

  4. No contestant may submit more than one entry.

  5. We cannot accept corrections after submission.

HOW TO SUBMIT:

  1. Entries, consisting of manuscript, cover letter and $15 entry fee, must be received by 5 pm on Tuesday, January 11, 2022. (We encourage all emerging poets to apply. If entry fees pose a barrier, please reach out to us directly (email).

  2. We accept submissions only through Submittable. Include contact information and a list of submitted poems in the order of appearance (with publication attribution, if applicable) in the COVER LETTER field. DO NOT include a cover letter in the manuscript document.

  3. This year, we cannot accept submissions by post, as our offices are currently closed and we can’t guarantee someone will pick up your submission. In addition, we do not accept email submissions. Thank you for your understanding!

    Winners will be contacted by telephone in April 2022; all contest entrants will be emailed the names of the winners shortly thereafter.

92y.org/poetry/discovery-contest

_____

CALL FOR SUBMISSIONS

TLDTD

DEADLINE: January 15, 2022

INFO: TLDTD, a biannual journal for Filipino poets and poetry, is accepting poems and translations for Issue 4.

Poets who identify as Filipino are invited to send up to ten pages of previously unpublished poetry in any Filipino language or in English.

tldtd.org/submit/

_____

CALL FOR POETRY

Shenandoah

DEADLINE: January 15, 2022

INFO: Shenandoah is currently accepting poetry submissions.

Poetry submissions, considered by editor Lesley Wheeler, should contain up to five pieces and not more than ten pages total. Lesley reads for power, surprise, intelligence, big-heartedness, craftiness, mystery, and risky strangeness.

Please send three to five of the poems you consider your most urgent work. If individual poems need to be withdrawn, please send us an email at shenandoah@wlu.edu.

shenandoahliterary.org/submissions/

_____

2022 Jerome Emerging Artist Residency

The Anderson Center

DEADLINE: January 15, 2022 at 11:59pm CST

APPLICATION FEE: $0

INFO: The Anderson Center’s Jerome Emerging Artist Residency Program offers month-long residency-fellowships at Tower View to a cohort of early-career artists from Minnesota or one of the five boroughs of New York City for concentrated, uninterrupted creative time to advance their personal artistic goals and projects.

The program aims to meet the specific needs of emerging artists while welcoming them into a supportive and inspiring residency environment that empowers them to take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

Thanks to support from the Jerome Foundation, selected emerging artists receive a $625/week artist stipend, documentation support, art-making resources, facilitation of community connections, lodging & studio space, a travel honorarium, groceries, and chef-prepared communal dinners.

Located at the historic Tower View estate, a venerable research-and-development lab for the arts rooted in an expansive natural setting, the program is an ideal fit for early-career artists whose work reveals a significant potential for cultural and community impact, is technically accomplished, engages diverse communities.

The Anderson Center’s goal is for connections participating artists make with one another, as well as connections made with other creatives and community members, to outlast the duration of their residency visit. The organization believes that the environment and resources of Tower View, along with an exchange of ideas across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work emerging artists create while in residence.

Jury review will take place in late January and early February. Applicants will be notified by Feb. 3 as to the status of their application. A phone interview process with finalists will take place in late February following a second round of jury review. Selected artist residents, wait-list and runners-up will be notified by March 2, 2022.

ABOUT THE ANDERSON CENTER

The Anderson Center for Interdisciplinary Studies, founded in 1995 on the Tower View estate in rural Red Wing, Minn., has renovated and restored historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden.

The Anderson Center provides residencies of two- or four-weeks’ duration from May through October each year to enable artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment to create, advance, or complete work. In addition to community engagement activities through the artist residency program, the organization has a strong history of helping integrate the arts into community life through local partnerships, hosting annual arts events and participating in other community-based initiatives.

ABOUT THE JEROME FOUNDATION

The Jerome Foundation, created by artist and philanthropist Jerome Hill (1905-1972), seeks to contribute to a dynamic and evolving culture by supporting the creation, development, and production of new works by emerging artists. The Foundation makes grants to not-for-profit arts organizations and artists in Minnesota and New York City. The Jerome Foundation is generously providing support for the Anderson Center’s Jerome Emerging Artist Residency Program in August of 2022.

LOCATION

The Anderson Center campus is located on the 350-acre historic Tower View Estate, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing.

The Center is approximately 45 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.

The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River. The town is settled on the ancestral homelands of the Mdewakanton & Wapakute bands of the Dakota people. The City of Red Wing is named after Tatanka Mani (Walking Buffalo), a leader of the Mdewakanton Dakota in the upper Mississippi Valley who wore a ceremonial swan’s wing dyed in brilliant red. In 1815, Tatanka Mani and his people moved their village south to a place they called Khemnichan (Hill, Wood, & Water) in present-day downtown Red Wing. Euro-American immigrants who met him as they advanced into the region in the early nineteenth century came to know him and his village as “Red Wing.”

Since its settlement and eventual incorporation in 1857, Red Wing established itself as a center for agriculture, industry, tourism, medical care, technology, and the arts. The Red Wing Shoe Company and its iconic brands, in particular, continue to have a significant impact on the community’s economic, business, and community development climates. Natural resources abound with Red Wing's riverfront, winding paths through the majestic bluffs, bike trails, and 35 city parks. The Prairie Island Indian Community is located northwest of the city. Frontenac State Park is to the southeast on Lake Pepin. Minnesota State College Southeast Technical’s Red Wing campus is known for its string and brass instrument repair programs. The MN Dept. of Corrections also operates a large juvenile residential facility in Red Wing.

Other amenities include a destination bakery, a chocolate shop, coffee shops, restaurants, the flagship Red Wing Shoe Company store, Goodhue County Historical Society Museum, the Red Wing Stoneware & Pottery store, the Pottery Museum of Red Wing, a Duluth Trading store, the Red Wing Marine Museum, a Target, several pharmacies, a plant nursery & garden center, a Mayo Health System Hospital, a small independent bookstore, and a public library (the Center has arranged for residents to have access to a library card for their month at the Center)

Other key community stakeholders include the historic Sheldon Theatre, the Red Wing Arts Association, Red Wing YMCA, Red Wing Youth Outreach, Hispanic Outreach of Goodhue County, Red Wing Area Friends of Immigrants, Red Wing Area Women’s Art History Club, Live Healthy Red Wing, Artreach, Red Wing Artisan Collective, the Artist Sanctuary, Pier 55 Red Wing Area Seniors, Big Turn Music Festival, Red Wing AAUW, Red Wing Environmental Learning Center, Red Wing Girl Scouts, Red Wing Public Schools, Tower View Alternative School, and Universal Music Center, as well as several City boards, commissions, and departments.

ELIGIBILITY AND DEFINITION OF “EMERGING ARTIST” While the Anderson Center’s general Artist Residency Program hosts artists with a wide range of talent and experience, the Jerome Emerging Artist Residency Program exclusively focuses on meeting the specific needs of artists who are in the early stages of their artistic development and career.

The Anderson Center defines an emerging artist as someone who has some evidence of professional achievement but has not yet a substantial record of accomplishment. These are the applicants who are practicing vocational artists but are not yet recognized as "established" by the artistic community (other artists, curators, producers, critics, and arts administrators).

The organization looks for artists whose work reveals a significant potential for cultural and community impact. These are artists who are uncompromising in their approach to creation and production, people who are not afraid to take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

Degree-seeking students at the time of application, or during the grant period, are not eligible for a residency (including K-12, college, graduate or post graduate studies). Age is not a factor in determining emerging artist status.

Artists that are part of an artistic collective, partnership, or collaborative are welcome to apply, but collaborative residencies are also rare. The program is extremely competitive and space is simply limited. Each artist must also complete their own application form.

Artists of all disciplines are eligible and are encouraged to apply. Artists must currently be legal residents of Minnesota or one of the five boroughs of New York City and have been residents for at least one year prior to the submission of an application. Applications must be submitted through the Anderson Center’s online webform via Submittable. The primary goal of eligible artists must be to generate new works, as opposed to remounting or re-interpreting existing works.

Further details from the Jerome Foundation on emerging artist eligibility requirements can be found here: https://www.jeromefdn.org/defining-early-career-emerging-artists

APPLICATION
A completed application form includes a brief artist statement, a work plan, an emerging artist statement, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your current and future work.

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.

The Work Plan is a one page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.

An Emerging Artist Statement addresses, in 250 words or less, your status as an emerging artist or early-career artist. How would participating in this program impact or advance your practice as an emerging artist? In what ways would this program meet your needs as an emerging artist? Why is this residency important to this stage of your career path? How do you identify as an emerging artist? 

Work Samples should be of recent work and should include:

  • For composers and musicians: 3 to 5 recordings

  • For visual artists: At least 5 images of work (300 dpi or larger)

  • For nonfiction and fiction writers: 10 pages of double-spaced prose

  • For playwrights & screenwriters: 20-page excerpt (does not need to be from the beginning)

  • For poets: 10 pages of poetry

  • For translators: 10 pages of translation and original text

  • For performance artists: 3 short videos excerpts of performances (no videos longer than 5 minutes)

  • For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)

  • For Scholars: 10 pages of work, including research abstracts and relevant diagrams

DURATION OF RESIDENCY

The Anderson Center’s Jerome Emerging Artist Residency Program offers residency-fellowships of two weeks or one month in August. Strong preference is given to those applying for month-long stays. August is the only month the Jerome Emerging Artist Residency Program takes place.

PROGRAM DETAILS

Each artist-in-residence receives:

  • $625/week artist stipend

  • Travel honorarium ($550 for New Yorkers and $150 for Minnesotans)

  • $450 documentation budget (services for photography, video, audio, etc.)

Evening dinners are prepared and presented by the Anderson Center chef Monday through Friday. The chef also shops for meal items for artist residents, and residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends.

There is also a housekeeper who cleans and maintains the historic facilities. Additional cleaning and sanitization measures are being taken during the pandemic to help ensure the health and safety of artists, staff, and the community.


ACCOMMODATIONS
Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists are provided a 15' x 26' studio and are responsible for supplying their own materials.  Other workspaces on site include a cone 10 gas kiln and electric kilns, an open-air metalsmith facility, a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano. 

Dinners are prepared and presented by Anderson Center chef Phoebe Nyen Monday through Friday. Chef Phoebe also shops for groceries for artists-in-residence. Residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There is also a housekeeper who cleans and maintains the historic facilities. Additional cleaning and sanitization measures are being taken during the pandemic to help ensure the health and safety of artists, staff, and the community.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.


COMMUNITY ENGAGEMENT 
The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.

Within the last few years, Anderson Center residents have connected with 12 schools in five area communities (ranging from elementary through college), 5 senior centers, 2 correctional or detention facilities, 7 community organizations serving children and families, and 8 community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.

During the pandemic, community engagement activities have safely and creatively continued in small group, outdoor, online or distance settings. Examples from the later half of 2020 include a writing exercise letter exchange with residents of a correctional facility, a poetry walk along a park trail, an outdoor natural dye workshop, a distanced reading/discussion with students of Tower View Alternative High School, and various public & private online interviews/discussions with community stakeholders. A majority of the 2021 engagement activities took place in-person, either outdoors or in a small group setting indoors.

PROGRAM MISSION & VALUES
The mission of the Anderson Center is to, in the unique and historic setting of Tower View, offer residencies in the arts, sciences, and humanities; provide a dynamic environment for the exchange of ideas; encourage the pursuit of creative and scholarly endeavors; and serve as a forum for significant contributions to society.

The Anderson Center Residency Program was set-up by a working poet to support other artists and continues to function by those with hands-on experience in the creative process. The organization seeks out feedback from residents each month in order to implement necessary changes as it works toward continual improvement of the program. Most importantly, staff trust artists to know what they need most to advance their individual practices. The Center does not dictate specific outcomes. Instead, the expectation is that the gift of time and space will generate significant advancements in residents' work. The Anderson Center trusts the artists to best use their time to benefit their own work and reach their own goals.

Since 2014 the Anderson Center has offered such month-long residencies in alternating years to small groups of Deaf artists, including poets, fiction writers, and nonfiction writers, whose native or adoptive language is American Sign Language (ASL). Supported by the National Endowment for the Arts, the Anderson Center's Deaf Artist  Residency is the only program in the country that is Deaf-centric. It was developed with the goal of contributing to the creation of a local and national network of Deaf culture-creators.

