TV / DIGITAL SERIES — JULY 2023

June 30, 2023

LOGHAVEN ARTIST RESIDENCY

DEADLINE: July 15, 2023

APPLICATION FEE: $20

INFO: Loghaven Artist Residency’s mission is to serve artists by providing them with a transformative residency experience and continued post-residency support. The residency is located on ninety acres of woodland in Knoxville, Tennessee. Artists live in five historic log cabins that have been both rehabilitated and modernized to create an ideal setting for reflection and work, and they have access to new, purpose-built studio space. All Loghaven Fellows are awarded stipends to support the creation of new work during the residency.

ELIGIBILITY: Practicing artists of all backgrounds and at any stage of their career are eligible to apply for a Loghaven residency. International artists and artists currently enrolled in a degree-seeking program are not eligible. Artists must be at least twenty-one years old and live more than 120 miles away from Knoxville. This distance requirement is designed to ensure that artists are able to be fully immersed in their residency experience and can take advantage of the retreat-style environment. Please note that all eligibility requirements must be met at the time of application.

We invite applicants in the creation stage of their specified project or work cycle to apply in the following disciplines:

Writing (poetry, fiction, nonfiction, screenwriting, and journalism)
Visual Arts
Dance
Theater
Music Composition
Architecture
Interdisciplinary Work

DIVERSITY STATEMENT: Loghaven actively seeks to assemble diverse cohorts. Loghaven does not discriminate on the basis of race, age, religion, gender expression, sexual orientation, national origin, citizenship status, marital status, veteran status, medical conditions including HIV, or sensory, physical, or mental disability.

RESIDENCY SESSIONS:

January 8 – 22, 2024 (2 weeks, preference given to alumni/ae)
February 12 – March 8, 2024 (4 weeks)
April 8 – May 3, 2024 (4 weeks)
May 20 – June 14, 2024 (4 weeks)
July 8 – 22, 2024 (2 weeks for teaching artists and faculty artists at the university level)
September 30 – November 8, 2024 (6 weeks)
January 6 – 20, 2025 (2 weeks, preference given to alumni/ae)

APPLICATION TIMELINE & QUALIFICATIONS:

Applications will be accepted annually starting June 1, until July 15, at midnight Eastern Time. Late applications will not be accepted. The application panel will meet in August and September, and applicants will be contacted by November 1.

A national selection committee composed of artist peers and other arts professionals selects artists. Applicants are judged by the same criteria across disciplines. Panelists are looking for artistic excellence, defined by a depth of conceptual content, sustained impact, and boldness of vision. The panel seeks those with sophisticated technical knowledge, whether the applicant displays a high level of traditional skill or, conversely, subverts that knowledge in new or challenging ways. The panel values potential in emerging artists and evidence of commitment and evolution in more established or mid-career applicants.

REFERENCES:

All applicants are required to submit two professional references. Please provide the name, contact information, and a very brief description of the nature of your professional relationship for each reference. Loghaven contacts references only if the application advances. References would be contacted in the fall by either email or phone and would not submit a formal letter.

WORK SAMPLES:

Determine which discipline best fits your work and follow the instructions below to upload the required work samples.
Name all of your submissions using the following naming structure: last name, first name # (Smith, Jane 1).
If the attached work sample is longer than the limits laid out for your discipline, please indicate the section of video or audio you would like the panel to review. If you do not indicate a section, the panelist will review from the start until the time limit is reached.
Note if any submitted work sample is more than four years old.
Provide all submissions in English or accompanied by a translation.

VISUAL ART - Submit eight JPEG images that best represent your work. They can be no more than three MB per image. Each image should contain only one artwork. Two additional optional submissions: Installation documentation (either images or video) or detail shots. If your work is based in video, please submit up to two or three works totaling no more than fifteen minutes of video. Video can be submitted in MP4 or MOV format or by Vimeo or YouTube link.
MUSIC COMPOSITION - Submit two or three audio samples of representative work. Each should be no more than 30MB each and should be in MP3 format or in MP4 or MOV format or by Vimeo or YouTube link. The work samples should total no more than fifteen minutes of video or audio. If available, please include a score submitted as a PDF.
DANCE - Submit two or three works totaling no more than fifteen minutes of video. Each work sample should be submitted in MP4 or MOV format or by Vimeo or YouTube link.
THEATER - Submit either two or three videos or PDFs. If you submit via video, they should total no more than fifteen minutes together in MP4 or MOV format or by Vimeo or YouTube link. If you submit via PDF, they should total no more than 250MB or two or three PDFs of scripts or librettos, totaling no more than twenty pages.
POETRY - Submit eight to ten short poems or excerpts of poems. The total should not exceed 15 pages and should be in PDF format.
FICTION, NONFICTION, & SCREENWRITING - Submit two to three work samples in the genre that you wish to work in during your residency. The total should not exceed 20 pages, be double-spaced, and be in PDF format.
ARCHITECTURE - Submit two to three examples of previous design-based architecture projects in the form of PDFs, video, or a combination of the two. The applicant may submit work samples including but not limited to models, drawings, and images of completed work. The applicant may submit multiple pages for each project, but the total number of pages submitted should not exceed ten and should be in PDF format. If submitting video, work samples can be in MP4 or MOV format or by Vimeo or YouTube link. The total length should not exceed ten minutes. The applicant should include a brief, 250-word description of each project with the other submitted materials. In this description, please include whether this project was ever constructed. Please review the FAQs before applying in the discipline of Architecture for additional application guidelines.
INTERDISCIPLINARY WORK - Submit three to five work samples. The work samples can be in one type of media or a mixture of media including images (jpegs should be no more than three MB each), PDFs, video (MP4/MOV should be no more than 250 MB), Vimeo link, YouTube link, or audio (MP3 should be no more 30MB each).

loghaven.org/residencies/apply/

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Rogers-Black Screen Office Development Fund

Canadian Independent Screen Fund for Black and People of Colour creators

DEADLINE: July 17, 2023 at 8:59 pm PT / 11:59 pm ET.

INFO: The Rogers-Black Screen Office Development Fund supports Black and People of Colour writers to develop original content, from outline to first and second drafts of the pilot episode, with a one-sheet for scripted projects; and from concept to outline, treatment, and character reel for documentaries. Applicants must own 100% of the rights/intellectual property (IP).

PITCH TREATMENT:

The core of the application is a one-page Pitch document that best summarizes the project.

Please do not submit any script bibles, visuals, videos, or URL links. These are not required nor will they form part of your application’s assessment.

ELIGIBLE FORMATS:

SCRIPTED series projects must be 30-min or 60-min episodes, ongoing or limited series.
DOCUMENTARY projects must be 30-min, 45-min, or 60-min, ongoing or limited series, or one-off projects.

INELIGIBLE FORMATS:

Soap Operas, Lifestyle Programs, Short Films, Feature Films, Movies of the Week (MOWs).

ELIBILITY CRITERIA:

one episode of a TV show that has been broadcast
a feature or short film that has been released theatrically or premiered at an international film festival; List of eligible festivals
a full-length produced play.

Writers are not required to have a producer or team attached to be eligible to apply.

Writers are only eligible to apply with one submission to the fund.

Writers who have received funding for either Round 1 or Round 2 are eligible to apply for Round 3.

Writers who have already received two rounds of funding are not eligible to apply to Round 3.

Please note: Applications in this round must be submitted in English OR French only.

ASSESSMENT CRITERIA:

Projects will compete for funding according to a selective process. To make its funding decisions, an independent jury will use the criteria noted below to evaluate the pitch document submitted by Applicants. It is important for Applicants to note that revisions will not be accepted once a project is submitted.

Projects will be evaluated by the jury based on the following criteria:

Originality
Premise
Plot
Characters
Structure
Themes

WRITING SAMPLES:

SCRIPTED Writing Samples

A script of a TV hour or half hour series (not including news programming)
Multiple episodes of a web, animation or children series (20+ pages)
A scripted short or feature film
A full-length play.

Scripted writing samples are not required to have been broadcast on TV or released theatrically. We encourage you to submit a sample that best reflects your voice as a writer.

UNSCRIPTED WRITING SAMPLES:

As most documentaries do not have a script, we require a one-page synopsis of a previous documentary film that has been broadcast on TV, released theatrically or premiered at an international film festival. List of eligible festivals.
You must include your credit on the film, dates of broadcast, release, or premiere, and name of broadcaster or exhibitor.

In order for all projects to be fairly assessed, writing samples submitted must NOT be connected to the pitch treatment included in the application.

SUBMISSION REQUIREMENTS:

Applications must include the following:

Pitch document that best summarizes the project – beginning, middle and end (one-page max)
Completed Application Form
Completed Attestation Form
Completed Questionnaire (with short bios and main credits for lead creatives – clearly identifying their role in the project.)
One Writing Sample

Applicants must:

Self-identify as Black or a Person of Colour,
Have reached the legal age of majority in their jurisdiction of residence
Be Canadian citizens or permanent Canadian residents.

SELECTION PROCESS:

A jury of Black and People of Colour screen content creators will select a minimum of 10 projects in this round.

SELF IDENTIFICATION:

Black people: people who trace their roots to Sub-Saharan Africa including those with origins in the United States, Caribbean and Latin America

People of Colour: people who are from one or more of the following communities:

Latin Americans (Latino, Latina, Latinx)
Middle-Easterns and North Africans
South Asians
Southeast Asians
East Asians
Multiracial (a combination of any of the above categories or any of the above categories with White or European ancestry)

independentfund.org/rogers-bso-fund/guidelines/

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TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINES & SUBMISSION FEES:

Early Deadline – July 23, 2023 ($50)
Regular Deadline: September 4, 2023 ($65)
Late Deadline – October 1, 2023 ($75)
Extended Late Deadline – November 5, 2023 ($85)
Final Deadline: December 3, 2023 ($90)

INFO: The CineStory Foundation believes in helping writers find their voice. We’re entering a world in which the ways to tell stories are limitless. Those stories always begin with a blank page. Our goal with the Television Retreat is to educate writers about the unique world of TV storytelling, from the collaborative nature of writing for networks or streaming channels to the independent realm of creating and shooting series for the web.

Structured like the CineStory Feature Retreat, the CineStory Television Retreat takes place over three days in the beautiful mountains of Idyllwild, California. Attendees receive three one-on-one, one and a half hour sessions with CineStory mentors. During these sessions, mentors will give attendees feedback on improving the craft of the script(s) they submitted in advance and will also discuss with writers various aspects of the business of TV writing to help writers better understand TV writers’ various roles in the entertainment industry.

TV writers also will experience what it’s like to sit in a professional writers room run by an experienced mentor. In addition, mentors and writers will gather for meals, drinks, screenings, and other special events.

RETREAT DATES:

May 3 – 7, 2024

RETREAT FEE:

The retreat fee for the 2023 Feature Retreat is $2,200 for individual participants and $3,000 for teams (who participate in all retreat events as a team).

The retreat fee covers meals (a light breakfast, lunch, and dinner) and all retreat events, including informal sessions, one-on-one meetings, social gatherings (cocktail parties, etc.).

ANNOUNCEMENTS:

Quarterfinalists – Late January
Semifinalists – Late February
Finalists – Mid March
Division Winners – Early April
Fellowship Winner – Mid April

TV DIVISIONS:

Original Drama – 1 hour series
Original Comedy – 30 minute series
Original Sci Fi/Fantasy – 1 hour series
Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

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TV PILOT COMPETITION

ScreenCraft

DEADLINES:

Early - July 31, 2023
Regular - August 31, 2023
Final - September 30, 2023

INFO: Our TV Competition has a history of getting writers signed, staffed, and have helped them land development deals for their own projects. It's one of our most successful competitions, period. Winners and finalists have signed with 3Arts, Management 360, CAA, Verve, Zero Gravity, and more.

MENTORS: We welcome Emmy-winning writer, creator, showrunner Damon Lindelof (WATCHMEN, THE LEFTOVERS, LOST) as our Grand Juror. Damon will meet with the grand prize winner of the program.

A Note To Entrants And Those Considering Entry During The WGA Strike:

At ScreenCraft, we stand in solidarity with the Writers Guild of America and its efforts to ensure fair compensation for writers.

ScreenCraft has publicly committed to pausing the sharing of writers’ work with struck companies and, if needed, coordinating with finalists and winners to see what alternate outreach they are comfortable with.

We’re all hoping the strike will be over soon, but if it isn’t, ScreenCraft will offer alternatives, postpone announcements, or otherwise work with writers to ensure they’re staying within the rules of the WGA strike.

GRAND PRIZE WINNER:

The overall grand prize winner will be welcomed to the ScreenCraft Writer Development Program and receive personal introductions and phone calls with one or more top Hollywood literary manager(s) who are looking for talented emerging Film & TV screenwriters.

ScreenCraft's relationships include companies like Blumhouse, Netflix, HBO Max, AMC, and over 150 other Hollywood managers, agents, producers, and development executives.

ScreenCraft has a proven track record for getting writers signed with managers, agents, and staffed in writing rooms.

Personal Introduction to industry professionals
Accepted into the ScreenCraft Writer Development Program
$1,000 Cash
An exclusive invitation to a Finalist+ workshop to position yourself and your writing to the industry
Free 6-month membership to The Tracking Board

RUNNER-UP PRIZES:

Winner:

$500 cash award
Accepted into ScreenCraft Development Program
An exclusive invitation to a Finalist+ workshop to position yourself and your writing to the industry
Free 6-month membership to The Tracking Board

Finalists:

An exclusive invitation to a Finalist+ workshop to position yourself and your writing to the industry
Free 6-month membership to The Tracking Board

screencraft.org/pilot/?fbclid=IwAR2-HH2ctD08NYwY1PhNdCDFtmc_3BeBQmRJYTncTcaLvHYiToJP8pNqUMY

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Nickelodeon Writing Program

Nickelodeon Animation

DEADLINE: August 1, 2023 at 11:59pm PST (***Currently postponed as of July 1, 2023 - please check back for updates)

INFO: Founded in the year 2000, the Nickelodeon Writing Program is a full-time, paid, yearlong development Program for television comedy writers with unique voices and from underrepresented communities. Join us at the studio in Burbank for classes and workshops to sharpen your skills, executive mentorship and networking to build your professional relationships, and the opportunity to work in the iconic live-action and animation writers’ rooms at Nick. This is a once-in-a-lifetime opportunity to dedicate yourself to the craft of writing and build your career from the ground up.

The Nick Writing Program is not a writing contest – It’s a launching pad for diverse and emerging creatives. If you bring the unique voice and innovative ideas for kids’ and family content, we’ll help you launch a career with all the tools you’ll need to succeed in the industry for years to come.

ELIGIBILITY / HOW TO APPLY:

You must be 18 years or older, and eligible to work in the United States to participate.
To apply, follow the link under the “Apply Online” section, fill out the application through our submission portal, and submit two scripts: One spec from our Accepted Shows List which gets updated every year (watch our social media channels for announcements), and one half-hour original comedy pilot.
If you have previously applied to the Program and were not selected, you are welcome and encouraged to apply again with a new spec script for each submission period.

APPLICATION DETAILS:

STEP 1 (Pick a Focus) - When you pick a focus, it helps us curate your experience in the Program to better help you reach your goals as a television writer. Picking a focus does not mean your time in the Program will be spent exclusively working on content for this audience, but simply helps us gauge your interests and set you on a course for success. Your spec and pilot submissions do not need to adhere to these audience age groups in any way.

Kids’ Content (Audience Age 6-11) - This age group is Nickelodeon’s bread and butter. Most of Nickelodeon’s most iconic live-action and animated shows are developed for this demographic including SpongeBob SquarePants, Danger Force, and The Loud House.
Preschool Content (Audience Age 2-6) - The Preschool age group (including “bridge” content for tots moving into early elementary school age) loves to laugh and play along with their content. They’re smart, engaged, and always ready for new shows to watch like Paw Patrol, Ryan’s Mystery Playdate, and Baby Shark’s Big Show.
Preteen/Young Adult (Audience Age 11-17) - Nickelodeon shares its home in the Paramount Kids & Family Group with our partners at Awesomeness who cater to a tween and teen audience. We’ll partner with ATV and the creators of Nick’s shows for a slightly older audience like Side Hustle, Drama Club, and iCarly to make this experience the right one for you.

STEP 2 (Script Preparation) - All applicants must submit a SPEC SCRIPT and HALF HOUR ORIGINAL COMEDY PILOT that adhere to the following guidelines:

Must be based on a television series from the Accepted Shows List (spec only).
Typed in standard Final Draft (or equivalent) script format.
In black type, 12pt courier style font.
Do not upload a cover page with your script.

The following information should be included in the header/footer of your spec script on the first or all pages:

Name of the show (center of the header).
Title of the episode (center of the footer).
Filename should include only the name of your show and episode (Do not include your name or your submission will not be considered).
Do not put your name anywhere on the script, file, or file name.

THE FOLLOWING MATERIALS WILL NOT BE CONSIDERED:

Feature-length screenplays, reality-based comedies or dramas, treatments, outlines, plays, short stories, books, graphics, magazine/newspaper articles, poems, headshots, audio/videotapes, or other digital media. If it’s not on the Accepted Shows list or your comedy pilot, please do not submit it!

Please note: Submissions that do not adhere to these guidelines will not be considered.

STEP 3 (Accepted Shows 2023):

Abbott Elementary
Agent Elvis
American Auto
Awkwafina is Nora from Queens
Big Mouth
Bob Hearts Abishola
Bob’s Burgers
Call Me Kat
Ghosts
Girls5eva
Grand Crew
Harley Quinn
Home Economics
HouseBroken
How I Met Your Father
Human Resources
I Love That For You
Loot
Lopez vs. Lopez
Mythic Quest
Night Court (2023)
Our Flag Means Death

Party Down
Raven’s Home
Rick and Morty
Solar Opposites
Star Trek: Lower Decks
Tacoma FD
That ’90s Show
The Conners
The Great North
The Ms. Pat Show
The Neighborhood
The Other Two
The Wonder Years (2021)
This Fool
Unstable
We Are Lady Parts
Welcome to Flatch
What We Do in the Shadows
Young Rock
Young Sheldon

STEP 4 (Apply Online)

SUBMISSION MATERIALS TO INCLUDE:

Completed application questions – some of these are long, so start your application early.
One spec script in .pdf format (this applies to both individual writers and writing teams).
One original comedy pilot in .pdf format (this applies to both individual writers and writing teams).
One-page resume in .pdf format.
Completed and digitally signed Submission Release form and Schedule A for each script. These can be downloaded from the link above the document upload section.

COMPLETE YOUR ONLINE APPLICATION:

Beginning July 1st, you can start your application for the Nickelodeon Writing Program. Submissions must be uploaded before 11:59pm PT on August 1st.

All submission materials should be completed and uploaded to the Nickelodeon online submission platform Coverfly. All necessary forms can be downloaded via links embedded in the application.
Once in the platform, fill in the form with your “Project Info” about your spec from the Accepted Shows List.
Projects written by writing teams should only be submitted once. On the first page of the checkout form, writers will have the option to add one additional writer by clicking on the plus sign (+) next to the name fields.
Upload a .pdf of your spec script following the provided instructions. Leave off all identifiable information. At this stage, you will be asked to provide a few additional details about the script.
Choose the Program “Package” and “Add to Cart.”
Give us some “Additional Info” including your contact details, a signed Schedule A form, and a signed Release form (one for each member in the case of writing teams) for each script you submit (spec and pilot). Both forms can be downloaded from the link above the document upload section.
We’ll also need a resume in .pdf format. Please be sure to fill out all required fields and answer all questions or you will not be able to submit your application.
Finally, “Check Out” (at no cost) to complete your submission.
Don’t wait until the last minute! We advise that you give yourself at least two weeks prior to the August 1st deadline to complete your submission. No exceptions will be made for late submissions regardless of the circumstances.
If you are experiencing problems with the online application, please contact the technical support team at Coverfly by scrolling to the bottom of their site homepage and clicking “Contact.”

IMPORTANT DATES:

August 1 - Submission Period Closes
October 30 - Semi-Finalists Notified
November 15 - Finalists Notified
December 1 - Chosen Writers Notified

nickanimation.com/programs/writing-program/

TV / DIGITAL SERIES — MAY / JUNE 2023

April 28, 2023

Sesame Street Writers’ Room

Sesame Workshop

APPLICATION PERIOD: Extended to June 19, 2023

INFO: Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. And we’re looking for YOU!

Fresh new writing talent from writers who reflect the diversity of our vast audience. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept. Past fellows have gone on to develop their own original content with Sesame Workshop, as well as write for Sesame Street and various programs at Nickelodeon, Disney, DreamWorks, and more!

ABOUT THE PROGRAM:

Up to 8 writers with diverse identities will be selected
Sessions will take place virtually from September thru November, 2023
Learn from industry writers, producers, agents and executives
Learn and complete all steps of creating an original pilot episode script
Includes eight, three-hour sessions on creating original children’s content
Up to two participants will have the opportunity to receive creative development deals and further mentorship

APPLICATION CHECKLIST:

Resume: this can feature your overall work experience, NOT only writing experience
Original script sample: 11-page maximum, it should NOT contain Sesame Street elements, it can be an excerpt from a larger piece you’ve written, it must be kid-friendly content for viewers up to age 12…we’re looking for great characters and stories that inspire kids to be smarter, stronger and kinder!
Personal statement: tell us about yourself, for example, why you want to write for children’s educational media, how your experiences influence the stories you tell, why you value diversity/representation in children’s media, etc. (up to 250 words)
More info on your script: what’s the bigger picture/idea of your script sample? (up to 100 words)

ELIGIBILITY CHECK LIST:

Participants must be a U.S. citizen or permanent resident
Participants must be 21+ years old
No extensive media writing experience, such as having written more than six episodes for a network or cable scripted/narrative series
Participants must be able to attend and complete writing assignments for all 8 sessions, which will be held virtually from September to November 2023

sesameworkshop.org/our-work/fellowships/writers-room/

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BRIClab: Film + TV residency

BRIC

DEADLINE: May 8, 2023

INFO: BRIClab is a multi-disciplinary residency program created to advance opportunities for visual artists, performers, and media makers.

The BRIClab: Film + TV residency track incubates innovative and ambitious documentary filmmakers working on short form, episodic, or feature length non-fiction films. Three residencies will be awarded to create opportunities for emerging to mid-career filmmakers.

RESIDENCY BENEFITS:

A stipend of $2,500.
Up to $6,000 towards production cost (expenses must be pre-approved and documented via invoices and receipts).
Access to courses through BRIC's Media Education program at no fee.
Access to BRIC production studios and post-production resources.
A mentor with industry experience relevant to your project, selected in collaboration with BRIC staff.
A collaborative cohort community with group critiques and access to BRIC networking events.
A public presentation of your work upon completion of the program.
Professional development workshops tailored to the cohort’s interests and needs.

WHO SHOULD APPLY:

You must be:

An emerging to mid-career documentary filmmaker based in New York City, 18 years of age or older, with completed work samples to share. By emerging to mid-career, BRIC means an artist at the early stages of their career with at least one professional film/project completed, not including student films.
Willing to present work and participate in the final screening event, in Spring 2024.
An individual artist and/or a creative team of two.
Either not employed by BRIC full-time, or a non-salaried BRIC staffer who works fewer than 500 hours/year.

We are interested in:

Documentary projects of all lengths (short/feature/series).
Thoroughly-researched, original concepts.
A detailed breakdown of budget and the various ways that the project will maximize the use of BRIC facilities and resources, including edit rooms and editing computers, screening room, desk space, and meeting space.
A specific production timeline leading up to a public screening in Spring 2024. This can be the final project or a works in progress cut.
Films can be in any language; if not in English, work must be subtitled.

STAGES OF PRODUCTION: Open to projects in all stages of production, though a clear production timeline should be presented to include project completion/work- in-progress screening by spring 2024. If proposing a feature length film or episodic series, most footage should already be captured. Shorts in development are eligible, though access should be secured and a clear vision for the project articulated. Post-production should not be complete.

SELECTION PROCESS: BRIClab is prioritizing applications from disabled, BIPOC, and LGBTQ+ artists, as part of BRIC’s ongoing commitment towards addressing systemic inequities in creative fields and industries, and as part of efforts to expand access for disabled artists, audiences, and staff. We interpret disability broadly and include neurodiversity, chronic illness, mental health disabilities, and invisible disabilities, as well as disabilities that affect mobility, sight, and hearing. No one will be asked to verify their disability in any way, and we understand disclosure can be a complicated and personal decision.

BRIClab review panels reflect BRIC’s values and artists, and will be inclusive of disabled, BIPOC, and LGBTQ+ reviewers. Panels are made up of BRIC staff, alumni artists, and active participants in relevant fields. Evaluation will be based on how the goals of the proposed projects match up with resources available; relevant work samples; and the creation of diverse and representative cohorts. Artists will receive final word from BRIC by the end of June 2023.

bricartsmedia.org/briclab/briclab-film-tv

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Writers Exchange Programme

Warner Bros. Discovery / Wall to Wall / Royal Exchange Theatre

DEADLINE: May 8, 2023

INFO: New programme alert! Are you a writer for stage based in the North of England looking to break into TV?

Warner Bros. Discovery, Wall to Wall and the Royal Exchange Theatre are looking for 5 writers to take part in our Writers Exchange Programme.

Successful applicants will write a one-hour TV pilot script with the support of a professional Script Editor from Wall to Wall, as well one-to-one meetings with a Dramaturg from the Royal Exchange Theatre to discuss their stage work and receive expert advice.

Five writers will be selected to embark on the six-month scheme where they will be supported to develop their writing for screen and stage. This bespoke development opportunity will provide a rare insight into how the TV industry works with guidance and support from the WBITVP production company, Wall to Wall North, while further nurturing their writing for stage with the Royal Exchange Theatre.

During the programme, a unique package of workshops and bespoke development opportunities will be offered. Successful writers will work towards writing a one-hour TV pilot script, giving them the opportunity to experience the collaborative process with the support of a professional Script Editor. In addition, the writers will be offered two one-to-one meetings with a Dramaturg from the Royal Exchange Theatre, where they will have the opportunity to discuss their stage work and receive expert advice and feedback.

PROGRAM CRITERIA:

To be eligible, applicants must:

Currently reside in the North of England - defined as Yorkshire and Humber, North-West and North-East England.
Be at least 18 years old
Not have any screen credits (TV/Feature Film) at the time of applying

To be selected for the programme, applicants will need further demonstrate through the expression of interest and writing sample* that they:

Have a distinctive voice and a drive to tell ambitious stories that will connect with a wide audience.
Have an interest in writing for screen and a commitment to forging a career as a writer across media.
Would tangibly benefit from the opportunity of structured support and a bespoke developmental journey.

*The sample can be an extract from a longer piece. Please note that if selected for the longlist, you will be asked to submit a full length piece of work, this can be the complete version of the extract or a different piece of work.

You can apply for The Writers Exchange Programme by answering the questions using the submittable form below.

PROGRAM TIMELINE:

Submission window: 18 April 2023 – 8 May 2023

Shortlisted applicants notified: 22 May 2023
Deadline to submit longer piece of writing: midday 26 May 2023
Final Interviews: 19 June 2023 – 20 June 2023
Final outcomes: Week beginning 21 June 2023
Training programme kicks off (9 sessions throughout the period of 6 months): 13 July 2023

*Subject to change

PROGRAMME SCHEDULE:

Writers will need to be available for in person sessions* at the Royal Exchange Theatre in Manchester** on the following dates:

13th & 14th July – SESSION ONE – afternoon of 13th to evening of 14th July
18th August – SESSION TWO
15th September – SESSION THREE
20th October – SESSION FOUR
17th November – SESSION FIVE
18th December – SESSION SIX

warner-access.com/programs/wbd-access-writers-exchange-programme

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50TH ANNIVERSARY FELLOWSHIPS FOR ARTISTS OF COLOR

Virginia Center for the Creative Arts (VCCA)

DEADLINE: May 15, 2023

APPLICATION FEE: $30

INFO: Conceived during VCCA’s 50th anniversary year in 2021 and established in 2022, the 50th Anniversary Fund provides free first-time VCCA residencies for 50 artists of color a year.

Each 50th Anniversary Fellow receives a free residency of up to two weeks at Mt. San Angelo, VCCA’s artist residency program in the foothills of Virginia’s Blue Ridge Mountains. All VCCA residencies include a private studio, a private bedroom with en-suite bath, three prepared meals each day, and access to a community of more than 20 other artists in residence.

APPLICATION DETAILS:

Eligibility: Artists of color (writers, visual artists, and composers) who have not previously been in residence at VCCA
Length of Fellowship: Up to two weeks with flexible scheduling

Next available for:

Winter 2024
Residencies Available: January 2 – April 30, 2024
Application Deadline: May 15, 2023
Notification by: August 31, 2023

To be considered as a 50th Anniversary Fellow, complete the “Application for Mt. San Angelo Residencies, VCCA in Virginia,” selecting your fellowship interest in Question 2.

* If the application fee presents a significant barrier to application, please write to vcca@vcca.com by May 10, 2023, to request an application fee waiver.

VCCA intends the term artist of color to broadly include those creating original work in a wide variety of literary, visual art, and/or musical/sound disciplines who self-identify as part of one or more of these U.S. census groups: American Indian or Alaskan Native; Asian; Black or African American; Hispanic or Latinx; Middle Eastern or North African; Native Hawaiian or Pacific Islander; Multi-Racial. If you have a question about whether VCCA’s studio spaces would be suitable to the nature of your creative work, please write to Artists Services at vcca@vcca.com in advance of the deadline.

Applicants must submit an online application by the deadline, complete with recent work samples, a project description, and a variety of biographical and logistical details. VCCA no longer requires letters of recommendation. Applicants will be considered for a VCCA residency and as many funding opportunities for which they are eligible.

vcca.com/apply/fully-funded-fellowships/50th-anniversary-fellowships-for-artists-of-color/

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Marble House Project artist residency

Marble House Project

DEADLINE: May 31, 2023

APPLICATION FEE: $35.00

INFO: Marble House Project is a multidisciplinary artist residency program (ie: Fiction, Non Fiction, Poetry, Playwriting/Screenwriting, Film and Video, etc.) that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. You must be at least 21 years old. Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond.

RESIDENCY DATES FOR 2024:

March 5th - 26th
April 2nd - April 23rd
April 30th - May 21st
May 28th - June 18
September 17th - October 8th
October 15th - November 4th

ABOUT THE RESIDENCY:

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. The residency is an opportunity to develop and carry out practices of mutual support, group conversation, and to cultivate adaptive relationships with the environment. This can take the form of discussions with guest multidisciplinary artists, thinkers, and activists and other individual and group activities that benefit our community of residents.

Residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. . Each session culminates with a short video interview and artists are invited to share their work with our community and each other. Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni and staff. Artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you.

marblehouseproject.submittable.com/submit

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THE 2023 GEORGIA LIST

The Black List

DEADLINE: June 15, 2023

INFO: The Georgia List is a new opportunity for all writers with close ties to the state of Georgia to submit their feature scripts, pilots, plays, and musicals. The Black List has partnered with Collective Moxie and Trilith Studios–with support from additional partners 3Arts Entertainment, Fifth Season (formerly Endeavor Content), Content Talent South, the Alliance Theatre, and Art Farm at Serenbe–to identify and curate a list of the ten best unproduced features, pilots, plays, and musicals from writers with a connection to Georgia.

Writers who are new to the Black List may request a fee waiver for one free month of hosting and one free evaluation. 75 fee waivers will be distributed in order of request. When requesting a fee waiver, writers will have to disclose what their close tie to Georgia is, and the Black List and partners will have the right to approve or reject each request based on eligibility.

After submissions close on June 15, 2023, representatives from each supporting partner will read the shortlisted feature scripts, pilots, plays, and musicals and provide input on which scripts show the most promise. The final ten writers on the Georgia List will be announced at the 2023 Georgia Summit in October 2023.

The writers on the Georgia List will meet with managers from 3Arts and Content Talent South for possible representation, and executives from Fifth Season for a potential development deal. The Alliance Theater will mount a staged reading of one of the scripts on the List.

Two writers from the List will also become Artists in Residence at the Art Farm at Serenbe. These two writers will each receive a $10,000 grant and mentorship from Jamie Linden (WE ARE MARSHALL, DEAR JOHN).

IMPORTANT DEADLINES:

October 20, 2022 - Submissions open on blcklst.com
May 14, 2023 - Purchase deadline for paid evaluations / Deadline to use Fee Waiver
June 15, 2023 - Submission deadline
June 16, 2023 - Shortlist writers notified
September 16, 2023 - Georgia List writers notified
October 2023 - Announce List at 2023 Georgia Summit

SPECIAL REQUIREMENTS:

Writers who submit to the Georgia List must have a close tie to the state of Georgia. Close ties to the state can include but are not limited to:

The writer is from the state of Georgia
The writer grew up in the state of Georgia
The writer currently lives in the state of Georgia
The writer went to college in the state of Georgia
The writer is a part time resident of the state of Georgia
The writer has spent significant time with family in the state of Georgia

blcklst.com/programs/the-2023-georgia-list

TV / DIGITAL SERIES — APRIL 2023

March 31, 2023

2023 My Time Fellowship

Writers’ Colony at Dairy Hollow

DEADLINE: April 10, 2023

APPLICATION FEE: $35

INFO: The Writers’ Colony at Dairy Hollow is pleased to announce the 2023 My Time fellowship funded by the Sustainable Arts Foundation. Writers who are also parents of dependent children under the age of 18 are invited to apply. Work may be any literary genre: poetry, fiction, plays, memoir, screenplays, or nonfiction. The successful application will demonstrate literary merit and the likelihood of publication. Prior publication is not a requirement.

Two fellowship winners will receive a one-week residency to allow the recipient to focus completely on their work, at least one to be awarded to a Person of Color. A $500 stipend will be provided to cover childcare and/or travel costs. Each writer’s suite has a bedroom, private bathroom, separate writing space, and wireless internet. We provide uninterrupted writing time, a European-style gourmet dinner prepared five nights a week, and served in our community dining room, the camaraderie of other professional writers when you want it, and a community kitchen stocked with the basics for other meals.

Fellowship applications must be accompanied by a writing sample and a non-refundable $35 application fee. There is a limit of one submission per application. The submission period opens on Monday, January 30, 2023. The deadline is midnight CST on Monday, April 10, 2023. The winner will be announced no later than May 1, 2023. Residencies may be completed at any time during 2023. This may be extended up to twelve months for extenuating circumstances including COVID-19 concerns.

writerscolony.org/fellowships

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NEW VOICES FELLOWSHIP

Humanitas

DEADLINE / FEE: April 14, 2023 / $50

INFO: The New Voices Fellowship is a four-month mentorship program for emerging television and screenwriters who are exploring the human condition in a nuanced, meaningful way. The program identifies and empowers five writers each year who are currently working on a 30- or 60-minute pilot or feature film screenplay. These are stories and people who, for varying reasons, may go overlooked by the traditional marketplace.

Humanitas also recognizes the importance of mentorship and the changing nature of apprenticeship in Hollywood, and how advancement in the film and television industries involves social access and community building.

With that in mind, through mentorship, workshops, conversations on professional development, and networking opportunities, New Voices equips writers with the tools needed to advance their careers. Fellows are paired with a mentor, invited to the September 2023 Humanitas Prizes event, and receive a trophy and $7,500 stipend.

Since 2010, 63 fellows have completed the New Voices program, with many becoming showrunners, producers, directors, and staff writers.

Former New Voices fellows include Will Pascoe (Absentia), J. Holtham (Supergirl, Jessica Jones), Jeanine Daniels (Snowfall), Rashaad Ernesto Greene (The Chi, Searching for Alaska), Carlito Rodriguez (Empire), Emily Silver (Finding Carter), Martin Zimmerman (Ozark), Obiageli Odimegwu (All American), Eric Anthony Glover (Tom Swift), and Eugene Ramos (The Dragon Prince).

PPROGRAM COMPONENTS:

Mentorship: Fellows are paired with award-winning showrunners for one-on-one mentorship focused on their project. Written notes are provided over a series of meetings. Former mentors include: Alan Ball, Jenny Bicks, Janine Sherman Barrois, Scott Z. Burns, Steven Canals, Matt Carlson, Liz Craft, Sarah Fain, Tom Fontana, Gary Glasberg, Gary David Goldberg, Deborah Goodwin, Marc Guggenheim, Hart Hanson, Chris Harris, felicia henderson, Winnie Holzman, David Hudgins, Jason Katims, Jay Kogen, Bill Lawrence, Ali LeRoi, Melanie Marnich, Justin Noble, Nancy Pimental, Rashad Raisani, Robin Schiff, David Shore, Patrick Sean Smith, Robin Swicord, Pam Veasey, Ligiah Villalobos, Ben Watkins, and David Zuckerman.
Conversation & Workshops Series: The Humanitas staff and the New Voices Advisor invite fellows to join a series of conversations and workshops focused on the most pressing issues facing emerging television and screenwriters. Topics have included the art of the pitch, general meetings, networking, representatives, “branding” yourself as a writer, the guilds, first jobs, career longevity tips, and more. Fellows are also encouraged to attend Humanitas public programming efforts like Industry 101 and participate in a mock writers’ room near the conclusion of the fellowships.
Professional Development & Networking: In addition to the community cultivated through the New Voices Conversation and Workshops Series, New Voices aims to present fellows with at least one networking opportunity per year. Once the New Voices Fellowship has concluded, the fellows’ creative materials and contact information are collected in the New Voices Fellowship Talent Guide and distributed to the Humanitas agents and managers network. New Voices Fellows also receive invitations to community events throughout the year.
Stipend: Each fellow receives a $7,500 stipend.
Humanitas Prizes 2023 Event: Fellows will be invited to attend the 2023 Humanitas Prizes Luncheon, which is currently planned as an in-person event in Beverly Hills, California in Autumn 2023.

NEW VOICES FELLOWSHIP CALENDAR:

February - April 2023: Application period
May - July 2023: Script evaluation
August 2023: Finalist interviews and New Voices Fellow announcement
September 2023: New Voices Fellows recognized at Humanitas Prizes event in Beverly Hills
September 2023 - January 2024: Fellowship period
Early 2024: New Voices Live (culminating celebration)

SUBMISSION MATERIALS:

Original 30- or 60-minute pilot, or feature film screenplay
Logline
Brief synopsis (~250 words)
Supplementary materials: bio, resume, and a short artist statement that speaks to the applicant's professional aspirations and why they felt compelled to write the submitted project.
Release form (link)

ELIGIBILITY & ADDITIONAL DETAILS:

Applicants must be 21 years of age or older at time of application.
Applicants do not need to be a U.S. permanent resident and/or citizen but must be residing in the US during the fellowship. Humanitas is unable to provide Visa support for writers overseas.
Applicants must be available to participate actively in all dimensions of fellowship programming, including mandatory workshops, virtual gatherings, and virtual public programs.
The New Voices Fellowship is for emerging television and screenwriters who 1) do not have a manager or agent, 2) have not been previously staffed as a writer in a scripted television series’ writers room, and 3) have not otherwise received payment for produced scripted feature film or television writing services prior to the submission period. Writers paid for options on unproduced scripts or for writing services on unproduced treatments, micro-budget features, or on unproduced projects outside the WGA’s jurisdiction and below WGA-established minimums should contact Humanitas with details on their situation to determine eligibility.
Applicants are strongly advised to only submit one application and script per year.
Scripts must be an original work. Adaptations or reimaginings of true events or fictional stories are acceptable; by submitting you acknowledge you have secured all rights needed to adapt any material.
Former semi-finalists and finalists are eligible to reapply so long as they meet all other criteria. Former semi-finalists and finalists are advised that all application materials must have undergone notable revisions, including and especially the script sample if it is the same project as previously submitted.
Previous recipients of the Carol Mendelsohn College Drama Award and David and Lynn Angell College Comedy Award are eligible for the New Voices Fellowship so long as they meet all other eligibility criteria.
Former New Voices Fellows are not eligible to reapply.
Current Humanitas staff and interns are not eligible for the fellowship.
Assessment to determine finalists weighs the quality of the applicant’s script, the script’s relevance to Humanitas mission, and the quality of the applicant’s supplementary materials. All finalists are interviewed on Zoom. These meetings cover the submitted project, career aspirations, and play an essential role in determining who is selected for the annual New Voices Fellowship cohort.
Should a writing team be selected for the fellowship, the stipend will be split evenly amongst the writers.

While the New Voices Fellowship accepts materials from all writers, writers with diverse backgrounds and social identities historically underrepresented in media are highly encouraged to apply.

humanitasprize.org/new-voices-fellowship-2023

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DIVERSE VOICES SCREENWRITING LAB

WeScreenplay

DEADLINE: April 15, 2023

INFO: Diverse Voices is a dynamic virtual screenwriting lab with a proven track record of helping elevate stories that are told from perspectives that are often underrepresented in film and TV today. This includes writers of color, women writers, writers with disabilities, writers over 40, writers in the LGBTQ+ community, and any other voices that have historically been ignored by Hollywood.

A minimum of 4 winners will be selected to participate in this career-changing lab!

All readers for this lab come from diverse backgrounds, and all entrants will receive a page of FREE written feedback on their script from their first round’s judge.

Over a dozen past winners have been signed, staffed, and optioned as a direct result of their Diverse Voices Lab meetings. Past finalists and winners have signed with companies including Heroes & Villains Entertainment, 3Arts, Zero Gravity, APA, ColorCreative, and more. See some of our past WeScreenplay success stories.

wescreenplay.com/diverse-voices/

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REST RESIDENCY FOR SINGLE MOTHERS

The Old Knitting Factory

DEADLINE: April 30, 2023

INFO: The Old Knitting Factory exists to support single mothers and other twice-marginalized single parents. Here’s how you can apply for a retreat and support our work.

Applications are now open for a free one-week stay in the Old Knitting Factory’s residency space, including a cash stipend to apply to childcare costs. The residency is open to single mothers and other twice-marginalized single parents from anywhere in the world. Come enjoy the beauty and peace of Connemara, and take some time to rest and honor yourself and your children.

Inspired by the work of The Nap Ministry, adrienne maree brown’s Pleasure Activism, and The Mae House, I am offering it as a rest residency, meaning that you don’t have to be an artist to apply; you just have to be a single mom (or other twice-marginalized single parent) who could use some rest. And couldn’t we all?

RESIDENCY / STIPEND: You’ll have use of our residency space for any week of your choosing, and you are welcome to bring your children or not, as best suits your needs. The space features a double bed, fold-out single bed, futon, and pack-and-play crib. The resident will receive a €250 cash stipend toward childcare costs, to use at your discretion.

Please note: Travel costs are not included.

GUIDELINES: To apply, email us with a brief statement (up to 500 words, shorter is fine!) on why this residency would be useful to you and your children (whether they will come with you or stay with someone else while you rest).

oldknittingfactory.com/single-mother-retreats

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Paramount

DEADLINE: May 1, 2023 by 11:59 pm PST

INFO: As part of its ongoing commitment to create additional access, exposure and opportunity for talented and motivated writers of diverse backgrounds, Paramount's Writers Mentoring Program is an eight-month program with a three-fold focus: It opens doors by providing opportunities for mentees to build and foster relationships with showrunners and network and studio executives. It supports emerging writers in their efforts to improve their craft by working with executive mentors. And it helps writers hone the essential interpersonal skills necessary to break in and succeed.

Each participant will be teamed with executive mentors from Paramount Global. Under the supervision of their mentors, participants will write a new writing sample. Once a week, for 16 weeks, participants will be invited to attend a small workshop-style meeting with various showrunners and other industry professionals. Speakers include agents, managers, development and current executives and showrunners. There is also a half-day mock writers room for mentees to experience the process in a safe environment.

It has been found that in order to derive the greatest benefit from the program, participants should be available to 1) attend a once a week (evening) workshop 2) attend a half day mock writers room and 3) have ongoing interaction with their mentors via zoom, phone or email.

Program elements such as mentoring, weekly workshops the mock writers room can be scheduled around participants’ existing work commitments.

The Paramount Writers Mentoring Program is not employment and there is no monetary compensation. It is, instead, a structured program of career development, support, and personal access to executives and the decision-making processes, with the goal of preparing aspiring writers for later employment opportunities in television.

Aspiring diverse writers with a strong desire to write for Paramount television series are encouraged to apply. You must be 21 or older and able to work in the United States to be eligible. All completed application materials must be received between April 1, 2023 and May 1, 2023 Any submissions received before April 1st or after May 1st, 2023 will not be considered.

No hand delivered submissions will be accepted. Finalists will be notified in late September 2023 (or such later date as may be determined by Paramount). The program is scheduled to begin in October 2023 and continues through April 2024. Paramount reserves the right to make adjustments to program schedule as necessary.

GUIDELINES: Two writing samples are required. The original work can be an original pilot, a one act stage play or a short fiction story. Short film scripts will not be accepted. We request that your original sample be similar in tone to the spec sample. The short fiction piece should be approximately 3,000 words. Spec scripts should be a half hour or hour episode based on a primetime drama or comedy series which aired or was released, during the 2021 – 2022 season and was broadcast on a network, cable, streamer.

paramount.com/writers-mentoring-program

TV / DIGITAL SERIES — MARCH 2023

February 27, 2023

NBC TV WRITERS PROGRAM

NBCUniversal Launch

DEADLINE: March 7, 2023 by 11:59pm PST

INFO: The NBC TV Writers Program is our premier program for emerging diverse episodic television writers with the goal of creating the next generation of showrunners and content creators.

The program, which replaces the long-standing Writers on the Verge, develops diverse writers whose distinct points of view and lived experiences provide unique perspectives to the writers’ room.

During the eight-month program, writers develop an original pilot to which they retain all rights. They are paired with NBCUniversal programming executives from the NBCU Television and Streaming portfolio and Universal Studio Group who mentor them, as they write their original pilot and polish samples for staffing consideration.

Writers also attend weekly evening workshops to enhance their creative and professional skills, including branding, pitching, and interviewing, as well as expand on their knowledge of the ever-changing television landscape. Additionally, they have opportunities to learn from and build relationships with industry professionals, including network and studio executives, showrunners, agents, and managers.

At the conclusion of the program, participating writers will be considered for available staff writer positions on NBCU Television and Streaming as well as Universal Studio Group series.

TARGETED PROGRAM LAUNCH: September 2023

ELIGIBILITY REQUIREMENTS:

Applicants must be authorized to work legally in the United States. Visa sponsorship is not offered to program participants.
Applicants must be at least 21 years of age as of September 1, 2023.
Entertainment industry experience is not required.
While in the program, applicants must reside in Los Angeles as weekly workshops are in-person.
Writers who have received a staff writer credit on more than one streaming, cable, or broadcast television scripted series are ineligible and cannot apply.

MISSION REQUIREMENTS:

Those applying must submit a complete application package, which includes the following items:

APPLICATION must be completed in its entirety. Incomplete applications will not be considered.
2 ORIGINAL PILOTS that capture the writer’s unique tone, style, and point of view. Applicants retain ownership of these 2 pre-existing pilots which will be used solely for review and evaluation purposes, as part of the application process.
Applicants must select and designate one pilot to prioritize for the first round of review and consideration. Should an applicant proceed to the next round, their second submitted pilot will be reviewed.
Submitted pilots should adhere to the following:
(1) For comedy pilots, follow a four-act structure or Cold Open + three-act structure; for drama pilots, follow a six-act structure or Cold Open + 5 act structure;
(2) Must be between 25-45 pages in length for 30-minute formats (typically comedy) or between 45-60 pages for 60-minute format (typically drama);
(3) Have a clear beginning, middle, and end.
The applicant must be the sole owner of all original material submitted.
All script reads are blind so only provide the title on the title page of the pilots. The applicant’s name, email, address, phone number, or any other identifying information should not appear in the filename, on the title page, or any other page of the script.
RELEASE FORMS must be completed, signed, and dated, in order for submissions to be accepted. Incomplete release forms will result in disqualification. Digital signatures are accepted.
RÉSUMÉ outlining chronological paid employment history (may include entertainment and non-entertainment positions) and any writing-related honors/awards. Positions must have been held within the past 15 years (two pages or less). Only list compensated positions with the exception of entertainment industry internships and full-time volunteer work at non-profits. If listing writing projects, only include projects that were produced and/or optioned. The applicant’s résumé will provide us an understanding of their work history and insight into their individual life experiences.
PERSONAL ESSAYS articulate the applicant’s unique perspective and background as it relates to their storytelling. Applicant must answer both (2) essay questions, and each essay must not exceed 400 words.

(OPTIONAL) LETTERS OF RECOMMENDATION from entertainment industry professionals who have read the applicant’s material and can comment on the applicant’s writing ability. Letters of recommendation are strongly encouraged, but not required. Acceptable letters must be on business or personal letterhead, dated in the current calendar year and include the author’s title and/or industry affiliation. No more than two letters per application will be accepted. Letters must accompany the submission and may not be submitted separately via email or mail. Any recommendation letters emailed or mailed to the Program separate from the writer’s application will not be accepted. Letter(s) from agents, managers, attorneys, etc. are considered a conflict of interest and will not be considered.

Any candidate who does not meet the aforementioned criteria will be disqualified.

NOTIFICATION: Due to the volume of submissions received, only those applicants who are selected to participate in the program will be notified. Applicants who are not selected will not be notified. Please check our social media pages for updates on the selection process. Selections will be announced a few weeks before the Program commences.

nbcuniversallaunch.com/tv-writers-program

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2024 Writer in Residence (WiR) program

Hedgebrook

DEADLINES / FEES:

By March 7, 2023 (by midnight, PST) / $45
From March 8-14, 2023 (by midnight, PST) / $55

INFO: Hedgebrook’s Writer-in-Residence Program supports writers from all over the world for residencies of two to four weeks. The cottage, all meals, and the entire residency experience at Hedgebrook is free to selected writers. Travel is not included and is the responsibility of the writer to arrange and pay for. Up to 6 writers can be in residence at a time, each housed in their own handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women-identified writers, 18 and older, whose stories and ideas shape our culture now and for generations to come. Writers must be women, which is inclusive of transgender women and female-identified individuals. Because gender inequity still occurs in all spaces including literary ones, it is part of our explicit mission to support and promote women’s voices. This application is not for alumnae seeking a return stay.

These residencies will take place February to mid-June 2024.

ACCEPTED GENRES:

FICTION
NON-FICTION
PLAYWRITING
POETRY
SCREENWRITING/TV WRITING
SONGWRITING

hedgebrook.org/writers-in-residence

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2023 EPISODIC LAB

Sundance Institute

DEADLINE: March 8, 2023

APPLICATION FEE: $40

INFO: The Episodic Lab is a six-day program that offers writers the opportunity to workshop a pilot script, while developing their writing and pitching skills. Working with accomplished showrunners, nonwriting creative producers, and executives, the Fellows participate in one-on-one story meetings, craft workshops, and simulated writers’ rooms, which together provide an elevated creative strategy for their material from key industry players in positions to advance their projects and careers.

LOCATION: Sundance Mountain Resort, Utah

ELIGIBILITY:

Applicants must be 18 years of age or older at time of application.
The project must be the applicant’s original creation or adapted from optioned source material.
The project must be written in the English language, but it does not need to be intended to be fully produced in English.
The project should be new, or if previously submitted, it must be materially different from any and all versions previously submitted to Sundance Institute. Projects may not be already produced, sold to a third party, or distributed online or otherwise.
Applicants cannot have sold an episodic project (pilot or pitch) to a studio or network in the past that has been shot.
The project shall not infringe the copyright or any other proprietary right of another individual or entity. The creator/applicant is responsible for all rights pertaining to the project.

THE APPLICATION PROCESS: Applicants are required to submit an original pilot script, their bio, a series logline, a series overview, their personal statement, a thematic statement, additional creative questions, and (optional) links to samples of previous work, along with a $40 nonrefundable processing fee. For further details on the application process, please see our FAQ section.

sundance.org/programs/episodic-storytelling/

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EMERGING WRITER FELLOWSHIP

GrubStreet

DEADLINE: March 13, 2023 at 11:59pm EST

INFO: The Emerging Writer Fellowship aims to develop new, exciting voices by providing three writers per year tuition-free access to GrubStreet’s classes and two Muse & the Marketplace summits. Over the course of one year, each Emerging Writer Fellow will attend a combination of seminars and multi-week courses of their choosing, along with a wide selection of Muse & The Marketplace programming, in order to enhance their understanding of craft and the publishing industry.

OVERVIEW:

The Emerging Writer Fellowship will be awarded to three writers who demonstrate a passion for writing, a commitment to developing their writing abilities, and financial need. Any person 18 and older who demonstrates ability and passion for writing is eligible.

The Emerging Writer Fellowship will provide access to each of the following:

4 multi-week courses
4 one-day (6hr) classes
4 three-hour seminars
Access to a wide selection of 2023 and 2024 Muse & the Marketplace conference series programming
Access to GrubStreet's Education Director and/or other program staff members for quarterly (or as-needed) office hours for personalized mentorship. (Not Required)

The fellowship year begins in May, 2023.

WHO SHOULD APPLY:

This fellowship is open to anyone 18 and older with a passion for writing. The fellowship specifically aims to assist writers in need of financial assistance in reaching their writing goals. We particularly encourage writers of color, ethnic minorities, those who identify as LGBTQ+, people with disabilities, and other members of communities historically underrepresented by the literary community to apply.

HOW TO APPLY:

The Emerging Writer Fellowship Application Form will require the following:

A sample of your writing that demonstrates your artistic style and voice. 5-10 pages for prose, screenwriting, or playwriting. 3-7 pages for poetry.
A personal statement -- no more than 500 words please! -- which should include the following:

How you envision using the fellowship.
A description of your relationship to writing. By this we mean: what excites you about it? What does it mean to you personally?
How the fellowship will help you in your growth and success as a writer.
Your writing and workshop history (Note: Prior workshop experience at GrubStreet is not required).

grubstreet.org/programs/emerging-writer-fellowship/

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DIVERSE VOICES SCREENWRITING LAB

WeScreenplay

DEADLINES:

Regular: March 15, 2023
Final: April 15, 2023

A minimum of 4 winners will be selected to participate in this career-changing lab!