The Center also engages in artist exchange programs with the city of Salzburg, Austria, and with Red Wing's Sister City, Quzhou, China. The Center participates in annual scholarship programs with the MFA  programs at The University of Minnesota and Pacific Lutheran University in Washington.

As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.

PANDEMIC POLICIES
Prior to arrival, all artists are sent a revised Residency Handbook outline many items related to daily life for artists-in-residence, including the most current safety policies and protocols. The organization's goal is to balance standard pandemic policies and clear expectations while also highlighting areas where communication or flexibility within each cohort might be beneficial or needed.

Again, the Anderson Center Residency Program trusts that artists know what they need most to advance their individual practices and how best use their time to benefit their own work and reach their own goals. Likewise, artists are empowered to collective make changes where appropriate and ultimately build the artist community they'd like to see. 

At the same time, and as is outlined in the Residency Handbook, the Anderson Center is committed to supporting artists by creating a safe space for their residency experience. As such, for the 2022 season, the organization requires all participating artists to provide proof of full COVID-19 vaccination prior to arrival.
Of course even with all of these precautions, by simply participating in an artist residency program, there is an inherent risk of exposure, even for vaccinated persons, that is beyond the ability of the Anderson Center to control entirely. By applying to this program you are communicating that you are comfortable with that amount of risk and that you are also fully vaccinated (or will be prior to arrival).

SELECTION TIMELINE
January 15, 2022 (11:59 p.m. CST) – application deadline
February 3, 2022 – Jury has selected Round 2 applications. All artists are notified of the status of their application  
February 21, 2022 – Jury has determined finalists. Phone interviews with finalists begin.  
March 2, 2022 – Final notification to selected artists, wait-list and runners-up

SELECTION CRITERIA Selection criteria include (in order of importance):
1) Artistic excellence as demonstrated by work samples, resume and artist statement
2) Potential benefit and impact on career as demonstrated by work plan and emerging artist statement 
3) Balance of artistic disciplines, identity, geography, etc within selected cohort

EQUAL OPPORTUNITY
The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.

https://theandersoncenter.submittable.com/submit/204499/2022-jerome-emerging-artist-residency-for-mn-nyc-artists

_____

CALL FOR SUBMISSIONS

Ploughshares

DEADLINES: January 15, 2022

INFO: Ploughshares is accepting submissions for their annual open reading period. We welcome unsolicited submissions of fiction, poetry, and nonfiction for our quarterly literary journal at this time.

SIMULTANEOUS vs. MULTIPLE SUBMISSIONS:
We do not consider multiple submissions, so please send only one manuscript at a time, either by mail or online. Do not send a second submission until you have heard about the first. Simultaneous submissions to other journals are fine as long as they are identified as such and we are notified immediately upon acceptance elsewhere.

If you are working on submissions with an agent, or are an agent submitting work on behalf of an author, please read our note on simultaneous submissions with an agent.

COVER LETTERS:

We encourage you to include a short cover letter with your submission. It should reference:

  • Major publications and awards

  • Any association or past correspondence with a guest or staff editor

  • Past publication in Ploughshares

Please note that we ask cover letters to be included as the first page of your submission document.  There are no additional comment boxes for adding a cover letter. 

MANUSCRIPT GUIDELINES:

  • Typed, double-spaced (poetry may be single-spaced) pages.

  • Numbered pages.

  • If in hard copy, submit with text on one side of the page.

  • Fiction and nonfiction: Less than 7,500 words. Excerpts of longer works are welcome if self-contained. Significantly longer work (7,500–20,000 words) can be submitted to the Ploughshares Solos series.

  • Poetry: Submit 1-5 pages at a time with each poem beginning on a new page.

Translations are welcome if permission has been granted.

pshares.org/submit/journal/guidelines

_____

UNSTITCHING SILENCE: FICTION AND POETRY BY CARIBBEAN WRITERS ON GENDER-BASED VIOLENCE 

University of Leicester / Peekash Press

DEADLINE: January 15, 2022

INFO: Call for submissions to a fiction and poetry anthology to be published by Peekash Press in 2023.

Presented by the WHO and the UN as a global public health crisis, gender-based violence (GBV) is particularly pervasive in Anglophone Caribbean countries, which have some of the highest rates of reported rape and femicide in the world. Homophobic and transphobic violence is also an urgent human rights issue in the region. GBV can be understood as any form of violence and abuse – physical, psychological or emotional – which is rooted in gender norms and power dynamics. It can be inflicted on women, girls, boys and men in a variety of contexts. This call for submissions, cognizant of the vital work already undertaken in the region and its diaspora on GBV, seeks contributions to a fiction and poetry anthology focusing on the roots, repercussions and systemic truths of GBV as they affect a plurality of Caribbean citizens. 

This phenomenon has long been a concern in Caribbean literary writing. However, the topic remains pressing, particularly at the present moment when the pandemic has intensified occurrences of GBV globally. This anthology seeks to extend ongoing conversations around GBV in the region, offering a platform for new and emerging writers who have something to say on this issue. GBV is a challenging subject to write about and to read about, and yet it a subject which requires more attention, reflection and debate. The anthology will ask: How can stories of GBV be told with both sensitivity and candour, in ways that impact meaningfully on those who encounter them in fiction and poetry? How might the sharing of stories empower victims and survivors of GBV? What are the connections between creative narratives that centre GBV, and the development of policies and activities aimed at reducing GBV? And are definitions of GBV shifting, alongside evolving attitudes to gender and sexuality in the region? 

Possible areas of focus could include (but need not be limited to): 

  • Sexual violence

  • Relationships and GBV

  • GBV in inter-racial relationships

  • GBV in the LGBTQ+ community (we would particularly welcome submissions on trans perspectives)

  • Toxic masculinities

  • GBV within religious and spiritual contexts and settings

  • GBV in non-nuclear and non-traditional family structures

  • GBV as it affects migrant communities

  • Writing on GBV that deals with AIDS and other sexually transmitted diseases

Poetry submissions should be 3-5 poems not exceeding 15 pages. Fiction submissons should be minimum 2,500 words and maximum 7000 words. Please send your submission to GBVanthology@gmail.com by 15 January 2022, along with a 50-word biography. All those whose submissions are accepted for publication will participate in a virtual masterclass run by Shivanee Ramlochan which will take place in May 2022, hosted by Bocas Lit Fest. Contributors to the anthology will receive a fee of £250. 

Eligibility

Submissions need to be by authors who either hold Caribbean citizenship or were born in the Caribbean. Submissions must have been written in English originally; translations are not eligible. Submissions should be previously unpublished. Contributors to the anthology will receive a fee of £250.

About the editors

Shivanee Ramlochan is a Trinidadian poet, arts journalist and blogger. Her debut poetry collection, Everyone Knows I Am a Haunting, which addresses and gives voice to survivors of sexual assault, was published by Peepal Tree Press in 2017 and was shortlisted for the 2018 Felix Dennis Prize for Best First Collection.  

Lucy Evans is Associate Professor in Postcolonial Literature at the University of Leicester UK. Her research focuses on contemporary Caribbean literature and she is currently leading a collaborative research project, ‘Representing gender-based violence: literature, performance and activism in the Anglophone Caribbean’, funded by the UK Arts and Humanities Research Council. 

About Peekash Press

Peekash Press was founded in 2014 as a joint imprint of Akashic Books and Peepal Tree Press, dedicated to publishing Caribbean writers based at home in the region. In 2017, the literary NGO Bocas Lit Fest assumed responsibility for the imprint, which is now based in Trinidad and Tobago.

le.ac.uk/anglophone-caribbean/outputs


_____

Artist Research Fellowship

Folger Institute

DEADLINE: January 18, 2022

INFO: The Folger Institute Artist Research Fellowship is open to artists working in all media whose work would benefit from significant primary research. This includes, but is not limited to, visual artists, writers, dramaturgs, playwrights, performers, filmmakers, and composers.

While a terminal degree is not required for the Artist Research Fellowship, applicants should describe their training and level of industry-specific experience in their CV. All applicants must apply as individuals, including artists working as collaborators. See additional Rules and Requirements and Application Instructions.

Please note that in 2022–2023, all Artist Research Fellowships will be non-residential. Awards are $3,500 for four weeks of work away from the Folger. Fellowships may be undertaken between July 2022 and June 2023.
 

RESOURCES & BENEFITS:

  • Access to Folger electronic resources and Researcher Services consultation.

  • Opportunities to meet virtually with Folger Theatre, Consort, and Poetry professionals, as well as Folger curators, librarians, and conservators, as relevant.

  • Participation in scholarly and community-building programs with other Folger Fellows.

  • Exposure on the Folger website, social media, and newsletters.

  • J1 Visa sponsorship, if needed.

folger.edu/institute/artist-research-fellowship

_____

WURLITZER FOUNDATION RESIDENCY

Helene Wurlitzer Foundation

DEADLINE: January 18, 2022

APPLICATION FEE: $25

INFO: The Helene Wurlitzer Foundation of New Mexico (HWF) is a private, 501(c)(3) non-profit, educational and charitable organization committed to supporting the arts. Founded in 1954, the HWF manages one of the oldest artist residency programs in the USA and is located on fifteen acres in the heart of Taos, New Mexico, a multicultural community renowned for its popularity with artists.

The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven artist casitas, or guest houses, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.

The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.

Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.

Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.

GUIDELINES:

Literary artists may upload writing samples in .pdf format using the application form above. Alternatively, literary artists may choose to mail hard-copies. Include a cover sheet containing your contact info and table of contents, but please omit names and contact info on the writing samples themselves.

  • Writers: samples should not exceed 35 double-spaced pages

  • Poets: a maximum of six poems.

  • Playwrights: include one complete play.

  • Screenwriters: include one complete screenplay.

Digital work samples are accepted and encouraged for applications from visual artists and composers. Applicants should prepare to submit five work sample files when filling out the online application form. Acceptable file types for images include jpg, gif and png. Accepted types for audio files are mp3 and m4a.

Filmmakers must mail a DVD or USB-drive containing up to 30 minutes of video which represents no more than five different samples of your work.

wurlitzerfoundation.org/apply

_____

CALL FOR SUBMISSIONS: ‘SOBBING IN SEAFOOD CITY’ ISSUE

Sampaguita Press

DEADLINE: January 21, 2022

INFO: Sampaguita Press seeks submissions for ‘Sobbing in Seafood City,” a food and grocery store themed zine issue for BIPOC artists, including:

  • Poetry

  • Flash fiction

  • Micro prose (journal entries, musings, tweets etc)

  • Song lyrics

  • Art

  • Comics

  • Photography

1 genre per submission email but you can submit as many genres as you like. (Ex, if you want to submit an art piece AND a poem, send us 2 separate emails.)

GUIDELINES:

  • Email subs to: SampaguitaPress@gmail.com

  • Subject: BuliLit Zine - Genre - Your Name

  • In your email, please provide a 1-2 sentence artist bio, maximum 50 words.

twitter.com/sampaguitapress/status/1466176772911689728?s=11

_____

Call for Entries: 2022 Residency Program

Saltonstall Foundation for the Arts

DEADLINE: January 23, 2022

APPLICATION FEE: $0

INFO: Each year, the Saltonstall Foundation awards free, stipend-supported, accessible residencies to artists and writers who are residents of New York State and Indian Nations therein. We support artists and writers working in the following disciplines: 

  • Poetry

  • Fiction & Creative Nonfiction

  • Photography & Filmmaking

  • Painting | Sculpture | Visual Arts

ACCESSIBILITY: Our new accessible addition includes a private accessible living space with a roll-in shower, a private accessible studio (for a visual artist or writer), a shared accessible kitchen and dining area, accessible laundry facilities, and an adjoining private one-bedroom suite for a personal care assistant if needed.

To all applicants: For the first time, we are asking a few demographic questions at the end of each application. These questions are completely optional, although we would be grateful for your participation. In our ongoing efforts to be more inclusive, equitable, and accessible, we want to empower our juries to consider the applicants' historical representation and recommend a roster of writers and artists that capture the diversity of the field. While applicants will remain anonymous throughout the jurying process, we anticipate sharing some geographic and demographic information with our juries as the rounds progress.