All readers for this lab come from diverse backgrounds, and all entrants will receive a page of FREE written feedback on their script from their first round’s judge.

wescreenplay.com/diverse-voices/

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NHMC Series Scriptwriters Program

The National Hispanic Media Coalition (NHMC)

DEADLINE: March 26, 2023

APPLICATION FEE: $0

INFO: For nearly twenty years, the NHMC Series Scriptwriters Program has helped launch the careers of more than 200 Latinx writers.

10 Latinx writers nationwide are selected for a virtual 8-week intense writers lab. At the end of the program, these writers will have either a half-hour or hourlong original series pilot, which they will pitch to industry leaders. Over the 8-week course of the program, writers work with a professional writing mentor, meet and speak with professional industry writers, and connect with a community of Latinx writers.

NHMC graduates have worked on shows that can be viewed on Disney, Netflix, AppleTV+, CW, NBCUniversal, HBOMax, Hulu, Viacom CBS, Amazon Prime, Telemundo and more.

This program is virtual, to run Monday-Friday evenings, and Saturday mornings over the course of the 8 weeks. On-screen participation in all meetings is mandatory.

Virtual Program Run Dates: 5/30/23 – 7/21/23

FAQ:

Do I have to be Latino to apply?

No, the program is open to people of all races and ethnicities.

Is the NHMC Series Scriptwriters Program open to all ages?

No, you must be at least 18 years of age to participate in the program.

Do you have to be a U.S. Citizen to apply to the program?

No.

How much does it cost to apply?

Thanks to our sponsors, the NHMC Series Scriptwriters Program is completely free from the application to the program itself.

What kind of writing sample should be submitted? Is there a length restriction? Can I submit more than one?

Please submit a properly formatted script. We will accept the following:

1-hour (max 59 pages)
Half-hour (max 35 pages)
Feature (max 110 pages)
Only ONE writing sample can be submitted.
Will the judges provide feedback on the work that I submit for my application?

Due to the amount of applications received, judges are unable to provide feedback on submitted work.

Will you return my application materials that were submitted if I am not accepted?

No, any materials submitted will not be returned to the owner.

nhmc.org/writers/

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New Voices Fellowship

Humanitas

DEADLINES / FEES:

Regular: March 30, 2023 / $45
Final: April 14, 2023 / $50

Since 2010, 63 fellows have completed the New Voices program, with many becoming showrunners, producers, directors, and staff writers.

PPROGRAM COMPONENTS:

Mentorship: Fellows are paired with award-winning showrunners for one-on-one mentorship focused on their project. Written notes are provided over a series of meetings. Former mentors include: Alan Ball, Jenny Bicks, Janine Sherman Barrois, Scott Z. Burns, Steven Canals, Matt Carlson, Liz Craft, Sarah Fain, Tom Fontana, Gary Glasberg, Gary David Goldberg, Deborah Goodwin, Marc Guggenheim, Hart Hanson, Chris Harris, felicia henderson, Winnie Holzman, David Hudgins, Jason Katims, Jay Kogen, Bill Lawrence, Ali LeRoi, Melanie Marnich, Justin Noble, Nancy Pimental, Rashad Raisani, Robin Schiff, David Shore, Patrick Sean Smith, Robin Swicord, Pam Veasey, Ligiah Villalobos, Ben Watkins, and David Zuckerman.
Conversation & Workshops Series: The Humanitas staff and the New Voices Advisor invite fellows to join a series of conversations and workshops focused on the most pressing issues facing emerging television and screenwriters. Topics have included the art of the pitch, general meetings, networking, representatives, “branding” yourself as a writer, the guilds, first jobs, career longevity tips, and more. Fellows are also encouraged to attend Humanitas public programming efforts like Industry 101 and participate in a mock writers’ room near the conclusion of the fellowships.
Professional Development & Networking: In addition to the community cultivated through the New Voices Conversation and Workshops Series, New Voices aims to present fellows with at least one networking opportunity per year. Once the New Voices Fellowship has concluded, the fellows’ creative materials and contact information are collected in the New Voices Fellowship Talent Guide and distributed to the Humanitas agents and managers network. New Voices Fellows also receive invitations to community events throughout the year.
Stipend: Each fellow receives a $7,500 stipend.
Humanitas Prizes 2023 Event: Fellows will be invited to attend the 2023 Humanitas Prizes Luncheon, which is currently planned as an in-person event in Beverly Hills, California in Autumn 2023.

NEW VOICES FELLOWSHIP CALENDAR:

February - April 2023: Application period
May - July 2023: Script evaluation
August 2023: Finalist interviews and New Voices Fellow announcement
September 2023: New Voices Fellows recognized at Humanitas Prizes event in Beverly Hills
September 2023 - January 2024: Fellowship period
Early 2024: New Voices Live (culminating celebration)

SUBMISSION MATERIALS:

Original 30- or 60-minute pilot, or feature film screenplay
Logline
Brief synopsis (~250 words)
Supplementary materials: bio, resume, and a short artist statement that speaks to the applicant's professional aspirations and why they felt compelled to write the submitted project.
Release form (link)

ELIGIBILITY & ADDITIONAL DETAILS:

Applicants must be 21 years of age or older at time of application.
Applicants do not need to be a U.S. permanent resident and/or citizen but must be residing in the US during the fellowship. Humanitas is unable to provide Visa support for writers overseas.
Applicants must be available to participate actively in all dimensions of fellowship programming, including mandatory workshops, virtual gatherings, and virtual public programs.
The New Voices Fellowship is for emerging television and screenwriters who 1) do not have a manager or agent, 2) have not been previously staffed as a writer in a scripted television series’ writers room, and 3) have not otherwise received payment for produced scripted feature film or television writing services prior to the submission period. Writers paid for options on unproduced scripts or for writing services on unproduced treatments, micro-budget features, or on unproduced projects outside the WGA’s jurisdiction and below WGA-established minimums should contact Humanitas with details on their situation to determine eligibility.
Applicants are strongly advised to only submit one application and script per year.
Scripts must be an original work. Adaptations or reimaginings of true events or fictional stories are acceptable; by submitting you acknowledge you have secured all rights needed to adapt any material.
Former semi-finalists and finalists are eligible to reapply so long as they meet all other criteria. Former semi-finalists and finalists are advised that all application materials must have undergone notable revisions, including and especially the script sample if it is the same project as previously submitted.
Previous recipients of the Carol Mendelsohn College Drama Award and David and Lynn Angell College Comedy Award are eligible for the New Voices Fellowship so long as they meet all other eligibility criteria.
Former New Voices Fellows are not eligible to reapply.
Current Humanitas staff and interns are not eligible for the fellowship.
Assessment to determine finalists weighs the quality of the applicant’s script, the script’s relevance to Humanitas mission, and the quality of the applicant’s supplementary materials. All finalists are interviewed on Zoom. These meetings cover the submitted project, career aspirations, and play an essential role in determining who is selected for the annual New Voices Fellowship cohort.
Should a writing team be selected for the fellowship, the stipend will be split evenly amongst the writers.

While the New Voices Fellowship accepts materials from all writers, writers with diverse backgrounds and social identities historically underrepresented in media are highly encouraged to apply.

humanitasprize.org/new-voices-fellowship-2023

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THE WRITERS LAB US 2023

TWL US

DEADLINE: March 31, 2023

FEES:

Standard Entry - $60.00
Member Entry (WIF & Film Fatales) - $40.00
Standard Entry with 1.5-page WeScreenplay Feedback - $145.00
Member Entry with 1.5-page WeScreenplay Feedback (WIF & Film Fatales) - $125.00

INFO: TWL US is a retreat focusing on project, craft and career development for women and non-binary screenwriters 40+. Currently accepting Features and TV Pilots.

The Writers Lab US will be conducted in-person, outside New York City. Writers selected to participate are expected to provide their own transportation to and from New York City. TWL provides transportation between New York City and the retreat itself, along with food and accommodations at the retreat venue.

During the retreat writers undergo deep development work, with revision guidance and career support from the experienced TWL team and some of the industry’s best writers and producers in one-on-one and group sessions.

The Writers Lab US is produced by co-founders Elizabeth Kaiden and Nitza Wilon, with New York Women in Film & Television. It is presented in collaboration with the Writers Guild of America, East, with in-kind support from The Black List, Falco Ink, Film Fatales, Filmarket Hub, and Roadmap Writers.

It is supported by Meryl Streep, Nicole Kidman, the Cornelia T. Bailey Foundation, Kate Hall & Gary Lynch.

BENEFITS:

Writers gain:

Individualized feedback, insights and guidance on their selected projects and their craft;
Understanding of industry standards, practices, expectations and predilections, and strategies and resources for navigating them;
A community of peers and a network of relationships that can extend well beyond the program;
Exposure and opportunities beyond the Lab, as well as the resources and year-round supplemental programming of The Writers Lab.

The Lab aims to build skills, confidence and community, and to prepare writers for collaborative work and market demands.

The Writers Lab network of producing, partnering and supporting entities has included:

TWL US co-founders Elizabeth Kaiden and Nitza Wilon
New York Women in Film & Television
Untamed Stories producers Julia Berg and Ruth Spencer
TWL US Mentors & Speakers: Susan Cartsonis (What Women Want), Lisa Cortés(Precious), Amy Fox (The Conners), Daniela Gonzalez (Good Fear Content), Pamela Gray (A Walk on the Moon), Rita Hsaio (Mulan), Melissa James Gibson (House of Cards), Meg LeFauve (Inside Out), Robina Lord-Stafford (Moonshine), Riva Marker (Beasts of No Nation), Leah Meyerhoff (Film Fatales, I Believe in Unicorns), Gina Prince-Blythewood (The Woman King), Erica Saleh (One of Us is Lying), Tracey Scott Wilson (The Americans), Susan Seidelman(Desperately Seeking Susan), Mary Jane Skalski (The Station Agent), Kiwi Smith (Legally Blonde), Robin Swicord (Memoirs of a Geisha), Frida Torresblanco (Pan's Labyrinth), Pat Verducci (True Crime), Jamie Zelermyer (Focus Features).

writers.coverfly.com/competitions/view/the-writers-lab-us

TV / DIGITAL SERIES — FEBRUARY 2023

January 31, 2023

2023 Episodic Lab

Sundance Institute

APPLICATIONS PERIOD: February 8 - March 8, 2023

APPLICATION FEE: $40

LOCATION: Sundance Mountain Resort, Utah

ELIGIBILITY:

Applicants must be 18 years of age or older at time of application.
The project must be the applicant’s original creation or adapted from optioned source material.
The project must be written in the English language, but it does not need to be intended to be fully produced in English.
The project should be new, or if previously submitted, it must be materially different from any and all versions previously submitted to Sundance Institute. Projects may not be already produced, sold to a third party, or distributed online or otherwise.
Applicants cannot have sold an episodic project (pilot or pitch) to a studio or network in the past that has been shot.
The project shall not infringe the copyright or any other proprietary right of another individual or entity. The creator/applicant is responsible for all rights pertaining to the project.

sundance.org/programs/episodic-storytelling/

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DIVERSE VOICES SCREENWRITING LAB

WeScreenplay

DEADLINES:

Early: February 15, 2023
Regular: March 15, 2023
Final: April 15, 2023

A minimum of 4 winners will be selected to participate in this career-changing lab!

All readers for this lab come from diverse backgrounds, and all entrants will receive a page of FREE written feedback on their script from their first round’s judge.

wescreenplay.com/diverse-voices/

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NBC TV WRITERS PROGRAM 2023

NBCUniversal Launch

APPLICATIONS OPEN: February 15, 2023

INFO: NBC TV Writers Program identifies & develops writers whose points of view & diverse lived experiences provide unique perspectives to the writers room.

NBCUniversal Launch aims to cultivate inclusive storytelling while also discovering and nurturing the next generation of diverse content creators. As one of its signature programs, the NBC TV Writers Program curates, cultivates, and elevates writers from diverse and underrepresented communities and prepares them for substantial careers within the television industry.

BENEFITS: During the eight-month program, writers will create and workshop an original pilot to which the writer retains all rights. They will be paired with programming executives who will mentor them, as they write their original pilot and polish samples for staffing consideration.

The program also consists of weekly evening workshops, focused on developing craft, soft skills, and the business of TV writing. The goals of these workshops are to enhance writers’ creative and professional skills, such as self-branding, pitching, and interviewing, and to increase writers’ knowledge of the TV, streaming, and studio landscape. Throughout the program, selected writers interact with industry professionals, including network and studio executives, showrunners, agents, and managers.

At the conclusion of the program, program writers will be considered for writing positions on NBC broadcast, cable, streaming, and Universal Studio Group series.

writers.coverfly.com/competitions/view/nbc-tv-writers-program#about

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Nawat Fes RESIDENCY

Nawat Fes

DEADLINE: February 15, 2023

INFO: Nawat Fes offers funded residencies in the eighth-century medina of Fes, Morocco to U.S. and international creators in multiple disciplines.

The initiative engages art to cultivate understanding among multifaceted cultures through the exchange of ideas. Hosted by the American Language Center Fes / Arabic Language Institute in Fez, a member of the American Cultural Association, Nawat Fes is a new program that hosted its first residencies in May 2022.

Two Nawat Fes artist residents at one time live and work in the ancient medina of Fes, which is considered one of the most extensive and best conserved historic cities of the Arab-Muslim world.

Designated a UNESCO World Heritage Site, the Fes medina is one of the world’s largest pedestrian zones, containing narrow alleyways leading to ancient architectural treasures, traditional houses, artisan workshops and open-air markets.

Within this unique setting, Nawat Fes provides a supportive environment for research, reflection and artistic practice, allowing artists from around the world to experience and learn from Moroccan culture, and to contribute to the local cultural conversation.

DAR BENNIS: Two artists at one time reside and work on separate floors of Dar Bennis, a restored traditional Moroccan house in the old medina, tucked away not far from the main street. Each artist will have a bedroom, a private bath, and a basic studio in the house. The house has wifi, a shared kitchen, a laundry room and a roof terrace with a view of the medina.

As the rooms in Dar Bennis all open onto an interior courtyard, perfect quiet in the living and work spaces cannot be assured. There are several great cafes nearby that also make excellent off-site working environments.

ADDITIONAL EXPECTATIONS / OPPORTUNITIES: Nawat Fes artist residents will be expected to offer two opportunities for our community to engage with their work. These could be public programs such as a talk, performance, reading, lecture, workshop or concert, or an exhibition of their work during the residency.

These programs are intended for local students of English and/or international students of Arabic, as well as the local community. Artists should be prepared to engage with our community in English or Arabic.

RESDIENCY PERIODS: Nawat Fes offers several residency periods each year of roughly two months each. Artists are expected to arrive at the beginning of each residency period and to stay through the end of the residency period.

Residencies from Mid-May 2023 through Mid-May 2024 will be awarded to artists who apply at the February 15, 2023 application deadline. These residency periods will be:

SUMMER 2023 (Mid-May through Mid-July 2023)
FALL 2023 (Mid-October to Early December 2023)
WINTER 2024 (Mid-January to Mid-March 2024)
SPRING 2024 (Mid-March to Mid-May 2024)

Residencies after May 2024 will be scheduled in a future application process. If you are interested in applying at a future deadline, please add your name to the Nawat Fes email list and we will inform you when the next application cycle opens.

ARTIST STIPENDS: Residencies are supported by the American Language Center Fes, which provides housing at no cost to artist residents, along with a 200-dirham/day living allowance (depending on the exchange rate, this normally ranges from 16-20 USD/day), from which artists will provide their own food. Half of the stipend is provided on arrival, and half at the midpoint of the residency. We can recommend some excellent local cooks who can come to Dar Bennis to prepare a variety of meals, including vegetarian, vegan, and gluten free options, as well as traditional Moroccan dishes. Artists can use their stipend to pay for this service. The ALC will host occasional meals including other members of the Fes community.

ALC-ALIF staff and volunteers will be available on a limited basis to help artists engage with the local community. Artists will also be offered the option of a complimentary course in Moroccan Arabic, as well as optional translation services into Arabic for their descriptive and biographical material. Artists support the cost of their own travel, travel medical insurance, artist materials, any cost for mailing finished work out of Morocco, and all other costs.

SELECTION CRITERIA: Artists will be selected by a jury. We value diversity highly within our community of artist residents. Residencies are awarded based on the quality of work submitted, diversity of cohort, the proposal for intended new work, and the fit of the artist within Morocco and the Fes medina.

A high value is placed on linguistic exchange between the artists and the Moroccan community in Fes, which participates in American Language Center Fes programs in English, so artist applicants must have good conversation skills in English. Arabic and French are helpful but not required.

alcfes.org/nawatfes/

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Interdisciplinary Artist-in- Residence Programs

The Peter Bullough Foundation

DEADLINE: February 21, 2023

INFO: The Peter Bullough Foundation provides fall and spring residencies for emerging artists and scholars with diverse backgrounds and interests. We hope to create a community that elevates voices that are underserved, including those of the LGBTQIA2S+ community.

The ideal applicant will be self-directed, motivated, able to work independently, and interested in engaging with the local community. Each awarded residency period is roughly four weeks long and is shared with one or two other artists in residence. Artistic collaborators in groups of two to three may apply in one application. While in residence, artists are required to host a community workshop, lecture, or event virtually or in-person.

The PBF accepts applications from artists working in the following disciplines: architecture, literature, film/video arts, interdisciplinary arts, music, music composition, playwriting, screenwriting, poetry, theatre, and the visual arts.

APPLICATION: Fall residencies begin in August, September, and October, and November and spring residencies start in late January, February, March, and April. Applications open in January for fall residencies and in August for spring residencies. Please sign up for our newsletter to be notified when applications open.

Applicants are not required to mail in hard copies of the application forms. If you need assistance with the online application process, or do not have access to a computer, please contact the PBF staff for guidance on applying.

When open, applications are available through the Call for Entry website by first making an artist account at Call for Entry and then by applying to the residency.

Applications include the following requirements:

Application Form
Personal Statement/Proposal
Resume, CV, or Statement of Qualifications
Work Samples/Portfolio
Two Personal References

LOCATION: Winchester, Virginia is a quintessential American small town with a rising arts scene. The town is home to a large regional art museum, several house museums, a children's discovery museum, and many small, local shops that embrace the area's creative community. Downtown Winchester offers numerous dining options and four award-winning locally-owned breweries. Additionally, Winchester is home to Shenandoah University which regularly hosts theater, dance, and music performances.

ACCOMMODATIONS & SUPPORT: The Peter Bullough Foundation is delighted to offer free accommodations for two to three artists at a time in Dr. Bullough’s former home, a renovated 1840’s house with private bedrooms and shared bathrooms and common spaces. Private studios and workspaces are located in an adjacent building that also houses the majority of Dr. Bullough’s book and art collections. Private gardens connect the properties and are also available as open-air workspaces.

A $550 stipend is provided to aid in covering supplies, necessities, and food for the month. If you have any questions about the residency program, please contact the PBF or check out our Frequently Asked Questions page.

SELECTION: Selection is a multi-step process involving the PBF staff, residency committee, residency alumni, and board. We may request an interview with you to learn more about you and your work. Selections will be announced 30-45 days after the application deadline. The PBF does not discriminate in its programs and activities on the basis of race, sex, sexual orientation, gender identity, gender expression, marital status, religion, creed, national origin, age, and/or disability.

peterbulloughfoundation.org/residencies

TV / DIGITAL SERIES — JANUARY 2023

December 31, 2022

Hillman Grad Mentorship Lab

Hillman Grad Foundation

DEADLINE: January 16, 2023 at 11:59 pm ET

INFO: Hillman Grad is thrilled to announce the third season of the Mentorship Lab: the home for the next generation of diverse writers, actors and aspiring creative executives. The Hillman Grad Mentorship Lab provides opportunities for marginalized storytellers to connect, grow, and accelerate their career in television.

Committed to infusing new narratives and perspectives in front of and behind the camera, the Hillman Grad Mentorship Lab provides a robust slate of workshops, educational resources, and professional development and networking opportunities for a cohort of diverse writers, actors, and aspiring creative executives.

The tuition-free, 8-month program grants fellows the unique opportunity to enhance their creative skillset through personalized instruction from industry professionals, creating additional pathways to bring more people from diverse backgrounds into the entertainment industry.

hillmangrad.com/foundation/mentorship-lab

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WURLITZER FOUNDATION RESIDENCY

Helene Wurlitzer Foundation

DEADLINE: January 18, 2023

APPLICATION FEE: $30

INFO: The Helene Wurlitzer Foundation of New Mexico (HWF) is a private, 501(c)(3) non-profit, educational and charitable organization committed to supporting the arts. Founded in 1954, the HWF manages one of the oldest artist residency programs in the USA and is located on fifteen acres in the heart of Taos, New Mexico, a multicultural community renowned for its popularity with artists.

The Foundation offers three months of rent-free and utility-paid housing to people who specialize in the creative arts. Our eleven artist casitas, or guest houses, are fully furnished and provide residents with a peaceful setting in which to pursue their creative endeavors.

The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.

Applications are reviewed by a selection committee consisting of professionals who specialize in the artistic discipline of the applicant. Numerous jurors serve on committees for each: visual arts, music composers, writers, poets, playwrights, and filmmakers. Jurors, who know nothing about the artist's demographics, score in five categories based purely on the merit of the applicant's creative work samples.

Artists in residence have no imposed expectations, quotas, or requirements during their stay on the HWF campus. The HWF’s residency program provides artists with the time and space to create, which in turn enriches the artistic community and culture locally and abroad.

GUIDELINES:

Literary artists may upload writing samples in .pdf format using the application form above. Alternatively, literary artists may choose to mail hard-copies. Include a cover sheet containing your contact info and table of contents, but please omit names and contact info on the writing samples themselves.

Writers: samples should not exceed 35 double-spaced pages
Poets: a maximum of six poems.
Playwrights: include one complete play.
Screenwriters: include one complete screenplay.

Digital work samples are accepted and encouraged for applications from visual artists and composers. Applicants should prepare to submit five work sample files when filling out the online application form. Acceptable file types for images include jpg, gif and png. Accepted types for audio files are mp3 and m4a.

Filmmakers must mail a DVD or USB-drive containing up to 30 minutes of video which represents no more than five different samples of your work.

wurlitzerfoundation.org/apply

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ELEVATE COLLECTIVE

Inevitable Foundation

DEADLINE: Rolling

APPLICATION FEE: $0

INFO: The Elevate Collective empowers mid- and upper-level disabled screenwriters with the mentorship, coaching and connections they need to level-up their careers.

FAQS:

Why did you create Elevate Collective?

Mid- and upper-level disabled screenwriters need targeted support, education, connections and financial resources—small to medium-sized actions that can have an outsized impact, especially in an industry that is mostly focused on supporting emerging talent. Based on the learnings from our Fellowship program, we wanted to support more disabled screenwriters and help them accelerate their careers, with an important emphasis on building community. For mid- and upper-level disabled writers, there are very few places to turn for this industry-specific support, which is why we created Elevate Collective.

What is the difference between the Elevate Collective and an Elevate Collective Award?

Elevate Collective is an ongoing community of disabled writers who can turn to each other for ongoing support, networking and camaraderie. The Collective is made up of Elevate Collective Award recipients, who have received one-time $5,000 grants that can be used for coaching, education, mentorship, work-from-home equipment and/or IP acquisition.

What does an Elevate Collective Award include?

Elevate Collective Members receive a $5,000 professional development grant, which can be used for career coaching, professional development script consultations, equipment and IP acquisition. Elevate Collective Members also have quarterly check-ins with the Inevitable Foundation team and regular events for members to meet their peers and build community with other disabled screenwriters.

Does Inevitable Foundation own the Intellectual Property (IP) that Elevate Collective Members acquire?

No. When Elevate Collective Members use Elevate Collective Awards to purchase IP, the Member is the right’s holder.

How long does an Elevate Collective Award last?

The financial benefits of an Elevate Collective Award must be used within six (6) months. However, Elevate Collective Members will continue to have access to events and community building opportunities indefinitely.

Can I apply for an Elevate Collective Award more than once?

Yes. If you receive an Elevate Collective Award, you are not permitted to apply again for one (1) calendar year, after which you may re-apply. Receiving an Elevate Collective Award once does not guarantee that you will selected in the future.

ELIGIBILITY:

What are your eligibility requirements?

General eligibility requirements:

Self-identifies as disabled.
18 years of age or older.
Currently pursuing a career in screenwriting.
Not enrolled in an accredited degree program.
Currently or previously has worked in the entertainment industry.

Applicants must also meet at least two (2) of the following criteria:

Has an agent or a manager
Member of the WGA, Animation Guild or equivalent union
Has sold a script, TV show, or pitch before
Has staffed on a tv show or received a writing credit on a movie
Has been or currently are in development with a major production company, studio, or network

APPLICATION PROCESS:

What information does the Application ask for?

The Application requires the following information:

Standard Demographic Information including race, gender, sexual orientation, etc.

Writer Questions (max 250 words each)
- What have you accomplished in your career over the last two years?
- What is the next level you want to achieve in your career
- What are the biggest things in the way of you reaching that next level?
- Why is disability representation important to you?
- What projects are you currently working on?
  - List title, format, genre(s) and loglines.
Resume or CV

inevitable.foundation/elevate

TV / DIGITAL SERIES — DECEMBER 2022

November 30, 2022

Black Voices Creator Fellowship

YouTube Originals / The Black List

DEADLINE: December 15, 2022

INFO: The inaugural Black List x YouTube Originals Black Voices Creator Fellowship will provide four writers who can write exceptionally and authentically about the Black experience with $40,000 each to produce a proof of concept and develop a pitch for a television series that authentically reflects the Black experience. Each Fellow will also receive mentorship from an established showrunner over the course of the six-month Fellowship.

Writers who have not had any previously compensated script-writing work produced in their film or television writing careers can opt into consideration via the Black List website. At that time, the Black List will choose up to fifteen shortlisted writers, whose work and initial series pitches will be shared with YouTube Originals, who will decide the fellowship recipients in February 2023.

Black List x YouTube Originals Black Voices Creator Fellowship is open to feature, episodic, and theatrical writers; however, please note recipients for this Fellowship will have to produce a proof of concept short and develop a pitch for a television series. Additionally, $20,000 of the $40,000 grant must be allocated as production funds for the proof of concept short.

https://blcklst.com/partnerships/opportunities/126

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OPEN CALL

iTVS

DEADLINE: December 16, 2022 11:59pm PST

INFO: Get funding and support to complete your single nonfiction program for broadcast on public television—whether you’re an emerging filmmaker or a veteran producer.

THE APPLICATION PROCESS: We’re looking for exceptional storytelling that’s in line with our mission: stories that take risks, tackle important issues, address the needs of underserved audiences, and are seldom seen in public media. We know how hard you’ve worked on your project, and we’ll partner with you to help you finish it, then distribute it on public television.