Saltonstall is located eight miles east of Ithaca, New York on the traditional, ancestral, and contemporary lands  of the Gayogo̱hó:nǫ' Nation (generally known as the Cayuga Nation) one of the Six Nations of the Haudenosaunee Confederacy.

A Saltonstall residency is a small community. We strive to provide a quiet, inviting, respectful, and nurturing community for creative individuals looking for uninterrupted time to focus on their craft. 

There are just five individuals in residence at a time: one poet, one fiction or creative nonfiction writer, one photographer or filmmaker, and two visual artists. Each group of five arrives and departs at the same time. 

We believe in and value a diverse community of creative individuals. To that end, we hope that all artists and writers feel welcome to apply for a residency, regardless of one’s level of education, experience, race, ethnicity, age, sex, religious belief, marital status, sexual orientation, gender, gender identity or national origin.

There is no cost to attend Saltonstall and no application fee associated with this application. Additionally, to help offset travel to Ithaca and other personal expenses, we off stipends of $750 for each month-long Fellow, $375 for each two-week Fellow, and $200 for each artist/writer attending the six-night residency for parents.  

All applicants must be at least twenty-one (21) years of age and must be residents of New York State or Indian Nations therein ** (all counties). Residencies are for individual artists and writers. We are unable to accommodate groups or pairs of people working together. It is expected that those selected for a residency live at Saltonstall for the duration of the residency period. (Specific residency dates are inclusive -- i.e. parent-artists would arrive on June 2 and depart June 8.)  

Dates for our 2022 residencies are as follows

Our third annual six-night residency for artist/writer parents:

  • Thursday, June 2 – Wednesday, June 8

Please note: this residency is strictly for artist/writer parents who have at least one dependent child (under 18) at home. Since the residency is designed to be a period of solitude and focus for artists and writers, we ask that children and other family members remain home.

Our four-week residencies:

  • Monday, June 13 - Monday, July 11

  • Monday, July 18 - Monday, August 15

  • Monday, August 22 - Monday, September 19

Our two-week residencies:

  • Monday, September 26 - Monday, October 10

  • Friday, October 14 - Friday, October 28

Applicants may apply for either our pilot 6-night residency for parents or the month-long residency or a two-week residency (not a combination). For those applying for the longer residencies, you will be given an opportunity to rank your choice of dates within the application. 

All applicants (including those applying for the six-night residency for parents) may apply in more than one artistic or literary category, however a complete and separate application for each category is required.

ALUMNI: Saltonstall alumni who were attended a residency prior to 2021 are welcome to reapply. Work samples must be different than the work for which an alum was previously awarded the residency.  

  • We convene a different and diverse jury for each discipline. Jurors serve anonymously and change each year. 

  • Your application is considered on the merit of your work sample and your artist's and writer's statement. 

  • Your work and statement are presented anonymously to the jury. 

  • All applicants are notified on or before April 8, 2022.

  • For accessibility accommodations regarding our application form, please email lesley@saltonstall.org

saltonstall.submittable.com/submit

_____

Brooklyn Poets Fellowships: Winter–Spring 2022 Workshops

Brooklyn Poets

DEADLINE: January 23, 2022 by 11:59pm ET

INFO: We award fellowships to promising students in need to enroll in one of our workshops for free. We also offer partial fellowship awards to finalists and semifinalists. Applicants must not be enrolled in a degree program with access to creative writing instruction or have had a book of poems published or accepted for publication by a United States press. Additionally, applicants who hold a graduate degree in creative writing (MA/MFA/PhD) will be considered separately for a limited number of fellowship awards per season. Applicants are limited to one workshop fellowship lifetime and eligible for only one Brooklyn Poets fellowship per twelve-month period (i.e. recent Retreat Fellows are ineligible).

GUIDELINES: To apply for a winter–spring 2022 workshop fellowship, submit 4–5 poems, published or unpublished, eight pages max. Make sure to include a cover letter (250–350 words) detailing your writing background, why you're interested in a particular workshop/teacher, and why you need financial aid—let us know whether you need full aid or if partial aid will suffice.

brooklynpoets.org/workshops/fellowships/

_____

2022 Cave Canem Poetry Prize

Cave Canem

DEADLINE: January 31, 2022

ENTRY FEE: $0

INFO: Submissions are now open for the 2022 Cave Canem Poetry Prize, to be judged by Willie Perdomo. The annual contest is dedicated to the discovery of first books by Black poets. The winner receives $1,000, publication by University of Georgia Press in fall 2023, 15 copies of the book, and a feature reading. Both the winner and runner-up will be invited to individual critique sessions with the final judge. Black poets who have not had a full-length book of poetry published by a professional press are encouraged to apply by January 31.

FINAL JUDGE: Willie Perdomo

GUIDELINES:

Manuscripts must be submitted via Submittable. Hard copy submissions will not be considered.

  • One manuscript per poet.

  • Upload manuscript as a .doc or .pdf document. Include a title page with the title only and table of contents. Author's name should not appear on any pages within the uploaded document.

  • Include a cover letter in the Submittable text box—DO NOT include within the .doc or .pdf document of the manuscript. Cover letter should include author’s brief bio (200 words, maximum) and list of acknowledgments of previously published poems.

  • Manuscript must be paginated, with a font size of 11 or 12, and 48-75 pages in length, inclusive of title page and table of contents. A poem may be multiple pages, but no more than one poem per page is permitted.

  • Manuscripts not adhering to submission guidelines will not be considered.

  • Post-submission revisions or corrections are not permitted.

cavecanempoets.org/willie-perdomo-to-judge-%EF%BB%BF2022-cave-canem-poetry-prize/


_____

Bucknell Seminar for Undergraduate Poets 2022

Stadler Center for Poetry & Literary Arts

DEADLINE: January 31, 2022

INFO: The Bucknell Seminar for Undergraduate Poets, one of the longest running programs of the Stadler Center for Poetry & Literary Arts, provides an extended opportunity for undergraduate poets from across the country to write under the guidance of established poets. Based on the model of professional artist colonies, the seminar is held for three weeks each June.

Each year the Seminar admits twelve undergraduate poets, each of whom receives a full fellowship, including tuition, room, and board. Dates for 2022 are June 5–26.

Undergraduates at U.S. colleges and universities who will complete their sophomore, junior, or senior year in the year of application are eligible. Students who have begun graduate programs are not eligible.

stadlercenter.slideroom.com/#/login/program/62998

_____

AWARD FOR COLLEGE WRITERS

Zora Neale Hurston/Richard Wright Foundation

DEADLINE: January 31, 2022

INFO: The Zora Neale Hurston/Richard Wright Foundation is proud to host the annual Hurston/Wright Awards for College Writers, which is the only award of its kind that recognizes Black college writers. The award is the foundation’s first program. It was initiated to support emerging Black artists in fiction and poetry enrolled full-time in an undergraduate or graduate school program anywhere in the United States. For the past four years, Amistad, a division of HarperCollins Publishers, has sponsored the award.

SUBMISSION GUIDELINES & PROCEDURES OF AWARDS COMPETITION:

Submissions for the award open November 1 and close January 31. Submissions are judged by distinguished published authors in fiction and poetry. Writers will be notified in March whether their submissions were accepted or not accepted. Awards, which include a cash prize, will be announced in May. Award winners will be invited to attend the Legacy Award ceremony that is hosted in October in Washington, DC.

REQUIREMENTS:

  • Black writers who are full-time students in undergraduate and graduate programs (including low-residency MFA programs) at a college or university in the United States are eligible to submit a work of fiction or poetry. They must be enrolled at the time of submission. Students in online-only courses are not eligible.

  • Writers who have published books, including poetry chapbooks or fiction narratives, through any publishing platform, are not eligible.

  • All work submitted must be original and unpublished at the time of submission. Hurston/Wright does not accept simultaneous submissions.

  • Author name and contact information should not appear on the submission.

  • Winning works may be published in whole or in part by Hurston/Wright online or print. Your submission gives the Hurston/Wright Foundation permission to publish an excerpt or the entire work. The author retains all rights.

  • Hurston/Wright maintains the right to decline any submission not deemed eligible.

GUIDELINES:

The original creative work submitted should be formatted as follows:

Fiction:

  • No more than 20 pages of fiction, double-spaced, Times New Roman, 12-point font, and within 1-inch margins.

  • Put title of the work on each page of the submission.

  • Do not put the author’s name on the pages of the work. Provide a separate page with the title of the work, name and contact information of author, school and year of study.

Poetry:

  • Maximum of 3 poems.

  • The submission must total at least 120 lines or more.

  • Do not include the author’s name on the pages of poetry. Provide a separate page with the title of the work, name and contact information of author, school and year of study.

hurstonwright.org/programs/college-awards/

_____

With Honor and Pride Fellowship

The Writers’ Colony at Dairy Hollow

DEADLINE: January 31, 2022 at midnight CST

INFO: The Writers’ Colony at Dairy Hollow is a non-profit in Eureka Springs, Arkansas, that offers writing residencies and hosts literary workshops, retreats, and events. We currently have a fellowship opportunity that your writers may be interested in.

With Honor and Pride is for writers who are or were U.S. service members. Work may be any literary genre: fiction or nonfiction, poetry or prose. There is no expectation that the work be of a military-themed subject, attitude, or experience. Rather, the successful applicant will demonstrate literary merit and the likelihood of publication. Prior publication is not a requirement.

The fellowship winner will receive a two-week residency at the Writers’ Colony at Dairy Hollow. Our fellowships provide uninterrupted writing time, a European-style gourmet dinner served on weeknights, the camaraderie of other professional writers when desired, and a community kitchen stocked with the basics.

writerscolony.org/fellowships

_____

Seventh Annual Narrative High School Writing Contest

Narrative

DEADLINE: February 4, 2022 by 5pm PST

INFO: Narrative is inviting poetry submissions from all US and international high school students, grades 9–12, to participate in our Seventh Annual Narrative High School Writing Contest! We are eager to hear from as many voices as possible. We’re eager to hear from YOU!

Contributing students in last year’s Sixth Annual Narrative High School Writing Contest covered the globe: indeed, we received submissions from nineteen countries, including South Africa, India, China, Serbia, Poland, Taiwan. Within the United States, we heard from young poets in 39 states and 174 cities—an amazing outpouring of poetry. This year, we urge new students to add their voices to the chorus.

Poetry has been called “the voice that is great within us,” yet there is no one way to write a poem. Particularly during these times of upheaval and reflection, we’re seeking emerging writers who will offer new perspectives that invite each of us to see the world anew.

CONTEST RULES & GUIDELINES:

Who can enter?

Students from the US and internationally, grades 9–12, are eligible to submit to the contest. Winners and finalists will be asked to provide proof of age.

How do I send my work?

Writers will submit work through their English teacher, who will upload the work through the contest Submission Portal. Each teacher may submit the work of no more than ten students (one poem per student, please). Schools may submit a maximum of thirty submissions in total. The contest is free to enter. Teachers may submit their students’ work via our Submission Portal.

When’s the deadline?

The contest opens January 4, 2022, and the submission deadline is February 4, 2022, at 5:00 p.m. Pacific Standard Time. All submissions must be previously unpublished, either in print or online (including on social media and blogs). The contest results, including winners and finalists, will be announced in April.

What is this year’s prompt?

When you hear the phrase “Blind Spots” it conjures the notion of seeing. In our world today, there is much we are asked to see, as humans, that we can’t quite capture. Can you point to a blind spot in your life or in the lives around you? Those obscured places just beyond one’s vision, in the past, present, or future. Blind spots come in all shapes and sizes—and in your poem we look forward to reading how your unique experience and identity sculpt those edges.

Perhaps there’s a memory forgotten or a question left unanswered, a miscommunication with someone you love, a conversation lost in translation. Or, zoom out a bit: what blind spots might you share with your family, your friends, your city, your country, the world?

Can you capture in a poem a moment or story when you or the world around you was blind to something important? What happened that made things a bit more clear? You could turn toward the metaphorical or the literal, the small or the large, the individual or the systemic. Lean into that space of self-questioning and ask others to join you. We each have something to learn, and something to teach. Shine some light on the corners we’ve left in the dark, and tell us what we’re missing.

We invite you to write a poem, 10 to 50 lines long, in response to the prompt: BLIND SPOTS.

How will the winners be chosen, and when will they be announced?

For fairness, all judging of submitted poems will be done with names, grades, and school affiliations removed, and, further, entries will be sorted randomly by Narrative’s team—led by Narrative cofounder/editor and New York Times–bestselling author Carol Edgarian and Narrativepoetry editor and executive editor of Copper Canyon Press Michael Wiegers. Guest judge Pulitzer Prize–winning poet Jericho Brownwill select the ultimate winners and finalists. A first-, second-, and third-place winner, along with several finalists, will be announced in April. Narrativeeditors will mentor winners prior to publication in the magazine. Cash prizes totaling more than $1,000 will be awarded.

What awards will the winners receive?

The winning author will be presented with a $500 award. The second-place winner will receive $200, and the third-place winner will receive $100. Each finalist will receive $50. The schools of winners will also receive special recognition and prizes. The winning works will be published in Narrative, alongside many of today’s great writers. The winners will also have an opportunity to perform their work for our popular Narrative Outloud podcast.

Need help getting inspired?

Check out our Poetry Tutorial Video with Narrative cofounder/editor and bestselling author Carol Edgarian and last year’s guest judge, Salvadoran poet and Narrative Prize winner Javier Zamora. Also be sure to explore our Poetry Guide, made just for you!

narrativemagazine.com/narrative-in-the-schools-program/seventh-annual-contest

POETRY — DECEMBER 2021

Guggenheim Public Engagement Poet-in-Residence

Solomon R. Guggenheim Museum

DEADLINE: December 5, 2021 at 11:59pm ET

INFO: The Poet-in-Residence at the Solomon R. Guggenheim Museum is a new one-year position created in collaboration with the Academy of American Poets that will be specifically focused on public engagement. The Poet-in-Residence will work together with the Guggenheim Education team to design and produce a suite of poetry-related programs for adult, teen, and intergenerational audiences to take place over the 2022 calendar year.

The goal of the Poet-in-Residence’s programming is to create enriching experiences with poetry for the public that will intersect with museum initiatives, architecture, and exhibitions, and may include, but are not limited to, poetry or spoken word reading events, social media initiatives, activations of the interactive poetry hub in the Aye Simon Reading Room, programming in the museum galleries, and poetry workshops for youth audiences.

The residency will run from late January to December of 2022 and offers a $20,000 honorarium from the Guggenheim Museum, and one or more features in Academy of American Poets’s publications.

ELIGIBILITY: Any poet who meets the below criteria as of January 1, 2022 is eligible to apply:

  • 21 years of age or older;

  • Currently authorized to work in the US for any employer;

  • Able to commute to the Guggenheim Museum in New York City throughout the residency and in compliance with the Guggenheim’s health and safety protocols and applicable law in connection with COVID-19;

  • Published one or more collections of poetry (excluding books that are self-published and/or published with a subsidy press that requires payment by the author) or substantial history of public spoken word performances;

  • Correctly completed application submitted by the deadline.

Please note that this is a hybrid residency; the Poet-in-Residence will be expected to commute regularly to the Guggenheim Museum in New York City beginning in late January, with some work being conducted remotely. The successful candidate will be interested in initiating, encouraging, and sustaining a public dialogue with poetry through deep engagement with the Guggenheim and broader New York City community.

guggenheim.org/initiatives/guggenheim-public-engagement-poet-in-residence?fbclid=IwAR0S_dNxqZyKMEXO-w2kn5kVFi-9vyp2CtYN5cEF4TxjCKZvN2iPKQ61pYw

_____

CALL FOR SUBMISSIONS: ‘ACROSS THE SPECTRUM’ ISSUE

Raising Mothers

DEADLINE: Extended to December 5, 2021

SUBMISSION FEE: $3

INFO: Raising Mothers publishes experimental and traditional fiction, flash fiction, poetry, creative nonfiction, interviews, book reviews, photo essays, and comic/graphic narratives. Raising Mothers publishes work that centers parenthood from either a parent, or child-centered perspective from BIPOC people exclusively; women, femmes, disabled, nonbinary and LGBTQIA+ parents.

For our “Across the Spectrum” issue, we’re interested in work that celebrates, examines, critiques and/or questions the realities and assumptions of what it means to parent or nurture a neurodiverse child or be a neurodiverse parent. Work that examines these worlds at the intersections of race, class and/or gender identity is strongly encouraged. 

We invite all forms--essays, poems, interviews, comics, fiction, etc.--that addresses the breadth and depth of neurodiversity. 

www.raisingmothers.com/submissions/

_____

CALL FOR SUBMISSIONS

Blue Mountain Review

DEADLINE: December 15, 2021

INFO: Submissions are open in all genres for Blue Mountain Review’s winter issue.

Any style is accepted. Any length is accepted.

GUIDELINES:

  • Poetry: Please submit only three poems per issue.

  • Fiction: Please limit your prose to no more than 2,500 words. Send only one prose piece per issue. | Please limit your micro fiction to 1-to-3 pieces per issue, 300 words per story. | Please limit your essay to no more than 2,500 words. Send only one piece per issue.

  • Visual Arts: We leave this category up to the artist to interpret and submit in standard, easily opened, attachments.

Please note: In addition to your submission, you will be required to include a cover letter and short, third-person bio.

Additional Guidelines:

  • All text needs to be in 12-point Georgia font;

  • All titles must be in bold (standard capitalization);

  • All poems in one document, one poem per page;

  • For photographs and drawings – if they have a title, title the file as the title of the image;

  • Please no addresses, phone numbers, email addresses, etc.

  • No Simultaneous Submissions.

bluemountainreview.submittable.com/submit

_____

Call For Submissions

Poet Lore

DEADLINE: December 15, 2021

INFO: For our Winter/Spring 2022 issue, Guest Editor Benjamin Garcia will curate a selection of work centered on punctuation. 

Although easy to take for granted, punctuation is one of an author’s most useful and overlooked tools. A kind of Swiss army knife, it’s handy to keep in your pocket though you may rarely need a corkscrew or interobang. Punctuation is part of language, not just an ornament. Our daily speech is filled with commas, ellipses, questions, exclamations, and yes, even semicolons—so why avoid them in our writing? Poets like Lyrae Van Clief-StefanonKaveh AkbarDana LevinDanez SmithJamaica KincaidGabrielle CalvocoressiAlice Fulton, and Amy Beeder demonstrate how punctuation can help organize, add an element of play, create pacing, guidance for how a text should sound out loud, turn a phrase upside down, and even incorporate the body.

Please send us your work that utilizes punctuation in surprising and innovative ways, poems for which punctuation is not an afterthought, but an integral piece of their craft.

You may submit up to 3 poems (maximum of 8 pages). 

  • Include all poems in 1 single document and please only submit once.

  • Include the titles of all poems in your cover letter (bullet points or numbers are easiest).

  • If a poem is more than one page, please indicate if the second page begins with a new stanza.

  • We accept simultaneous submissions, however, let us know in your cover letter if poems are simultaneously submitted, and please inform us immediately if a poem is accepted elsewhere.

  • We do not accept work that has been previously published. This includes on personal blogs and social media.

  • Upon acceptance, we ask for first serial rights, with rights reverting back to the author upon publication.

We are committed to diversity and inclusivity and highly encourage submissions from marginalized voices. We do not tolerate racism, bigotry, misogyny, homophobia, transphobia, Islamophobia, xenophobia, anti-Semitism, ableism, or any work that promotes harmful stereotypes and viewpoints. 

poetlore.com/guest-editors-call-for-submissions/

_____

CALL FOR LATINX WRITERS + POETS

Kweli Journal

DEADLINE: December 17, 2021

INFO: Editor Ivelisse Rodriguez is looking for submissions from Latinx writers for Kweli Journal. She is interested in prose and poetry that reveals something about our African ancestry.

If you are interested, please feel free to email her at ivelisse.rodriguez4@gmail.com.

_____

The Hurston/Wright Legacy Awards

Hurston/Wright Foundation

DEADLINE: December 17, 2021

SUBMISSION FEE: $40

INFO: The Hurston/Wright Legacy Awards are open to Black writers in America and across the globe.

GUIDELINES:

  • Full-length books of debut fiction, fiction, nonfiction, and poetry, as well as collections of short stories, and collections of essays by one author. All works must be newly published.

  • Books published in the United States.

  • Books by a self-published author.

  • Books with a publication date within the calendar year in which the application is being submitted.

  • U.S. editions of foreign books published for the first time in the United States.

  • An English translation of a book originally written in another language. The translator need not be a Black author.

  • Submissions postmarked for the Hurston/Wright Foundation office by December 17th.

  • Previous Legacy Award winners and nominees and college writing awardees.

  • Bound galleys from publishing houses, as long as the release date is within the specified dates of submission.

 INELIGIBLE 

  • Books written by more than one author.

  • Poetry books with fewer than 50 pages.

  • Retrospectives or collections of previously published work.

  • E-books.

  • Reprints of books published in a previous year.

  • Submissions postmarked after the December 17th.

  • Books by board members and staff of the Hurston/Wright Foundation and their family members.

  • Books by a judge for that year’s competition or a family member of the judge.

  • Photography books, cook books and travel books.

  • Genre fiction (such as commercial, romance and mystery works) and children’s books, unless the work has been recognized by the literary industry as transcending genre.

 JUDGING: A 3-judge panel of previous Legacy Award honorees will judge submissions in each genre. ​ 

  • Debut Fiction:  A first Novel or a first Short-Story Collection 

  • Fiction: Novel, Novella, or Short-Story Collection 

  • Nonfiction: Autobiography, Memoir, Biography, History, Social Issues, Literary Criticism 

  • Poetry: Books In Verse, Prose Poetry, Formal Verse, Experimental Verse 
    More than 100 books are submitted for the competition, but the number of entries vary from year to year. Hurston/Wright staff review incoming submissions to ensure they meet the qualifications as outlined. Books that do not meet the criteria are not sent to the judges. Staff reserves the right to adjust the category of a submission as necessary. Submitters will be notified of any change in submission category. 


REQUIREMENTS:

  • Include with each application a $40 nonrefundable submission fee. One application and fee per title. If payment cannot be made online, a check and invoice should be included with submission that is mailed to the foundation’s office.

  • Books must be submitted by the publisher; self-published authors may submit their books.

  • The Hurston/Wright Foundation reserves the right to inquire about potential submissions, but does so to ensure that Black authors who receive major reviews or appear on best-seller lists are included. No inquiries will be made after the submission deadline closes.

  • The submission period opens September 1st and closes on December 17th.

  • Nominations are announced in June. Winners & finalists are announced at the annual Hurston/Wright Legacy Award Ceremony the third Friday in October.

  • The author of a Legacy nominated book or a representative is expected to attend the awards ceremony.

  • Non-winning entries will be donated to a university or nonprofit organization.

 HOW TO APPLY 

  • Complete online application including $40 submission fee paid via online link or check.

  • Mail four copies of each title submitted to:

 ​Hurston/Wright Legacy Award 
10 G Street, NE, Suite 600 
Washington, DC 20002 

hurstonwrightfoundation.submittable.com/submit

_____

CALL FOR SUBMISSIONS: DISRUPTION, DISGUISE AND ILLUMINATIONS

 The Caribbean Writer 

DEADLINE: December 31, 2021

INFO: The Caribbean Writer (TCW) has issued a call for submissions for Volume 36 under the 2021 theme: Disruption, Disguise and Illuminations. As history meets our day to day experiences, epiphanies unfold; and as we self-interrogate the disruption motifs in many of these illuminations, the roots of prevailing disruptions emerge, complicated by disguise. Submissions exploring this theme in its widest permutations are invited.

Contributors may submit works of fiction, nonfiction, poetry, essays or one act plays which explore the ideas resonating within the region and its diaspora. The Caribbean should be central to the work, or the work should reflect a Caribbean heritage, experience or perspective. Prospective authors should submit all creative works: drama, fiction and poetry manuscripts, through the online portal ONLY at www.thecaribbeanwriter.org/online-submission. Submit Word files only (no PDFs) . Note that TCW no longer accepts hardcopy submissions.

SUBMISSION GUIDELINES: Individuals may submit poems (3 maximum), short stories (2 maximum) and personal essays (2 maximum) on general topics as well as on the theme. The maximum length (for short stories and personal essays) is 3500 words. Only previously unpublished work will be considered. The term “previously published” covers print and electronic publication —including on social media platforms, and self-published items. The Caribbean Writer does not accept simultaneous submissions (items being considered for publication elsewhere). The prospective author should provide contact information including mailing address, phone number, any professional affiliations, brief biographical information (no more than 100 words and such as appears under the “Contributors” section of the journal). In the event that the author’s contact information changes, all updates should be made by the author by logging into the online account.