Open Call gives independent producers up to $350,000 to complete production for a standalone broadcast length documentary to air on public television. The documentary can be on any subject, viewpoint or style as long as it is in active production already, as evidenced via a ten to fifteen minute work in progress sample. For pre-production nonfiction projects, see Diversity Development Fund or Short-Form Open Call.

Open Call is not a grant. You will receive funding in the form of a co-production agreement that assigns ITVS certain broadcast and streaming rights to your project during the term of the contract.

Be sure to allow sufficient time (2-4 weeks) to complete the application. ITVS has adopted the Non-Fiction Core standards as a foundation for our funding applications. Much of the Open Call application has been aligned with this model, however, there is additional production detail required to complete the application as ITVS funds documentaries for public television.

WHO WE FUND:

Single, non-fiction projects of standard broadcast length (30, 60, or 90 minutes) that aren’t intended solely for theatrical or SVOD (Subscription Video on Demand) release. We do not accept live-action drama or fiction.
Broadcast distribution for feature length programs on public television are very limited. ITVS may require you to deliver a one-hour version of your program.
Works in progress.

WHAT WE EXPECT:

After you submit your application, you will receive notification of your status within 16-20 weeks. If you are among a small group of finalists who advance through a series of peer reviews, you will be asked to submit additional materials for a feasibility review.

Decisions are final and may not be appealed. However, unsuccessful applicants are welcome to apply again in the future. Reviewer feedback will only be provided to those applicants that make it to panel review or, based on staff capacity, for those applicants from Phase One.

Production and Distribution

ITVS doesn’t just fund your film. We provide you with creative development and feedback, and, depending on the broadcast outlet, with marketing, publicity, and audience engagement services. You own copyright and maintain full editorial, creative, and financial control.

Funded projects will be expected to acknowledge the production support from ITVS in all program and publicity materials; cooperate with ITVS’ publicity protocols; provide timely information to ITVS about project activities, including notification of and request for approval of any major changes to the project; and submit contract deliverables, including final financial reporting at the conclusion of the project. Failure to submit the final financials will preclude applicants from eligibility to apply for future funding.

When your program is at or near completion, we offer it to and work closely with public television programmers across the U.S. to secure a sublicense of public television broadcast rights and ensure the broadcast of your program. ITVS will enter into a license agreement for exclusive domestic television rights.

Most ITVS-funded programs air on PBS series such as Independent Lens, POV, American Masters, FRONTLINE, and America ReFramed. Our programs also have success in the festival, educational video, home video, SVOD and foreign broadcast markets.

ELIGIBILITY:

The owner of the copyright of your production and maintain editorial control of the story. If more than one applicant is included on the application, both applicants must be copyright owners.
Not employed full-time as a producer or director by a broadcast entity or film studio.
Someone with previous film or television production experience in a principal role: director, producer or first-time filmmakers with an experienced producer attached to the project.
Graduate thesis are eligible as previously completed work. Undergraduate student work will not be reviewed
Applying to only this ITVS funding initiative at this time – we won’t review projects already under consideration for other ITVS funding.
A citizen or legal resident of the U.S. or its external territories age 18 or older.
Individuals can only submit one application per round, as either an applicant or a second applicant. However, an applicant can be a member of the key creative personnel on multiple projects.
Seeking funding for only production activities that support the completion and delivery of a program for broadcast.
Submitting a project that is in production or post-production. Projects that are early in production may not be as competitive unless you have demonstrated access, strong storytelling in your treatment and work sample, and an urgency to the story.

You are not eligible to apply if you are:

Currently enrolled student.
Current signatories of any ITVS production contracts who have not yet completed delivery.
Producers representing foreign-based production entities.
Persons employed full-time as producers/directors by a public or commercial broadcast entity, including public access stations.
Organizations including universities, foundations, and nonprofit organizations.
Your project is too advanced (e.g. at fine cut or festival submission cut).
Programs that have been previously broadcast, or distributed publicly (including theatrical, festivals, educational, community screenings or online platforms).
Former employees who have worked for ITVS within the past 12 months.

https://itvs.org/funding/open-call

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BLACK BOY WRITES/BLACK GIRL WRITES MENTORSHIP INITIATIVE

Mike Gauyo / Stage 32

DEADLINE: December 18, 2022 at 11:59pm EST

SUBMISSION FEE: $0

INFO: Mike Gauyo (Insecure, Ginny & Georgia) and industry-leading training platform Stage 32 open submissions to the Black Boy Writes & Black Girl Writes Mentorship Initiative under the Black Boy Writes Media banner.

The initiative, which launched at the top of 2021, focuses on supplying industry access and resources to preWGA Black screenwriters. In partnership with Stage 32, admissions for the 2023 class will open November 18th 2022 and close December 18th 2022. The first round of the application will require a bio, 1-hour or half-hour original script (of any genre), and a short essay. Those chosen to move to the second round will interview with Mike and the initiative's Chief of Programming, Ashley Aronson, before 10 to 12 participants are selected.

Features of the mentorship initiative include monthly Writer Roundtables with established writers/industry leaders. Past participants include Amy Aniobi of Insecure, Kay Oyegun of This Is Us, and Golden Globe Winning & Oscar-NominatedWriter Kemp Powers writer of Soul and One Night in Miami.

In addition, mentees will participate in writing workshops and notes sessions to prepare mentees for Fellowships, Generals, and Staffing. They will also participate in general meetings with Networks and Production Companies. Past participants include Nick Jr., OutTV, Plan B, and Array. And at the end of the program, each mentee will have the opportunity to be read by Mike Gauyo’s agents at Culture Creative and Lit Managers at Writ Large, for representation consideration.

Mentees will also receive education and training through Stage 32 Next Level Education in the form of a free webinar of their choice and Stage 32 Script Services in the form of a free pitch session with the executive of their choice. Each mentee will also receive the latest in Final Draft software.

stage32.com/happy-writers/contests/Black-Boy-Writes-Media-and-Stage-32-Partner-to-Open-Submissions-for-Black-Boy-Writes-and-Black-Girl-Write&affid=RAD

_____

ELEVATE COLLECTIVE

Inevitable Foundation

DEADLINE: Rolling

APPLICATION FEE: $0

INFO: The Elevate Collective empowers mid- and upper-level disabled screenwriters with the mentorship, coaching and connections they need to level-up their careers.

FAQS:

Why did you create Elevate Collective?

What is the difference between the Elevate Collective and an Elevate Collective Award?

What does an Elevate Collective Award include?

Does Inevitable Foundation own the Intellectual Property (IP) that Elevate Collective Members acquire?

No. When Elevate Collective Members use Elevate Collective Awards to purchase IP, the Member is the right’s holder.

How long does an Elevate Collective Award last?

Can I apply for an Elevate Collective Award more than once?

ELIGIBILITY:

What are your eligibility requirements?

General eligibility requirements:

Self-identifies as disabled.
18 years of age or older.
Currently pursuing a career in screenwriting.
Not enrolled in an accredited degree program.
Currently or previously has worked in the entertainment industry.

Applicants must also meet at least two (2) of the following criteria:

Has an agent or a manager
Member of the WGA, Animation Guild or equivalent union
Has sold a script, TV show, or pitch before
Has staffed on a tv show or received a writing credit on a movie
Has been or currently are in development with a major production company, studio, or network

APPLICATION PROCESS:

What information does the Application ask for?

The Application requires the following information:

Standard Demographic Information including race, gender, sexual orientation, etc.

Writer Questions (max 250 words each)
- What have you accomplished in your career over the last two years?
- What is the next level you want to achieve in your career
- What are the biggest things in the way of you reaching that next level?
- Why is disability representation important to you?
- What projects are you currently working on?
  - List title, format, genre(s) and loglines.
Resume or CV

inevitable.foundation/elevate

TV / DIGITAL SERIES — NOVEMBER 2022

October 31, 2022

CAPE NEW WRITERS FELLOWSHIP

Coalition of Asian Pacifics in Entertainment (CAPE)

DEADLINE: November 7, 2022

APPLICATION FEE: $65

INFO: The CAPE New Writers Fellowship (CNWF) discovers and nurtures emerging Asian and Pacific Islanders writers launching their careers in television. Founded and co-chaired by Emmy Award-winning Writer, Creator and Showrunner Leo Chu and veteran film and TV executive Steve Tao, the CAPE New Writers Fellowship is one of few writing programs in Hollywood created by a creative and an executive. This immersive Fellowship arms each writer with the practical and business knowledge they need to succeed as a professional writer in the entertainment industry.

Over the course of several weeks, CAPE brings in top television and film writers, producers, agents, managers, and executives for a series of intimate panels, workshops, and discussions. The Fellowship also features a Writing Lab where each Fellow is matched with a high-level industry mentor to help them revise their original script into professional level writing samples to get them noticed and land that all-important first staff job.

The Fellowship typically runs each year in early spring. Sessions take place on weekday evenings PT for approximately 3 hours, twice a week.

Each application consists of:

Complete, original episodic pilot script with all identifying information removed
General Release Form
Rules & Conditions Form
Resume
$65 non-refundable application processing fee paid via PayPal

ELIGIBILITY TERMS + REQUIREMENTS:

You must be at least 18 years old to apply.
You or your script should be consistent with CAPE’s mission to champion diversity by educating, empowering, and connecting Asian American and Pacific Islander artists and leaders in entertainment.
You must have the ability to accept paid work in the United States. CAPE does not sponsor or assist with visas.
You must be available to attend every virtual session via Zoom. Sessions will be held on March-April 2023 on Monday and Wednesday weekday evenings Pacific Time.
- There will be a potential in-person event in late April in the Los Angeles area. All guests must be fully vaccinated by the date of the event - with proof of vaccination required. Transportation and lodging costs will not be covered.
We accept half-hour or hour long pilots only. All genres accepted.
Your script must be in English. Additional languages are accepted with subtitles.
You must not have been employed as a staff writer (or higher level).
You must not have had a film/script over $1 million budget produced.
Your script must be in PDF format and in industry format.
Your script must not contain any identifying information (name, email, rep information) on any pages. You may include WGA or copyright registration numbers if you wish, but it is not necessary.
Your script must be original and you must own all rights to the script free and clear.
Your script must not be under an option and you must have sole authority over changes to the script.
We accept writing teams of up to 2 writers. You must be committed to pursuing a career as a writing team. Both members of any writing team must meet all requirements.
You must workshop and edit the script you submitted to the Fellowship, if accepted.
We do not accept revised or replacement scripts - no exceptions.
You may submit more than one entry, but they must be submitted separately with their own application and fee.
All entries are non-refundable.
Any applicant or writing team failing to meet the above requirements will be disqualified.

capeusa.org/cnwf

_____

EMERGING VOICES PARTNERSHIP

The Hallmark Mahogany / The Black List

DEADLINE: November 8, 2022

INFO: The Hallmark Mahogany x The Black List Emerging Voices Partnership is a new collaboration that will offer a WGA-minimum open script deal to one writer who has an aptitude and passion for telling authentic stories that reflect the Black experience in the spirit of such classic movies like LOVE & BASKETBALL, JUMPING THE BROOM, and LOVE JONES.

The selected writer will develop an original Mahogany teleplay that embraces the initiative and Mahogany card brand’s core pillars of community, love, sisterhood, faith, and purpose.

In addition to the open script deal, Crown Media will provide 50 writers with coupons for one free month of hosting and two evaluations on blcklst.com.

This opportunity is open to all writers who can organically and authentically capture the Black experience. Interested writers may submit a feature or pilot script, play, or musical to blcklst.com.

blcklst.com/partnerships/opportunities/125

_____

THE MINORITY REPORT 2023: A SCREENWRITING FELLOWSHIP

DIVERSO

DEADLINE: Extended to November 10, 2022

ENTRY FEE: $20 (Pilot + Feature)

INFO: The Minority Report is an industry-vetted fellowship program for the top diverse screenwriters enrolled in undergraduate or graduate educational institutions (Class of 2022 Graduates are eligible). Made by students, for students, it's the first-ever initiative of its kind.

The contest is sponsored by DIVERSO, a student-run film nonprofit dedicated to changing the face of entertainment by empowering the underrepresented storytellers of the next generation.

At DIVERSO, we believe that long-term, systemic change in Hollywood starts at the student level: providing underrepresented student groups with exposure, resources, and connections in Hollywood that they may not otherwise have access to.

We offer an extensive professional platform to break into entertainment by connecting our Minority Report Fellows with top companies/executives/mentors and providing individualized guidance and stipend for career development.

BENEFITS:

Each year, the Minority Report Fellowship program changes. Below, you'll find the benefits afforded to the Fellows over the last two seasons.

PREVIOUS SEASONS' BENEFITS:

1. Distribution to Agencies: The Minority Report was sent out to over a dozen agents and managers at different companies from Anonymous Content to Paradigm to United Talent Agency.

2. Virtual Panels with Top Industry Professionals:

The Daniels, EVERYTHING EVERYWHERE ALL AT ONCE
Shaka King, JUDAS AND THE BLACK MESSIAH
Jessica Gao, RICK & MORTY
Amy Aniobi, INSECURE
JD Dillard, STARWARS: THE RISE OF SKYWALKER
Dennis Liu, RAISING DION

3. General Meetings: Our fellows were set up on 5+ general meetings with executives from studios and production companies such as Plan B, 3Arts, Paramount, Universal, Big Beach, JuVee, Tornante, and more.

4. Mentorship: Fellows were matched with experienced writers in the industry based on their personalized style and experience. Mentors provided both career and script guidance. Last season's mentors included:

Charles Rogers, SEARCH PARTY
Charise Castro Smith, ENCANTO
Ifuoma Ofordire, LOVECRAFT COUNTRY

Industry Jury Members last season included:

Lee Daniels - Academy Award® Nominated Director, THE UNITED STATES VS. BILLIE HOLLIDAY
Kemp Powers - Academy Award® Nominated Writer, SOUL, ONE NIGHT IN MIAMI
Tze Chun - Showrunner, GREMLINS
Moisés Zamora - Showrunner, SELENA
Alexander Hodge - Actor, INSECURE
Nava Mau - Actor, GENERATION
Sadé Grandberry - Actor, IMMORTAL
Yalda Uhls - Founding Director of the Center for Scholars & Storytellers, UCLA
Jo Jo Lam - Kodak Vision Award for Excellence in Cinematography, CEREMONY

writers.coverfly.com/competitions/view/the-minority-report

_____

THE BLACK LIST AND CBS STUDIOS/NAACP VENTURE WRITERS PROGRAM

CBS Studios / NAACP / The Black List

DEADLINE: November 16, 2022

INFO: CBS/NAACP Production Venture and the Black List have partnered to offer a WGA-minimum open script deal for a new pilot script with a writer whose work authentically explores the Black experience.

The Black List will assist CBS Studios/NAACP Production Venture in identifying a shortlist of talented writers who exemplify authentic storytelling of Black narratives through a submission period on blcklst.com.

The Black List will then use all available data related to script submissions to determine a shortlist to be shared with CBS Studios/NAACP Production Venture. Shortlisted writers may be asked to provide additional materials, such as a professional resume and personal statement, as part of the consideration process.

blcklst.com/partnerships/opportunities/124

_____

ELEVATE COLLECTIVE

Inevitable Foundation

DEADLINE: Rolling

APPLICATION FEE: $0

INFO: The Elevate Collective empowers mid- and upper-level disabled screenwriters with the mentorship, coaching and connections they need to level-up their careers.

FAQS:

Why did you create Elevate Collective?

What is the difference between the Elevate Collective and an Elevate Collective Award?

What does an Elevate Collective Award include?

Does Inevitable Foundation own the Intellectual Property (IP) that Elevate Collective Members acquire?

No. When Elevate Collective Members use Elevate Collective Awards to purchase IP, the Member is the right’s holder.

How long does an Elevate Collective Award last?

Can I apply for an Elevate Collective Award more than once?

ELIGIBILITY:

What are your eligibility requirements?

General eligibility requirements:

Self-identifies as disabled.
18 years of age or older.
Currently pursuing a career in screenwriting.
Not enrolled in an accredited degree program.
Currently or previously has worked in the entertainment industry.

Applicants must also meet at least two (2) of the following criteria:

Has an agent or a manager
Member of the WGA, Animation Guild or equivalent union
Has sold a script, TV show, or pitch before
Has staffed on a tv show or received a writing credit on a movie
Has been or currently are in development with a major production company, studio, or network

APPLICATION PROCESS:

What information does the Application ask for?

The Application requires the following information:

Standard Demographic Information including race, gender, sexual orientation, etc.

Writer Questions (max 250 words each)
- What have you accomplished in your career over the last two years?
- What is the next level you want to achieve in your career
- What are the biggest things in the way of you reaching that next level?
- Why is disability representation important to you?
- What projects are you currently working on?
  - List title, format, genre(s) and loglines.
Resume or CV

inevitable.foundation/elevate

TV / DIGITAL SERIES — OCTOBER 2022

September 30, 2022

TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINE & SUBMISSION FEE: October 10, 2022 ($88)

RETREAT DATES:

April 29 – May 2, 2023

ANNOUNCEMENTS:

Quarterfinalists – Early January
Semifinalists – Mid February
Finalists – Early March
Division Winners – Early April
Fellowship Winner – Mid April

TV DIVISIONS:

Original Drama – 1 hour series
Original Comedy – 30 minute series
Original Sci Fi/Fantasy – 1 hour series
Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

_____

NYC Women’s Fund for Media, Music and Theatre

New York Foundation for the Arts (NYFA)

DEADLINE: November 1, 2022 at 5:00 pm ET

INFO: The NYC Women’s Fund for Media, Music and Theatre provides grants to encourage and support the creation of digital, film, music, television, and live or online theatre content that reflects the voices and perspectives of all who identify as women.

The NYC Women’s Fund for Media, Music and Theatre (“Women’s Fund”), administered by the New York Foundation for the Arts (NYFA) in partnership with the City of New York Mayor’s Office of Media and Entertainment (MOME), is part of a groundbreaking series of initiatives that address the underrepresentation of women in film, music, television and theatre. The Fund provides grants to encourage and support the creation of content that reflect the voices and perspectives of all who identify as women.

The $2 million to be awarded in the fourth cycle brings the grand total of funding to $7.5 million, allocated to a total of 335 recipients (89 in Cycle 3, 94 in Cycle 2, and 63 in Cycle 1).

THE PROGRAM WILL PROVIDE:

Finishing grants* for film, television, and digital projects
Funds for the creation of music recordings or videos
Production funds for live or online theatre

In addition to being made by, for, or about all who identify as women, projects are eligible if they feature a prominent woman perspective; and/or include a woman-identified director and/or producer and/or writer/songwriter and/or engineer (for recordings) and/or woman-indentified protagonist(s) or lead musical role.

*To be eligible, projects need to have completed principal photography.

GRANTS WILL BE GIVEN IN THE FOLLOWING CATEGORIES (AMOUNTS LISTED ARE THE MAXIMUM POTENTIAL GRANT):

Fiction Feature (running time of 60 minutes or more) – $50,000
Fiction Short (running time of 59 minutes or less) – $25,000
Fiction Webisode/Webseries (all forms) – $20,000
Documentary Feature (running time of 60 minutes or more) – $50,000
Documentary Short (running time of 59 minutes or less) – $25,000
Documentary Webisodes/Webseries (all lengths and forms) – $20,000
Music – $20,000
Theatre Production – grant amounts up to $50,000

GRANT TIMELINE:

Recipients notified: March, 2023
Funded Project completion: March 31, 2024

nyfa.org/awards-grants/nyc-womens-fund-for-media-music-and-theatre/?mc_cid=2e07b71541&mc_eid=b2828bf2ea

_____

CAPE NEW WRITERS FELLOWSHIP

Coalition of Asian Pacifics in Entertainment (CAPE)

DEADLINE: November 7, 2022

APPLICATION FEE: $65

The Fellowship typically runs each year in early spring. Sessions take place on weekday evenings PT for approximately 3 hours, twice a week.

Each application consists of:

Complete, original episodic pilot script with all identifying information removed
General Release Form
Rules & Conditions Form
Resume
$65 non-refundable application processing fee paid via PayPal

ELIGIBILITY TERMS + REQUIREMENTS:

You must be at least 18 years old to apply.
You or your script should be consistent with CAPE’s mission to champion diversity by educating, empowering, and connecting Asian American and Pacific Islander artists and leaders in entertainment.
You must have the ability to accept paid work in the United States. CAPE does not sponsor or assist with visas.
You must be available to attend every virtual session via Zoom. Sessions will be held on March-April 2023 on Monday and Wednesday weekday evenings Pacific Time.
- There will be a potential in-person event in late April in the Los Angeles area. All guests must be fully vaccinated by the date of the event - with proof of vaccination required. Transportation and lodging costs will not be covered.
We accept half-hour or hour long pilots only. All genres accepted.
Your script must be in English. Additional languages are accepted with subtitles.
You must not have been employed as a staff writer (or higher level).
You must not have had a film/script over $1 million budget produced.
Your script must be in PDF format and in industry format.
Your script must not contain any identifying information (name, email, rep information) on any pages. You may include WGA or copyright registration numbers if you wish, but it is not necessary.
Your script must be original and you must own all rights to the script free and clear.
Your script must not be under an option and you must have sole authority over changes to the script.
We accept writing teams of up to 2 writers. You must be committed to pursuing a career as a writing team. Both members of any writing team must meet all requirements.
You must workshop and edit the script you submitted to the Fellowship, if accepted.
We do not accept revised or replacement scripts - no exceptions.
You may submit more than one entry, but they must be submitted separately with their own application and fee.
All entries are non-refundable.
Any applicant or writing team failing to meet the above requirements will be disqualified.

capeusa.org/cnwf

_____

THE MINORITY REPORT 2023: A SCREENWRITING FELLOWSHIP

DIVERSO

DEADLINE: Extended to November 10, 2022

ENTRY FEE: $20 (Pilot + Feature)

BENEFITS:

Each year, the Minority Report Fellowship program changes. Below, you'll find the benefits afforded to the Fellows over the last two seasons.

PREVIOUS SEASONS' BENEFITS:

1. Distribution to Agencies: The Minority Report was sent out to over a dozen agents and managers at different companies from Anonymous Content to Paradigm to United Talent Agency.

2. Virtual Panels with Top Industry Professionals:

The Daniels, EVERYTHING EVERYWHERE ALL AT ONCE
Shaka King, JUDAS AND THE BLACK MESSIAH
Jessica Gao, RICK & MORTY
Amy Aniobi, INSECURE
JD Dillard, STARWARS: THE RISE OF SKYWALKER
Dennis Liu, RAISING DION

Charles Rogers, SEARCH PARTY
Charise Castro Smith, ENCANTO
Ifuoma Ofordire, LOVECRAFT COUNTRY

Industry Jury Members last season included:

Lee Daniels - Academy Award® Nominated Director, THE UNITED STATES VS. BILLIE HOLLIDAY
Kemp Powers - Academy Award® Nominated Writer, SOUL, ONE NIGHT IN MIAMI
Tze Chun - Showrunner, GREMLINS
Moisés Zamora - Showrunner, SELENA
Alexander Hodge - Actor, INSECURE
Nava Mau - Actor, GENERATION
Sadé Grandberry - Actor, IMMORTAL
Yalda Uhls - Founding Director of the Center for Scholars & Storytellers, UCLA
Jo Jo Lam - Kodak Vision Award for Excellence in Cinematography, CEREMONY

writers.coverfly.com/competitions/view/the-minority-report

_____

ELEVATE COLLECTIVE

Inevitable Foundation

DEADLINE: Rolling

APPLICATION FEE: $0

INFO: The Elevate Collective empowers mid- and upper-level disabled screenwriters with the mentorship, coaching and connections they need to level-up their careers.

FAQS:

Why did you create Elevate Collective?

What is the difference between the Elevate Collective and an Elevate Collective Award?

What does an Elevate Collective Award include?

Does Inevitable Foundation own the Intellectual Property (IP) that Elevate Collective Members acquire?

No. When Elevate Collective Members use Elevate Collective Awards to purchase IP, the Member is the right’s holder.

How long does an Elevate Collective Award last?

Can I apply for an Elevate Collective Award more than once?

ELIGIBILITY:

What are your eligibility requirements?

General eligibility requirements:

Self-identifies as disabled.
18 years of age or older.
Currently pursuing a career in screenwriting.
Not enrolled in an accredited degree program.
Currently or previously has worked in the entertainment industry.

Applicants must also meet at least two (2) of the following criteria:

Has an agent or a manager
Member of the WGA, Animation Guild or equivalent union
Has sold a script, TV show, or pitch before
Has staffed on a tv show or received a writing credit on a movie
Has been or currently are in development with a major production company, studio, or network

APPLICATION PROCESS:

What information does the Application ask for?

The Application requires the following information:

Standard Demographic Information including race, gender, sexual orientation, etc.

Writer Questions (max 250 words each)
- What have you accomplished in your career over the last two years?
- What is the next level you want to achieve in your career
- What are the biggest things in the way of you reaching that next level?
- Why is disability representation important to you?
- What projects are you currently working on?
  - List title, format, genre(s) and loglines.
Resume or CV

inevitable.foundation/elevate

TV / DIGITAL SERIES — SEPTEMBER 2022

August 31, 2022

TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINES & SUBMISSION FEES:

Late Deadline – September 5, 2022 ($81)
Extended Late Deadline – October 10, 2022 ($88)

RETREAT DATES:

April 29 – May 2, 2023

ANNOUNCEMENTS:

Quarterfinalists – Early January
Semifinalists – Mid February
Finalists – Early March
Division Winners – Early April
Fellowship Winner – Mid April

TV DIVISIONS:

Original Drama – 1 hour series
Original Comedy – 30 minute series
Original Sci Fi/Fantasy – 1 hour series
Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

_____

MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: September 10, 2022 at 11:59pm EST*

PROCESSING FEE: $30

INFO: MacDowell is a fellowship and residency program for writers, visual artists, composers, filmmakers, playwrights, interdisciplinary artists, and architects. About 300 artists are awarded Fellowships each year and the sole criterion for acceptance is artistic excellence.

There are no residency fees. Need-based travel grants and stipends are available to open the residency experience to the broadest possible community of artists. Artists with professional standing in their fields, as well as emerging artists, are eligible to apply.

MacDowell encourages artists from all backgrounds and all countries in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. Any applicant whose proposed project does not fall clearly within one of these artistic disciplines should contact the admissions department for guidance. We aim to be inclusive, not exclusive in our admissions process.

MacDowell is currently accepting applications for the Spring Summer 2023 residency season (March - August 2023) and has suspended a longstanding admissions requirement that applicants supply reference letters as part of the application process.

macdowell.org/apply/apply-for-fellowship

_____

CANADIAN WOMEN ARTISTS’ AWARD

New York Foundation for the Arts / Canadian Women’s Club

DEADLINE: Extended to September 13, 2022

INFO: The Canadian Women Artists’ Award is a $5,000 cash grant open to Canadian women artists ages 25-40 in New York State. The CWAA is an unrestricted cash grant and can be used in any manner the recipient deems necessary to further their artistic goals.

In 2022, CWC and NYFA will be awarding three (3) $5,000 awards, one in each of the following categories:

Visual Arts: Painting, Photography, Craft/Sculpture, Printmaking/Drawing, or Interdisciplinary Work
Media and Design: Video/Film, Experimental Sound, or Design
Literary Arts: Poetry, Nonfiction, Fiction, or Playwriting/Screenwriting

ELIGIBILITY:

The Canadian Women Artists’ Award is open to Canadian women artists living in New York State who meet the following requirements:

Must be a Canadian citizen, and able to provide proof of citizenship with legal documentation upon receipt of the award.
Must be between the ages of 25 and 40 before the application deadline.
Must be a current resident of New York State.
Must apply in only one of the eligible discipline categories.
Must be the originators of the work.
Must not be a previous recipient of the Canadian Women Artists’ Award.
Must not be a NYFA employee, member of the NYFA Board of Trustees or Artists’ Advisory Committee, and/or an immediate family member of any of the previous.

Students in bachelor’s or master’s degree programs are eligible to apply.

ACCESSIBILITY STATEMENT:

NYFA is committed to supporting artists from every background, and at all stages in their creative careers. We strongly encourage artists of color, LGBTQ+ artists, artists with disabilities, and artists living outside of the metropolitan area to apply.

To request an accommodation or assistance in applying, please email CWAA@nyfa.org. We ask that requests for accommodation be made as soon as possible, or by Tuesday, August 9, 2022, to allow adequate time for staff to support you in submitting an application before the deadline.

https://www.nyfa.org/awards-grants/canadian-women-artists-award/

_____

BPM OPEN CALL & INCUBATOR 2022-2023

Black Public Media

DEADLINE: September 26, 2022 by 11:59pm ET

INFO: Black Public Media's annual Open Call is our chance to celebrate the complexity of the Black experience through story. This year we will support projects in two key ways: (1) production funding and (2) 360 Incubator+, a workshopping opportunity with peers in the field.

We are calling for broadcast length (1-2 hours) documentary and short (30 mins or less, nonfiction or scripted) projects that are currently in pre-production, production, or post-production and intended for public media distribution. We accept proposals for pilot episodes of a broadcast length or shorts limited series. The limited series must be 3 to 5 episodes. We welcome a range of subjects, creative approaches and perspectives as long as the work promotes discourse and engages audiences around a critical social issue. However, we are especially interested in projects that address the following content priorities: Climate change, Environmental Justice, Health disparities, Art & Culture, Black history

FUNDING:

Projects will receive funding as follows:

One broadcast length project will receive up to $100,000.
One shorts project will receive up to $50,000.
In addition, five producing teams with broadcast length projects will be accepted into BPM's 360 Incubator+, a hybrid professional development program that culminates with PitchBlack, a pitching forum during which 360 Incubator+ fellows compete for up to $150,000 in production funding.

Please note that all Black Public Media (BPM) funding awards are licensing agreements for public media distribution.

ELIGIBILITY:

The applicant must (a) be the project’s producer or director, (b) be a US citizen, (c) have a minimum of three years professional producing and/or directing experience, or have a senior producer attached to the project;
Key creative personnel (producer, director, writer, or editor) must include a person of color;
The proposed content must be either a short (scripted or nonfiction) or broadcast length documentary for public media distribution;
The project must be completed within 36 months of receiving the award;
The applicant must hold artistic, budgetary and editorial control, and must own the copyright of the proposed project;

Projects or production entities that are foreign-based, owned or controlled are NOT eligible. Neither are industrial, promotional or student films.

Our deadlines are strict. We highly recommend that you start your application in plenty of time and "save" to complete your submission over time. As soon as the application window closes, a panel of media professionals across the industry will evaluate the proposals in a two-tier review process.

REVIEW CRITERIA:

The review panel will evaluate each proposal using the following guidelines:

The subject/story meets BPM’s mission to engage audiences around a critical social issue.
The synopsis demonstrates a compelling narrative that is unique and original
The treatment clearly describes the creative approach (use of visuals and audio), structure, and style.
The team’s production experience will support the execution of the project
The budget and production timeline matches the scope of the project presented
The video sample demonstrates skill, creativity and ability of production team to execute the proposed project
The overall application is a professional proposal that demonstrates project readiness.

Each proposal will be scored using the guidelines above. The highest scoring shorts and broadcast projects will receive production funding to advance their project. The second highest rated broadcast length projects will be accepted into the 360 Incubator+ and PitchBLACK, to further develop their proposal to pitch for funding.

Notification of Awards: DECEMBER 2022

Applicants will be notified if their project advances to the next stage. Additional materials may be requested at this point. Applicants who are being considered for the 360 Incubator+ will be required to do a brief interview. Once an acceptance is offered, the applicant has three days to confirm their participation. (See 360 Incubator+ schedule below.)

All funding awards and 360 Incubator+ acceptances will be announced in December 2022.

RIGHTS AND RELEASES:

Projects selected for funding will receive a BPM funding contract. The contract is not a grant but a licensing agreement in which BPM is granted exclusive or shared domestic public television distribution rights as well as the exclusive or shared right to package, schedule and promote the program through public broadcasting. BPM makes no expressed or implied commitment to financially support a project until an agreement is signed by both the applicant and BPM. As a condition of the funding contract, producers must agree to BPM's standard terms and conditions, including the following:

For broadcast projects, assignment to BPM of public television broadcast rights for four (4) years over national public television, off-air record rights, and internet streaming rights;
For web projects only, assignment to BPM of streaming rights for four (4) years;
Funding and/or Presentation credit to BPM and Corporation for Public Broadcasting (CPB);
Net revenues must be shared with BPM from the exercise of subsidiary or ancillary rights over a 15-year period;
Financial books and records related to the production must be maintained for three (3) years following the receipt of funds or net revenues by the producers.

Producers must comply with all equal employment opportunity and non-discrimination laws and policies, payola/plugola requirements and other applicable federal and state rules and regulations.

submissions.blackpublicmedia.org/submit

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Storyknife Writers Retreat

DEADLINE: September 30, 2022

APPLICATION FEE: $40

INFO: Storyknife provides women with the time and space to explore their craft without distraction. Every aspect of a residency at Storyknife is steeped in a profound generosity of spirit so that each writer knows she and her work are valuable. Storyknife residents carry away both this affirmation and a living community of women writers to assist their valuable work wherever they go.

Residencies at Storyknife in Homer, Alaska, are either for two or four weeks. Resident’s food and lodging is covered during the period of their residency, but travel to and from Homer, Alaska, is the responsibility of the resident. Residents stay in individual cabins & dine at the main house. An on-staff chef is responsible for food preparation.

Four week residencies begin on the 1st of each month and end on the 28th. Two week residencies begin on the 1st of each month and end on the 15th OR begin on the 15th and end on the 28th. Residencies are available April through October.

ELIGIBILITY:

Applicants must:

Be woman-identified
Be 21 years of age or older
Apply as an individual artist, not a collaborative group or team

You will provide a work sample and answer four questions (each answer 300 words or fewer).

How have you sought to educate yourself as a writer? (Formal education not a prerequisite, but evidence of curiosity and learning in your applicable genre is.)
What is your experience with publishing your work? (Publishing is not a prerequisite but is considered a goal for writers who attend Storyknife.)
What project will you pursue while in residency? (Please note that you will be free to work on whatever writing you wish during residency. We simply are interested in what you think you’ll be pursuing.)
Why would a writing residency benefit you at this time especially?

Work Sample Requirements:

Work samples should reflect work completed within the last two years. All work samples must be uploaded through Submittable. Written work samples will be uploaded directly within the application.
Applicants can submit published or unpublished work samples.
All work samples must be combined into one PDF file.
A writing sample not to exceed 10 pages (prose: double-spaced 12 point font, poetry: single-spaced 12 point font acceptable). Prose includes screenplays and stage plays which also must conform to the 10 page limit.
Any writing samples with identifying material will be disqualified. Identifying material is your name, address, or publication credits. This only refers to the writing sample, not the answers to the questions. This is an anonymous jurying process.

Diversity

Storyknife is committed to diversity and elevating voices of historically excluded communities. We value all aspects of diversity and seek to make each resident’s time at Storyknife as productive and pleasant as possible.

Please contact executive director, Erin Hollowell, at ehollowell@storyknife.org to ask about accommodation or to speak further about your needs. Storyknife is welcoming to all and will work with you to meet your needs.

storyknife.org/how-to-apply/

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TV PILOT COMPETITION

ScreenCraft

DEADLINE: September 30, 2022

MENTORS: This year’s mentors are three incredible showrunners: one comedy, one broadcast drama, and one premium cable drama. They have created and served as EP on shows like PEN15 and THE HANDMAID’S TALE, have overall deals with major studios like Universal, and have written for NBC, Netflix, and countless other streamers, networks, and series. Each of these mentors will select one Grand Prize writer to mentor. They will help their chosen writers develop their craft and guide them toward career success in their writing journey.

GRAND PRIZE WINNER:

3 Grand Prize winners will be selected for this year's competition. One by Anna Konkle (Pen15), one by Katherine Collins (Lost in Space, Handmaid's Tale), and one by Lisa Zwerling (The Rook, When We Rise, Betrayal). Each Grand Prize winner will receive from their respective mentor: a personalized round of notes, virtual meeting, and project development insight.

The Grand Prize Winners will also be welcomed to the ScreenCraft Writer Development Program and receive personal introductions and calls with one or more top Hollywood literary manager(s) who are looking for talented emerging TV writers.

ScreenCraft has a proven track record for getting writers signed with managers, agents, and staffed.

Personal Introduction to top literary managers, executives, or producers

Accepted into the ScreenCraft Development Program
$500 cash
An exclusive invitation to a Finalist only workshop to position yourself and your writing to the industry

RUNNER-UP PRIZES:

Written Feedback from a jury member
Accepted into ScreenCraft Development Program
An exclusive invitation to a Finalist only workshop to position yourself and your writing to the industry

screencraft.org/pilot/?fbclid=IwAR2-HH2ctD08NYwY1PhNdCDFtmc_3BeBQmRJYTncTcaLvHYiToJP8pNqUMY

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TV / DIGITAL SERIES — AUGUST 2022

July 31, 2022

Writer’s Vision Grant

The Black List / Warby Parker

DEADLINE: August 15, 2022

INFO: The Black List and Warby Parker have partnered to create the Writer’s Vision Grant, which will award $20,000 each to three aspiring writers in film, television, and theater. Each writer will receive $20,000 to either film a short proof of concept based on their feature screenplay, develop a new theatrical work for the stage, or develop and write an original television pilot script.

The Writer’s Vision Grant will foster and celebrate scripts that harness and explore creativity, diversity, inclusion, empathy, and innovation in their storytelling.

Writers are invited to submit their work for consideration by uploading it directly to the Black List website. Writers can opt-in to the opportunity until midnight on August 15, 2022. Though writers can submit work of any genre, the scripts should avoid violence, illegal activity, drugs/alcohol use, and overly explicit content.

IMPORTANT DEADLINES:

Submission Period Closes August 15, 2022
Short List Writers Notified August 16, 2022
Personal Statements Due August 23, 2022
Final Participants Notified September 16, 2022

* In order for new script evaluations to qualify for consideration for the Grant, they must be purchased by midnight on the Evaluations Deadline. Please note, purchase of an evaluation is not required for consideration. However we strongly encourage having your script evaluated.

This partnership marks the sixth year of collaboration between the Black List and Warby Parker. In previous years, Warby Parker presented Black List Live!, a series of live readings of unproduced scripts from up-and-coming creative talent. Previous live readings include: CHARMING by Elliot Owen, featuring Rachel McAdams and Adam Scott; SAVING CHAPLIN by Justin Shady, starring Jon Hamm and Randall Park; and EL FUEGO CALIENTE by Ben Schwartz, starring Schwartz and Don Cheadle.

ABOUT WARBY PARKER

Warby Parker was founded with a mission: to inspire and impact the world with vision, purpose, and style.

Headquartered in New York City, the co-founder-led lifestyle brand pioneers ideas, designs products, and develops technologies that help people see, from designer-quality prescription glasses (starting at $95) and contacts, to eye exams and vision tests available online and in more than 160 retail stores across the U.S. and Canada.

Warby Parker aims to demonstrate that businesses can scale while doing good in the world. Ultimately, the brand believes in vision for all, which is why for every pair of glasses or sunglasses sold, a pair is distributed to someone in need through their Buy a Pair, Give a Pair program. To date, Warby Parker has worked alongside its nonprofit partners to distribute more than 10 million glasses to people in need.

Writing has always been an important cultural pillar for Warby Parker—the brand name is made up of two characters from a Jack Kerouac journal, Warby Pepper and Zagg Parker. In the past, Warby Parker has teamed up with writers, written and published books under Warby Parker Press, and partnered with the Black List to support up-and-coming filmmakers. The brand is excited to continue this tradition with the Writer’s Vision Grant.

blcklst.com/partnerships/opportunities/116

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Canadian Women Artists’ Award

New York Foundation for the Arts / Canadian Women’s Club

DEADLINE: August 30, 2022

In 2022, CWC and NYFA will be awarding three (3) $5,000 awards, one in each of the following categories:

Visual Arts: Painting, Photography, Craft/Sculpture, Printmaking/Drawing, or Interdisciplinary Work
Media and Design: Video/Film, Experimental Sound, or Design
Literary Arts: Poetry, Nonfiction, Fiction, or Playwriting/Screenwriting

ELIGIBILITY:

The Canadian Women Artists’ Award is open to Canadian women artists living in New York State who meet the following requirements:

Must be a Canadian citizen, and able to provide proof of citizenship with legal documentation upon receipt of the award.
Must be between the ages of 25 and 40 before the application deadline.
Must be a current resident of New York State.
Must apply in only one of the eligible discipline categories.
Must be the originators of the work.
Must not be a previous recipient of the Canadian Women Artists’ Award.
Must not be a NYFA employee, member of the NYFA Board of Trustees or Artists’ Advisory Committee, and/or an immediate family member of any of the previous.

Students in bachelor’s or master’s degree programs are eligible to apply.

ACCESSIBILITY STATEMENT:

https://www.nyfa.org/awards-grants/canadian-women-artists-award/

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2022 TV PILOT CONTEST

Shore Script

DEADLINE / FEE: Aug 31, 2022 (1 HR $65 / 1/2 HR $60)

INFO: We have helped launched the careers of numerous writers through our TV Pilot Contest. This includes deals with SONY, YOUTUBE, CBS, & HULU.

Our TV Pilot Contest is split into 1/2 & 1HR categories.

We accept all genres. It doesn’t matter if you have a bug budget epic or contained drama, each TV pilot is judged equally. We, and our roster of over 150 of the most respected filmmakers in the industry, are looking for writers with original voices.

https://www.shorescripts.com/tv/

_____

TV PILOT COMPETITION

ScreenCraft

DEADLINES:

Regular - August 31, 2022
Final - September 30, 2022

GRAND PRIZE WINNER:

ScreenCraft has a proven track record for getting writers signed with managers, agents, and staffed.

Personal Introduction to top literary managers, executives, or producers

Accepted into the ScreenCraft Development Program
$500 cash
An exclusive invitation to a Finalist only workshop to position yourself and your writing to the industry

RUNNER-UP PRIZES:

Written Feedback from a jury member
Accepted into ScreenCraft Development Program
An exclusive invitation to a Finalist only workshop to position yourself and your writing to the industry

screencraft.org/pilot/?fbclid=IwAR2-HH2ctD08NYwY1PhNdCDFtmc_3BeBQmRJYTncTcaLvHYiToJP8pNqUMY

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TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINES & SUBMISSION FEES:

Late Deadline – September 5, 2022 ($81)
Extended Late Deadline – October 10, 2022 ($88)

RETREAT DATES:

April 29 – May 2, 2023

ANNOUNCEMENTS:

Quarterfinalists – Early January
Semifinalists – Mid February
Finalists – Early March
Division Winners – Early April
Fellowship Winner – Mid April

TV DIVISIONS:

Original Drama – 1 hour series
Original Comedy – 30 minute series
Original Sci Fi/Fantasy – 1 hour series
Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

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MACDOWELL FELLOWSHIP

MacDowell

DEADLINE: September 10, 2022 at 11:59pm EST*

PROCESSING FEE: $30

macdowell.org/apply/apply-for-fellowship

TV / DIGITAL SERIES — JULY 2022

June 30, 2022

Loghaven Artist Residency

DEADLINE: July 15, 2022

We invite applicants in the creation stage of their specified project or work cycle to apply in the following disciplines:

Writing (poetry, fiction, nonfiction, screenwriting, and journalism)
Visual Arts
Dance
Theater
Music Composition
Architecture
Interdisciplinary Work

RESIDENCY SESSIONS:

February 6 – March 3, 2023 (4 weeks)
April 10 – May 5, 2023 (4 weeks)
May 22 – June 16, 2023 (4 weeks)
July 17 – 31, 2023 (2 weeks for teaching artists and faculty artists at the university level)
September 25 – November 3, 2023 (6 weeks)
January 8 – 22, 2024 (2 weeks, preference given to alumni/ae)

APPLICATION TIMELINE & QUALIFICATIONS:

Applications will be accepted starting Wednesday, June 1, 2022, until Friday, July 15, 2022, at midnight Eastern Time. Late applications will not be accepted. The application panel will meet in September, and applicants will be contacted by November 1, 2022.

REFERENCES:

WORK SAMPLES:

VISUAL ART - Submit eight JPEG images that best represent your work. They can be no more than three MB per image. Each image should contain only one artwork. Two additional optional submissions: Installation documentation (either images or video) or detail shots. If your work is based in video, please submit up to two or three works totaling no more than fifteen minutes of video. Video can be submitted in MP4 or MOV format or by Vimeo or YouTube link.
MUSIC COMPOSITION - Submit two or three audio samples of representative work. Each should be no more than 30MB each and should be in MP3 format or in MP4 or MOV format or by Vimeo or YouTube link. The work samples should total no more than fifteen minutes of video or audio. If available, please include a score submitted as a PDF.
DANCE - Submit two or three works totaling no more than fifteen minutes of video. Each work sample should be submitted in MP4 or MOV format or by Vimeo or YouTube link.
THEATER - Submit either two or three videos or PDFs. If you submit via video, they should total no more than fifteen minutes together in MP4 or MOV format or by Vimeo or YouTube link. If you submit via PDF, they should total no more than 250MB or two or three PDFs of scripts or librettos, totaling no more than twenty pages.
POETRY - Submit eight to ten short poems or excerpts of poems. The total should not exceed 15 pages and should be in PDF format.
FICTION, NONFICTION, & SCREENWRITING - Submit two to three work samples in the genre that you wish to work in during your residency. The total should not exceed 20 pages, be double-spaced, and be in PDF format.
ARCHITECTURE - Submit two to three examples of previous design-based architecture projects in the form of PDFs, video, or a combination of the two. The applicant may submit work samples including but not limited to models, drawings, and images of completed work. The applicant may submit multiple pages for each project, but the total number of pages submitted should not exceed ten and should be in PDF format. If submitting video, work samples can be in MP4 or MOV format or by Vimeo or YouTube link. The total length should not exceed ten minutes. The applicant should include a brief, 250-word description of each project with the other submitted materials. In this description, please include whether this project was ever constructed. Please review the FAQs before applying in the discipline of Architecture for additional application guidelines.
INTERDISCIPLINARY WORK - Submit three to five work samples. The work samples can be in one type of media or a mixture of media including images (jpegs should be no more than three MB each), PDFs, video (MP4/MOV should be no more than 250 MB), Vimeo link, YouTube link, or audio (MP3 should be no more 30MB each).

loghaven.org/residencies/apply/

_____

TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINES & SUBMISSION FEES:

Regular Deadline – July 27, 2022 ($69)
Late Deadline – September 5, 2022 ($81)
Extended Late Deadline – October 10, 2022 ($88)

RETREAT DATES:

April 29 – May 2, 2023

ANNOUNCEMENTS:

Quarterfinalists – Early January
Semifinalists – Mid February
Finalists – Early March
Division Winners – Early April
Fellowship Winner – Mid April

TV DIVISIONS:

Original Drama – 1 hour series
Original Comedy – 30 minute series
Original Sci Fi/Fantasy – 1 hour series
Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

_____

2022 TV PILOT CONTEST

Shore Script

DEADLINES / FEES:

Regular: July 31, 2022 (1 HR $55 / 1/2 HR $50)
Final: Aug 31, 2022 (1 HR $65 / 1/2 HR $60)

INFO: WE HAVE HELPED LAUNCH THE CAREERS OF NUMEROUS WRITERS THROUGH OUR TV PILOT CONTEST. THIS INCLUDES DEALS WITH SONY, YOUTUBE, CBS, & HULU.

OUR TV PILOT CONTEST IS SPLIT INTO 1/2 & 1HR CATEGORIES.

WE ACCEPT ALL GENRES. IT DOESN’T MATTER IF YOU HAVE A BIG BUDGET EPIC OR CONTAINED DRAMA, EACH TV PILOT IS JUDGED EQUALLY. WE, AND OUR ROSTER OF OVER 150 OF THE MOST RESPECTED FILMMAKERS IN THE INDUSTRY, ARE LOOKING FOR WRITERS WITH ORIGINAL VOICES.

https://www.shorescripts.com/tv/

_____

TV Pilot Competition

ScreenCraft

DEADLINES:

Early - July 31, 2022
Regular - August 31, 2022
Final - September 30, 2022

GRAND PRIZE WINNER:

ScreenCraft has a proven track record for getting writers signed with managers, agents, and staffed.

Personal Introduction to top literary managers, executives, or producers

Accepted into the ScreenCraft Development Program
$500 cash
An exclusive invitation to a Finalist only workshop to position yourself and your writing to the industry

RUNNER-UP PRIZES:

Written Feedback from a jury member
Accepted into ScreenCraft Development Program
An exclusive invitation to a Finalist only workshop to position yourself and your writing to the industry

screencraft.org/pilot/?fbclid=IwAR2-HH2ctD08NYwY1PhNdCDFtmc_3BeBQmRJYTncTcaLvHYiToJP8pNqUMY

_____

NICKELODEON WRITING PROGRAM

Nickelodeon

DEADLINE: August 1, 2022 at 11:59pm PT

STEP 1: PICK A FOCUS:

When you pick a focus, it helps us curate your experience in the Program to better help you reach your goals as a television writer. Picking a focus does not mean your time in the Program will be spent exclusively working on content for this audience, but simply helps us gauge your interests and set you on a course for success. Your spec and pilot submissions do not need to adhere to these audience age groups in any way.

Kids’ Content (Audience Age 6-11) - This age group is Nickelodeon’s bread and butter. Most of Nickelodeon’s most iconic live-action and animated shows are developed for this demographic including SpongeBob SquarePants, Danger Force, and The Loud House.
Preschool Content (Audience Age 2-6) - The Preschool age group (including “bridge” content for tots moving into early elementary school age) loves to laugh and play along with their content. They’re smart, engaged, and always ready for new shows to watch like Paw Patrol, Ryan’s Mystery Playdate, and Baby Shark’s Big Show.
Preteen/Young Adult (Audience Age 11-17) - Nickelodeon shares its home in the ViacomCBS Kids & Family Group with our partners at Awesomeness who cater to a tween and teen audience. We’ll partner with ATV and the creators of Nick’s shows for a slightly older audience like Side Hustle, Drama Club, and iCarly to make this experience the right one for you.

STEP 2: SCRIPT PREPARATION:

All applicants must submit a SPEC SCRIPT and ORIGINAL COMEDY PILOT that adhere to the following guidelines:

Must be based on a television series from the Accepted Shows List (spec only).
Typed in standard Final Draft (or equivalent) script format.
In black type, 12pt courier style font.
Do not upload a cover page with your script.

The following information should be included in the header/footer of your spec script on the first or all pages:

Name of the show (center of the header).
Title of the episode (center of the footer).
Filename should include only the name of your show and episode (Do not include your name or your submission will not be considered).
Do not put your name anywhere on the script, file, or file name.

THE FOLLOWING MATERIALS WILL NOT BE CONSIDERED:

STEP 3: ACCEPTED SHOWS (2022)

Abbott Elementary

Awkwafina is Nora From Queens
B Positive
Big Mouth
Bob Hearts Abishola
Bob’s Burgers
Call Me Kat
Chad
Close Enough
Dollface
Duncanville
Ghosts
Girls5eva
Grown-ish
Harley Quinn
Home Economics
How I Met Your Father
Inside Job
Kenan
Mr. Mayor
Mythic Quest

Never Have I Ever
Our Flag Means Death
Raven’s Home
Rick and Morty
Rutherford Falls
Saved by the Bell (2020)
Sex Lives of College Girls
Solar Opposites
Star Trek: Lower Decks
Tacoma FD
The Conners
The Great North
The Last O.G.
The Neighborhood
The Other Two
The Wonder Years (2021)
We Are Lady Parts
What We Do in the Shadows
Woke
Young Rock
Young Sheldon

STEP 4: APPLY ONLINE

nickanimation.com/programs/writing-program/

TV / DIGITAL SERIES — JUNE 2022

May 31, 2022

WRITERS’ ACCESS SUPPORT STAFF TRAINING PROGRAM

Writers Guild Foundation

DEADLINE: June 6, 2022

INFO: TV writers and producers Tanya Saracho (Vida), Mike Royce (One Day at a Time), and Liz Hsiao Lan Alper (Day of the Dead) have partnered with the Writers Guild Foundation to launch the Writers’ Access Support Staff Training Program, a first-of-its-kind initiative to support the full inclusion and employment of underrepresented groups in the television industry.

The program’s mission is to provide writers who are BIPOC, LGBTQ+, disabled writers, and writers over the age of 50, with tools and education to become a writers’ assistant and script coordinator, ultimately resulting in meaningful employment opportunities. These positions have historically been an invaluable way to learn the writing process first-hand, with the ultimate goal of getting a writing job.

Graduates of the program will be included in an ongoing list of trained writers’ assistants and script coordinators (WA/SCs) primarily from underrepresented groups, which will be made available to studios, networks and showrunners, in order to increase the pool of eligible hires. By offering this opportunity to writers who are typically excluded from the writers’ room, we hope to increase representation among television writers, and capture stories from all corners of the human experience.

Applicants will be reviewed by a committee of television creators, executive producers, and showrunners, and writers who previously worked as WA/SCs.

ABOUT THE PROGRAM:

When is it?
The next session will take place August to November 2022. Classes will be scheduled weekly over a 3-month period. The application window will open on May 5th.

Where is it?
Current sessions are hosted online via Zoom.

How much does it cost?
This program is free thanks to financial support from WarnerMedia.

Am I eligible?
This program is designed to uplift underrepresented voices in the television industry. BIPOC writers, LGBTQ+ writers, disabled writers, and writers over the age of 50 are encouraged to apply. Applicants must be interested in pursuing employment in a support staff role.