Before submitting, submitter should carefully edit and proofread the manuscript, adhering to publication-ready details, as well as standards of proofreading such as spelling, grammar, punctuation, formatting and consistent language, along with the elimination of typographical errors, and with focus on the overall quality of the work.

The Caribbean Writer is a refereed journal. There are no fees payable to submit or publish in this journal. All submissions undergo an initial blind review by the editor. Creative works, such as fiction, poetry and drama, after editorial review, are advanced by the editor to the double-blind peer review process. In this process, both the reviewers’ and authors’ identities are concealed from the reviewers and vice versa throughout the review process.

Artists interested in having their artwork considered for use by TCW should submit electronic files in vertical format as PNG or JPEG files with a resolution of 300 dpi or greater. The journal also accepts black and white art (line drawings, sketches, block prints, etc.). The journal does not accept graphic poetry or narratives.

thecaribbeanwriter.org/online-submission

_____

Poetry Chapbook Contest

Center for Book Arts

DEADLINE: December 31, 2021

INFO: Center for Book Arts invites submissions to its annual Poetry Chapbook Program.

The winning manuscript will be determined in May 2022 by Guest Judge Mei-mei Berssenbrugge: the author of fourteen books of poetry who has collaborated with many artists, including Richard Tuttle and Kiki Smith. Her most recent book, A Treatise on Stars (New Directions), received the Bollingen Prize for Poetry. She lives in northern New Mexico.

As part of the competition award package, CBA commissions artists to design and produce a limited-edition of 100 chapbooks for the competition winner's manuscript, a limited-edition of 100 chapbooks for a manuscript by the guest judge, and a limited-edition broadside of 100 for each runner-up featuring one poem from their respective manuscripts.

The competition winner receives ten copies of their chapbook, a $500 honorarium, a $500 stipend to participate in a competition reading public program, a week-long stay at Millay Arts, and one copy of the guest judge's chapbook as well as the runners-up's broadsides.

The two runners up each receive ten copies of their respective limited-edition broadside, a $250 honorarium to participate in the competition reading, and a copy of the winner’s chapbook as well as a copy of the guest judge’s chapbook.

SUBMISSION GUIDELINES:

Please submit a collection or sequence of original poems or a single long poem that does not exceed 450 lines or 21 pages. The author’s name should not appear anywhere in the manuscript or anywhere in the file as all submissions are kept anonymous to the panel of judges. Manuscripts should be typed, with pages numbered and formatted with easy-to-read font. 

Translations of the author's own work are permitted. Translations of other writers' work will not be accepted unless the piece is specifically and consensually co-authored by both writer and translator.

Please provide a title page, table of contents, and a separate acknowledgments page containing prior magazine or anthology publication of individual poems at the end of the manuscript. Poems that have been published elsewhere are eligible for submission. Please note that the 450 lines or 21-page limit does not include the title or acknowledgements pages. The file name should match the title of the submitted manuscript. Only .PDF, .DOCX. and .DOC files accepted. 

Writers will be notified of the status of their manuscript via email. Due to the high volume of applications, we are not able to provide feedback at this time. 

centerforbookarts.submittable.com/submit/142020/poetry-chapbook-contest

_____

Emerging Poets Chapbook Series

Newfound

DEADLINE: December 31, 2021

INFO: Newfound is currently accepting unsolicited chapbook-length manuscripts from poets who have not yet published a full-length book. Our open submission period aims to advance the careers of emerging writers by printing their work in beautiful, hand-bound editions. The series is open to finalists, but not winners of Newfound prizes. One chapbook is selected annually by Newfound staff, more when our budget allows.

Publication details:

  • Only open to poets without a full-length book published.

  • No fee, no guest judge, and no prize money.

  • Newfound will design, print, and bind the chapbook. The cover will be decided in cooperation with the winning author.

  • Poet receives 25 contributor copies.

  • Poet receives royalties contract (25% print/50% digital).

Manuscript guidelines:

  • Send 15 to 30 pages of poetry. Please include no more than one poem per page.

  • Simultaneous submissions and previously published poems are acceptable.

  • Elements of the work must in some way explore how place shapes identity, imagination, and understanding.

  • All entries must be sent online via our submission manager and be contained in a single document.

newfound.submittable.com/submit/105155/emerging-poets-chapbook-series

_____

Amsterdam Open Book Prize

Versal Journal

DEADLINE: December 31, 2021

INFO: Versal is currently accepting submissions for the biennial Amsterdam Open Book Prize. Chapbook-length to full book manuscripts between 25 and 80 pages of different genres and forms, including poetry, fiction and nonfiction prose, and especially experimental, hybrid and collaborative pieces are welcome.

Inventive works that disassemble meaning, rethink artistic and narrative spaces, and create new landscapes visually, sonically or cognitively excite us. Writing that resists and rebels. Manuscripts that are inquisitive, urgent and evocative. Work that is humanizing and radical and necessary in the world. Collections that cohere or fragment; language that takes risks, surprises, entertains and delights us; literary expressions that push boundaries and scatter the universe. Linguistic gatherings, reckonings and cross-pollinations.

JUDGE: Raina León.

versaljournal.org

POETRY — NOVEMBER 2021

Sandy Crimmins National Prize for Poetry

Philadelphia Stories

DEADLINE: November 15, 2021

SUBMISSION FEE: $5

INFO: The Sandy Crimmins National Prize for Poetry annual national poetry prize features a first place $1,000 cash award. Three runners up will each receive a $250 cash award. The winning and runner up poems are published in the Spring issue.  These poems and honorable mentions appear online. The Crimmins Prize celebrates risk, innovation, and emotional engagement. We especially encourage poets from underrepresented groups and backgrounds to send their work.

2022 JUDGE: Cynthia Arrieu-King

ABOUT SANDY CRIMMINS: Sandy Crimmins’s poem “Spring” appeared in the first issue of Philadelphia Stories and she performed at our launch party. She served on the Philadelphia Stories board from 2005 to 2007. Since Philadelphia Stories magazine premiered in 2004, Sandy’s voice and vision have fundamentally shaped Philadelphia Stories. Sandy was a poet who performed with musicians, dancers, and fire-eaters, and one of her proudest accomplishments was celebrating the work of her vibrant poetry community. The Sandy Crimmins Prize for Poetry is made possible by the generous support of her family.

CONTEST SUBMISSION GUIDELINES:

  • Submission deadline: November 15, 2021.

  • The $5 fee covers the submission of (1) one single poem up to three pages in length. Each poem must be submitted individually. Multiple poems submitted in the same document will not be considered.

  • Poets may submit as many individual poems as they like so long as they are each in a single document. There will be a $5 fee for each submission.

  • Submission fees are not refundable.

  • Simultaneous submissions are accepted; however, we must be notified immediately if your work is accepted elsewhere. If your simultaneously submitted poem is accepted elsewhere, please WITHDRAW your submission as soon as possible. And congratulations!

  • We will only consider work previously unpublished in print or online.

  • Poets currently residing in the United States are eligible.

  • All submissions should use a 12 pt font and standard typeface (not Comic Sans or Impact, etc.).

  • Poets should only upload Word documents [.doc, .docx]. The AUTHOR’S NAME SHOULD NOT APPEAR IN THE UPLOADED DOCUMENT.

  • Submissions will be accepted via the website. If you have any trouble uploading to the site, please email contest@philadelphiastories.org.

https://philadelphiastories.org/poetry-contest/

_____

CALL FOR SUBMISSIONS: ‘ACROSS THE SPECTRUM’ ISSUE

Raising Mothers

DEADLINE: November 15, 2021

SUBMISSION FEE: $3

INFO: Raising Mothers publishes experimental and traditional fiction, flash fiction, poetry, creative nonfiction, interviews, book reviews, photo essays, and comic/graphic narratives. Raising Mothers publishes work that centers parenthood from either a parent, or child-centered perspective from BIPOC people exclusively; women, femmes, disabled, nonbinary and LGBTQIA+ parents.

For our “Across the Spectrum” issue, we’re interested in work that celebrates, examines, critiques and/or questions the realities and assumptions of what it means to parent or nurture a neurodiverse child or be a neurodiverse parent. Work that examines these worlds at the intersections of race, class and/or gender identity is strongly encouraged. 

We invite all forms--essays, poems, interviews, comics, fiction, etc.--that addresses the breadth and depth of neurodiversity. 

www.raisingmothers.com/submissions/

_____

LITERATURE GRANT

Café Royal Cultural Foundation

DEADLINE: November 15, 2021 at 9am EST

INFO: Café Royal Cultural Foundation NYC will award a publishing grant to authors of fiction / creative non-fiction, poetry and playwriting. 

Amounts: Up to $10,000.00  

Eligibility: Authors in fiction / creative non-fiction, poetry and playwriting. The applicant must be the originator of the written material.
Grants awarded in this category may fund costs associated with continuing the composition of work submitted. Such as:

  • Course Reduction (if you're a Teacher/Professor)

  • Salary Replacement

  • Living Expenses

  • Research Expenses

Writers applying must be a current resident of New York City and have lived there for a minimum of one year prior to applying.

Please make sure to submit your application with ample time before the start date of your project. 

Review Procedures: Funding decisions will be made by the Café Royal Cultural Foundation Selection and Executive Committees. The following criteria will be applied in evaluating grant proposals:

  • Creativity, originality, ideas and concepts, writing style

  • Importance of the Project/Cultural Relevance

  • Promise of future achievements in writing

Application Requirements: 

  • Up to and no more than a 15 page PDF of the work, for the Café Royal Cultural Foundation executive committee to download and read.

  • A letter of intent from the publisher with a date of planned publication, if no publisher is assigned, Café Royal Cultural Foundation may work with writer to help find a publisher.

  • A short description of the project.

  • A short author biography of the person(s) involved.

  • List of costs that the grant money be used for - must not exceed the amount of $10,000.00

https://caferoyalculturalfoundation.org/literature-page

_____

30 BELOW CONTEST—2021

Narrative

DEADLINE: November 19, 2021 at midnight PST

ENTRY FEE: $26 (includes three months of complimentary access to Narrative Backstage).

INFO: Narrative invites all writers, poets, visual artists, photographers, performers, and filmmakers between eighteen and thirty years old to send us their best work. We’re looking for the traditional and the innovative, the true and the imaginary. We’re looking to encourage and promote the best young authors and artists working today.

AWARDS:

  • First Prize - $1,500

  • Second Prize - $750

  • Third Prize - $300

  • Ten finalists will receive $100 each.

The prizewinners and finalists will be announced in Narrative.

All N30B entries are eligible for the $4,000 Narrative Prize for 2021 and for acceptance as a Story of the Week or Poem of the Week.

GUIDELINES:

  • Written: Works of prose and of poetry, including short stories, all poetic forms, novel excerpts, essays, memoirs, and excerpts from book-length nonfiction. Prose submissions must not exceed 15,000 words. Each poetry submission may contain up to five poems. The poems should all be contained in a single file. All submissions should be double-spaced (excluding poetry, which should be single-spaced), with 12-point type, at least one-inch margins, and sequentially numbered pages. Please provide your name, address, telephone number, and email address at the top of the first page. Submit your document as a .doc, .docx, .pdf, or .rtf file. You may enter as many times as you wish, but we encourage you to be selective and to send your best work. All entries will be considered for publication.

  • Drawn: Graphic stories, graphic-novel excerpts, and comics of no more than thirty pages, in .pdf format.

  • Photographed: Photo essays of between five and twenty images, previously unpublished (including on sites like Instagram, your personal website, stock photography sites, etc.). Images should be submitted together in low-resolution .pdf format; however, upon acceptance, images will need to be provided that have a resolution of at least 300 dpi, in a .tif, .jpg, or raw format that can be reproduced at 2,048 pixels wide. Captions or text should be included, either with the file containing the images or as a separate document in a .doc or .pdf format, with numbered captions corresponding to the similarly numbered photographs. Please provide your name, address, telephone number, and email address on the first page.