Who are the instructors?
Sessions will be led by instructors Debbie Ezer (The Good Doctor) and Clay Lapari (Community), who have extensive experience as writers’ assistants and script coordinators for television. The program also features several guest showrunner lecturers to discuss what they look for in a support staff.

What information will I need to provide in the application?
If you intend to apply, please be ready to share the following information:

Your resume
A brief personal statement (500 words or less)
Your writing experience, preferred genres, and creative influences

How many writers will this serve?
16 writers will be selected each cycle.

wgfoundation.org/programs/writers-access-support-staff-training-program

_____

The Disruptors FELLOWSHIP

The Center for Cultural Power

DEADLINE: Extended to June 10, 2022 at 11:59 pm PST

INFO: The Disruptors Fellowship is an unprecedented fellowship supporting emerging television writers of color who identify as transgender, non-binary, disabled, or undocumented/formerly undocumented. This 3-month fellowship includes mentorship, community building, professional development, master classes and a $6,000 stipend.

The Disruptors Fellowship will provide master classes in TV drama writing, TV comedy writing, pitching, and intellectual property. Fellows will have an opportunity to work on their TV pilot, mentorship from a TV writer, insights from industry professionals, a community of creatives with aligned values.

Yes, you will get paid to work on that project you've been putting off, get mentored by a professional in the industry, and be part of a community of creators!

Participation in this fellowship will not automatically ensure participants will land writing jobs at the end of the fellowship experience. However participants will excel, network, and overall, be empowered as writers in a competitive field to start up and maintain current projects as well as be equipped with language to navigate this complex field.

Our fellowship seeks to incubate writers of color who identify as either undocumented as well as formerly undocumented, transgender, non-binary, gender non conforming and/or disabled.

We encourage screenwriters of color who identify as: queer, womxn, and are above the ages of 21 to apply.

FELLOWSHIP SCHEDULE:

2022 Fellows Notified: Late July 2022
Fellowship Opening Session: August 11, 7-9pm PST
Weekly Thursday Sessions: August 11 through October 11, 7-8:30pm PST*
Virtual Showcase 1: Thursday, November 10, 7pm-9pm PST
Virtual Showcase 2: Thursday, November 17, 7pm-9pm PST
Closing Celebration: Saturday, November 19

artistdisruptors.org

_____

TV RETREAT & FELLOWSHIP

CineStory Foundation

DEADLINE: June 26, 2022

RETREAT DATES:

April 29 – May 2, 2023

DEADLINES & SUBMISSION FEES:

Early Deadline – June 26, 2022 ($50)
Regular Deadline – July 27, 2022 ($69)
Late Deadline – September 5, 2022 ($81)
Extended Late Deadline – October 10, 2022 ($88)

ANNOUNCEMENTS:

Quarterfinalists – Early January
Semifinalists – Mid February
Finalists – Early March
Division Winners – Early April
Fellowship Winner – Mid April

TV DIVISIONS:

Original Drama – 1 hour series
Original Comedy – 30 minute series
Original Sci Fi/Fantasy – 1 hour series
Original Children/Family – 30 min series

Pilots only. For division details, please visit our TV Submissions page.

cinestory.org/retreat-fellowship-contests/tv-retreat-fellowship-contest/

_____

2022 TV PILOT CONTEST

Shore Script

DEADLINES / FEES:

Regular: July 31, 2022 (1 HR $55 / 1/2 HR $50)
Final: Aug 31, 2022 (1 HR $65 / 1/2 HR $60)

INFO: WE HAVE HELPED LAUNCH THE CAREERS OF NUMEROUS WRITERS THROUGH OUR TV PILOT CONTEST. THIS INCLUDES DEALS WITH SONY, YOUTUBE, CBS, & HULU.

OUR TV PILOT CONTEST IS SPLIT INTO 1/2 & 1HR CATEGORIES.

https://www.shorescripts.com/tv/

TV / DIGITAL SERIES — MAY 2022

April 30, 2022

Writers’ Access Support Staff Training Program

Writers Guild Foundation

SUBMISSION PERIOD: May 5 - June 6, 2022

Applicants will be reviewed by a committee of television creators, executive producers, and showrunners, and writers who previously worked as WA/SCs.

ABOUT THE PROGRAM:

When is it?
The next session will take place August to November 2022. Classes will be scheduled weekly over a 3-month period. The application window will open on May 5th.

Where is it?
Current sessions are hosted online via Zoom.

How much does it cost?
This program is free thanks to financial support from WarnerMedia.

What information will I need to provide in the application?
If you intend to apply, please be ready to share the following information:

Your resume
A brief personal statement (500 words or less)
Your writing experience, preferred genres, and creative influences

How many writers will this serve?
16 writers will be selected each cycle.

wgfoundation.org/programs/writers-access-support-staff-training-program

_____

2023 ARTIST RESIDENCY

Marble House Project

DEADLINE: May 15, 2022

INFO: Marble House Project is a multidisciplinary artist residency program that fosters collaboration and the exchange of ideas, by providing an environment for artists across disciplines to live and work together. The residency integrates sustainable practices, including small-scale organic food production and waste conservation. Residents sustain their growth by engaging with the grounds while working on their artistic practice. Marble House Project is founded on the belief that the act of creating, whether in the studio or in nature, is how human potential expands and community thrives.

Marble House Project accepts approximately 60 residents and is open to artists living in the United States and abroad. You must be at least 21 years old. Residencies run from the end of February through November, scheduled into six three-week residencies and one two-week family-friendly residency for artists with children. Please note that if you apply to the family friendly residency, it is a specific date within the artist in residency application. Each session accommodates eight artists and is specifically curated to bring together a diverse group of creative workers, to maximize potential for collaboration and dialogue while in residence and beyond.

RESIDENCY DATES FOR 2023

February 28th - March 21
March 28th - April 18th
April 25th - May 16th
June 6th - June 27th
July 11th - July 25th FAMILY FRIENDLY RESIDENCY WITH CHILDREN ONLY
October 2 - October 23rd
October 30th - November 20th

All residents live together in the historic, eight-bedroom Manley-Lefevre house, a communal space organized around responsibilities-sharing systems which highlight sustainability and community. All residents will be paired and asked to cook for shared dinners three times over the course of their residency, Monday-Friday. A substantial amount of the food we provide comes from our organic garden, which also serves as a space for gathering and an educational tool. Residents are invited to help with planting, harvesting, and maintenance. While not required, our hope is that you will spend some time in the garden alongside your studio practice. Each session culminates with ARTSEED, our public open house Saturday event. Artists are invited to share their work with our community through artist talks, readings, performances, and open studios.

Marble House Project provides private bedrooms, food, private studio space, and artist support. We are not able to cover costs related to travel or materials. There is no fee to attend the residency.

Applications are accepted in all creative fields including but not limited to writing, dance and choreography, performance, music composition and sound, film and video, visual arts, and culinary arts. Applications are reviewed by a jury of alumni, staff, and outside experts, and artists are selected based on quality of work, commitment to practice, and project description. Please choose the application that best describes your work. Two artists may apply together as a collaborative, and should complete one application. Within each application you will be asked to select the session dates best for you. You may choose the family friendly residency only if you will be bringing your children. Family friendly applicants may select additional dates if willing to attend without your children.

Marble House Project does not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations. For exact dates, more information or questions about the residency, visit our FAQ page. If you still have questions you may contact info@marblehouseproject.org.

Personal information is not shared with our jury and will remain confidential. This includes email, home address, phone number and any information regarding your family, anything else you would need to tell us and how you heard about Marble House Project. Please make sure to remove this information from your resume. All of our outreach questions also remain confidential and blind to our jury.

We look forward to viewing your application.

marblehouseproject.submittable.com/submit

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New Voices Fellowship

Humanitas

DEADLINE: May 18, 2022

ENTRY FEE: $45

INFO: New Voices Fellowship is a four-month mentorship program for emerging television and screenwriters. The program is committed to identifying and empowering five writers each year who are currently working on a 30- or 60-minute pilot or feature film screenplay that upholds the mission of Humanitas.

Through mentorship, workshops, conversations on professional development, and networking opportunities, New Voices equips early career writers with the tools needed to advance their careers. Since 2010, 50 fellows have completed the New Voices program and advanced to become showrunners, producers, directors, and staff writers.

NEW VOICES FELLOWSHIP COMPONENTS:

Mentorship: Fellows are paired with award-winning showrunners for one-on-one mentorship focused on their project. Written notes are provided over a series of meetings. Former mentors include: Alan Ball, Jenny Bicks, Janine Sherman Barrois, Matt Carlson, Carter Covington, Liz Craft, Sarah Fain, Tom Fontana, Gary Glasberg, Gary David Goldberg, Marc Guggenheim, Hart Hanson, Chris Harris, Felicia Henderson, Winnie Holzman, David Hudgins, Jason Katims, Jay Kogen, Bill Lawrence, Ali LeRoi, Melanie Marnich, Nancy Pimental, Rashad Raisani, Robin Schiff, David Shore, Patrick Sean Smith, Robin Swicord, Pam Veasey, Ben Watkins, and David Zuckerman.
Workshops Series: The Humanitas staff and the New Voices Advisor invite fellows to join a series of conversations and workshops focused on the most pressing issues facing emerging television and screenwriters. Topics have included The Art of the Pitch, Navigating Notes, Understanding the Executive Perspective, Working through Writer’s Block, Early Career Do’s and Don’ts, Staffing Meeting Tips, and more.
Professional Development & Networking: In addition to the community cultivated through the New Voices Conversation and Workshops Series, New Voices aims to present fellows with at least one meaningful networking opportunity per year.
Once the New Voices Fellowship has concluded, the fellows’ creative materials and contact information are distributed to the Humanitas agents and managers network.
Stipend: Each New Voices fellow receives a $7,500 stipend.

REQUIRED SUBMISSION MATERIALS:

Original 30- or 60-minute pilot, or feature film screenplay
Logline
Brief synopsis (1 paragraph)
Bio, résumé, and short artist statement that speaks to professional aspirations.
Completed release form.

ELIGIBILITY:

Applicants must be 21 years of age or older at time of application.
Applicants do not need to be U.S. permanent residents and/or citizens but must be residing in the U.S. during the fellowship.
Applicants must be available to participate actively in all dimensions of fellowship programming, including mandatory workshops, virtual gatherings, and virtual public programs.
The New Voices Fellowship is for emerging television and screenwriters who:
- 1) are unrepresented (writers are unrepresented with no current manager, agent, or attorney acting in this capacity),
- 2) have not been staffed as a writer, and
- 3) have not received payment for screen or television writing services prior to the submission period.
Applicants may submit one application and script per year.
Former New Voices Fellows are not eligible to reapply.

While the New Voices Fellowship accepts materials from all writers, writers with diverse backgrounds and social identities historically underrepresented in media are highly encouraged to apply.

humanitasprize.org/new-voices-2022

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2023 Disney General Entertainment Writing Program

Disney General Entertainment

DEADLINE: May 30, 2022

INFO: The primary goal is to staff Program Writers on Disney General Entertainment Content (DGE) series as staff writers during the program year. Staffing is not guaranteed. The twelve-month program is tentatively set to begin in January 2023 and end in January of the following year.

Please note, time frames are subject to change. For the first few months of the Program, writers participate in a professional development curriculum designed to better prepare them for staffing consideration, including developing, writing, and polishing at least one (1) original pilot script to be used as a staffing sample. The Program also provides engagement with executives, producers and credentialed writers, designed to facilitate relationships that can prove invaluable in developing a television writing career. Additional past activities have included: workshops led by veteran television writers, producers and Program alumni, and networking mixers with executives, producers, and showrunners.

SUBMISSION REQUIREMENTS:

Applicants must be able to legally work in the United States and be at least twenty-one (21) years of age by December 1, 2022. Entertainment industry experience is not required but is strongly recommended. Those applying must fully complete an online application and submissions package, including uploading the following seven (7) items; eight (8) if you are opting in to be considered for the Boone Scholarship:

1) SCRIPT ONE: ORIGINAL PILOT SCRIPT capturing the writer’s unique tone, style and point of view. This sample must be live-action content; animation samples of any form are not accepted. This sample should tonally translate to the type of programming broadcast, airing or streaming on DGE. This will be the primary script for consideration of your application. It cannot be changed or replaced after submission. This sample must not have been submitted in a previous application.
2) EXHIBIT “A”: SCRIPT ONE SUMMARY FORM
3) SCRIPT TWO: SECONDARY ORIGINAL PILOT SCRIPT capturing the writer’s unique tone, style and point of view. This sample must be live-action content; animation samples of any form are not accepted. This sample should tonally translate to the type of programming broadcast, airing or streaming on DGE. This sample may have been submitted in a previous application and will receive the same score as before.
4) EXHIBIT “B”: SCRIPT TWO SUMMARY FORM
5) RESUME (two pages or less) outlining chronological salaried employment (which may include entertainment and non-entertainment positions). Only list jobs or positions where compensation was received, with the exception of entertainment industry internships and full-time volunteer work at non-profits. Please also list any courses or training you have taken to develop your craft as a writer. Please do not list undergraduate coursework.
6) STAFFING PITCH (no more than 1500 characters): “Pitch” yourself as a potential staff writer on a current series (broadcast, cable, or streaming) at DGE. Before completing this section, please make sure you have a solid command of the breadth of programming across DGE and Disney+, as well as the particular show you are pitching yourself for; accepted series include both those confirmed to return for the 2022-23 season and those ending in the 2021-22 season. In your pitch, please specify: 1) why you think you would be a good fit for the particular show you selected, 2) how you identify with that show (whether it’s through a character, series theme, series storyline, series location, premise, etc.), and 3) what you think you could add to this particular writers room. The pitch should address why you’re a fit, and not why you like the show or its impact.
7) PERSONAL ESSAY (no more than 3000 characters): a story from your life experience that conveys your unique perspective and/or multi-cultural sensibility.
8) BOONE SCHOLARSHIP PITCH (if applicable): If you opt in to be considered for the Eunetta T. Boone Comedy Writers Scholarship, please answer the following prompt in 1500 characters or less: Please share why you are applying for the Boone Scholarship. Specifically, share how familiar you are with Eunetta T. Boone’s life and work, your connection to the shows she ran, and, if selected for the scholarship, how you plan to honor Ms. Boone’s legacy in a Disney Channel writers room.

https://drive.google.com/file/d/1LOIhQrDFT4RpqGQdJixphqc_GhbTSBAV/view?fbclid=IwAR11ReiJ69kR4F9KytqHroy4nyq_t98_stGdK7e6NnKy1RJ0IOu6dZNXgqY

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Writers’ Workshop

WB Television Workshop

APPLICATION WILL OPEN: May 31, 2022

INFO: For over 40 years, the Warner Bros. Television Writers’ Workshop has been the premier writing program for new writers looking to start and further their career in the world of television. The list of graduates who have gone on to do great things is long and includes showrunners: Jeff Astrof (Trial & Error), Marc Cherry (Desperate Housewives), Aaron Rahsaan Thomas (S.W.A.T.), Jenna Bans (Good Girls), and Joe Henderson (Lucifer), to name a few.

Every year, the Workshop selects up to eight participants out of more than 2,500 submissions and exposes them to Warner Bros. Television’s top writers and executives, all with the ultimate goal of earning them a staff position on a Warner Bros.-produced television show. The Warner Bros. Television Writers’ Workshop consists of three components, all geared towards preparing the writer for a successful career in television writing.

LECTURES: Weekly lectures feature guest speakers currently working in television and include a mix of showrunners, directors, actors and agents. Each seminar will teach a new skill essential for surviving and excelling in a writers’ room as a staff writer and beyond.

SIMULATED WRITERS’ ROOM: In the winter, the Workshop participants are divided into smaller groups for an intensive writing experience. Each participant will be required to complete a new spec script under the same deadlines typical for a show in production. How participants perform during this exercise will determine whether they will be supported for a possible staffing position on a Warner Bros. show. Yes, the stakes are that high!

STAFFING: Upon completion of the program, studio executives will help participants who pass the Writers’ Room obtain a staff position on a Warner Bros. Television show. We can’t guarantee you will get staffed, but we will get your material in front of the people who make the ultimate decisions – the showrunners.

HOW TO APPLY:

CURRENT RESUME: Your resume should be in pdf format and include all past writing-related work experiences, and beyond (please note writing experience is not required).
PERSONAL STATEMENT: Your personal statement should be no longer than one page, double-spaced (up to 2,000 characters, including spaces). It should tell us why you want to be a television writer and how your background will add a unique perspective to television writing.
SPEC SCRIPT: Specs MUST be written for a show that is listed on our Accepted Shows page. Not all shows are accepted. Please take a moment to make sure your show is listed. Please include a “Previously On” page after your title page if your show is serialized. The “Previously On” page lets the reader know where your episode takes place in the series, and must also include an episode number (please see the FAQ for a more detailed breakdown). It should be in paragraph form and not longer than a page. Your episode can take place anywhere within the series that you would like. If you have applied previously, you must submit a new spec script. If you apply with a Comedy spec, you will be considered as a Comedy writer, and if you apply with a Drama spec, you will be considered as a Drama writer.
SUBMISSION AGREEMENT: Each submission must include a submission agreement in order for us to review your material. You must download the agreement, print the agreement, sign it, and either scan or upload a picture of the signed document. The agreement must be uploaded to your application before the deadline. Faxes and emails of this document will not be accepted. Please take into account the time it will take to submit your submission agreement when applying.

televisionworkshop.warnerbros.com/writers-workshop/

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2022 TV PILOT CONTEST

Shore Script

DEADLINES / FEES:

Early: May 31, 2022 (1 HR $45 / 1/2 HR $40)
Regular: July 31, 2022 (1 HR $55 / 1/2 HR $50)
Final: Aug 31, 2022 (1 HR $65 / 1/2 HR $60)

INFO: WE HAVE HELPED LAUNCH THE CAREERS OF NUMEROUS WRITERS THROUGH OUR TV PILOT CONTEST. THIS INCLUDES DEALS WITH SONY, YOUTUBE, CBS, & HULU.

OUR TV PILOT CONTEST IS SPLIT INTO 1/2 & 1HR CATEGORIES.

https://www.shorescripts.com/tv/

TV / DIGITAL SERIES — APRIL 2022

March 31, 2022

NHMC Series Scriptwriters Program

National Hispanic Media Coalition

DEADLINE: April 15, 2022 at 11:59 pm PST

INFO: For nearly twenty years, the NHMC Series Scriptwriters Program has helped launch the careers of more than 200 Latinx writers.

10 diverse Latinx writers nationwide are selected for a 7-week intense writers lab. At the end of the program, these writers will have either a half-hour or hourlong original series pilot, which they will pitch to Industry leaders, beginning with our partners at ABC & NBC. Over the 7-week duration writers work with a professional writing mentor, meet and speak with professional industry writers, and build a community of Latinx writers. The program is officially conducted virtually.

Our writers have worked on shows that can be viewed on Netflix, CW, NBCUniversal, HBOMax, Hulu, ViacomCBS, Amazon Prime, Disney+, and more.

ELIGIBILITY:

You must 18 years or older.
You must live in the United States.
You must have access to reliable internet connection to participate in daily video conferencing.

SUBMISSION RULES:

Program Dates: 5/31/22 – 7/15/22
This program is virtual, to run Monday-Friday evenings, and Saturday mornings over the course of the 7 weeks. Participation in all meetings is mandatory.

REQUIRED APPLICATION CRITERIA:

Resume (max 1 page)

Please submit a current professional resume. Make sure to include any relevant writing experience. However, this is not exclusively a writing resume, do include any experience that you feel enhances what you bring to the table as a writer even if it’s not directly writing-related.

Bio (up to 250 words)

Think of your Bio and Statement of Purpose as non-fiction writing samples. These are equally as important as your script in giving us a sense of your unique voice. Please tell us a story about who you are, beyond what you have included on your resume.

Statement of Purpose (up to 500 words)

Use this section to answer the following questions: Why do you write? What motivates you to tell those stories? What is your personal connection to your material? Why is writing for the small screen your passion?

Writing Sample

Please submit a properly formatted script. We will accept the following:

1-hour (max 59 pages)
Half-hour (max 35 pages)
Feature (max 110 pages)

Your sample can be any genre including, but not limited to:

Drama
Dramedy
Comedy
Animation

Writing Samples NOT Accepted:

Short script
Novels
Plays
Poems
Any other alternative samples

Logline (1-2 sentences)

This is a brief summary of your script that establishes the main character, what obstacles they have to overcome, and gives us a sense of the hook of your story.

nhmc.org/writers/

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Paramount Writers Mentoring Program

Paramount

DEADLINE: May 1, 2022

INFO: In its eighteen years, over 100 emerging diverse writers have graduated from the Paramount Writers Mentoring Program. Over 120 careers have been launched including 14 alumni showrunners. The goal of the program is to positively impact the presence of diverse writers throughout the industry.

There are many different paths writers can follow to get their first foothold in being hired in television. As part of its ongoing commitment to create additional access for writers of diverse backgrounds Paramount's Office of Global Inclusion has launched a different kind of writers program which highlights one of those paths.

The focus of this eight month program is on opening doors: providing opportunities to build relationships with network and studio executives and show runners; to support new and emerging writers in their efforts to improve their craft; and to develop the interpersonal skills necessary to break in and succeed.

COMPENSATION: The Writers Mentoring Program is not employment and there is no monetary compensation. It is, instead, a structured program of career development, support, and personal access to executives and the decision-making processes, with the goal of preparing aspiring writers for later employment opportunities in television. Each participant will be teamed with an executive mentor.

GUIDELINES: A Paramount network or studio executive with whom they will meet on a regular basis, to discuss their work, get creative feedback on their material and get advice and support in furthering their career. Once a week, for 16 weeks participants will be invited to attend a small workshop-style meeting with various Paramount show runners and other industry professionals. Speakers include executive producers, agents, managers, development and current executives and show runners. The purpose of these gatherings is for participants to gain a better understanding of how the business works from many different perspectives as well as creating the opportunity to make critical networking connections. Another important part of the program is the opportunity for each participant to spend time observing in a writers room.

Each participant will have help in creating a rigorous career action plan and there will be on-going support in evaluating and achieving those goals. Another important benefit of the program is the development of a close-knit peer support group that will sustain participants through the program and beyond. The Paramount Writers Mentoring Program helps aspiring writers to understand the unwritten rules of breaking in and moving up. It is a combination of mentoring and networking opportunities. Program opportunities such as mentoring, workshops, and observing can be scheduled around participants’ existing work commitments. In order for a participant to get the most out of the Program a meaningful commitment of time and effort are required. It has been found that in order to derive the greatest benefit from the program, participants should be available to 1) attend a once a week (evening) workshop and 2) attend meetings or observe in various situations for a minimum of five full days (not necessarily in sequence) over the course of the eight-month program.

ELIGIBILITY: The primary focus of the Paramount Writers Mentoring Program is to provide access and opportunities for talented and motivated diverse writers. Aspiring diverse writers with a strong desire to write for Paramount television series are encouraged to apply.

You must be 21 or older to be eligible.
All completed application materials must be received between April 1, 2022 and May 1, 2022.
Any submissions received before March 1st or after May 1st, 2022 will not be considered.
No hand delivered submissions will be accepted.
Finalists will be notified in mid September 2021 (or such later date as may be determined by Paramount).
The program is scheduled to begin in October 2022 and continues through April 2023. Paramount reserves the right to make adjustments to program schedule as necessary.

paramount.com/writers-mentoring-program

TV / DIGITAL SERIES — MARCH 2022

February 28, 2022

2022 TV Series Lab

The Gotham

DEADLINE: March 4, 2022

INFO: The Gotham TV Series Lab annually selects 10 narrative series projects — all in development and written or created by first-time series creators — and provides the creative teams behind these projects with key support through the strategy, marketing, and exposure of their work.

The TV-Series Lab participants will convene two times in the year. First during a week-long virtual lab in the spring (TV-Series Lab), then pitching their project at the Gotham Week Project Market in September.

Gotham Week – September 2022

As part of the participation in the TV-Series Lab, selected projects are pitching in the Project Market at Gotham Week, which takes place in Brooklyn each September. At Gotham Week, Lab Fellows can connect with key industry members — producers and EPs, production companies, management companies, platforms and more — to help move their projects forward.

KEY DATES:

Application opens: February 4, 2022
Application Deadline: March 4, 2022 (11:59pm Hawaii-Aleutian Time Zone)
TV-Series Lab: May 9 – 13, 2022
Gotham Week: September 2022

All submissions will be notified of their status by mid-April 2022.

Questions? Please contact Gotham Senior Manager, Gabriele Capolino (gcapolino@thegotham.org)

ELIGIBILITY CRITERIA:

The Gotham is looking for 10 outstanding debut or “breakthrough” series creators working independently on fiction episodic projects in development created for TV and digital platforms. The series project submitted to the Lab is not necessarily the Creator’s first work on a series, but displays a bold and innovative talent whose unique vision suggests significant future accomplishment. Series Creators who have won or been nominated for significant episodic awards (Primetime Emmys, Golden Globe, Gotham Awards, etc.) for other digital and/or television episodic works are ineligible. Series Creators who have created prominent web series will be judged on a case by case basis. Series Creators with prominent experience in the TV Industry looking for Industry connections and exposure of their project are invited to directly apply to Gotham Week.

After participating in the program, past Gotham TV-Series Lab alumni have gone on to, among other successful stories: find partners and executive producers; connect and sign deals with production companies; work in writer’s rooms; find

thegotham.org/apply/labs/screen-forward-lab/

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NBCU LAUNCH: NBC TV WRITERS PROGRAM

NBCUniversal

DEADLINE: March 7, 2022, by 11:59 p.m. PST

INFO: The NBC TV Writers Program is our premier program for emerging diverse episodic television writers with the goal of creating the next generation of showrunners and content creators.

The program, which replaces the long-standing Writers on the Verge, develops diverse writers whose distinct points of view and lived experiences provide unique perspectives to the writers’ room.

At the conclusion of the program, participating writers will be considered for available staff writer positions on NBCU Television and Streaming as well as Universal Studio Group series.

Applicants are encouraged to review the FAQs carefully as they are designed to guide you in creating a strong submission.

ELIGIBITY REQUIREMENTS:

Applicants must be authorized to work legally in the United States. Visa sponsorship is not offered to program participants.

Applicants must be at least 21 years of age as of September 1, 2022.
Entertainment industry experience is not required.
While in the program, applicants must reside in Los Angeles as weekly workshops are in-person.
Writers who have received a staff writer credit on more than one streaming, cable, or broadcast television scripted series are ineligible and cannot apply.
Writing teams can apply. Pilot samples submitted by writing teams must be co-written by both individuals applying to the program.