  • Spoken: Original works of fiction, nonfiction, and poetry in audio theater, including performance, radio journalism, and stories and poems read aloud. Submissions may run up to ten minutes, in .mp3 format, with a bit rate of at least 128 kbit/s.

  • Filmed: Short films and documentaries of up to fifteen minutes. Submissions must be in .mp4 or .mov format.

JUDGING: The contest will be judged by the editors of the magazine. Winners and finalists will be announced to the public by December 18, 2021. All entrants will be notified by email of the judges’ decisions, which will be final. The judges reserve the option to declare ties and to designate and award only as many winners and/or finalists as are appropriate to the quality of contest entries and of work represented in the magazine.

Entries must be previously unpublished, though we do accept works that have appeared in college publications. Entries cannot have been the winner, finalist, or honorable mention in another contest. We accept online entries only. We do accept simultaneous submissions, but if your entry is accepted elsewhere, please let us know as soon as possible (and accept our congratulations!).

www.narrativemagazine.com/30-below-2021

_____

2021 ILLUMINATING BLACK LIVES: A WRITER'S FELLOWSHIP

Writers Colony at Dairy Hollow

DEADLINE: November 29, 2021

INFO: This fellowship invites writers to explore the African American experience. The work may be in any literary genre: fiction or nonfiction, poetry or prose, or a combination. It may take place now or in the past. It may draw upon the life of the author or probe other lives. There is no expectation of a certain attitude or type of experience. Rather, the successful application will demonstrate insight, honesty, literary merit, and the likelihood of publication.

Two fellowship winners will each receive a two-week residency at the Writers’ Colony at Dairy Hollow to allow the recipients to focus completely on their work. Each writer’s suite has a bedroom, private bathroom, separate writing space, and wireless internet. We provide uninterrupted writing time, a European-style gourmet dinner prepared five nights a week and served in our community dining room, the camaraderie of other professional writers when you want it, and a community kitchen stocked with the basics for breakfast and lunch.

Fellowship applications must be accompanied by a writing sample and a non-refundable $35 application fee. Writers proposing more than one project must submit a separate application and fee for each one. The submission period opens on Monday, September 6, 2021. Deadline is midnight on Monday, November 29, 2021.  The winner will be announced no later than December 29, 2021. Residency must be completed by December 31, 2022. Exceptions will be made if COVID-19 makes a residency inadvisable.  For an application form, visit https://www.writerscolony.org/fellowships.

www.writerscolony.org/fellowships

_____

Rising Writer Prize in Poetry

Autumn House

DEADLINE: November 30, 2021

INFO: The 2022 Rising Writer Prize is for a first full-length book of poetry. The judge is Donika Kelly.

GUIDELINES:

  • Must be the author’s first full-length poetry collection (previous publications of chapbooks and full-length books in other genres are fine)

  • The winners will receive book publication, $1,000 honorarium, and a $500 travel/publicity grant to promote their book

  • All finalists will be considered for publication

  • Submissions should be approximately 50-80 pages

  • The reading fee is $25 (We will waive the submission fee for those undergoing financial hardship or living with limited means. Please check out our FAQs page for more information)

  • Do not include your name anywhere on the actual manuscript; if your name appears within the body of the text, please omit it or black it out

  • You may include a brief bio in the “cover letter” section of Submittable

  • Do not include an acknowledgments page in the manuscript

  • Feel free to include a table of contents

  • Simultaneous submissions are permitted, but please let us know immediately if your book was accepted elsewhere

  • Friends, family members, and former students of judges or Autumn House editors may not submit to the contest. Students do not include interactions at short-term residencies or fellowships

  • Former employees of Autumn House, including interns, may not submit to the contest

Note: There is no longer an age restriction on this prize.

JUDGE: Donika Kelly is the author of THE RENUNCIATIONS (Graywolf 2021) and BESTIARY (Graywolf). BESTIARY is the winner of the Cave Canem Poetry Prize, a Hurston/Wright Legacy Award for Poetry, and the Kate Tufts Discovery Award. The collection was also long-listed for the National Book Award, and was a finalist for a Publishing Triangle Award and a Lambda Literary Award.

www.autumnhouse.org/submissions/rising-writers-prize/

_____

CALL FOR SUBMISSIONS

Obsidian

DEADLINE: December 1, 2021

INFO: Obsidian supports—through publication and critical inquiry—the contemporary poetry, fiction, drama/performance, visual and media art of Africans globally.

This special issue of Obsidian: Literature & Arts in the African Diaspora, Gender Queer/ Genre Queer Playground, seeks work that moves between the face of terror and isolation; joy as possibility, necessity, and form. Recess—inspired by the visual artist Ellen Gallagher’s 2001 painted sculpture “Preserve,” (10 x 12 x 32 feet) described in Art in Review as “an expansive, all-white structure of straight wooden dowels designed to resemble a children’s jungle gym, … decorat[ed] … with cut-out pieces of flat rubber … based on Ms. Gallagher’s usual lexicon of google eyes, lips and wavy hair.” Catch—Gallagher’s minimalist structure, modeled in the context of the “playground,” allows for multiple points of entry, the viewer able to play through a raced, gendered, queer site. Blacktop. Blackness. Kickball. Tetherball. Double-Dutch. Tag. You’re It.

We invite LGBQTIA+++++ of the African Diaspora to come play with us across practices. Please send original short stories, poetry, drama, hybrid genre, creative/critical interventions, interviews, multimedia visual and digital art, as well as music and experimental soundscapes.

https://obsidianlit.org/open-calls/

_____

CALL FOR SUBMISSIONS

Honey Literary

DEADLINE: December 1, 2021

INFO: Honey Literary’s third issue will be out February 2022! We publish two issues each year, one in winter, and one in summer. This reading period (for our third issue) closes December 1, 2021. 

To share your work, please email the respective genre editor and upload your .docx or image files (please direct any file format questions to Editor in chief, Dorothy Chan @ editor@honeyliterary.com and she would be happy to help). Include a brief bio with a few sentences about why your work is a good fit for us with our mission statement in mind. If you’re submitting the same packet to multiple categories, please let us know as well.

Please send us your work only once per submission period. Simultaneous submissions are cool as long as you promptly notify us if the work is accepted elsewhere.

Honey Literary accepts and encourages simultaneous submissions, but please let us know immediately if a piece is accepted elsewhere. Submit no more than once per submissions period. We only accept unpublished work. Honey Literary retains first publication rights, and upon publication, rights revert back to the author. Please credit Honey Literary as the first publisher if the piece appears elsewhere after publication, which includes, but isn’t limited to other journals, anthologies, chapbooks, and full-length books.   

CATEGORIES:

  • Poetry:  Send us three to five unpublished pieces at a time. We’ve got big appetites, so more is more. We want the poems that were too weird for workshop. Give us work that is eclectic and absurd and demands to be read aloud. Send us your jigsaw edges and remixes. Email submissions to Editor Rita Mookerjee: poetry@honeyliterary.com 

  • Sex, Kink, and the Erotic: Locker room talk is dead; Honey Literary is here for body-positive, kink-friendly content centered around respect and consent. Ideal submissions include but are not limited to confessions, toy/gear reviews, etiquette guides, dirty little secrets, burlesque show recommendations, odes to sideboob, fav strip club snacks, dating app wins (or fails), shibari shoots, erotic vignettes, recaps from the weekend, and that porno script you saved on your old desktop. Honey Literary loves and supports sex workers as well as their art/writing! Show us what’s inside your bedside drawer.  Note from the editors: Please be sure to look up the difference between “erotic” and “erotica” before submitting. Email submissions to Editor Rita Mookerjee: sex@honeyliterary.com 

  • Essays: Send us essays that use the personal to explore facets of our current world. From natural history, science, politics, international events, food, culture, and art, we want to see how the personal and public intersect in your work.We’re seeking essays that are elastic, capacious, experimental and exploratory. We welcome memoir, nonfiction, research, lyric meditations, and hybrid work about what stirs your curiosity, what raises your hackles. We especially invite emerging writers and student writers to submit their work. (750-1000 words). Email submissions to Editor Avni Vyas: essays@honeyliterary.com 

  • Hybrid: Do you have work that blurs, defies, or redefines genre? We welcome excerpts and stand alones that may include, but are not limited to: documentary poetics, notes, mappings, marginalia, lists, altars/shrines, collections, audiovisual pieces, prose poetry, letters, invented forms, collaborations, and scholarly projects that are slightly or largely out of touch with institutions. Send enough work to contextualize your project with respect for our time. For example: a bouquet–not the entire meadow. Email submissions to Editor Claire Meuschke: hybrid@honeyliterary.com

  • Comics: We’re looking for eccentric, experimental, excessive, confessional, instructional, genre-nasty comics pieces (10 pages or less) in any form. Single-panel pieces, excerpts from zines, comics stories without words, comics without pictures, one-offs, doodles, interesting trash, and everything in between. We are particularly open to submissions from members of the LGBTQIAAP+ community. Email submissions to Editor Jessica Q. Stark: comics@honeyliterary.com 

  • Animals: Kingdom: Animalia. Familiars. Daemons. Protectors. Companions. Predators. Prey. This is a space to submit art & writing about animals real or imagined, pre-historic or future, spineless or silky, friend or foe. Share the work you do with animals; show us the bioluminescent creatures in your lagoon; describe the dreams where your lost pets come to visit you. Highlight conservation work in your habitats. Profile the service animal of the year. Recount the folk tales that made you scared of drain serpents. Tell us about the anteater in the forest, the sandhill cranes in the parking lot, the carabao in the rice field, the angler in the deep. We want your venom, oily feathers, plush fur, mythical beasts, and whale songs. Please submit a maximum of 3 artworks, 3-5 pages for poems, and 10-15 pages for longer pieces. Email submissions to Editor Christina Giarrusso: animals@honeyliterary.com 

  • Interviews: Honey Literary seeks to conduct interviews that showcase the boundlessness of art and innovation, tapping into the creative’s soul and teasing out the hows and whys of their passions. We want to facilitate interviews that go beyond the typical, robotic back and forth between two parties, but rather a natural, gradual unfurling between people who cherish expression and creation. Whether you’re a singer, writer, visual artist, or culinary chef, Honey Literary wants to know what moves you, what keeps you up at night, who’s in your artistic lineage, and of course, all about your craft. Email submissions to Editor Zakiya Cowan: interviews@honeyliterary.com

  • Rants & Raves: Send us what you are excited about. Rants & Raves is looking for critical & contextual works on books, just as we did before, but also we are expanding on that option! We are in search of pieces that meditate on works that bring out particular passions for you! Is there a single poem that you would like to blare through a megaphone at all the strangers & loved ones in your community if given a chance? Is there a single song that you can’t get out your head & wish you could talk about with every car that speeds by? Is there a train that you hear daily & absolutely wish didn’t wake you up everyday? Is there a bird you witness in flight that transports you elsewhere? This is where those individual moments that move you shine. We’re looking for (800 words or less) insights into moments that particularly move you. Is there one instance of an Allen Iverson crossover that you’re still hung up on? Which frame in the Rihanna “Work” video do you still have as a gif in your notes app? What about that one daffodil creeping into sprout on your sidewalk cracks? We’re open for you! Email submissions to Editor Nabila Lovelace: rantsandraves@honeyliterary.com

  • Valentines: Tell us about that one friend you didn’t know you were in love with until you came out. Share the sticky note love letters you’ll never end up giving your roommate’s girlfriend. Or what about those love songs you wrote to your favorite artists? Honey Literary wants your Valentines: your phone notes, email drafts, letters in a box, corner-of-the-page-too-distracted-by-lust-to-pay-attention doodles, and descriptions of the outfits you love but will never wear. Or what about your thoughts on the perfect perfume for that special someone, your late-night car conversations, your platonic epics, your [self-insert] fanfiction, your realizations of being pursued or secretly admired, your sheets of loose leaf stuffed into drawers, your quarantine love stories, or your Tinder conversations with strangers that you’ll never speak to again? Think about those missed connections: the person you ran into three times at the grocery store whose name you didn’t catch. Is your valentine a top 10 list? Is it taped on a bus stop, in the refrain of a pop song, at the bottom of a bowl, or framed at an altar? Give us your cutesy, your sexy, your sultry, and your badass expressions of love and life. Email submissions to Editor Maria Clara Melo: valentines@honeyliterary.com

https://honeyliterary.com/submit/

POETRY -- OCTOBER 2021

2022 FIRST BOOK AWARD

Academy of American Poets

DEADLINE: October 1, 2021 at 11:59pm ET

INFO: The Academy of American Poets First Book Award is a $5,000 first-book publication prize. The winning manuscript, chosen by an acclaimed poet, is published by Graywolf Press, an award-winning independent publisher committed to the discovery and energetic publication of contemporary American and international literature.