SUBMIISION REQUIREMENTS:

Those applying must submit a complete application package, which includes the following items:

APPLICATION must be completed in its entirety. Writing teams need to complete only one application, but must provide separate applicant information, essay responses, and release forms (as directed) for each team member. Incomplete applications will not be considered.
2 ORIGINAL PILOTS that capture the writer’s unique tone, style, and point of view. Applicants retain ownership of these 2 pre-existing pilots which will be used solely for review and evaluation purposes, as part of the application process.
Applicants must select and designate one pilot to prioritize for the first round of review and consideration. Should an applicant proceed to the next round, their second submitted pilot will be reviewed.
Submitted pilots should adhere to the following:
(1) Follow a four-act structure (for comedy) or a six-act structure (for drama);
(2) Must be between 25-45 pages in length for 30-minute formats (typically comedy) or between 45-60 pages for 60-minute format (typically drama);
(3) Have a clear beginning, middle and end.
The applicant must be the sole owner of all original material submitted, unless applying as a writing team and in that case, both applicants must be co-writers of the original material. We can only accept material from writing teams if both writers are applying to the program as a two-person writing team.
All script reads are blind so only provide the title on the title page of the pilots. The applicant’s name, email, address, phone number, or any other identifying information should not appear in the filename, on the title page, or any other page of the script.
RELEASE FORMS must be completed, signed, and dated, in order for submissions to be accepted. Incomplete release forms will result in disqualification. Digital signatures are accepted.
RÉSUMÉ outlining chronological paid employment history (may include entertainment and non-entertainment positions) and any writing-related honors/awards. Positions must have been held within the past 15 years (two pages or less). Only list compensated positions with the exception of entertainment industry internships and full-time volunteer work at non-profits. If listing writing projects, only include projects that were produced and/or optioned. The applicant’s résumé will provide us an understanding of their work history and insight into their individual life experiences.
PERSONAL ESSAYS articulate the applicant’s unique perspective and background as it relates to their storytelling. Applicant must answer both (2) essay questions, and each essay must not exceed 400 words.

Any candidate who does not meet the aforementioned criteria will be disqualified.

nbcuniversallaunch.com/tv-writers-program

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Sundance Episodic Program

Sundance Institute

DEADLINE: March 9, 2022

INFO: The Sundance Episodic Program is an entry point and sustaining force for emerging episodic writers and creators across all scripted platforms. Through a rigorous Lab experience and customized year-round support, the program provides artists with the tools, training, and industry access to move their projects and careers forward.

The Episodic Lab is an immersive six-day experience at the Sundance Mountain Resort that offers writers an opportunity to workshop an original pilot and develop their writing and pitching skills. Working with accomplished showrunners, producers, and executives, the Fellows participate in one-on-one story meetings, pitching sessions, craft workshops, and writers' rooms, which altogether provide creative and strategic tools to develop their pilots and navigate the industry.

RULES & TERMS: The Lab provides applicants with the opportunity to create and submit a television script (“Script”) to be part of the Institute’s upcoming Episodic Lab. Up to ten (10) projects per Lab will receive the opportunity to further develop their Script through virtual workshops leading up to the Lab at the Sundance Mountain Resort in Utah (or through an online platform, if necessary), as set forth more fully below.

By agreeing to the Terms And Conditions found on the Lab submission form located at https://filmfreeway.com/SundanceEpisodicLab2022, the person submitting the Script (hereafter called the “Applicant”) acknowledges and agrees that he/she/they has obtained consent from any and all co-writers or other individuals with rights in and to the Script (hereafter called the “Script Owners”) and has read and understood the submission rules and regulations set forth below:

ELIGIBILITY: The Lab is open to international and U.S. participants, subject to international travel guidelines. By submitting an application, Applicants agree to be bound by these Rules and the decisions of the Selection Advisory Committee, which are final and binding on all matters relating to this Lab. The Lab is subject to all applicable federal, state, and local laws.

Additional Eligibility Requirements:

Applicants must be 18 years of age or older at time of application.
The Project must be the Applicant’s original creation or adapted from optioned source material. The Project must be written in the English language.
The Project must be new: not previously submitted to any Sundance Institute labs, competitions, grants, or programs, not already produced, not already sold to a third party, and not distributed online or otherwise.
Applicants cannot have sold an episodic project (pilot or pitch) that has been shot, to a studio or network in the past.
The Project shall not infringe the copyright or any other proprietary right of another individual or entity. The Applicant is responsible for all rights pertaining to the project.

filmfreeway.com/SundanceEpisodicLab2022?fbclid=IwAR0T_49vNoPeWx5fHtJ6GWmSECMgeihfTMe45vJun4nfRmhUNQ4UpcX5oCA

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BRIClab: Film + TV

BRIC

DEADLINE: March 10, 2022

INFO: BRIClab is a multi-disciplinary residency program created to advance opportunities for visual artists, performers, and media makers and offers emerging and mid-career artists essential resources, mentorships, and opportunities to share their work. The residency aims to build a stronger and more diverse artistic community in Brooklyn, New York by supporting long term growth and fostering relationships across disciplines.

RESIDENCY BENEFITS:

A stipend of $2500
Up to $6000 towards production cost (expenses must be pre-approved and
documented via invoices and receipts)
Access to courses through BRIC's Media Education program at no fee
Access to BRIC production studios and post-production resources
A mentor with industry experience relevant to your project
A collaborative cohort community with group critiques and access to BRIC networking events
A public presentation of your work upon completion of the program
Access to industry gatekeepers through professional development workshops and collaboration opportunities

WHO SHOULD APPLY

You must be:

A New York City based creative, 18 years of age or older.
A documentary filmmaker with a proven degree of competence in production.
An individual artist and/or a creative team of two.
Either not employed by BRIC full-time, or a non-salaried BRIC staffer who works fewer than 500 hours/year.

We are interested in:

Documentary projects of all lengths (short/feature/series).
Thoroughly-researched, original concepts.
A detailed breakdown of budget and the various ways that the project will
maximize the use of BRIC facilities and resources.
A specific production timeline leading up to project completion by spring 2023.
Films can be in any language; if not in English, work must be subtitled.

bricartsmedia.org/briclab-film-tv

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WRITERS IN RESIDENCE

Hedgebrook

DEADLINE: March 14, 2022

INFO: Hedgebrook is on Whidbey Island, about thirty-five miles northwest of Seattle. Situated on 48-acres of forest and meadow facing Puget Sound, with a view of Mount Rainier, the retreat hosts writers from all over the world for fully-funded residencies of two to four weeks (travel is not included and is the responsibility of the writer to arrange and pay for). This residency is open to women-identified writers 18 and older.

Central to what we do, our Writer-in-Residence Program supports fully-funded residencies for selected women-identified writers at the retreat each year. Up to 6 writers can be in residence at a time, each housed in a handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Hedgebrook’s mission is to support visionary women writers whose stories and ideas shape our culture now and for generations to come. Residents must be willing to adhere to a specific set of health and safety protocols we have implemented to keep writers, staff, and surrounding communities safer. We will be following CDC and local government guidelines and recommendations for travel and in-person gathering restrictions.

Residencies for this application cycle, Cycle 1, will take place February - June 2023.

2023 WiR Genres for Cycle One:

Fiction
Non-Fiction
Playwriting
Poetry
Screenwriting/TV Writing
Songwriting

hedgebrook.org/writers-in-residence

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The Thousand Miles Project

Coverfly

DEADLINE: March 31, 2022

ENTRY FEE: $0

INFO: The Thousand Miles Project is open to writers who are passionate about telling Asian and Pacific Islander stories. They’re accepting Features, TV Pilots, Shorts, Web Series, Short Stories, Book/Manuscripts, Stage Plays, Graphic Novels, and Articles

We at The Thousand Miles Project are committed to h elping emerging writers tell their stories and jumpstart lasting writing careers in the entertainment industry. In partnership with Universal Content Productions (UCP) and writer/producer Soo Hugh (The Terror, Pachinko), the program will provide up to 20 writers/writing teams the opportunity to learn about television writing and the industry through panels and lectures with writers, development execs, managers, and agents in a two-day intensive virtual workshop.

After the workshop, participants will be invited to apply for a 24-week development lab by submitting a series idea for further development. Television project proposals in any genre are welcome. We are interested in narratives told through the lenses of any Asian and Pacific Islander community (all Asian or Pacific Islander countries or cultures). From those proposals, up to 3 writers/writing teams will be selected to join the development lab with Soo Hugh, her team and UCP to write a pilot script and potentially develop their project further with UCP. The lab writers will meet on a bi-weekly basis, with additional monthly meetings with Soo and her team.

BENEFITS:

Workshop Participants - Up to 20 writers/writing teams will be invited to free virtual workshops to learn about television development and career strategies from writers, showrunners, managers, agents, and studio execs.

Virtual Workshop dates will be June 11, 2022 and June 18, 2022.

Development Lab Writers - Workshop participants will be invited to apply for the development lab by submitting additional materials by August 1, 2022, which are currently contemplated to include:

Short answers to a series of questions regarding their series concept
An artistic statement of intent about themselves (750 words or less)

Up to 3 writers/writing teams who participated in the workshops and submitted series development ideas will be selected to participate in a 24-week paid development lab. With guidance from Soo and her team, plus peer-to-peer feedback, writers will write a pilot. Selected writers are expected to fully participate by giving support and feedback to each other in the lab.

Writers/writing teams from the lab may be invited to further develop their project with UCP after the development lab is completed.

If UCP chooses not to further develop a project from the lab, UCP will give the rights to the applicable script back to the writer/writing team (and UCP will no longer continue to own it). Further details, and an agreement, will be provided to writers/writing teams selected to participate in the lab.

ELIGIBILITY:

Applicants must be at least 18 years old at the time of their application.
Applicants can be from any country or background.
Applicants must have a strong proficiency in English.
Applicant’s participation in the 2-day workshop (and lab, if applicable) must not violate any other obligations applicant may have at law, pursuant to contract, or otherwise.
To participate in the development lab, applicants must be legally authorized to live, work and participate in the lab in the United States.
Applicants must be available to participate in the 2-day workshop and lab (if applicable): Workshop is currently scheduled for June 11, 2022 and June 18, 2022, for approximately 8 hours each day with hours based on the Pacific Time Zone. Confirmed dates and time will be provided.
If selected for the development lab, applicant must execute a standard writer agreement, and other required documentation, in order to participate.
Writing teams can be no more than 2 writers. Each writer must submit a separate application.

writers.coverfly.com/competitions/view/thousandmilesproject?fbclid=IwAR1Q-gSJSv5NkLrLB-61oXPVPF8-_ZcRUKUiicayFpdg6CjcrQf21MGYES0

TV / DIGITAL SERIES — FEBRUARY 2022

January 31, 2022

2021/2022 INDIGENOUS LIST

The Black List / IllumiNative / Sundance Institute

DEADLINE: February 4, 2022

INFO: For the second year in a row, The Black List has partnered with IllumiNative and Sundance Institute for the Indigenous List. The Indigenous List will feature film and television scripts authored by Native American, Native Hawaiian, and Alaskan Native Film artists working in the U.S.

Filmmakers and content creators are invited to submit a script for consideration by uploading it to The Black List website during the winter of 2021/2022. Feature film, one-hour, and half-hour original pilot submissions will be considered for this opportunity (no webseries or documentaries, please.) Scripts from any genre are eligible for this partnership.

blcklst.com/help/article/634

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Hillman Grad Mentorship Lab

Hillman Grad Productions

DEADLINE: February 11, 2022 at 11:59pm PST

INFO: The Hillman Grad Mentorship Lab provides opportunities for marginalized storytellers to connect, grow, and accelerate their career in television.

Committed to infusing new narratives and perspectives in front of and behind the camera, the Hillman Grad Mentorship Lab provides a robust slate of workshops, educational resources, and professional development and networking opportunities for a cohort of diverse writers, actors, and aspiring creative executives.

The tuition-free, 8-month program grants fellows the unique opportunity to enhance their creative skillset through personalized instruction from industry professionals, creating additional pathways to bring more people from diverse backgrounds into the entertainment industry.

CURRICULUM: The Hillman Grad Mentorship Lab consists of three separate tracks: television writing, screen acting, and executive development.

The writing track will help prepare mentees to be ready for their first staff position in a writer’s room. Writing mentees will engage in a comprehensive writing experience, developing an original pilot from concept ideation to a fully polished and packaged script. Mentees will learn how to plan and write a pilot, participate in a simulated writers room–undergoing a series of rewrites from notes by the instructor, peers, and creative executives–capped off by a table read featuring professional actors. Mentees will be instructed and mentored by Michael Svoboda.

The acting track will prepare mentees for jump starting their careers as recurring actors and guest stars. Acting mentees will focus on mastering craft, a full and complete understanding of the business side of the industry, and be exposed to guests who are leaders in their field from all parts of the industry both in front of and behind the camera. Mentees will critically explore a wide array of genres, expanding their creative capacity to successfully deliver powerful performances, slay their audition, and stay booked. Mentees will be co-instructed and mentored by Behzad Dabu and Carolyn Michelle Smith.
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The executive development track will prepare mentees for transitioning from working as an assistant to becoming a creative executive. Mentees will network and learn from a variety of industry executives by exploring how to track IP and analyze material, practice pitching, and work closely with writing mentees to develop their in-program pilot script.

SUBMISSION REQUIREMENTS:

The Program is subject to the following requirements:

You must submit a complete and accurate application through the Hillman Grad website prior to the application deadline, which application will include:
Short Answers to a series of questions;
A resume;

For Television Writing applicants: a writing sample, written solely by the applicant (no writing teams), which must be either an original feature screenplay or television pilot (preferable);
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For Screen Acting applicants: two (2) 60-second monologues with contrasting tones. Monologues should be sourced from a film, television program, or play.
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You must also agree to (1) these Submission Requirements, (2) all terms relating to the Program posted on Hillman Grad’s website, which you should review and read in full, and (3) the Submission Agreement, which governs the submission of your materials to Hillman Grad. The Submission Agreement includes important, legally binding terms and conditions, including arbitration of any disputes, which you must read in full before accepting.
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You must be at least 18 years of age and not a minor in the state or country of your residence at time of submission.
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You must be the sole owner of all rights in and to the materials submitted to Hillman Grad (“Submission Materials”). The Submission Materials must not in any way infringe upon the copyright of any person or entity or, to the best of your knowledge in the exercise of reasonable prudence, constitute libel, defamation or invasion of privacy or any other rights of any third party.

PROGRAM EXPECTATIONS: This program requires an expected commitment of 10 hours/week. All mentees agree to commit to: virtual attendance at all classes via Zoom; meet all program deadlines; in-person attendance at kick-off weekend (March 2022), retreat weekend (July 2022), and showcase week (October 2022); participate in the program in a professional manner. Failure to deliver on any of the above may result in termination from the program. Applicants currently enrolled in an undergraduate or graduate program are discouraged from applying.

By committing to the Hillman Grad Mentorship Lab, mentees must attend:

For Acting and Writing mentees: weekly classes via Zoom; Saturdays 10AM - 1 PM PT
For Creative Executive mentees: monthly classes via Zoom; 1st Saturday of the month, 10 AM - 1 PM PT
Kick-Off Weekend: March 18-20 (in-person, Los Angeles)
Retreat Weekend: July 8-10 (in-person, Los Angeles)
Capstone Week: October 19-23 (in person, Los Angeles)

hillmangrad.com/mentorship-labs

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2022 Stowe Story Labs & RETREAT

DEADLINE: February 15, 2022

INFO: Stowe Story Labs is a nonprofit dedicated to helping emerging screenwriters, filmmakers, and creative producers get work made and seen. We look for people demonstrating talent and a good story worth developing, whether or not they have experience in film or television. This application is for our 2022 labs and retreats. Details about our programs, schedule of program, and template agendas can be found here under the programs tab for "narrative labs" and "writers' retreats." Although we do charge for our programming, we work to keep the cost of programming as low as possible. If our program changes during application season, we will write to you to tell you about the changes. If there are new labs or retreats, we will include your application in review for those programs.

Please take a minute and review this note before filling out your application.

APPLICATION PROCESS: We have one application for our labs and retreats. On the application, you may rank the programs you are most interested in, but we will review your application for all slots and, if you are admitted, we will discuss with you which program might be best. You can choose "no preference" when applying. As we review material, we may reach out to ask follow up questions.

FELLOWSHIPS & SCHOLARSHIPS: Although we rely on fees to operate, we do offer as much support to our participants as possible. We offer several fellowships. Each fellowship has its own criteria and goals. At a minimum, the fellowships cover the fees for one participant to attend a program, as well as other benefits. Please check the website for information about each fellowship. We also offer dozens of partial scholarships to help ensure deserving applicants can attend our programs. There is not a separate application process for these opportunities. If interested in financial support, you will be steered to questions about these programs.

FEES & OTHER NOTES: The fee to attend an in-person four-day Narrative Lab in 2022 will be $2,500. The fee to attend an in-person five-day writers' retreat will be $2,750. Fees include all content and most meals. Travel and lodging are separate, and lodging is offered through our lodging partners, who offer deep and meaningful discounts to participants (and most include breakfast ....).

Given the uncertainty about the novel coronavirus, all programs could end up running remotely. An online Lab will cost $1,750. An online retreat will cost $1,950.

Please note we do not provide feedback on projects through our submission process.

Please familiarize yourself with our programs and fellowships before applying. You can of course reach out to us at info@stowestorylabs.org.

As noted above, we look for talented people - regardless of experience or background - bringing us interesting stories, and we look especially for underrepresented voices. Our mission includes breaking down barriers to this complicated industry.

stowestorylabs.submittable.com/submit/204218/stowe-story-labs-2022-labs-retreats-and-financial-support-application

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Interdisciplinary Artist Residency Program

Peter Bullough Foundation

DEADLINE: February 22, 2022

INFO: The Peter Bullough Foundation in downtown historic Winchester, Virginia provides residencies to emerging artists and scholars, including those elevating voices and topics relevant to the LGBTQIA2S+ community. Applications are now being accepted for fall 2022 residencies to work in the private studios and enjoy the garden and former homes of Dr. Peter Bullough. The ideal applicant will be self-directed and able to work independently. Each awarded residency period is roughly four weeks and is shared with one to two other artists in residence. Artistic collaborators in groups of two to three may apply in one application. Hosting a community workshop virtually or in-person during the residency is encouraged, but not required.

Disciplines Accepted:
Architecture, literature, film/video arts, interdisciplinary arts, music, music composition, playwriting, screenwriting, poetry, scholars, theatre, and the visual arts.

Fall 2022 Residency Dates:

August 18 - September 13
September 15 - October 11
October 13 - November 8
November 10 - December 6

Selection:
Selection is a multi-step process involving the PBF staff, residency committee, residency alumni, and board. We may request an interview with you to learn more about you and your work. Selections will be announced 30-45 days after the application deadline. The PBF does not discriminate in its programs and activities on the basis of race, sex, sexual orientation, gender identity, gender expression, marital status, religion, creed, national origin, age, and/or disability.

Accommodations & Support:
The Peter Bullough Foundation is delighted to offer free accommodations for two to three artists at a time in Dr. Bullough’s former home, a renovated 1840’s house with private bedrooms and bathrooms and shared common spaces. Private studios and workspaces are located in an adjacent building that also houses the majority of the late Dr. Bullough’s book and art collections. Private gardens connect the properties and are also available as open-air workspaces.

A $550 stipend is provided to aid in covering supplies, necessities, and food for the month.

Accessibility:
The PBF is not ADA accessible at this time. For more information on accessibility, please check out our FAQ's.

Location:
Winchester, Virginia is a quintessential American small town, with four locally-owned breweries, many small shops, 10 different historic house museums, a kids science museum, and a large regional art museum.

Application Requirements:

Application Form
Resume, CV, or Statement of Qualifications
Two Personal References
Personal Statement and Proposal
Portfolio

peterbulloughfoundation.org/residency?fbclid=IwAR1MRyNsx3HGw1Vimr66ld9RkMwoyFRYvIA6qHHNlUaE8hw2rarYFoUF2wE

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The 2021/2022 Muslim List

The Black List / Muslim Public Affairs Council

DEADLINE: February 28, 2022

INFO: The Black List has partnered with the Muslim Public Affairs Council (MPAC) and Pillars Fund to create The Muslim List, highlighting the very best unproduced scripts written by at least one Muslim writer.

Filmmakers and content creators are invited to submit a script for consideration by uploading it to The Black List website. Feature film, one-hour, and half-hour original pilot submissions will be considered for this opportunity (no web series or documentaries, please.) Scripts from any genre are eligible for this partnership.

Writers of selected scripts will be notified in Spring 2022 with a public announcement to follow.

REQUIREMENTS:

Writers should identify as Muslim. While writers can be from any country of origin, they must currently reside in the U.S.
Writing teams are eligible as long as one member of the team identifies as Muslim.

Scripts can be multilingual as long as they are written primarily in English.
Feature films and original television pilots will be accepted, no web series or documentaries please.

mpachollywoodbureau.org/screenwriters

TV / DIGITAL SERIES — JANUARY 2022

December 31, 2021

SESAME WORKSHOP WRITERS’ ROOM

DEADLINE: January 10, 2022

INFO: Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. And we’re looking for YOU! Fresh new writing talent from writers with diverse racial, ethnic, and cultural identities. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept. Past fellows have gone on to develop their own original content with Sesame Workshop, as well as write for Sesame Street and various programs at Nickelodeon, Disney, DreamWorks, and more! Learn about the 2021 fellows and speakers HERE.

ABOUT THE PROGRAM:

Up to 8 writers with diverse racial, ethnic and cultural identities will be selected
Sessions will take place virtually from May through July 2022
Includes eight, three-hour sessions on creating original children's content
Learn from industry writers, producers, agents and executives
Learn and complete all steps of creating an original pilot episode script
Up to two participants will have the opportunity to receive creative development deals and further mentorship

APPLICATION INCLUDES:

Application form
Resume: this can feature your overall work experience, NOT only writing experience
Personal statement: tell us about yourself, for example, why you want to write for children's educational media, how your experiences influence the stories you tell, why you value diversity/representation in children's media, etc. (up to 250 words)
Original script sample: 11-page maximum, it should NOT contain Sesame Street elements, it can be an excerpt from a larger piece you've written, it must be kid-friendly content for viewers up to age 12...we're looking for great characters and stories that inspire kids to be smarter, stronger and kinder!
More info on your script: what's the bigger picture/idea of your script sample? (up to 100 words)

ELIGIBILITY:

Participants must be a U.S. citizen or permanent resident
Participants must be 21+ years old
Must have a diverse racial, ethnic, or cultural identity.
No extensive media writing experience, such as having written more than six episodes for a network or cable scripted/narrative series
Participants must be able to attend and complete writing assignments for all 8 sessions, which will be held virtually from May to July 2022

sesamewritersroom.org/?utm_source=swr&utm_medium=email&utm_campaign=2021_1122_SWR_NowOpen&utm_content=cta

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2022 Jerome Emerging Artist Residency

The Anderson Center

DEADLINE: January 15, 2022 at 11:59pm CST

APPLICATION FEE: $0

INFO: The Anderson Center’s Jerome Emerging Artist Residency Program offers month-long residency-fellowships at Tower View to a cohort of early-career artists from Minnesota or one of the five boroughs of New York City for concentrated, uninterrupted creative time to advance their personal artistic goals and projects.

The program aims to meet the specific needs of emerging artists while welcoming them into a supportive and inspiring residency environment that empowers them to take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

Thanks to support from the Jerome Foundation, selected emerging artists receive a $625/week artist stipend, documentation support, art-making resources, facilitation of community connections, lodging & studio space, a travel honorarium, groceries, and chef-prepared communal dinners.

Located at the historic Tower View estate, a venerable research-and-development lab for the arts rooted in an expansive natural setting, the program is an ideal fit for early-career artists whose work reveals a significant potential for cultural and community impact, is technically accomplished, engages diverse communities.

The Anderson Center’s goal is for connections participating artists make with one another, as well as connections made with other creatives and community members, to outlast the duration of their residency visit. The organization believes that the environment and resources of Tower View, along with an exchange of ideas across disciplines, can serve as a catalyst for new inspiration and innovative directions for the work emerging artists create while in residence.

Jury review will take place in late January and early February. Applicants will be notified by Feb. 3 as to the status of their application. A phone interview process with finalists will take place in late February following a second round of jury review. Selected artist residents, wait-list and runners-up will be notified by March 2, 2022.

ABOUT THE ANDERSON CENTER

The Anderson Center for Interdisciplinary Studies, founded in 1995 on the Tower View estate in rural Red Wing, Minn., has renovated and restored historic buildings to support working artists and the creative process, including developing twenty-two active studio spaces and three galleries. A renovated barn serves as a performance and event venue, the historic main residence houses artists-in-residence, and fifteen acres support a sculpture garden.

The Anderson Center provides residencies of two- or four-weeks’ duration from May through October each year to enable artists, writers, musicians, and performers of exceptional promise and demonstrated accomplishment to create, advance, or complete work. In addition to community engagement activities through the artist residency program, the organization has a strong history of helping integrate the arts into community life through local partnerships, hosting annual arts events and participating in other community-based initiatives.

ABOUT THE JEROME FOUNDATION

The Jerome Foundation, created by artist and philanthropist Jerome Hill (1905-1972), seeks to contribute to a dynamic and evolving culture by supporting the creation, development, and production of new works by emerging artists. The Foundation makes grants to not-for-profit arts organizations and artists in Minnesota and New York City. The Jerome Foundation is generously providing support for the Anderson Center’s Jerome Emerging Artist Residency Program in August of 2022.

LOCATION

The Anderson Center campus is located on the 350-acre historic Tower View Estate, built by scientist & farmer Dr. Alexander Pierce Anderson between 1915 and 1921, on the western edge of Red Wing, Minnesota, and its buildings are listed on the National Register of Historic Places. The Center features a large sculpture garden, and is adjacent to the Cannon Valley Trail, a 20-mile biking and walking trail that runs from Cannon Falls to Red Wing.

The Center is approximately 45 minutes southeast of Minneapolis and St. Paul. Transportation is provided between the Center and the Twin Cities airport on the first and last day of residencies only. Artist Residents that choose to drive will have access to private parking on the property.

The community of Red Wing, Minn., (pop. 16,000) is nestled amidst the scenic bluffs of the upper Mississippi River. The town is settled on the ancestral homelands of the Mdewakanton & Wapakute bands of the Dakota people. The City of Red Wing is named after Tatanka Mani (Walking Buffalo), a leader of the Mdewakanton Dakota in the upper Mississippi Valley who wore a ceremonial swan’s wing dyed in brilliant red. In 1815, Tatanka Mani and his people moved their village south to a place they called Khemnichan (Hill, Wood, & Water) in present-day downtown Red Wing. Euro-American immigrants who met him as they advanced into the region in the early nineteenth century came to know him and his village as “Red Wing.”

Since its settlement and eventual incorporation in 1857, Red Wing established itself as a center for agriculture, industry, tourism, medical care, technology, and the arts. The Red Wing Shoe Company and its iconic brands, in particular, continue to have a significant impact on the community’s economic, business, and community development climates. Natural resources abound with Red Wing's riverfront, winding paths through the majestic bluffs, bike trails, and 35 city parks. The Prairie Island Indian Community is located northwest of the city. Frontenac State Park is to the southeast on Lake Pepin. Minnesota State College Southeast Technical’s Red Wing campus is known for its string and brass instrument repair programs. The MN Dept. of Corrections also operates a large juvenile residential facility in Red Wing.