The winner also receives an all-expenses-paid six-week residency at the Civitella Ranieri Center, a 15th century castle in the Umbrian region of Italy, where they will become part of a cohort of accomplished international artists, writers, and composers; distribution of their winning book to thousands of Academy of American Poets members, making it one of the most widely distributed poetry books that year; inclusion and promotion in American Poets magazine, the Academy's newsletter, and Poets.org, among other opportunities. 

JUDGE: Tyehimba Jess.

Tyehimba Jess was born in Detroit, Michigan, and earned a BA from the University of Chicago and an MFA from New York University. He is the author of Olio (Wave Books, 2016), winner of the 2017 Pulitzer Prize for Poetry and the Anisfield-Wolf Book Award, and leadbelly (Wave Books, 2005), winner of the 2004 National Poetry Series. Jess has received fellowships from the National Endowment for the Arts, the Provincetown Fine Arts Work Center, and the John Simon Guggenheim Memorial Foundation, as well as a Whiting Award. Jess is a Professor of English at the College of Staten Island.

This award was established in 1975 to encourage the work of emerging poets and to enable the publication of a poet’s first book. It is currently made possible by financial support from the members of the Academy of American Poets. From 1975 - 2020, the award was titled in tribute to Walt Whitman. Please see a list of Walt Whitman Award winners below.

https://poets.org/academy-american-poets/prizes/first-book-award

_____

CALL FOR SUBMISSIONS: 'AWAKE'

Lucky Jefferson

DEADLINE: October 3, 2021

INFO: Lucky Jefferson's digital zine Awake seeks to amplify the experiences and perspectives of Black writers in American society. 

The fourth issue of Awake is titled Odyssey: 

Despite being the first Black captain of your crew, you’ve been overlooked for promotions your entire career in the Space Force. One day, you finally receive your chance at your own expedition to the Outer Ring. After launch, your ship experiences technical difficulties and you find yourself plummeting four thousand kilometers off course.

After awakening, you realize it’s been a few days since you lost connection with Mission Control. You stumble through iridescent foliage to discover a bustling city ahead of your own time. You are soon discovered and greeted by the inhabitants of this world—inhabitants that reflect your culture.

Now you have two options: figure out a way to return home or explore this planet and begin a new life. What are you going to do?

Poems, essays, flash fiction, creative nonfiction, and art should illustrate your decision. 

Upon acceptance, submissions will be included on our website and publicized on social media. 

COMPENSATION: Accepted authors will receive $15 for each accepted work.

https://luckyjefferson.submittable.com/submit/167135/awake-submission-a-digital-zine-for-black-authors

_____

OPEN CALL FOR SUBMISSIONS: WOC ANTHOLOGY “Boundaries & Borders”

The Women of Color Writers

DEADLINE: October 3, 2021

READING FEE: $10

INFO: The Women of Color Writers’ Community invites WOC Writers to submit their writing for possible inclusion in Boundaries & Borders, a Theme-Based Anthology that broadly interprets experiences of living within or overcoming the confines of Covid-19 and Police Brutality - written as you choose to write.

We are seeking a Diversity of Voices that Discuss this Emerging Aspect of the Anthology’s Theme

  • Life within the physical and symbolic confines of the Covid-19 pandemic

  • The ongoing global crisis of police brutality as a physical and imagined boundary

Our Goal - to Present, Underrepresented Womens' Literary Works to the World

SUBMISSION DETAILS:

✴ Poetry - 1 poems – Maximum Length: 2 pages

✴ Fiction or Nonfiction, Essays – Maximum count 1,500 words (no exceptions)

✴ Original freestanding artwork (unpublished artwork must be your own - No Fee required)

✴ INTERNATIONAL Submissions - NO FEE REQUIRED (All other guidelines apply)

https://docs.google.com/document/d/e/2PACX-1vQM9e6U_97Y9aOIOgvVT5kLjglewZ9aR1U--seSh-p-MIW-7yI2a2q3YtNtSPlbag/pub?urp=gmail_link&fbclid=IwAR0NMAfRZUCJnwddHDr30--gArYcmWGEhan5GHR84OA9_uqxGsMckJ0Y6uU

_____

DIGGING PRESS CHAPBOOK AWARD

Digging Press

DEADLINE: October 15, 2021

SUBMISSION FEE: $12

INFO: The Digging Press Chapbook Award is open for submissions once (or twice) a year for fiction, poetry, or hybrid (multi-genre) manuscripts. We seek innovative manuscripts that are inventively personal and richly imagined.

We are passionate about presenting a unique book design and offering editorial support. We aim to produce beautiful and artistic books. Selected manuscripts have a small print-run (100 copies), and authors receive 20 copies plus a $250 payment. Authors retain all rights to their material within the author’s chapbook.

CHAPBOOK FORMAT: Our chapbooks are printed softcover books with a trim size of 4.25″ wide x 6.75″ high. Each book pagefits approximately 225-230 words; each line fits approximately 45-48 characters across, including spaces, with 26-28 lines to a page. This format is non-negotiable.

GUIDELINES:

We only accept manuscripts between 24 and 40 pages via Submittable. Please read the following carefully:

  • Respect our blind submission policy. The manuscript must be free of any identity-revealing information, including in the name of your file or in the “title” field in Submittable. Submissions that do not respect this policy will be automatically declined.

  • Page limit: 24 to 40 pages. Please use a readable font in 12-point. Times New Roman or its equivalent is recommended. Manuscripts should be paginated (and double-spaced for fiction), not including front and back matter (table of contents, title page, etc.).

  • You are welcome to include a brief bio or something about yourself in your cover note on Submittable, which will only be made accessible to the editorial panel after the group of Semi-Finalist and Finalist manuscripts has been chosen.

  • Include the following in your upload document: a description or synopsis of your work, title page, table of contents, if appropriate, an acknowledgments page. (If the manuscript contains individual stories or poems that have been previously published online or in print, note previously published work on the acknowledgments page with the publication credits.)

  • The manuscript must be previously unpublished as a collection (including publication with a press, self-publication, online/digital publication, and publication in a small, limited-edition print run).

  • Simultaneous submissions are permissible, but entrants are asked to notify Digging Press by withdrawing your manuscript in Submittable immediately if it is accepted for publication elsewhere. Do not email us a withdrawal.–

  • Entries must be accompanied by a $12.00 entry fee. Entrants may submit multiple manuscripts, but must pay a $12.00 entry fee for each manuscript submitted.

  • Collaborative collections are welcome.

  • We cannot accept translations.

  • US-based submitters have the option to purchase past chapbooks from Submittable with free shipping. Visit our online shop here for items not available on Submittable.

  • While authors from around the globe may submit to the Digging Press Chapbook Competition, international submitters who wish to make an additional purchase must do so via our online shop and pay additional shipping charges. Visit our online shop here.

https://diggingpress.com/chapbook-series

_____

FALL 2021 GENERAL SUBMISSIONS: POETRY

Gasher Press

DEADLINE: October 17, 2021

INFO: Founded in 2018 by poet, Whitney Kerutis, Gasher Press is a literary small press and journal publication committed to serving the literary community by the means of providing opportunities in publishing, editing, and scholarship.

Please review the submission guidelines before submitting:

  • We accept simultaneous submissions. Please, let us know if your submission is accepted elsewhere.

  • Work must be unpublished. We do not consider self-published works as unpublished.

  • Please submit your work as a single document in either .docx or .doc

  • Please include a brief bio with your submission.

  • Please submit up to 4 poems

  • Please DO NOT include any identifying materials on the submission document.

  • We encourage Content Warnings for graphic depictions and/or themes of violence for our reading staff's well-being.

https://gasherjournal.submittable.com/submit

_____

2022 KWELI JOURNAL FELLOWSHIP PROGRAM

Kweli Journal

DEADLINE: October 18, 2021

INFO: Building on Kweli's successful history of mentoring emerging authors since 2009, we will provide three or more early-stage writers with 11-month writing fellowships.

Eligible candidates are early career vocational writers living in New York City, who are not enrolled in degree-granting programs and self-identify as Black, Indigenous/Native, POC, and/or Arab American.

Writers who have not yet contracted to publish a book are invited to apply.

Three fellowships will be awarded, which will include:

  • ten months of editorial support from Kweli Journal editors to prepare a piece for publication in the magazine;

  • a $1,000 stipend;

  • admission-free enrollment in four professionally led writing workshops on the short story, poetry, literary nonfiction, and young adult/children's literature

  • participation in four public readings by workshop participants

  • admission-free participation in our International Literature Festival, inclusive of pitch sessions with literary agents and editors

  • optionally, admission-free participation in our Color of Children Literature Conference

  • publication in Kweli Journal.

Eligibility:  Only writers who have not yet published or been contracted to write a book-length work are eligible. Only one submission per person is allowed. Please do not submit a piece you have previously submitted to Kweli Journal, either through the Fellowship category or the General Submissions category. Kweli Journal reserves the right to invite submissions.

Timeline: Submittable will be open for Fellowship submissions from Monday, September 20 – Monday, October 18 only. Submissions for the Fellowships close at 11:59 p.m. (EST) on October 18, 2021. Successful applicants will be informed no later than December 15, 2021. The fellowship period will be January 2, 2022 – December 2, 2022.

Procedure: Applications must be submitted through the Fellowship category in Submittable. There is no application fee. Please submit the following:

  • A cover letter containing a one-paragraph biographical statement; one paragraph that is a favorite of yours from a book you've read recently; and a brief statement telling us why this particular passage is meaningful to you. Please also note in your cover letter if you are a resident of one of New York City's five boroughs.

  • A CV or résumé

  • a letter of recommendation

  • a brief statement of your career goals and what you expect to accomplish as a Kweli Fellow.

  • A 10 page writing sample. There is no word-count requirement. Eligible genres are fiction, poetry, literary nonfiction, and cross-genre writing, whether written for adults, young adults, or children.

Selection will be based on (i) quality, promise, and subject matter of the writing sample; (ii) educational or experiential preparation; and (iii) seriousness of purpose and willingness to push beyond one's comfort zone.

Note that we only accept PDF or Word files (.doc and .docx). The cover letter and manuscript should be submitted as separate files. Incomplete applications will not be considered and will be returned unread.

https://kwelijournal.submittable.com/submit

_____

Asian American Poetry Chapbook Contest

The Blue Mountain Review

DEADLINE: October 30, 2021

ENTRY FEE: $25

INFO: The Blue Mountain Review is accepting submissions for the Asian American Poetry Chapbook Contest.

Lee Herrick is this year's judge.

Entrants must be Asian American or  Pacific Islander. Former students and close  friends of the judge are not eligible. 

The contest is blind. Do not put your name or any identifiers on your manuscript.

No more than 20 pages of poetry. A page of acknowledgements and dedication is counted in the 20 pages. 

Please note in acknowledgements any previously published poems. 

PRIZES:

  • 1st Place: $200 & 100 book copies 

  • 2nd Place: $100.00 

  • 3rd Place: $50.00 

All place-winners will be interviewed in the Blue Mountain Review and on the NPR show, Dante’s Old South. Winner and honorable mention announcements to be made on December 30, 2021.

https://bluemountainreview.submittable.com/submit/192468/asian-american-poetry-chapbook-contest

_____

CALL FOR SUBMISSIONS: Fiction, life writing, & poetry

Wasafiri

DEADLINE: October 31, 2021 at 5pm GMT

INFO: For over 35 years, Wasafiri has published the very best works of and on international contemporary writing and culture, placing critics alongside leading novelists, poets, and playwrights, to generate exciting cross-genre and inter-regional conversations. We welcome innovative creative and critical writing that, in form, focus, or theme, seeks to expand the boundaries of global literary culture.  

All submissions to the magazine must be submitted via our online submissions portal, except for reviews which should be sent directly to the reviews editor. Please refer to our style guide in formatting your submission. 

We are highly selective in what we publish, accepting less than 5% of creative work submitted in our most recent submissions window. Make sure your manuscript is thematically, structurally, conceptually, and grammatically polished before submission. Above all we look for submissions that are thoughtful and nuanced, formally outstanding, and profoundly absorbing. You can browse the fiction and poetry published on our website for examples of the quality of work that we publish.  

We are a small, part-time team, and everything we publish is additionally assessed by external readers. For these reasons, we expect to issue decisions on work submitted this autumn in February-March 2022. Thank you for your patience while we work as quickly as we can, while taking the time to give your work the attention it deserves. Work selected for publication from this submissions window will appear in Wasafiri from 2023.

CRITICAL ARTICLES AND ESSAYS:

We invite  submissions of critical articles and essays, reviews, and interviews year-round. 

Wasafiri is a peer–reviewed journal and listed in the Clarivate Analytics’ Arts & Humanities Citation Index. We are seeking conceptually rigorous, substantially researched, accessibly presented articles and essays engaged with any genre of contemporary literature, from writers across disciplines. The magazine particularly welcomes articles that position new critical perspectives within one or more broader contexts.  

We aim to make an initial decision on a manuscript within three months of submission, and a final decision within six months, allowing time for mutually-anonymous double peer review.

Read some examples of some of our favourite recent essays and articles here: 

REVIEWS

If you are interested in reviewing for Wasafiri, please contact the Reviews Editor and include a recent sample of your writing (preferably a book review), as well as a short CV, and contact details. There will always be a list of titles we are keen to review, though we welcome suggestions of other titles.

If you are a publisher, please post review copies to the address below, or email details to wasafiri.reviews@qmul.ac.uk.  Unfortunately we cannot guarantee that we will be able to review every title we receive.

Please post review copies to: Reviews Editor, Wasafiri c/o School of English and Drama, Queen Mary University of London, Mile End Road, London, E1 4NS, UK

WORD LENGTH:

  • Critical articles and essays 5000 – 8000 words

  • Fiction, life writing, and interviews 4000 – 6000 words

  • Book reviews of one title 800 – 1000 words

  • Book reviews of two titles 1000 – 1200 words

  • Review Essays 2500-3000 words

  • Poems Maximum of 3 totaling up to 6 pages

PAYMENT:

Wasafiri pays for all creative submissions and reviews. The below fees are an indication only of a typical fee offered for publication in the magazine. 

  • Fiction and life writing - £150

  • Interviews (transcribed and edited) - £200

  • Poems - £40

  • Book reviews - £50

  • Review Essays - £120

INCLUSIVITY:

Wasafiri is committed to publishing work that represents the world and creating an inclusive global community of writers and readers. Central to this is our unwavering commitment to equality and advocacy for underrepresented and marginalised voices. We do not discriminate on the grounds of age, gender, nationality, race, or sexuality. While we welcome a diversity of opinions and topics in our pages, the validity of the identities of our writing and reading community is not up for debate. In particular, we affirm and support the rights and dignity of transgender, non-binary, and gender diverse people the world over. We seek to publish writers with compatible core values. 

https://www.wasafiri.org/submit/

_____

SAMUEL R. DELANY FELLOWSHIP

CatStone Books

DEADLINE: October 31, 2021

INFO: CatStone Books is proud to present the annual Samuel R. Delany Fellowship to one author from a community that has traditionally been marginalized in speculative fiction. This can include authors of color, LGBT+ authors, female authors, authors with disabilities, and authors living an immigrant experience.

If you are an author from a traditionally marginalized community currently working on a book-length work of speculative fiction or poetry, we'd love to see your application.

REQUIREMENTS:

  • Cover Letter. Tell us a little bit about you. We'd like to see a holistic picture of who you are as a person and a writer, and why this Fellowship would help you. Please include your social media handles as well.

  • Statement of Purpose. This is where you tell us what you plan on doing during the Fellowship. In up to 1,500 words, tell us about your fiction or poetry project, your timeline for completion, etc. Please also include any additional needs we may be able to fill, such as reliable access to the internet, a Braille keyboard, etc.

  • Application. The application is a two-page fillable PDF that includes basic contact and demographic information, as well as information for your references.

  • Letter(s) of Reference. Please include at least one letter of reference.

The fellowship will award the selected author with:

  • a $10,000 stipend

  • mentorship from a member of the Advisory Board

  • additional resources as requested in order to help the recipient set aside time to work on and complete a speculative fiction project. 

The recipient of the fellowship will be announced on December 15.

If, for any reason, you are unable to complete any portion of this application, please include your reason in the cover letter and we will work with you.

For the computer-literate amongst you, please grab all of these documents and put them into a single pdf. You can use a multitude of software or platforms for this, including potentially Combine PDF – Online PDF Combiner. If this is beyond your computer skill level, no worries! You can print your application forms and mail them to:

CatStone Books
C/O Delany Fellowship
PO Box 1537
Dawsonville, GA 30534

If you need help with this, or any other step in the process, please email josh@catstonebooks.com.

https://catstonebooks.moksha.io/publication/fellowship/guidelines

_____

Long Form Mentorship - NAtional

Diaspora Dialogues

DEADLINE: November 1, 2021 at 11:59pm

INFO: Diaspora Dialogues invites submissions from emerging writers who currently have a full or near-full draft of a manuscript. We accept novels, short story collections, creative non-fiction/memoir, works intended for young adults and poetry. Complete or near complete means that the writer has up to 85,000 words or 300 double-spaced pages of prose; or up to 25 poems (50 pages maximum). Submissions will consist only of excerpts from these works (see guidelines below).

Diaspora Dialogues is committed to supporting a literature that is as diverse as Canada itself. Writers are encouraged to keep this mandate in mind, but addressing this theme directly is not essential in the submission.

Notifications will be made at the end of December. The mentorships will begin in January 2022 and run for six months. Assigned mentors are at the discretion of Diaspora Dialogues. If you have questions, email: zalika@diasporadialogues.com

https://diasporadialogues.com/mentorship/

_____

2021 BREAKOUT! PRIZE

Epiphany

DEADLINE: November 1, 2021

ENTRY FEE: $10 (includes complimentary 1-year digital subscription to Epiphany)

INFO: Epiphany announces the 4th Annual Breakout! Writers Prize for undergraduate and graduate students in conjunction with The Authors Guild. Winners receive a $1000 cash prize, publication, and a year-long writing mentorship.

The Fourth Annual Breakout! Writers Prize brings visibility to the creators of our future by honoring and supporting outstanding college and graduate student writers. Winners have gone on to get agents, publish books, and discover new careers in publishing. Submissions close on November 1st. All applicants will receive a complimentary digital subscription to Epiphany.

Four writers, two in prose and two in poetry, will receive:

  • Publication in the Fall/Winter 2021 Breakout Issue of Epiphany

  • A $1000 cash prize each

  • A year-long mentorship, including an additional short manuscript review, with Epiphany's editor-in-chief Rachel Lyon

  • A one-year membership with The Authors Guild

  • A one-year subscription to Epiphany

Eligibility: Candidates must have been enrolled in an accredited university, at least part-time, for the academic years 2020 or 2021. The prize is open to both graduate and undergraduate students. Students need not be enrolled in MFA programs or creative writing programs.

Submission: Applications will be submitted by individual writers. Interested applicants must submit a creative manuscript and a “Statement of Interest,” which includes the creative manuscript title, author’s enrollment status and the name of college or university attended, and an email address and telephone number for the department head of the student’s program of study or academic advisor (if applicable). Prose manuscripts may consist of one short story, a novel excerpt, or a work of creative nonfiction not to exceed 5000 words. Poetry manuscripts may include up to five poems, formatted in accordance with standard poetry conventions using a 12-point font. The author’s name should not appear on the creative manuscript. Please number all pages of the manuscript and include the manuscript title.

Judging: Honorees will be selected blind on the basis of the work’s creative merit by a judging panel comprised of Rachel LyonNadia Owusu, and Shane McCrae.

Rachel Lyon is the author of Self-Portrait with Boy (Scribner 2018), which was longlisted for the Center for Fiction First Novel Prize, and which is currently in feature film development at Topic Studios. Rachel's shorter work has recently appeared or is forthcoming in One StoryLongreadsElectric Literature's Recommended Reading, and other publications. A cofounder of the reading series Ditmas Lit, she has taught for Catapult, Sackett Street Writers Workshop, Slice Literary, and elsewhere. Subscribe to Rachel's Writing/Thinking Prompts newsletter at tinyletter.com/rachellyon, and visit her at www.rachellyon.work.

Nadia Owusu is a Ghanaian and Armenian-American writer and urbanist. Her first book, Aftershocks, topped many most-anticipated and best book of the year lists, including The New York TimesThe Oprah MagazineVogueTIMEVulture, and the BBC. It was a New York Times Book Review Editor’s Choice. Nadia is the recipient of a 2019 Whiting Award. Her writing has appeared or is forthcoming in The New York TimesOrionEpiphanyGrantaThe Paris Review DailyThe GuardianThe Wall Street JournalSlateBon AppétitTravel + Leisure, and others. By day, Nadia is Director of Storytelling at Frontline Solutions, a Black-owned consulting firm working for justice and liberation in partnership with philanthropic and nonprofit organizations. She teaches creative writing at the Mountainview MFA program and lives in Brooklyn.

Shane McCrae's most recent books are Sometimes I Never Suffered, shortlisted for the T. S. Eliot Prize and the Rilke Prize, and The Gilded Auction Block, both published by Farrar, Straus and Giroux. He has received a Lannan Literary Award, a Whiting Writer’s Award, an Anisfield-Wolf Book Award, a Pushcart Prize, and fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the New York Foundation for the Arts. He lives in New York City and teaches at Columbia University.

Epiphany is a semiannual literary journal and independent nonprofit 501(c)(3) that supports practicing writers at every stage of their careers. During our open reading periods we consider every submission seriously. We also publish online essays, fiction, and poetry on a rolling basis. For 18+ years we have published work that transcends convention and demonstrates literary mastery. Our name derives from the Joycean idea that an epiphany is the moment when “the soul of the commonest object… seems to us radiant.” Like the semicolon in our logo, an epiphany is a pause in time followed by a shift in thinking.

The Authors Guild Foundation is the charitable and educational arm of the Authors Guild. It educates, supports, and protects American writers to ensure that a rich, diverse body of literature can flourish. It does this by advocating for authors’ rights, educating authors across the country in the business of writing, and promoting an understanding of the value of writers.

https://epiphanymagazine.submittable.com/submit?fbclid=IwAR0Xz6Q6qeQTzKOeL6cALuxxmyjZBt9L7SwkLOI0XiUTTovzz-qAfEBBSHU

_____

CALL FOR SUBMISSION: ‘ODYSSEY’ ISSUE

Lucky Jefferson

DEADLINE: November 7, 2021

INFO: Lucky Jefferson's digital zine Awake seeks to amplify the experiences and perspectives of Black writers in American society. 

The fourth issue of Awake is titled Odyssey: 

Despite being the first Black captain of your crew, you’ve been overlooked for promotions your entire career in the Space Force. One day, you finally receive your chance at your own expedition to the Outer Ring. After launch, your ship experiences technical difficulties and you find yourself plummeting four thousand kilometers off course.

After awakening, you realize it’s been a few days since you lost connection with Mission Control. You stumble through iridescent foliage to discover a bustling city ahead of your own time. You are soon discovered and greeted by the inhabitants of this world—inhabitants that reflect your culture.


Now you have two options: figure out a way to return home or explore this planet and begin a new life. What are you going to do?

Poems, essays, flash fiction, creative nonfiction, and art should illustrate your decision. 

Upon acceptance, submissions will be included on our website and publicized on social media. 

Accepted authors will receive $15 for each accepted work.

*Writers looking to be published in upcoming print issues should plan to submit their work to the appropriate form during open calls.* 

When submitting:

- Send no more than three poems in a submission. Separate poems by titles or page breaks.

- Essays should be no more than 1500 words. 

- Flash Fiction should be no more than 1000 words.

- Send no more than three pieces of art. Artwork that offers social commentary on the lack of diversity in Science Fiction is highly preferred (We love comics and collage pieces!).

- In the cover letter box include: your name, email address, current address, and bio (third-person, 50 words max).

We do not accept translations or work that has been previously published in print or online.

https://luckyjefferson.submittable.com/submit/167135/awake-submission-a-digital-zine-for-black-authors