Other amenities include a destination bakery, a chocolate shop, coffee shops, restaurants, the flagship Red Wing Shoe Company store, Goodhue County Historical Society Museum, the Red Wing Stoneware & Pottery store, the Pottery Museum of Red Wing, a Duluth Trading store, the Red Wing Marine Museum, a Target, several pharmacies, a plant nursery & garden center, a Mayo Health System Hospital, a small independent bookstore, and a public library (the Center has arranged for residents to have access to a library card for their month at the Center)

Other key community stakeholders include the historic Sheldon Theatre, the Red Wing Arts Association, Red Wing YMCA, Red Wing Youth Outreach, Hispanic Outreach of Goodhue County, Red Wing Area Friends of Immigrants, Red Wing Area Women’s Art History Club, Live Healthy Red Wing, Artreach, Red Wing Artisan Collective, the Artist Sanctuary, Pier 55 Red Wing Area Seniors, Big Turn Music Festival, Red Wing AAUW, Red Wing Environmental Learning Center, Red Wing Girl Scouts, Red Wing Public Schools, Tower View Alternative School, and Universal Music Center, as well as several City boards, commissions, and departments.

ELIGIBILITY AND DEFINITION OF “EMERGING ARTIST” While the Anderson Center’s general Artist Residency Program hosts artists with a wide range of talent and experience, the Jerome Emerging Artist Residency Program exclusively focuses on meeting the specific needs of artists who are in the early stages of their artistic development and career.

The Anderson Center defines an emerging artist as someone who has some evidence of professional achievement but has not yet a substantial record of accomplishment. These are the applicants who are practicing vocational artists but are not yet recognized as "established" by the artistic community (other artists, curators, producers, critics, and arts administrators).

The organization looks for artists whose work reveals a significant potential for cultural and community impact. These are artists who are uncompromising in their approach to creation and production, people who are not afraid to take risks, embrace challenges, and utilize unconventional approaches to problem-solving.

Degree-seeking students at the time of application, or during the grant period, are not eligible for a residency (including K-12, college, graduate or post graduate studies). Age is not a factor in determining emerging artist status.

Artists that are part of an artistic collective, partnership, or collaborative are welcome to apply, but collaborative residencies are also rare. The program is extremely competitive and space is simply limited. Each artist must also complete their own application form.

Artists of all disciplines are eligible and are encouraged to apply. Artists must currently be legal residents of Minnesota or one of the five boroughs of New York City and have been residents for at least one year prior to the submission of an application. Applications must be submitted through the Anderson Center’s online webform via Submittable. The primary goal of eligible artists must be to generate new works, as opposed to remounting or re-interpreting existing works.

Further details from the Jerome Foundation on emerging artist eligibility requirements can be found here: https://www.jeromefdn.org/defining-early-career-emerging-artists

APPLICATION
A completed application form includes a brief artist statement, a work plan, an emerging artist statement, a community engagement statement, work samples, and a resume or CV. Incomplete or late applications will not be reviewed by the panel. You may begin your application, leave and return as many times as necessary to complete the form PRIOR to clicking the submit button at the bottom of the completed form. Important: do not submit your application form until you are completely finished editing as your application will be finalized at that time. If you are a prior resident of the Anderson Center, you must wait one year from the time of your residency to apply again.

The Artist Statement, provides an opportunity for you to share, in 100 words or less, a brief statement or summary about your current and future work.

The Resume, CV, or Biographical Statement is a Word or PDF document that shows education, work experience, publications, awards, and previous residency experience. 3 pages maximum.

The Work Plan is a one page Word or PDF document that clearly and concisely describes what you are working on and what you’d like to accomplish at the Anderson Center. Successful applicants address how the timing, location, and cohort-based model of the residency would benefit their practice. Artists may also mention how specific amenities or resources at the Anderson Center (such as the surrounding natural environment, specific studio spaces or equipment) would advance their work. The statement can be single-spaced.

An Emerging Artist Statement addresses, in 250 words or less, your status as an emerging artist or early-career artist. How would participating in this program impact or advance your practice as an emerging artist? In what ways would this program meet your needs as an emerging artist? Why is this residency important to this stage of your career path? How do you identify as an emerging artist?

Work Samples should be of recent work and should include:

For composers and musicians: 3 to 5 recordings
For visual artists: At least 5 images of work (300 dpi or larger)
For nonfiction and fiction writers: 10 pages of double-spaced prose
For playwrights & screenwriters: 20-page excerpt (does not need to be from the beginning)
For poets: 10 pages of poetry
For translators: 10 pages of translation and original text
For performance artists: 3 short videos excerpts of performances (no videos longer than 5 minutes)
For filmmakers: at least 3 short film clips (no videos longer than 5 minutes)
For Scholars: 10 pages of work, including research abstracts and relevant diagrams

DURATION OF RESIDENCY

The Anderson Center’s Jerome Emerging Artist Residency Program offers residency-fellowships of two weeks or one month in August. Strong preference is given to those applying for month-long stays. August is the only month the Jerome Emerging Artist Residency Program takes place.

PROGRAM DETAILS

Each artist-in-residence receives:

$625/week artist stipend
Travel honorarium ($550 for New Yorkers and $150 for Minnesotans)
$450 documentation budget (services for photography, video, audio, etc.)

Evening dinners are prepared and presented by the Anderson Center chef Monday through Friday. The chef also shops for meal items for artist residents, and residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends.

There is also a housekeeper who cleans and maintains the historic facilities. Additional cleaning and sanitization measures are being taken during the pandemic to help ensure the health and safety of artists, staff, and the community.

ACCOMMODATIONS
Each resident is provided room, board, and workspace for the length of the residency period in the historic Tower View residence. Visual artists are provided a 15' x 26' studio and are responsible for supplying their own materials. Other workspaces on site include a cone 10 gas kiln and electric kilns, an open-air metalsmith facility, a dark room, and a print studio (with a Vandercook 219 letterpress and a Charles Brand-like etching press). Practice space is also available for dancers, choreographers, and musicians. Composers are provided with access to a 1904 Steinway piano and a Royale grand piano.

Dinners are prepared and presented by Anderson Center chef Phoebe Nyen Monday through Friday. Chef Phoebe also shops for groceries for artists-in-residence. Residents are responsible for preparing their own breakfasts and lunches, and meals over the weekends. There is also a housekeeper who cleans and maintains the historic facilities. Additional cleaning and sanitization measures are being taken during the pandemic to help ensure the health and safety of artists, staff, and the community.

Residents have access to the many walking trails on campus and to the Cannon Valley Trail, which goes through the Anderson Center’s property. Bicycles are also provided. Residents have responded to many different aspects of the gorgeous Tower View campus through their work, including composers sampling natural sounds and visual artists harvesting plant materials to create site-specific natural inks.

COMMUNITY ENGAGEMENT
The program is set-up to minimize distractions and other obligations so that artists have every opportunity to fully focus on their work. However, the Anderson Center was one of the first artist residency programs in the country to require that residents give back to the local community and connect with area residents & organizations through community engagement activities.

Staff work with artists to facilitate and customize at least one hour of mutually beneficial exchange with the Red Wing community that helps foster connection and greater a sense of place.

Within the last few years, Anderson Center residents have connected with 12 schools in five area communities (ranging from elementary through college), 5 senior centers, 2 correctional or detention facilities, 7 community organizations serving children and families, and 8 community organizations serving adults. Residents have also engaged individuals from all walks of life through public workshops, events, discussions, and artful interventions -- both at the Anderson Center or in the community of Red Wing.

During the pandemic, community engagement activities have safely and creatively continued in small group, outdoor, online or distance settings. Examples from the later half of 2020 include a writing exercise letter exchange with residents of a correctional facility, a poetry walk along a park trail, an outdoor natural dye workshop, a distanced reading/discussion with students of Tower View Alternative High School, and various public & private online interviews/discussions with community stakeholders. A majority of the 2021 engagement activities took place in-person, either outdoors or in a small group setting indoors.

PROGRAM MISSION & VALUES
The mission of the Anderson Center is to, in the unique and historic setting of Tower View, offer residencies in the arts, sciences, and humanities; provide a dynamic environment for the exchange of ideas; encourage the pursuit of creative and scholarly endeavors; and serve as a forum for significant contributions to society.

The Anderson Center Residency Program was set-up by a working poet to support other artists and continues to function by those with hands-on experience in the creative process. The organization seeks out feedback from residents each month in order to implement necessary changes as it works toward continual improvement of the program. Most importantly, staff trust artists to know what they need most to advance their individual practices. The Center does not dictate specific outcomes. Instead, the expectation is that the gift of time and space will generate significant advancements in residents' work. The Anderson Center trusts the artists to best use their time to benefit their own work and reach their own goals.

Since 2014 the Anderson Center has offered such month-long residencies in alternating years to small groups of Deaf artists, including poets, fiction writers, and nonfiction writers, whose native or adoptive language is American Sign Language (ASL). Supported by the National Endowment for the Arts, the Anderson Center's Deaf Artist Residency is the only program in the country that is Deaf-centric. It was developed with the goal of contributing to the creation of a local and national network of Deaf culture-creators.

The Center also engages in artist exchange programs with the city of Salzburg, Austria, and with Red Wing's Sister City, Quzhou, China. The Center participates in annual scholarship programs with the MFA programs at The University of Minnesota and Pacific Lutheran University in Washington.

As an interdisciplinary arts organization, the Anderson Center embraces artists who are diverse in every way. Since its inception, the organization has intentionally worked with artists representing a wide range of disciplines, with the belief that the exchange of ideas is generative. The residency program supports artists from around the world, representing a wide range of cultures, races, sexual identities and genders. The Center strives to bring people and ideas together and operates with a spirit of welcome for all.

PANDEMIC POLICIES
Prior to arrival, all artists are sent a revised Residency Handbook outline many items related to daily life for artists-in-residence, including the most current safety policies and protocols. The organization's goal is to balance standard pandemic policies and clear expectations while also highlighting areas where communication or flexibility within each cohort might be beneficial or needed.

Again, the Anderson Center Residency Program trusts that artists know what they need most to advance their individual practices and how best use their time to benefit their own work and reach their own goals. Likewise, artists are empowered to collective make changes where appropriate and ultimately build the artist community they'd like to see.

At the same time, and as is outlined in the Residency Handbook, the Anderson Center is committed to supporting artists by creating a safe space for their residency experience. As such, for the 2022 season, the organization requires all participating artists to provide proof of full COVID-19 vaccination prior to arrival.
Of course even with all of these precautions, by simply participating in an artist residency program, there is an inherent risk of exposure, even for vaccinated persons, that is beyond the ability of the Anderson Center to control entirely. By applying to this program you are communicating that you are comfortable with that amount of risk and that you are also fully vaccinated (or will be prior to arrival).

SELECTION TIMELINE
January 15, 2022 (11:59 p.m. CST) – application deadline
February 3, 2022 – Jury has selected Round 2 applications. All artists are notified of the status of their application
February 21, 2022 – Jury has determined finalists. Phone interviews with finalists begin.
March 2, 2022 – Final notification to selected artists, wait-list and runners-up

SELECTION CRITERIA Selection criteria include (in order of importance):
1) Artistic excellence as demonstrated by work samples, resume and artist statement
2) Potential benefit and impact on career as demonstrated by work plan and emerging artist statement
3) Balance of artistic disciplines, identity, geography, etc within selected cohort

EQUAL OPPORTUNITY
The Anderson Center provides equal opportunity for all people to participate in and benefit from the activities of the Center, regardless of race, national origin, color, age, religion, sexual orientation, disability, in admission, access, or employment. The Anderson Center staff is willing to do what they can to accommodate residents with disabilities. Please call before applying to discuss special needs.

https://theandersoncenter.submittable.com/submit/204499/2022-jerome-emerging-artist-residency-for-mn-nyc-artists

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WURLITZER FOUNDATION RESIDENCY

Helene Wurlitzer Foundation

DEADLINE: January 18, 2022

APPLICATION FEE: $25

The Foundation accepts applications from painters, poets, sculptors, writers, playwrights, screenwriters, composers, photographers, and filmmakers of national and international origin.

GUIDELINES:

Literary artists may upload writing samples in .pdf format using the application form above. Alternatively, literary artists may choose to mail hard-copies. Include a cover sheet containing your contact info and table of contents, but please omit names and contact info on the writing samples themselves.

Writers: samples should not exceed 35 double-spaced pages
Poets: a maximum of six poems.
Playwrights: include one complete play.
Screenwriters: include one complete screenplay.

wurlitzerfoundation.org/apply

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NYSCA / NYFA ARTIST FELLOWSHIP

DEADLINE: January 26, 2022

INFO: The NYSCA/NYFA Artist Fellowship is a $7,000 unrestricted cash grant available to artists living in New York State and/or one of the Indian Nations located therein.

The Playwriting/Screenwriting category accepts work in the writing of stageplays, screenplays, teleplays, libretti, radioplays, and audiodramas. While librettists may apply in this category, no audiotapes are accepted in this category. Composers of music theater works are advised to apply separately in the Music/Sound category.

APPLICATION REQUIREMENTS:

When Submitting an application to the Playwriting/Screenwriting category you will need to complete:

Required:

Artist Statement – up to 100 words
Work Statement – up to 100 words
Excerpt Explanation – up to 400 words
Work Samples – up to 20 pages of manuscript, 12 point font, double spaced or in script format, and a one page title page (21 pages total)

Optional written statements:

Technical Statement – up to 200 words
Cultural Statement – up to 400 words

ACCESSIBILITY STATEMENT:

To request an accommodation or assistance in applying, please email fellowships@nyfa.org. We ask that requests for accommodation be made as soon as possible or by January 12, 2022 to allow adequate time for staff to support you in submitting an application before the deadline.

WORK SAMPLES:

Manuscript of your Literary work

Work samples are a representation of your artistic work created within the last five years. This is the most important part of your application, as it will be the primary point of review.

Work Sample Inventory:

Applicants can submit up to 20 pages from a manuscript that best represents their practice. Please also include a one page title page in your PDF in addition to the 20 page manuscript (21 pages in total). The title page should include the title of the piece and the date of completion, but not the name of the author. If your work sample includes a combination of excerpts from larger works, you are strongly advised to include substantial portions from each larger work, rather than small fragments.

Do not include publication and/or production information anywhere on your manuscript. Do not include your artistic résumé in your .pdf. Materials can be previously published or not. If published, scanned excerpts from books or periodicals, in published form, will be ineligible. Manuscripts must be in English, but can be translated into English by someone other than the artist.

Work Sample Descriptions:

Before you upload the .pdf file to your application, you will need to name your file. Do not label your work sample with your name. Instead, label it with the title of your work.

After your work sample has been uploaded, you will be able to provide a description (metadata) including title, date the work was completed, and additional information. Do not include production or publication history.

File Format:

File name: label your manuscript with the title of the work, ex. The Big Story.pdf or Work Sample 2021. Do not include your name.
Length: Up to 20 pages. Must be 12 point font and double spaced or in script format.
Title Page: One page title page with the title of the work(s), and year of completion, but not the name of the author/applicant.
Language: English
File format: .pdf

SUPPORT STATEMENTS:

Written statements about your artistic practice

Support statements are available to the panelists in the later rounds of review.

Artist Statement: A short concise statement giving an overview of your artistic practice. This statement should give a brief introduction to ideas, themes and methods in your practice. This is not an Artist’s Bio. Up to 100 words.

Work Statement: A statement explaining your artistic vision as directly related to your submitted work samples. This is not an artist statement, but should instead reflect only the ideas and inspiration relevant ONLY to the work submitted. Up to 100 words. The work statement is available to panelists in the first round of review.

Questions to consider for your Work Statement: Referencing only the submitted Work Samples

What is your submitted work about?
How does this work represent the primary concerns and intentions of your artistic practice as described in your artist statement?

Excerpt Explanation: A supplemental statement further explains the context, concept, and execution of your work sample(s). This statement should explain how the excerpted work sample relates to the entire original piece. Within the Excerpt Explanation you can itemize each submitted work sample(s) and discuss them individually. Up to 400 words.

Questions to consider for your Excerpt Explanation: Referencing only the submitted Work Samples

How does your work sample(s) relate to the full work?
What information is needed to give context to your work samples?

Technical Statement (Optional): A supplemental statement describing the key technical aspects of the work. Use this statement to highlight your role in creating/executing the work. Be sure to note whether your work samples represent documentation of a performance, installation, experience, etc. You can also describe the circumstances in which the viewer/audience should experience the work. Please include instructions on how to navigate your work if it’s interactive. Up to 200 words.

Questions to consider for your Technical Explanation: Referencing only the submitted Work Samples

How was the work created/executed?
What specific techniques are integral to creating the work?
What is the original context for this work, i.e. book, performance, etc?

Cultural Statement (Optional): A supplemental statement describing how your work is rooted in a specific cultural technique, tradition or community. Up to 400 words.

Write a Cultural Statement if: Referencing only the submitted Work Samples

our practice stems from a specific and/or unique cultural tradition.
The understanding of your work is dependent on the context of a cultural community.

REVIEW PROCESS:

How are applications reviewed? Playwriting/Screenwriting applications are reviewed online over the course of 3 elimination rounds. All applications will be reviewed anonymously in the first round of review.

In Round 1, the panel will have access to all applicants’ Work Samples (up to 20 pages of manuscript) and the Work Statement. Applications are assigned a number and reviewed anonymously. In these rounds panelists are directed to review and score applications independently.
In Round 2, panelists will have access to all supplemental written statements (i.e: Artist Statement, Excerpt Explanation, Cultural Statement, and/or Technical Statement). Similar to the first round, the panel will continue to review and score applications independently.
In the following round, the panel will meet online and collectively discuss the applications that have made it into this round before selecting the Fellowship Recipients.

nyfa.org/awards-grants/artist-fellowships/2022-playwritingscreenwriting-guidelines/?mc_cid=90b5b2dcf2&mc_eid=b2828bf2ea

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MICRO BUDGET FILM FELLOWSHIP

Reel Sisters

DEADLINE: Extended to January 31, 2022

APPLICATION FEE: $15

INFO: Reel Sisters Micro Budget Film Fellowship offers women of color a chance for $5000 to produce a web series pilot.

Reel Sisters of the Diaspora Film Festival & Lecture Series, the first Academy qualifying festival devoted to women filmmakers, is pleased to announce our first fellowship opportunity for an emerging women of color filmmaker!

Our fellowship recipient will receive $5,000 to produce the first episode of your web series, which you can use as a calling card to attract a producer and other film opportunities. You will be guided on your journey in learning the art of creating a high quality micro budget film. Story is Queen.

Be prepared to begin production and shooting of your web series project shortly after you are selected as the Reel Sisters Fellow!

Public Announcement of Fellowship Recipient: February 15, 2022.

https://africanvoices.submittable.com/submit/200664/reel-sisters-micro-budget-film-fellowship-5-000

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2021/2022 INDIGENOUS LIST

The Black List / IllumiNative / Sundance Institute

DEADLINE: February 4, 2022

blcklst.com/help/article/634

TV / DIGITAL SERIES — DECEMBER 2021

November 30, 2021

Workshop Intensive: Writing for Kids' TV

BIPOC TV & Film

DEADLINE: December 5, 2021 at 8:00 pm ET

INFO: The BIPOC TV & Film Writing for Kids' TV Workshop Intensive is a 16-week program designed for emerging to mid-level BIPOC screenwriters in Canada as they develop a pilot script for kids' TV (preschool, ages 6-9, tween or YA). Participants also are introduced to other industry professionals to build and enhance their networks as they launch their writing career in Children’s TV.

The program is designed to provide participants with an in-depth overview of the business and craft of writing for children’s TV. We cover story structure, standards and practices, buyers and genres, demographics, live-action vs. animation, pitching, how to take a meeting, general industry etiquette, and introduce participants to network execs and kids’ content producers from Canada and the US.

You will participate in online interactive classes, led primarily by John May (Sesame Street, 16 Hudson, The Magic School Bus Rides Again, How to Be Indie) on the what's what and who's who of writing for children's television (preschoolers to teens). You will also be assigned writing exercises to further hone your craft. By the end of the program, you will have written your first kids' TV writing sample, under the supervision of industry mentors. This program also provides mentoring support and panel discussions with guest speakers from the children's media sector (writers, producers, etc).

Writers who are Indigenous (First Nations, Inuits, Metis) and racialized people with disabilities and/or 2SLGBTQIA+ are highly encouraged to apply. Indigenous participants will receive a stipend to cover costs related to accessing appropriate tech, Internet services, and personal, child/family care.

20-25 WRITERS WILL BE SELECTED FOR THIS PROGRAM.

ELIGIBILITY CRITERIA:

Identify as Black, Indigenous or as a Person of Colour*
Lives in Canada
Can commit to attending all sessions**

mailchi.mp/1f60781bb8fa/kidstv2022

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Black Boy Writes & Black Girl Writes Mentorship Initiative

Mike Gauyo / Stage 32

DEADLINE: December 15, 2021

The initiative, which launched at the top of 2021, focuses on supplying industry access and resources to preWGA Black screenwriters. In partnership with Stage 32, admissions for the 2022 class will open November 15th 2021 and close December 15th 2021. The first round of the application will require a bio, 1-hour or half-hour original script (of any genre), and a short essay. Those chosen to move to the second round will interview with Mike and the initiative's Chief of Programming, Ashley Aronson, before 10 to 12 participants are selected.

s tage32.com/happy-writers/contests/Black-Boy-Writes-Media-and-Stage-32-present-Black-Boy-Writes-and-Black-Girl-Writes-Mentorship-Initiative

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Micro Budget Film Fellowship

Reel Sisters

DEADLINE: December 21, 2021

APPLICATION FEE: $15

INFO: Reel Sisters Micro Budget Film Fellowship offers women of color a chance for $5000 to produce a web series pilot.

Be prepared to begin production and shooting of your web series project shortly after you are selected as the Reel Sisters Fellow!

Public Announcement of Fellowship Recipient: February 15, 2022.

https://africanvoices.submittable.com/submit/200664/reel-sisters-micro-budget-film-fellowship-5-000

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Sesame Workshop Writers’ Room

DEADLINE: January 10, 2022

ABOUT THE PROGRAM:

Up to 8 writers with diverse racial, ethnic and cultural identities will be selected
Sessions will take place virtually from May through July 2022
Includes eight, three-hour sessions on creating original children's content
Learn from industry writers, producers, agents and executives
Learn and complete all steps of creating an original pilot episode script
Up to two participants will have the opportunity to receive creative development deals and further mentorship

APPLICATION INCLUDES:

Application form
Resume: this can feature your overall work experience, NOT only writing experience
Personal statement: tell us about yourself, for example, why you want to write for children's educational media, how your experiences influence the stories you tell, why you value diversity/representation in children's media, etc. (up to 250 words)
Original script sample: 11-page maximum, it should NOT contain Sesame Street elements, it can be an excerpt from a larger piece you've written, it must be kid-friendly content for viewers up to age 12...we're looking for great characters and stories that inspire kids to be smarter, stronger and kinder!
More info on your script: what's the bigger picture/idea of your script sample? (up to 100 words)

ELIGIBILITY:

Participants must be a U.S. citizen or permanent resident
Participants must be 21+ years old
Must have a diverse racial, ethnic, or cultural identity.
No extensive media writing experience, such as having written more than six episodes for a network or cable scripted/narrative series
Participants must be able to attend and complete writing assignments for all 8 sessions, which will be held virtually from May to July 2022

sesamewritersroom.org/?utm_source=swr&utm_medium=email&utm_campaign=2021_1122_SWR_NowOpen&utm_content=cta

TV / DIGITAL SERIES — NOVEMBER 2021

October 31, 2021

Drama Writing Intensive Program

BIPOC TV & Film

DEADLINE: November 14, 2021 by 11:59pm EST

INFO: The BIPOC TV & Film Drama Writing Room Intensive is a 4-month program designed to mentor and train BIPOC writers in Canada who are working towards getting their first job in a drama writing room. This is not a how-to-write a drama script program. Writers will be workshopping a completed first draft of a drama series pilot in order to bring it to polish. This program is for BIPOC (racialized) writers who are ready to be staffed and need an extra boost to finalize their sample and accelerate their career. Writers who are Indigenous (First Nations, Inuits or Metis) and Black and racialized people with disabilities and/or 2SLGBTQIA+ are highly encouraged to apply.

Eight writers will be selected for this program.

PROGRAM HIGHLIGHTS:

Experience a simulated writing room where you will learn the dynamics and unspoken rules of working in a writing room.
Each writer is paired 1:1 with an established writer mentor throughout the program. Have A full writer room session dedicated to workshopping your script material.
Receive feedback for writing the 2nd draft of your script to help make it industry ready.
Meeting guest speakers and mentors who are currently working in the industry as writers and Showrunners.
A minimum of 2 program participants will receive a paid 4-6 week Story Editor Trainee placement in the writing room of an existing series.

ELIGIBILITY REQUIREMENTS:

Identify as Black, Indigenous or as a Person of Colour*
Have a first draft of an original drama series pilot script

BIPOC TV & Film's Drama Writing Room Intensive (formerly known as the Black & Indigenous Drama Writers Intensive) is a professional development training and mentorship program designed to advance racial equity and inclusion in Canada’s film and TV sectors. Historically Black, Indigenous, and People of Colour communities have been underrepresented, excluded and exploited in the entertainment industry—and across all industries and sectors. This program is one of our many initiatives created to redress generations of harm and oppression.

https://docs.google.com/forms/d/e/1FAIpQLSdivn_MtugLqOcoer3XHJAniqqS91kwAUronC5M9bl7SwZ0MQ/viewform

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FOX WRITERS INCUBATOR INITIATIVE

FOX Entertainment

DEADLINE: November 15, 2021

INFO: FOX Entertainment is looking for passionate, talented and driven writers with diverse and creative voices to join participate in their 2022 FOX Writers Incubator Initiative. The FOX Writers Incubator is a highly selective initiative designed to nurture and provide training to four (4) writers of all genres (comedy, drama, animation, etc) who have diverse voices, backgrounds and life experiences. Writers will have a chance to work intensively on their scripts with the support of established writers, executives, directors and producers.

The goal of the program is to create a strong pipeline of well-rounded talent for potential staffing on FOX television shows. The initiative offers trained writers a rigorous three-month workshop focused on developing original material focused on rewriting their material, honing writing skills, and exploring the business of media and entertainment. Upon successful completion of the FOX Writers Incubator, writers will receive priority in staffing meetings on FOX television shows.

Applications will be accepted over a 2 week period beginning November 1st and closing November 15th. To apply, you will need the following:

One (1) Original Pilot Script
Resume/CV
Bio
Personal Statement
Script Synopsis
Logline
23 Additional Original Loglines of unproduced material
2 names of recommendations

www.foxcareers.com/Search/JobDetail/R50016511?fbclid=IwAR0w9A1xgfMGcEbwZb_4vlkyBPQSOPM5O2d8BTxvnCABdbTIc-LetftfoSU